Search results for ""bloomsbury""

This book explores Chinese artistic and stylistic influences on Modernist practice in early twentieth century Britain. This volume examines the ways in which an intellectual vogue for a mythic China was a constituent element of British modernism. Traditionally defined as a decorative style that conjured a fanciful and idealized notion of China, chinoiserie was revived in in London's avant garde circles, the Bloomsbury group, the Vorticists and others, who like their eighteenth century forebears, turned to China as a cultural and aesthetic utopia. As part of Modernism's challenge to the 'universality' of so called Western values and aesthetics, the turn to China would contribute much more than has been acknowledged to Modernist thinking. As these 10 new chapters demonstrate, China as an intellectual and aesthetic utopia dazzled intellectuals and aesthetes. At the same time the consumption of Chinese exoticism became commercialized. The essays show that from cutting edge Modernist chic to mass culture and consumer products, the vogue for chinoiserie style and motifs permeated the art and design of the period. The 10 original chapters from leading international figures in the field, including Elizabeth Chang, David Porter and Patricia Laurence. It includes 28 figures (10 in colour) to illustrate the text. It offers a coverage of literature, painting and poetry, as well as performance and visual media, theatre, fashion, film and dance, interior and garden design, Ideal Home and international exhibitions.

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Acclaimed as "one of the most fascinating female poets of our time" (BOMB), Kimiko Hahn is a shape-shifter, a poet who seeks novel forms for her utterly original subject matter and "stands as a welcome voice of experimentation and passion" (Bloomsbury Review). In Brain Fever, Hahn integrates the recent findings of science, ancient Japanese aesthetics and observations from her life as a woman, wife, mother, daughter and artist. Rooted in meditations on contemporary neuroscience, Brain Fever takes as its subject the mysteries of the human mind—the nature of dreams and memories, the possibly illusory nature of linear time and the complexity of conveying love to a child. In one poem, "A Bowl of Spaghetti", she cites a comparison that researchers draw between unravelling "the millions of miles of wires in the [human] brain" and "untangling a bowl of spaghetti", and thus she untangles a memory of her own: "I have an old photo: Rei in her high chair intently / picking out each strand to mash in her mouth. // Was she two? Was that sailor dress from mother? / Did I cook that sauce from scratch? If so, there was a carrot in the pot." Equally inspired by Sei Shonagon's tenth-century Pillow Book and the latest findings of cognitive research, Brain Fever is a thrilling blend of the timely and the timeless.

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‘Your letters are a great pleasure. I lap them down with breakfast and they do me more good than tonics, blood capsules or iron jelloids’ Lytton StracheyDora Carrington was considered an outsider to Bloomsbury, but she lived right at its heart. Known only by her surname, she was the star of her year at the Slade School of Fine Art, but never achieved the fame her early career promised. For over a decade she was the companion of homosexual writer Lytton Strachey, and killed herself, stricken without him, when he died in 1932. She was also a prolific and exuberant correspondent.Carrington was not consciously a pioneer or a feminist, but in her determination to live life according to her own nature – especially in relation to her work, her passionate friendships and her fluid attitude to sex, gender and sexuality – she fought battles that remain familiar and urgent today. She was friends with the greatest minds of the day and her correspondence stars a roster of fascinating characters – Virginia Woolf, Vanessa Bell, Rosamund Lehmann, Maynard Keynes to name but a few.Carrington’s Letters introduces the maverick artist and compelling personality to a new generation for the first time with fresh correspondence never before published. Unmediated, passionate, startlingly honest and very playful, reading Carrington’s letters is like having her whisper in your ear and embrace you gleefully.

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"The essays are provocative and enhance knowledge of Third World women's issues. Highly recommended . . . " —Choice" . . . the book challenges assumptions and pushes historic and geographical boundaries that must be altered if women of all colors are to win the struggles thrust upon us by the 'new world order' of the 1990s." —New Directions for Women"This surely is a book for anyone trying to comprehend the ways sexism fuels racism in a post-colonial, post-Cold War world that remains dangerous for most women." —Cynthia H. Enloe" . . . provocative analyses of the simultaneous oppressions of race, class, gender and sexuality . . . a powerful collection." —Gloria Anzaldúa" . . . propels third world feminist perspectives from the periphery to the cutting edge of feminist theory in the 1990s." —Aihwa Ong" . . . a carefully presented wealth of much-needed information." —Audre Lorde" . . . it is a significant book." —The Bloomsbury Review" . . . excellent . . . The nondoctrinaire approach to the Third World and to feminism in general is refreshing and compelling." —World Literature Today". . . an excellent collection of essays examining 'Third World' feminism." —The Year's Work in Critical and Cultural TheoryThese essays document the debates, conflicts, and contradictions among those engaged in developing third world feminist theory and politics. Contributors: Evelyne Accad, M. Jacqui Alexander, Carmen Barroso, Cristina Bruschini, Rey Chow, Juanita Diaz-Cotto, Angela Gilliam, Faye V. Harrison, Cheryl Johnson-Odim, Chandra Talpade Mohanty, Ann Russo, Barbara Smith, Nayereh Tohidi, Lourdes Torres, Cheryl L. West, & Nellie Wong.

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A rich American art-collector and his daughter Maggie buy in for themselves and to their greater glory a beautiful young wife and a noble husband. They do not know that Charlotte and Prince Amerigo were formerly lovers, nor that on the eve of the Prince's marriage they had discovered, in a Bloomsbury antique shop, a golden bowl with a secret flaw. When the golden bowl is broken, Maggie must leave the security of her childhood and try to reassemble the pieces of her shattered happiness. In this, the last of his three great poetic masterpieces, James combined with a dazzling virtuosity elements of social comedy, of mystery, terror, and myth. The Golden Bowl is the most controversial, ambiguous, and sophisticated of James's novels. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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In 1932 the young writer and political activist CLR James arrived in London from his native Trinidad. During his first weeks in the city he wrote a series of essays about his impressions and experiences for publication back home in the Port of Spain Gazette. Seventy years later, these pieces, newly transcribed from archives in the Caribbean, are published for the first time as a collection, with an extensive introduction and notes. Letters from London reveals CLR James' first encounter with the colonial metropolis and the values that had already shaped his intellectual development in Trinidad. Drawn to London's literary and political avant-garde, he describes life in Bloomsbury, arguments with Edith Sitwell, visits to theatres, museums and concert halls, and his seminal friendship with the great West Indies cricketer, Learie Constantine. Initially in awe of London, James soon develops a critical stance towards the city and its once mysterious people, analysing their drab architecture, shallow newspapers and repressed social relations. 'Londoners have had sixty years of compulsory education and all the advantages of a great modern city,' he writes. 'When you look at the intellectual quality of the people, you are astonished.' A resurrected 'classic' of considerable importance, Letters from London provides a hitherto inaccessible picture of the young CLR James and his formative period. This collection will appeal not just to Jamesites, but to scholars of colonial and post-colonial history and those interested in London.

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This fascinating book brings together and examines all aspects of the life and work of one of the most influential thinkers of the last century, John Maynard Keynes, whose theses are still hotly debated. It combines, in an accessible, unique and cohesive manner, analytical, biographical and contextual elements from a variety of perspectives.Gilles Dostaler studies in detail the battles that Keynes led on various fronts - politics, philosophy, art, and of course economics - in the pursuit of a single and lifelong goal: to radically transform society to create a better world, a world pacified and freed from the neurotic pursuit of financial wealth and economic rentability, with art at its pinnacle. Containing detailed presentations of the Bloomsbury group and the political history of Great Britain, Keynes and his Battles is an essential reference to this most important of 20th century figures whose central message remains as topical today as it ever was. The study also contains a unique chronology of Keynes's life and historical events, portraits of Keynes by his friends and contemporaries, as well as a full bibliography of all his books, chapters contributed to books, journal articles and reviews.Scholars, students and researchers of economics, history of economic thought, political science, sociology, history, philosophy and the history of arts will find this an absorbing and revealing work. The book should also interest journalists, decision makers in society and all those who are preoccupied by the problems of our time.

