Search results for ""Author Hans Ulrich""

The first book to explore the fascinating career and fantasy-driven worlds created by the acclaimed Argentinean artist Adrián Villar Rojas's works concoct imaginary realms. Usually made from clay, his colossal installations are transitory and so cannot be collected, as they disappear or decay over time. His practice confronts the public with ideas of obsolescence and extinction, but also with the possibilities of humankind and its endless imagination. This is the first book to include all of Villar Rojas' most significant projects, featured in international biennials such as Venice, Documenta, Shanghai, and others.

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A practice-oriented reference for the clinical management of osteomyelitis This concise and superbly illustrated surgical manual provides step-by-step instruction on how to effectively manage acute and chronic bone and joint infections. The book opens with a discussion of the pathophysiology and classification of this challenging disease. Leading clinicians discuss diagnostic procedures, including imaging and nuclear medicine techniques, and cover different methods of antibiotic therapy. The book then guides readers through a range of techniques for the surgical treatment of osteomyelitis, plastic and reconstructive techniques for primary treatment and prevention of infections, procedures for managing infected prostheses, and arthrodeses for infected joints. Features: Practical notes, tips, tricks, and pitfalls highlighted in color-coded boxes Numerous case studies offering treatment examples for daily practice To-the-point descriptions and clear presentation of complex material More than 500 high-quality radiographic images, full-color illustrations, and photos demonstrating the anatomy and surgical techniques Ideal as a quick reference prior to surgery, Septic Bone and Joint Surgery is a practical guide for clinicians and residents in orthopedic surgery, general surgery, and plastic surgery. "It is an ideal volume for the young orthopedic surgeon." - Annals of the Royal College of Surgeons July 2011

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In JENA Düsseldorf, first published in 2011, we follow Sabine Moritz and her artistic development, which began in 1989 at Offenbach University of Art and Design and continued in 1991 at the fine arts academy Kunstakademie Düsseldorf. Following the publication of Lobeda in 2010, a collection of homogenous early drawings, the pictures featured in JENA Düsseldorf have greater diversity in terms of content and form reflecting Moritz steady progression as an artist. Moritz brings scenes to life with vibrant colours and experimental brushstrokes creating a range of textures and atmospheres in a variety of medium including oil, acrylic, charcoal and colour pencil. The repertoire of architectural motifs is expanded to include places of remembrance in the GDR, sculptures in public spaces and the typology of ‘empty places’. Some of the motifs from Lobeda reappear and are altered, drawing attention to the dynamic aspect of the process of recollection. The book also features a conversation with Hans Ulrich Obrist in which Moritz talks about her personal life, her memories and makes reference to specific works. The modest and compact book, packed with over 200 colour illustrations, shows by way of example her search for an artistic position on her route from Jena to Düsseldorf.

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Through 140 drawings, thought experiments, recipes, activist instructions, gardening ideas, insurgences and personal revolutions, artists who spend their lives thinking outside the box guide you to a new worldview; where you and the planet are one.Everything here is new. We invite you to rip out pages, to hang them up at home, to draw and scribble, to cook, to meditate, to take the book to your nearest green space.Featuring Olafur Eliasson, Etel Adnan, Alexis Pauline Gumbs, Jane Fonda & Swoon, Judy Chicago, Black Quantum Futurism Collective, Vivienne Westwood, Cauleen Smith, Marina Abramovic, Karrabing Film Collective, and many more.

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The second volume of Dilthey's correspondence (1882-1895) contains some 400 letters written by or directed to Dilthey during his initial years as a professor in Berlin. They document his intensive and broad pursuit of outlining the liberal arts as well as providing insight into his concepts and concrete plans for the academy edition of Kant's works. In addition, the letters contained in this volume reveal the important role Dilthey played in shaping the science policies of his day, particularly through his close relationship with the influential Prussian cultural policymaker Friedrich Theodor Althoff.

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Based on the blockbuster 2022 solo show in London, KAWS: New Fiction documents the groundbreaking, multi-layered exhibition that presented the artist’s new and recent works in physical and augmented reality. A unique collaboration between the acclaimed artist KAWS, the Serpentine Galleries, digital art platform Acute Art, and the online video game phenomenon Fortnite, KAWS: New Fiction bridges the gap between the physical and virtual worlds, showcasing KAWS’s artworks as they’ve never been seen before. This one-of-a-kind book chronicles the iconic KAWS figure as it journeys through viewing the exhibition’s paintings, sculptures, site-specific additional artworks revealed via augmented reality (visible at the show through a dedicated AR app), and the virtual recreation of the physical gallery simultaneously featured in Fortnite. KAWS: New Fiction is a celebration of the unprecedented exhibition, and KAWS’s creative influence, as it was experienced in physical, virtual, and augmented realities.

