Search results for ""Author Alex"

THE SUNDAY TIMES TOP TEN BESTSELLER & BEST HISTORY BOOK OF 2023 THE NEW YORK TIMES BESTSELLER A TELEGRAPH BEST HISTORY BOOK OF 2023 A BLOOMBERG BEST BOOK OF 2023 A PROSPECT BEST HISTORY BOOK OF 2023 BLACKWELL'S NON-FICTION BOOK OF THE YEAR SHORTLISTED FOR THE WATERSTONES BOOK OF THE YEAR 2023 '[Mary Beard] has always had the sharpest eyes for telling detail and colourful anecdote' Sunday Times 'Britain's most famous classicist ... at the peak of her powers' The Times 'Extraordinary ... a deliciously varied tapestry of detail drawn from across nearly three centuries' Telegraph 'The reigning Queen of Classics' Spectator What was it really like to rule and be ruled in the Ancient Roman world? In her international best-seller SPQR, Mary Beard told the thousand-year story of ancient Rome. Now, she shines her spotlight on the emperors who ruled the Roman empire, from Julius Caesar (assassinated 44 BCE) to Alexander Severus (assassinated 235 CE). Emperor of Rome is not your usual chronological account of Roman rulers, one after another: the mad Caligula, the monster Nero, the philosopher Marcus Aurelius. Beard asks bigger questions: What power did emperors actually have? Was the Roman palace really so bloodstained? Emperor of Rome goes directly to the heart of Roman (and our own) fantasies about what it was to be Roman, offering an account of Roman history as it has never been presented before.

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Hailed as "a feast" (Washington Post) and "a modern-day bestiary" (The New Yorker), Stephen Asma's On Monsters is a wide-ranging cultural and conceptual history of monsters--how they have evolved over time, what functions they have served for us, and what shapes they are likely to take in the future. Beginning at the time of Alexander the Great, the monsters come fast and furious--Behemoth and Leviathan, Gog and Magog, Satan and his demons, Grendel and Frankenstein, circus freaks and headless children, right up to the serial killers and terrorists of today and the post-human cyborgs of tomorrow. Monsters embody our deepest anxieties and vulnerabilities, Asma argues, but they also symbolize the mysterious and incoherent territory beyond the safe enclosures of rational thought. Exploring sources as diverse as philosophical treatises, scientific notebooks, and novels, Asma unravels traditional monster stories for the clues they offer about the inner logic of an era's fears and fascinations. In doing so, he illuminates the many ways monsters have become repositories for those human qualities that must be repudiated, externalized, and defeated. Asma suggests that how we handle monsters reflects how we handle uncertainty, ambiguity, and insecurity. And in a world that is daily becoming less secure and more ambiguous, he shows how we might learn to better live with monsters--and thereby avoid becoming one.

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SHERLOCK HOLMES IS NOT ONLY THE MOST FAMOUS CHARACTER IN CRIME FICTION BUT THE MOST FAMOUS CHARACTER IN ALL OF FICTION.'Holmes has a timeless intelligence that puts him head, shoulders and deer-stalker above all other detectives' Alexander McCall Smith_______________This complete volume contains four novels and fifty-six short stories about the most engaging detective of all time, with a foreword by crime writer Ruth Rendell.Sherlock Holmes, together with his faithful sidekick Doctor John H. Watson, proves himself as the quintessential detective. Time after time his pits his extraordinary wits and courage against foreign spies, blackmailers, cultists, petty thieves, murderers, swindlers, policemen (both stupid and clever), and his arch-nemesis Moriarty.Continuing to enthral millions in film and TV adaptations, Arthur Conan Doyle's creation has inspired readers and writers of crime stories for well over a century. Join their ranks with this collection._______________'The immense talent, passion and literary brilliance that Conan Doyle brought to his work give him a unique place in English letters. Personally, I'd walk a million miles in tight boots just to read his letters to the milkman' Stephen Fry'Now, as in his lifetime, cab drivers, statesmen, academics, and raggedy-assed children sit spellbound at his feet. No wonder, then, if the pairing of Holmes and Watson has triggered more imitators than any other duo in literature' John Le Carré

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The spectacular growth in the 1970s and 1980s of the Marxist literature on politics and the state in capitalist society was hailed at the time as cumulative proof of Marxism's success in producing an effective theory of the political superstructure. More generally, it was seen as confirmation of the health and vigor of Marxist theory. Axel van den Berg questions both of these claims. Through comprehensive analysis of Marxist thought on bourgeois politics and the state, from that produced by Marx himself on, van den Berg radically challenges the viability of a distinctly Marxist theory of the state and of recent Marxist theorizing in general. In an exhaustive review of the literature, van den Berg shows that neo-Marxist theories are, for the most part, not empirically testable. To the extent that it is possible to draw any empirical implications from these theories at all, such implications are virtually indistinguishable from those of "bourgeois" theories. Van den Berg proceeds to lay bare the contradiction at the heart of Marxist theory in general: it presupposes the viability and desirability of some ideal socialist society yet its "anti-utopian" insistence that all criticisms of capitalism must rest on foundations immanent in capitalism itself prohibits any open discussion of such a utopia. Now available in paperback, this is a fundamental work for political and social theorists."This work is brilliant in its polemical courage, its originality, and its detailed and revealing examination of texts. Van den Berg demonstrates that postwar Marxist political theory and sociology is not only vague and contradictory but that it actually makes critical concessions to the bourgeois thought' it claims to surpass. Appearing in the midst of afar-reaching reconsideration of the Marxism project in Europe, this volume crystallizes these issues for North American social science..."--Jeffrey Alexander, University of California, Los Angeles."Van den Berg has made a major contribution to the long overdue relegation of Marxism to the museum of nineteenth-century ideological antiquities."--Dennis Wrong, Contemporary Sociology.Axel van den Berg is a Dutch-Canadian professor of sociology at McGill University in Montreal. His most recent work is The Social Sciences and Rationality.

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The volume relates the history of four parishes in Gore hundred and of the five which form Edmonton hundred. The first group contains Hendon, Kingsbury, and Little Stanmore, all bordering Edgware Road, and Great Stanmore. A northward projection of Ossulstone hundred separates it from the second, consisting of Edmonton, Enfield, and Tottenham, along the Essex boundary following the river Lea, and of South Mimms, finally transferred to Hertfordshire in 1965,and Monken Hadley, transferred in 1889 but now part of Greater London. In size the parishes range from Monken Hadley, with 695 a., to Enfield, among the largest in England with more than 12,000 a.; the most populous, Totten-ham with Wood Green, had well over 200,000 inhabitants by 1931. The story is of the rise of roadside settle-ment, of the purchase of land by Lon-doners, of suburban growth around railway stations and along new avenues, and, most recently, of rebuilding. Today's residents include a large Jewish community at Golders Green and coloured immigrants in working-class Tottenham and Edmonton. The scene is mainly suburban, although varying from the villas of late Victorian and Edwardian Southgate to ferry-built terraces farther east, and from Hampstead Garden Suburb to municipal housing estates and tower blocks. Many houses in Enfield, Mill Hill, Monken Hadley, South Mimms, and Stanmore are leftfrom the genteel villages of 18th- and early- 19th-century Middlesex. Park-land and farms survive in the north, notably in South Mimms, where Wrotham and Dyrham parks stand in their grounds, and around the former royal forest ofEnfield Chase. Canons, the area's most famous mansion, is recalled by the remnants of its park, close to the church where the princely duke of Chandos lies buried. Industry is confined mainly to the Lea valley, where the Royal Small Arms factory produced the first Enfield rifle in the 1850s, and to sites near Edgware Road, where Hendon Aerodrome lay. Other landmarks include the Alexandra Palace, whence the earliest television service was relayed, HarringayStadium and Arena, and the White Hart Lane ground of Tottenham Hotspurs football club.

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A collection of the most important writings on understanding and treating PTSD Essential Papers on Post Traumatic Stress Disorder collects the most important writings on the comprehension and treatment of Post Traumatic Stress Disorder. Editor Mardi J. Horowitz provides a concise and illuminating introductory essay on the evolution of our understanding of Post Traumatic Stress Disorder, and establishes the conceptual framework and terminology necessary to understand the disorder. The collected essays which follow provide a rich and comprehensive take on the complexity of Post Traumatic Stress Disorder, illuminating such issues as the variety of individual and cultural responses, the roles of pre- and post-traumatic causative forces, and the fluctuating complexities of diagnostic categories. Divided into sections addressing the broad topics of diagnosis, etiology, and treatment, Essential Papers on Post Traumatic Stress Disorder combines classic essays with more challenging and controversial approaches. Contributors include Sigmund Freud, Erich Lindemann, Leo Eitinger, Carol C. Nadelson, Malkah T. Notman, Hannah Zackson, Janet Gornick, Bonnie L. Green, Mary C. Grace, Jacob D. Lindy, James L. Titchener, Joanne G. Lindy, Lenore C. Terr, Rosemarie Galante, Dario Foa, Edna B. Foa, Barbara Olasov Rothbaum, David S. Riggs, Tamara B. Murdock, James H. Shore, Ellie L. Tatum, William M. Vollmer, Roger K. Pittman, Scott P. Orr, Dennis F. Forgue, Bruce Altman, Jacob B. de Jong, Lawrence R. Herz, Judith Lewis Herman, Rachel Yehuda, Alexander McFarlane, Frank W. Putnam, Robert Jay Lifton, Eric Olson, Nancy Wilner, Nancy Kaltrider, William Alvarez, Michael R. Trimble, Epstein, Terence M. Keane, Rose T. Zinering, Juesta M. Caddell, John H. Krystal, Thomas R. Kosten, Steven Southwick, John W. Mason, Bruce D. Perry, Earl L. Giller, David Spiegel, Thurman Hunt, Harvey E. Dondershire, Bessel A. van der Kolk, Peter J. Lang, Robert S. Pynoos, Spencer Eth, Matthew J. Friedman, Francine Shapiro, John P. Wilson, Jacob D. Lindy, I. Lisa McCann, and Laurie Anne Pearlman.