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With an introduction by Siri Hustvedt Friday 30 October 1936. I do not wish, for reasons I cannot now develop, to analyse that extraordinary summer. It will be more helpful & healthy for me to write scenes; to take up my pen & describe actual events: good practice too for my stumbling & doubting pen. Can I still 'write'? That is the question, you see. And now I will try to prove if the gift is dead, or dormant. The concluding volume of Virginia Woolf's diary covers the last five years of her life, ending four days before she committed suicide at the age of 59. These final years were overshadowed by the untimely death of her nephew Julian Bell in the Spanish Civil War, and her own intermittent mental fragility. As another World War began to seem inevitable, writing itself often felt like a battle. Nevertheless, this period saw the publication of her novel The Years, the polemical essay Three Guineas, the biography of her friend Roger Fry, and the writing of Between the Acts. This volume stands as a monument to Woolf's life and the enduring friendships of the Bloomsbury group. This Granta edition of Volume 5 contains the unexpurgated text for the first time.

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This bilingual collection of Neruda's most essential poems is indispensable.Selected by a team of poets and prominent Neruda scholars in both Chile and the U.S., this is a definitive selection that draws from the entire breadth and width of Neruda's various styles and themes.An impressive group of translators that includes Alistair Reid, Stephen Mitchell, Robert Hass, Stephen Kessler and Jack Hirschman, have come together to revisit or completely retranslate the poems; and a handful of previously untranslated works are included as well.This selection sets the standard for a general, high-quality introduction to Neruda's complete oeuvre."...The Essential Neruda will prove to be, for most readers, the best introduction to Neruda available in English. In fact, I can think of few other books that have given me so much delight so easily. "--The Austin Chronicle"This book is a must-have for any reader interested in a definitive sampling of the most essential poems by one whom many consider one of the best poets of the 20th century."--Mike Nobles,Tulsa World"A splendid way to begin a love affair with our Pablo or, having already succumbed to his infinite charms, revisit him passionately again and again and yet again."--Ariel Dorfman, author of Death and the Maiden"The editors and translators know how to extract gold from a lifetime of prolific writing. If you want a handy Neruda companion and don't know where to begin, this is it."--The Bloomsbury Review

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If objectivity was the great discovery of the nineteenth century, uncertainty was the great discovery of the twentieth century. This book explores the tangled relationships between knowledge and politics during the first fifty years of the twentieth century. Changes within universities, particularly in Oxford, Cambridge, and the London School of Economics,made them, more than before, research institutions. Additionally, renovations within the grand empires of learning, represented by the Royal Society of London and the British Academy, lead to the recognition and acceptance of different forms of learning. The less formal coteries such as the Bloomsbury Group, the Society for the Protection of Knowledge, and the Scholarship and Theoretical Biology Club, are not neglected in this exploration of learned life.Indeed, members of all these societies transported knowledge from North America and the Continent, especially from the Warburg Institute, shifting the demographic and conceptual bases of British intellectual life. Thus, certain important twentieth-century themes transpire throughout this study: specialization, professionalization, objectivity, the emergence of the expert, and the rise of the social sciences. The twentieth century, with its hotand cold wars, distorted intellectual life by demands for application and for useful research. Learned people in Britain seduced themselves by patriotism and became complicit by developing defensive clichés seeking to explain howBritish knowledge was somehow different from German, and later, Soviet knowledge. If objectivity was the great discovery of the nineteenth century, as Lubenow demonstrated in "Only Connect": Learned Societies in Nineteenth Century Britain (2015), this book shows that uncertainty was the great discovery of the twentieth century.

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Virginia Nicholson's Singled Out is the touching and beautifully told story of the women who were left alone after World War I - a remarkable generation of women who were changed by war; and in their turn helped change society.In 1919 a generation of young women discovered that there were, quite simply, not enough men to go round, and the statistics confirmed it. After the 1921 Census, the press ran alarming stories of the 'Problem of the Surplus Women - Two Million who can never become Wives...'. This book is about those women, and about how they were forced, by a tragedy of historic proportions, to stop depending on men for their income, their identity and their future happiness.'This is a ground-breaking book, richly nuanced with titbits of information, insight and understanding' Daily Mail 'Remarkably perceptive and well-researched ... Virginia Nicholson has produced another extraordinarily interesting work, sensitive, intelligent and well-written' Sunday Telegraph 'This in an inspiring book, lovingly researched, well-written and humane... the period is beautifully caught' Economist 'Brave, humane and honest' Observer Virginia Nicholson was born in Newcastle-upon-Tyne. She has worked as a documentary researcher for BBC Television and her first book, Charleston - A Bloomsbury House and Garden (written in collaboration with her father, Quentin Bell), was an account of the Sussex home of her grandmother, the painter Vanessa Bell. Her second book, Among the Bohemians: Experiments in Living 1900-1939, was published by Penguin in 2002. She lives in Sussex.

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The National Portrait Gallery’s collections hold numerous portraits of creative partnerships. This book looks at the extensive collection of the Gallery and explores the role of love and the people featured both as sitters and artists. Drawing on recent scholarship, the exhibition will explore changing ideas of love, and give readers the opportunity to discover love stories both tragic and transcendent. The stories cover a variety of topics, including: the role of the muse, featuring stories such as George Romney, Lady Emma Hamilton and Nelson, and the Bloomsbury group; scandal and tragedy, exploring the relationships of Oscar Wilde and Lord Alfred Douglas, Edward VIII and Wallis Simpson, and John Lennon and Yoko Ono; literary love, highlighting the tales of Mary and Percy Shelley, and Sylvia Plath and Ted Hughes; a shared studio, featuring the stories of artists Lee Miller and Man Ray, and Barbara Hepworth and Ben Nicholson; and love and the lens, which explores the stories of Laurence Olivier and Vivien Leigh, and Mick and Bianca Jagger.Love Stories will be brought to life through the perspective of various authors, using material from the sitter’s own letters, diaries and poetry, while highlighting their connection and influence on some of the greatest masterpieces of art.

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Cultural Memory, Consciousness, and the Modernist Novel is a study of the novel and consciousness in James Joyce, William Butler Yeats, D. H. Lawrence, and Virginia Woolf. This volume focuses on novels of the 1920s and engages in a study of Joyce’s epiphany and language play, Yeats’s esoteric philosophy, Lawrence’s vitalism, and Woolf’s stream of consciousness techniques. In this book readers enter the minds of Joyce’s characters Stephen Dedalus and Leopold Bloom in the modern city, the esoteric quests of William Butler Yeats, the vitalism and explorations of D. H. Lawrence, the interiority of Virginia Woolf, and the artistic perspectives of the Bloomsbury Group.Within the field of intellectual history, Robert McParland’s groundbreaking study places Joyce, Yeats, Lawrence, and Woolf within the cultural and historical context of the first half of the twentieth century. McParland takes a philosophical humanist approach to the innovative techniques and quests of literary modernism and draws from the phenomenology of Edmund Husserl and Maurice Merleau-Ponty, as well as the inquiries of Arthur Schopenhauer and Henri Bergson. This work also follows from the work of intellectual historian H. Stuart Hughes, the studies of James Joyce by Richard Ellmann and Helene Cixous, and David Lodge’s Consciousness in Fiction.

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The middle decades of the twentieth century saw an extraordinary flourishing of the illustrated, pictorial dust jacket. From the 1920s, as the potential for the book’s protective wrapping to be used for promotion and enticement became clear, artists and illustrators on both sides of the Atlantic applied their talents to this particular art form. Rising to the wide-ranging challenges posed by format and subject matter, leading artists and illustrators, including John Piper, Edward Bawden and John Minton in the UK and Ben Shahn, Edward Gorey and George Salter in the USA, brought their unique personal vision to bear on the world of books. Many of their designs reflect the changing visual styles and motifs of the period, including Bloomsbury, Art Deco, Modernism, postwar neo-romanticism and the Kitchen Sink School. Martin Salisbury has selected over fifty of the artists and illustrators who were active in the period 1920–1970 in the UK and USA, as well as others such as Tove Jansson and Celestino Piatti, and discusses their life and work. A selection of dust jackets – both known and too long forgotten – for each artist reveals how far the book as an artefact had travelled from the days of the plain wrapper in the nineteenth century.