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Representing the most extensive research on public employment, these two volumes explore the radical changes that have taken place in the configuration of national public services due to a general expansion of public employment that was followed by stagnation and decreases. Part-time employment and the involvement of women also increased as a component of the public sector and were linked to the most important growth areas such as the educational, health care and personal social services sectors. The two volumes that make up this study shed important insight on these changes.Volume 1 offers a unique internationally comparative multi-dimensional analysis of ten public service systems belonging to different families of major advanced western countries. It contains the most comprehensive and comparable quantitative analyses available anywhere of ten public service systems; Britain, New Zealand, Australia, Canada, the US, Germany, Spain, France, Denmark and Sweden.Volume 2 is a comprehensive analysis of the ten public service systems, with in-depth comparisons of the systems along eight dimensions including central-regional-local government employment proportions and the change of the services since the 1950s with respect to social composition (gender, minorities, elites, career groups).Scholars and professionals in the fields of public administration, politics and economics will find this two-volume compendium informative and practical.

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Representing the most extensive research on public employment, these two volumes explore the radical changes that have taken place in the configuration of national public services due to a general expansion of public employment that was followed by stagnation and decreases. Part-time employment and the involvement of women also increased as a component of the public sector and were linked to the most important growth areas such as the educational, health care and personal social services sectors. The two volumes that make up this study shed important insight on these changes.Volume 1 offers a unique internationally comparative multi-dimensional analysis of ten public service systems belonging to different families of major advanced western countries. It contains the most comprehensive and comparable quantitative analyses available anywhere of ten public service systems; Britain, New Zealand, Australia, Canada, the US, Germany, Spain, France, Denmark and Sweden.Volume 2 is a comprehensive analysis of the ten public service systems, with in-depth comparisons of the systems along eight dimensions including central-regional-local government employment proportions and the change of the services since the 1950s with respect to social composition (gender, minorities, elites, career groups).Scholars and professionals in the fields of public administration, politics and economics will find this two-volume compendium informative and practical.

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The Chinese artist Liu Ye’s meticulous, colorful canvases convey his love of literature in the first publication dedicated to his paintings of books. The Beijing-based artist Liu Ye is known for his precise, deftly rendered representational paintings. Drawn equally from contemporary culture and old master painting, Liu’s wide-ranging visual touchstones include Piet Mondrian, Miffy the Bunny, and Prada advertisements. In this new publication devoted to his book paintings, the artist examines the book as both a physical object and cultural totem. Playing with geometry and perspective, Liu creates extraordinary and disorienting portraits of this most familiar subject. Liu’s Book Painting series, begun in 2013, depicts close-up views of books that are turned open to reveal empty pages, an approach that emphasizes the object’s form over its content. Rendering books’ material structure—endpapers, binding, spine—in sensual detail, these paintings indicate an obsession with the book as an object and a lifelong love of literature. Liu’s father was a children’s book author who introduced him to Western writers at a young age, fueling his curiosity and imagination. Many of the books in Liu’s father’s collection were banned in Cultural Revolution–era China and the artist read them secretly throughout his childhood. This formative experience figures in his popular Banned Books series and in his book paintings in general. Published on the occasion of a solo exhibition presented at David Zwirner, New York, in 2020, this catalogue includes new writing by the acclaimed poet Zhu Zhu, who traces the evolution of the book form in Liu’s work, as well as an interview with the artist by Hans Ulrich Obrist.

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When Benedikt Taschen asked the most important portrait photographer working today, Annie Leibovitz, to collect her pictures in a SUMO-sized book, she was intrigued by the challenge. The project took several years to develop and when it was finally published in 2014, it weighed in at 26 kg (57 pounds). This incredible collection is now available in an accessible XXL book format. Leibovitz drew on more than 40 years of work, starting with the photojournalism she did for Rolling Stone magazine in the 1970s through the conceptual portraits she made for Vanity Fair and Vogue. She selected iconic images—such as John Lennon and Yoko Ono entwined in a last embrace—as well as portraits that had rarely, if ever, been seen before. The Annie Leibovitz SUMO covered political and cultural history, from Queen Elizabeth II and Richard Nixon to Laurie Anderson and Lady Gaga. “What I had thought of initially as a simple process of imagining what looked good big, what photographs would work in a large format, became something else,” Leibovitz says. “The book is very personal, but the narrative is told through popular culture. It’s not arranged chronologically and it’s not a retrospective. It’s more like a roller coaster.” Fans of Leibovitz and her many celebrated subjects can now enjoy that same roller coaster ride for themselves with this unlimited edition.

