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Youth in Revolutionary Russia: Enthusiasts, Bohemians, DelinquentsAnne E. GorsuchA vivid account of Bolshevik efforts to "Sovietize" young people in the 1920s."A very impressive work—broad, learned, and very readable." —Lynn Mally"A welcome and fascinating addition to the social and cultural history of the 1920s in Russia and to the comparative study of youth politics and culture in contemporary Europe and elsewhere." —Mark von HagenIn Bolshevik Russia, the successful transformation of young people into communists was crucial for the future of the Soviet state. Soviet youth needed to be shaped into communists in every aspect of their daily lives—work, leisure, gender relations, and family life. But how could the Bolsheviks accomplish this enormous project? What did it mean to be "made communist"? What were the consequences if prerevolutionary and "bourgeois" culture and social relations could not be transformed into new socialist forms of behavior and belief? Drawing from a wide range of sources—diaries, party speeches, propagandistic writings, scientific studies, and literature—Anne E. Gorsuch reveals the rich diversity of youth cultures in Soviet Russia during the 1920s. She explores the relationship between representation and reality and between official ideology and popular culture, along with the meaning of these relationships for the making of a Soviet state and society. From the clash between ultracommunist visions of what Russian young people should be and the flamboyant style of flappers and foxtrotters so prominently imported from the capitalist West, emerges a vivid picture of the construction of Soviet youth. Thoughtful and appealing, Youth in Revoluntionary Russia is essential reading for those interested in popular culture and Soviet history. Anne E. Gorsuch is Assistant Professor of History at the University of British Columbia.Indiana-Michigan Series in Russian and East European Studies—Alexander Rabinowitch and William G. Rosenberg, editorsContentsIntroduction: Youth and CultureThe Politics of Generation The Urban EnvironmentMaking Youth CommunistExcesses of EnthusiasmGender and GenerationFlappers and FoxtrottersLife and Leisure on the StreetDiscourses of DelinquencyEpilogue

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In 102 full-color maps spread over 175 pages, the Barrington Atlas re-creates the entire world of the Greeks and Romans from the British Isles to the Indian subcontinent and deep into North Africa. It spans the territory of more than 75 modern countries. Its large format (13 1/4 x 18 in. or 33.7 x 46.4 cm) has been custom-designed by the leading cartographic supplier, MapQuest.com, Inc., and is unrivaled for range, clarity, and detail. Over 70 experts, aided by an equal number of consultants, have worked from satellite-generated aeronautical charts to return the modern landscape to its ancient appearance, and to mark ancient names and features in accordance with the most up-to-date historical scholarship and archaeological discoveries. Chronologically, the Barrington Atlas spans archaic Greece to the Late Roman Empire, and no more than two standard scales (1:500,000 and 1:1,000,000) are used to represent most regions. Since the 1870s, all attempts to map the classical world comprehensively have failed. The Barrington Atlas has finally achieved that elusive and challenging goal. It began in 1988 at the University of North Carolina, Chapel Hill, under the direction of the distinguished ancient historian Richard Talbert, and has been developed with approximately $4.5 million in funding support. The resulting Barrington Atlas is a reference work of permanent value. It has an exceptionally broad appeal to everyone worldwide with an interest in the ancient Greeks and Romans, the lands they penetrated, and the peoples and cultures they encountered in Europe, North Africa, and Western Asia. Scholars and libraries should find it essential. It is also for students, travelers, lovers of fine cartography, and anyone eager to retrace Alexander's eastward marches, cross the Alps with Hannibal, traverse the Eastern Mediterranean with St. Paul, or ponder the roads, aqueducts, and defense works of the Roman Empire. For the new millennium the Barrington Atlas brings the ancient past back to life in an unforgettably vivid and inspiring way. Map-by-Map Directory A Map-by-Map Directory to the Barrington Atlas is available online (http://press.princeton.edu/B_ATLAS/B_ATLAS.PDF) and in a separate two-volume print edition of close to 1,500 pages. The Directory is designed to provide information about every place or feature in the Barrington Atlas. The section for each map comprises: * a concise text drawing attention to special difficulties in mapping a region, such as extensive landscape change since antiquity, or uneven modern exploration.* a listing of every name and feature on the map, with basic data about the period of occupation, the modern equivalents of ancient placenames, the modern country within which they are located, and brief references to relevant ancient testimony or modern studies.* a bibliography of works cited. The Map-by-Map Directory is an essential accompaniment to the Barrington Atlas. As a uniquely rich, comprehensive, up-to-date distillation of evidence and scholarship, it has no match elsewhere and opens the way to an immense variety of further research initiatives