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This first complete history of Dr Williams's Trust and Library, deriving from the will of the nonconformist minister Daniel Williams (c.1643-1716) reveals rare examples of private philanthropy and dissenting enterprise. The library contains the fullest collection of material relating to English Protestant Dissent. Opening in the City of London in 1730, it moved to Bloomsbury in the 1860s. Williams and his first trustees had a vision for Protestant Dissent which included maintaining connections with Protestants overseas. The charities espoused by the trust extended that vision by funding an Irish preacher, founding schools in Wales, sending missionaries to native Americans, and giving support to Harvard College. By the mid-eighteenth century, the trustees had embraced unitarian beliefs and had established several charities and enlarged the unique collection of books, manuscripts and portraits known as Dr Williams's Library. The manuscript and rare book collection offers material from the sixteenth to the twentieth centuries, with strengths in the early modern period, including the papers of Richard Baxter, Roger Morrice, and Owen Stockton. The eighteenth-century archive includes the correspondence of the scientist and theologian Joseph Priestley. The library also holds several collections of importance for women's history and English literature. The story of the trust and library reveals a rare example of private philanthropy over more than three centuries, and a case study in dissenting enterprise. Alan Argent illuminates key themes in the history of nonconformity; the changing status of non-established religions; the voluntary principle; philanthropy; and a lively concern for society as a whole.

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The deceptively simple lemon takes center stage in the second volume of TASCHEN’s collaboration with The Gourmand, masters of the rich intersection of food and art. The star of Renaissance gardens, that shaped the Medici dynasty, have the power to ward off scurvy, had a hand in forming the mob, and whose juice has been used as an invisible ink since 600 CE to pen covert messages, these joyful yellow orbs are ripe with intrigue. The Gourmand charts the fruit’s astonishingly intricate genealogy, explores its role as a literary device for the likes of Joan Didion, F. Scott Fitzgerald, Tom Wolfe, and James Joyce, and examines its unique representation of the American dream through lemonade stands. A favorite subject of art history’s giants, the lemon captivates in the still lifes of Old Masters and inspired the breakthroughs of modern visionaries like Picasso, Matisse, and Warhol. Lemons also find themselves at the cutting edge of design in Philippe Starck’s iconic Juicy Salif and the unassuming yet revolutionary Jif Lemon. Their presence extends to the decorative arts, gracing everything from Arts and Crafts wallpapers to mythological ceramics. Even the famed Bloomsbury Group found lemons entangled in their literary love affairs. Accompanying these citrus-centric anecdotes are a foreword by chef and acclaimed food writer Simon Hopkinson and an introduction by art critic and author Jennifer Higgie alongside more than 60 lemon-infused recipes across global cuisines and for every occasion—including perfect poultry, decadent sauces, classic cocktails, and indulgent desserts, with custom photography by Bobby Doherty.

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‘London was but is no more!’ In these words diarist John Evelyn summed up the destruction wrought by the Great Fire that swept through the City of London in 1666. The losses included St Paul’s Cathedral and eight-seven parish churches (as well as at least thirteen thousand houses). In After the Fire, celebrated photographer and architectural historian Angelo Hornak explores, with the help of his own stunning photographs, the churches built in London during the sixty years that followed the Great Fire, as London rose from the ashes, more beautiful – and far more spectacular – than ever before. The catastrophe offered a unique opportunity to Christopher Wren and his colleagues – including Robert Hooke and Nicholas Hawksmoor – who, over the next forty years, rebuilt St Paul’s and fifty-one other London churches in a dramatic new style inspired by the European Baroque. Forty-five years after the Fire, the Fifty New Churches Act of 1711 gave Nicholas Hawksmoor the scope to build breathtaking (and controversial) new churches including St Anne’s Limehouse, Christ Church Spitalfields and St George’s Bloomsbury. By the 1720s the pendulum was swinging away from the Baroque of Wren and Hawksmoor, and it was James Gibbs' more restrained St Martin-in the-Fields that was to provide the prototype for churches throughout the English-speaking world - especially in North America – for the next hundred years.

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'This Devastating Fever is a very good novel.’ – Howard Jacobson, New Statesman'I loved this book. I absolutely loved it.’ – Christos Tsiolkas, author of The Slap and Barracuda'This is a great novel of enduring significance and enormous beauty.’ – Sydney Morning HeraldSometimes you need to delve into the past, to make sense of the present. Alice had not expected to spend most of the twenty-first century writing about Leonard Woolf. When she stood on Morell Bridge watching fireworks explode from the rooftops of Melbourne at the start of a new millennium, she had only two thoughts. One was: the fireworks are better in Sydney. The other was: is Y2K going to be a thing? Y2K was not a thing. But there were worse disasters to come. Environmental collapse. The return of fascism. Wars. A sexual reckoning. A plague. Uncertain of what to do she picks up an unfinished project and finds herself trapped with the ghosts of writers past. What began as a novel about a member of the Bloomsbury Set becomes something else altogether. Complex, heartfelt, darkly funny and deeply moving, this is a dazzlingly original novel about what it’s like to live through a time that feels like the end of days, and how we can find comfort and answers in the past.

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The Poetry Book Society was founded by T.S. Eliot to share the joy of poetry. It's a unique poetry book club and every quarter our expert selectors choose the very best new books to deliver to our members across the globe. Our lively quarterly magazine is packed full of sneak preview poems from all the selected poets, alongside exclusive interviews, insightful reviews by the Ledbury Critics and extensive listings of every book and pamphlet published this quarter. The Winter 2022 Bulletin magazine is as thought-provoking as ever with poems and commentaries from emerging and established poets. The PBS Winter Choice Safiya Kamaria Kinshasa re-examines the slave trade and interprets the voice of her Barbadian ancestors through innovative dance notation and movement across the page. Nina Mingya Powles reviews the "gorgeously sticky" Pamphlet Choice Mother of Flip Flops by Mukahang Limbu who takes us from Cowley Road, Oxford, to Nepal. The Translation Choice Laura Doyle Pean delves into mental health in Yo-Yo Heart (87 Press) translated by Stuart Bell. A E Stallings takes us back to ancient Greece via modern motherhood. Arji Manuelpillai confronts Sri Lanka's traumatic past in Improvised Explosive Device (Penned in the Margins) and Selina Nwulu examines Black British experience, migration and grief in her formidable debut A Little Resurrection (Bloomsbury). Fran Lock channels "queer working class rage" in her astonishing White/Other (87 Press) and Philip Gross takes us to a celestial plane with The Thirteenth Angel (Bloodaxe). You can find out more and join our poetry community today at www.poetrybooks.co.uk.

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'I read the book with enormous appreciation. Tessa Boase brings all these long-ago housekeepers so movingly to life and her excitement in the research is palpable.' Fay Weldon: Novelist, playwright – and housekeeper's daughter Revelatory, gripping and unexpectedly poignant, this is the story of the invisible women who ran the English country house. Working as a housekeeper was one of the most prestigious jobs a nineteenth and early twentieth century woman could want – and also one of the toughest. A far cry from the Downton Abbey fiction, the real life Mrs Hughes was up against capricious mistresses, low pay, no job security and gruelling physical labour. Until now, her story has never been told. Revealing the personal sacrifices, bitter disputes and driving ambition that shaped these women’s careers, and delving into secret diaries, unpublished letters and the neglected service archives of our stately homes, Tessa Boase tells the extraordinary stories of five working women who ran some of Britain’s most prominent households. From Dorothy Doar, Regency housekeeper for the obscenely wealthy 1st Duke and Duchess of Sutherland at Trentham Hall, Staffordshire, to Sarah Wells, a deaf and elderly Victorian in charge of Uppark, West Sussex. From Ellen Penketh, Edwardian cook-housekeeper at the sociable but impecunious Erddig Hall in the Welsh borders to Hannah Mackenzie who runs Wrest Park in Bedfordshire – Britain’s first country-house war hospital, bankrolled by playwright J. M. Barrie. And finally Grace Higgens, cook-housekeeper to the Bloomsbury set at Charleston farmhouse in East Sussex for half a century – an era defined by the Second World War.Normal0falsefalsefalseEN-GBX-NONEX-NONE

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This first biography of the Kettle's Yard artists reveals the life of a visionary who helped shape twentieth-century British art and explores a thrilling moment in the history of modernism'The beautiful, revelatory biography we have been waiting for. I loved it'EDMUND DE WAAL'This book is the legacy Jim Ede might have wished for'OBSERVERThe lives of Jim Ede and the Kettle's Yard artists represent a thrilling tipping point in twentieth-century modernism: a new guard, a new way of making and seeing, and a new way of living with art. The artists Ben and Winifred Nicholson, Henry Moore, Barbara Hepworth, Alfred Wallis and Henri Gaudier-Brzeska were not a set like the Bloomsbury Set or Ravilious and his friends. But Jim Ede recognised in each of the artists he championed something common and kindred, some quality of light and life and line.Jim Ede is the figure who unites them. His vision continues to influence the way we understand art and modern living. He was a man of extraordinary energies: a collector, dealer, fixer, critic and, above all, friend to artists. For Ede, works of art were friends and art could be found wherever you looked - in a pebble, feather or seedhead. Art lived and a life without art, beauty, friendship and creativity was a life not worth living. Art was not for galleries alone and it certainly wasn't only for the rich. At Kettle's Yard in Cambridge, he opened his home and his collection to all comers. He showed generations of visitors that learning to look could be a whole new way of life.