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On Curating, Carolee Thea's second volume of interviews with ten of today's leading curators, explores the intellectual convictions and personal visions that lay the groundwork for the most prestigious and influential exhibitions in the world today. Among the aesthetic and theoretical issues raised are the relationship between artist and curator, globalism, post-colonialism, capitalism, the future of cultural tourism and the biennial as spectacle or utopian ideal. As Thea notes in her introduction, "the biennial or mega-exhibition--a laboratory for experimentation, investigation and aesthetic liberation--is where the curators' experience and knowledge are tested. As they negotiate venues for artistic expression, intellectual critiques and humanistic concerns in their own societies and others, they are challenged by the certainties and uncertainties of a constantly evolving future." Thea's interviewees are Joseph Backstein, Carolyn Christov-Bakargiev, Okwui Enwezor, Charles Esche, Massimiliano Gioni, RoseLee Goldberg, Mary Jane Jacob, Pi Li, Virginia Perez-Ratton and Rirkrit Tiravanija. On Curating also includes 50 color illustrations of relevant works by (among others) Kutlug Ataman, Tamy Ben-Tor, John Bock, Cao Fei, Olafur Eliasson, Isaac Julien, Francois & Philippe Parreno, Yvonne Rainer, Michael Rakowitz, Doris Salcedo, Allan Sekula, Yinka Shonibare and Francesca Woodman. Carolee Thea is a curator, critic, art historian and independent scholar. Her first book, Foci: Interviews with Ten International Curators was published in 2001. She is contributing editor at ArtAsiaPacific and Sculpture magazine and was the English editor of Atlántica 45. Her articles, reviews and interviews have been published in many arts journals, among them Parkett, Artforum.com, The New Art Examiner, Modern Painters, Artnet.com, ZSijue 21 Beijing, Heresies, Tema Celeste, Parachute and ArtNews.

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Cosmos: Silence and Infinite offers new approaches on the stunning art works of Eduardo Terrazas’s (1936) art works. Four well known authors present a multidisciplinary vision on the artists ongoing series Possibilities of a Structure. Which suggests at once a curiosity in the fabric of our universe and a profoundly human hope for an underlying rationality behind the chaos of the world. Eduardo Terrazas’s has explored a lifetime’s worth of questions about the nature of the universe through the microcosm of his images. He derives his visual reflections with a basic geometric structure and a technique that is inspired by the Huichol “tablas” from Mexican indigenous tribes. His highly colourful and playful series Possibilities of a Structure – of which Cosmos is a subseries – is ongoing since 1974 and holds over 650 works until today: an artistic exploration of the boundaries of the infinite.

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This concise pocket-sized acupuncture guide is what professionals have been asking for! It is the first pocket atlas to cover all the major body and ear acupuncture points, including extensive coverage of the trigger points. Detailed descriptions of the localization, needling depth, indications, and functions of each point are provided. The different schools of ear acupuncture (e.g., Chinese vs. Nogier), often a source of confusion for practitioners, are presented side by side, usually in full-page illustrations, enhancing this book's usefulness as a daily reference guide. The presentation of three acupuncture therapy systems follows a clear didactic concept: All points are shown in text and image, and the localization of the points is aided by means of anatomic drawings and photographs. Coming from diverse specialties, the authors provide you with the most complete, useful, and accurate information available. Acupuncture points are described using the "visual-didactic processing system," which is rapidly gaining praise and recognition for its easy-to-use format. The clearly written text is augmented by high-quality color images. Hecker's Pocket Atlas of Acupuncture and Trigger Points is ideal as a quick reference in your daily practice or as an exam preparation guide. This wealth of information makes it invaluable to experienced practitioners and to novices alike.

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Idolatry, illusion, glitz and greed in Damien Hirst’s seminal sculpture and painting cycles In 2010, Gagosian Gallery staged a seminal exhibition of Damien Hirst’s (born 1965) paintings and sculptures. Titled End of an Era, it addressed concepts of illusion and reality, myth and idolatry, and took its name from the central sculpture in the exhibition: a severed bull’s head in a gold vitrine. The work served as a sequel to Hirst’s 2008 sculpture The Golden Calf, a formaldehyde-preserved bull. Alongside this sculpture, the exhibition showed Hirst’s Diamond Fact Paintings for the first time—a series of photorealist depictions of the world’s most illustrious jewels—as well as two Diamond Cabinets. This catalog collects these pieces and includes a catalogue raisonné of each series (Gold Tanks, Diamond Cabinets and Diamond Fact Paintings). The publication also features a conversation between Hans Ulrich Obrist and Hirst.

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Giosetta Fioroni is considered one of the most important figures in Italian painting of the postwar era. Her work is commonly associated with the Scuola di Piazza del Popolo group in Rome – which also included Mario Schifano, Tano Festa and Franco Angeli, among others – as well as with the advent of Pop art in Italy. Yet Fioroni’s practice differs from those of her immediate contemporaries and from the overarching notion of Pop as it came to be understood in the English-speaking world. The divergences are most clearly pronounced in her persistent exploration of femininity, rooted in both her personal experiences and her interpretation of the category in popular culture. ‘I have worked a lot, not on feminism but on femininity’, Fioroni once explained. ‘I would like to maintain a distinction. In a period of lively feminism, I was interested in the look, in the atmosphere tied to femininity.’ Giosetta Fioroni: Alter Ego is the first publication to focus on feminist perspectives in the work of Fioroni. It includes an exclusive interview with the artist conducted by Hans Ulrich Obrist and a scholarly essay by Anna Dumont on the subject of gendered looking in Fioroni’s portraits of women.

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