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After darkness, there is always lightIn a time of increasing uncertainty, Rethink offers a guide to a much-needed global 'reset moment', with leading international figures giving us glimpses of a better future after the pandemic. Each contribution explores a different aspect of public and private life that can be re-examined - from Pope Francis on poverty and the Dalai Lama on the role of ancient wisdom to Brenda Hale on the courts and Tara Westover on the education divide; from Elif Shafak on uncertainty and Steven Pinker on Human Nature to Xine Yao on masks and Jarvis Cocker on environmental revolution. Collectively, they offer a roadmap for positive change after a year of unprecedented hardship.Based on the hit BBC podcast, and with introductions by presenter and journalist Amol Rajan, Rethink gives us the opportunity to consider what a better world might look like and reaffirms that after darkness there is always light.RETHINK List of contributorsWHO WE ARECarlo Rovelli - Rethinking HumanityPope Francis - Rethinking PovertyPeter Hennessy - Rethinking DemocracyAnand Giridharadas - Rethinking CapitalismJared Diamond - Rethinking a Global ResponseZiauddin Sardar - Rethinking NormalityThe Dalai Lama - Rethinking Ancient WisdomC.K. Lal - Rethinking InstitutionsJarvis Cocker - Rethinking an Environmental RevolutionClare Chambers - Rethinking the BodySteven Pinker - Rethinking Human NatureTom Rivett-Carnac - Rethinking HistoryJonathan Sumption - Rethinking the StateWHAT WE DODavid Skelton - Rethinking IndustryEmma Griffin - Rethinking WorkCaleb Femi - Rethinking EducationGina McCarthy - Rethinking ActivismTara Westover - Rethinking the Education DivideKwame Anthony Appiah - Rethinking the Power of Small ActionsCharlotte Lydia Riley - Rethinking UniversitiesK.K. Shailaja - Rethinking DevelopmentSamantha Power - Rethinking Global GovernanceKT Tunstall - Rethinking the Music IndustryRebecca Adlington - Rethinking the Athlete's LifeBrenda Hale - Rethinking the CourtsNisha Katona - Rethinking HospitalityKatherine Granger - Rethinking the OlympicsDavid Graeber - Rethinking JobsJames Harding - Rethinking NewsCarolyn McCall Rethinking TelevisionHOW WE FEELMohammad Hanif - Rethinking IntimacyH.R. McMaster - Rethinking EmpathyCarol Cooper - Rethinking Racial EqualityPaul Krugman - Rethinking SolidarityAmonge Sinxoto - Rethinking SafetyReed Hastings - Rethinking TogethernessKang Kyung-wha - Rethinking AccountabilityLucy Jones - Rethinking BiophiliaColin Jackson - Rethinking Our Responsibility for Our HealthMirabelle Morah - Rethinking OurselvesNicci Gerrard - Rethinking Old AgeBrian Eno - Rethinking the WinnersJude Browne - Rethinking ResponsibilityElif Shafak Rethinking UncertaintyHOW WE LIVEAmanda Levete - Rethinking How We LiveNiall Ferguson - Rethinking ProgressDavid Wallace-Wells - Rethinking ConsensusMargaret MacMillan - Rethinking International CooperationHRH The Prince of Wales - Rethinking NatureOnora O'Neill - Rethinking Digital PowerMatthew Walker - Rethinking SleepHenry Dimbleby - Rethinking How We EatEliza Manningham-Buller - Rethinking Health InequalityPascal Soriot - Rethinking Medical Co-operationXine Yao - Rethinking MasksGeorge Soros - Rethinking DebtMariana Mazzucato - Rethinking ValueDouglas Alexander - Rethinking Economic DignityWHERE WE GOPeter Frankopan - Rethinking AsiaStuart Russell - Rethinking AIDeRay McKesson - Rethinking the ImpossibleV.S. Ramachandran - Rethinking BrainsSeb Emina - Rethinking TravelAaron Bastani - Rethinking an Aging PopulationRana Foroohar - Rethinking DataAnthony Townsend - Rethinking Robots

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***A Best Book of 2022, The Times******Book of the Year, Spectator***A myth-busting biography of Henrietta Maria, wife of Charles I, which retells the dramatic story of the civil war from her perspectiveHenrietta Maria, Charles I's queen, is the most reviled consort to have worn the crown of Britain's three kingdoms. Condemned as that 'Popish brat of France', a 'notorious whore' and traitor, she remains in popular memory the wife who wore the breeches and turned her husband Catholic - so causing a civil war - and a cruel and bigoted mother.Leanda de Lisle's White King was hailed as 'the definitive modern biography about Charles I' (Observer). Here she considers Henrietta Maria's point of view, unpicking the myths to reveal a very different queen. We meet a new bride who enjoyed annoying her uptight husband, a leader of fashion in clothes and cultural matters, an innovative builder and gardener and an advocate of the female voice in public affairs. No bigot, her closest friends included 'Puritans' as well as Catholics, and she led the anti-Spanish faction at court linked to the Protestant cause in the Thirty Years' War. When civil war came, the strategic planning and fundraising of his 'She Generalissimo' proved crucial to Charles's campaign.The story takes us to courts across Europe, and looks at the fate of Henrietta Maria's mother and sisters, who also faced civil wars. Her estrangement from her son Henry is explained, and the image of the Restoration queen as an irrelevant crone is replaced with Henrietta Maria as an influential 'phoenix queen', presiding over a court with 'more mirth' even than that of the Merry Monarch, Charles II.It is time to look again at this despised queen and judge if she is not in fact one of our most remarkable.'this is revisionist history at its absolute best' ANDREW ROBERTS'beautifully written and endlessly fascinating' ALEXANDER LARMAN'popular history of the finest kind' RONALD HUTTON

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With engaging wit and subtle irony, Albert Hirschman maps the diffuse and treacherous world of reactionary rhetoric in which conservative public figures, thinkers, and polemicists have been arguing against progressive agendas and reforms for the past two hundred years.Hirschman draws his examples from three successive waves of reactive thought that arose in response to the liberal ideas of the French Revolution and the Declaration of the Rights of Man, to democratization and the drive toward universal suffrage in the nineteenth century, and to the welfare state in our own century. In each case he identifies three principal arguments invariably used: (1) the perversity thesis, whereby any action to improve some feature of the political, social, or economic order is alleged to result in the exact opposite of what was intended; (2) the futility thesis, which predicts that attempts at social transformation will produce no effects whatever—will simply be incapable of making a dent in the status quo; (3) the jeopardy thesis, holding that the cost of the proposed reform is unacceptable because it will endanger previous hard-won accomplishments. He illustrates these propositions by citing writers across the centuries from Alexis de Tocqueville to George Stigler, Herbert Spencer to Jay Forrester, Edmund Burke to Charles Murray. Finally, in a lightning turnabout, he shows that progressives are frequently apt to employ closely related rhetorical postures, which are as biased as their reactionary counterparts. For those who aspire to the genuine dialogue that characterizes a truly democratic society, Hirschman points out that both types of rhetoric function, in effect, as contraptions designed to make debate impossible. In the process, his book makes an original contribution to democratic thought.The Rhetoric of Reaction is a delightful handbook for all discussions of public affairs, the welfare state, and the history of social, economic, and political thought, whether conducted by ordinary citizens or academics.

