Search results for ""Author Editors of David"

A timely update of a highly popular handbook on statistical genomics This new, two-volume edition of a classic text provides a thorough introduction to statistical genomics, a vital resource for advanced graduate students, early-career researchers and new entrants to the field. It introduces new and updated information on developments that have occurred since the 3rd edition. Widely regarded as the reference work in the field, it features new chapters focusing on statistical aspects of data generated by new sequencing technologies, including sequence-based functional assays. It expands on previous coverage of the many processes between genotype and phenotype, including gene expression and epigenetics, as well as metabolomics. It also examines population genetics and evolutionary models and inference, with new chapters on the multi-species coalescent, admixture and ancient DNA, as well as genetic association studies including causal analyses and variant interpretation. The Handbook of Statistical Genomics focuses on explaining the main ideas, analysis methods and algorithms, citing key recent and historic literature for further details and references. It also includes a glossary of terms, acronyms and abbreviations, and features extensive cross-referencing between chapters, tying the different areas together. With heavy use of up-to-date examples and references to web-based resources, this continues to be a must-have reference in a vital area of research. Provides much-needed, timely coverage of new developments in this expanding area of study Numerous, brand new chapters, for example covering bacterial genomics, microbiome and metagenomics Detailed coverage of application areas, with chapters on plant breeding, conservation and forensic genetics Extensive coverage of human genetic epidemiology, including ethical aspects Edited by one of the leading experts in the field along with rising stars as his co-editors Chapter authors are world-renowned experts in the field, and newly emerging leaders. The Handbook of Statistical Genomics is an excellent introductory text for advanced graduate students and early-career researchers involved in statistical genetics.

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This timely book debates the economic and political logic of the austerity policies that have been implemented in the UK and in the Eurozone since 2010 and asks whether there is any alternative for these countries in the years ahead. The work reconsiders the austerity versus stimulus debate through the voices of those who proposed the successful idea of expansionary austerity and those who opposed it. The editors have brought together a collection of articles written by some of the most notable figures in the discipline, including the likes of Alberto Alesina, Ken Rogoff, Tim Besley, David Graeber, Vince Cable, and Paul Krugman. The book also features the debate between Niall Ferguson and Robert Skidelsky. These leading thinkers unveil a world where economists are far from agreeing on economic policy, and where politics often dominates the discussion. The question of whether the British government should have opted for austerity runs through the book, as well as how sustained economic recovery should be encouraged in the future. Scholars, students and members of the general public with an interest in the financial crisis and its lingering aftermath will find this work invaluable.

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Other volumes in the Wiley Series in Probability and MathematicalStatistics, Ralph A. Bradley, J. Stuart Hunter, David G. Kendall,& Geoffrey S. Watson, Advisory Editors Statistical Models inApplied Science Karl V. Bury Of direct interest to engineers andapplied scientists, this book presents general principles ofstatistics and specific distribution methods and models. Prominentdistribution properties and methods that are useful over a widerange of applications are covered in detail. The strengths andweaknesses of the distributional models are fully described, givingthe reader a firm, intuitive approach to the selection of the modelmost appropriate to the problem at hand. 1975 656 pp. FittingEquations To Data Computer Analysis of Multifactor Data forScientists and Engineers Cuthbert Daniel & Fred S. Wood Withthe assistance of John W. Gorman The purpose of this book is tohelp the serious data analyst, scientist, or engineer with acomputer to: recognize the strengths and limitations of his data;test the assumptions implicit in the least squares methods used tofit the data; select appropriate forms of the variables; judgewhich combinations of variables are most influential; and state theconditions under which the fitted equations are applicable.Throughout, mathematics is kept at the level of college algebra.1971 342 pp. Methods for Statistical Analysis of Reliability AndLife Data Nancy R. Mann, Ray E. Schafer & Nozer D. SingpurwallaThis book introduces failure models commonly used in reliabilityanalysis, and presents the most useful methods for analyzing thelife data of these models. Highlights include: material onaccelerated life testing; a comprehensive treatment of estimationand hypothesis testing; a critical survey of methods forsystem-reliability confidence bonds; and methods for simulation oflife data and for testing fit. 1974 564 pp.

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Cultural accounts of scientific ideas and practices have increasingly come to be welcomed as a corrective to previous—and still widely held—theories of scientific knowledge and practices as universal. The editors caution, however, against the temptation to overgeneralize the work of culture, and to lapse into a kind of essentialism that flattens the range and variety of scientific work. The book refers to this tendency as culturalism. The contributors to the volume model a new path where historicized and cultural accounts of scientific practice retain their specificity and complexity without falling into the traps of culturalism. They examine, among other issues, the potential of using notions of culture to study behavior in financial markets; the ideology, organization, and practice of earthquake monitoring and prediction during China's Cultural Revolution; the history of quadratic equations in China; and how studying the "glass ceiling" and employment discrimination became accepted in the social sciences. Demonstrating the need to understand the work of culture as a fluid and dynamic process that directly both shapes and is shaped by scientific practice, Cultures without Culturalism makes an important intervention in science studies. Contributors. Bruno Belhoste, Karine Chemla, Caroline Ehrhardt, Fa-ti Fan,Kenji Ito, Evelyn Fox Keller, Guillaume Lachenal, Donald MacKenzie, Mary S. Morgan, Nancy J. Nersessian, David Rabouin, Hans-Jörg Rheinberger, Claude Rosental, Koen Vermeir

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Essays reflecting the most recent research on the thirteenth century, with a timely focus on the Treaty of Paris. Additional editors: Karen Stöber, Björn Weiler The articles collected here bear witness to the continued and wide interest in England and its neighbours in the "long" thirteenth century. The volume includes papers on the high politics of the thirteenth century, international relations, the administrative and governmental structures of medieval England and aspects of the wider societal and political context of the period. A particular theme of the papers is Anglo-French political history, and especially the ways in which that relationship was reflected in the diplomatic and dynastic arrangements associated with the Treaty of Paris, the 750th anniversary of which fell during 2009, a fact celebrated in this collection of essays and the Paris conference at which the original papers were first delivered. Contributors: Caroline Burt, Julie E. Kanter, Julia Barrow, Benjamin L. Wild, WilliamMarx, Caroline Dunn, Adrian Jobson, Adrian R. Bell, Chris Brooks, Tony K. Moore, David A. Trotter, William Chester Jordan, Daniel Power, Florent Lenègre

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The famous clash between Edmund Burke and Tom Paine over the Enlightenment’s “evil” or “liberating” potential in the French Revolution finds present-day parallels in the battle between those who see the Enlightenment at the origins of modernity’s many ills, such as imperialism, racism, misogyny, and totalitarianism, and those who see it as having forged an age of democracy, human rights, and freedom. The essays collected by Charles Walton in Into Print paint a more complicated picture. By focusing on print culture—the production, circulation, and reception of Enlightenment thought—they show how the Enlightenment was shaped through practice and reshaped over time. These essays expand upon an approach to the study of the Enlightenment pioneered four decades ago: the social history of ideas. The contributors to Into Print examine how writers, printers, booksellers, regulators, police, readers, rumormongers, policy makers, diplomats, and sovereigns all struggled over that broad range of ideas and values that we now associate with the Enlightenment. They reveal the financial and fiscal stakes of the Enlightenment print industry and, in turn, how Enlightenment ideas shaped that industry during an age of expanding readership. They probe the limits of Enlightenment universalism, showing how demands for religious tolerance clashed with the demands of science and nationalism. They examine the transnational flow of Enlightenment ideas and opinions, exploring its domestic and diplomatic implications. Finally, they show how the culture of the Enlightenment figured in the outbreak and course of the French Revolution.Aside from the editor, the contributors are David A. Bell, Roger Chartier, Tabetha Ewing, Jeffrey Freedman, Carla Hesse, Thomas M. Luckett, Sarah Maza, Renato Pasta, Thierry Rigogne, Leonard N. Rosenband, Shanti Singham, and Will Slauter.

