Search results for ""Author Editors of David"

For the past half-century, David Noel Freedman has had an enormous impact on the study of the Bible, both as an author and as an editor of the writings of others. As his colleagues note in their comments at the beginning of this volume, “You are quintessentially the man of the book. And perhaps what impresses us most is that your bibliography of hundreds of books is not limited to the extraordinary number of important books that you’ve written yourself. It also contains the books that you’ve edited for others. And we know what it means to have David Noel Freedman as one’s editor. For every page of manuscript that the author sends you, you send back almost an equal number of pages of advice, criticism, corrections, and improvements. You can make a bad book good, and a good book better. And you can make its author a better scholar and a better writer.” In this volume, his compatriots at the University of California, San Diego, contribute eight varied essays in celebration of his impact on them and in honor of his varied contributions to biblical studies.

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Archaeologist, Musician, Vaudeville Performer, Filmmaker, Biographer, Scholar of the Cinema. These are only some of the many lives of David Soren. The Editors of the Journal of Ancient Egyptian Interconnections are honored to present papers by his colleagues in tribute to the storied career of David Soren, Regents Professor of Classics at the University of Arizona and Director of the Orvieto Institute in Umbria, Italy.

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Austin artist David Everett was born and raised in Texas, and his work reflects an organic and wholly original Lone Star State ethos. His stunning vision and exquisite craftsmanship evoke nature’s essential grace and harmony in beautiful sculptures, bas-relief carvings, woodcuts, and drawings. Steve Davis, former president of the Texas Institute of Letters, writes of Everett, “David has never been one of those artists-as-marketers who relentlessly hype themselves. Instead, he has let the quality of his work speak for itself. And it does more than speak—it sings.” Everett’s creations inspire a passionate devotion among his many fans and collectors. He appears in high-profile exhibitions across Texas and the Southwest and his work is found in many public, corporate, and private collections.An introduction by prominent novelist Stephen Harrigan sets the perfect tone for an absorbing consideration of Everett’s oeuvre in The Art of David Everett: Another World. Author and editor Becky Duval Reese, respected art curator, writer, and retired director of the El Paso Museum of Art, contributes an insightful essay on Everett and his place in Texas art, followed by an absorbing interview with curator, author, and teacher Richard Holland, both offering revealing and satisfying insights into the shaping and development of the artist’s unique viewpoint and methods.The heart of the book is the abundant collection of breathtaking, full-color reproductions of Everett’s work. Here, the reader gains a vivid view of how Everett’s artistic instincts have been nurtured by life experiences and a maturing aesthetic rooted in tradition.

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First collected by his devoted family and colleagues as a 75th birthday present, The Unpublished David Ogilvy collects a career's worth of public and private communications - memos, letters, speeches, notes and interviews - from the 'Father of Advertising' and founder of Ogilvy & Mather. Still fizzing with energy and freshness more than 25 years after it was first published, its success outside the private circle of friends and colleagues it was created for was, in the words of one of its editors: 'because so often he spoke out on important matters long before the crowd caught up to him; because all of what he says, he says so well; because so little of what he says in the book had ever before appeared in print'. It includes The Theory and Practice of Selling the AGA Cooker, described by Fortune magazine as 'the finest sales instruction manual ever written', and an interview in which he makes disclosures that even long-standing associates had never heard before. This is a business book unlike any other: a straightforward and incisive look at subjects such as salesmanship, management and creativity, presented in his trademark crisp prose. Whether carefully prepared for a lecture or as a private joke to a friend, his writing always underlines the importance of the rule, 'it pays an agency to be imaginative and unorthodox'.

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A central problem for the non-specialist reader over the works of Hume today is that his ellifluous 18th century prose appears strange to our eyes and ears... What follows, therefore, is what the present editors did about it. The central purpose is to open to Hume’s original target audience his writings on religious affairs; a subject which was of central importance to him – and which remains of perennial interest to humankind. David Hume’s writings on history, politics and philosophy have shaped thought to this day. His bold scepticism ranged from common notions of the ‘self’ to criticism of standard theistic proofs. He insisted on grounding understandings of popular religious beliefs in human psychology rather than divine revelation, and he aimed to disentangle philosophy from religion in order to allow the former to pursue its own ends. In this book, Professors David W Purdie and Peter S Fosl decipher some of Hume’s most challenging texts for the modern reader, while preserving the sharp intellect and undaunted nerve for which Hume is famous. Hume’s spirit is brought alive for contemporary times and his writing is made accessible for its intended audience: the general public.

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An accessible and reliable introduction to the life and works of Charles Dickens, offering a unique combination of academic biography and literary analysis The Life of the Author: Charles Dickens explores the relationship between Dickens’ lived experience and his works, discussing themes within and key influences on literary classics such as Oliver Twist, A Tale of Two Cities, David Copperfield, Bleak House, Nicholas Nickleby, and Great Expectations. An excellent introduction to the world of Dickens scholarship, this easily accessible volume provides the necessary background about the author’s life while encouraging readers to critically analyze Dickens’ works. Organized thematically by chapter, the book opens with a brief overview of Dickens’ life and a chronology of major works. Subsequent chapters focus on key aspects of Dickens’ life, concluding with case studies of selected texts that demonstrate the similarities between events in Dickens’ own life and the literature he was writing at the time. Throughout the book, readers are provided with an informative portrait of Dickens’ early family life, personal relationships, professional networks, social circles, travels abroad, charitable works, financial issues, dealings with publishers, and much more. Incorporates the latest discussions in Dickens research alongside documents and materials from Dickens’ time Discusses the afterlife of Dickens in film, theater, and television, including A Christmas Carol, Dickens’ most adapted story Features archival material from the Charles Dickens Museum and discussion of Dickens’ roles as a journalist, editor, and professional reader Includes short case studies at the end of each chapter to demonstrate the ways Dickens’ life informed his work The Life of the Author: Charles Dickens is an ideal introductory textbook for advanced undergraduate and graduate students in English Literature and Victorian Literature courses, as well as a valuable resource for Dickens scholars and enthusiasts.