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Conceived in the aftermath of the American Civil War and the grief that swept France over the assassination of Abraham Lincoln, the Statue of Liberty has been a potent symbol of the nation's highest ideals since it was unveiled in 1886. Dramatically situated on Bedloe's Island (now Liberty Island) in the harbor of New York City, the statue has served as a reminder for generations of immigrants of America's long tradition as an asylum for the poor and the persecuted. Although it is among the most famous sculptures in the world, the story of its creation is little known. In Enlightening the World, Yasmin Sabina Khan provides a fascinating new account of the design of the statue and the lives of the people who created it, along with the tumultuous events in France and the United States that influenced them. Khan's narrative begins on the battlefields of Gettysburg, where Lincoln framed the Civil War as a conflict testing whether a nation "conceived in liberty, and dedicated to the proposition that all men are created equal... can long endure." People around the world agreed with Lincoln that this question—and the fate of the Union itself—affected the "whole family of man." Inspired by the Union's victory and stunned by Lincoln's death, Édouard-René Lefebvre de Laboulaye, a legal scholar and noted proponent of friendship between his native France and the United States, conceived of a monument to liberty and the exemplary form of government established by the young nation. For Laboulaye and all of France, the statue would be called La Liberté Éclairant le Monde—Liberty Enlightening the World. Following the statue's twenty-year journey from concept to construction, Khan reveals in brilliant detail the intersecting lives that led to the realization of Laboulaye's dream: the Marquis de Lafayette; Alexis de Tocqueville; the sculptor Auguste Bartholdi, whose commitment to liberty and self-government was heightened by his experience of the Franco-Prussian War; the architect Richard Morris Hunt, the first American to study architecture at the prestigious École des Beaux-Arts in Paris; and the engineer Gustave Eiffel, who pushed the limits for large-scale metal construction. Also here are the contributions of such figures as Senators Charles Sumner and Carl Schurz, the artist John La Farge, the poet Emma Lazarus, and the publisher Joseph Pulitzer. While exploring the creation of the statue, Khan points to possible sources—several previously unexamined—for the design. She links the statue's crown of rays with Benjamin Franklin's image of the rising sun and makes a clear connection between the broken chain under Lady Liberty's foot and the abolition of slavery. Through the rich story of this remarkable national monument, Enlightening the World celebrates both a work of human accomplishment and the vitality of liberty.

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**A Jennette McCurdy book club pick** **Cosmopolitan, The 20 best books to look forward to in 2024** **An Independent Book of the Month** 'I loved it: the fast pace, the wry protagonist, and how Brody painfully examines the measures we take to find closure' Jennette McCurdy 'A brilliant, dark debut about grief and the way in which the internet can magnify mania' Mail on Sunday 'I fell down Rabbit Hole in an obsessive spiral' Kate Reed Petty 'A twisty, pacy crime thriller' independent.co.uk 'A mindblowing debut' Heather Darwent 'A gritty tale of grief, family secrets and addiction' Observer ________________________________ A deliciously dark and twisted debut about family secrets, true crime, and destructive obsession – by a striking new talent Teddy Angstrom is no stranger to morbid public interest in her family’s tragedies. And when her father dies suddenly, ten years to the day after her sister Angie’s disappearance, she intends to maintain as much privacy as she always has. Clearing out her father’s office, however, Teddy discovers her father’s double life: a decade-long investigation into wild conspiracies from a Reddit community of true crime fans fixated on Angie. Repelled and compelled in equal measure by this new online dimension, Teddy finds herself falling down that same rabbit hole. So when nineteen-year-old Mickey, a charming amateur internet sleuth, materialises in real life, Teddy determines that the two of them are going to team up to find out what really happened to Angie – and whether there’s any chance she might still be alive. But as she struggles to reconcile new information with old memories, Teddy doesn’t notice that her obsession is making her increasingly self-destructive. And she’s in way over her head before she’s realises that Mickey, too, is not all she seems… Noirish, haunting and razor-sharp, as compulsive as a late-night Reddit binge, Rabbit Hole is an unforgettable debut about violence, family and grief. 'A smart and edgy mystery that kept me turning pages from start to finish' Alexis Schaitkin ‘I absolutely loved this book … I couldn't put it down’ Ainslie Hogarth 'An unputdownable debut from a writer I would follow anywhere' Allie Rowbottom

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This NKJV Large Print Thinline Bible is inviting to pick up and hard to put down. Unique to this edition, the words of Christ are highlighted in a restful blue ink that’s easy to read and colorblind-friendly.The slim design of the NKJV Large Print Thinline Reference Bible means you can bring it along, wherever your day takes you. This large print edition features Thomas Nelson’s NKJV Comfort Print®, designed to provide a smooth reading experience of the accurate and beautiful New King James Version. And with features including extensive cross-references, concordance, and full-color maps, you’ll still have the tools to get more out of God’s Word. Features include: Presentation page to personalize this special gift by recording a memory or a note Words of Christ in blue quickly identify verses spoken by Jesus Double column provides a nice readable flow of the text End-of-page cross-references and translator notes allow you to find related passages quickly and easily Concordance for finding a word’s occurrences throughout the Bible Full-color maps show a visual representation of Israel and other biblical locations for better context Durable Smyth-sewn binding lies flat in your hand or on your desk Two satin ribbon markers for you to easily navigate and keep track of where you are reading Elegant, gilded page-edge design Clear and readable 10-point NKJV Comfort Print About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.Trusted by millions of believers around the world, the NKJV remains a bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translator’s relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.

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Our competitive edge has eroded in every domain of warfare – air, land, sea, space, and cyberspace,General Mattis said. And it is continually eroding. American exceptionalist culture has deep roots in the American founding, which even Alexis De Tocqueville observed in his seminal work in 1837. While exceptionalism is not unique to America, the intensity of their conviction and its global ramifications are. This view of its exceptionalism has led the US to grossly misinterpret—sometimes deliberately—the causative factors of key events of the past two centuries. Accordingly, the wrong conclusions have been derived, and very wrong lessons learned. Nowhere has this been more manifest than in American military thought and its actual application of military power. Time after time the American military has failed to match lofty declarations about its superiority, producing instead a mediocre record of military accomplishments. Starting from the Korean War the United States hasn't won a single war against a technologically inferior, but mentally tough enemy. The technological dimension of American strategy has completely overshadowed any concern with the social, cultural, operational and even tactical requirements of military (and political) conflict. With a new Cold War with Russia emerging, the United States enters a new period of geopolitical turbulence completely unprepared in any meaningful way—intellectually, economically, militarily or culturally—to face a reality which was hidden for the last 70+ years behind the curtain of never-ending Chalabi moments and a strategic delusion concerning Russia, whose history the US viewed through a Solzhenitsified caricature kept alive by a powerful neocon lobby, which even today dominates US policy makers' minds. This book: Explores the dramatic difference between the Russian and US approach to warfare, which manifests itself across the whole spectrum of activities from art and the economy, to the respective national cultures. Illustrates the fact that Russian economic, military and cultural realities and power are no longer what American elites think they are by addressing Russia's new and elevated capacities in the areas of traditional warfare as well as cyberwarfare and space. Studies in depth several ways in which the US can simply stumble into conflict with Russia and what must be done to avoid it.