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Once notorious but now largely forgotten, the political idealist and radical John Baxter Langley was typical of the well-educated and ethical Victorians who struggled to create a fairer, more equal society. Through a long and wide-ranging career of political agitation he was a journalist, editor and owner of several newspapers, was prominent in the call for franchise reform, and opposed religious legislation that prevented Sunday entertainment and education for working men and women. Langley was also integral to the founding of a trade union, campaigned for an end to public executions and built affordable housing in Battersea. Internationally, he condemned the Second Opium War, exposed British brutality in India and worked covertly for Lincoln’s administration. He was a fellow-traveller for many other key radicals of the day, while his founding of the ‘Church of the Future’ garnered the support of Charles Darwin, James Martineau and John Stuart Mill. Through a chronological narrative of Langley's activities, this book provides an overview of many of the most significant political causes of the mid- to late nineteenth century. These include electoral reform, feminism, slavery, racism, trade unionism, workers' rights, the free press, leisure, prostitution, foreign relations and espionage. A neglected but important figure in the history of nineteenth-century radicalism, this work gives John Baxter Langley the attention he deserves and reveals the breadth of his legacy.

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We are just beginning to understand masculinity as a fiction or a localizable, historical, and therefore unstable construct. This book points the way to a much-needed interrogation of the many modes of masculinity, as represented in literature. Both women and men who are engaged in critical thinking about genders and sexualities will find these essays always thoughtful and often provocative. —Thas E. Morgan, Associate Professor of English, Arizona State University Peter Murphy has assembled an innovative, challenging, and important set of contributions to a growing field of inquiry into constructions of masculinities in literature, inspired principally by feminist and gay studies. Illuminatingly crossing lines of genders, sexualities, cultures, and methodologies, Fictions of Masculinity greatly advances our understanding of representations of men, masculinities, misandry, and misogyny in a wide range of literary works and genres, and helps us to imagine (and thereby ultimately bring about) alternative constructions. —Harry Brod, Editor, The Making of Masculinities: The New Men's Studies, A Mensch Among Men: Explorations in Jewish Masculinity, and Theorizing Masculinities. Women writing about women dominates contemporary work on sexuality. Men have been far more willing to discuss female sexuality than male sexuality, while the most radical and insightful analyses of male sexuality have come from women. When men consider the issue of female sexuality they often speak from assumptions of security about their own unexamined sexuality. This book maintains that men have to interrogate their own sexuality if there is to be a revision of phallocentric discourse; and, that this revision of masculinity must be done in dialogue with women. The essays included in this collection examine the deep structure of masculine codes. They ask the question Who are the men in modern literature? Examining the force of the dominant values of Western masculinity, they synthesize insights from feminism, psychoanalysis, post-structuralism, and new historicism. These perspectives help explain how male sexuality has been structured by fictional representations. By examining the images of masculinity in modern literature, the essays explore traditional and non-traditional roles of men in society and in personal relationships. They look at how men are represented in literature, the fiction of manhood. They attempt to unravel the assumptions behind these representations by looking at the implications of this imagination. And they speculate on possibilities for creating a new imaginary of masculinity by identifying what literature has to say about that change. With analyses of a range of genres (novels, poetry, plays and autobiography), Western and Third World literatures, and theoretical perspectives, Fictions of Masculinity provides a significant contribution to this rapidly growing field of study. Contributors are: David Bergman (Towson State University), Miriam Cooke (Duke University), Martin Danahy (Emory University), Richard Dellamora (Trent University, Ontario), Leonard Duroche (University of Minnesota), Jim Elledge (Illinois State University), Alfred Habegger (University of Kansas), Suzanne Kehde (California Polytechnic University, San Luis Obispo), David Leverenz (University of Florida), Christopher Metress (Wake Forest University), Peter F. Murphy (SUNY, Empire State College), Rafael Prez-Torres (University of Pennsylvania), David Radavich (Eastern Illinois University), and Peter Schwenger (St. Vincent University, Nova Scotia).

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The philosophy of mind is one of the fastest-growing areas in philosophy, not least because of its connections with related areas of psychology, linguistics and computation. This Companion is an alphabetically arranged reference guide to the subject, firmly rooted in the philosophy of mind, but with a number of entries that survey adjacent fields of interest. The book is introduced by the editor's substantial Essay on the Philosophy of Mind which serves as an overview of the subject, and is closely referenced to the entries in the Companion. Among the entries themselves are several "self-profiles" by leading philosophers in the field, including Chomsky, Davidson, Dennett, Dretske, Fodor, Lewis, Searle and Stalnaker, in which their own positions within the subject are articulated. In some more complex areas, more than one author has been invited to write on the same topic, giving a polarity of viewpoints within the book's overall coverage. All main entries have a full bibliography, and the book is indexed to the high standards set by other volumes in the Blackwell Companions to Philosophy series.

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More than sixty years ago, Simone de Beauvoir identified the importance of Maurice Merleau-Ponty’s writings to feminist theory. His exploration of the relationship between the body and the space it inhabits is key to modern phenomenological thinking. But there has been little agreement on how Merleau-Ponty’s ideas ultimately have an impact on feminist philosophy. Does his emphasis on physical subjectivity lend a certain agency to all bodies, regardless of sex? Or do Merleau-Ponty’s specific descriptions of physical experience betray an intrinsic bias toward a male heterosexual point of view? The essays presented here by Olkowski and Weiss attempt to situate Merleau-Ponty in the larger context of feminist theory, while impartially evaluating his contributions, both positive and negative, to that theory.In addition to the editors, the contributors are Jorella Andrews, David Brubaker, Judith Butler, Laura Doyle, Helen Fielding, Vicki Kirby, Sonia Kruks, Ann Murphy, Johanna Oksala, and Beata Stawarska.

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The highly anticipated, definitive reference on Stuart Davis’s paintings, watercolors, drawings, and published illustrations Stuart Davis (1892–1964) made a mark on the art world early in his career, first with his Ashcan works and then with his highly personal version of Cubism, which firmly established American modernism as a force that could rival its European counterpart. Over the course of six decades, Davis produced artworks that drew inspiration from the European modernists but were deeply rooted in the popular culture of the United States. Jazz music and hipster talk, vaudeville stages, city streetscapes, New England fishing villages, gasoline stations, store fronts, and commercial packaging and advertising images were among the sources that infused his art with energy, bringing crisp edges, radiant color, and syncopated rhythms to a vast body of paintings, watercolors, and drawings.Documenting the life’s work of this prolific and highly influential artist—who affected almost every development in American art from second-generation Ashcan realism around 1912 to color field and geometric painting in the 1960s—is a monumental achievement. In these three volumes, the editors have catalogued 1,749 artworks by the artist—including more than 600 works never previously illustrated—providing extensive documentation and information about each one. A detailed chronology of Davis’s life, as well as an enlightening discussion of the compositional relationship between certain works spanning his oeuvre, rounds out this study. Exquisitely designed and produced, Stuart Davis: A Catalogue Raisonné will be the definitive reference on the artist’s work for many years to come.Published in association with the Yale University Art Gallery

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Taxation has long been the subject of study by both lawyers and economists - pre-dating the law and economics movement - but the gap in the understanding of one another's methodology appears to have widened over time. This important two-volume set aims to address this gap, presenting a selection of papers which have been carefully chosen by the editor not only for their application of economics to distinctly legal issues in the field of taxation, but also for their use of an economic analysis that is relevant and penetrable for lawyers and legal scholars. The collection begins with papers that explore the difference between economic and traditional legal approaches to tax problems. Volume I then focuses on commodity taxation, tax incidence and distribution, progressivity, income taxation, consumption and the choice of tax base. Volume II then turns to more procedural aspects of tax, such as the implementation of the tax base, administration and compliance (including tax shelters), the taxable unit and tax expenditures.This collection will provide an invaluable reference source for lawyers, economists and any student of tax law.

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Despite the intensive research of the past quarter century, there still is no single book that examines all major aspects of the medieval scientific enterprise in depth. This illustrated volume is meant to fill that gap. In it sixteen leading scholars address themselves to topics central to their research, providing as full an account of medieval science as current knowledge permits. Although the book is definitive, it is also introductory, for the authors have directed their chapters to a beginning audience of diverse readers, including undergraduates, scholars specializing in other fields, and the interested lay reader. The book is not encylopedic, for it does not attempt to provide all relevant factual data; rather, it attempts to interpret major developments in each of the disciplines that made up the medieval scientific world. Data are not absent, but their function is to support and illustrate generalizations about the changing shape of medieval science. The editor, David C. Lindberg, has written a Preface in which he discusses the growth of scholarship in this field in the twentieth century.