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The rise to prominence of administrative law in the second half of the twentieth century is often remarked upon as the greatest legal development of the period. In this process there has been considerable borrowing of ideas and learning from experiences elsewhere in the common law world. This volume brings together administrative law scholars and judges from around the globe to address important issues in the field and to honour the career of one of the leading administrative lawyers in the Anglo-Commonwealth world, Professor David Mullan. Editors Grant Huscroft and Michael Taggart have identified the broad themes in Mullan's work - procedural fairness; scope of review and deference; the interrelationship of administrative law and human rights; the legitimacy of state regulation and tribunal adjudication; common law comparativism - and invited contributions on those themes from leading scholars in Canada, the United Kingdom, Australia, South Africa, and the United States. A fitting tribute to a great scholar, Inside and Outside Canadian Administrative Law will prove fascinating to students, teachers, and practitioners of administrative law as well as policy makers and political scientists.

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Science Fiction and Fantasy with Maximum Dave The history of science fiction and fantasy is littered with stories by Davids of distinction. Now, for the first time, an anthology by people named David, for everyone. Read along as editor David Afsharirad guides you through the strange, wonderous imaginations of the great Davids of the field, past and present. Fifteen tales by David Weber, David Drake, Gregory Benford & David Brin, David B. Coe, D.J. Butler, Avram Davidson, David H. Keller, and many more. Herein you will find: a Depression-era magic man who comes face-to-face with an ancient evil. A once-promising filmmaker whose fate depends on a movie-producing AI. A shape-shifting detective on the trail of a pack of werewolves. A sentient tank who must confront one of its own. And a diner regular who gets more than he bargained for when he orders the soup du jour. Featuring David-inspired cover art by celebrated artist David Mattingly, The Chronicles of Davids delivers maximum Dave! Remember: with a name like "David," it has to be good! Contributors: David Weber David Drake D.J. Butler Gregory Benford & David Brin David B. Coe Barry N. Malzberg Dave Freer Avram Davidson D.L. Young David Boop Hank Davis Dave Bara David H. Keller David Carrico David Hardy About The Year’s Best Military and Adventure Science Fiction series, edited by David Afsharirad: “Baen’s fan-guided anthology series roars into its second year with a collection of stories just as eclectic as the first. . . . Afsharirad has put together a refreshing military and SF anthology that will be enjoyed by a wide range of readers.”—Publishers Weekly (starred review) “This intriguing anthology explores the human race’s violent potential [but] also bends toward exploration and the triumph of the human spirit, with brave tales [that] take the reader on a fascinating, thought-provoking, enjoyable journey . . . ”—Publishers Weekly (starred review) “[A] nice eclectic mix of magazines—hardcopy and digital—and original anthologies. Afsharirad seems to have cast his nets admirably wide. . . . The variety of styles and topics and themes, and the high level of craft in this assemblage, prove that this subgenre is flourishing. . . . [The collection] should be welcome by raw recruits and veterans alike.”—Locus

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A compact and accessible edition of Hume’s political and moral writings with essays by a distinguished set of contributors A key figure of the Scottish Enlightenment, David Hume was a major influence on thinkers ranging from Kant and Schopenhauer to Einstein and Popper, and his writings continue to be deeply relevant today. With four essays by leading Hume scholars exploring his complex intellectual legacy, this volume presents an overview of Hume’s moral, political, and social philosophy. Editors Angela Coventry and Andrew Valls bring together a selection of writings from Hume’s most important works, with contributors placing them in their appropriate context and offering a lively discourse on the relevance of Hume’s thought to contemporary subjects like reason’s dependence on emotion and the importance of social convention in political and economic behavior. Perfect for classroom use, this volume is an invaluable companion for anyone studying an important thinker who advanced the development of moral philosophy, economics, cognitive science, and many other fields of the Western tradition.

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This comprehensive sourcebook is destined to become a lasting and definitive resource on the art and aesthetic philosophy of the American artist David Smith (1906-1965). A pioneer of twentieth-century modernism, Smith was renowned for the expansive formal and conceptual ambitions of his broadly diverse and inventive welded-steel abstractions. His groundbreaking achievements drew freely on cubism, surrealism, and constructivism, profoundly influencing later movements such as minimalism and environmental art. By radically challenging older conventions of monolithic figuration and refuting arbitrary distinctions between painters and sculptors, Smith asserted sculpture's equal role in advancing modern art. A compilation of Smith's poems, sketchbook notes, essays, lectures, letters to the editor, reviews, and interviews, these previously unpublished texts underscore the varied ways in which his writing functioned as a means to examine and articulate his private identity and to promote the social ideals that made him a key participant in contemporary discourses surrounding modernism, art and politics, and sculptural aesthetics. All the documents in David Smith: Collected Writings, Lectures, and Interviews have been newly corrected against the original manuscripts, typescripts, and audiotapes. Each text in this collection is annotated with historical and contextual information that reflects Smith's own process of continually reviewing and revising his writings in response to his evolving aspirations as a visual artist.

