Search results for ""Author Simon"

If you like David Baldacci, Stuart MacBride and Peter James, you'll love this frighteningly tense, spine-tingling thriller from Sunday Times bestselling author Simon Kernick - the UK's answer to Harlan Coben. "Witty, scary, fast-moving and outrageous" -- THE TIMES"Simon Kernick is one of the most reliable purveyors of the edge-of-your-seat thriller... a more powerful adrenaline rush than an EpiPen" -- SUNDAY EXPRESS'Fabulous' -- ***** Reader review'Kernick does it again!' -- ***** Reader review'A great thrill ride' -- ***** Reader review'Another fast-paced masterclass from Simon Kernick' -- ***** Reader review*************************************************************************************EVEN THE PERFECT LIFE CAN SHATTER IN SECONDSYou have it all. Success, a beautiful home, a happy family. Until, in a heartbeat, it's gone.We've kidnapped your daughter, and we know everything about you. Including the dark secrets from your past you thought were forgotten.We tell you not to contact the police - and that we'll know if you do. Because we can see you.And now you know this is no ordinary abduction. It's worse. Within hours you're on the run, with only one thought in your head:That you will stop at nothing to get your daughter back.Even murder...

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When Marcel Duchamp shipped Constantin Brancusi's sculpture Bird in Space to Edward Steichen in 1926, New York customs officials refused to accept that it was a work of art, instead levying the standard import tariff for a manufactured object. A legal battle ensued, with the courts eventually declaring Bird in Space an artwork and therefore exempt from the tariff. Seventy-eight years later, visitors to Simon Starling's exhibition at New York's Casey Kaplan Gallery were confronted with Staling's own Bird in Space (2004): a two-ton slab of steel from Romania (Brancusi's country of origin) leaning against the gallery wall and propped up on three inflatable cushions. The United States had recently introduced a new import tax of twenty per cent on foreign metals, which Starling circumvented by labelling this unaltered chunk of European steel a work of art. Its plinth of cushioned air not only introduced a second, more representational valance to the work but also brought to bear the traditional sculptural parameters of weight, gravity and balance. Starling's art frequently traffics in deception. It also traffics in traffic, meaning the circulation of goods, knowledge and people (usually the artist himself). Many of his works circle back on themselves, taking an idea on a journey that ends at its point of origin. Wilhelm Noack oHG (2006), for example, is an elaborate helical steel structure designed to loop a thirty-five-millimetre film of the workshop in which it was fabricated. The circuitous path that the film takes through the towering metal structure is the perfect visual metaphor for the work's own circular logic, a self-regulating system that adds up to much more than the sum of its parts. Starling is a key figure in one of contemporary art's most significant recent developments: the linking of artistic practice and knowledge production. Although this tendency flourished with Conceptual art in the 1960s and 1970s, in recent years it has taken on a new intensity. Unlike the Conceptual artists, however, many of whom strove for a language-based dematerialized art, for Starling the object is always at the work's heart. Economies, ecologies, coincidences and convergences are all simply means to an end - although 'simply' may be the wrong word to describe the transformation of thousands of miles of travel and hundreds of years of history into a single sculpture, film or photograph. Starling's other predecessors are the Land artists, such as Robert Smithson, with whom he shares a fascination with entropy and other natural forces. But he is truly an artist of the current age, setting out to understand and illustrate the complex processes through which the natural and human-made realms interact. The five platinum/palladium prints that constitute One Ton (2005) show a single view of a South African platinum mine. Together the five prints contain the precise amount of platinum salts that can be derived from one ton of ore, succinctly illustrating the enormous amount of energy required in the extraction of precious metals. Born in England in 1967 and now living in Denmark, Starling has been the subject of solo exhibitions at museums around the world, including the Hiroshima City Museum of Art (2011), Kunstmuseum Basel (2005) and the Museum of Contemporary Art in Sydney (2002), and his work has been featured in major international group shows, such as the Venice Biennale (2009), the Moscow Biennial (2007) and the São Paulo Biennial (2005). Awards include the Turner Prize (2005), the Blinky Palermo Prize (1999) and the Paul Hamlyn Foundation Award for Artists (1999). In the Survey, Dieter Roelstraete presents a comprehensive overview of Starling's work, examining circularity and serendipity and the their relationship to historical research. For the Interview, Francesco Manacorda and the artist discuss the central role of time in his work. Janet Harbord's Focus scrutinizes Wilhelm Noack oHG (2006) as an example of material cinema. Artist's Choice is a extract from Flann O'Brien's 1996 novel The Third Policeman, a fantastical conversation about bicycles swapping atoms with their riders. Artists Writings include five project statements, all of which consist, in varying proportions, of history, science and speculative fiction.