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From Paul Kennedy, author of The Rise and Fall of the Great Powers, one of the most acclaimed history books of recent decades, Engineers of Victory is a new account of how the tide was turned against the Nazis by the Allies in the Second World War. In January 1943 Churchill and Roosevelt met in Casablanca to review the Allies' war aims. To achieve unconditional surrender they had to overcome some formidable hurdles, from winning air command to 'hopping' across the Pacific islands. Eighteen months later, they had done what seemed impossible.Here Paul Kennedy reveals the role of the problem-solvers and middle-men who made it happen - like Major-General Perry Hobart, who invented the 'funny tanks' which flattened the D-Day beaches; or Captain 'Johnny' Walker, who worked out how to sink U-boats with a 'creeping barrage'. This book shows the conflict in an entirely new light.'Consistently original ... An important contribution to our understanding' Michael Beschloss, The New York Times Book Review'[Kennedy's] refreshing study ... asks the right questions, disposes of clichés and gives a rich account of neglected topics' David Edgerton, Financial Times'Colourfully and convincingly illustrates the ingenuity and persistence of a few people who made all the difference' Washington PostPAUL KENNEDY is one of the world's best-selling and most influential historians. He is the author or editor of nineteen books, including The Rise and Fall of the Great Powers, which has been translated into over twenty languages, Preparing for the Twenty-First Century, The Parliament of Man and the now classic Rise and Fall of British Naval Mastery.

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'A heady brew of detective thriller, supernatural horror tale, magical realist fable and a heartbreaking love story' DAILY MAIL'Readers familiar with The Shadow of the Wind will find themselves back in the Cemetery of Forgotten Books where, from a labyrinthine library, volumes seem to select their readers . . . rattling good gothic fun' SPECTATORIn an abandoned mansion in the heart of Barcelona, a young man, David Martín, makes his living by writing sensationalist novels under a pseudonym. The survivor of a troubled childhood, he spends his nights spinning baroque tales about the city's underworld. But perhaps his dark imaginings are not as strange as they seem, for in a locked room deep within the house lie photographs and letters hinting at an unsolved mystery.Like a slow poison, the history of the place and an impossible love bring David close to despair. But then he receives a letter from a reclusive French editor who makes him the offer of a lifetime . . .'Will grip you from start to finish' DAILY EXPRESS

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Notable writers—including UK poet laureate Simon Armitage, Julian Barnes, Margaret MacMillan, and Jenny Uglow—celebrate our fascination with the houses of famous literary figures, artists, composers, and politicians of the pastWhat can a house tell us about the person who lives there? Do we shape the buildings we live in, or are we formed by the places we call home? And why are we especially fascinated by the houses of the famous and often long-dead? In Lives of Houses, notable biographers, historians, critics, and poets explores these questions and more through fascinating essays on the houses of great writers, artists, composers, and politicians of the past.Editors Kate Kennedy and Hermione Lee are joined by wide-ranging contributors, including Simon Armitage, Julian Barnes, David Cannadine, Roy Foster, Alexandra Harris, Daisy Hay, Margaret MacMillan, Alexander Masters, and Jenny Uglow. We encounter W. H. Auden, living in joyful squalor in New York's St. Mark's Place, and W. B. Yeats in his flood-prone tower in the windswept West of Ireland. We meet Benjamin Disraeli, struggling to keep up appearances, and track the lost houses of Virginia Woolf and Elizabeth Bowen. We visit Benjamin Britten in Aldeburgh, England, and Jean Sibelius at Ainola, Finland. But Lives of Houses also considers those who are unhoused, unwilling or unable to establish a home—from the bewildered poet John Clare wandering the byways of England to the exiled Zimbabwean writer Dambudzo Marechera living on the streets of London.With more than forty illustrations, Lives of Houses illuminates what houses mean to us and how we use them to connect to and think about the past. The result is a fresh and engaging look at house and home.Featuring Alexandra Harris on moving house ● Susan Walker on Morocco's ancient Roman House of Venus ● Hermione Lee on biographical quests for writers’ houses ● Margaret MacMillan on her mother's Toronto house ● a poem by Maura Dooley, "Visiting Orchard House, Concord, Massachusetts"—the house in which Louisa May Alcott wrote and set her novel Little Women ● Felicity James on William and Dorothy Wordsworth's Dove Cottage ● Robert Douglas-Fairhurst at home with Tennyson ● David Cannadine on Winston Churchill's dream house, Chartwell ● Jenny Uglow on Edward Lear at San Remo's Villa Emily ● Lucy Walker on Benjamin Britten at Aldeburgh, England ● Seamus Perry on W. H. Auden at 77 St. Mark's Place, New York City ● Rebecca Bullard on Samuel Johnson's houses ● a poem by Simon Armitage, "The Manor" ● Daisy Hay at home with the Disraelis ● Laura Marcus on H. G. Wells at Uppark ● Alexander Masters on the fear of houses ● Elleke Boehmer on sites associated with Zimbabwean writer Dambudzo Marechera ● Kate Kennedy on the mental asylums where World War I poet Ivor Gurney spent the last years of his life ● a poem by Bernard O'Donoghue, "Safe Houses" ● Roy Foster on W. B. Yeats and Thoor Ballylee ● Sandra Mayer on W. H. Auden's Austrian home ● Gillian Darley on John Soane and the autobiography of houses ● Julian Barnes on Jean Sibelius and Ainola

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In the Footsteps of OrpheusThe Life and Times of Miklós RadnótiZsuzsanna OzsváthA powerful account of the life, art, and tragic death of a 20th-century Hungarian Jewish poet."Zsuzsanna Ozsváth bring[s] forth Radnóti's life, his thought, and his passion with a depth of insight that is rare in a scholar. Brilliant, penetrating, and passionate, Ozsváth's book sets a new standard of excellence in Holocaust studies. It is a must for anyone who would approach the dark flame that burns at the core of the Event." —David Patterson, University of Memphis Miklós Radnóti, a young Hungarian Jewish poet, was shot by Hungarian soldiers guarding him while on a forced march from Yugoslavia back to Hungary during the final days of World War II. When his body was discovered and exhumed nearly two years later, a small book of poems was found in his coat pocket. These poems, together with the rest of Radnóti's work, solidified his reputation as one of Hungary's greatest poets. Radnóti shared the experience of many Jewish artists and intellectuals in Central Europe during the early part of the 20th century, but his poetry brings out a particular and personal view of the Holocaust in Hungary. His work plays a unique role in the history of Central European culture as some of the most beautiful poems ever written in Hungarian, as a voice against the rise of totalitarianism, and as testimony to the destruction of Europe's Jews. Zsuzsanna Ozsváth places Radnóti within the context of the political and intellectual history of interwar Hungary, situating him as an artist who is both a Jew and a Hungarian patriot. Her sensitive translations from the Hungarian lend poignancy to this tragic and forcefully told story. This account of Radnóti's life and work explores the sources of the poet's inspiration and imagery and restores it to its extreme times and places.Zsuzsanna Ozsváth is Professor of Literature and the History of Ideas at the University of Texas at Dallas, where she is also Director of the Holocaust Studies Program. She is coeditor and cotranslator (with Frederick Turner) of Foamy Sky: The Major Poems of Miklós Radnóti and Attila Jozsef's The Iron-Blue Vault: Selected Poetry.Jewish Literature and Culture—Alvin H. Rosenfeld, editorContentsMyth and ConsciousnessPoetic Images: Socialist Art and Political CommitmentThe Pull of Contraries: Making of the PastVisions of Destruction, Lyrics of ResistanceIn Extremis: 1944

