Search results for ""bloomsbury""

Dying well is an art . . . the rest is just murderInspector John Carlyle is waiting for his father to die of a terminal illness. Meanwhile, others are dropping like flies.An elderly professor is found dead in his Bloomsbury flat. The verdict is that of heart attack. But who then stuffed the deceased academic in a closet? And who emptied the man's bank account? Across town, Sergeant Alison Roche is back from maternity leave. Struggling to juggle The Job and a new baby, she needs Carlyle's help after a controversial financier is controversially murdered at a charity dinner. Similarities with a previous, unsolved killing, which left a black mark against Carlyle's record, only raise the stakes higher.With problems at work and problems at home, Carlyle just wants to keep his head down but there's little chance of that. Can he do his job, nail a couple of murder cases - and be there for his father at the end?

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In London's Bloomsbury, Inspector Julian Rivers of Scotland Yard looks down at a dismal scene. Here is the victim, burnt to a crisp. Here are the clues - clues which point to a good climber and expert skier, and which lead Rivers to the piercing sunshine and sparkling snow of the Austrian Alps. Yet there is something sinister beneath the heady joys of the slopes, and Rivers is soon confronted by a merry group of suspects, and a long list of reasons not to trust each of them. For the mountains can be a dangerous, changeable place, and it can be lonely out between the pines of the slopes... As with each of the novels published under E C R Lorac in the Crime Classics series, the author's sense of place is beautifully realised in all its breathtaking freshness, and she does not miss opportunities; there may be at least one high-stakes ski-chase before this chilling mystery can be put to rest.

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Reissued for the 200th anniversary of the Battle of Waterloo The first Duke of Wellington's victory at Waterloo in 1815 is remembered as one of our nation's greatest triumphs and, two hundred years on, the 'Iron Duke' is still very much a public figure. But here, Jane Wellesley's family memoir paints an altogether more intimate and compelling portrait.Jane journeys through the past, unearthing memories and secrets to illuminate her family tree. It is a saga peppered with fascinating characters: the 2nd Duke was a full-time eccentric and had his lawnmower pulled by an elephant; the 7th Duke, Jane's grandfather, worked for MI6; and Jane's grandmother's involvement with writer Vita Sackville-West created ripples in the Bloomsbury set as well as her marriage.The Wellesley story shows how Wellington's descendants have lived on in the light of their ancestor's fame, and how a family is so much more than the history of one man.

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FROM THE BOOKER PRIZE SHORTLISTED AUTHOR OF THIS MOURNABLE BODY, ONE OF THE BBC'S 100 WOMEN FOR 2020 'UNFORGETTABLE' Alice Walker 'THIS IS THE BOOK WE'VE BEEN WAITING FOR' Doris Lessing 'A UNIQUE AND VALUABLE BOOK.' Booklist 'AN ABSORBING PAGE-TURNER' Bloomsbury Review 'A MASTERPIECE' Madeleine Thien 'ARRESTING' Kwame Anthony Appiah Two decades before Zimbabwe would win independence and ended white minority rule, thirteen-year-old Tambudzai Sigauke embarks on her education. On her shoulders rest the economic hopes of her parents, siblings, and extended family, and within her burns the desire for independence. A timeless coming-of-age tale, and a powerful exploration of cultural imperialism, Nervous Conditions charts Tambu's journey to personhood in a nation that is also emerging. 'With its searing observations, devastating exploration of the state of "not being", wicked humour and astonishing immersion into the mind of a young woman growing up and growing old before her time, the novel is a masterpiece.' Madelein Thien

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"This is a fascinating and unusual collection that deserves attention." —Bloomsbury Review" . . . this anthology of poetry is a breath of fresh air. It provides the reader with the means of gaining a deeper insight into Somali life through what is to the Somalis their most important cultural form, namely, poetry." —Bulletin of the School of Irental & African Studies"This affordable and beautifully produced book is a small jewel in the field of Somali studies, as it is the fruit of over forty years of dedicated linguistic and literary scholarship by one of the most thorough and accurate translators and analysts of Somali poetry, B. W. Andrzejewski." —International Journal of African Historical StudiesSomalia has been called "a nation of poets." This volume makes available in beautiful English translation the very best, and most universal, of Somali poetry, from the 19th century to the present. With appendixes covering the oral and written medium, the pronunciation of Somali words, alliteration and scansion, selected bibliography, and sources.

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In times of war, how do you know who to trust?Celia Ashwin has driven ambulances throughout the Blitz for the Bloomsbury Auxiliary Ambulance Depot. Cool under fire, she revels in her exciting and extremely dangerous job. When her husband, a known Nazi supporter, is released from prison, Celia refuses to return to her unhappy marriage. Instead she joins forces with Simon Levy, a man who appears to despise her, to help a young Jewish orphan. In so doing she discovers that one ruthless traitor can be more dangerous than any German bomber, and that love can cross any boundary.A heartwarming saga about a woman doing her bit for the war effort. Full of wartime adventure, romance and heartbreak, this is perfect for fans of Daisy Styles, Donna Douglas and Nancy Revell

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Nancy Durrell was a woman famous for her silences. Anaïs Nin said 'I think often of Nancy's most eloquent silences, Nancy talking with her fingers, her hair, her cheeks, a wonderful gift. Music again.' As the first wife Lawrence Durrell, author of The Alexandria Quartet, it is perhaps surprising that she is an unknown entity, a constant presence in the biographies of Durrell and others in the Bloomsbury set, yet always a shadowy figure, beautiful and enigmatic. But who was the woman who was with Durrell during the most important years of his development as a writer? Joanna Hodgkin decides to retrace her mother's fascinating story: the escape from her toxic and mysterious family; the years in bohemian literary London and Paris in the 1930s; marriage to Durrell and their discovery of the 'Eden' of pre-war Corfu and her desperate struggle to survive in Palestine alone with a small child as the British Mandate collapsed. Amateurs in Eden is a fascinating biography of a literary marriage and of an unusual woman struggling to live an independent life.