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A monumental new work of scholarship on a luminary of twentieth-century art “I’m not sure I have ever seen a catalogue raisonné as beautiful, as magnificent, as the new publication on the oeuvre of the great American sculptor David Smith.”—Michael Fried, Bookforum Embracing factory methods of construction, building on the legacy of cubism, and turning his back on European carving and casting traditions, David Smith (1906–1965) transformed postwar sculpture. His body of work, contemporary with the New York School in painting, and his pioneering placement of sculptures in a natural setting are foundational for present-day sculpture and installation art. This three-volume boxed set comprehensively details the entirety of Smith’s sculptural oeuvre. It is now the definitive catalogue raisonné and supplants the one constructed by Rosalind E. Krauss in 1977. With Christopher Lyon as editor and Susan J. Cooke as research editor, the volumes also contain a foreword by Rebecca and Candida Smith; essays by Michael Brenson, Sarah Hamill, Marc-Christian Roussel, and Christopher Lyon; and a chronology by Tracee Ng. Reproductions of documents and images, including many photographs, paintings, drawings, and sketches by the artist offer insights into Smith’s methods and creative thought. Handsomely designed and illustrated with fine color reproductions, this catalogue raisonné is both a sumptuous object and an essential scholarly resource. Distributed for the Estate of David Smith

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The editor has made necessary typographical corrections and carefully introduced and annotated the text for the student reader. Dickens’ number plans for David Copperfield, which reveal his practice both as a serial writer and as a craftsman, are also included. "Backgrounds" focuses on Dickens’ personal involvement with and response to the novel’s publication. Included are passages from his letters relating to David Copperfield, an autobiographical fragment, his preface to the 1869 edition of the novel, and a relevant excerpt from Little Dorrit. "Criticism" is comprised of twelve essays by distinguished Dickensians representing a wide range of judgment and analysis. John Forster, Matthew Arnold, E. K. Brown, Gwendolyn B. Needham, Monroe Engel, J. Hillis Miller, Mark Spilka, Harry Stone, Bert G. Hornback, Garrett Stewart, Robert L. Patten, and Alexander Walsh provide a variety of perspectives. A Chronology of Dickens’ Life and Works and a Selected Bibliography are also included.

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David Ogilvy spent more than a full working life in aviation. As a schoolboy he was sent out with a bugle and binoculars to blow a warning if a V1 flying bomb appeared. Soon after this, he joined the Royal Air Force and served for six years as a pilot, flying types ranging from the Tiger Moth to the Mosquito and Meteor. As a civilian he spent fourteen years involved in pilot training and became Chief Instructor of the Air Schools group, with responsibility for three establishments. He was a keen display and racing pilot and competed in many events, flying several historic types. At an early age David realised the need for owners and operators of flyable pre-war machines to have a representative organisation to look after their concerns and interests, so, in 1951, when 22 and still serving in the RAF, he was a co-founder of the Vintage Aeroplane Club. He was also a founding member, and until his death in July 2023 a Vice President, of the Historic Aircraft Association. In 1966 David was appointed general manager of the famous Shuttleworth Collection at Old Warden. During this time, he brought in several historic aircraft, including initiating the retrieval of a 1935 Hawker Hind from Afghanistan. He flew many of the Collection's remarkable aeroplanes, organising and participating in the displays. As well as outlining his remarkable career, the main focus of this book is on David Ogilvy's descriptions of many of the historic aircraft he helped rescue and preserve and what it was like to be at their controls. It therefore provides a unique compendium of the flying characteristics of a range of historic aircraft, for one or two of which, he unashamedly admitted, he was possibly the last man alive to have flown. Away from the cockpit, David was associated with many organisations, including being a founder member of the UK Aircraft Owners and Pilots Association, serving for 45 years in the roles of editor, Executive Chairman and President. He was also President of today's Vintage Aircraft Club and a Fellow of the Royal Aeronautical Society. David was awarded the OBE 'for services to aviation' in 1996.

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From twenty-seven of today’s leading writers, an anthology of original pieces on the author of WaldenFeatures essays by Jennifer Finney Boylan • Kristen Case • George Howe Colt • Gerald Early • Paul Elie • Will Eno • Adam Gopnik • Lauren Groff • Celeste Headlee • Pico Iyer • Alan Lightman • James Marcus • Megan Marshall • Michelle Nijhuis • Zoë Pollak • Jordan Salama • Tatiana Schlossberg • A. O. Scott • Mona Simpson • Stacey Vanek Smith • Wen Stephenson • Robert Sullivan • Amor Towles • Sherry Turkle • Geoff Wisner • Rafia Zakaria • and a cartoon by Sandra BoyntonThe world is never done catching up with Henry David Thoreau (1817–1862), the author of Walden, “Civil Disobedience,” and other classics. A prophet of environmentalism and vegetarianism, an abolitionist, and a critic of materialism and technology, Thoreau even seems to have anticipated a world of social distancing in his famous experiment at Walden Pond. In Now Comes Good Sailing, twenty-seven of today’s leading writers offer wide-ranging original pieces exploring how Thoreau has influenced and inspired them—and why he matters more than ever in an age of climate, racial, and technological reckoning.Here, Lauren Groff retreats from the COVID-19 pandemic to a rural house and writing hut, where, unable to write, she rereads Walden; Pico Iyer describes how Thoreau provided him with an unlikely guidebook to Japan; Gerald Early examines Walden and the Black quest for nature; Rafia Zakaria reflects on solitude, from Thoreau’s Concord to her native Pakistan; Mona Simpson follows in Thoreau’s footsteps at Maine’s Mount Katahdin; Jennifer Finney Boylan reads Thoreau in relation to her experience of coming out as a trans woman; Adam Gopnik traces Thoreau’s influence on the New Yorker editor E. B. White and his book Charlotte’s Web; and there’s much more.The result is a lively and compelling collection that richly demonstrates the countless ways Thoreau continues to move, challenge, and provoke readers today.