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"Tusk", the first record in history to cross the million dollar threshold in production costs, was the Fleetwood Mac's critically acclaimed, commercially disappointing 1979 double album. This book is an in-depth and 'official' look at one of the most unusual albums ever released by a major rock band. After "Rumours" became the best-selling single album of all-time, Fleetwood Mac asked Warner Brothers Records to buy them a studio (the label refused, costing both Warner Brothers and the band significant cash in the long run) and then handed the reins to their guitarist and resident perfectionist Lindsey Buckingham, a fusion of factors that led "Tusk" to become the first record in history to cross the million dollar threshold in production costs. Blame (or credit) Buckingham's public perception as a punctilious performer and producer on this, the Mac's critically acclaimed, commercially disappointing 1979 double album (it's said that Warner Brothers executives could see their Christmas bonuses flying out the window upon finally hearing "Tusk's" first rough cuts). But the 1975 addition of Buckingham and Stevie Nicks undeniably transformed Fleetwood Mac from a barely viable blues-based group into a radio powerhouse. "Rumours", the second LP by the Mac reconfiguration of Buckingham, one-time paramour Nicks, drummer Mick Fleetwood, bassist John McVie and his wife and keyboardist Christine, sold more than 20 million copies. But during its creation, relationships within the band broke down - Buckingham split from Nicks, McVie from McVie - leaving the follow-up "Tusk" as a bizarre and fractious assemblage held together only by Buckingham's much-documented, Brian Wilson - like obsession. What remains is Fleetwood Mac's "Apocalypse Now", their "White Album", the epic beginning of their ongoing end, a shotgun blast of musical spray. And, without question, the ballsiest venture in rock history. 'A growing Alexandria of rock criticism' - "Los Angeles Times, 2008". 'Ideal for the rock geek who thinks liner notes just aren't enough' - "Rolling Stone". For more information on the series and on individual titles in the series, check out our blog.

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“It’s a good thing that this is only the first book of a trilogy, because after getting to know Tabitha, you won’t want to leave her at the end. . . . Written intimately as if you’re peering into the mind of a close friend, this book is a true testament to the stresses on women today and how great girlfriends (and grandmothers) are often the key to our sanity.” — Good Morning AmericaThe first novel in a captivating three-book series about modern womanhood, in which a young Black woman must rely on courage, laughter, and love—and the support of her two longtime friends—to overcome an unexpected setback that threatens the most precious thing she’s ever wanted.Tabitha Walker is a black woman with a plan to “have it all.” At 33 years old, the checklist for the life of her dreams is well underway. Education? Check. Good job? Check. Down payment for a nice house? Check. Dating marriage material? Check, check, and check. With a coveted position as a local news reporter, a "paper-perfect" boyfriend, and even a standing Saturday morning appointment with a reliable hairstylist, everything seems to be falling into place.Then Tabby receives an unexpected diagnosis that brings her picture-perfect life crashing down, jeopardizing the keystone she took for granted: having children. With her dreams at risk of falling through the cracks of her checklist, suddenly she is faced with an impossible choice between her career, her dream home, and a family of her own. With the help of her best friends, the irreverent and headstrong Laila and Alexis, the mom jeans-wearing former "Sexy Lexi," and the generational wisdom of her grandmother and the nonagenarian firebrand Ms. Gretchen, Tabby explores the reaches of modern medicine and tests the limits of her relationships, hoping to salvage the future she always dreamed of. But the fight is all consuming, demanding a steep price that forces an honest reckoning for nearly everyone in her life. As Tabby soon learns, her grandmother's age-old adage just might still be true: Black girls must die exhausted.

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‘IB was one of the great affirmers of our time.’ John Banville, New York Review of BooksThe title of this final volume of Isaiah Berlin’s letters is echoed by John Banville’s verdict in his review of its predecessor, Building: Letters 1960–75, which saw Berlin publish some of his most important work, and create, in Oxford’s Wolfson College, an institutional and architectural legacy. In the period covered by this new volume (1975–97) he consolidates his intellectual legacy with a series of essay collections. These generate many requests for clarification from his readers, and stimulate him to reaffirm and sometimes refine his ideas, throwing substantive new light on his thought as he grapples with human issues of enduring importance.Berlin’s comments on world affairs, especially the continuing conflict between Israel and the Palestinians, and the collapse of Communism, are characteristically acute. This is also the era of the Northern Ireland Troubles, the Iranian revolution, the rise of Solidarity in Poland, the Chernobyl nuclear disaster, the fall of the Berlin Wall, Ayatollah Khomeini’s fatwa against Salman Rushdie, the spread of Islamic fundamentalism, and wars in the Falkland Islands, the Persian Gulf and the Balkans. Berlin scrutinises the leading politicians of the day, including Reagan, Thatcher and Gorbachev, and draws illuminating sketches of public figures, notably contrasting the personas of Alexander Solzhenitsyn and Andrey Sakharov. He declines a peerage, is awarded the Agnelli Prize for ethics, campaigns against philistine architecture in London and Jerusalem, helps run the National Gallery and Covent Garden, and talks at length to his biographer. He reflects on the ideas for which he is famous – especially liberty and pluralism – and there is a generous leavening of the conversational brilliance for which he is also renowned, as he corresponds with friends about politics, the academic world, music and musicians, art and artists, and writers and their work, always displaying a Shakespearean fascination with the variety of humankind.Affirming is the crowning achievement both of Berlin’s epistolary life and of the widely acclaimed edition of his letters whose first volume appeared in 2004.