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One hundred years after the Berlin Psychoanalytic Institute was established, this book recovers the cultural and intellectual history connected to this vibrant organization and places it alongside the London Bloomsbury group, the Paris Surrealist circle, and the Viennese fin-de-siecle as a crucial chapter in the history of modernism. Taking us from World War I Berlin to the Third Reich and beyond to 1940s Palestine and 1950s New York - and to the influential work of the Frankfurt School - Veronika Fuechtner traces the network of artists and psychoanalysts that began in Germany and continued in exile. Connecting movements, forms, and themes such as Dada, multi-perspectivity, and the urban experience with the theory and practice of psychoanalysis, she illuminates themes distinctive to the Berlin psychoanalytic context such as war trauma, masculinity and femininity, race and anti-Semitism, and the cultural avant-garde. In particular, she explores the lives and works of Alfred Doblin, Max Eitingon, Georg Groddeck, Karen Horney, Richard Huelsenbeck, Count Hermann von Keyserling, Ernst Simmel, and Arnold Zweig.

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Applying practical tools to the volatile process of negotiating Prognosticators apply Monte Carlo Analysis (MCA) to determine the likelihood and significance of a complete range of future outcomes; Real Options Analysis (ROA) can then be employed to develop pricing structures, or options, for such outcomes. Richard Razgaitis' Dealmaking shows readers how to apply these powerful valuation tools to a variety of business processes, such as pricing, negotiating, or living with a "deal," be it a technology license, and R&D partnership, or an outright sales agreement. Dealmaking distinguishes itself from other negotiating guides not only by treating negotiations as an increasingly common situation, but also by presenting a tool-based approach that creates flexible, practical valuation models. This forward-thinking guide includes a variety of checklists, case studies, and a CD-ROM with the appropriate software. Richard Razgaitis (Bloomsbury, NJ) is a Managing Director at InteCap, Inc. He has over twenty-five years of experience working with the development, commercialization, and strategic management of technology, seventeen of which have been spent in the commercialization of intellectual property.

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When Edith Wharton became friends with Henry James, she joined a group of men who became her "inner circle." This group included both well-known figures, such as James, Percy Lubbock, and Bernard Berenson, and several now forgotten, including John Hugh Smith, Walter Berry, Gaillard Lapsley, Robert Norton, and Howard Sturgis.Drawing on unpublished archival material by and about members of the circle, Susan Goodman here presents an intimate view of this American expatriate community, as well as the larger transatlantic culture it mirrored. She explores how the group, which began forming around 1904 and lasted until Wharton's death in 1937, defined itself against the society its founders had left in the United States, while simultaneously criticizing and accommodating the one it found in Europe. Tracing Wharton's individual relationships with these men and their relationships with one another, she examines literary kinships and movements in the biographical and feminist context of gender, exile, and aesthetics. She also relates the group to other literary circles, such as the Bloomsbury group and Gertrude Stein's salon.

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A surprise phone call from her late fiance''s family sends Vivien Lowry of Bloomsbury Girls off on her next adventure. Struggling as a playwright, she moves to Italy both to reckon with her past and create a new future as a script-writer at the Cinecittà Studios in Rome. Here she encounters the greatest male bastion of them all, the Vatican. Vivien ends up entangled between the church and the censors, while romantically caught between two men: an enigmatic American film financier who is not who he says he is, and a socialist Italian prince and independent filmmaker who ends up under house arrest over a censored screenplay. Each of them has a wartime experience from their past that they must revisit in order to move on - Vivien most of all.

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An Edifice of Ideas Architectural patronage was crucial for the thinking of Aby Warburg and his circle. In Hamburg the purpose-designed Kulturwissenschaftliche Bibliothek Warburg, completed in 1926, organized Warburg’s remarkable library. From 1927 Warburg developed ideas about orientation in the radical transformation of a disused water tower into the Hamburg Planetarium. After the Warburg Institute transferred to London in 1933 this pattern of seminal architectural commissioning continued, including projects designed by the avant-garde practice Tecton during the 1930s, and culminating in the construction of the library’s present home at Woburn Square, Bloomsbury in 1958. Warburg Models: Buildings as Bilderfahrzeuge follows this history, using archive photographs, architectural drawings and a series of architectural models to show how the Warburg scholars projected a connection between their own physical occupancy of architectural space and their shared ideas about intellectual order, cultural survival, and memory.