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From twenty-seven of today’s leading writers, an anthology of original pieces on the author of WaldenFeatures essays by Jennifer Finney Boylan • Kristen Case • George Howe Colt • Gerald Early • Paul Elie • Will Eno • Adam Gopnik • Lauren Groff • Celeste Headlee • Pico Iyer • Alan Lightman • James Marcus • Megan Marshall • Michelle Nijhuis • Zoë Pollak • Jordan Salama • Tatiana Schlossberg • A. O. Scott • Mona Simpson • Stacey Vanek Smith • Wen Stephenson • Robert Sullivan • Amor Towles • Sherry Turkle • Geoff Wisner • Rafia Zakaria • and a cartoon by Sandra BoyntonThe world is never done catching up with Henry David Thoreau (1817–1862), the author of Walden, “Civil Disobedience,” and other classics. A prophet of environmentalism and vegetarianism, an abolitionist, and a critic of materialism and technology, Thoreau even seems to have anticipated a world of social distancing in his famous experiment at Walden Pond. In Now Comes Good Sailing, twenty-seven of today’s leading writers offer wide-ranging original pieces exploring how Thoreau has influenced and inspired them—and why he matters more than ever in an age of climate, racial, and technological reckoning.Here, Lauren Groff retreats from the COVID-19 pandemic to a rural house and writing hut, where, unable to write, she rereads Walden; Pico Iyer describes how Thoreau provided him with an unlikely guidebook to Japan; Gerald Early examines Walden and the Black quest for nature; Rafia Zakaria reflects on solitude, from Thoreau’s Concord to her native Pakistan; Mona Simpson follows in Thoreau’s footsteps at Maine’s Mount Katahdin; Jennifer Finney Boylan reads Thoreau in relation to her experience of coming out as a trans woman; Adam Gopnik traces Thoreau’s influence on the New Yorker editor E. B. White and his book Charlotte’s Web; and there’s much more.The result is a lively and compelling collection that richly demonstrates the countless ways Thoreau continues to move, challenge, and provoke readers today.

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Lucian Freud is not only the most celebrated artist working in England, but one of the most private. He has frequently stated his reluctance to be photographed and he has almost never agreed to be interviewed. Following the publication of the last ten years of his work by Jonathan Cape in the autumn of 2005, the painter has agreed to talk to Sebastian Smee, a writer on art whom he greatly respects, in a series of conversations rather than formal interviews. He wants to talk about painting itself, the demands of his own work and the painters he admires. Two photographers have had access to Freud's studio. The late Bruce Bernard was a friend for many years and the subject of two of Freud's paintings. Bernard was an authority on photography, a great picture editor, and also a very fine photographer. He made a number of studies of Freud at work. Over the last five years in particular, Freud's assistant, the painter David Dawson, has been photographing the artist constantly. The results reveal various stages of works in progress, including paintings of Dawson himself, and the intensity of the activity in this very secret domain. The only precedent to such a document might be David Douglas Duncan's photographs of Picasso at work, but nothing as extensive has been published on such a major painter before.

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THE NEW YORK TIMES BESTSELLER'I've been wondering who might fill the intellectual void after James Baldwin died. Clearly it is Ta-Nehisi Coates' Toni Morrison'Searing. One of the foremost essayists on race in the West... [He] is responsible for some of the most important writing about what it is to be black in America today' Nikesh Shukla, editor of The Good ImmigrantAn essential account of modern America, from Obama to Trump, from black lives matter to white supremacists rising - by the bestselling author of Between the World and MeObama's presidency was a watershed moment in American history. From 2008-2016, the leader of the free world was a black man. In those eight years, Obama transformed the conversation around race, gender, class and wealth - inspiring hope but also attracting criticism and breeding discontent.In this unflinching book, Ta-Nehisi Coates takes stock of Obama's eight years in power, through such iconic, unmissable essays as 'Fear of a Black President' and 'The Case for Reparations'. His account traverses the intersections of the political, the ideological and the cultural, presenting an America in radical flux and yet still in the grip of racial injustice, class warfare and institutional conspiracy. And it reflects on the author's own journey through these eight years, charting the public through the private in passages of startling intimate and piercingly relevant memoir.Ta-Nehisi Coates is one of our most brilliant, most fearless and most essential living writers - and his work is crucial to understanding race in America today.Finalist for the Los Angeles Book Prize 2018Longlisted for the Andrew Carnegie Medal for Excellence 2018RAVE READER REVIEWS:'Brilliantly written, incisive, and extremely relevant. Read it with your families, use it in your classrooms, give copies to your friends' (Liz)'Coates thinks more deeply and writes more clearly about the national tragedy and disgrace that is our collective failure to confront the legacy of White Supremacy than just about anyone... I can't recommend it highly enough' (Worddancer Redux)'Every white person who wants to really know how it looks from 'the other side' should take on the responsibility of reading Coates' eye-opening, informative book... A must read for everyone of every colour' (Indy JV)'A masterful understanding of how the USA really works' (shedgirl)'If you want to know the wellsprings of racism in America - then read this book!' (David C. R. Hancock)

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A unique and intimate survey of the lives and work of 12 of our most acclaimed writers: Patricia Grace, Tessa Duder, Owen Marshall, Philip Temple, David Hill, Joy Cowley, Vincent O'Sullivan, Albert Wendt, Marilyn Duckworth, Chris Else, Fiona Kidman and Witi Ihimaera. As a group they are now the `elders' of New Zealand literature; they forged the path for the current generation. These interviews reveal not just the grand moments of their careers but also the defeats and disappointments. There are also stories about the enabling and symbiotic role of editors and publishers, showing how key industry figures have played a critical role in shaping New Zealand's literary landscape. They also share some advice on writing. Magnificent portraits by distinguished photographer John McDermott complete the package.

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This book takes a light-hearted look at what the author considers to have been the golden age of motoring journalism - the last two decades of the 20th century. As a writer and tester for Motor magazine, founding Editor of Fast Lane magazine, and a freelance journalist with a weekly column in The Daily Telegraph, Peter Dron has many tales to tell. In these pages we meet industry moguls, unusual motoring journalists and various other passers-by. The reasons why it has all gone wrong, both for the motor industry and motoring journalism, are examined with candour. Although this book is essentially about cars and car people, the author ambitiously hopes that it may amuse, irritate or even inform people who are not interested in cars at all. If the readers are not amused, irritated or informed, the author does not mind in the least, provided they have bought the book with their own money rather than stolen it or acquired it by other means, fair or foul.