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The Pashtun Tribes of Afghanistan is a tour de force - combining erudite analysis, historical research, atmospheric story-telling, page-turning prose and above all, profound passion.' **- ****Sir Nicholas Kay, NATO Senior Civilian Representative in Afghanistan (2019-2020) & ****British Ambassador to Afghanistan (2017-2019)** The abrupt withdrawal of US and NATO forces in 2021 ushered in a new era for Afghanistan. The subsequent Taliban takeover facilitated a reversion to some of the worst hallmarks of Afghanistan's past, including bans on women's education and other rights-related roll-backs. Navigating this new reality necessitates that more constructive relationships are built between Westerners and Afghans, particularly with the majority ethnicity - the Pashtun tribes. The Pashtun Tribes in Afghanistan: Wolves Among Men is the toolkit for doing so. It provides the knowledge needed to navigate a complex tribal environment. Framed by first-hand experience and balancing in-depth analysis with engaging anecdotes, it sheds light on the Pashtun way of life still enshrined in the ancient Pashtunwali honour code. It explains the tribal structure, tribal territories, historic battles, prominent figures and even Pashtun proverbs and poets. It also highlights how recent wars are destroying the tribal arena. Focusing on people rather than politics, this book unveils the layers, paradoxes and subtleties of the world's largest tribal society. On turning the final page, readers will understand the Pashtun brand of tribalism and how it influences Afghanistan today. They will be aware that tribal life has been permanently challenged but that the Pashtun identity remains intact - in psychology if not always in practice. They will recognise why Pashtuns are not a single entity and should not be treated as one . The need to understand the tribes as they understand themselves will also be clear, particularly their concept of honour. This book illuminates why, from Alexander the Great to Winston Churchill, and even with the Taliban today, Pashtuns are still stereotyped as primitive, violence-prone barbarians. But were men like Rudyard Kipling right to characterise tribesmen as being as unaccountable as the grey Wolf, who is his blood brother? This book has the answer.

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The human race is on a 10,000 year urban adventure. Our ancestors wandered the planet or lived scattered in villages, yet by the end of this century almost all of us will live in cities. But that journey has not been a smooth one and urban civilizations have risen and fallen many times in history. The ruins of many of them still enchant us. This book tells the story of the rise and fall of ancient cities from the end of the Bronze Age to the beginning of the Middle Ages. It is a tale of war and politics, pestilence and famine, triumph and tragedy, by turns both fabulous and squalid. Its focus is on the ancient Mediterranean: Greeks and Romans at the centre, but Phoenicians and Etruscans, Persians, Gauls, and Egyptians all play a part. The story begins with the Greek discovery of much more ancient urban civilizations in Egypt and the Near East, and charts the gradual spread of urbanism to the Atlantic and then the North Sea in the centuries that followed. The ancient Mediterranean, where our story begins, was a harsh environment for urbanism. So how were cities first created, and then sustained for so long, in these apparently unpromising surroundings? How did they feed themselves, where did they find water and building materials, and what did they do with their waste and their dead? Why, in the end, did their rulers give up on them? And what it was like to inhabit urban worlds so unlike our own - cities plunged into darkness every night, cities dominated by the temples of the gods, cities of farmers, cities of slaves, cities of soldiers. Ultimately, the chief characters in the story are the cities themselves. Athens and Sparta, Persepolis and Carthage, Rome and Alexandria: cities that formed great families. Their story encompasses the history of the generations of people who built and inhabited them, whose short lives left behind monuments that have inspired city builders ever since - and whose ruins stand as stark reminders to the 21st century of the perils as well as the potential rewards of an urban existence.

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At his death in 1878 William Cullen Bryant had been, for fifty-one years, the chief editor and a principal owner of the New York Evening Post. The paper had been started in 1801 by lawyer William Coleman in association with the Federalist political Alexander Hamilton. In 1826, Coleman hired Bryant as a reporter. Although Coleman may have engaged his services because of his growing distinction as a poet, Bryant was also by then an experienced writer of prose, having published more than fifty critical and familiar essays. He had been both editor of and most frequent writer for the monthly New York Review and the United State Review, and was known widely for his lectures on poetry before the New York Athenaeum. By the time he assumed the direction of the Evening Post after Coleman's death in 1829 he had proved himself, in three annual volumes of the holiday gift book The Talisman, to be proficient in a wit and irony soon reflected in his editorials. Bryant brought the conservative journal to the support of the Democratic Party of President Andrew Jackson, and held it thereafter to liberal principles, advocating free trade, free labor, and Free Soil. Except for the years from 1829 to 1836, Bryant held the editorial pen largely alone until after the Civil War. Occasional contributors formed a representative roster of leaders in many fields: Charles Francis Adams, Thomas Hart Benton, Francis P. Blair, Salman P. Chase, Thomas Cole, James Fenimore Cooper, Hamilton Fish, Parke Godwin (Bryant's son-in-law), Bret Harte, James K. Paulding, John Randolph, Samule J. Tilden, Martin and John Van Buren, Artemus Ward, Gideon Wlles, Walt Whitman, and Silas Wright. And now and then there were articles by British Parliamentarian Richard Cobden and artist-economist George Harvey, and the French critic Charles Sainte-Beuve. Bryant's editorials after 1860 suggest separate treatment. The present volume traces the growth of his political and social maturity as he made of a conservative, parochial, small-city newspaper into a national organ which Charles Francis Adams in 1850 called "the best daily journal in the United States."

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The Crown in Focus traces the remarkable relationship between the British Royal Family and photography over the course of nearly 200 years, from Queen Victoria and Prince Albert's enthusiastic adoption of the emerging technology in the mid-19th century to the use of Instagram by the modern monarchy. Today, photographs of the British Royal Family remain some of the most widely distributed images across the world. Featuring iconic formal portraits alongside little-known pictures from private collections, this fascinating book explores how each new development of the medium has been embraced to record royal life. Since its invention almost two centuries ago, photography has created an unprecedented intimacy between monarch and subject. Where previously royal painted portraiture allowed a degree of control and an element of creative licence and negotiation between artist and sitter, the development of the photographic image provided the public with a more personal window on to the lives of the people behind the pageantry. Over the years, the medium has helped to shape the role and purpose of the Royal Family - to the point where, in a rapidly changing society, the close connection between Crown and camera has ensured the continued survival and popularity of the British monarchy. The book also considers the art of royal photography through the monarchy's patronage of such major 20th-century photographers as Cecil Beaton and family members Lord Snowdon and Patrick Lichfield, and such contemporary photographers as Chris Jackson. Members of the Royal Family have always been keen photographers themselves. The Crown in Focus includes pictures from their private albums, and looks, too, at the publication of photographs by the royals, from Queen Alexandra to the Duchess of Cambridge, where the personal view has become the public image. Written by an expert curator from Historic Royal Palaces and published to coincide with a major new exhibition at Kensington Palace, the book combines an introductory essay with 200 extraordinary royal images and engaging extended captions that reveal the story behind each photograph.