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Paul Simon: An American Tune is the first full-scale survey of the career of one of the most honored musicians and songwriters in American history. Starting out as a teeny-bopper rocker in the late 1950s, Paul Simon went on to form the most influential pop duo of the 1960s—Simon & Garfunkel—and after their break-up in 1970, launch one of the most successful, varied, and surprising solo careers of our time. In Paul Simon: An American Tune, Cornel Bonca considers Simon’s vast trove of songs in the biographical and cultural context in which he wrote them: from the pop cultural revolution of the 1960s which Simon himself helped to create, the singer-songwriter movement of the 1970s, the turn toward world music in the 1980s that gave the world the monumental Graceland, to the intimate personal turn his music took in the millennial era. Analyzing Simon’s albums one by one, often song by song, Bonca provides a deep and artful exploration of the work of one of today’s major songwriters. Offering a lucid and vivid portrait of an astonishing decades-long career, Paul Simon: An American Tune will interest a wide audience, from Simon fans to students and scholars of American popular culture.

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Since her husband passed away, Simone's days in Australia have become repetitive and predictable. Her friends are driving her mad introducing her to eligible men and her busy daughters are no better, always wanting her available for babysitting. When she is offered a house swap, she takes the opportunity to begin a new chapter of her life in England. Meanwhile, in Wiltshire, wildlife photographer Russ has just taken possession of a new house to enjoy the quiet of the countryside while he recovers from a serious injury. Little does he expect to be so taken with his temporary next-door neighbour from the other side of the world .

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SIMON & GARFUNKEL is a definitive account of Paul Simon and Art Garfunkel's career together. With unique material and exclusive interviews with fellow musicians, promoters and friends, acclaimed author Spencer Leigh has written a compelling biography of some of the world's biggest musical stars. With remarkable stories about the duo on every page, the book not only charts their rise to success and the years of their fame, but analyses the personalities of the two men and the ups and downs of their often fraught relationship.

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Synopsis coming soon.......

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A collection of complete comic book stories from the legendary team of Joe Simon and Jack Kirby, covering every genre in which they made their mark.From the very beginning in the late 1930s, Simon and Kirby produced the finest stories around, creating dramatic new super heroes (Captain America, Blue Bolt, Fighting American, The Fly), western action (Boy’s Ranch), gruesome horror (Black Magic), explosive detective fiction (Justice Traps the Guilty), and the very first romance comics (Young Romance). They were the dream team.• The only edition authorised by both Joe Simon and the estate of Jack Kirby• Hand-picked by Joe Simon himself, with introductory material by him• The images are fully restored to their original vibrancy by Harry Mendryk and presented in an impressive, collectible package • Contains more than two-dozen tales, presented in their entirety, inclu

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My Husband Simon tells the story of the married life of Nevis Falconer, a young woman novelist, and Simon Quinn. Temperamentally unsuited, they are only kept together by a mutual physical attraction, in spite of innumerable quarrels. They live this superficial existence for three years, until one day Nevis meets Marcus Chard, her American publisher, who has just arrived in London. Soon friendship develops into love. Inevitably the problem faces her. Wife or mistress? Nevis finds herself caught in a whirl of circumstances over which she has no control. Published in 1931 in the immediate aftermath of D H Lawrence's Lady Chatterley's Lover controversy, Mollie Panter-Downes's book explores the different echelons of the increasingly self-conscious middle class and the ways in which the tensions and nuances of vocabulary, dress, occupation, politics, taste and, ultimately, the literary world contribute to the incompatibility of a marriage.

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Taryn Simon’s earliest body of work, The Innocents (2002), documents the stories of individuals who served time in prison for violent crimes they did not commit. The series centres on the question of photography as credible witness and arbiter of justice, since the primary cause of wrongful conviction is mistaken identification. Suspected perpetrators are identified through photographs and lineups, a procedure that relies on the assumption of precise visual memory. But through exposure to composite sketches, mug shots, Polaroids, and lineups, eyewitness memory can change. In these cases, photography offered the criminal justice system a tool that transformed innocent citizens into criminals. Simon photographed these men at sites that had particular significance to their illegitimate conviction: the scene of misidentification, the scene of arrest, the scene of the crime, or the scene of the alibi. The Innocents was first exhibited at MoMA PS1 in 2003. The 2021 edition of the book includes previously unpublished images, a new essay by Innocence Project co-founders Peter Neufeld and Barry C. Scheck, and an interview by professor and curator Nicole R. Fleetwood with criminal justice reform activist Tyra Patterson.