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Critics of globalization claim that economic integration drains political authority from states: devolving authority to newly empowered regions, delegating it to supranational organizations, and transferring it to multinational firms and nongovernmental organizations. Globalization is also attacked for forcing convergence of state institutions and policies and threatening the ability of societies to chart their own democratically determined courses. In Governance in a Global Economy, Miles Kahler and David Lake assemble the contributions of seventeen leading scholars who have systematically investigated how global economic integration produces changes of governance. These authors conclude that globalization has created a new and intricate fabric of governance, but one that fails to match the stark portrait of beleaguered states. Exploring changes in governance across several policy areas (such as tourism, trade, finance, and fiscal and monetary policy), the authors demonstrate that globalization changes the policy preferences of some actors, increases the bargaining power of others, and opens new institutional options for yet others. By reintroducing agency and choice into our understanding of globalization, this book provides important new insights into the complex and contingent effects of globalization on political authority and governance. The introduction and the conclusion are by the editors; the contributors are James A. Caporaso, Benjamin J. Cohen, Barry Eichengreen, Zachary Elkins, Geoffrey Garrett, Peter Gourevitch, Virginia Haufler, Michael J. Hiscox, Robert O. Keohane, Lisa L. Martin, Walter Mattli, Kathleen R. McNamara, Joseph S. Nye, Jr., Jonathan Rodden, Ronald Rogowski, Beth A. Simmons, and Peter Van Houten.

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The third volume of a catalogue raisonné of Luc Tuymans’s paintings, surveying nearly two hundred works, charts the artist’s investigation into painting’s relationship to history and technology.Tuymans is widely credited with having contributed to the revival of painting in the 1990s. His sparsely colored, figurative works speak in a quiet, restrained, and at times unsettling voice and are typically painted from preexisting imagery that includes photographs and video stills. The works in this volume, made between 2007 to 2018, show Tuymans at his most virtuosic, subtly but provocatively addressing a range of topics including religion, corporatization, and cultural memory, in addition to modernism and the history of painting. The Internet, in particular, is central to these works as well as the screen—leading to a new style of contemporary image. The works are mediatized to the nth degree, despite the artist’s continuous use of the traditional medium of painting. There is a certain kind of light that comes out of a screen, which can be found in Tuymans’s recent paintings.This volume includes an editor’s note by Eva Meyer-Hermann and an illustrated chronology with archival images and installation views of the featured works. It also presents brilliant color reproductions of each painting from this period. This publication is a testament to Tuymans’s persistent assertion of the relevance and importance of painting—a conviction that he maintains even in today’s digital world, when his work continues to be a touchstone for artists and scholars.

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The first annotated edition of Syrian writer Nihad Sirees's The Silence and the Roar, created for the Arabic language classroom Al-Samt wa-al-Sakhab (The Silence and the Roar) is an award-winning novella by Syrian author Nihad Sirees. This edition—abridged and in the original Arabic with vocabulary aids, reading questions, and supplementary materials—introduces intermediate and advanced Arabic language students to the world of contemporary Arab literature. In Al-Samt wa-al-Sakhab, Sirees weaves an Orwellian tale of freedom, love, and resistance amid a backdrop of bureaucracy and despotism. Fathi Sheen is a writer living in an unnamed Middle Eastern country whose work has been silenced by the ruling government and its despotic leader. On the twentieth anniversary of the regime, Fathi decides to leave the roar of the parade snaking its way through the city and visit his mother and his girlfriend, but when he stops to help a student being beaten by the police, his ID is confiscated. With no choice but to report to the police station, Fathi fights to stay sane against the oppressive—and increasingly absurd—state bureaucracy. This political satire, originally published in 2004 but no less relevant to our times, shows how to remain free even in captivity. In this abridged and annotated edition for the Arabic language classroom, editor Hanadi Al-Samman includes a historical and cultural preface in Arabic, a biography of Sirees, footnotes for vocabulary aid, and pre- and postreading questions and activities to guide students through the book's literary concepts and to teach literary analysis skills. An interview with Sirees and excerpt readings in his voice are available on the publisher's website. Authorized by Sirees, this edition preserves the author's original style while making the novella easy to use in the classroom or to read independently.

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Thruxton has been described as "the UK's Speedbowl." The circuit is home to the prestigious British Automobile Racing Club, and during the period covered by this book the author was editor of the club's magazine. As a result, he was able to get behind the scenes at many of the events, including F2, British Touring Cars, Aurora AFX F1, and club races. In the 1980s Thruxton featured in the early careers of many Formula One drivers, and the book records the early performances of such luminaries as Ayrton Senna, Nigel Mansell, Damon Hill, Derek Warwick, Alan McNish, Mike Thackwell, Mika Hakkinen, and many more. Featuring many previously unpublished photographs from the author's personal collection, this is an insightful account of racing at one of the fastest motor racing circuits in the UK.

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Mercedes-Benz Pagoda SLs are cars that have the style and dynamic qualities that can be instantly recognized and appreciated 35 years after they went out of production. They are more practical than their predecessors, the 300SL Gullwing and roadsters, and more memorable than their successors, the W107 Panzer-wagen SLs. This book gives you a "warts and all" introduction to what these SLs are like to own, drive and maintain, plus a step-by-step guide to how to evaluate any example you might be considering. It includes 100 photos of what to look for - and what to avoid - plus a realistic assessment of running and restoration costs, and market values. This includes servicing and spare parts prices, and the relative values of the various models, specifications and vehicle conditions you are likely to encounter. Written by the Editor of the Mercedes-Benz Club Gazette, it draws on the experiences of the late Roger Edwards, a former Mercedes-Benz apprentice who spent his life working on and enjoying these cars. Including input from Roger's colleagues, who continue to run his company, a leading source of expertise on Pagoda SLs. The book also benefits from the author's 30 years of owning, restoring and enjoying old cars, and his contacts in the world of Mercedes-Benz enthusiasts. One of a comprehensive series of buyer's guides published by Veloce, it uses a well-established evaluation system, developed to enable potential buyers to assess any car they view. It is written in an easy to follow, jargon-free style and will equip you with all you need to know when buying a Pagoda, whether you want to get your own hands dirty or just need to know what is necessary to supervise others working on your behalf.