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Iris Barry (1895-1969) was a pivotal modern figure and one of the first intellectuals to treat film as an art form, appreciating its far-reaching, transformative power. Although she had the bearing of an aristocrat, she was the self-educated daughter of a brass founder and a palm-reader from the Isle of Man. An aspiring poet, Barry attracted the attention of Ezra Pound and joined a demimonde of Bloomsbury figures, including Ford Maddox Ford, T. S. Eliot, Arthur Waley, Edith Sitwell, and William Butler Yeats. She fell in love with Pound's eccentric fellow Vorticist, Wyndham Lewis, and had two children by him. In London, Barry pursued a career as a novelist, biographer, and critic of motion pictures. In America, she joined the modernist Askew Salon, where she met Alfred Barr, director of the new Museum of Modern Art. There she founded the museum's film department and became its first curator, assuring film's critical legitimacy. She convinced powerful Hollywood figures to submit their work for exhibition, creating a new respect for film and prompting the founding of the International Federation of Film Archives. Barry continued to augment MoMA's film library until World War II, when she joined the Office of Strategic Services to develop pro-American films with Orson Welles, Walt Disney, John Huston, and Frank Capra. Yet despite her patriotic efforts, Barry's "foreignness" and association with such filmmakers as Luis Bunuel made her the target of an anticommunist witch hunt. She eventually left for France and died in obscurity. Drawing on letters, memorabilia, and other documentary sources, Robert Sitton reconstructs Barry's phenomenal life and work while recasting the political involvement of artistic institutions in the twentieth century.

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Discover Virginia Woolf's landmark essay on women’s struggle for independence and creative opportunity A Room of One's Own is one of Virginia Woolf's most influential works and widely recognized for its extraordinary contribution to the women's movement. Based on a lecture given at Girton College, Cambridge, it is one of the great feminist polemics, ranging in its themes from Jane Austen and Charlotte Brontë to the silent fate of Shakespeare's gifted (imaginary) sister, and the effects of poverty and sexual constraint on female creativity. The work was ranked by The Guardian newspaper as number 45 in the 100 World's Best Non-fiction Books. Part of the bestselling Capstone series, this collectible, hard-back edition of A Room of One’s Own includes an insightful introduction by Jessica Gildersleeve that explains the book's place in modernist literature and why it still resonates with contemporary readers. Born in 1882, Virginia Woolf was one of the most forward-thinking English writers of her time. Author of the classic novels Mrs Dalloway (1925) and To the Lighthouse (1927), she was also a prolific writer of essays, diaries, letters and biographies, and a member of the celebrated Bloomsbury Set of intellectuals and artists. Discover why A Room of One's Own is considered among the greatest and most influential works of female empowerment and creativity Learn why Woolf's classic has stood the test of time. Make this attractive, high-quality hardcover edition a permanent addition to your library Enjoy an insightful introduction by Jessica Gildersleeve, who connects the themes of the text to the concerns of today's audience Capstone Classics brings A Room of One's Own to a new generation of readers who can discover how Woolf's book broke new artistic ground and advanced the position of women writers and creatives around the world.

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A down-on-his-luck actor and an English lord reluctantly team up to solve the murder of Christopher Marlowe in this Shakespearean-era young adult romp perfect for fans of F.T. Lukens and Mackenzi Lee.London, 1593. Sixteen-year-old Will Hughes is busy working on Shakespeare’s stage, stuffing his corsets with straw and pretending to be someone else. Offstage, he's playing a part, too. The son of traitors, Will is desperate to keep his identity secret—or risk being killed in the bloody queen’s imperial schemes. All he wants is to lay low until he earns enough coin to return to his family. But when his mentor, the famous playwright Christopher Marlowe, is murdered under mysterious circumstances, Will’s plans are hopelessly dashed. What’s worse, Marlowe was a spy for the queen, tasked with stalking a killer rumored to be part of an elusive order of assassins, and his secrets and untimely death have put Will under a harsh spotlight. And so, when Will unwittingly foils an attempt on the queen’s life, she names him her next spymaster. Now, to avoid uncomfortable questions, prison, or an even more terrible fate, Will reluctantly starts his new career, which—yes—will secure him the resources to help his family…but at what cost? Adding insult to injury is the young Lord James Bloomsbury, Will’s new comrade in arms, whose entitled demeanor and unfairly handsome looks get under Will’s skin immediately. Together, the two hunt the cunning assassin, defend the queen’s life, and pray to keep their own...all while an unexpected connection blossoms between them.

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Haruo Shirane's critically acclaimed Traditional Japanese Literature: An Anthology, Beginnings to 1600, contains key examples of both high and low styles of poetry, drama, prose fiction, and essays. For this abridged edition, Shirane retains substantial excerpts from such masterworks as The Tale of Genji, The Tales of the Heike, The Pillow Book, the Man'yoshu, and the Kokinshu. He preserves his comprehensive survey of secular and religious anecdotes (setsuwa) as well as classical poems with extensive commentary. He features no drama; selections from influential war epics; and notable essays on poetry, fiction, history, and religion. Texts are interwoven to bring into focus common themes, styles, and allusions while inviting comparison and debate. The result is a rich encounter with ancient and medieval Japanese culture and history. Each text and genre is enhanced by extensive introductions that provide sociopolitical and cultural context. The anthology is organized by period, genre, and topic-an instructor-friendly structure-and a comprehensive bibliography guides readers toward further study. Praise for Traditional Japanese Literature: An Anthology, Beginnings to 1600 "Haruo Shirane has done a splendid job at this herculean task."-Joshua Mostow, University of British Columbia "A comprehensive and innovative anthology...All of the introductions are excellent."-Journal of Asian Studies "One of those impressive, erudite, must-have titles for anyone interested in Asian literature."-Bloomsbury Review "An anthology that comprises superb translations of an exceptionally wide range of texts...Highly recommended."-Choice "A wealth of material."-Monumenta Nipponica

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Take a fantastical journey through an inspiring world where anything can happen: leaves turn into fish, cats fly with wings, humans have tails, frogs eat rainbows, and dreams become visible. First published in 1995, Sarah Perry’s delightful picture book of “surreal possibilities” was the Getty’s first children’s title. Twenty-five years later it remains a visual feast that children of all ages enjoy. Reissued to celebrate a remarkable book’s 25th anniversary, this enhanced edition includes new illustrations and a reader’s guide to the secrets of If… and is sure to appeal to a brand-new generation. Recommended for ages three and up. Praise for the first edition of If…: “Imagination is the name of the game, and Perry plays with it with distinction. Eye-catching, mind-bending illustrations.”—Booklist “Strange but fun.”—New York Times Book Review “The artwork is arresting.” —Publishers Weekly “Magical watercolors.”—Salt Lake Tribune “An extraordinary book that launches the imagination of all those who pass through the pages.”—The Bloomsbury Review “Sparkling watercolor illustrations and verbal flights of fancy.”—Los Angeles Times “This is interactive art at its most fulfilling.”—Los Angeles View “If you are looking for a little inspiration, a different way of seeing the world, or a chance to let your imagination run wild, this beautifully produced book should do the trick.”—Rumpus Review “If is designed to stimulate creativity through 20 magical watercolors.”—The Disney Channel Magazine

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This fascinating book brings together and examines all aspects of the life and work of one of the most influential thinkers of the last century, John Maynard Keynes, whose theses are still hotly debated. It combines, in an accessible, unique and cohesive manner, analytical, biographical and contextual elements from a variety of perspectives.Gilles Dostaler studies in detail the battles that Keynes led on various fronts - politics, philosophy, art, and of course economics - in the pursuit of a single and lifelong goal: to radically transform society to create a better world, a world pacified and freed from the neurotic pursuit of financial wealth and economic rentability, with art at its pinnacle. Containing detailed presentations of the Bloomsbury group and the political history of Great Britain, Keynes and his Battles is an essential reference to this most important of 20th century figures whose central message remains as topical today as it ever was. The study also contains a unique chronology of Keynes's life and historical events, portraits of Keynes by his friends and contemporaries, as well as a full bibliography of all his books, chapters contributed to books, journal articles and reviews.Scholars, students and researchers of economics, history of economic thought, political science, sociology, history, philosophy and the history of arts will find this an absorbing and revealing work. The book should also interest journalists, decision makers in society and all those who are preoccupied by the problems of our time.