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A P.G. Wodehouse novelChâteau Blissac, on its hill above St Roque, is in a setting where every prospect pleases. But it doesn't please its current occupier, J. Wellington Gedge. Mr Gedge wants none of it - and particularly none of the domineering Mrs Gedge's imperious wish that he should become American Ambassador to Paris. Instead he pines for the simpler life of California, where men are men and filling stations stand tall.Mrs Gedge has powerful allies - including the prohibitionist Senator Opal. But will she get her way? And will the Senator's delightful daughter Jane get her man?In a plot which involves safe-blowers, con men, jewel-thieves and even a Bloomsbury novelist, few are quite as they seem. But the heady atmosphere of France in the 1930s makes for one of Wodehouse's most delightful comedies.

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“A monumental contribution to international literature.” —BLOOMSBURY REVIEW Vietnam—the very word raises many associations for Westerners. Yet while the country has been ravaged by a modern history of colonialism and war, its ancient culture is rich and multilayered, and within it poetry has long had a special place. In this groundbreaking anthology, coeditors and translators Nguyen Do and Paul Hoover present a revelatory portrait of contemporary Vietnamese poetry. What emerges from this conversation of outsiders and insiders, Vietnamese and American voices, is a worldly sensibility descended from the geographical and historical crossroads of Vietnam in the modern era. Reflecting influences as diverse as traditional folk stories and American Modernism, the twenty-one poets included in Black Dog, Black Night, many of whom have never before been published in English, introduce readers to a fresh, uncensored, and utterly unique poetic vision.

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Young Maisie Halliday has escaped the grinding poverty of the northern town where she was born and now lives in the glittering world of professional dancing. At the outbreak of the Second World War, she volunteers as an ambulance driver, finding joy both in helping the wounded during the Blitz and also in her friends among the other drivers in the Bloomsbury Auxiliary Ambulance Depot. Maisie is at the Cafe de Paris nightclub when it is bombed. In the chaos, she attempts to help an injured man, and by this charitable act she becomes mixed up in what may well be a murder. A series of incidents, all connected to a handsome, arrogant American, throw Maisie's life into a dangerous spin. Is anything what it seems in wartime? With one serious misjudgement, Maisie risks losing everything she holds dear...

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The bestselling author of The Jane Austen Society and Bloomsbury Girls returns with a brilliant novel of love and art, of grief and memory, of confronting the past and facing the future.In 1955, Vivien Lowry is facing the greatest challenge of her life. Her latest play, the only female-authored play on the London stage that season, has opened in the West End to rapturous applause from the audience. The reviewers, however, are not as impressed as the playgoers and their savage notices not only shut down the play but ruin Lowry''s last chance for a dramatic career. With her future in London not looking bright, at the suggestion of her friend, Peggy Guggenheim, Vivien takes a job in as a script doctor on a major film shooting in Rome's Cinecitta Studios. There she finds a vibrant movie making scene filled with rising stars, acclaimed directors, and famous actors in a country that is torn between its past and its potentially bright future, between the libera

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When I cross the river, the sword that divides me from pleasure and money, I go North. That is, I take the Northern Line ''up West'', as we say: that is, to the West End. My London consists of all the stations on the Northern Line, but don''t think I scare easily: I have known the free and easy slap-and-tickle of Soho since toddlerhood ... nothing between Morden and Camden Town holds terror for me - Angela CarterThe clue is in the name: the London Review of Books has never been anything other than Bloomsbury-based, and though its outlook remains as international as ever, after 46 years you come to know a few things about your own patch. Next year''s LRB Diary duly takes an alphabetical tour, week by week, through 52 subjects indelibly inked into the capital''s literary (and not so literary) past, present and future, via the magazine''s archive. From Ackroyd to Zadie, carnival to cottaging, gentrification to the Great Stink, Keats to the Krays, Wren to Windrush.

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The British Museum in Bloomsbury is home to one of the Caryatids, a statue of a maiden that acted as one of the six columns in a temple which stood on the Acropolis in ancient Athens. Lord Elgin had brought her to London in the nineteenth century, and even though now she was over 2,300 years old, she was still rather beautiful - and desirable.Which is why Lord Francis Powerscourt finds himself summoned by the British Museum to attend a most urgent matter. The Caryatid has been stolen and an inferior copy left in her place. Powerscourt agrees to handle the case discreetly - but then comes the first death: an employee of the British Museum is pushed under a rush hour train before he and the police can question him.What had he known about the statue's disappearance? And who would want such a priceless object? Powerscourt and his friend Johnny Fitzgerald undertake a mission that takes them deep into the heart of London's Greek community and the upper echelons of English society to uncover the bizarre truth of the vanishing lady...

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Ben Crystal is an actor, producer, and writer. He played Hamlet in the first Original Pronunciation production of the play for 400 years with the Nevada Repertory Company, and curated the British Library's CD, Shakespeare's Original Pronunciation. He co-wrote Shakespeare's Words and The Shakespeare Miscellany with his father, David Crystal, and his first solo book, Shakespeare on Toast: Getting a Taste for the Bard was shortlisted for the 2010 Educational Writer of the Year Award. His new series of introductions to the Bard's plays - Springboard Shakespeare - was published by Bloomsbury / Arden in June 2013. He and his Shakespeare ensemble perform and give Shakespeare workshops around the world.David Crystal works from his home in Holyhead, North Wales, as a writer, editor, lecturer and broadcaster. He has published extensively on the history and development of English, including The Stories of English, Evolving English and Spell It Out:

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Pari Thomson works as the Editorial Director for picture books at Bloomsbury Children's Books. Half Persian, half English, she lived in many places while she was growing up, including India, Pakistan, the USA, the UK and Belgium. She studied at Oxford University and now lives near the river in London, not far from Kew Gardens. Greenwild: The World Behind the Door is her debut novel in the Greenwild series.Elisa Paganelli was born in Italy and since childhood, hasn't been able to resist the smell of paper and pencils. She graduated from the European Institute of Design in Turn and worked in advertising, as well as running an award-winning design shop and studio. She now collaborates as a freelance designer with publishers and advertising agencies all over the world, including designing and illustrating The House With Chicken Legs, Greenwild: The World Behind the Door and the Travels of Ermine series.