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'Pushes all the seductive buttons in a world tangential to our own' (Edward Fennell, The Times) Meet Simon Haines. For a decade he's been chasing his dream: partnership at the legendary, family-run law firm of Fiennes & Plunkett. The gruelling hours and manic intensity of his job have come close to breaking him, but he has made it through the years and is now within a whisker of his millions: in less than two weeks, he will know the outcome of the partnership vote. He decides to spend the wait in Cuba in an attempt to rediscover his youthful enthusiasm and curiosity, and to clear his mind before the arrival of the news that might change his life forever. But alone in Havana he becomes lost in nostalgia and begins to relive his past...Set against the backdrop of an uncertain world, and charged with emotion, Being Simon Haines is a searching story about contemporary London and aspiration, values and love. Painting a picture of a generation of young professionals, it asks the most universal of questions: are we strong enough to know who we are? 'Beautiful, intelligent, and thoroughly readable' (Ian Sansom)

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Simon Moretti is known for his enigmatic exhibition works, presenting displays that engage with questions of agency, temporality, automatism, desire and masculinity. Incorporating appropriated images and archives as well as curatorial and publishing projects, often made in collaboration with other artists, his work addresses the role of ‘curating as practice’. Presented as a non-chronological visual essay, this publication surveys 10 years of collage works by Moretti. It includes text contributions from writer Craig Burnett, curator and art historian Yuval Etgar, novelists Deborah Levy and Chloe Aridjis, and a conversation with Andrew Durbin, editor-in-chief of frieze magazine.

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This engrossing and unputdownable fast-paced thriller from Sunday Times bestselling author Simon Kernick, the UK's answer to Harlan Coben, is perfect for fans of David Baldacci, Stuart MacBride and Peter James. Guaranteed to get your blood pumping - a real edge-of-your-seat ride!'Hang on tight!' - Harlan Coben'Full of Kernick's trademark cheerful amoral characters, it's irresistible entertainment' -- Sunday Mirror'A spectacularly fast moving and captivating read.' -- Lovereading'Wow I absolutely loved this book from start to finish' -- ***** Reader review'I couldn't put it down and read it within 24 hours of getting it!' -- ***** Reader review'Fast paced thriller with the twists and turns that keeps you enthralled from the first page to the last' -- ***** Reader review'Full of tension and excitement' -- ***** Reader review****************************************************************************************YOU'VE SEEN TOO MUCH. NOWHERE IS SAFE NOW.THE WITNESSWhen Jane Kinnear sees her lover being murdered, she suddenly finds herself in danger. Taken to an anonymous police safe-house, it soon becomes clear that her lover was an MI5 informant with important information about an imminent terrorist attack.THE DETECTIVEDI Ray Mason of Counter Terrorism Command is a man with a controversial past, but his effectiveness at getting results means that he's now been given the task of preventing the attack from taking place. But can he be trusted, and does he know more about the attack than he's letting on?THE KILLERIn the safe-house, Jane is trying to piece together a description of her lover's killer. But what she doesn't know is that the killer has already found out who she is, and where she is hiding.And now he's coming for her ...

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Simon Weston was horrifically burnt in the Falklands conflict of 1982. He has since rebuilt his life to become a true hero for our times and he brings his astonishing story up to date in the pages of this new autobiography. Now happily married with three young children, he campaigns tirelessly for charities - he has jumped with the Red Devils and run the New York marathon - to create a better future for young people and veterans alike. But his road to recovery has certainly not been without its darker moments. This book sees him lay his Falklands ghosts to rest: in a final, moving return to the islands, he bids a last goodbye to the old self he left behind.

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Another huge collection of classic and challenging crossword puzzles from Simon & Schuster, complete with tear-out perforated pages so you can take your puzzles to go!Prepare yourselves! Here are 225 big—and tough—crosswords taken from out-of-print books in the famous Simon & Schuster crossword puzzle series. Inside these covers are tons of Sunday Times-caliber wordplay just waiting to taunt and tantalize you. Originally edited by former New York Times crossword editor Eugene Maleska and his colleague John Samson, every puzzle in this book has been completely revised and updated. Super Crossword Book #12 is the ultimate challenge for the truly fearless crossword aficionado—so sharpen your pencils and wits and get ready for hours of delightfully frustrating fun.