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Collins Big Cat supports every primary child on their reading journey from phonics to fluency. Top authors and illustrators have created fiction and non-fiction books that children love to read. Levelled for guided and independent reading, each book includes ideas to support reading. Teaching and assessment support and eBooks are also available. Aaron thinks he wants to be invisible and is down all the time. Will Dad’s wellness adventure help him to open up about his feelings? Pearl/Band 18 books offer fluent readers a complex, substantial text with challenging themes to facilitate sustained comprehension, bridging the gap between a reading programme and longer chapter books. Pages 78 and 79 allow children to re-visit the content of the book, supporting comprehension skills, vocabulary development and recall. Ideas for reading in the back of the book provide practical support and stimulating activities. Kimberly Redway is an author based in Birmingham who currently works for West Midlands Police. She has been published twice with Count Your Blessings, which Harpercollins published. She also had Misfit published by Bloomsbury. She has worked with young people on a project called Objection to Perfection which created an anthology. Kimberly was interested in exploring mental health for children and concentrating on building habits to enhance their life. She is encouraged by the way society is better able to discuss mental illness and tried to portray it in If I Were Invisible.

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Someone must have known what happened to Matilda Hacker. For someone in that house had killed her.So how could the murderer prove so elusive? Standing four storeys tall in an elegant Bloomsbury terrace, No. 4, Euston Square was a well-kept, respectable boarding house. But beneath this genteel Victorian London veneer lay murderous intrigue. On 9 May 1879, the body of a former resident, Matilda Hacker, was discovered by chance in the coal cellar. The ensuing investigation – led by Inspector Charles Hagen, rising star of the recently formed CID – stripped bare the dark side of Victorian domesticity. In this true-crime story, Sinclair McKay meticulously evaluates the evidence in first-hand sources. His gripping account sheds new light on a mystery that eluded Scotland Yard. ‘With the gusto of a penny dreadful, Murder at No. 4 Euston Road dodges any stodgy courtroom testimony that can weigh down true crime stories and sticks to the juicy details. It is hard to avoid the comparison with Kate Summerscale’s The Suspicions of Mr Whicher and it has similar historical richness and plot twisting…’ The Spectator 'Sinclair McKay is an accomplished and talented author with a rare skill... True crime fans and history buffs will enjoy this book, coming away with an enthralling true crime story and a new knowledge and understanding of Victorian London.' Crime Traveller ‘Gripping, gothic and deeply poignant’ Mail on Sunday ‘A meticulously researched book’ - Brian Viner, Daily Mail

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In London in 1984 two very different cities came into conflict, one rooted in radical politics and the other shaped by Margaret Thatcher and the Conservative government. This was a city poised between two eras and identities, remoulded in conflicting ways by social democracy and neoliberalism. Using a wide array of sources, many of which have never been used before, London, 1984 explores the radical history of the capital in this tumultuous era, from a major anti-apartheid march in central London to an alternative childcare centre in Dalston, from a protest staged on the Thames against Docklands development to tensions on housing estates in the East End and Tottenham around racial violence and policing, from a raid on a gay bookshop in Bloomsbury to the Greater London Council's attempt to build a challenge to Thatcherism from County Hall, Lambeth, and from controversial and well-known historical actors, such as Ken Livingstone and Margaret Thatcher, to the compelling stories of numerous less famous Londoners who also sought to influence the shape and nature of their city. This is a story of struggles within the corridors of power, but it is also one of those on the ground, waged through popular culture and activism, and in daily life. In so doing, London, 1984 offers a panoramic, timely, and revealing portrait of the city in a pivotal decade in its modern history. These years saw deep problems of racial violence, policing, and poverty, as well as other controversies and struggles—over feminism, gay and lesbian rights, anti-racism, jobs and economic strategy, neoliberalism and the nature of the state, and global issues, such as Apartheid, nuclear weapons, and Northern Ireland. Across these, and the stories of those who lived, shaped, and fought them, we see the roots of London and Britian today.

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A meticulously-observed drama of class warfare, E.M. Forster's Howards End explores the conflict inherent within English society, unveiling the character of a nation as never before. This Penguin Classics edition includes an introduction and notes by David Lodge.'Only connect...'A chance acquaintance brings together the preposterous bourgeois Wilcox family and the clever, cultured and idealistic Schlegel sisters. As clear-eyed Margaret develops a friendship with Mrs Wilcox, the impetuous Helen brings into their midst a young bank clerk named Leonard Bast, who lives at the edge of poverty and ruin. When Mrs Wilcox dies, her family discovers that she wants to leave her country home, Howards End, to Margaret. Thus as Forster sets in motion a chain of events that will entangle three different families, he brilliantly portrays their aspirations to personal and social harmony.David Lodge's introduction provides an absorbing and eloquent overture to the 1910 novel that established Forster's reputation as an important writer, and that he himself later referred to as 'my best novel'. This edition also contains a note on the text, suggestions for further reading, and explanatory notes.E. M. Forster (1879-1970) was a noted English author and critic and a member of the Bloomsbury group. His first novel, Where Angels Fear To Tread appeared in 1905. The Longest Journey appeared in 1907, followed by A Room With A View (1908), based partly on the material from extended holidays in Italy with his mother. Howards End (1910) was a story that centered on an English country house and dealt with the clash between two families, one interested in art and literature, the other only in business. Maurice was revised several times during his life, and finally published posthumously in 1971.If you enjoyed Howard's End, you might like Forster's A Room with a View, also available in Penguin Classics.

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In this innovative highly readable contribution to the study of Keynes, Wayne Parsons makes a radical departure from the conventional approaches to Keynesian economies.As a political scientist Parsons believes that, if we are to grasp the revolutionary nature of Keynes's way of thinking about policy problems, we need to place his theories in a wider intellectual and inter-disciplinary setting. Keynes, he suggests, was a social scientist, philosopher and opinion-former with one foot in the age of science and another in the age of sorcery. Like Newton, about whom Keynes wrote with considerable knowledge and insight, he was a thinker whose method was rooted in an alchemical fascination with the art of transmutation and the quest for the philosophers' stone. Parsons maintains that unless we appreciate this alchemical quality of Keynes's economics we fail to comprehend his particular genius as a philosopher of possibility. The author paints a portrait of a Bloomsbury Faust, a Mephistopheles in Whitehall: an image which is a long way removed from the modernist discourse which has largely framed our reading of his economics. Free from the mechanistic and positivistic language which has come to obscure his work Wayne Parsons concludes that Keynes can once again become a source of inspiration and illumination for the theory and practice of public policy.Keynes and the Quest for a Moral Science is an accessible, highly readable account which will appeal to scholars and students in the field of economics, history of economics, public policy and history of ideas.

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The Great Recession of 2008 restored John Maynard Keynes to prominence. After decades when the Keynesian revolution seemed to have been forgotten, the great British theorist was suddenly everywhere. The New York Times asked, “What would Keynes have done?” The Financial Times wrote of “the undeniable shift to Keynes.” Le Monde pronounced the economic collapse Keynes’s “revenge.” Two years later, following bank bailouts and Tea Party fundamentalism, Keynesian principles once again seemed misguided or irrelevant to a public focused on ballooning budget deficits. In this readable account, Backhouse and Bateman elaborate the misinformation and caricature that have led to Keynes’s repeated resurrection and interment since his death in 1946.Keynes’s engagement with social and moral philosophy and his membership in the Bloomsbury Group of artists and writers helped to shape his manner of theorizing. Though trained as a mathematician, he designed models based on how specific kinds of people (such as investors and consumers) actually behave—an approach that runs counter to the idealized agents favored by economists at the end of the century.Keynes wanted to create a revolution in the way the world thought about economic problems, but he was more open-minded about capitalism than is commonly believed. He saw capitalism as essential to a society’s well-being but also morally flawed, and he sought a corrective for its main defect: the failure to stabilize investment. Keynes’s nuanced views, the authors suggest, offer an alternative to the polarized rhetoric often evoked by the word “capitalism” in today’s political debates.