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London is a vast metropolis with a population of over 8.5 million people and a history stretching back two millennia. However, unlike more modern cities, London was never planned as a major city but has grown over the centuries to absorb numerous historic towns and villages. Many of these are now bustling cosmopolitan areas such as Bloomsbury and Notting Hill, while others, such as Barnes and Dulwich, are more rural and retain their original charm and character. It’s hard to imagine nowadays, but in the 18th and 19th centuries, people were farming in Islington and fishing in Chiswick! Nevertheless, if you’re seeking a village vibe – a village green, small local shops, an ancient church and graveyard, even a pond beside a pub – you can still find them in London if you know where to look. Modern London is made up of a rich tapestry of ancient villages, just waiting to be discovered. London’s Village Walks takes you around 20 of the city’s most interesting and best preserved villages, where – with a little imagination – it’s possible to imagine you’re still living in a bygone age.

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A Room of One's Own is Virginia Woolf's most powerful feminist essay, justifying the need for women to possess intellectual freedom and financial independence. Based on a lecture given at Girton College, Cambridge, the essay is one of the great feminist polemics, ranging in its themes from Jane Austen and Carlotte Brontë to the silent fate of Shakespeare's gifted (imaginary) sister and the effects of poverty and sexual constraint on female creativity.Virginia Woolf (1882-1941) is regarded as a major twentieth-century author and essayist, a key figure in literary history as a feminist and modernist, and the centre of 'The Bloomsbury Group'. Between 1925 and 1931 Woolf produced what are now regarded as her finest masterpieces, from Mrs Dalloway (1925) to the poetic and highly experimental novel The Waves (1931). She also maintained an astonishing output of literary criticism, short fiction, journalism and biography, including the playfully subversive Orlando (1928) and A Room of One's Own (1929).If you enjoyed A Room of One's Own, you might like Woolf's Orlando, also available in Penguin Modern Classics.'Probably the most influential piece of non-fictional writing by a woman in this century'Hermione Lee, Financial Times

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The classic story of the relationship between Vita Sackville-West and Harold Nicolson, and a unique portrait of the Bloomsbury Group.'Vita and Harold have become part of our literature' OBSERVERThe marriage of Vita Sackville-West and Harold Nicolson was one of the most controversial relationships of the 20th century. This selection of letters, many of which have never been published, skilfully woven together by their son, Nigel Nicolson, gives dramatic new insight into their fascinating lives.Set within a framework of their son's highly personal memories, the story of this most extraordinary of marriages comes full circle - from the announcement of their engagement in 1912, through the storm days of Vita's well-known affairs with Violet Trefusis and Virginia Woolf, during the years of long separation as Harold's profession as a diplomat took him abroad, and culminating in the days leading up to Vita's death in 1962.

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The boy who wouldn’t grow up, Peter Pan has the power of flight and lives on a magical island. But he is fascinated by Mary Darling’s bedtime stories for her children and makes covert night-time visits to their Bloomsbury home. One evening he loses his shadow, and after Mary’s daughter Wendy helps him reattach it, he invites her to fly away with him on an extraordinary adventure. In addition to the famous 1911 novel Peter and Wendy, which tells the familiar adventures of Peter Pan in Neverland and popularized the characters of Tinkerbell and Captain Hook, this volume contains the celebrated stage version on which Peter and Wendy is based, as well as Peter Pan in Kensington Gardens, in which Peter Pan is a seven-day-old infant who consorts with birds and fairies and travels down the Serpentine in a thrush’s nest.

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With an introduction by Virginia Nicholson Saturday 2 February 1918. The first walk we've had for ever so long. Damp, mild vaporous day. Funeral bells tolling as we went out, & marriage as we came in. The streets lined with people waiting their meat. Aeroplanes droning invisible. Our usual evening, alone happily, knee deep in papers. This diary begins in January 1915. Virginia Woolf was about to publish her first novel, The Voyage Out. By the end of 1919 she had published many essays and reviews, as well as a second novel, Night and Day. Her diary was the counterpoint to that public writing: here she could record details of daily life, think about friends and reading, writing and her state of mind. This diary offers a unique insight into the life and mind of one of Britain's most influential writers, and the circle she was part of which came to be known as Bloomsbury. This new Granta edition includes Woolf's 'Asheham Diary' for the first time.