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Alexis de Tocqueville may be the most influential political thinker in American history. He also led an unusually active and ambitious career in French politics. In this magisterial book, one of America's most important contemporary theorists draws on decades of research and thought to present the first work that fully connects Tocqueville's political and theoretical lives. In doing so, Sheldon Wolin presents sweeping new interpretations of Tocqueville's major works and of his place in intellectual history. As he traces the origins and impact of Tocqueville's ideas, Wolin also offers a profound commentary on the general trajectory of Western political life over the past two hundred years. Wolin proceeds by examining Tocqueville's key writings in light of his experiences in the troubled world of French politics. He portrays Democracy in America, for example, as a theory of discovery that emerged from Tocqueville's contrasting experiences of America and of France's constitutional monarchy. He shows us how Tocqueville used Recollections to reexamine his political commitments in light of the revolutions of 1848 and the threat of socialism. He portrays The Old Regime and the French Revolution as a work of theoretical history designed to throw light on the Bonapartist despotism he saw around him. Throughout, Wolin highlights the tensions between Tocqueville's ideas and his activities as a politician, arguing that--despite his limited political success--Tocqueville was "perhaps the last influential theorist who can be said to have truly cared about political life." In the course of the book, Wolin also shows that Tocqueville struggled with many of the forces that constrain politics today, including the relentless advance of capitalism, of science and technology, and of state bureaucracy. He concludes that Tocqueville's insights and anxieties about the impotence of politics in a "postaristocratic" era speak directly to the challenges of our own "postdemocratic" age. A monumental new study of Tocqueville, this is also a rich and provocative work about the past, the present, and the future of democratic life in America and abroad.

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Beards they're all the rage these days. Take a look around: from hip urbanites to rustic outdoorsmen, well-groomed metrosexuals to post-season hockey players, facial hair is everywhere. The New York Times traces this hairy trend to Big Apple hipsters circa 2005 and reports that today some New Yorkers pay thousands of dollars for facial hair transplants to disguise patchy, juvenile beards. And in 2014, blogger Nicki Daniels excoriated bearded hipsters for turning a symbol of manliness and power into a flimsy fashion statement. The beard, she said, has turned into the padded bra of masculinity. Of Beards and Men makes the case that today's bearded renaissance is part of a centuries-long cycle in which facial hairstyles have varied in response to changing ideals of masculinity. Christopher Oldstone-Moore explains that the clean-shaven face has been the default style throughout Western history see Alexander the Great's beardless face, for example, as the Greek heroic ideal. But the primacy of razors has been challenged over the years by four great bearded movements, beginning with Hadrian in the second century and stretching to today's bristled resurgence. The clean-shaven face today, Oldstone-Moore says, has come to signify a virtuous and sociable man, whereas the beard marks someone as self-reliant and unconventional. History, then, has established specific meanings for facial hair, which both inspire and constrain a man's choices in how he presents himself to the world. This fascinating and erudite history of facial hair cracks the masculine hair code, shedding light on the choices men make as they shape the hair on their faces. Oldstone-Moore adeptly lays to rest common misperceptions about beards and vividly illustrates the connection between grooming, identity, culture, and masculinity. To a surprising degree, we find, the history of men is written on their faces.

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The sensational discovery in 1922 of Tutankhamun’s tomb, close on the heels of Britain’s declaration of Egyptian independence, accelerated the growth in Egypt of both Egyptology as a formal discipline and of ‘pharaonism'—popular interest in ancient Egypt—as an inspiration in the struggle for full independence. Emphasizing the three decades from 1922 until Nasser’s revolution in 1952, this compelling follow-up to Whose Pharaohs? looks at the ways in which Egypt developed its own archaeologies—Islamic, Coptic, and Greco-Roman, as well as the more dominant ancient Egyptian. Each of these four archaeologies had given birth to, and grown up around, a major antiquities museum in Egypt. Later, Cairo, Alexandria, and Ain Shams universities joined in shaping these fields. Contesting Antiquity in Egypt brings all four disciplines, as well as the closely related history of tourism, together in a single engaging framework. Throughout this semi-colonial era, the British fought a prolonged rearguard action to retain control of the country while the French continued to dominate the Antiquities Service, as they had since 1858. Traditional accounts highlight the role of European and American archaeologists in discovering and interpreting Egypt’s long past. Donald Reid redresses the balance by also paying close attention to the lives and careers of often-neglected Egyptian specialists. He draws attention not only to the contests between westerners and Egyptians over the control of antiquities, but also to passionate debates among Egyptians themselves over pharaonism in relation to Islam and Arabism during a critical period of nascent nationalism. Drawing on rich archival and published sources, extensive interviews, and material objects ranging from statues and murals to photographs and postage stamps, this comprehensive study by one of the leading scholars in the field will make fascinating reading for scholars and students of Middle East history, archaeology, politics, and museum and heritage studies, as well as for the interested lay reader.

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This Festschrift in honor of Prof. Edward F. Wente contains contributions by forty-three of his colleagues and friends. Contents: Publications and Communications of Edward F. Wente ( C. E. Jones ); A Monument of Khaemwaset Honoring Imhotep ( J. P. Allen ); Feuds or Vengeance? Rhetoric and Social Forms ( J. Baines ); Theban Seventeenth Dynasty ( J. von Beckerath ); Inventory Offering Lists and the Nomenclature for Boxes and Chests in the Old Kingdom ( E. Brovarski ); A Case for Narrativity: Gilt Stucco Mummy Cover in the Graeco-Roman Museum, Alexandria, Inv. 27808 ( L. H. Corcoran ); Opening of the Mouth as Temple Ritual ( E. Cruz-Uribe ); A Letter of Reproach ( R. J. Demaree ); Creation on the Potter's Wheel at the Eastern Horizon of Heaven ( P. F. Dorman ); The Border and the Yonder Side ( G. Englund ); Enjoying the Pleasures of Sensation: Reflections on a Significant Feature of Egyptian Religion ( R. B. Finnestad ); Some Comments on Khety's Instruction for Little Pepi on His Way to School (Satire on the Trades) ( J. L. Foster ); On Fear of Death and the Three bwts Connected with Hathor ( P. J. Frandsen ); Two Inlaid Inscriptions of the Earliest Middle Kingdom ( H. Goedicke ); Historical Background to the Exodus: Papyrus Anastasi VIII ( S. I. Groll ); The Mummy of Amenhotep III ( J. E. Harris ); Fragmentary Quartzite Female Hand Found in Abou-Rawash ( Z. Hawass ); Two Stelae of King Seqenenre Djehuty-aa of the Seventeenth Dynasty ( H. Jacquet-Gordon ); A Marital Title from the New Kingdom ( J. J. Janssen ); Remarks on Continuity in Egyptian Literary Tradition ( R. Jasnow ); Ethnic Considerations in Persian Period Egypt ( J. H. Johnson ); The nfrw-Collar Reconsidered ( W. R. Johnson ); The Wealth of Amun of Thebes under Ramesses II ( K. A. Kitchen ); Wie jung ist die memphitische Philosophie auf dem Shabaqo-Stein? ( R. Krauss ); 'Listening' to the Ancient Egyptian Woman: Letters, Testimonials, and Other Expressions of Self ( B. S. Lesko ); Some Further Thoughts on Chapter 162 of the Book of the Dead ( L. H. Lesko ); Royal Iconography of Dynasty 0 ( T. J. Logan ); The Auction of Pharaoh ( J. G. Manning ); Semi-Literacy in Egypt: Some Erasures from the Amarna Period ( P. Der Manuelian ); Vinegar at Deir el-Medina ( N. B. Millet ); Observations on Pre-Amarna Theology during the Earliest Reign of Amenhotep IV ( W. J. Murnane ); Zum Kultbildritual in Abydos ( J. Osing ); Sportive Fencing as a Ritual for Destroying the Enemies of Horus ( P. A. Piccione ); An Oblique Reference to the Expelled High Priest Osorkon? ( R. K. Ritner ); The Ahhotep Coffins: The Archaeology of an Egyptological Reconstruction ( A. M. Roth ); A Litany from the Eighteenth Dynasty Tomb of Merneith ( D. P. Silverman ); Nag-ed-Deir Papyri ( W. K. Simpson ); O. Hess = O. Naville = O. BM 50601: An Elusive Text Relocated ( M. J. Smith ); Celibacy and Adoption among God's Wives of Amun and Singers in the Temple of Amun: A Re-examination of the Evidence ( E. Teeter ); New Kingdom Temples at Elkab ( C. C. Van Siclen III ); Menstrual Synchrony and the 'Place of Women' in Ancient Egypt (OIM 13512) ( T. G. Wilfong ); Serra East and the Mission of the Middle Kingdom Fortresses in Nubia ( B. B. Williams ); End of the Late Bronze Age and Other Crisis Periods: A Volcanic Cause? ( F. J. Yurco ).

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Boss of Black Brooklyn presents a riveting and untold story about the struggles and achievements of the first black person to hold public office in Brooklyn. Bertram L. Baker immigrated to the United States from the Caribbean island of Nevis in 1915. Three decades later, he was elected to the New York state legislature, representing the Bedford Stuyvesant section. A pioneer and a giant, Baker has a story that is finally revealed in intimate and honest detail by his grandson Ron Howell. Boss of Black Brooklyn begins with the tale of one man’s rise to prominence in a fascinating era of black American history, a time when thousands of West Indian families began leaving their native islands in the Caribbean and settling in New York City. In 1948, Bert Baker was elected to the New York state assembly, representing the growing central Brooklyn neighborhood of Bedford Stuyvesant. Baker loved telling his fellow legislators that only one other Nevisian had ever served in the state assembly. That was Alexander Hamilton, the founding father. Making his own mark on modern history, Baker pushed through one of the nation’s first bills outlawing discrimination in the sale or rental of housing. Also, for thirty years, from 1936 to 1966, he led the all-black American Tennis Association, as its executive secretary. In that capacity he successfully negotiated with white tennis administrators, getting them to accept Althea Gibson into their competitions. Gibson then made history as the first black champion of professional tennis. Yet, after all of Baker’s wonderful achievements, little has been written to document his role in black history. Baker represents a remarkable turning point in the evolution of modern New York City. In the 1940s, when he won his seat in the New York state assembly, blacks made up only 4 percent of the population of Brooklyn. Today they make up a third of the population, and there are scores of black elected officials. Yet Brooklyn, often called the capital of the Black Diaspora, is a capital under siege. Developers and realtors seeking to gentrify the borough are all but conspiring to push blacks out of the city. A very important and long-overdue book, Boss of Black Brooklyn not only explores black politics and black organizations but also penetrates Baker’s inner life and reveals themes that resonate today: black fatherhood, relations between black men and black women, faithfulness to place and ancestry. Bertram L. Baker’s story has receded into the shadows of time, but Boss of Black Brooklyn recaptures it and inspires us to learn from it.