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The Yearbook of the Simon Dubnow institute for 2011 has as one of its major themes the Jewish presence in the local governments of Central Eastern Europe, particularly during the time between World War I and World War II and especially in Poland. A further theme considers matters of literary history after 1945 based on iconic texts as well as approaches determined by our knowledge of history.The general section and the other sections contain contributions on urban life in Eastern Europe, on the history of Jewish newspaper production, on the early studies of the Holocaust, on intellectual circles in the study of Judaism, and on the history of the transfer and effect of continental theories in America.

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The tense, twisting thriller you will not want to put down at night. From Sunday Times bestselling author Simon Kernick, the UK's answer to Harlan Coben.'Simon Kernick writes with his foot pressed hard on the pedal. Hang on tight! - HARLAN COBEN'Simon Kernick might just be the best of Britain's new-wave crime writers.' - LEE CHILD'Kernick is no longer a writer to watch; he's an author to be reckoned with.' -MARK BILLINGHAM********************************************************************THEY WANT YOU.AND THEY WANT YOU DEAD.Saturday afternoon: you're with the kids in the garden when the phone rings.It's your best friend from school. Someone you haven't seen for a few years. It should be a friendly call catching up on old times.But it's not.This call is different. Your friend is panting with fear, his breaths coming in tortured, ragged gasps. Someone is inflicting terrible pain on him.He cries out and then he utters six words that will change your life forever... the first two lines of your address.

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Simon didn’t say go to sleep…did he? After he’s tucked into bed, Simon and his favorite toys get ready to play…Simon Says! The nighttime comes alive, and imaginations run free as Simon issues his commands to his little friends. There’s just one rule: you’d better make sure he said “Simon says,” or else it’s your turn to go to sleep! One by one, Simon’s toys get all cozy for sleep…until it’s Simon’s turn! Join Simon and his toy friends in this charming and playful bedtime romp.

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Simon Pearce: Design for Living presents the timeless design and enduring style of the legendary glassware maker. Ranging over four decades, it showcases his distinctive line of handmade, lead-free crystal glass- ware for everyday use, from stemware and vases to candleholders and bowls. In the early 1970s, Pearce was captivated by the beauty and luminosity of Georgian glass, and devoted himself to revitalizing the ancient craft of glass- blowing for contemporary tastes. This book is a visual celebration of his sought-after iconic pieces, photographed individually as well as in inspiring table settings and as vignettes. Profiles of the work of the potters, glassmakers, and artists that Pearce collects and turns to for inspiration are also included. Offering a lavish and in-depth look at stunning hand- crafted glassworks, this volume is for anyone interested in design and home interiors. World-renowned glassmaker Simon Pearce is a manufacturer of high-quality, elegant glassware with distinctive simplicity. Pearce opened his glass business in Ireland in 1971, and relocated to Quechee, Vermont, in 1980, adding the popular Simon Pearce Restaurant and stores. Glenn Suokko is the founder of Suokko Art + Design and is also a photographer. He published Pastoral, coauthored with Simon and Pia Pearce A Way of Living, and was a creative director for Simon Pearce, Ltd. Margaret Downes helped establish Ireland's Kilkenny Design Work- shops in the late 1960s.

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Bringing together well-known writers with composers and performers, this volume gives a complete overview of Holt's creative work up to 2015. British composer Simon Holt (b. 1958) has been a leading presence in contemporary music since the early 1980s and Kites. His output is diverse, comprising chamber music, concertos for diverse instruments, songs, piano musicand opera. Holt is a composer who demands unusual commitment from his interpreters - the intricate sound-worlds he creates often contain complex, rich textures, offset by 'still centres' - for the purpose of making music which speaks with extraordinary power. Bringing together well-known writers with composers and performers, this volume gives a complete overview of Holt's creative work up to 2015 and Fool is hurt. It uses a variety of approaches to help readers, listeners and players to find ways into the pieces and to understand the influence of visual art and poetry on Holt's work. Colour illustrations, music examples, tables and sketch facsimiles offer a rounded impression of Holt's inspiration and thought to date. Also included are a wide-ranging conversation between Simon Holt and the artist Julia Bardsley, and a text by the conductor Thierry Fischer. The volume also offers the first detailed catalogue of Holt's compositions, drawn up together with the composer. It reveals that the last twenty years have seen no slowing-up in his rate of creative production, notwithstanding that the nature of his writing has changed during this time. DAVID CHARLTON is Professor Emeritus of Music History, Royal Holloway, University of London. Contributors: JULIA BARDSLEY, DAVID BEARD, DAVID CHARLTON, THIERRY FISCHER, ANTHONY GILBERT, STEPHEN GUTMAN, MELINDA MAXWELL, RICHARD MCGREGOR, STEPH POWER, PHILIP RUPPRECHT, SIMON SPEARE, REBECCA THUMPSTON, EDWARD VENN