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London is the only city in the world where you could ever find Gilbert and George sharing space with the Gherkin and the Globe while the Great Fire burns and a gin drinker glugs her favorite tipple, and where members of the Bloomsbury Group hail a black cab while barrage balloons hover over Broadcasting House during the Blitz. In A London Alphabet, Christopher Brown presents a series of wonderfully whimsical linocuts illustrating every aspect of London past and present, including personalities, buildings, monuments, legends, historic events, and other metropolitan icons. From Dickens, Dr Johnson, Tower Bridge, and the Shard to the Diamond Jubilee, Wimbledon, pigeons, and jellied eels, all London life is here. A born-and-bred Londoner, Brown recounts his own memories of growing up in the capital, and also describes how he creates his distinctive prints. His unique, often humorous take on London will delight anyone who lives in or visits the city.

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An elegant presentation of interiors for introverts, placing the memorable work of London architect William Smalley alongside buildings around the world that have inspired his practice. Quiet Spaces places the work of architect William Smalley alongside spaces that have inspired him. Places of private contemplation – calm spaces to read a book or listen to music in, to walk through or simply be in – they are spaces that achieve a rare sense of repose and peace. From his own Bloomsbury Apartment and projects in the UK, France and New York, the book expands to include the work of other architects: a sixteenth-century villa by Palladio, houses in Mexico and Sri Lanka and the Secular Retreat in Devon by Swiss master architect Peter Zumthor. There are also places of making and displaying art: simplicity in Barbara Hepworth’s garden and studio in Cornwall, and intimacy in Kettle’s Yard gallery in Cambridge. Specially commissioned photography by Harry Crowder conveys the atmosphere of the spaces. A foreword by acclaimed potter and writer Edmund de Waal records the small, unspoken ways in which we relate to buildings and how they come to have meaning for us.

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This book interrogates the relationship between the material conditions of Woolf's writing practices and her work as a printer and publisher at the Hogarth Press. In bringing to light her embodied literary processes, from drafting and composition to hand-printing and binding, this study foregrounds the interactions between Woolf's modernist experimentation and the visual and material aspects of her printed works. By drawing on the field of print culture, as well as the materialist turn in Woolf scholarship, it explores how her experience in print, book-design and publishing underlines her experimental writing, and how her literary texts are conditioned by the context of their production. This book, therefore, provides new ways of reading Woolf's modernism in the context of twentieth-century print, material, and visual cultures. By suggesting that Woolf's work at the Hogarth Press sensitized her to the significant role the visual aspects of a text play in its system of representation, it also considers the extent to which materiality informs both her work, as well as her engagement with Bloomsbury formalist aesthetics, which often exaggerate the distinction between visual and verbal modes of expression.

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Alexandra Page is a children's writer. In 2019 her younger middle grade novel, Wishyouwas, was shortlisted for the Times Chicken House prize and won the WriteMentor Children's Novel Award, before being published by Bloomsbury in 2021. Alexandra grew up between England and Zimbabwe, making up stories to entertain her younger sisters and brother. After studying English Literature she settled in London and worked for several years in the production departments at Penguin, Puffin and Walker Books, before becoming a freelance project manager in the City. She loves to travel, swim and spend time with her husband and daughter in her favourite place, Budapest. She is the author of The Fire Fox and The Worry Tiger, illustrated by Stef Murphy.Stef Murphy is a freelance Illustrator and storyteller living in Norwich. Growing up in a large family, Stef was never short of entertainment. Armed with a foil-wrapped (usually squashed) jam sandwich Stef and h

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Each of E. M. Forster's five novels-The Longest journey, Where Angels Fear to Tread, Room with a View. Howards End, and A Passage to India-is here analyzed within the framework of Forster's cultural heritage nineteenth-century liberalism and humanism. In tracing Forster's family and educational background, his religious and political heritage, and his relation to the "Bloomsbury Group," Mr. Crews reveals the growing melancholy in Forster's acceptance of "the perils of humanism." Originally published in 1962. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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John Maynard Keynes died in 1946 but his ideas and his example remain relevant today. In this distinctive new account, Peter Clarke shows how Keynes's own career was not simply that of an academic economist, nor that of a modern policy advisor. Though rightly credited for reshaping economic theory, Keynes's influence was more broadly based and is assessed here in a rounded historical, political and cultural context. Peter Clarke re-examines the full trajectory of Keynes's public career from his role in Paris over the Versailles Treaty to Bretton Woods. He reveals how Keynes's insights as an economic theorist were rooted in his wider intellectual and cultural milieu including Bloomsbury and his friendship with Virginia Woolf as well as his involvement in government business. Keynes in Action uncovers a much more pragmatic Keynes whose concept of 'truth' needs to be interpreted in tension with an acknowledgement of 'expediency' in implementing public policy.

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‘Ackroyd makes history accessible to the layman’ – Ian Thomson, IndependentInnovation brings Peter Ackroyd’s History of England to a triumphant close. In it, Ackroyd takes readers from the end of the Boer War and the accession of Edward VII to the end of the twentieth century, when his great-granddaughter Elizabeth II had been on the throne for almost five decades. A century of enormous change, encompassing two world wars, four monarchs (Edward VII, George V, George VI and the Queen), the decline of the aristocracy and the rise of the Labour Party, women’s suffrage, the birth of the NHS, the march of suburbia and the clearance of the slums. It was a period that saw the work of the Bloomsbury Group and T. S. Eliot, of Kingsley Amis and Philip Larkin, of the end of the post-war slump to the technicolour explosion of the 1960s, to free love and punk rock and from Thatcher to Blair. A vividly readable, richly peopled tour de force, Innovation is Peter Ackroyd writing at his considerable best.