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*For the bibliography mentioned in the book, click here. A Thousand Miles of Dreams is an evocative and intimate biography of two Chinese sisters who took very different paths in their quests to be independent women. Ling Shuhao arrived in Cleveland in 1925 to study medicine in the middle of a U.S. crackdown on Chinese immigrant communities, and her effort to assimilate began. She became an American named Amy, while her sister Ling Shuhua burst onto the Beijing literary scene as a writer of short fiction. Shuhua's tumultuous affair with Virginia Woolf's nephew during his years in China eventually drew her into the orbit of the Bloomsbury group. The sisters were Chinese "modern girls" who sought to forge their own way in an era of social revolution that unsettled relations between men and women and among nations. Daughters of an imperial scholar-official and a concubine, they followed trajectories unimaginable to their parents' generation. Biographer Sasha Su-Ling Welland stumbled across their remarkable stories while recording her grandmother's oral history. She discovered the secret Amy had jealously hidden from family in the United States—her sister's fame as a Chinese woman writer—as well as intriguing discrepancies between the sisters' versions of the past. Shaped by the social history of their day, the journeys of these extraordinary women spanned the twentieth century and three continents in a saga of East-West cultural exchange and personal struggle. Visit the author's website for more information and upcoming events. http://www.sashawelland.com/index.html

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Zoe Ball's BBC Radio 2 Book Club pick.Mesmerising and haunting, Emma Flint's Other Women is a devastating story of fantasy, obsession inspired by a murder that took place almost a hundred years ago.'A pitch-perfect historical mystery' – The Guardian'Bloody brilliant' – Dinah Jefferies, author of The Missing Sister'Compelling, twisty, and wonderfully suspenseful' – Claire Fuller, author of Unsettled GroundIt is 1923 and a country is in mourning. Thousands of husbands, fathers, sons and sweethearts were lost in the war, millions more returned home wounded and forever changed.Beatrice Cade is an orphan, unmarried and childless. After her brother's death, she decides to make a new life for herself. She takes a room in a Bloomsbury ladies’ club and a job in the City. But just when her new world is starting to take shape, a fleeting encounter threatens to ruin everything.Kate Ryan is an ordinary wife and mother. Since the end of the war, she has managed to build an enviable life with her husband and young daughter. From the outside, they seem like a normal, happy family. But when two policemen knock on Kate's door and jeopardize the facade Kate has created, she knows what she has to do to protect the people she loves. And suddenly, two women who never should have met are connected for ever . . .'Exquisite' - Will Dean, author of Dark Pines'This is a book that will stay with you' – Ann Cleeves, bestselling author of the Vera series'A thoroughly captivating and unsettling page-turner' – iNews

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Part autobiography, part travelogue, and wholly a tribute to the unspoilt beauty of southern Spain, Gerald Brenan's South from Granada includes an introduction by Chris Stewart, author of the bestselling Driving Over Lemons, in Penguin Modern Classics.Between 1920 and 1934, Gerald Brenan lived in the remote Spanish village of Yegen and South of Granada depicts his time there, vividly evoking the essence of his rural surroundings and the Spanish way of life before the Civil War. Here he portrays the landscapes, festivals and folk-lore of the Sierra Nevada, the rivalries, romances and courtship rituals, village customs, superstitions and characters. Fascinating details emerge, from cheap brothels to archaeological remains, along with visits from Brenan's friends from the Bloomsbury group - Lytton Strachey and Virginia Woolf among them. Knowledgeable, elegant and sympathetic, this is a rich account of Spain's vanished past.Gerald Brenan (1894-1987) was an English writer who spent much of his life in Spain. He is best known for The Spanish Labyrinth, a work of history on the background to the Spanish Civil War and for South From Granada: Seven Years in an Andalusian Village. He was awarded a CBE in 1982, and was much honoured in SpainIf you enjoyed South from Granada, you might like Orwell's Homage to Catalonia, also available in Penguin Modern Classics.'The best of Brenan's books: he has a true and proper knowledge of the culture he describes' Cyril Connolly, Sunday Times'A brilliant interpreter of Spain to the rest of the world' The Times

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"Seventh Street Alchemy" by Brian Chikwava is the winner of the 2004 Caine Prize! This is the fifth anthology of Caine Prize shortlisted stories, and the third to include the proceedings of a Caine Prize African Writers' Workshop. Out of the twelve countries represented on the five short lists to date, three have been North African, three East African, three West African and three from southern Africa. So the prize has a truly pan-African reach. It is widely referred to now as 'the African Booker' and 'Africa's leading literary award' - in Africa, in the UK and increasingly in the US. The impact on the writers' lives has been dramatic. The first two winners, Leila Aboulela and Helon Habila, have both had outstanding success with their work since Habila won a Commonwealth prize for his first novel in 2002 and his second novel is with the publishers. Leila Aboulela's second novel, "Minaret", has just been published by Bloomsbury. Chimamanda Ngozi Adichie (Caine Prize shortlist 2002) was on the Orange Prize shortlist for her first novel, "Purple Hibiscus", published by Harper, and it won the Commonwealth First Book Prize in 2005. Hassounah Mosbahi's story, "The Tortoise", which was shortlisted in 2001, appears in an excellent collection of stories from North Africa, Sardines and Oranges, published this year by Banipal. And Doreen Baingana, shortlisted in 2004, was given a Writers' Programme Award for her collection, "Tropical Fish - Stories from Entebbe", published this year by Massachusetts University Press. The 2004 Caine Prize winner is the Zimbabwean writer, Brian Chikwava. Also on the shortlist, with Doreen Baingana, were Monica Arac de Nyeko, also from Uganda, Parselelo Kantai from Kenya and Chika Unigwe from Nigeria. Their stories appear in this volume. Except for Kantai, who was busy on a Reuters' fellowship at Oxford University, they participated in this year's Caine Prize Writers' workshop, as did Charles Mungoshi (Zimbabwe) and Jackee Batanda (Uganda), who were both highly commended by the 2004 Prize judges.

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These wacky and witty visual puzzles by legendary and award-winning graphic designer Seymour Chwast will have everyone speechless with delight!Chwast, the artist and co-founder of the infamous Pushpin Studios, had an enormous influence on design and illustration everywhere. Now, he brings his unique perspective and spontaneity to the letters of the alphabet. With vibrant color and amusing scenarios, this creative book will capture the interests of children and adults of all ages as readers find the letter hidden in each scene. From the dance floor to deep under the sea, the ski slope, and the swimming pool, children will delight in the colorful images in Chwast's distinctive style and the puzzle of discovering each letter. The simple yet striking artwork will foster their creativity and imagination. As they search for the A disguised as a party hat and the trumpet shaped like a Z, this book is the perfect way for early readers to practice the alphabet while having lots of fun too.About the Author / Illustrator: A creative genius of illustrative arts, Seymour Chwast is a founding partner of the celebrated Push Pin Studios (now Pushpin Group). His work has been featured in the New York Times, The New Yorker, The Wall Street Journal, Vanity Fair, and The Atlantic among many others. Chwast illustrated the highly regarded book Harry's Bath (2005) and series of graphic novel adaptations of major classic works with Bloomsbury Press including Dante's Inferno (2010), Canterbury Tales (2011), and the Odyssey (2012). Chwast has recently published a book of posters from Schiffer Publishing and has an upcoming accompanying exhibition at the Poster House Museum (Fall 2021). He maintains an active presence in the graphic arts and illustrators community, and he continues to have his work displayed in museums such as the MoMA, the Brooklyn Museum, San Francisco MoMA, Galerie Pompidou (Paris), Musée des Arts Décoratifs (Louvre), among others.