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The monumental Temple of Manrepresents the most important breakthrough in our understanding of Ancient Egypt since the discovery of the Rosetta stone. This exhaustive and authoritative study reveals the depths of the mathematical, medical, and metaphysical sophistication of Ancient Egypt. Schwaller de Lubicz's stone-by-stone survey of the temple of Amun-Mut-Khonsu at Luxor allows us to step into the mentality of Ancient Egypt and experience the Egyptian way of thinking within the context of their own worldview. His study finds the temple to be an eloquent expression and summary--an architectural encyclopedia--of what the Egyptians knew of humanity and the universe. Through a reading of the temple's measures and proportions, its axes and orientations, and the symbolism and placement of its bas-reliefs, along with the accompanying studies of related medical and mathematical papyri, Schwaller de Lubicz demonstrates how advanced the civilization of Ancient Egypt was, a civilization that possessed exalted knowledge and achievements both materially and spiritually. In so doing, Schwaller de Lubicz effectively demonstrates that Ancient Egypt, not Greece, is at the base of Western science, civilization, and culture. To understand the temple of Luxor, twelve years of field work were undertaken with the utmost exactitude by Schwaller de Lubicz in collaboration with French archaeologist Clement Robichon and the respected Egyptologist Alexandre Varille. From this work were produced over 1000 pages of text and proofs of the sacred geometry of the temple and 400 illustrations and photographs that make up The Temple of Man. The Temple of Manis a monument to inspired insight, conscientious scholarship, and exacting archaeological groundwork that represents a major contribution to humanity's perennial search for self-knowledge and the prehistoric origins of its culture and science.

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What makes art 'feminist art'? Although feminist artists do have a unique aesthetic, there can be no essential feminist aesthetic, argues Kathy Battista in this exciting new art history. Domesticity, the body, its traces and sexuality have become prominent themes in contemporary feminist practice but where did these preoccupations begin and how did they come to signify a particular type of art? Kathy Battista's (re-)engagement with the founding generation of female practitioners centres on 1970s London as the cultural hub from which a new art practice arose. Emphasising the importance of artists including Bobby Baker, Anne Bean, Catherine Elwes, Rose English, Alexis Hunter, Tina Keane, Hannah O'Shea, Kate Walker and Silvia Ziranek and examining works such as Mary Kelly's Post-Partum Document, Judy Clark's 1973 exhibition Issues, Carolee Schneemann's Meat Joy and Cosey Fanni Tutti's Prostitution, shown in 1976, Kathy Battista investigates some of the most controversial and provocative art from the era. This book not only deals with the 'famous' art events but includes analysis of lesser-known exhibitions and performances and explains why so much feminist art has been both marginalised in art history and grossly under-represented in institutional archives and collections. Through considering British feminist art practice in relation to the other significant artistic movements of the 1970s - conceptual, performance and installation art - Kathy Battista positions feminist art as a disparate and complex entity, one that overlaps several art historical groupings and one which has evolved since its initial activities. As connections between 1970s artists and contemporary female practitioners are not usually consciously acknowledged, one of the central aims of this book is to reconnect current art practice with earlier, groundbreaking works. Primarily concerned with the feminist body as a site for making and exhibiting works, this book examines themes that look at the body as material, the body and performance, as well as the alternative creative platforms in 1970s feminist art. Drawing on original material - never-before-seen images from artists' personal collections and commissioned interviews with prominent artists from the period - the book is an invaluable resource for artists, researchers, curators and students interested in recovering this period from the margins of art history.

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*AS READ ON BBC RADIO 4 'BOOK OF THE WEEK'*'Lip-lickingly, dance-around-the-living-room good... A smash hit' Observer'Unflinching and heartwarming' - Adam Kay'Tender, clever and as funny as it gets ... a heart-piercing joy' - Lauren Laverne'An exceptional coming-of-age story [...] Pete Paphides may very well have the biggest heart in Britain' - Marina Hyde'I ADORE this utterly wonderful coming-of-age memoir. Joyful, clever, and a bit heartbreaking' - Nina Stibbe'Heartfelt, hilarious and beautifully written, Broken Greek is a childhood memoir like no other' - Cathy Newman'So wonderfully written, such a light touch. Drenched in sentiment yet not in the least sentimental' - John Niven'It's brilliant. Sad, really funny and beautifully written ... just fantastic' - Alexis Petridis'A truly beautiful book' - James O'Brien'Intoxicating' - Kirsty Wark'Oh, how I love Pete Paphides and this book' - Daniel Finkelstein'A balm in these times' David Nicholls'Fantastic ... Can't recommend it highly enough' Tim Burgess__________'Do you sometimes feel like the music you're hearing is explaining your life to you?'When Pete's parents moved from Cyprus to Birmingham in the 1960s in the hope of a better life, they had no money and only a little bit of English. They opened a fish-and-chip shop in Acocks Green. The Great Western Fish Bar is where Pete learned about coin-operated machines, male banter and Britishness.Shy and introverted, Pete stopped speaking from age 4 to 7, and found refuge instead in the bittersweet embrace of pop songs, thanks to Top of the Pops and Dial-A-Disc. From Brotherhood of Man to UB40, from ABBA to The Police, music provided the safety net he needed to protect him from the tensions of his home life. It also helped him navigate his way around the challenges surrounding school, friendships and phobias such as visits to the barber, standing near tall buildings and Rod Hull and Emu.With every passing year, his guilty secret became more horrifying to him: his parents were Greek, but all the things that excited him were British. And the engine of that realisation? 'Sugar Baby Love', 'Don't Go Breaking My Heart', 'Tragedy', 'Silly Games', 'Going Underground', 'Come On Eileen', and every other irresistibly thrilling chart hit blaring out of the chip shop radio.Never have the trials and tribulations of growing up and the human need for a sense of belonging been so heart-breakingly and humorously depicted.*Listen along with Pete's BROKEN GREEK playlist on Spotify!*