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A far-ranging critique of the rise of authoritarianism and white nationalism in the US and the consequences for democracy.In this searing critique of the Trump presidency and the rise of authoritarianism in the U.S., Henry Giroux asks, How have we arrived here, and what can be done? In a discussion of events that ranges from the Administration's ongoing attempts to repeal Obamacare and its anti-immigration policies and travel bans, to the normalization of a culture of cruelty and the "weaponization of ignorance," Giroux details the urgency of our current crisis.Giroux explores the political dystopias—those of recent history and those depicted in some of the classics of Western literature—that result when authoritarian forces outmaneuver accountability. He argues that only through increased civic investment in multicultural democracy, education, and resistance can we hope to push back the ominous convergence of white nationalism and elite economic interests.Praise for American Nightmare:"In this current era of corporate media misdirection and misinformation . . . Henry Giroux is one of the few great political voices of today, with powerful insight into the truth. Dr. Giroux is defiantly explaining, against the grain, what's REALLY going on right now, and doing so quite undeniably. Simply put, the ideas he brings forth are a beacon that need to be seen and heard and understood in order for the world to progress."—Julian Casablancas, lead vocalist for The Strokes"In frightening times like these, what is desperately needed is an informed and wise voice that speaks clearly and with conviction about the situation we are in, and what can be done. Henry Giroux is one of the great public intellectuals of our times, and American Nightmare is exactly the book for people grappling with how to understand the Trump era and how to proceed. This is precisely the book that needs to be shared with friends and acquaintances. It will provoke hard thinking, bring clarity, and stimulate much needed conversation and action."—Robert W. McChesney, co-author of People Get Ready: The Fight Against a Jobless Economy and a Citizenless Democracy"We have no greater chronicler of these dystopian times. Giroux's critique cuts to the crux of today’s authoritarian crisis, yet his voice remains of one hope that the people may collectively regain control. Even while living though systemic efforts to privatize hope, Giroux’s critique enacts the sort of shared resistance that can effectively challenge authoritarianism. American Nightmare demonstrates how we can resist the normalization of hate, authoritarianism and alienation in Trump’s America. He shows us that not only are we not alone, but we are among a majority who oppose the cruelties of American social policies."—David H. Price, author of Cold War Anthropology: The CIA and the Growth of Dual Use Anthropology"At a moment when the news cycle presents the dangers of Trumpian authoritarianism through disjointed and discrete hottakes, Giroux's wide-reaching analysis accounts for our current American nightmare with necessary historical context, and in so doing creates an aperture for resistance more meaningful than a hashtag."—Natasha Lennard, contributing writer for The Intercept, co-editor of Violence: Humans in Dark Times"In this passionately argued volume, Henry Giroux, long known for his critical commentaries on the de-democratization of the U.S.A., on its rising inequ(al)ity and neoliberal excesses, reflects very thoughtfully on the specter of Trump’s America: on its violence, cruelty, and incivility, its burgeoning authoritarianism, its inexorable edging toward a Grave Neo World: in short, a rising specter that demands to be countered at all cost if the U.S. is to be rescued from itself.”—John Comaroff, Professor of African and African American Studies and of Anthropology, Harvard University

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'A huge book, an immense book. Such adventure and variety, such industry, such subjugation of self.' Michael Hofmann, TLSHeaney not only translated classic works of Latin and Old English but also poems from a great number of ancient and modern European languages, not least translations from the Old, Middle and Modern Irish of his homeland. The breadth and depth in evidence here is extraordinary - from monastic hymns and prayers, to the civic and familial tragedies of Sophocles and Kochanowski; from Virgil and Dante's living underworld to the stark landscapes of Sweeney's Ireland. As editor, Marco Songzogni frames the translations with the poet's own writings on his works. Collectively these bring us closer to an understanding of the genius for interpretation and transformation that distinguished Heaney as one of the great poet-translators of all time.'The Translations . . . is a landmark volume, a striking testament to the particular and generous genius of Seamus Heaney. . . The crucial part played by translation in the formation and development of his extraordinary talent is under the spotlight as readers are further gifted with Marco Sonzogni's meticulously detailed notes. . ..' Martina Evans, Irish Times'.this volume is handsome testimony to Heaney's lifelong service to a noble art.' David Wheatley, Guardian'This magnificent book. . . is without a doubt a compendium to be cherished, and to be celebrated.' Paul Perry, Sunday Independent

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The first and best compendium of facts weirder than fiction, of intriguing information and must-talk-about trivia has spawned many imitators - but none as addictive or successful.For nearly three decades the editors researched curious facts, unusual statistics and the incredible stories behind them. The most entertaining and informative of these have been brought together in this edition.

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Cultural accounts of scientific ideas and practices have increasingly come to be welcomed as a corrective to previous—and still widely held—theories of scientific knowledge and practices as universal. The editors caution, however, against the temptation to overgeneralize the work of culture, and to lapse into a kind of essentialism that flattens the range and variety of scientific work. The book refers to this tendency as culturalism. The contributors to the volume model a new path where historicized and cultural accounts of scientific practice retain their specificity and complexity without falling into the traps of culturalism. They examine, among other issues, the potential of using notions of culture to study behavior in financial markets; the ideology, organization, and practice of earthquake monitoring and prediction during China's Cultural Revolution; the history of quadratic equations in China; and how studying the "glass ceiling" and employment discrimination became accepted in the social sciences. Demonstrating the need to understand the work of culture as a fluid and dynamic process that directly both shapes and is shaped by scientific practice, Cultures without Culturalism makes an important intervention in science studies. Contributors. Bruno Belhoste, Karine Chemla, Caroline Ehrhardt, Fa-ti Fan,Kenji Ito, Evelyn Fox Keller, Guillaume Lachenal, Donald MacKenzie, Mary S. Morgan, Nancy J. Nersessian, David Rabouin, Hans-Jörg Rheinberger, Claude Rosental, Koen Vermeir

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THE NAUGHTY NINETIES: The Triumph of the American Libido examines the scandal-strafed age when our public and private lives began to blur due to the rise of the web, reality TV, and the wholesale tabloidization of pop culture. In this comprehensive and often hilarious time capsule, David Friend--an editor at Vanity Fair--combines detailed reporting with first-person accounts from many of the decade's signal personalities, from Anita Hill to Monica Lewinsky, Lorena Bobbitt to Heidi Fleiss, Alan Cumming to Joan Rivers, Jesse Jackson to key members of the Clinton, Dole, and Bush teams. THE NAUGHTY NINETIES also uncovers unsung sexual pioneers, from the enterprising sisters who dreamed up the Brazilian bikini wax to the scientists who, quite by accident, discovered Viagra--and dozens more.

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With an ever-growing majority of the world's human population living in city-spaces, the relationship between cities and nature will be one of the key environmental issues of the 21st Century. This timely book investigates how the rapidly growing number of city dwellers across the globe relate to their natural environments and what this means for the future of these environments. Offering an interdisciplinary approach to the impacts of urban spaces on the future of the environment, the book is a full-scale attempt to radically rethink the relationship between cities and nature. The editors bring together a diverse set of well-known authors and new voices to explore the various aspects of this relationship both theoretically and empirically. Rather than considering cities as wholly separate from nature, a running theme throughout the book is that cities, and city dwellers, should be characterized as intrinsic in the creation of specifically urban-generated 'socio-natures'.An essential resource for those working at the intersection of cities and the environment, it will be of great value to urbanists, geographers, planners, sociologists, economists, anthropologists, policy makers, public administrators and environmental scientists.Contributors include: K. Archer, L. Benton-Short, J.M. Berry, G. Bettini, K. Bezdecny, J. Bratt, V.C. Broto, K. Davidson, R.M. Friend, N. Gabriel, B. Gleeson, L. Guibrunet, D. Houston, R. Jones, M. Kaika, L. Karaliotas, M. Keeley, J. Kitson, T.W. Luke, R. Pizarro, K.E. Portney, J. Ravetz, J. Rennie Short, J. Rowland, T.G. Smith, E. Swyngedouw, P. Thinphanga, R.H. Wilson

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Reaching for Utopia brings together insightful essays and profiles chronicling the remarkable political and cultural transformations of the last decade – from the fall of Gordon Brown, to the rise of Corbyn and the radical left, to Brexit. Cowley is fascinated by the men and women who are creating the history of our era as well as those who document it. He has met and interviewed nearly all the major political players shaping and changing the way we live today.The book features fascinating, wide-ranging narrative profiles of Tony Blair, Gordon Brown, Ed Miliband, Jeremy Corbyn, Alex Salmond, Nigel Farage, David Cameron, George Osborne and Theresa May. Cowley is unusual in having access to party leaders and prime ministers on both the left and right.The book also features penetrating essays on writers such as George Orwell, John le Carré, Kazuo Insiguro, and Ian McEwan, personal essays, an investigation into the so-called Brexit Murder, and a striking conversation with the political philosopher Michael Sandel.Cowley is one of the most influential journalists in Britain. He is notable for being both a political and literary journalist. And he also writes about sport, especially football, and covered the 2006 World Cup in Germany for the Observer.He has been widely credited with transforming the fortunes of the New Statesman, which in 2017 has recorded its highest print circulation for nearly 40 years as well as becoming a major digital title with rapidly growing online profile. According to the European Press Prize, ‘Cowley has succeeded in revitalising the New Statesman and re-establishing its position as an influential political and cultural weekly. He has given the New Statesman an edge and a relevance to current affairs it hasn't had for years.’In 2017, at the British Society of Magazine Editors awards, Cowley won the editor of the year award (politics and current affairs) for the third time. In 2018, he launched New Statesman America.