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A warts and all introduction to owning, driving and maintaining a Mercedes-Benz 280-560SL or SLC, and a step-by-step guide to evaluating one for purchase. This book includes 100 photos of what to look for and what to avoid, plus a realistic assessment of running and restoration costs, as well as market values. This includes servicing and spare parts prices, and the relative values of the various models, specifications and vehicle conditions you are likely to encounter. Written by the editor of the Mercedes-Benz Club Gazette, it draws on the experiences of the late Roger Edwards, a former Mercedes-Benz apprentice who spent his life working on and enjoying these cars, along with input from Roger's colleagues who continue to run his company. It also benefits from the author's 30 years of owning and restoring old cars, and his contacts in the world of Mercedes-Benz enthusiasts. Written in an easy to follow, jargon-free style, this book will equip you with all you need to know to buy a Mercedes-Benz 280-560SL or SLC.

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A comprehensive and inspiring collection of essays by Larry Neal, a founder of the seminal Black Arts Movement“The Black Arts Movement is radically opposed to any concept of the artist that alienates him from his community. Black Art is the aesthetic and spiritual sister of the Black Power concept. As such, it envisions an art that speaks directly to the needs and aspirations of Black America.” —Larry Neal, The Drama Review, 1968 Larry Neal, a poet, dramatist, and critic, was a founding figure of the Black Arts Movement in the 1960s and 1970s in New York. Writing as the arts editor for Liberator magazine, a radical journal published in Harlem, Neal called for Black artists to produce work that was politically oriented, rooted in the Black experience, and written for the Black community. Engaging with fiction, music, drama, and poetry in his texts, he challenged the dominance of the Western art-historical canon and charged Black artis

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The story of a man coming into his own by coming home. Since he was a boy, Bill Eville knew he wanted two things in life: to be a writer and a father. Being a minister’s husband had not been on this list, having left the church as a teenager as soon as his parents stopped making him go each Sunday. In Washed Ashore, Eville’s life changes when his wife Cathlin takes a job as the first female pastor of a 350-year-old church on Martha’s Vineyard, the island that was once home to generations of his ancestors. With their two small children in tow, the couple begins a new life eight miles out at sea. Readers follow Eville’s journey from stay-at-home-dad to newspaper editor as he discovers what it means to be a writer, a father, and—after his wife’s devasting breast cancer diagnosis—what it truly means to be a minister’s husband. Washed Ashore, told in a series of linked essays, is poignant and funny, filled with faith, struggle, and light.

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Image of Britain 2, originally published in 1961, was the second of two special numbers of The Texas Quarterly devoted to Britain. This volume comprises some three dozen selections—essays, fiction, poetry, and illustrations, most of them specially commissioned. The editorial aim has been to achieve scope and variety.The articles, essays in criticism on British themes, for the most part survey literature and the fine arts: poetry, theater, intellectual review, then-recent translations into English, the flood of military memoirs, British humor, architecture, painting and sculpture, and music. Other essays treat individual authors, among them Shakespeare, Trollope, Galsworthy, Forster, Wells, Yeats, Pound, Shaw, Muir, Green, Snow, Waugh, Amis, and Pinter.All except a handful of the essayists are British. There is much to be said for inviting the forthright and brilliantly self-critical to comment extensively on their own literature and art. Stephen Spender and John Lehmann, two of Britain’s most distinguished editors, deal with British literary matters, both international and domestic; the novelist David Garnett discusses George Moore, Galsworthy, Forster, and H. G. Wells—the men and their works; and the poet Kathleen Raine appraises the verse of Edwin Muir.Like the essayists, the contributors of fiction and poetry include the emerging and already noteworthy—Ted Hughes, Peter Redgrove, and Andrew Sinclair, for example—as well as the firmly established and celebrated, such as Angus Wilson, Stephen Spender, and Joyce Cary. Cary’s short story “The Ball” appeared here in print for the first time.The photographer Hans Beacham, who visited England at the Quarterly’s invitation, contributed a gallery of portraits of important British painters and sculptors. The photographs complement David Sylvester’s article on contemporary British art. In addition, Edward Bawden’s drawings of the British scene run like a charming frieze throughout this number.

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This controversial biography of the founder of the Christian Science church was serialized in McClure's Magazine in 1907-8 and published as a book the next year. It disappeared almost overnight and has been difficult to find ever since. Although a Canadian mewspaperwoman named Georgine Milmine collected the material and was credited as the author, The Life Of Mary Baker G. Eddy was actually written by Willa Cather, an editor at McClure's at that time. In his introduction to this Bison Book edition, David Stouck reveals new evidence of Cather's authorship of The Life of Mary Baker G. Eddy. He discusses her fidelity to facts and her concern with psychology and philosophy that would take creative form later on. Indeed, this biography contains "some of the finest portrait sketches and reflections on human nature that Willa Cather would ever write."

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David Kuria Mbote is a community activist and a leader of the Kenyan gender and sexual minority rights movement.Barbara Bompani is Reader in Africa and International Development at the Centre of African Studies, University of Edinburgh, UK. She is co-editor of Christian Citizens and the Moral Regeneration of the African State (2017).Adriaan van Klinken is Professor of Religion and African Studies at the University of Leeds, UK. He is the author of Kenyan, Christian, Queer: Religion, LGBT Activism and Arts of Resistance in Africa (2019). Damaris Parsitau is a scholar of religion and a former Director of the British Institute for Eastern Africa in Nairobi, Kenya. She currently serves as President of the African Association for the Study of Religions.