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'Tom Holt's Doughnut presents a roller-coaster ride through the world of physics and the origins of the universe.' - Library Journal'One for physicists as well as Krispy Kreme-loving policemen.' - T3The doughnut is a thing of beauty. A circle of fried doughy perfection. A source of comfort in trying times, perhaps. For Theo Bernstein, however, it is far, far more. Things have been going pretty badly for Theo Bernstein. An unfortunate accident at work lost him his job (and his work involved a Very Very Large Hadron Collider, so he's unlikely to get it back). His wife has left him. And he doesn't have any money. Before Theo has time to fully appreciate the pointlessness of his own existence, news arrives that his good friend Professor Pieter van Goyen, renowned physicist and Nobel laureate, has died. By leaving the apparently worthless contents of his safety deposit to Theo, however, the professor has set him on a quest of epic proportions. A journey that will rewrite the laws of physics. A battle to save humanity itself. This is the tale of a man who had nothing and gave it all up to find his destiny - and a doughnut.From one of the best-loved comic writers in fantasy fiction comes another absurdly witty science fiction title - perfect for fans of Douglas Adams or Terry Pratchett.Books by Tom Holt: Walled Orchard Series Goatsong The Walled Orchard J.W. Wells & Co. Series The Portable Door In Your Dreams Earth, Air, Fire and Custard You Don't Have to Be Evil to Work Here, But It Helps The Better Mousetrap May Contain Traces of Magic Life, Liberty and the Pursuit of Sausages YouSpace Series Doughnut When It's A Jar The Outsorcerer's Apprentice The Good, the Bad and the Smug Novels Expecting Someone Taller Who's Afraid of Beowulf Flying Dutch Ye Gods! Overtime Here Comes the Sun Grailblazers Faust Among Equals Odds and Gods Djinn Rummy My Hero Paint your Dragon Open Sesame Wish you Were Here Alexander at World's End Only Human Snow White and the Seven Samurai Olympiad Valhalla Nothing But Blue Skies Falling SidewaysLittle PeopleSong for NeroMeadowlandBarkingBlonde BombshellThe Management Style of the Supreme BeingsAn Orc on the Wild Side

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Stalingrad was not only the most-crucial battle on the Eastern Front, it was the main turning point of the whole Second World War in Europe. The Third Reich had suffered setbacks earlier, notably at El Alamein in North Africa in October 1942, but the scale of the fighting on the Eastern Front was incomparably larger than any of the other war fronts and it was the fate of the armies there that decided the outcome of the global conflict. After the demise of the German 6. Armee at Stalingrad in February 1943 it was clear that Nazi Germany would lose the war. This book brings together three After the Battle stories devoted to that historic struggle. It opens with a detailed account of the fight for the city of Voronezh. Lying on the great Don river, it was a prime initial objective of the German summer offensive towards the Caucasus launched on June 28, 1942. Possession of Voronezh would secure an eastern anchor point for a northern defensive line needed for the southward advance to Stalingrad. The city was taken with relative ease in early July but, when the Soviets launched a counter-offensive, the Heeresgruppe S d commander, Generalfeldmarschall Fedor von Bock, allowed his panzer and motorised divisions to be drawn into the protracted fight. This week-long delay which infuriated Hitler severely disrupted the timetable for the main offensive, and fatally contributed to the failure to seize Stalingrad in a surprise raid. The main part of the book is taken up by a comprehensive description of the gargantuan seven-month battle for Stalingrad itself. All stages are described in detail: the advance of the German armies to the city in August, the stubborn and heroic defence of the besieged Soviet 62nd Army against overwhelming German superiority in September-November; and the subsequent encirclement and annihilation of the doomed 6. Armee in the winter, ending in total capitulation on February 2, 1943. Due to the wholesale destruction of the embattled city, it was long thought impossible to apply After the Battle s then and now format to Stalingrad but with the help of a local expert and acknowledged student of the battle, Alexander Trofimov, we managed to match up numerous combat photos taken all over the city, giving full treatment to the months-long struggle for the city on the Volga. The same goes for Voronezh where we found another local expert, Sergey Popov, who achieved equally astounding comparisons. Without them, this book could not have been made. The German catastrophe at Stalingrad, with around 150,000 men killed or succumbing to the winter cold and around 100,000 taken prisoner (of whom only some 5,000 survived captivity), remained a national trauma in Germany. Coming to terms with the event proved difficult, the sorrow over the loss of so many German lives being surmounted by guilt over the fact that Germany had been the aggressor. In many ways, Stalingrad became a taboo, remembered in silence but avoided in public discussion. Illustrative of this is the fact that it took a full 50 years before a major feature film on Stalingrad could be produced in Germany. It was only in 1992 that the German film industry felt the time was ripe and produced and released Stalingrad, the first full-fledged war movie on the battle. We include the story of the making of this film as an epilogue to the main story.

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A study and a guidance device, the first book on the Royal Book Lodge (RBL) is the culmination of a three-year exploration by renowned art historian John C. Welchman. It examines the contribution of the RBL to an array of art, film and performance practices including photography, ceramics, writing, and publishing—centered on the creation of artist books and the powerful and wide-ranging dialogue and material experimentations they engender. The volume unfolds from various cultural and political geographies, including in the Parisian suburb of Montreuil which served as an HQ, beginning in 1989; and narratives of migrations and travels, art-inflected or otherwise, in Iceland, Paraguay, Eastern Europe, Los Angeles and on the Ligurian coast of Italy. It unpacks questions caught up in constructs of autobiography, fiction, ideas and images of remote control, and the relation of RBL to the aftermath of the Situationist International, concluding with the RBL’s socially urgent inquiry into experiences—and culturally pharmacological contestations—of violence. Royal Book Lodge The Royal Book Lodge emerged from a collaboration between artists Juli Susin and Veronique Bourgoin in mid-1980's expanding its Collection and Archive and other activities after the turn of the millennium with the assistance of Yasha Gofman. For more than three decades RBL’s projects have been sparked by a porous but a distractedly nimble network of artists from France, Germany, Russia, Iceland, Paraguay, and other locations, working with painting, sculpture, photography, film, installations, ceramics, writing, publishing, and curating. RBL affiliates include: Raisa Aid, Kai Althoff, Abel Auer, Linda Bilda, André Butzer, matali crasset, Les Schlag (Grems, Tex, Virassamy), Gudny Guðmundsdóttir, Beate Günther, Tobias Hauser, Andy Hope 1930, Hekla Dögg Jónsdóttir, Dorota Jurczak, Bruce Kalberg, Armin Krämer, Alexandre Kalinkine, Lutz Krüger, Charlet Kugel, Jean-Louis Leibovitch, Anne Lefebvre, Jochen Lempert, Jonathan Meese, Birgit Mergele, Anna Parkina, Raymond Pettibon, Jason Rhoades, Lucia Sotnikova, Julia Rublow, Ralph Rumney, Gianfranco Sanguinetti.