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This is classic Hollywood history as told through the life and career of one of its most iconic actresses. The book benefits tremendously from the author's meeting with Olivia de Havilland after he was assigned to handle her projected memoir at the Delacorte Press in 1973. Amburn also knew many of the key figures in her life and career, a veritable pantheon of Hollywood royalty from the 30s, 40s, and 50s: Jimmy Stewart, George Cukor, and David O. Selznick, and he was an editor at William Morrow when the company published the autobiography of de Havilland's difficult sister Joan Fontaine. Superbly researched and full of delicious anecdotes about Clark Gable, John Huston, Vivien Leigh, Laurence Olivier, Montgomery Clift, Errol Flynn, David Niven, and Bette Davis--particularly the bloody, bone-crunching fistfight Flynn and Huston waged over Olivia--this book not only profiles one of the finest actresses of her time, but also the culture of the film industry's Golden Age. It details de Havilland's relationships with the men who sought her--Howard Hughes, Jimmy Stewart, Errol Flynn, John F. Kennedy, Burgess Meredith, and John Huston, as well as her friendships with Grace Kelly, British Prime Minister Edward Heath, Ronald Reagan, Victor Fleming, and Ingrid Bergman. Here, too, are the fabulous and often surprising back stories of her 49 films, including Gone With the Wind, The Adventures of Robin Hood, The Snake Pit, Hush . . . Hush, Sweet Charlotte, and the two for which she won Oscars, The Heiress and To Each His Own. The account of the filming of Gone With the Wind is unique in that the author interviewed many of the people involved in the epic making of this masterpiece as Lois Dwight Cole, who discovered the novel, producer David O. Selznick, director George Cukor, agents Kay Brown and Annie Laurie Williams, Radie Harris, Vivien Leigh's closest friend in the press, and both Edie Goetz and Irene Mayer Selznick, daughters of Louis B. Mayer, head of MGM, the studio that funded, released, and ended up owning Gone With the Wind. Also included in this biography are Olivia's adventures with Bette Davis. They appeared together in four movies and Davis tried to destroy her, but Olivia stood up to Davis as no other actress had ever dared to do. She won Davis's respect, and by the time they made their biggest hit, Hush . . . Hush, Sweet Charlotte, a lasting friendship had blossomed. Undertaking a joint national publicity tour, they attracted mobs of boisterous fans and, in private, reminisced about the Golden Age of movies, evaluated the current crop of stars, and exchanged observations about love goddesses, nudity, and parenthood.

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A New York Times notable book of 2023 A finalist for the Los Angeles Times Book Prize for biography[An] erudite, enlightening new biography . . . [Waldstreicher's] interpretations equal Wheatley's own intentional verse, making it a joy to follow along as he unpacks her words and their arrangement. Tiya Miles, The AtlanticThoroughly researched, beautifully rendered and cogently argued . . . The Odyssey of Phillis Wheatley is [. . .] historical biography at its best. Kerri Greenidge, The New York Times Book Review (Editors' Choice)A paradigm-shattering biography of Phillis Wheatley, whose extraordinary poetry set African American literature at the heart of the American Revolution.Admired by George Washington, ridiculed by Thomas Jefferson, published in London, and read far and wide, Phillis Wheatley led one of the most extraordinary American lives. Seized in West Africa and forced into slav

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Take a look at how narrative has shaped gay and lesbian cultureA Sea of Stories: The Shaping Power of Narrative in Gay and Lesbian Cultures: A Festschrift for John P. De Cecco is an unforgettable collection of personal narratives that explores the historical, psychological, and sociological contexts of homosexuality in locations ranging from Nazi Germany to Colorado. Some of the prominent authors in this collection include David Bergman, Louis Crew, Diana Hume George, and Ruth Vanita. Scholars in gay and lesbian studies, political movements, cultural studies, and narratology, and anyone interested in gay history will want to explore these intriguing narratives on topics such as sex and sin in the South, selling gay literature before Stonewall, growing up gay in India, and the story of an interracial male couple facing homophobic ignorance in a small town.A Sea of Stories also contains creative fiction and nonfiction love stories, war stories, oral stories, and bibliographies, and a beautiful post-Stonewell and post-modern narrative set on a South African seascape that tells the story of two professional men and the possibility of a kiss. For a complete list of contents, please visit our Web site at www.haworthpressinc.com.This book offers you a variety of narratives that cover a wide range, including: memoirs of gay Holocaust survivors and the emergence of the first lesbian and gay book club in its wake homophobia in the workplace and the use of coming-out stories to enhance workplace diversity the establishment of a gay/straight alliance in a Salt Lake City high school that is heavily dominated by Mormons gay literary heritage that examines the works of Langston Hughes as well as Martin Duberman, Paul Monette, and Edmund White in relation to the lesbian 70s creative nonfiction about a woman's love for another woman, her lifelong friend Provincetown's remarkable community response to the AIDS epidemicA collection of chapters written by the colleagues and former students of John P. De Cecco, pioneering editor of the Journal of Homosexuality, A Sea of Stories takes its title from a phrase Dr. De Cecco used in his keynote address to the “History and Memory” conference at Allegheny College in 1997. This conference sparked the idea for this collection of essays that examine the homosexual experience through historical, psychological, and sociological viewpoints and homosexuality in literature. These courageous stories will assist readers to know themselves more deeply, to identify wih others, and to interpret gay and lesbian experiences in different narrative forms.

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Covering the full range of clinical concerns encountered by today’s plastic surgeons, Michigan Manual of Plastic Surgery, Third Edition, remains a portable, practical manual in this fast-changing field. Editors David L. Brown, Widya Adidharma, and Geoffrey E. Hespe, use an easy-to-follow bulleted format to provide expert guidance on fundamental principles and techniques of plastic surgery for skin and soft tissue lesions, the head and neck, facial reconstruction, craniofacial concerns, aesthetic surgery, and surgeries of the breast, hand and upper extremity, trunk, lower extremity, genitalia, and burns. Offers thoroughly revised chapters throughout, including updated information on flap anatomy, lymphedema, rhinoplasty, and emerging trends in plastic surgery Contains new chapters on pelvic gender affirming surgery, breast reduction and top surgery, and expansion of related chapters Provides first-ever section headings and colored tabs for easy navigation Covers content that corresponds to topics on plastic surgery in-service and specialty board examinations, and highlights material covered on the In-Service Exam Written by residents in the University of Michigan’s renowned plastic surgery training program, with contributions from senior residents in related fields including general surgery, oral and maxillofacial surgery, otolaryngology, orthopaedics, neurosurgery and urology ​Enrich Your eBook Reading Experience Read directly on your preferred device(s), such as computer, tablet, or smartphone. Easily convert to audiobook, powering your content with natural language text-to-speech.