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Based on the eponymous symposium and exhibition, Fulfilled: Architecture, Excess, and Desire considers the role of architecture in a culture shaped by the excessive manufacturing and assuagement of desire. Until the term became synonymous with Amazon warehouses, the concept of fulfilment described the achievement of a desire - sometimes tangible, often psychological or spiritual. With the rapid growth of e-commerce, our understanding of fulfilment has evolved to reflect a seemingly endless cycle of desire and gratification - one whose continuity hinges on our willingness to overlook the cultural, economic, and environmental impacts of our ever-increasing expectation of quick and efficient fulfilment. A closer look at fulfilment reveals a social, typological, formal, aesthetic, and economic practice constructed collectively through both digital and physical interactions. It is a cultural practice which evolves like a language, both universally transferable and contextually specific. As a symposium, exhibition, and now publication, this project aims to draw out these new arrangements, sticky relationships, and material by-products of cultural production and to ask again the age-old question, “What does it mean to be fulfilled?” This book examines the architecture of fulfilment through three lenses: logistical, material, and cultural fulfilment. Each reveals the new forms of architectural practice and research that are possible, typical, and even surreptitiously encouraged in the age of Amazon. Fulfilment networks are not invisible systems; they are tangible objects - warehouses, suburban houses, parking lots, cardboard boxes, shopping malls, mechanical systems, shipping containers - with which architects necessarily interact. From political mapping and questions of labour to digital and physical storage typologies, contemporary architects learn from and work critically within the architecture of fulfilment. Their interests and approaches include the material and environmental shortcomings of global logistics and the formal, representational, and cultural potentials of a culture of excess. This book highlights architecture’s unique capacity to offer methodologies for confronting an increasingly ambiguous, alienating world and produce new knowledge and unexpected solutions that go beyond the dichotomies of rural and urban territories. Featuring new texts and visual work by more than a dozen contemporary architects: Ana Miljački – Boston, MA; Ang Li – Boston, MA; Ashley Bigham – Columbus, OH; Cristina Goberna Pesudo – Madrid, Spain; Curtis Roth – Columbus, OH; Jesse LeCavalier – Toronto, Canada; John McMorrough – Ann Arbor, MI; Keith Krumwiede – San Francisco, CA; Laida Aguirre – Ann Arbor, MI; Leigha Dennis – New York, NY; Lluís Alexandre Casanovas Blanco – Barcelona, Spain; Michelle Chang – Boston, MA; Miles Gertler – Toronto, Canada; Mira Henry & Matthew Au (Current Interests) – Los Angeles, CA

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Examines the evolution of black nationalist thought from its earliest proto-nationalistic phase in the 1700s to the Garvey movement in the 1920s Recent years have seen a resurgence of interest in modern black nationalist leaders such as Stokely Carmichael and Malcolm X. But what of the ideological precursors to these modern leaders, the writers, and leaders from whose intellectual legacy modern black nationalism emerged? Wilson Jeramiah Moses, whom the Village Voice called one of the foremost historians of black nationalism, has here collected the most influential speeches, articles, and letters that inform the intellectual underpinnings of contemporary black nationalism, returning our focus to black nationalism at its inception. The goal of early black nationalists was the return of the African-American population to Africa to create a sovereign nation-state and to formulate an ideological basis for a concept of national culture. Most early black nationalists believed that this return was directed by the hand of God. Moses examines the evolution of black nationalist thought through several phases, from its proto-nationalisic phase in the late 1700s through a hiatus in the 1830s, through its flourishing in the 1850s, its eventual eclipse in the 1870s, and its resurgence in the Garvey movement of the 1920s. Moses provides us with documents that illustrate the motivations of both whites and blacks as they sought the removal of the black population. We hear from Thomas Jefferson, who held that it was self-evident that black and white populations could not intermingle on an equal basis or merge to form one happy society, and who toyed with the idea of a mass deportation of the black American population. We see that the profit motive is an important motive behind any nationalist movement in the letters between African American capitalists Paul Cuffe and James Forten. Among the more difficult selections to classify in this collection, Robert Alexander Young's Ethiopian Manifesto prophesied the coming of a prophetic liberator of the African race. The Christian nature of nineteenth century black nationalism is evident in Blyden's The Call of Providence. Moses rounds out the volume with contributions from more well- known voices such as those of Marcus Garvey, W.E.B. Dubois, and others. Classical Black Nationalism will serve as a point of departure for anyone interested in gaining a foundational knowledge of the disparate voices behind this often discussed but seldom understood movement.

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Voices from the Napoleonic Wars reveals in telling detail the harsh lives of soldiers at the turn of the eighteenth century and in the early years of the nineteenth - the poor food and brutal discipline they endured, along with the forced marches and bloody, hand-to-hand combat. Contemporaries were mesmerised by Napoleon, and with good reason: in 1812, he had an unprecedented million men and more under arms. His new model army of volunteers and conscripts at epic battles such as Austerlitz, Salamanca, Borodino, Jena and, of course, Waterloo marked the beginning of modern warfare, the road to the Sommes and Stalingrad. The citizen-in-arms of Napoleon's Grande Armée and other armies of the time gave rise to a distinct body of soldiers' personal memoirs. The personal accounts that Jon E. Lewis has selected from these memoirs, as well as from letters and diaries, include those of Rifleman Harris fighting in the Peninsular Wars, and Captain Alexander Cavalie Mercer of the Royal Horse Artillery at Waterloo. They cover the land campaigns of the French Revolutionary Wars (1739-1802), the Napoleonic Wars (1803-1815) and the War of 1812 (1812-1815), in North America. This was the age of cavalry charges, of horse-drawn artillery, of muskets and hand-to-hand combat with sabres and bayonets. It was an era in which inspirational leadership and patriotic common cause counted for much at close quarters on chaotic and bloody battlefields. The men who wrote these accounts were directly involved in the sweeping campaigns and climactic battles that set Europe and America alight at the turn of the eighteenth century and in the years that followed. Alongside recollections of the ferocity of hard-fought battles are the equally telling details of the common soldier's daily life - short rations, forced marches in the searing heat of the Iberian summer and the bitter cold of the Russian winter, debilitating illnesses and crippling wounds, looting and the lash, but also the compensations of hard-won comradeship in the face of ever-present death. Collectively, these personal accounts give us the most vivid picture of warfare 200 and more years ago, in the evocative language of those who knew it at first hand - the men and officers of the British, French and American armies. They let us know exactly what it was like to be an infantryman, a cavalryman, an artilleryman of the time.

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'A wonderful connecting of two women writers' stories more than a century apart.' Julia Kuehn, The University of Hong Kong The first-ever biography of the pioneering female journalist who fought to bring Japanese cherry trees to Washington, DC Every age has strong, independent women who defy the gender conventions of their era to follow their hearts and minds. Eliza Scidmore was one such maverick. Born on the American frontier just before the Civil War, she rose from modest beginnings to become a journalist who roamed far and wide writing about distant places for readers back home. By her mid-20s she had visited more places than most people would see in a lifetime. By the end of the nineteenth century, her travels were so legendary she was introduced at a meeting in London as “Miss Scidmore, of everywhere.” In what has become her best-known legacy, Scidmore carried home from Japan a big idea that helped shape the face of modern Washington: she urged the city's park officials to plant Japanese cherry trees on a reclaimed mud bank-today's Potomac Park. Though they rebuffed her suggestion several times, she finally got her way nearly three decades later thanks to the support of First Lady Helen Taft. Scidmore was a “Forrest Gump” of her day who bore witness to many important events and rubbed elbows with famous people, from John Muir and Alexander Graham Bell to U.S presidents and Japanese leaders. She helped popularize Alaska tourism during the birth of the cruise industry, and educated readers about Japan and other places in the Far East at a time of expanding U.S. interests across the Pacific. At the early National Geographic, she made a lasting mark as the first woman to serve on its board and to publish photographs in the magazine. Around the same time, she also played an activist role in the burgeoning U.S. conservation movement. Her published work includes books on Alaska, Japan, Java, China, and India; a novel based on the Russo-Japanese War; and about 800 articles in U.S. newspapers and magazines. Deeply researched and briskly written, this first-ever biography of Scidmore draws heavily on her own writings to follow major events of a half-century as seen through the eyes of a remarkable woman who was far ahead of her time.