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Regardless of its particular topic, each of Donald Davidson's essays is part of a comprehensive progrqamme to address questions about language, mind and action, and their interconnections. Themes from this larger programme permeate and bind his work on semantics: on the notions of meaning and truth, on theories of truth, reference, logical form and inference, compositionality, 'intentional' operators, indeterminacy, conceptual relativism, skepticism and metaphor. Twenty-eight critical essays, including a substantial introduction to Davidson's philosophy of language, and three essays by Davidson himself, make up this volume. The volume's six sections corespond to the major section of Davidson's inquiries into Truth and Interpretation. Each contains critical essays addressing, interpreting and further develoing his views. The first section, written by the editor, gives an overview of the whole volume, the second section focuses on truth and meaning; the third, applications of Davidson's semantic theory; the fourth, radical interpretation; the fifth, language and reality, and the sixth, limits of the literal.

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The Crisis of Meaning was first published in 1995. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.Pick up any newspaper and it is clear that the United States is facing a democratic crisis. Recent culture wars and debates about political correctness and culture have illustrated how conventional definitions of citizenship and national identity have been thrown into question.Investigating what he views as an inseparable link between culture and politics, David Trend analyzes how notions of patriotism, citizenship, community, and family are communicated within specific public and private institutions. He extends the meaning and purpose of pedagogy as a cultural practice outside the classroom, focusing on political activism in education, the mass media, and the art world.The Crisis of Meaning supplies a crucial theoretical understanding of the ways in which the pedagogical and political intersect at a variety of cultural sites, as it points us toward a "democratic" process of national identity formation. It is indispensable reading for anyone interested in the connections between education and politics.David Trend is executive director of the Center for Social Research and Education in San Francisco and also executive editor of the Socialist Review. He is the author of Cultural Pedagogy: Art/Education/Politics (1992).

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A plant's botanical name does more than give it a unique label. The name can often reveal where it originated, who discovered it, what shape it is, and more besides. This book is an indispensible guide, making the subject accessible and enjoyable, showing not only how plant names work, but also how you can make use of them in practical ways.

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"Homer in Print" traces the print transmission and literary reception of the Iliad and the Odyssey from the fifteenth through the twentieth century. Over 175 mini-essays provide new details of each included edition's textual, intellectual, and publishing history. Three long-form essays contributed by scholars Glenn W. Most and David Wray, and collector M. C. Lang, place these editions within a wider context, exploring their role in ancient and modern philology, translation studies, and the history of printing. An extensive and strikingly illustrated testament to the power and popularity of Homer over the past five hundred years, "Homer in Print" is an essential text for students and teachers of classics, classical reception, comparative literature, and book history. This volume, a product of new research and sharp scholarship, evidences Homer's ability to captivate the imaginations of poets, editors, and readers across the centuries.

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The First World War is often credited as being the event that gave Canada its own identity, distinct from that of Britain, France, and the United States. Less often noted, however, is that it was also the cause of a great deal of friction within Canadian society. The fifteen essays contained in Canada and the First World War examine how Canadians experienced the war and how their experiences were shaped by region, politics, gender, class, and nationalism. Editor David MacKenzie has brought together some of the leading voices in Canadian history to take an in-depth look into the tensions and fractures the war caused, and to address the way some attitudes about the country were changed, while others remained the same. The essays vary in scope, but are strongly unified so as to create a collection that treats its subject in a complete and comprehensive manner. Canada and the First World War is a tribute to esteemed University of Toronto historian Robert Craig Brown, one of Canada's greatest authorities on the Great War World War One. The collection is a significant contribution to the on-going re-examination of Canada's experiences in war, and a must-read for students of Canadian history.

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The Pre-Columbian Maya were organized into a series of independent kingdoms or polities rather than unified into a single state. The vast majority of studies of Maya states focus on the apogee of their development in the classic period, ca. 250-850 C.E. As a result, Maya states are defined according to the specific political structures that characterized classic period lowland Maya society. The Origins of Maya States is the first study in over 30 years to examine the origins and development of these states specifically during the preceding preclassic period, ca. 1000 B.C.E. to 250 C.E. Attempts to understand the origins of Maya states cannot escape the limitations of archaeological data, and this is complicated by both the variability of Maya states in time and space and the interplay between internal development and external impacts. To mitigate these factors, editors Loa P. Traxler and Robert J. Sharer assemble a collection of essays that combines an examination of topical issues with regional perspectives from both the Maya area and neighboring Mesoamerican regions to highlight the role of interregional interaction in the evolution of Maya states. Topics covered include material signatures for the development of Maya states, evaluations of extant models for the emergence of Maya states, and advancement of new models based on recent archaeological data. Contributors address the development of complexity during the preclassic era within the Maya regions of the Pacific coast, highlands, and lowlands and explore preclassic economic, social, political, and ideological systems that provide a developmental context for the origins of Maya states. Contributors: Marcello A. Canuto, John E. Clark, Ann Cyphers, Francisco Estrada-Belli, David C. Grove, Norman Hammond, Richard D. Hansen, Eleanor King, Michael Love, Simon Martin, Astrid Runggaldier, Robert Sharer, Loa Traxler.

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Understanding the chemistry behind works of art and heritage materials presents an opportunity to apply scientific techniques to their conservation and restoration. Manipulation of materials at the nanoscale affords greater accuracy and minimal disturbance to the original work, while efficiently combating the affects of time and environment. This book meets the growing demand for an all-encompassing handbook to instruct on the use of today's science on mankind's cultural heritage. The editors have pioneered modern techniques in art conservation over the last four decades, and have brought together expertise from across the globe. Each chapter presents the theoretical background to the topic in question, followed by practical information on its application and relevant case studies. Introductory chapters present the science behind the physical composition of art materials. Four chapters explore various cleaning techniques now, followed by four chapters describing the application of inorganic nanomaterials. Each chapter is fully referenced to the primary literature and offers suggestions for further reading. Professional conservators and scientists alike will find this essential reading, as will postgraduate students in the fields of materials and colloid science, art restoration and nanoscience.