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Awakening the sleeping dragon...Smooth expat Michael Nicholson is a fixer, getting on by doing favours for the rich and powerful in booming China. When he makes the mistake of getting too close to one of his clients, the wife of a leading Communist Party official, the ageing Lothario fears for his life as a vengeful husband decides to put his house in order. So when a domestic dispute from the other side of the world leads to a shoot-out in a luxury penthouse apartment in Chelsea, an ex-cop called Marvin Taylor is one of the casualties. Inspector John Carlyle is little more than a casual onlooker until Taylor's widow turns up, looking for answers. The inspector is drawn into the morass of dealing and double-dealing, much to the dismay of his boss, Carole Simpson, who wants him to focus on Barbara Hutton, a Bloomsbury housewife who may - or may not - be a former German terrorist wanted for a forty-year-old murder...'A cracking read' BBC Radio 4 'Fast paced and very easy to get quickly lost in' Lovereading.com

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When discussing unsolved murders of women in late Victorian London, most people think of the depredations of Jack the Ripper, the Whitechapel Murderer, whose sanguineous exploits have spawned the creation of a small library of books. But Jack the Ripper was just one of a string of phantom murderers whose unsolved slayings outraged late Victorian Britain. The mysterious Great Coram Street, Burton Crescent and Euston Square murders were talked about with bated breath, and the northern part of Bloomsbury got the unflattering nickname of the ‘murder neighbourhood’ for its profusion of unsolved mysteries. Marvel at the convoluted Kingswood Mystery, littered with fake names and mistaken identities; be puzzled by the blackmail and secret marriage in the Cannon Street Murder; and shudder at the vicious yet silent killing in St Giles that took place in a crowded house in the dead of night. This book is the first to resurrect these unsolved Victorian murder mysteries, and to highlight the ghoulish handiwork of the Rivals of the Ripper: the spectral killers of gas-lit London.

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The classic story of the relationship between Vita Sackville-West and Harold Nicolson, and a unique portrait of the Bloomsbury Group.'A brilliantly structured account of the dramas, infidelities and deep emotional attachments' GUARDIAN'An intimate and controversial account of his bisexual parents' open relationship' NEW YORK TIMES'One of the most absorbing stories, built around two very remarkable people, ever to stray from Gothic fiction into real life' TLSThe marriage was that between the two writers, Vita Sackville-West and Harold Nicolson and the portrait is drawn partly by Vita herself in an autobiography which she left behind at her death in 1962 and partly by her son, Nigel. It was one of the happiest and strangest marriages there has ever been. Both Vita and Harold were always in love with other people and each gave the other full liberty 'without enquiry or reproach', knowing that their love for each other would be unaffected and even strengthened by the crises which it survived. This account of their love story is now a modern classic.

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'What is this life if, full of care, We have no time to stand and stare.' - W.H. DaviesWalking around London is one of life's great pleasures. There is a huge amount that you can only see on foot – but sometimes it is hard to know where to look. Luckily, Christopher Winn, bestselling author of I Never Knew That About London, knows where all the hidden treasures are. This book takes the reader on a series of stimulating original walks through different areas of central London, focusing on one particular period of history, the Victorian, so ubiquitous that we take it for granted, and yet so astonishing and so far reaching in its variety, imagination, ambition and detail.Discover.....the remarkable 300-foot bell tower at the Houses of Parliament you never knew was there.... ..the extraordinary fairytale house in Kensington where the Mikado was inspired.....the best Victorian loos in the world near Old Street... ..a hidden chapel in Bloomsbury described by Oscar Wilde as 'the most delightful private chapel in London'... ..London's best preserved high class Victorian shop near Tottenham Court Road… ...an almost complete Victorian townscape boasting the world's oldest surviving mansion block... Walk through history and discover the hidden gems of Victorian London!

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Sometimes you need to go deep into the past, to make sense of the present. Alice had not expected to spend the first twenty years of the twenty-first century writing about Leonard Woolf. When she stood on Morell Bridge watching fireworks explode from the rooftops of Melbourne at the start of a new millennium, she had only two thoughts. One was: the fireworks are better in Sydney. The other was: was the world’s technology about to crash down around her? The world’s technology did not crash. But there were worse disasters to come: Environmental collapse. The return of fascism. Wars. A sexual reckoning. A plague. Uncertain of what to do she picks up an unfinished project and finds herself trapped with the ghosts of writers past. What began as a novel about a member of the Bloomsbury set, colonial administrator, publisher and husband of one the most famous English writers of the twentieth century becomes something else altogether. Complex, heartfelt, darkly funny and deeply moving, this is Sophie Cunningham’s most important book to date – a dazzlingly original novel about what it’s like to live through a time that feels like the end of days, and how we can find comfort and answers in the past.​

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Where other works of literary criticism are absorbed with the question--How to read a book?--Imagining Virginia Woolf asks a slightly different but more intriguing one: how does one read an author? Maria DiBattista answers this by undertaking an experiment in critical biography. The subject of this work is not Virginia Woolf, the person who wrote the novels, criticism, letters, and famous diary, but a different being altogether, someone or something Maria DiBattista identifies as "the figment of the author." This is the Virginia Woolf who lives intermittently in the pages of her writings and in the imagination of her readers. Drawing on Woolf's own extensive remarks on the pleasures and perils of reading, DiBattista argues that reading Woolf, in fact reading any author, involves an encounter with this imaginative figment, whose distinct, stylistic traits combine to produce that beguiling phantom--the literary personality. DiBattista reveals a writer who possessed not a single personality, but a cluster of distinct, yet complementary identities: the Sibyl of Bloomsbury, the Author, the Critic, the World Writer, and the Adventurer, the last of which, DiBattista claims, unites them all. Imagining Virginia Woolf provides an original way of reading, one that captures with variety and subtlety the personality that exists only in Woolf's works and in the minds of her readers.