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THE GOOD AUDITION GUIDES: Helping you select and perform the audition piece that is best suited to your performing skills In this volume of the Good Audition Guides, you'll find fifty fantastic speeches for men, all written since the year 2000, by some of our most exciting dramatic voices. Playwrights featured in Contemporary Monologues for Men include Howard Brenton, Jez Butterworth, Alexi Kaye Campbell, Caryl Churchill, Ariel Dorfman, Ella Hickson, Lucy Kirkwood, Bruce Norris, Jack Thorne and Enda Walsh, and the plays themselves were premiered at the very best theatres across the UK including the National Theatre, the Donmar Warehouse, the Bush and the Young Vic, Manchester Royal Exchange, Birmingham Rep, the Traverse in Edinburgh, and many on the stages of the Royal Court. Drawing on her experience as an actor, director and teacher at several leading drama schools, Trilby James prefaces each speech with a thorough introduction including the vital information you need to place the piece in context (the who, what, when, where and why) and suggestions about how to perform the scene to its maximum effect (including the character’s objectives and keywords). Contemporary Monologues for Men also features an introduction on the whole process of selecting and preparing your speech, and approaching the audition itself. The result is the most comprehensive and useful contemporary monologue book now available. ‘Sound practical advice for anyone attending an audition… a source of inspiration for teachers and students alike’ Teaching Drama Magazine on The Good Audition Guides

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Cilka's Journey is the million copy bestselling sequel to the phenomenon The Tattooist of Auschwitz.Don't miss the conclusion to The Tattooist of Auschwitz Trilogy, Three Sisters. Available now.'She was the bravest person I ever met'Lale Sokolov, The Tattooist of Auschwitz In 1942 Cilka Klein is just sixteen years old when she is taken to Auschwitz-Birkenau Concentration Camp. The Commandant at Birkenau, Schwarzhuber, notices her long beautiful hair, and forces her separation from the other women prisoners. Cilka learns quickly that power, even unwillingly given, equals survival.After liberation, Cilka is charged as a collaborator by the Russians and sent to a desolate, brutal prison camp in Siberia known as Vorkuta, inside the Arctic Circle. Innocent, imprisoned once again, Cilka faces challenges both new and horribly familiar, each day a battle for survival. Cilka befriends a woman doctor, and learns to nurse the ill in the camp, struggling to care for them under unimaginable conditions. And when she tends to a man called Alexandr, Cilka finds that despite everything, there is room in her heart for love.Cilka's Journey is a powerful testament to the triumph of the human will. It will move you to tears, but it will also leave you astonished and uplifted by one woman's fierce determination to survive, against all odds.- - - - - - - - 'Her truly incredible story is one to be read by everyone.' Sun'Cilka's extraordinary courage in the face of evil and her determination to survive against the odds will stay with you long after you've finished reading this heartrending book.' Sunday Express'Her courage and determination to survive makes for a heartrending read.' Daily Mirror

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WATERSTONES BEST BOOKS OF 2022 – SPORT 'A brilliant new perspective on World Cup management... Superbly insightful .' – Jamie Carragher 'Superb - great stories about the greatest tournament' – Daniel Taylor Master tacticians, crazy tyrants and lucky generals... This insightful investigation reveals the mindsets and, frankly, at times unbelievable approaches of the coaches who strive to deliver football's ultimate prize. HOW DO YOU WIN THE WORLD CUP? Godlike genius or the focus of a disappointed nation's fury – the world's most prestigious tournament makes or breaks a national coach. Only 20 managers have guided their team to World Cup glory, so what are their secrets? From revolutionary tactics to hare-brained schemes, this book searches for the keys to the most exclusive club in international football. They may silently plot on the bench or manically gesticulate from the sidelines, but what can the coach really do to influence their team's performance? Discover the tactical innovations and brilliant strategies as well as the bizarre superstitions, psychological masterclasses and bonkers team-building regimes that managers have employed in the quest for that iconic trophy. Charting the successes, failures, dramas and controversies of 90 years of World Cup action, through the insights of journalists, players and managers with first-hand experience of World Cup competition, this book comprehensively documents the lengths the man in the dugout will go to in order to bring home the greatest prize. The book features contributions from leading World Cup stars, including Luiz Felipe Scolari, Geoff Hurst, Carlos Alberto Parreira, Pierre Littbarski, Roberto Martinez, Mick McCarthy, Tomas Brolin, Jamie Carragher, Alexi Lalas, Patrick Barclay, Raphael Honigstein and Graham Hunter.

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The growth and development of the Lincoln Record Society in its first hundred years highlights the contribution of such organisations to historical life. In 2010 the Lincoln Record Society celebrates its centenary with the publication of the hundredth volume in its distinguished series. Local record societies, financed almost entirely from the subscriptions of their members, have made an important contribution to the study of English history by making accessible in printed form some of the key archival materials relating to their areas. The story of the Lincoln society illustrates the struggles and triumphsof such an enterprise. Founded by Charles Wilmer Foster, a local clergyman of remarkable enthusiasm, the LRS set new standards of meticulous scholarship in the editing of its volumes. Its growing reputation is traced here througha rich archive of correspondence with eminent historians, among them Alexander Hamilton Thompson and Frank Stenton. The difficulties with which Kathleen Major, Canon Foster's successor, contended to keep the Society alive duringthe dark days of the Second World War are vividly described. The range of volumes published has continued to expand, from the staple cartularies and episcopal registers to more unusual sources, Quaker minutes, records ofCourts of Sewers and seventeenth-century port books. While many of the best-known publications have dealt with the medieval period, notably the magnificent Registrum Antiquissimum of Lincoln Cathedral, there have also beeneditions of eighteenth-century correspondence, twentieth-century diaries, and pioneering railway photographs of the late Victorian era. This story shows the Lincoln Record Society to be in good heart and ready to begin its secondcentury with confidence. Nicholas Bennett is currently Vice-Chancellor and Librarian of Lincoln Cathedral.

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The 1980s saw the rise of Ronald Reagan and the New Right in American politics, the popularity of programs such as thirtysomething and Dynasty on network television, and the increasingly widespread use of VCRs, cable TV, and remote control in American living rooms. In Seeing Through the Eighties, Jane Feuer critically examines this most aesthetically complex and politically significant period in the history of American television in the context of the prevailing conservative ideological climate. With wit, humor, and an undisguised appreciation of TV, she demonstrates the richness of this often-slighted medium as a source of significance for cultural criticism and delivers a compelling decade-defining analysis of our most recent past.With a cast of characters including Michael, Hope, Elliot, Nancy, Melissa, and Gary; Alexis, Krystle, Blake, and all the other Carringtons; not to mention Maddie and David; even Crockett and Tubbs, Feuer smoothly blends close readings of well-known programs and analysis of television’s commercial apparatus with a thorough-going theoretical perspective engaged with the work of Baudrillard, Fiske, and others. Her comparative look at Yuppie TV, Prime Time Soaps, and made-for-TV-movie Trauma Dramas reveals the contradictions and tensions at work in much prime-time programming and in the frustrations of the American popular consciousness. Seeing Through the Eighties also addresses the increased commodification of both the producers and consumers of television as a result of technological innovations and the introduction of new marketing techniques. Claiming a close relationship between television and the cultures that create and view it, Jane Feuer sees the eighties through televison while seeing through television in every sense of the word.

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A bold new look at war and diplomacy in Europe that traces the idea of a unified continent in attempts since the eighteenth century to engineer lasting peace.Political peace in Europe has historically been elusive and ephemeral. Stella Ghervas shows that since the eighteenth century, European thinkers and leaders in pursuit of lasting peace fostered the idea of European unification.Bridging intellectual and political history, Ghervas draws on the work of philosophers from Abbé de Saint-Pierre, who wrote an early eighteenth-century plan for perpetual peace, to Rousseau and Kant, as well as statesmen such as Tsar Alexander I, Woodrow Wilson, Winston Churchill, Robert Schuman, and Mikhail Gorbachev. She locates five major conflicts since 1700 that spurred such visionaries to promote systems of peace in Europe: the War of the Spanish Succession, the Napoleonic Wars, World War I, World War II, and the Cold War. Each moment generated a “spirit” of peace among monarchs, diplomats, democratic leaders, and ordinary citizens. The engineers of peace progressively constructed mechanisms and institutions designed to prevent future wars.Arguing for continuities from the ideals of the Enlightenment, through the nineteenth-century Concert of Nations, to the institutions of the European Union and beyond, Conquering Peace illustrates how peace as a value shaped the idea of a unified Europe long before the EU came into being. Today the EU is widely criticized as an obstacle to sovereignty and for its democratic deficit. Seen in the long-range perspective of the history of peacemaking, however, this European society of states emerges as something else entirely: a step in the quest for a less violent world.

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The United States possesses extraordinary holdings of seventeenth-century Flemish paintings. In this pioneering and richly illustrated volume, twelve scholars and museum curators reveal the origins of these collections by examining the American approach to and interest in the collecting of Flemish art over the course of the nineteenth and twentieth centuries.Chronicling in lively detail the roles played by individuals in forming private and public collections, the essays in this volume illuminate how and why collectors and museums in the United States embraced the Flemish masters with such enthusiasm. They trace how the taste for specific genres and the appreciation for certain artists, in particular Peter Paul Rubens and Anthony van Dyck, changed over the years, and they explore the historical and cultural motivations behind these trends. In doing so, they consider the effect of the great bequests of Flemish paintings to American museums and examine the private collections of the main tastemakers for Flemish painting, including the Baltimore merchant Robert Gilmor; John Graver Johnson, the leading corporate lawyer of the Gilded Age; and the California oil magnate J. Paul Getty. Gorgeously illustrated with almost one hundred representative pieces, this important contribution to the scholarship on American collecting of Flemish art will interest art lovers and stimulate further research in the fields of art history and museum history.In addition to the editor, the contributors include Ronni Baer, Adam Eaker, Lance Humphries, George S. Keyes, Margaret R. Laster, Alexandra Libby, Louisa Wood Ruby, Dennis P. Weller, Arthur K. Wheelock, Marjorie Wieseman, and Anne T. Woollett.