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Did you know that chickens have different alarm calls for different predators? This fascinating dictionary covers every aspect of animal behaviour and includes terms from the related fields of ecology, physiology and psychology. Clear, concise entries are backed up by specific examples where appropriate, covering all aspects of behaviour from aggression to courtship, and fully cross-referenced. The author, David McFarland, was formerly head of the Animal Behaviour Research Group at Oxford University, and the editor of the Oxford Companion to Animal Behaviour (1981). Jargon free and informative, this dictionary is an excellent source of reference for students of biology and psychology, and essential reading for naturalists, bird-watchers, and the general reader with an interest in animal behaviour.

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This important volume affords a panoramic view of local elites during the dramatic changes of late imperial and Republic China. Eleven specialists present fresh, detailed studies of subjects ranging from cultivated upper gentry to twentieth-century militarists, from wealthy urban merchants to village leaders. In the introduction and conclusion the editors reassess the pioneering gentry studies of the 1960s, draw comparisons to elites in Europe, and suggest new ways of looking at the top people in Chinese local social systems. Chinese Local Elites and Patterns of Dominance lays the foundation for future discussions of Chinese elites and provides a solid introduction for non-specialists. Essays are by Stephen C. Averill, Lenore Barkan, Lynda S. Bell, Timothy Brook, Prasenjit Duara, Edward A. McCord, William T. Rowe, Keith Schoppa, David Strand, Rubie S. Watson, and Madeleine Zelin.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990.

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The Cuban economy has been transformed over the course of the last decade, and these changes are now likely to accelerate. In this edited volume, prominent Cuban economists and sociologists present a clear analysis of Cuba’s economic and social circumstances and suggest steps for Cuba to reactivate economic growth and improve the welfare of its citizens. These authors focus first on trade, capital inflows, exchange rates, monetary and fiscal policy, and the agricultural sector. In a second section, a multidisciplinary team of sociologists and an economist map how reforms in economic and social policies have produced declines in the social standing of some specific groups and economic mobility for others.A joint collaboration between scholars at Harvard University and in Cuba, this book includes the same editors and many of the same authors of The Cuban Economy at the Start of the Twenty-First Century (edited by Jorge I. Domínguez, Omar Everleny Pérez Villanueva, and Lorena G. Barberia), which is also part of the David Rockefeller Center series.

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A rich visual history of Architectural Digest, published for the magazine’s 100th anniversary Architectural Digest at 100 celebrates the best from the pages of the international design authority. The editors have delved into the archives and culled years of rich material covering a range of subjects. Ranging freely between present and past, the book features the personal spaces of dozens of private celebrities like Barack and Michelle Obama, David Bowie, Truman Capote, David Hockney, Michael Kors, and Diana Vreeland, and includes the work of top designers and architects like Frank Gehry, David Hicks, India Mahdavi, Peter Marino, John Fowler, Renzo Mongiardino, Oscar Niemeyer, Axel Vervoordt, Frank Lloyd Wright, and Elsie de Wolfe. Also included are stunning images from the magazine’s history by photographers such as Bill Cunningham, Horst P. Horst, Simon Upton, Francois Dischinger, Francois Halard, Julius Shulman, and Oberto Gili.

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Oxford's variorum edition of William Blackstone's seminal treatise on the common law of England and Wales offers the definitive account of the Commentaries' development in a modern format. For the first time it is possible to trace the evolution of English law and Blackstone's thought through the eight editions of Blackstone's lifetime, and the authorial corrections of the posthumous ninth edition. Introductions by the general editor and the volume editors set the Commentaries in their historical context, examining Blackstone's distinctive view of the common law, and editorial notes throughout the four volumes assist the modern reader in understanding this key text in the Anglo-American common law tradition. Book I: Of the Rights of Persons covers the key topics of constitutional and public law. Blackstone's inaugural lecture 'On the Study of the Law' introduces a series of general essays on the nature of law, including a chapter on 'The Absolute Rights of Individuals' . This is followed by an extended account of England's political constitution. The various categories of people or subjects are then surveyed, with special attention to the rights and obligations of masters and servants, husbands and wives, parents and children, and lastly 'artificial persons', or corporations. In addition to David Lemmings' introduction to the volume, Book I includes an introduction from the General Editor Wilfrid Prest.

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The history of Aboriginal people in Canada taught in schools and depicted in the media tends to focus on Aboriginal displacement from native lands and the consequent social and cultural disruptions they have endured. Collectively, they are portrayed as passive victims of European colonization and government policy, and, even when well intentioned, these depictions are demeaning and do little to truly represent the role Aboriginal peoples have played in Canadian life. Hidden in Plain Sight adds another dimension to the story, showing the extraordinary contributions Aboriginal peoples have made - and continue to make - to the Canadian experience. From treaties to contemporary arts and literatures, Aboriginal peoples have helped to define Canada and have worked to secure a place of their own making in Canadian culture. For this volume, editors David R. Newhouse, Cora J. Voyageur, and Daniel J.K. Beavon have brought together leading scholars and other impassioned voices, and together, they give full treatment to the Aboriginal contribution to Canada's intellectual, political, economic, social, historic, and cultural landscapes. Included are profiles of several leading figures such as actor Chief Dan George, artist Norval Morrisseau, author Tomson Highway, activist Anna Mae Pictou Aquash, and politician Phil Fontaine, among others. Canada simply would not be what it is today without these contributions. The first of two volumes, Hidden in Plain Sight is key to understanding and appreciating Canadian society and will be essential reading for generations to come.

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David T. Mitchell is Professor of English at George Washington University, USA.Sharon L. Snyder is an independent researcher.Mitchell and Snyder are editors of the Encyclopaedia of Disability, Volume Five: A History of Disability in Primary Sources (2005) and, most recently, The Matter of Disability [with Susan Antebi] (2019). Together they are also co-authors of influential books in Disability Studies including Narrative Prosthesis (2000), Cultural Locations of Disability (2006), and The Biopolitics of Disability (2015).

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