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The action-packed third book in a series that’s Percy Jackson meets Beast Quest, about a boy who discovers he’s part of a secret race of animal shapeshifters – and must become a hero Twelve-year-old Simon Thorn’s life is almost unrecognisable from just a few months ago. He has a twin brother, an uncle he never knew and his first real friends at the secret Animalgam Academy. Not only is he an Animalgam, he’s also the Beast King – heir along with his brother to a bloodline more powerful and dangerous than any other ... In this final instalment in the action-packed trilogy, Simon must venture into the water kingdom. But danger lurks in the shadows beneath the waves and Simon will have to call upon his friends and all he’s learnt to survive ... and save the world. Kingdoms collide and the stakes are raised in this electrifying final novel about a boy who learns it’s not the powers you’re born with that make you a hero – it’s how you use them. Ideal for fans of Percy Jackson and Beast Quest.

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Pearson English Readers bring language learning to life through the joy of reading. Well-written stories entertain us, make us think, and keep our interest page after page. Pearson English Readers offer teenage and adult learners a huge range of titles, all featuring carefully graded language to make them accessible to learners of all abilities. Through the imagination of some of the world’s greatest authors, the English language comes to life in pages of our Readers. Students have the pleasure and satisfaction of reading these stories in English, and at the same time develop a broader vocabulary, greater comprehension and reading fluency, improved grammar, and greater confidence and ability to express themselves. Find out more at english.com/readers

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Using the same innovative format as his Caldecott Honor winner, Mel Fell, Corey R. Tabor reimagines Aesop’s “The Dog and His Reflection” in a clever, charming tale of empathy and generosity. One day, down by the pond, Simon meets another dog just like him. And that dog has a bone just like his, only better! How will Simon ever get him to trade, when the other pup knows all the same tricks…?

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Ein erster thematischer Schwerpunkt des Jahrbuchs gilt der gegenseitigen Wahrnehmung von Juden und Nicht-Juden in der polnischen Ãffentlichkeit zwischen 1850 und 1950. Analysiert wird das polnisch-jÃ"dische Verhältnis anhand der jÃ"dischen literarischen Salons, des Cabarets und Kinos, der jÃ"dischen Historiographie und Holocaustliteratur sowie der jÃ"dischen Partizipation am politischen Leben der Zweiten Republik.Ein zweiter Schwerpunkt untersucht die GrÃ"nde fÃ"r die unterschiedliche Entfaltung der verwandten Traditionen des Islams und des Judentums unter den Bedingungen der Neuzeit. Im Allgemeinen Teil und den Rubriken folgen Portraits von Einzelpersönlichkeiten, ein Forschungsbericht zu den KindertagebÃ"chern von HolocaustÃ"berlebenden und ein Literaturbericht zu Polen.

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Fans of David Baldacci, Stuart MacBride and Peter James will devour this intensely addictive and adrenalin-fuelled thriller from Sunday Times bestselling author Simon Kernick - the UK's answer to Harlan Coben.'Brutal, bruising and brilliant' -- The Sun'Has enough breakneck action and suspense to be a real page turner' -- Sunday Mirror'An enthralling, twisted and absolutely unputdownable read' -- ***** Reader review'Thrilling, gripping, shocking and a complete page-turner. I literally couldn't put it down' -- ***** Reader review'I had to finish the book and did so in the early hours' -- ***** Reader review'Fast paced and gripping from the start - absolutely loved it' -- ***** Reader review'My pulse rate has finally returned to normal. What a fantastic ending to an excellent book' -- ***** Reader review***********************************************************************************SEVEN VICTIMS. THREE KILLERS. ONE DEADLY SECRET.A house deep in the countryside where the remains of seven unidentified women have just been discovered.A cop ready to risk everything in the hunt for their killers.A man who has seen the murders and is now on the run in fear of his life.So begins the race to track down this witness before the killers do.For Ray Mason and PI Tina Boyd, the road ahead is a dangerous one, with bodies and betrayal at every turn...