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‘DARK AND DEVIOUS’ Stephen King ‘UTTERLY ENGROSSING’ Daily Mail ‘TWISTY AND RICHLY ATMOSPHERIC’ Ruth Ware ‘TIGHTLY PLOTTED AND UTTERLY GRIPPING' Sarah Pinborough ‘A HAUNTING THRILLER’ Women’s Weekly ‘TOTALLY ABSORBING’ T.M. Logan ‘AN UNSETTLING, LABYRINTHINE TALE’ New York Times____________________________________________________________________ One twin ran. The other vanished. Neither escaped… DON’T TRUST ANYONECat’s twin sister El has disappeared. But there’s one thing Cat is sure of: her sister isn’t dead. She would have felt it. She would have known. DON’T TRUST YOUR MEMORIESTo find her sister, Cat must return to their dark, crumbling childhood home and confront the horrors that wait there. Because it’s all coming back to Cat now: all the things she has buried, all the secrets she’s been running from. DON’T TRUST THIS STORY…The closer Cat comes to the truth, the closer to danger she is. Some things are better left in the past…________________________________________________________ ‘AN ADDICTIVE SLICE OF GOTHIC’ i paper ‘TOLD WITH THUMPING HEART AND EXTRAORDINARY TENDERNESS’ Kiran Millwood Hargrave ‘THE LOVE CHILD OF GILLIAN FLYNN AND STEPHEN KING’ Greer Hendricks READERS ARE FALLING IN LOVE WITH MIRRORLAND… ‘Dark, dazzling, full of surprises and perfectly executed’ Sheri K ‘An adult fairy tale, a domestic noir and a heartbreaker, all in one’ Rebecca W ‘Creepy as hell and absolutely brilliant’ Vikkie W ‘Poignant and compelling… What an imagination to have crafted such a story’ Carol C ‘A beautifully written story that holds you enthralled from first page to last’ Sarah M ‘This is a book that will keep you awake all night’ Maria P ‘Hugely compelling…I found the entire book officially unputdownable!’ Alexandra G

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'Anything can happen... You turn the pages wondering, 'Whatever next?''' - SFXPolly, an average, completely ordinary property lawyer, is convinced she's losing her mind. Someone keeps drinking her coffee. And talking to her clients. And doing her job. And when she goes to the dry cleaner's to pick up her dress for the party, it's not there. Not the dress - the dry cleaner's.And then there are the chickens who think they are people. Something strange is definitely going on - and it's going to take more than a magical ring to sort it out.A wonderfully quirky and comedic outing from the hugely talented Tom HoltBooks by Tom Holt: Walled Orchard Series Goatsong The Walled Orchard J.W. Wells & Co. Series The Portable Door In Your Dreams Earth, Air, Fire and Custard You Don't Have to Be Evil to Work Here, But It Helps The Better Mousetrap May Contain Traces of Magic Life, Liberty and the Pursuit of Sausages YouSpace Series Doughnut When It's A Jar The Outsorcerer's Apprentice The Good, the Bad and the Smug Novels Expecting Someone Taller Who's Afraid of Beowulf Flying Dutch Ye Gods! Overtime Here Comes the Sun Grailblazers Faust Among Equals Odds and Gods Djinn Rummy My Hero Paint your Dragon Open Sesame Wish you Were Here Alexander at World's End Only Human Snow White and the Seven Samurai Olympiad Valhalla Nothing But Blue Skies Falling SidewaysLittle PeopleSong for NeroMeadowlandBarkingBlonde BombshellThe Management Style of the Supreme BeingsAn Orc on the Wild Side

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One of the most innovative artists and thinkers of the first half of the 20th century, László Moholy-Nagy (1895-1946) emigrated to Britain after the forced closure of the Bauhaus, following his colleague Walter Gropius. This book examines the two years he spent in Britain in the mid-1930s before moving on to the United States - two intense years filled with commissions, collaborations, opportunities, disappointments, artistic exchanges and friendship.Moholy-Nagy was especially known in the UK as a photographer, his photos having previously been published in the Architectural Review. Although brief, Moholy-Nagy's English period represented the peak of his photographic activity. In Britain, he also worked as a graphic designer on books, advertisements and on London Transport posters. He worked as an art advisor for Simpsons' menswear store and designed publicity for the Isokon Furniture Company. He made a couple of documentary films – Lobsters and New Architecture at London Zoo and worked as a designer on Things to Come for Alexander Korda. As well as the films and photographic essays for the AR, he was introduced by John Betjeman to publisher John Miles, who commissioned him to illustrate three books: The Street Markets of London, Eton Portrait and An Oxford University Chest. He also worked with Gropius and Maxwell Fry on various exhibition designs, gave lectures and wrote articles throughout his stay, and The London Gallery held an exhibition of his work in January 1937. This highly visual book weaves together rarely seen images, documents and narrative to create a fascinating picture of the man and the artist during this critical and highly productive phase of his life.

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The Mathematician's Brain poses a provocative question about the world's most brilliant yet eccentric mathematical minds: were they brilliant because of their eccentricities or in spite of them? In this thought-provoking and entertaining book, David Ruelle, the well-known mathematical physicist who helped create chaos theory, gives us a rare insider's account of the celebrated mathematicians he has known-their quirks, oddities, personal tragedies, bad behavior, descents into madness, tragic ends, and the sublime, inexpressible beauty of their most breathtaking mathematical discoveries. Consider the case of British mathematician Alan Turing. Credited with cracking the German Enigma code during World War II and conceiving of the modern computer, he was convicted of "gross indecency" for a homosexual affair and died in 1954 after eating a cyanide-laced apple--his death was ruled a suicide, though rumors of assassination still linger. Ruelle holds nothing back in his revealing and deeply personal reflections on Turing and other fellow mathematicians, including Alexander Grothendieck, Rene Thom, Bernhard Riemann, and Felix Klein. But this book is more than a mathematical tell-all. Each chapter examines an important mathematical idea and the visionary minds behind it. Ruelle meaningfully explores the philosophical issues raised by each, offering insights into the truly unique and creative ways mathematicians think and showing how the mathematical setting is most favorable for asking philosophical questions about meaning, beauty, and the nature of reality. The Mathematician's Brain takes you inside the world--and heads--of mathematicians. It's a journey you won't soon forget.

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'Raw, elemental and beautiful.' Telegraph'This is quite simply the best book about motherhood I have ever read.' - Eleanor Mills in the Sunday Times Mother to five children, Clover Stroud has navigated family life across two decades, both losing and finding herself. In her touching, provocative and profoundly insightful book, she captures a sense of what motherhood really feels like - how intense, sensuous, joyful, boring, profound and dark it can be.My Wild and Sleepless Nights examines what it means to be a mother, and reveals with unflinching honesty the many conflicting emotions that this entails: the joy and the wonder, the loneliness and despair. MORE PRAISE FOR CLOVER STROUD:'Clover's expertise is writing about family life in a way that feels both new and entirely familiar' - Pandora Sykes'As tender, blazing, funny and unflinching as the love it describes. I want to give this triumphant book to every mother I know' - Rachel Joyce'Stroud is always willing to rip open her very soul in order to reveal the truth about her life - and every time a woman tells the truth like this, it sets another woman free' - Elizabeth Gilbert'I read in one greedy gulp and am still slightly reeling. Extraordinary writing... For mothers and those even vaguely interested in family dynamics it is fascinating' - Alexandra HeminsleyCharting the course of one year, the first in her youngest child's life, Clover searches for answers to questions that many of us would be too afraid to admit to - not only about motherhood, but also about female sexuality and identity. Her story will speak to all mothers, and anyone about to embark on that journey.

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An "effervescent" (Rachel Lynn Solomon) Christmas LGBTQIA+ New Adult RomCom, perfect for fans of Schitt's Creek and Red White & Royal Blue.Bring a little joy to the world?Not today, Santa.Matthew Prince is young, rich, and thoroughly spoiled. So what if his parents barely remember he exists and the press is totally obsessed with him? He's on top of the world. But one major PR misstep later, and Matthew is cut off and shipped away to spend the holidays in his grandparents' charming small town hellscape. Population: who cares?It's bad enough he's stuck in some festive winter wonderland-it's even worse that he has to share space with Hector Martinez, an obnoxiously attractive local who's unimpressed with anything and everything Matthew does.Just when it looks like the holiday season is bringing nothing but heated squabbles, the charity gala loses its coordinator and Matthew steps in as a saintly act to get home early on good behavior...with Hector as his maddening plus-one. But even a Grinch can't resist the unexpected joy of found family, and in the end, the forced proximity and infectious holiday cheer might be enough to make a lonely Prince's heart grow three sizes this year.People Are Raving About Timothy Janovsky:"This book made my queer heart so very full and deeply happy."-Anita Kelly"A cinematic daydream guaranteed to steal your heart."-Julian Winters"Wonderfully upbeat and sweet."-Suzanne Park"Full of hope and heart."-Alexandria Bellefleur"[A] fresh, sweet, and swoony love story that blends coming-of-age comedy with the nuances of exploring sexual identity."-Alison Cochrun

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An authoritative new history of the Roman conquest of Britain Why did Julius Caesar come to Britain? His own account suggests that he invaded to quell a resistance of Gallic sympathizers in the region of modern-day Kent -- but there must have been personal and divine aspirations behind the expeditions in 55 and 54 BCE. To the ancients, the Ocean was a body of water that circumscribed the known world, separating places like Britain from terra cognita, and no one, not even Alexander the Great, had crossed it. While Caesar came and saw, he did not conquer. In the words of the historian Tacitus, "he revealed, rather than bequeathed, Britain to Rome." For the next five hundred years, Caesar's revelation was Rome's remotest imperial bequest. Conquering the Ocean provides a new narrative of the Roman conquest of Britain, from the two campaigns of Caesar up until the construction of Hadrian's Wall across the Tyne-Solway isthmus during the 120s CE. Much of the ancient literary record portrays this period as a long march of Roman progress but recent archaeological discoveries reveal that there existed a strong resistance in Britain, Boudica's short lived revolt being the most celebrated of them, and that Roman success was by no means inevitable. Richard Hingley here draws upon an impressive array of new information from archaeological research and recent scholarship on the classical sources to provide a balanced picture of the military activities and strategies that led to the conquest and subjugation of Britain. Conquering the Ocean is the fullest picture to date of a chapter in Roman military history that continues to captivate the public.

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Christian Campbell takes us to dusk, what the French call l'heure entre chien et loup, the hour between dog and wolf, to explore ambiguity and intersection, danger and desire, loss and possibility. These poems of wild imagination shift shape and shift generation, remapping Caribbean, British and African American geographies: Oxford becomes Oxfraud; Shabba Ranks duets with Césaire; Sidney Poitier is reconsidered in an exam question; market women hawk poetry beside knock-off Gucci bags; elegies for ancestors are also for land and sea. Here is dancing at the crossroads between reverence and irreverence. Dusk is memory, dusk is dream, dusk is a way to re-imagine the past.Running the Dusk won the 2010 Aldeburgh First Collection Prize and was shortlisted for the 2010 Forward Poetry Prize for the Best First Book in the UK. It was also named a finalist for the Cave Canem Prize by Sonia Sanchez."Running the Dusk gives us a new voice for Caribbean arts and letters, and Christian Campbell is one of the few perfectly suited to accept this mantle. His poems don't address the obvious in a tumultuous, beautiful landscape of hearts and minds, personal and public rituals, but his voice dares to take a step beyond, to bridge the diaspora of the spirit. If you're holding Running the Dusk in your hands, you are lucky to be facing the gutsy work of a long-distance runner who possesses the wit and endurance, the staying power of authentic genius. This first collection is controlled beauty and strength, and the exhilaration of images and music encountered are necessary and believable. There's great celebration here."Yusef Komunyakaa, Pulitzer Prize-winning Poet and Global Distinguished Professor of English at NYU"A truly auspicious debut by a brilliant young writer of wide-open ear and versatile tongue. Campbell's imagery slices through fog; these poems are nourished by New World etymologies and old-school ways and wisdoms. His use of poetic form is drum-tight and yet these poems unfold like the infinity of a coast-line, sinuous and generous. In the black diaspora Campbell writes from and about, 'all angels have afros' and all poems are song. Running the Dusk is deep-souled, keen-eyed, knowing, honed, gorgeous. This is a heralding book we'll be talking about for a long time to come."Elizabeth Alexander, Obama's Inaugural Poet and Chair of African American Studies at Yale UniversityChristian Campbell studied at Oxford as a Rhodes Scholar. His poetry and essays have been published widely in the Caribbean, the United Kingdom and North America.