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A gem of a book.' Graham Tomlin, Bishop of Kensington Many of our everyday encounters in the world are touched by the divine, if we were only aware of it. We may find it impossible to miss God in the great interruptions of human existence, but God often finds a humbler dwelling-place . . . Donna Lazenby was in a packed underground carriage when it was taken siege by a group of musicians ripe to start a ceilidh. The eruption into dull passivity of joy seemed a herald of the Kingdom of God. And so she began to write a series of reflections, some prosaic, others more poetic in tone, that open up ways of seeing light in darkness; love in places of desolation; in-breaking life when all seems tired and old. But the coming of this Kingdom is also revealed in protest, in the world’s cry against a pervasive sense of alienation, while an allegedly ‘secular’ culture steals and presents the claims of the Gospel as its own. And so, Divine Sparks calls us to be prophets: visionaries able to discern and proclaim God’s incoming Kingdom, as it arrives by day – and night. Praise for the author’s A Mystical Theology (Bloomsbury, 2014): ‘[Written] with elegance and originality’ Catherine Pickstock, Professor of Metaphysics and Poetics, University of Cambridge

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‘Ackroyd makes history accessible to the layman’ – Ian Thomson, Independent Innovation brings Peter Ackroyd’s History of England to a triumphant close. In it, Ackroyd takes readers from the end of the Boer War and the accession of Edward VII to the end of the twentieth century, when his great-granddaughter Elizabeth II had been on the throne for almost five decades. A century of enormous change, encompassing two world wars, four monarchs (Edward VII, George V, George VI and the Queen), the decline of the aristocracy and the rise of the Labour Party, women’s suffrage, the birth of the NHS, the march of suburbia and the clearance of the slums. It was a period that saw the work of the Bloomsbury Group and T. S. Eliot, of Kingsley Amis and Philip Larkin, of the end of the post-war slump to the technicolour explosion of the 1960s, to free love and punk rock and from Thatcher to Blair. A vividly readable, richly peopled tour de force, it is Peter Ackroyd writing at his considerable best.

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When discussing unsolved murders of women in late Victorian London, most people think of the depredations of Jack the Ripper, the Whitechapel Murderer, whose sanguineous exploits have spawned the creation of a small library of books. But Jack the Ripper was just one of a string of phantom murderers whose unsolved slayings outraged late Victorian Britain. The mysterious Great Coram Street, Burton Crescent and Euston Square murders were talked about with bated breath, and the northern part of Bloomsbury got the unflattering nickname of the ‘murder neighbourhood’ for its profusion of unsolved mysteries. Marvel at the convoluted Kingswood Mystery, littered with fake names and mistaken identities; be puzzled by the blackmail and secret marriage in the Cannon Street Murder; and shudder at the vicious yet silent killing in St Giles that took place in a crowded house in the dead of night. This book is the first to resurrect these unsolved Victorian murder mysteries, and to highlight the ghoulish handiwork of the Rivals of the Ripper: the spectral killers of gas-lit London.

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Wonderful for browsing, and invaluable for finding specific information, Literature Lovers Book of Lists is a compendium of useful and sometimes whimsical information for anyone who loves books and loves to read, at any age or reading level. It is organized into nine sections and provides nearly 200 lists relating to genres, authors, characters and settings, awards, literary terms with their definitions and much more. There are even lists of books of prose and poetry available on audiocassettes. If it has to do with literature, this book has the answers. What book has had the longest run on The New York Times best-seller list? Who is the only four-time winner of the Pulitizer Prize for drama? What is the complete list of Shakespeare's plays and poems? Who are some of the most notable African American authors? What are the three main variations of the sonnet? What famous writers belonged to The Bloomsbury Group? Literature Lovers Book of Lists is both exciting and informative at the same time.

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Winner of the 1999 Pulitzer Prize and Pen Faulkner prize. Made into an Oscar-winning film, The Hours' is a daring and deeply affecting novel inspired by the life and work of Virginia Woolf.Exiled in Richmond in the 1920s, taken from her beloved Bloomsbury and watched by her husband Leonard, Virginia Woolf struggles to tame her rebellious mind and make a start on her new novel.In the brooding heat of 1940s Los Angeles, a young wife and mother yearns to escape the claustrophobia of suburban domesticity and read her precious copy of Mrs Dalloway'.And in New York in the 1990s, Clarissa Vaughan steps out of her smart Greenwich Village apartment and goes shopping for flowers for the party she is giving in honour of her life-long friend Richard, an award-winning poet whose mind and body are being ravaged by AIDS.Michael Cunningham's exquisite and deeply moving novel is a meditation on artistic behaviour, failure, love and madness. Moving effortlessly across the decades and between England and