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From floating barges of urban refuse to dung-encrusted works of art, from toxic landfills to dirty movies, filth has become a major presence and a point of volatile contention in modern life. This book explores the question of what filth has to do with culture: what critical role the lost, the rejected, the abject, and the dirty play in social management and identity formation. It suggests the ongoing power of culturally mandated categories of exclusion and repression.Focusing on filth in literary and cultural materials from London, Paris, and their colonial outposts in the nineteenth and early twentieth centuries, the essays in Filth, all but one previously unpublished, range over topics as diverse as the building of sewers in nineteenth-century European metropolises, the link between interior design and bourgeois sanitary phobias, fictional representations of laboring women and foreigners as polluting, and relations among disease, disorder, and sexual-racial disharmony. Filth provides the first sustained consideration, both theoretical and historical, of a subject whose power to horrify, fascinate, and repel is as old as civilization itself.Contributors: David S. Barnes, U of Pennsylvania; Neil Blackadder, Knox College; Joseph Bristow, U of California, Los Angeles; Joseph W. Childers, U of California, Riverside; Eileen Cleere, Southwestern U; Natalka Freeland, U of California, Irvine; Pamela K. Gilbert, U of Florida; Christopher Hamlin, U of Notre Dame; William Kupinse, U of Puget Sound; Benjamin Lazier, U of Chicago; David L. Pike, American U; David Trotter, U of Cambridge.William A. Cohen is associate professor of English at the University of Maryland and the author of Sex Scandal: The Private Parts of Victorian Fiction.Ryan Johnson is completing his Ph.D. in the Department of English at Stanford University, where he has served as general editor of the Stanford Humanities Review.

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Addressing participatory, transdisciplinary approaches to local stewardship of the environment, Grassroots to Global features scholars and stewards exploring the broad impacts of civic engagement with the environment. Chapters focus on questions that include: How might faith-based institutions in Chicago expand the work of church-community gardens? How do volunteer "nature cleaners" in Tehran attempt to change Iranian social norms? How does an international community in Baltimore engage local people in nature restoration while fostering social equity? How does a child in an impoverished coal mining region become a local and national leader in abandoned mine restoration? And can a loose coalition that transforms blighted areas in Indian cities into pocket parks become a social movement? From the findings of the authors’ diverse case studies, editor Marianne Krasny provides a way to help readers understand the greater implications of civic ecology practices through the lens of multiple disciplines. Contributors: Aniruddha Abhyankar, Martha Chaves, Louise Chawla, Dennis Chestnut, Nancy Chikaraishi, Zahra Golshani, Lance Gunderson, Keith E. Hedges, Robert E. Hughes, Rebecca Jordan, Karim-Aly Kassam, Laurel Kearns, Marianne E. Krasny, Veronica Kyle, David Maddox, Mila Kellen Marshall, Elizabeth Whiting Pierce, Rosalba Lopez Ramirez, Michael Sarbanes, Philip Silva, Traci Sooter, Erika S. Svendsen, Keith G. Tidball, Arjen E. J. Wals, Rebecca Salminen Witt, Jill Wrigley

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Notable writers—including UK poet laureate Simon Armitage, Julian Barnes, Margaret MacMillan, and Jenny Uglow—celebrate our fascination with the houses of famous literary figures, artists, composers, and politicians of the pastWhat can a house tell us about the person who lives there? Do we shape the buildings we live in, or are we formed by the places we call home? And why are we especially fascinated by the houses of the famous and often long-dead? In Lives of Houses, notable biographers, historians, critics, and poets explores these questions and more through fascinating essays on the houses of great writers, artists, composers, and politicians of the past.Editors Kate Kennedy and Hermione Lee are joined by wide-ranging contributors, including Simon Armitage, Julian Barnes, David Cannadine, Roy Foster, Alexandra Harris, Daisy Hay, Margaret MacMillan, Alexander Masters, and Jenny Uglow. We encounter W. H. Auden, living in joyful squalor in New York's St. Mark's Place, and W. B. Yeats in his flood-prone tower in the windswept West of Ireland. We meet Benjamin Disraeli, struggling to keep up appearances, and track the lost houses of Virginia Woolf and Elizabeth Bowen. We visit Benjamin Britten in Aldeburgh, England, and Jean Sibelius at Ainola, Finland. But Lives of Houses also considers those who are unhoused, unwilling or unable to establish a home—from the bewildered poet John Clare wandering the byways of England to the exiled Zimbabwean writer Dambudzo Marechera living on the streets of London.With more than forty illustrations, Lives of Houses illuminates what houses mean to us and how we use them to connect to and think about the past. The result is a fresh and engaging look at house and home.Featuring Alexandra Harris on moving house ● Susan Walker on Morocco's ancient Roman House of Venus ● Hermione Lee on biographical quests for writers’ houses ● Margaret MacMillan on her mother's Toronto house ● a poem by Maura Dooley, "Visiting Orchard House, Concord, Massachusetts"—the house in which Louisa May Alcott wrote and set her novel Little Women ● Felicity James on William and Dorothy Wordsworth's Dove Cottage ● Robert Douglas-Fairhurst at home with Tennyson ● David Cannadine on Winston Churchill's dream house, Chartwell ● Jenny Uglow on Edward Lear at San Remo's Villa Emily ● Lucy Walker on Benjamin Britten at Aldeburgh, England ● Seamus Perry on W. H. Auden at 77 St. Mark's Place, New York City ● Rebecca Bullard on Samuel Johnson's houses ● a poem by Simon Armitage, "The Manor" ● Daisy Hay at home with the Disraelis ● Laura Marcus on H. G. Wells at Uppark ● Alexander Masters on the fear of houses ● Elleke Boehmer on sites associated with Zimbabwean writer Dambudzo Marechera ● Kate Kennedy on the mental asylums where World War I poet Ivor Gurney spent the last years of his life ● a poem by Bernard O'Donoghue, "Safe Houses" ● Roy Foster on W. B. Yeats and Thoor Ballylee ● Sandra Mayer on W. H. Auden's Austrian home ● Gillian Darley on John Soane and the autobiography of houses ● Julian Barnes on Jean Sibelius and Ainola

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Fear is ubiquitous but slippery. It has been defined as a purely biological reality, derided as an excuse for cowardice, attacked as a force for social control, and even denigrated as an unnatural condition that has no place in the disenchanted world of enlightened modernity. In these times of institutionalized insecurity and global terror, Facing Fear sheds light on the meaning, diversity, and dynamism of fear in multiple world-historical contexts, and demonstrates how fear universally binds us to particular presents but also to a broad spectrum of memories, stories, and states in the past. From the eighteenth-century Peruvian highlands and the California borderlands to the urban cityscapes of contemporary Russia and India, this book collectively explores the wide range of causes, experiences, and explanations of this protean emotion. The volume contributes to the thriving literature on the history of emotions and destabilizes narratives that have often understood fear in very specific linguistic, cultural, and geographical settings. Rather, by using a comparative, multidisciplinary framework, the book situates fear in more global terms, breaks new ground in the historical and cultural analysis of emotions, and sets out a new agenda for further research. In addition to the editors, the contributors are Alexander Etkind, Lisbeth Haas, Andreas Killen, David Lederer, Melani McAlister, Ronald Schechter, Marla Stone, Ravi Sundaram, and Charles Walker.

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"These essays provide a rich portrait of how the self and its deepest commitments have driven some of the most important, vital scholarship of the last fifty years." —Georgia Historical Quarterly". . . the writing is highly readable and informative for a non-academic audience curious about how history is written." —Magill Book ReviewsTo provide a context for understanding current race relations and the goals of the civil rights movement, the editors asked distinguished scholars to reflect upon their careers and how personal experiences have influenced their scholarship. Prominent historians Dan T. Carter, Eric Foner, Darlene Clark Hine, Jacqueline Jones, David Levering Lewis, Leon F. Litwack, Mark D. Naison, and George B. Tindall answered the call.