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It was on a Malibu beach in 1988 that Peter Lindbergh shot the White Shirts series, images now known the world over. Simple yet seminal, the photographs introduced us to Linda Evangelista, Christy Turlington, Rachel Williams, Karen Alexander, Tatjana Patitz, and Estelle Lefébure. This marked the beginning of an era that redefined beauty, and Lindbergh would go on to alter the landscape of fashion photography for the decades that followed. This book gathers more than 300 images from forty years of Lindbergh’s career. It traces the German photographer’s cinematic inflections and humanist approach, which produced images at once seductive and introspective. In 1980 Rei Kawakubo asked Lindbergh to shoot a Commes des Garçons campaign, one of his earlier forays into commercial photography. Kawakubo gave him carte blanche. The following years brought forth collaborations with the most venerated names in fashion and resulted in a relationship of mutual reverence; Lindbergh’s respect for some of the greatest designers of our time is palpable in his portraits. Among those photographed are Azzedine Alaïa, Giorgio Armani, Alber Elbaz, John Galliano, Jean Paul Gaultier, Karl Lagerfeld, Thierry Mugler, Yves Saint Laurent, Jil Sander, and Yohji Yamamoto. Widely considered a pioneer in his field, Lindbergh shirked the industry standards of beauty and instead celebrated the essence and individuality of his subjects. He was pivotal to the rise of models such as Kate Moss, Naomi Campbell, Linda Evangelista, Cindy Crawford, Mariacarla Boscono, Lara Stone, Claudia Schiffer, Amber Valletta, Nadja Auermann, and Kristen McMenamy. Lindbergh’s reach also extended across Hollywood and beyond: Cate Blanchett, Charlotte Rampling, Richard Gere, Isabelle Huppert, Nicole Kidman, Madonna, Brad Pitt, Catherine Deneuve, and Jeanne Moreau all appear in his works. From the picture chosen by Anna Wintour as the cover of her first Vogue issue to the legendary shot of Tina Turner on the Eiffel Tower, it is never the clothes, celebrity, or glamour that takes center stage in a Lindbergh photograph. Each picture conveys the humanity of its subject with a serene melancholy that is uniquely and unmistakably Lindbergh. From the outset of his career, Lindbergh was well-known in the contemporary art world, where his photographs were exhibited in galleries long before they appeared in magazines. This edition features an updated introduction adapted from an interview in 2016, allowing a glimpse behind Lindbergh’s lens, where the photographer recounts his early collaborations, the tenuous relationship between commercial and fine art, and the power of storytelling.

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A visit to a physician these days is cold: physicians spend most of their time typing at computers, making minimal eye contact. Appointments generally last only a few minutes, with scarce time for the doctor to connect to a patient's story, or explain how and why different procedures and treatments might be undertaken. As a result, errors abound: indeed, misdiagnosis is the fourth-leading cause of death in the United States, trailing only heart disease, cancer, and stroke. This is because, despite having access to more resources than ever, doctors are vulnerable not just to the economic demand to see more patients, but to distraction, burnout, data overload, and their own intrinsic biases. Physicians are simply overmatched. As Eric Topol argues in Deep Medicine, artificial intelligence can help. Natural-language processing could automatically record notes from our doctor visits; virtual psychiatrists could better predict the risk of suicide or other mental health issues for vulnerable patients; deep-learning software will make every physician a master diagnostician; and we could even use smartphone apps to take our own medical "selfies" for skin exams and receive immediate analysis. . On top of that, the virtual smartphone assistants of today--Alexa, Siri, Cortana--could analyze our daily health data to reduce the need for doctor visits and trips to the emergency room, and support for people suffering from asthma, epilepsy, and heart disease. By integrating tools like these into their daily medical practice, doctors would be able to spend less time collecting and cataloging information, and more time providing thorough, intimate, and meaningful care for their patients, as no machine can.Artificial intelligence can also help remedy the debilitating cost of healthcare, both for individuals and the economy writ large. The medical sector now absorbs 20 percent of the US gross domestic product--it is largest sector by dollars and jobs. And it's very inefficient. Take the cost of medical scans: There are over 20 million medical scans performed in the US every day, and an MRI, for example, costs hundreds to thousands of dollars. AI could process 260 million medical scans (more than 2 weeks' worth) in less than 24 hours for a cost of only $1000. We pay billions and billions of dollars for the same work today.The American health care system needs a serious reboot, and artificial intelligence is just the thing to press the restart button. As innovative as it is hopeful, Deep Medicine ultimately shows us how we can leverage artificial intelligence for better care at lower costs with more empathy, for the benefit of patients and physicians alike.

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'OH MY GOSH, THIS BOOK! UN-PUT-DOWN-ABLE! . . . It's been a long time since a book brought me such joy!' ⭐ ⭐ ⭐ ⭐ ⭐ reader review'The perfect slice of vacation in book form' ROSIE DANANFor fans of Christina Lauren and Sally Thorne, escape with Shipped - the whipsmart and escapist romantic comedy that celebrates the power of second chances and the magic of new beginnings.'A fun and flirty read - fuels the desire for romance, travel and escapism!' ⭐ ⭐ ⭐ ⭐ ⭐ reader review'Witty, romantic and perfect!!' ⭐ ⭐ ⭐ ⭐ ⭐ reader review*What would you do if your actual dream man turned out to be real? Preorder Angie Hockman's next fresh and funny rom-com, Dream On, now!*...............................................................Two arch-rivals. One promotion. Can they resist falling for one another in paradise?Marketing manager Henley Evans barely has time for herself, let alone family, friends, or dating. But when she's shortlisted for her dream promotion, the sacrifices finally seem worth it. If only Graeme Crawford-Collins, the remote social media manager/bane of her existence, wasn't also up for the position. Although they've never met in person, their epic email battles are the stuff of office legend. The task: draft a proposal on how to boost bookings in the Galápagos. The catch? They have to go on a company cruise . . . together. But when they meet on the ship, Henley is shocked to discover that the real Graeme is nothing like she imagined - and the line between loathing and liking is thinner than a postcard. With her career dreams in sight and a growing attraction to the competition, Henley begins questioning her life choices. Because what's the point of working all the time if you never actually live?...............................................................'Witty, romantic, and completely addictive' LAUREN LAYNE'Shipped is a sweet, sunny getaway of a novel' SARAH HOGLE'Shipped is exactly what we all need right now: a rollicking rom-com with a conscience' KRISTIN ROCKAWAY'Enchanting, hilarious and a perfectly delightful escape! I loved every second of this enemies-to-lovers romance' NINA BOCCI'Flirty and fun, with a starring couple you'll fall in love with, Shipped is an eco-conscious rom-com with great characters, lots of laughs, and a stunning location . . . I'm sold!' SARAH MORGENTHALER'Angie Hockman sparkles in this unputdownable enemies-to-lovers romance!' MIRANDA LIASSON'Shipped is the hilarious rom-com we all need right now' KERRY WINFREY'Shipped is the most wonderful escape! In this sweet, enemies to lovers rom-com, Angie Hockman seriously delivers. I can't wait to see what she brings us next!' ALEXA MARTIN

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This NKJV Large Print Thinline Bible is inviting to pick up and hard to put down. Unique to this edition, the words of Christ are highlighted in a restful blue ink that’s easy to read and colorblind-friendly.The slim design of the NKJV Large Print Thinline Reference Bible means you can bring it along, wherever your day takes you. This large print edition features Thomas Nelson’s NKJV Comfort Print®, designed to provide a smooth reading experience of the accurate and beautiful New King James Version. And with features including extensive cross-references, concordance, and full-color maps, you’ll still have the tools to get more out of God’s Word. Features include: Presentation page to personalize this special gift by recording a memory or a note Words of Christ in blue quickly identify verses spoken by Jesus Double column provides a nice readable flow of the text End-of-page cross-references and translator notes allow you to find related passages quickly and easily Concordance for finding a word’s occurrences throughout the Bible Full-color maps show a visual representation of Israel and other biblical locations for better context Durable Smyth-sewn binding lies flat in your hand or on your desk Two satin ribbon markers for you to easily navigate and keep track of where you are reading Elegant, gilded page-edge design Clear and readable 10-point NKJV Comfort Print About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.Trusted by millions of believers around the world, the NKJV remains a bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translator’s relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.

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This NKJV Large Print Thinline Bible is inviting to pick up and hard to put down. Unique to this edition, the words of Christ are highlighted in a restful blue ink that’s easy to read and colorblind-friendly.The slim design of the NKJV Large Print Thinline Reference Bible means you can bring it along, wherever your day takes you. This large print edition features Thomas Nelson’s NKJV Comfort Print®, designed to provide a smooth reading experience of the accurate and beautiful New King James Version. And with features including extensive cross-references, concordance, and full-color maps, you’ll still have the tools to get more out of God’s Word. Features include: Presentation page to personalize this special gift by recording a memory or a note Words of Christ in blue quickly identify verses spoken by Jesus Double column provides a nice readable flow of the text End-of-page cross-references and translator notes allow you to find related passages quickly and easily Concordance for finding a word’s occurrences throughout the Bible Full-color maps show a visual representation of Israel and other biblical locations for better context Durable Smyth-sewn binding lies flat in your hand or on your desk Two satin ribbon markers for you to easily navigate and keep track of where you are reading Elegant, gilded page-edge design Clear and readable 10-point NKJV Comfort Print About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.Trusted by millions of believers around the world, the NKJV remains a bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translator’s relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.