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A modern, stylish and practical exploration of the traditional craft of block printing. For self-taught textile designer Molly Mahon, there is something special about block printing that has stood the test of time. From the initial design process, through to the carving of the block, the mixing of the colour and the actual printing process, Molly has always found printing to be meditative. This book enables readers to explore this ancient craft through Molly's contemporary designs and the influences that inspire her use of pattern and colour, before teaching them practical skills and potential ways to transform their creations into beautiful homeware. The book is divided into three main sections:A Modern Block Printer: An introduction to Molly and how she found and nurtured her love of block printing. Also, Molly gives a brief history of the tradition of block printing. Design Journeys: Molly sees pattern everywhere she looks and this is what creates the basis of her blocks. When Molly is designing, it’s as if she goes on a journey, whether it be a walk in the forest or a work trip to India. She is constantly inspired by her surroundings in all that she sees and feels. Here the reader is taken on some of her favourite journeys with an inspirational sourcebook filled with beautiful images. Discover a brief history of block printing, design ideas and stories focusing on how India’s artisan craftspeople and traditional block printing techniques, nature and the Bloomsbury Group have all inspired Molly's designs. Practical Printing: This chapter focuses on how to block print, including information on key tools, step-by-step techniques for printing on paper and fabric, and pattern design advice. Follow instructions to make five simple homeware projects with your newly printed creations and find exclusive block templates drawn by Molly for you to copy and recreate at home. House of Print is a celebration of both the art of block printing and the joy of design.

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E.M. Forster's Aspects of the Novel is an innovative and effusive treatise on a literary form that, at the time of publication, had only recently begun to enjoy serious academic consideration. This Penguin Classics edition is edited with an introduction by Oliver Stallybrass, and features a new preface by Frank Kermode.First given as a series of lectures at Cambridge University, Aspects of the Novel is Forster's analysis of this great literary form. Here he rejects the 'pseudoscholarship' of historical criticism - 'that great demon of chronology' - that considers writers in terms of the period in which they wrote and instead asks us to imagine the great novelists working together in a single room. He discusses aspects of people, plot, fantasy and rhythm, making illuminating comparisons between novelists such as Proust and James, Dickens and Thackeray, Eliot and Dostoyevsky - the features shared by their books and the ways in which they differ. Written in a wonderfully engaging and conversational manner, this penetrating work of criticism is full of Forster's habitual irreverence, wit and wisdom.In his new introduction, Frank Kermode discusses the ways in which Forster's perspective as a novelist inspired his lectures. This edition also includes the original introduction by Oliver Stallybrass, a chronology, further reading and appendices.E. M. Forster (1879-1970) was a noted English author and critic and a member of the Bloomsbury group. His first novel, Where Angels Fear To Tread appeared in 1905. The Longest Journey appeared in 1907, followed by A Room With A View (1908), based partly on the material from extended holidays in Italy with his mother. Howards End (1910) was a story that centered on an English country house and dealt with the clash between two families, one interested in art and literature, the other only in business. Maurice was revised several times during his life, and finally published posthumously in 1971.If you enjoyed Aspects of the Novel, you might like Forster's A Room with a View, also available in Penguin Classics.

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An astonishingly frank and deeply autobiographical account of homosexual relationships in an era when love between men was not only stigmatised, but also illegal, E.M. Forster's Maurice is edited by P.N. Furbank with an introduction by David Leavitt in Penguin Classics.Maurice Hall is a young man who grows up confident in his privileged status and well aware of his role in society. Modest and generally conformist, he nevertheless finds himself increasingly attracted to his own sex. Through Clive, whom he encounters at Cambridge, and through Alec, the gamekeeper on Clive's country estate, Maurice gradually experiences a profound emotional and sexual awakening. A tale of passion, bravery and defiance, this intensely personal novel was completed in 1914 but remained unpublished until after Forster's death in 1970. Compellingly honest and beautifully written, it offers a powerful condemnation of the repressive attitudes of British society, and is at once a moving love story and an intimate tale of one man's erotic and political self-discovery.In his introduction, David Leavitt explores the significance of the novel in relation to Forster's own life and as a founding work of modern gay literature. This edition reproduces the Abinger text of the novel, and includes new notes, a chronology and further reading.E. M. Forster (1879-1970) was a noted English author and critic and a member of the Bloomsbury group. His first novel, Where Angels Fear To Tread appeared in 1905. The Longest Journey appeared in 1907, followed by A Room With A View (1908), based partly on the material from extended holidays in Italy with his mother. Howards End (1910) was a story that centred on an English country house and dealt with the clash between two families, one interested in art and literature, the other only in business. Maurice was revised several times during his life, and finally published posthumously in 1971.If you enjoyed Maurice, you might like Forster's A Room With a View, also available in Penguin Classics.

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Grudgingly acknowledged as the main mentor for the Courtaulds in building their art collections, the London and Paris art dealer, Percy Moore Turner, is now largely forgotten in this country. Yet, in France, he was honoured by the French Government with the award of Officer and then Commander of the Legion d’Honneur and feted by the Museums of France with specially struck medals. In this, the first biography of Percy Moore Turner, his granddaughter, who has access to his few remaining business papers and unpublished autobiography, has researched his life and career. Involved with the Bloomsbury Group from before the First World War, he was actively courted by Roger Fry at the end of the War to manage an artists’ association for them when Turner was still serving in the Army. Instead, Turner promoted them when he opened his London Gallery with some success until 1925 when the Group, embarrassed by the financial losses caused by them to him, ‘sacked’ him on friendly terms. Born in Halifax in 1877 into a family of hosiers and haberdashers, Turner’s life and career spanned two World Wars and periods of economic volatility. He tirelessly promoted modern French art internationally and built up a client base which included Dr Albert Barnes, John Quinn, Charles Lang Freer, Samuel Courtauld, Russell Colman and Frank Hindley Smith. A longstanding friend of Kenneth Clark, Turner strove to ensure that his own art collection was placed appropriately in museums and galleries throughout Britain and France, considering himself merely the custodian of the pictures he owned. Contents: 1. Childhood - Halifax to Norwich 2. Getting started 3. Gallery Barbazanges 4. Starting again – The Independent Gallery 5. Exhibitions and the Oxford Arts Club 6. The War Years 1939-1945 7. The Final Years 8. Photographs and Illustrations 9. Postscript 10. Acknowledgements 11. Abbreviations 12. Index

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In the quiet countryside or by the sea - and always very close to London - Sussex has offered a creative space for writers for centuries, from Lord Tennyson to Lee Child. Other writers, like Kate Mosse, Maureen Duffy and David Hare, were born in the county or have found Sussex the perfect location for their work, such as Hilaire Belloc or Stella Gibbons in Cold Comfort Farm. Literary locations in Sussex include the cottage in Felpham where Blake began to write ‘Jerusalem’ and the hotel room in Eastbourne where T. S. Eliot had his disastrous honeymoon. H. G. Wells often visited Uppark, the stately home where his mother was a housemaid. It is said that Jane Austen’s Sanditon was based on her stay in Worthing. There are literary cottages scattered around the county, including the home of Malcolm Lowry and the winter residence of W. B. Yeats and his secretary, the young Ezra Pound. The South Downs near Lewes is associated with the Bloomsbury group, Winnie the Pooh’s world is set in Ashdown Forest and high in the Weald there is Rudyard Kipling’s home of Bateman’s, which inspired Puck of Pook’s Hill. Rye’s authors include Henry James and E. F. Benson, whose Mapp and Lucia novels were written about the town, Radclyffe Hall and Rumer Godden. Brighton is associated with Graham Greene’s Brighton Rock, but has attracted writers from Jane Austen and Fanny Burney through to Keith Waterhouse and Peter James. Hastings is the home of The Ragged Trousered Philanthropists and Bexhill includes Angus Wilson, Spike Milligan and David Hare in its inhabitants. One school in Eastbourne had, in a single year, George Orwell, Cyril Connolly and Cecil Beaton. This book explores the fascinating history of Sussex’s remarkable literary legacy, as well as being a guide to the locations where that legacy can still be found.