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Have Japan's relative economic decline and China's rapid ascent altered the dynamics of Asian regionalism? Peter Katzenstein and Takashi Shiraishi, the editors of Network Power, one of the most comprehensive volumes on East Asian regionalism in the 1990s, present here an impressive new collection that brings the reader up to date. This book argues that East Asia's regional dynamics are no longer the result of a simple extension of any one national model. While Japanese institutional structures and political practices remain critically important, the new East Asia now under construction is more than, and different from, the sum of its various national parts. At the outset of a new century, the interplay of Japanese factors with Chinese, American, and other national influences is producing a distinctively new East Asian region. Contributors: Dieter Ernst, East-West Center, Honolulu; H. Richard Friman, Marquette University; Derek Hall, Trent University; Natasha Hamilton-Hart, National University of Singapore; Peter J. Katzenstein, Cornell University; William W. Kelly, Yale University; David Leheny, University of Wisconsin–Madison; Naoko Munakata, Japanese Ministry of Economy, Trade, and Industry; Nobuo Okawara, Kyushu University; T. J. Pempel, University of California, Berkeley; Takashi Shiraishi, National Graduate Institute for Policy Studies, Tokyo; Merry I. White, Boston University

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In the 1980s David Thomas was an unemployed plumber with a seemingly impossible dream: to become a fashion stylist. He ran away to London, landed a job selling cassettes in Tower Records, spent weekends and evenings washing dishes and working as a lavatory attendant, and every spare moment hammering on the doors of fashion editors until one of them opened a tiny crack. As well as telling the touching and funny story of the “Billy Elliot of fashion’s” bumpy ride to success, Vanity Project examines the fascinating relationship between the fairytale worlds fashion and celebrity. It describes how the discipline of styling has evolved from the 1980s to now, from the streets of London to the red carpets of Hollywood. This story is told largely in the words of those in the front row seats: actors, musicians, designers, photographers, editors, directors, artists, and music business power brokers. In short, people who have shaped popular culture over more than three decades. This beautifully designed book features more than 300 iconic images – photographs, sketches, magazine covers, Polaroids, iPhone snaps, and press cuttings – that illustrate the creative process from the mind of the stylist and the client's brief to the end result. The rich visual archive is brought right up to date with a specially commissioned portfolio of never-before-seen portraits by some of the world's leading contemporary photographers. Vanity Project is a tale of stars, of clothes, and of the skill and sweat that goes into creating those glittering moments on stage and screen. Above all, it’s the story of how, with the right kind of help and belief, one boy’s dream came true. The publisher will donate 10% of the cover price to The Prince’s Trust. The total amount donated to The Prince’s Trust is expected to be £5 per book. The Prince’s Trust is a registered charity incorporated by Royal Charter in England and Wales (1079675) and Scotland (SC041198).

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Studies on the cultural, social, political and economic history of the age. This collection presents new and original research on the long thirteenth century, from c.1180-c.1330, including England's relations with Wales and Ireland. The range of topics embraces royal authority and its assertion and limitation, the great royal inquests and judicial reform of the reign of Edward I, royal manipulation of noble families, weakening royal administration at the end of the century, sex and love in the upper levels of society, monastic/layrelations, and the administration of building projects. Contributors: RUTH BLAKELY, NICOLA COLDSTREAM, BETH HARTLAND, CHARLES INSLEY, ANDY KING, SAMANTHA LETTERS, JOHN MADDICOTT, MARC MORRIS, ANTHONY MUSSON, DAVIDA. POSTLES, MICHAEL PRESTWICH, SANDRA G. RABAN, BJORN WEILER, JOCELYN WOGAN-BROWNE, ROBERT WRIGHT. THE EDITORS are all in the Department of History, University of Durham.

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The vivid accounts in this book are taken from the early days of tank warfare and give an idea of the crucial role that tanks played in breaking the murderous stalemate on the Western Front. This influence was acknowledged by friend and foe alike and, while not decisive, it certainly hastened the end of that dreadful conflict, saving thousands of Allied lives and ushering in a new era of mechanised warfare. David Fletcher, the editor, draws his material exclusively from the archives of the world famous Tank Museum at Bovington Camp, Dorset. His linking narrative guides us through the war, battle-by-battle, from 15 September 1916 to the Armistice, using first hand accounts of the tank actions. A wealth of original photographs showing the tanks and their crews, both in action and at rest, support these vivid accounts. Tanks and Trenches is an invaluable aid to our deeper understanding of the war on the Western Front, seen as it is through the eyes of those who were actually there.

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The current volume assembles a series of studies of Middle Kingdom culture gathered around the theme of archaism, change and innovation. The papers had their origin in a symposium the University of Pennsylvania Museum hosted in 2002, and held in memory of the great Middle Kingdom scholar, Oleg Berlev. The Penn Museum organized the conference that received generous support from the Center for Ancient Studies of the University of Pennsylvania and the Marilyn and William Kelly Simpson Endowment in the Department of Near Eastern Languages and Civilizations at Yale University. For the publication, the authors revised and augmented their essays, allowing this volume to include up-to-date information. The editors also invited other scholars to contribute additional studies resulting in a volume that deals with the Middle Kingdom in a broader context. The Marilyn and William Kelly Simpson endowment in the Department of Near Eastern Languages and Civilizations at Yale University generously provided the funds necessary for the publication of the volume.

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"Profound and useful, readers will benefit from the systematic treatment of learning through superb scholarship. Cultural-philosophical-curricular-pedagogical-historical perspectives on learning, curriculum, pedagogy, and assessment, and learners make this collection unique." - Carol A. Mullen, Professor of Educational Leadership, Virginia Tech Learning is a fundamental topic in education. Combining traditional views of learning and learning theory with sociocultural and historical perspectives, this Handbook brings together original contributions from respected researchers who are leading figures in the field. The editors provide a insightful introduction to the topic, and the theories, frameworks, themes and issues discussed in the individual chapters are central to each and every learning episode. The Handbook is organized into four sections, each beginning with a short introduction: Philosophical, Sociological and Psychological Theories of Learning Models of Learning Learning, Curriculum, Pedagogy and Assessment Learning Dispositions, Life-Long Learning and Learning Environments

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Land Fictions explores the common storylines, narratives, and tales of social betterment that justify and enact land as commodity. It interrogates global patterns of property formation, the dispossessions property markets enact, and the popular movements to halt the growing waves of evictions and land grabs. This collection brings together original research on urban, rural, and peri-urban India; rapidly urbanizing China and Southeast Asia; resource expropriation in Africa and Latin America; and the neoliberal urban landscapes of North America and Europe. Through a variety of perspectives, Land Fictions finds resonances between local stories of land's fictional powers and global visions of landed property's imagined power to automatically create value and advance national development. Editors D. Asher Ghertner and Robert W. Lake unpack the dynamics of land commodification across a broad range of political, spatial, and temporal settings, exposing its simultaneously contingent and collective nature. The essays advance understanding of the politics of land while also contributing to current debates on the intersections of local and global, urban and rural, and general and particular. Contributors Erik Harms, Michael Watts, Sai Balakrishnan, Brett Christophers, David Ferring, Sarah Knuth, Meghan Morris, Benjamin Teresa, Mi Shih, Michael Levien, Michael L. Dwyer, Heather Whiteside

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Photographic survey of the architecture, decoration, and setting of all 50 US state capitol buildings with descriptive text. Master photographers Robert Lisak and David Ottenstein have created an unprecedented photographic portrait of all 50 US state capitol buildings, exploring architecture, interior spaces, furnishings, landscape settings, and urban locations. These portraits of America's state capitol buildings present shining examples of various architectural styles, including: • Neoclassical • Renaissance • Art deco • Bauhaus • Gothic • Modernist Their intention is not merely to record the look of these secular civic temples, but to evoke their meaning and spirit through the rich visual language of photography. Paintings and sculpture, wood and stone, landscaping: these all contribute to the multilayered story of how we, as a people, value the civic structures we erect. The book further pays homage to these capitols with the following features: • Foreword by George Miles, curator of the Yale Collection of Western Americana, that elaborates on the themes and ideas subtly revealed by the precise and thoughtful photographs. • The 50 state capitol buildings are presented in order of their admission to the Union, to provide a historical flow. • Each building has a written introduction by Robert Morton, a premier editor of photography books and works on the history or art and architecture, that provides a rich context for the images. • Captions accompany four to six images of each structure. The rich photographs in this book bring the viewer into a shared contemplation of the meaning and significance of these proud buildings.