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A captivating and taut thriller that will leave you holding your breath, from Sunday Times bestselling author Simon Kernick, the UK's answer to Harlan Coben.'The next time I see Simon Kernick's name on a book, I will pick it up. Brilliant!' - RICHARD MADELEY'This thriller is so authentic that it completely takes your breath away, and then some.' - THE MIRROR'Kernick is the master of the literary rabbit punch, thumping his readers when they least expect it, and from a different direction...Cracking stuff.' - THE TIMES'If it's heart-thudding tension you want, Simon Kernick is your man.' - DAILY MAIL'Simon Kernick uses every trick in the book to keep the action breakneck.' - TIME OUT********************************************************************'WE'VE GOT YOUR DAUGHTER.'It's evening, you're back late from work - and the house is in darkness.You step inside, and the phone rings. You answer it - and your world is turned upside down.Your fourteen-year-old daughter's been taken, and her kidnappers demand half a million pounds in cash. They give you 48 hours to raise the money. If you call the police, she will die.As the nightmare unravels, you can be certain of only two things: that you will do anything to get your daughter back alive - and that time is running out...

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When Simon Cadell announced to the world that he may have only days to live, it signalled the end of a twenty-year stage career that had just seen its finest hour—winning an Olivier Award for `Travels With My Aunt’. The British public had fallen in love with the charms of Cadell as Jeffrey Fairbrother, part of the hugely successful sitcom `Hi-de-hi!’, constantly dodging the amorous advances of Ruth Madoc’s Gladys Pugh. But behind the lop-sided smile lay a man full of nerves and insecurity about the looks that ultimately defined his television career. As the hapless civil servant Mr Dundridge, in `Blott on the Landscape’ he displayed perfect incompetence played to perfection, brought to triumph by his naked escape from the clutches of Lady Maud as played by Geraldine James. Equally adept at Shakespeare and Chekhov as he was with Whitehall-style farces, Cadell’s was a highly respected stage career achieved via a relentless workload. His many appearances as Noel Coward earned him a reputation as the definitive Coward interpreter, something he had first turned his hand to at the Bristol Old Vic Theatre School. With access to family photographs and documentation, and sourced by numerous interviews, `Simon Cadell: The Authorised Biography’ tells for the first time the story of a fourth generation actor who oozed charm and had a zest for a life that was cut tragically short at the peak of his powers.

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At every point, Joe Simon and Jack Kirby raised the bar.When they came to comics, Superman had been around for about a year, and the medium was still in its infancy. They took the action and made it explode, breaking out of the panels and sprinting across the page. They showed what comics could do, experimenting with layout and design, creating the first full-page panels and double page spreads.Their first million-seller was a superhero (Captain America), and their next was military adventure that outsold Superman (DC's Boy Commandos). These two guys from Rochester and Brooklyn broke all the rules when they created the first romance comics, and they blazed trails in every genre: horror, science fiction, crime etc ...Their work in the legendary title Black Magic was acclaimed by readers. It was held up on national television by the Senate Committee on Juvenile Delinquency, where experts claimed Black Magic contributed to the cor

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The world is a bewildering place and we're ill-equipped to deal with it. From the horrors of childhood to the vagaries of old age, from confused people to humiliated animals, we're all just trying - and often failing - to keep it together. How carefully should you answer when asked what you'd take to a desert island? What do you do if your parents are reading your diary? How useful is a Swiss Army Knife? And what's A Brief History of Time really about? Armed with a sharp eye for the absurd and an overwhelming sense of doom, Simon Rich explores the ridiculousness of our everyday lives, from the most minute of anxieties to one of life's biggest questions: Does God really have a plan for us? Yes, it turns out. Now if only He could remember what it was ... 'Simon Rich is very much laugh-out-loud funny. He can conjure authentic, from-the-abdomen laughter on almost every page. He stacks surrealism on top of slick satire on top of pure childish silliness in such a brilliant and condensed way, there are sometimes three laugh-out-loud moments within the same paragraph ... He is exactly the right kind of writer for the internet: funny, high-concept, accessible, short, sharable, a James Thurber for the Twitter age' Matt Haig

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