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A pocket-sized travel guide, packed with expert advice and ideas for the best things to see and do in London, and complemented with a sturdy pull-out map - perfect for a day trip or a short break.Whether you want to stroll through royal parks and palaces, seek out the best pubs and restaurants, discover historic monuments or avant-garde art - this great-value, concise travel guide will ensure you don't miss a thing.Inside Mini Map and Guide London:- Easy-to-use pull-out map shows London in detail, and includes an Underground map- Color-coded area guide makes it easy to find information quickly and plan your day- Illustrations show the inside of some of London's most iconic buildings- Color photographs of London's museums, architecture, shops, palaces, and more- Essential travel tips including our expert choices of where to eat, drink and shop, plus useful transportation, currency and health information- Chapters covering Whitehall and Westminster; Mayfair and St James's; Soho and Trafalgar Square; Covent Garden and the Strand; Holborn and the Inns of Court; Bloomsbury and Fitzrovia; King's Cross, Camden and Islington; The City; Shoreditch and Spitalfields; Southwark and Bankside; South Bank; Chelsea and Battersea; South Kensington and Knightsbridge; Kensington, Holland Park and Notting Hill; Regent's Park and MaryleboneMini Map and Guide London is abridged from DK Eyewitness Travel Guide LondonStaying for longer and looking for a more comprehensive guide? Try our DK Eyewitness Top Ten London.About DK Eyewitness Travel: DK's Mini Map and Guides take the work out of planning a short trip, with expert advice and easy-to-read maps to inform and enrich any short break. DK is the world's leading illustrated reference publisher, producing beautifully designed books for adults and children in over 120 countries.

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A formally innovative work of modernist fiction, Virginia Woolf's The Waves is edited with an introduction by Kate Flint in Penguin Modern Classics.More than any of Virginia Woolf's other novels, The Waves conveys the full complexity and richness of human experience. Tracing the lives of a group of friends, The Waves follows their development from childhood to youth and middle age. While social events, individual achievements and disappointments form its narrative, the novel is most remarkable for the rich poetic language that expresses the inner life of its characters: their aspirations, their triumphs and regrets, their awareness of unity and isolation. Separately and together, they query the relationship of past to present, and the meaning of life itself.Virginia Woolf (1882-1941) is regarded as a major 20th century author and essayist, a key figure in literary history as a feminist and modernist, and the centre of 'The Bloomsbury Group'. This informal collective of artists and writers, which included Lytton Strachey and Roger Fry, exerted a powerful influence over early twentieth-century British culture. Between 1925 and 1931 Virginia Woolf produced what are now regarded as her finest masterpieces, from Mrs Dalloway (1925) to the poetic and highly experimental novel The Waves (1931). She also maintained an astonishing output of literary criticism, short fiction, journalism and biography, including the playfully subversive Orlando (1928) and A Room of One's Own (1929) a passionate feminist essay.If you enjoyed The Waves, you might like Woolf's Mrs Dalloway, also available in Penguin Classics.'A book of great beauty and a prose poem of genius'Stephen Spender'Full of sensuous touches ... the sounds of her words can be velvet on the page'Maggie Gee, Daily Telegraph

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The life of pioneering photographer Barbara Ker-Seymer'Thoroughly entertaining... Knights expertly evokes this hedonistic period' The Times'A picturesque portrayal of a world that sounds as thoroughly maniacal as it was modern' Daily Telegraph'I just called myself Ker-Seymer Photographs,' Barbara said. 'I didn't think it was necessary to have your sex displayed on the photographs.'Vivacious, sassy, out to have fun, Ker-Seymer was committed to independence.One of a handful of outstanding British photographers of her generation, Ker-Seymer's work defined a talented, forward-looking network of artists, dancers, writers, actors and musicians, all of whom flocked to her Bond Street studio. Among her sitters were Evelyn Waugh, Margot Fonteyn, Cyril Connolly, Jean Cocteau and Vita Sackville-West. Barbara Ker-Seymer (1905-1993) disdained lucrative 'society' portraits in favour of unfussy 'modern' images. Her work was widely admired by her peers, among them, Man Ray and Jean Cocteau. Her images as a gossip-column photojournalist for Harper's Bazaar were the go-to representations of the aristocracy and Bright Young Things at play. Yet as both a studio portraitist and a photojournalist, she broke with convention.Equally unconventional in her personal life, Ker-Seymer was prefigurative in the way she lived her life as a bisexual woman and in her contempt for racism, misogyny and homophobia. Fiercely independent, for much of her life she rejected the idea of family, preferring her wide set of creative friends, with the artist Edward Burra, ballet dancer William 'Billy' Chappell and choreographer Frederick Ashton at its core.Today, Ker-Seymer's photographs are known for whom they represent, rather than the face behind the camera, an irony underpinned by the misattribution of some of her most daring images to Cecil Beaton. Yet her intelligence, sparkle, wit and genius enabled her to link arms with the surrealists, the Bloomsbury Group, the Bright Young Things and, most gloriously, the worlds of theatre, cabaret and jazz.With unprecedented access to private archives and hitherto unseen material, Sarah Knights brings Barbara Ker-Seymer and her brilliant bohemian friends vividly to life.

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This welcome catalogue accompanies The Courtauld's display of the work of Helen Saunders (1885–1963), the first monographic exhibition devoted to the artist in over 25 years. After years of obscurity, Helen Saunders: Modernist Rebel reconsiders her work as an important part of the story of British modernism.One of the first British artists to pursue abstraction, Saunders was one of only two women to join the Vorticists, the radical but short-lived art movement that emerged in London on the eve of the First World War. Her extraordinary drawings capture both the dynamism of modern urban life and the horrors of mechanised warfare. Following the war, she turned her back on Vorticism and pursued her own path, working in a more figurative style. Due in part to the loss of a significant portion of her oeuvre, including all of her Vorticist oil paintings, this remarkable artist fell into obscurity. Only in recent years has her work begun to be rediscovered and celebrated as an important piece of the story of British modernism. A group of 20 drawings gifted in 2016 by her relative, the artist and writer, Brigid Peppin, has transformed The Courtauld into the largest public collection of Saunders's work in the world. These drawings trace Saunders's artistic development in the orbit of Roger Fry and the Bloomsbury Group, keenly attuned to contemporary art in France, to the ground-breaking abstraction of Vorticism. Following the disruption of the First World War and the disbanding of the Vorticists, Saunders turned again to figuration, developing her own approach to landscape, portraiture and still life which she would pursue alone for the rest of her career, exhibiting sporadically and never again joining a group of artists. This interest is revealed here in a group of landscapes created in L'Estaque in the south of France in the 1920s, which show the artist responding both to her surroundings as well as to predecessors such as Paul Cézanne and Georges Braque who had previously worked in the area. Featuring essays by Brigid Peppin and Jo Cottrell on Saunders's artistic education and career and on her relationship to the places of Vorticism in London, and catalogue entries by Rachel Sloan, this volume sheds light on an artist who steadily pursued her own path and whose contribution to the story of modern art is being newly appreciated.

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In Mrs Dalloway, Virginia Woolf explores the events of one day, impression by impression, minute by minute, as Clarissa Dalloway's and Septimus Smith's worlds look set to collide - this classic novel is beautifully repackaged as part of the Penguin Essentials range.'She had a perpetual sense, as she watched the taxi cabs, of being out, out, far out to sea and alone; she always had the feeling that it was very, very dangerous to live even one day.'On a June morning in 1923, Clarissa Dalloway, the glittering wife of a Member of Parliament, is preparing for a party she is giving that evening. As she walks through London, buying flowers, observing life, her thoughts are of the past and she remembers the time when she was as young as her own daughter Elizabeth, her romance with Peter Walsh, now recently returned from India; and the friends of her youth. Elsewhere in London Septimus Smith is being driven mad by shell shock. As the day draws to its end, his world and Clarissa's collide in unexpected ways.In Mrs Dalloway Virginia Woolf explored the events of one day, impression by impression, minute by minute, and recorded the feel of life itself.'One of the most moving, revolutionary artworks of the twentieth century' Michael Cunningham'Woolf is Modern. She feels close to us.' Jeanette WintersonBorn in 1882, Virginia Woolf was the daughter of the editor and critic Leslie Stephen, and suffered a traumatic adolescence after the deaths of her mother, in 1895, and her step-sister Stella, in 1897, leaving her subject to breakdowns for the rest of her life. With her sister, the painter Vanessa Bell, she was drawn into the company of writers and artists such as Lytton Strachey and Roger Fry, later known as the Bloomsbury Group. Among them she met Leonard Woolf, whom she married in 1912, and together they founded the Hogarth Press in 1917. Her first novel, The Voyage Out, appeared in 1915, and her major novels include Mrs Dalloway (1925), the historical fantasy Orlando (1928), written for Vita Sackville-West, the extraordinarily poetic vision of The Waves (1931), and Between the Acts (1941). Woolf lived an energetic life, reviewing and writing and dividing her time between London and the Sussex Downs. In 1941, fearing another attack of mental illness, she drowned herself.

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