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THE UPLIFTING AND HEARTWARMING LOVE LETTER TO FAMILY AND THE GREAT OUTDOORS'Cox is a natural storyteller... she brings that authentic voice to bear in her memoir. The tone is so intimate, chatty and friendly, so you feel as though she could be sitting next to you' Hannah Beckerman, Daily Express'endearing, engaging and very funny' Mirror'Coxy's memoir about growing up on a farm is as funny as you'd expect, genuinely touching and has some excellent 80s and 90s details. Her love of animals is infectious' Alexandra Heminsley, Grazia'The book is like a big warm hug, full of local characters and misadventures' Sophie Heawood, Observer'Made me laugh out loud...I loved it!' Lynda La Plante'Glorious springtime, haystacks and a herd of cows can all be found in this' Sunday Times Bestseller 'Warm and witty' - ExpressA funny and heart-warming love letter to childhood, family and growing up.Till the Cows Come Home is DJ and TV presenter Sara Cox's wonderfully written, funny coming of age memoir of growing up in 1980s Lancashire. The youngest of five siblings, Sara grew up on her father's cattle farm surrounded by dogs, cows, horses, fields and lots of 'cack'. The lanky kid sister - half girl, half forehead - a nuisance to the older kids, the farm was her very own dangerous adventure playground, 'a Bolton version of Narnia'. Her writing conjures up a time of wagon rides and haymaking and agricultural shows, alongside chain smoking pensioners, cabaret nights at the Conservative club and benign parenting. Sara's love of family, of the animals and the people around them shines through on every page. Unforgettable characters are lovingly and expertly drawn bringing to life a time and place. Sara later divided her childhood days between the beloved farm and the pub she lived above with her mother, these early experiences of freedom and adventure came to be the perfect training ground for later life.This funny, big-hearted and often moving telling of Sara Cox's semi rural upbringing is not what you'd expect from the original ladette, and one of radio's most enduring and well loved presenters.

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'Satisfying and entertaining.' - RT Book Reviews'Entertaining.... Holt has a zany humor that will appeal to fans of Terry Pratchett and Christopher Moore.' - Library JournalA HAPPY WORKFORCE, IT IS SAID, IS A PRODUCTIVE WORKFORCE.Try telling that to an army of belligerent goblins. Or the Big Bad Wolf. Or a professional dragon slayer. Who is looking after their well-being? Who gives a damn about their intolerable working conditions, lack of adequate health insurance, and terrible coffee in the canteen?Thankfully, with access to an astonishingly diverse workforce and limitless natural resources, maximizing revenue and improving operating profit has never really been an issue for the one they call 'the Wizard.' Until now.Because now a perfectly good business model-based on sound fiscal planning, entrepreneurial flair, and only one or two of the infinite parallel worlds that make up our universe-is about to be disrupted by a young man not entirely aware of what's going on.There's also a slight risk that the fabric of reality will be torn to shreds. You really do have to be awfully careful with these things.A story of overlords, underlings and inhuman resources, The Outsorcerer's Apprentice isthe hilarious new novel from comic fantasist Tom Holt.Books by Tom Holt: Walled Orchard Series Goatsong The Walled Orchard J.W. Wells & Co. Series The Portable Door In Your Dreams Earth, Air, Fire and Custard You Don't Have to Be Evil to Work Here, But It Helps The Better Mousetrap May Contain Traces of Magic Life, Liberty and the Pursuit of Sausages YouSpace Series Doughnut When It's A Jar The Outsorcerer's Apprentice The Good, the Bad and the Smug Novels Expecting Someone Taller Who's Afraid of Beowulf Flying Dutch Ye Gods! Overtime Here Comes the Sun Grailblazers Faust Among Equals Odds and Gods Djinn Rummy My Hero Paint your Dragon Open Sesame Wish you Were Here Alexander at World's End Only Human Snow White and the Seven Samurai Olympiad Valhalla Nothing But Blue Skies Falling SidewaysLittle PeopleSong for NeroMeadowlandBarkingBlonde BombshellThe Management Style of the Supreme BeingsAn Orc on the Wild Side

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These essays offer a historically rigorous dismantling of Western claims about the superiority of celibate priests. Although celibacy is often seen as a distinctive feature of the Catholic priesthood, both Catholic and Orthodox Churches in fact have rich and diverse traditions of married priests. The essays contained in Married Priests in the Catholic Church offer the most comprehensive treatment of these traditions to date. These essays, written by a wide-ranging group that includes historians, pastors, theologians, canon lawyers, and the wives and children of married Roman Catholic, Eastern Catholic, and Eastern Orthodox priests, offer diverse perspectives from many countries and traditions on the subject, including personal, historical, theological, and canonical accounts. As a collection, these essays push especially against two tendencies in thinking about married priesthood today. Against the idea that a married priesthood would solve every problem in Catholic clerical culture, this collection deromanticizes and demythologizes the notion of married priesthood. At the same time, against distinctively modern theological trends that posit the superiority, apostolicity, and “ontological” necessity of celibate priests, this collection refutes the claim that priestly ordination and celibacy must be so closely linked. In addressing the topic of married priesthood from both practical and theoretical angles, and by drawing on a variety of perspectives, Married Priests in the Catholic Church will be of interest to a wide audience, including historians, theologians, canon lawyers, and seminary professors and formators, as well as pastors, parish leaders, and laypeople. Contributors: Adam A. J. DeVille, David G. Hunter, Dellas Oliver Herbel, James S. Dutko, Patrick Viscuso, Alexander M. Laschuk, John Hunwicke, Edwin Barnes, Peter Galadza, David Meinzen, Julian Hayda, Irene Galadza, Nicholas Denysenko, William C. Mills, Andrew Jarmus, Thomas J. Loya, Lawrence Cross, and Basilio Petrà.

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These essays offer a historically rigorous dismantling of Western claims about the superiority of celibate priests. Although celibacy is often seen as a distinctive feature of the Catholic priesthood, both Catholic and Orthodox Churches in fact have rich and diverse traditions of married priests. The essays contained in Married Priests in the Catholic Church offer the most comprehensive treatment of these traditions to date. These essays, written by a wide-ranging group that includes historians, pastors, theologians, canon lawyers, and the wives and children of married Roman Catholic, Eastern Catholic, and Eastern Orthodox priests, offer diverse perspectives from many countries and traditions on the subject, including personal, historical, theological, and canonical accounts. As a collection, these essays push especially against two tendencies in thinking about married priesthood today. Against the idea that a married priesthood would solve every problem in Catholic clerical culture, this collection deromanticizes and demythologizes the notion of married priesthood. At the same time, against distinctively modern theological trends that posit the superiority, apostolicity, and “ontological” necessity of celibate priests, this collection refutes the claim that priestly ordination and celibacy must be so closely linked. In addressing the topic of married priesthood from both practical and theoretical angles, and by drawing on a variety of perspectives, Married Priests in the Catholic Church will be of interest to a wide audience, including historians, theologians, canon lawyers, and seminary professors and formators, as well as pastors, parish leaders, and laypeople. Contributors: Adam A. J. DeVille, David G. Hunter, Dellas Oliver Herbel, James S. Dutko, Patrick Viscuso, Alexander M. Laschuk, John Hunwicke, Edwin Barnes, Peter Galadza, David Meinzen, Julian Hayda, Irene Galadza, Nicholas Denysenko, William C. Mills, Andrew Jarmus, Thomas J. Loya, Lawrence Cross, and Basilio Petrà.

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‘We must reveal the truth – it’s our duty. The world must know what is going on here … We have to carry on reporting. This is what keeps me going: reporting so that the world will never forget.’ – Asami Terajima, reporter for The Kyiv IndependentHow does a newsroom, made up of young journalists, find itself in a war zone overnight? How do you do your job as a correspondent when the conflict is literally on your doorstep?One member of The Kyiv Independent’s young editorial staff was covering the business world in Ukraine, another was reporting on entertainment, while a third was dealing with geopolitics, when the Russian army crossed the border. They made the choice to stay: to face head-on the uncertainty of living and working in an active war zone. The power cuts, threat to life, trips to shelters, lethal attacks – despite it all, they keep informing.In War Diary of the Ukrainian Resistance, they share their work on the war that is ravaging their country. Combining articles published during the conflict with personal accounts, they give us an unprecedented inside look at the reality of the Russian invasion and its consequences.Everyone has a part to play in the resistance; reporting the truth is theirs. Their names are Alexander, Anastasiia, Anna, Artur, Asami, Daria, Daryna, Dinara, Francis, Igor, Illia, Iryna, Kostyantyn, Liza, Natalia, Oleg, Oleksiy, Olena, Olga, Thaisa, Toma, Veronika and Zakhar. Their lives will never be the same again. Nor will ours.

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The Great, the Pious, the Fair; the Wise, the Lame, the Mad. Imprisoned, deposed, exiled. Excommunicated, assassinated; devout, debauched; loved, loathed — the Middle Ages produced a fascinating array of monarchs. From Britain to Russia, from Scandinavia to Sicily, from the 9th century CE to the completion of the Reconquista of Spain in 1492, Kings & Queens of the Medieval World explores the captivating stories of monarchs from all across Europe. Arranged thematically, the book groups the kings and queens by their achievements – military leaders, law-makers, religious reformers, patrons of the arts. These are stories of monarchs leading their armies into battle to expand or defend their territory, and of kings – and queens – going on crusade – both within Europe and to the Holy Land. These, too, are stories of, on the one hand, countries united by marriage, and, on the other, sons scheming against fathers in an effort to gain – and maintain – power. And yet these are also the stories of the people who constructed beautiful cathedrals, who founded universities and supported artists, of religious kings who were later canonised, of kings who created more just legal systems, established parliaments and permanent armies, and laid the foundations for more modern governments and societies. Featuring the major European dynasties, Kings & Queens of the Medieval World is a lively account of monarchs from Charlemagne to Alexander Nevsky to Ferdinand and Isabella. Illustrated with 180 colour and black-and-white artworks, photographs and maps, this is a colourful, accessible history.