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Authoritative and comprehensive account of one of Somerset's leading towns. Castle Cary is a relatively unspoilt town deep in the Somerset countryside, its narrow streets rich in high-quality late eighteenth and nineteenth-century buildings. Its most famous industry, horsehair weaving, still flourishes. This volume explores its history from the original castle and its lords to its rebirth as an industrial town. It also covers many villages, among them Ansford, early home of Parson Woodforde; Kingweston, virtually recreated bythe Dickinson family; Keinton Mandeville, once famous for its paving stone quarries and as the birthplace of Henry Irving; tiny Wheathill, almost obliterated by a golf course; and West Lydford, the family home of the early eighteenth-century diarist John Cannon. Other places of note include Barton St David, home of Henry Adams, the reputed ancestor of two American Presidents, and Lovington, whose small primary school traces its origins back to an eighteenth-century charity school. M.C. Siraut is a historian and archivist; she is the county editor for the Victoria History of Somerset.

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In the current geopolitical climate—in which unaccompanied children cross the border in record numbers, and debates on the topic swing violently from pole to pole—the subject of immigration demands innovative inquiry. In The Rhetorics of US Immigration, some of the most prominent and prolific scholars in immigration studies come together to discuss the many facets of immigration rhetoric in the United States.The Rhetorics of US Immigration provides readers with an integrated sense of the rhetorical multiplicity circulating among and about immigrants. Whereas extant literature on immigration rhetoric tends to focus on the media, this work extends the conversation to the immigrants themselves, among others. A collection whose own eclecticism highlights the complexity of the issue, The Rhetorics of US Immigration is not only a study in the language of immigration but also a frank discussion of who is doing the talking and what it means for the future.From questions of activism, authority, and citizenship to the influence of Hollywood, the LGBTQ community, and the church, The Rhetorics of US Immigration considers the myriad venues in which the American immigration question emerges—and the interpretive framework suited to account for it.Along with the editor, the contributors are Claudia Anguiano, Karma R. Chávez, Terence Check, Jay P. Childers, J. David Cisneros, Lisa M. Corrigan, D. Robert DeChaine, Anne Teresa Demo, Dina Gavrilos, Emily Ironside, Christine Jasken, Yazmin Lazcano-Pry, Michael Lechuga, and Alessandra B. Von Burg.

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[The series is] a necessary addition for any scholar working in this field. NOTTINGHAM MEDIEVAL STUDIES Editors: Janet Burton, Björn Weiler, Philipp Schofield, Karen Stöber The thirteenth century brought the British Isles into ever closer contact with one another, and with medieval Europe as a whole. This international dimensionforms a dominant theme of this collection: it features essays on England's relations with the papal court; the adoption of European cultural norms in Scotland; Welsh society and crusading; English landholding in Ireland; and dealings between the kings of England and Navarre. Other papers, on ritual crucifixion, concepts of office and ethcis, and the English royal itinerary, show that the thirteenth century was also a period of profound political and cultural change, witnessing the transformation of legal and economic structures [represented here by case studies of noblewomen and their burial customs; and a prolonged inheritance dispute in Laxton]. This volume testifies to the continuing vitality and [with contributors from three continents and six countries] international nature of scholarship on medieval Britain; and moves beyond the Channel to make an important contribution to the history of medieval Europes. Contributors: ROBERT STACEY, FRÉDÉRIQUE LACHAUD, STEPHEN CHURCH, CHRISTIAN HILLEN, JESSICA NELSON, MATTHEW HAMMOND, KATHRYN HURLOCK, NICHOLAS VINCENT, ADAM DAVIES, HUI LIU, EMMA CAVELL, DAVID CROOK, BETH HARTLAND

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Climate change poses one of the greatest challenges for human society in the twenty-first century, yet there is a major disconnect between our actions to deal with it and the gravity of the threat it implies. In a world where the fate of countries is increasingly intertwined, how should we think about, and accordingly, how should we manage, the types of risk posed by anthropogenic climate change? The problem is multi-faceted, and involves not only technical and policy specific approaches, but also questions of social justice and sustainability. In this volume the editors have assembled a uniquerange of contributors who together examine the intersection between the science, politics, economics and ethics of climate change. The book includes perspectives from some of the world's foremost commentators in their fields, ranging from leading scientists to political theorists, to high profile policymakers and practitioners. They offer a critical new approach to thinking about climate change, and help express a common desire for a more equitable society and a more sustainable way of life.

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IT'S THE END OF THE WORLD AS WE KNOW IT...For decades, the apocalypse and its aftermath have yielded some of the most exciting short stories of all time. From David Brin's seminal "The Postman" to Hugh Howey's "Deep Blood Kettle" and Tananarive Due's prescient "Patient Zero," the end of the world continues to thrill. This companion volume to the critically acclaimed WASTELANDS offers thirty of the finest examples of post-apocalyptic short fiction, with works by: Ann Aguirre Megan Arkenberg Paolo Bacigalupi Christopher Barzak Lauren Beukes David Brin Orson Scott Card Junot Diaz Cory Doctorow Tananarive Due Toiya Kristen Finley Milo James Fowler Maria Dahvana Headley Hugh Howey Keffy R. M. Kehrli Jake Kerr Nancy Kress Joe R. Lansdale George R. R. Martin Jack McDevitt Seanan McGuire Maureen F. McHugh D. Thomas Minton Rudy Rucker & Bruce Sterling Ramsey Shehadeh Robert Silverberg Rachel Swirsky Genevieve Valentine James Van Pelt Christie Yant Award-winning editor John Joseph Adams has once again assembled a who's who of short fiction, and the result is nothing short of mind-blowing. PRAISE FOR WASTELANDS "Everything that is best about the trope, from bleak, empty worlds to beacons of hope." Booklist "The best anthology of any kind I have read to date." Grasping for the Wind "A great collection that gets my highest recommendation." Bookgasm

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Roy Orbison's music--whether heard in his own recordings or in cover versions of his songs--is a significant part of contemporary American culture despite the fact that he died almost a generation ago. Few of today's listeners know or remember how startlingly unique he seemed at the height of his career in the early 1960s. In this book, Peter Lehman looks at the long span of Orbison's career and probes into the uniqueness of his songs, singing, and performance style, arguing that singer/songwriters no less than filmmakers can be considered as auteurs. Unlike other pop stars, Orbison was a constant presence on the Top 40, but virtually invisible in the media during his heyday. Ignoring the conventions of pop music, he wrote complex songs and sang them with a startling vocal range and power. Wearing black clothes and glasses and standing motionless on stage, he rejected the macho self confidence and strutting that characterized the male rockers of his time. He sang about a man lost in a world of loneliness and fear, one who cried in the dark or escaped into a dream world, the only place his desires could be fulfilled. This was a man who reveled in passivity, pain, and loss. Lehman traces Orbison's development of this alternative masculinity and the use of his music in films by Wim Wenders and David Lynch. Widely admired by fellow musicians from Elvis to Jagger, Springsteen and Bono, Orbison still attracts new listeners. As a devoted fan and insightful scholar, Lehman gives us a fascinating account of "the greatest white singer on the planet," and a new approach to understanding individual singer/songwriters. Author note: Peter Lehman is Director of the Interdisciplinary Humanities Program at Arizona State University. He is the author of Running Scared: Masculinity and the Representation of the Male Body (Temple), and the editor of Masculinity Bodies/Movies/Culture.

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How much credit can be given to entrepreneurship for the unprecedented innovation and growth of free-enterprise economies? In this book, some of the world's leading economists tackle this difficult and understudied question, and their responses shed new light on how free-market economies work--and what policies most encourage their growth. The contributors take as their starting point William J. Baumol's 2002 book The Free-Market Innovation Machine (Princeton), which argued that independent entrepreneurs are far more important to growth than economists have traditionally thought, and that an implicit partnership between such entrepreneurs and large corporations is critical to the success of market economies. The contributors include the editors and Robert M. Solow, Kenneth J. Arrow, Michael M. Weinstein, Douglass C. North, Barry R. Weingast, Ying Lowrey, Nathan Rosenberg, Melissa A. Schilling, Corey Phelps, Sylvia Nasar, Boyan Jovanovic, Peter L. Rousseau, Edward N. Wolff, Deepak Somaya, David J. Teece, Naomi R. Lamoreaux, Kenneth L. Sokoloff, Yochanan Shachmurove, Ralph E. Gomory, Jonathan Eaton, Samuel S. Kortum, Alan S. Blinder, Robert J. Shiller, Burton G. Malkiel, and Edmund S. Phelps.

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