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April 1971. When DI Webb and DS Raymond respond to a 999 call at Harpur Mews in Bloomsbury, a horrific scene awaits them. Susan Lang is lying on the ground, bleeding to death. Her husband Henry is sitting nearby, holding a large, blood-stained knife. In shock, Henry claims to have no memory of the events that led to his wife's death, leaving his barrister, Ben Schroeder, little with which to defend a potential murder charge. Unbeknownst to his strict Baptist wife, Deborah, Justice Rainer has a secret life as a gambler. In his desperation for money to fund his habit, he has already raided his own and Deborah's resources, and now he has crossed another line - one from which there is no return. To his horror, as the trial of Henry Lang starts, Rainer discovers a sinister connection between the trial and his gambling debts which could cause his world to unravel. In a rare case in which the judge is in greater peril than the defendant on trial, both Lang and Rainer have called down the storm on their own heads. Their lives are on the line, and time is running out.

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The Collins New Naturalist series is the longest-running and arguably the most influential natural history series in the world with over 120 volumes published in nearly 70 years. Being a numbered series, with a very low print run for some volumes, New Naturalist publications have been and continue to be highly collectable. Second-hand copies of the rarer volumes, in very good condition, can command high prices. As such, there is considerable interest in a detailed bibliography and history of the series. Collecting the New Naturalists offers a detailed insight into the fascinating phenomenon that has gripped Britain since just after World War II and which reflects the country’s continued enthusiasm for wildlife and nature publishing generally. With previously unpublished in-depth insight into the workings of the series and its collectors, the book will comprehensively cover every aspect of the New Naturalists, from rare editions produced for Bloomsbury and the Reader’s Union to foreign editions, interviews with the iconic cover artists and well-known naturalists such as Nick Baker and Alan Titchmarsh telling the story of their own fascination with the series.

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Chances are you weren't invited to the wedding of Grace Kelly and Prince Ranier, or to Truman Capote's famous "Black and White" ball at the Plaza Hotel. But now you can experience those and other legendary celebrations in your own home, as well as learn about the historic and cultural moments they embodied. This beautifully designed book brings together twenty menus--both authentic and imagined--along with instructions for preparing each dish and recreating the dinners in your home. Each event is represented in multi-page spreads that feature contemporary photographs to help you recreate the meals in your kitchen, while archival images and entertaining essays provide important historical context. You may not live on the Cote d'Azur like Coco Chanel, but why not pretend with the perfect salade niçoise? Join the con artist Henry Gerguson and serve up some fabulous mid-century Noodles Romanoff. Feeling artistic? Serve your guests some roast chicken and borscht, the way Jackson Pollock and Lee Krasner did, with vegetables fresh from their Long Island garden. From JFK's triumphant visit to Berlin to the White House reception for the Apollo 11 crew; from a Bloomsbury high tea to dinner with the famously private Audrey Hepburn, this fun and sophisticated mixture of culture and food will reside as happily on your coffee table as it will on your cookbook shelf.

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Rigorously inventive and revelatory in its adventurousness, 1650–1850 opens a forum for the discussion, investigation, and analysis of the full range of long-eighteenth-century writing, thinking, and artistry. Combining fresh considerations of prominent authors and artists with searches for overlooked or offbeat elements of the Enlightenment legacy, 1650–1850 delivers a comprehensive but richly detailed rendering of the first days, the first principles, and the first efforts of modern culture. Its pages open to the works of all nations and language traditions, providing a truly global picture of a period that routinely shattered boundaries. Volume 28 of this long-running journal is no exception to this tradition of focused inclusivity. Readers will experience two blockbuster multi-author special features that explore both the deep traditions and the new frontiers of early modern studies: one that views adaptation and digitization through the lens of “Sterneana,” the vast literary and cultural legacy following on the writings of Laurence Sterne, a legacy that sweeps from Hungarian renditions of the puckish novelist through the Bloomsbury circle and on into cybernetics, and one that pays tribute to legendary scholar Irwin Primer by probing the always popular but also always challenging writings of that enigmatic poet-philosopher, Bernard Mandeville. All that, plus the usual cavalcade of full-length book reviews. ISSN: 1065-3112 Published by Bucknell University Press, distributed worldwide by Rutgers University Press.

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Award-winning writer Caryl Phillips presents a beautiful, heart-breaking novel of the life of Jean Rhys, author of Wide Sargasso Sea.‘[A] remarkable novel… The story of a troubled young woman trying to make her way in England during the early years of the twentieth century’ WILLIAM BOYDIn the heart of London’s Bloomsbury, Gwendolen – not yet truly famous as the writer ‘Jean Rhys’ – is presented with the opportunity she has been waiting for. Her husband has received an unexpected inheritance; she can, at last, return to the island of her childhood. For Gwendolen, Dominica is a place of freedom and beauty, far away from the lonely nights and failed dreams of England. But this visit home compels her to reflect on the events of her past, and on what they may mean for her future.‘Phillips’ novel of being and becoming, of memory, and the mythology of writers and writing is a wonder. This is a gift of a book’ Niven Govinden, author of All the Days and Nights‘This dark, glimmering beauty of a novel penetrates the English mist, illuminates the past and present and offers us the life of a great writer, in the heart and mind of this great writer, Caryl Phillips’ Amy Bloom, author of White Houses ‘Subtle and piercing… Phillips keeps on taking risks and telling powerful stories’ Times Literary Supplement

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