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Bringing fresh insight to a century of writing by Native AmericansThe Political Arrays of American Indian Literary History challenges conventional views of the past one hundred years of Native American writing, bringing Native American Renaissance and post-Renaissance writers into conversation with their predecessors. Addressing the political positions such writers have adopted, explored, and debated in their work, James H. Cox counters what he considers a “flattening” of the politics of American Indian literary expression and sets forth a new method of reading Native literature in a vexingly politicized context. Examining both canonical and lesser-known writers, Cox proposes that scholars approach these texts as “political arrays”: confounding but also generative collisions of conservative, moderate, and progressive ideas that together constitute the rich political landscape of American Indian literary history. Reviewing a broad range of genres including journalism, short fiction, drama, screenplays, personal letters, and detective fiction—by Lynn Riggs, Will Rogers, Sherman Alexie, Thomas King, Leslie Marmon Silko, Louise Erdrich, Winona LaDuke, Carole laFavor, and N. Scott Momaday—he demonstrates that Native texts resist efforts to be read as advocating a particular set of politicsMeticulously researched, The Political Arrays of American Indian Literary History represents a compelling case for reconceptualizing the Native American Renaissance as a literary–historical constellation. By focusing on post-1968 Native writers and texts, argues Cox, critics have often missed how earlier writers were similarly entangled, hopeful, frustrated, contradictory, and unpredictable in their political engagements.

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To help students think critically about international relations and politics, Stephen Benedict Dyson examines the fictional but deeply political realities of three television shows: Star Trek, Game of Thrones, and Battlestar Galactica. Deeply familiar with the events, themes, characters, and plot lines of these popular shows, students can easily draw parallels from fictive worlds to contemporary international relations and political scenarios. In Dyson's experience, this engagement is frequently powerful enough to push classroom conversations out into the hallways and onto online discussion boards. In Otherworldly Politics, Dyson explains how these shows are plotted to offer alternative histories and future possibilities for humanity. Fascinated by politics and history, science fiction and fantasy screenwriters and showrunners suffuse their scripts with real-world ideas of empire, war, civilization, and culture, lending episodes a compelling intricacy and contemporary resonance. Dyson argues that science fiction and fantasy television creators share a fundamental kinship with great minds in international relations. Creators like Gene Roddenberry, George R. R. Martin, and Ronald D. Moore are world-builders of no lesser creativity, Dyson argues, than theorists such as Woodrow Wilson, Kenneth Waltz, and Alexander Wendt. Each of these thinkers imagines a realm, specifies the rules of its operation, and by so doing seeks to teach us something about ourselves and how we interact with one another. A vital spur to creative thinking for scholars and an accessible introduction for students, this book will also appeal to fans of these three influential shows.

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Drawing on more than 20 years of archaeological study and investigation at Zawiyet Umm el-Rakham by a team from the University of Liverpool (led by Professor Steven Snape), this book paints a nuanced picture of daily life not only at this liminal military site, but also in Ramesside Egypt more broadly. Constructed during the reign of Ramesses II, the fortified settlement was situated 300 kilometres west of Alexandria and represents the furthest western outpost of the Egyptian New Kingdom empire. Excavations in Area K of the fortress have uncovered extensive evidence for the living arrangements, minor industries, food production and daily life of the fort’s inhabitants. This previously unpublished material forms the bedrock of this volume, which focuses on analysing the various subsistence and craft production strategies that were conducted alongside each other in this area, from baking, brewing and butchery to lithics working, bone-carving and weaving. These traces of the activities of the soldiers and their families shed new light on what life was like at this military installation and for ordinary Egyptians more widely, shifting away from a focus on elite social groups. The archaeological evidence covered in this book prompts a re-evaluation of the realities of the relationship between Egyptians and Libyans at the close of the Late Bronze Age. The purpose of the fortress' construction was primarily defensive, however the surviving material points to co-operation by means of collaborative farming and trading, and provides a direct counterpoint to the more belligerent contemporary royal monumental inscriptions describing Egypto-Libyan relations.

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Can ecstatic experiences be studied with the academic instruments of rational investigation? What kinds of religious illumination are experienced by academically minded people? And what is the specific nature of the knowledge of God that university theologians of the Middle Ages enjoyed compared with other modes of knowing God, such as rapture, prophecy, the beatific vision, or simple faith? Ecstasy in the Classroom explores the interface between academic theology and ecstatic experience in the first half of the thirteenth century, formative years in the history of the University of Paris, medieval Europe’s “fountain of knowledge.” It considers little-known texts by William of Auxerre, Philip the Chancellor, William of Auvergne, Alexander of Hales, and other theologians of this community, thus creating a group portrait of a scholarly discourse. It seeks to do three things. The first is to map and analyze the scholastic discourse about rapture and other modes of cognition in the first half of the thirteenth century. The second is to explicate the perception of the self that these modes imply: the possibility of transformation and the complex structure of the soul and its habits. The third is to read these discussions as a window on the predicaments of a newborn community of medieval professionals and thereby elucidate foundational tensions in the emergent academic culture and its social and cultural context. Juxtaposing scholastic questions with scenes of contemporary courtly romances and reading Aristotle’s Analytics alongside hagiographical anecdotes, Ecstasy in the Classroom challenges the often rigid historiographical boundaries between scholastic thought and its institutional and cultural context.

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The extraordinary life story of the celebrated artist and writer, as told through four decades of intimate letters to her beloved motherBarbara Chase-Riboud has led a remarkable life. After graduating from Yale’s School of Design and Architecture, she moved to Europe and spent decades traveling the world and living at the center of artistic, literary, and political circles. She became a renowned artist whose work is now in museum collections around the world. Later, she also became an award-winning poet and bestselling novelist. And along the way, she met many luminaries—from Henri Cartier-Bresson, Salvador Dalí, Alexander Calder, James Baldwin, and Mao Zedong to Toni Morrison, Pierre Cardin, Jacqueline Kennedy Onassis, and Josephine Baker.I Always Knew is an intimate and vivid portrait of Chase-Riboud’s life as told through the letters she wrote to her mother, Vivian Mae, between 1957 and 1991. In candid detail, Chase-Riboud tells her mother about her life in Europe, her work as an artist, her romances, and her journeys around the world, from Western and Eastern Europe to the Middle East, Africa, the Soviet Union, China, and Mongolia.By turns brilliant and naïve, passionate and tender, poignant and funny, these letters show Chase-Riboud in the process of becoming who she is and who she might become. But what emerges most of all is the powerful story of a unique and remarkable relationship between a talented, ambitious, and courageous daughter and her adored mother.

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This volume includes: Olga Levaniouk, “The Dreams of Barčin and Penelope”; Paul K. Hosle, “Bacchylides’ Theseus and Vergil’s Aristaeus”; Vayos Liapis, “Arion and the Dolphin: Apollo Delphinios and Maritime Networks in Herodotus”; Nino Luraghi, “The Peloponnesian Peace: Herodotus, Thucydides, and the Ideology of the Peace of Nikias”; Andrea Capra, “The Staging and Meaning of Aristophanes’ Assemblywomen”; Konstantine Panegyres, “Moses, Pharaoh, and the Waters of the Nile: Artapanus FGrHist 726 F 3”; Roy D. Kotansky, “Underworld and Celestial Eschatologies in the ‘Orphic’ Gold Leaves”; Vittorio Remo Danovi, “New Citations from the Libri Etruscorum and Varro in Vergilian Scholia”; T. H. M. Gellar-Goad, “Tears and Personified Nature in Juvenal 15.131–140 and Lucretius 3.931–962”; Tristan Power, “Textual Conjectures on Catullus 55.9-12”; Francesco Rotiroti, “From Beneficent God to Maddened Bull: The Shepherd of Men in the Works of Virgil”; J. S. C. Eidinow, “The Critic and the Farmer: Horace, Maecenas, and Virgil in Horace Carm. 1.1”; Shirley Werner, “The Rules of the Game: Imitation and Mimesis in Horace Epistles 1.19”; Francis Newton, “Ovid Met. 1: Jupiter’s Plebeians, the Titles of Augustus, and the Poet’s Exile”; Simona Martorana, “Omission and Allusion: When Statius’ Hypsipyle Reads Ovid’s Heroides 6”; Michael Zellmann-Rohrer, “The Chronokratores in Greek Astrology, in Light of a New Papyrus Text: Oxford, Bodl. MS Gr. Class. B 24 (P) 1–2”; Konstantine Panegyres, “ΒΟΜΒΟΣ: Heliodorus Aethiopica 9.17.1”; Andrew C. Johnston, “Aemilius and the Crown: Rome and the Hellenistic World of the Alexander Romance.”

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Ableism, a form of discrimination that elevates “able” bodies over those perceived as less capable, remains one of the most widespread areas of systematic and explicit discrimination in Western culture. Yet in contrast to the substantial body of scholarly work on racism, sexism, classism, and heterosexism, ableism remains undertheorized and underexposed. In this book, James L. Cherney takes a rhetorical approach to the study of ableism to reveal how it has worked its way into our everyday understanding of disability.Ableist Rhetoric argues that ableism is learned and transmitted through the ways we speak about those with disabilities. Through a series of textual case studies, Cherney identifies three rhetorical norms that help illustrate the widespread influence of ableist ideas in society. He explores the notion that “deviance is evil” by analyzing the possession narratives of Cotton Mather and the modern horror touchstone The Exorcist. He then considers whether “normal is natural” in Aristotle’s Generation of Animals and in the cultural debate over cochlear implants. Finally, he shows how the norm “body is able” operates in Alexander Graham Bell’s writings on eugenics and in the legal cases brought by disabled athletes Casey Martin and Oscar Pistorius. These three simple equivalencies play complex roles within the social institutions of religion, medicine, law, and sport. Cherney concludes by calling for a rhetorical model of disability, which, he argues, will provide a shift in orientation to challenge ableism’s epistemic, ideological, and visual components. Accessible and compelling, this groundbreaking book will appeal to scholars of rhetoric and of disability studies as well as to disability rights advocates.

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