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Knox College's Old Main—a national landmark and the only extant building that was a site of the Lincoln-Douglas debates—is a campus treasure with a secret. Built in 1857, Old Main was designed by Charles Ulricson, a Swedish-born immigrant who was trained by Freemasons. In Chapel in the Sky, Knox faculty member Lance Factor decodes the symbols of this beloved building and explores how an ardently Anti-Mason administration came to hire Ulricson. The mysterious Masonic architect left his legacy on both Knox's Old Main and the Augustana Lutheran Church in Andover, Illinois. Ulricson (1816–1887), born to an elite family in Stockholm, emigrated to the United States in 1835, arriving in New York City with empty pockets. Ulricson found work as a draftsman in the firm of Ithiel Town and Alexander Jackson Davis, America's premier antebellum architects and the leaders of the Greek, Gothic, and Tuscan revivals. From Davis, Ulricson learned that architects belonged to a "sacred priesthood." From Town, Ulricson learned the secret doctrines of "alchemical" architecture, its search for geometric philosopher's stones, and its techniques for drafting with a Masonic cubit and for transforming buildings into talismans, which they believed carried the protective energy of the Divine Architect and Geometer of the Universe. These lessons found expression in Ulricson's hidden codes for Old Main and Augustana Church. Ulricson's unique designs, rigorous geometry, elaborate windows, and interior decorations all contain tell-tale signs of Freemasonry. Ulricson essentially hid his symbols in plain sight of clients—vehement Anti-Masons who condemned all secret societies as "ungodly" and viewed all forms of alchemical architecture as "geomancy" or black magic. Chapel in the Sky explains how a dispossessed immigrant Masonic architect came to be the architect for the Anti-Masons, and how the meanings of his designs change our understanding of the architectural and ethnic history of Illinois. Factor's story will interest Knox alumni, architects, Freemasons, Swedish Americans, and those who love a tale of irony.

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German political philosopher Hannah Arendt (1906-75) fled from the Nazis to New York in 1941, and during the next thirty years in America she penned her best-known and most influential works, such as The Human Condition, The Origins of Totalitarianism, and On Revolution. Yet, despite the fact that a substantial portion of her oeuvre was written in America-not Europe-no one has directly considered the influence of America on her thought-until now. In Arendt and America, historian Richard H. King argues that while all of Arendt's work was haunted by her experience of totalitarianism, it was only in her adopted homeland that she was able to formulate the idea of the modern republic as an alternative to totalitarian rule. Situating Arendt within the context of US intellectual, political, and social history, King reveals how Arendt developed an extensive grasp of American constitutional history and how her idea of the American republic grew through her dialogue with the work of Alexis de Tocqueville. King also re-creates her intellectual exchanges with American friends and colleagues, such as Dwight Macdonald and Mary McCarthy, and shows how her lively correspondence with sociologist David Riesman helped her understand modern American culture and society. In the last section of Arendt and America, King sets out the context in which the Eichmann controversy took place and follows the debate about "the banality of evil" that has continued ever since. As King shows, Arendt's work, regardless of focus, was shaped by postwar American thought, culture, and politics, including the Civil Rights Movement and the Cold War. For Arendt, the United States was much more than a refuge from Nazi Germany; it was a stimulus to rethink the political, ethical, and historical traditions of human culture. This authoritative combination of intellectual history and biography offers a unique approach for thinking about the influence of America on Arendt's ideas and also the effect of her ideas on American thought.

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"I read Free Spirit all in one go as I literally couldn't put it down.Tanya Sarne's courage and resilience are utterly awe-inspiring.You could read no better book than this on the zeitgeist of London and Hollywood in the Sixties and Seventies and the fashion world of the Eighties and Nineties." - Joanna Lumley "Wherever it was at, Tanya seemed to be. This is an honest, amusing depiction of life as founder of Ghost, the British fashion brand much loved by woman of all shapes and ages. As well as navigating life through the Sixties and onwards, here is a story of a woman boss juggling motherhood, marriage, romance and every other thread of life's rich tapestry." - Alexandra Shulman"Tanya Sarne's Ghost very quickly became the show that all the girls wanted to do - Kate Moss, Helena Christensen, Naomi Campbell, etc. It was really incredible casting and the girls LOVED the clothes. The party after the show was the 'party of the week' - she put a great crowd together and everyone turned up. You just wanted to be part of Tanya's gang because she's magnetic, kind and really funny." - Sam McKnight"Sarne's new memoir, Free Spirit, is a real-life picaresque novel that takes our heroine, nee Tanya Gordon, from London in the final days of the Second World War to Hollywood and from innocence to experience; from being a lonely housewife then a single mother to the boss of a fashion label worn by superstars and supermodels." - The Glasgow Herald''Inspiring, intelligent, brave, plain spoken and wild, Tanya Sarne's memoir tells the story of a woman who is tirelessly optimistic, brilliantly pragmatic and fiercely true to herself. At once a fighter and a dreamer, she has overcome the challenges her personal and professional life have thrown at her with extraordinary tenacity, humour and grace." - Susannah Frankel"If there's a woman out there who doesn't have an old Ghost dress hanging in her wardrobe, can you please tell me exactly what you were wearing in the nineties?" - Alyson Walsh @thatsnotmyage Free Spirit tells the extraordinary life story of Tanya Sarne and her triumphs, setbacks and survival.Hers is a tale of resilience, of second and third chances and of global fashion success as the founder of Ghost, with a fanbase described by Marie Claire in the Nineties as 'bigger than the Spice Girls'.Tanya's story is so much more than simply an account of incredible international fashion success (and excess). The only child of refugee parents, her life ranged from the London of the Swinging Sixties to the glamour and darkness of Hollywood in the early Seventies, to virtual destitution and abandonment with two small children in a Brazilian fishing village - all before she even dreamt of starting her own business ... or becoming one of the inspirations (with her daughter and Lynne Franks) for Absolutely Fabulous.From busking with Andrew Loog Oldham before he managed the Rolling Stones, to being invited to stay with Sharon Tate the night of the Manson murders, Tanya is one of those people who seems to have fitted more into one life than most of us would fit into nine. But, above all, she is that still all-too-rare thing, a female entrepreneur who achieved true global success solely as a result of her own hard work and talent and entirely on her own terms.'Tanya had an amazing life in Hollywood. She was a real survivor. And then she sort of knew nothing about fashion and she found herself in the fashion business just to pay the rent and survive. And then from there, she built up her own business. It's an amazing, remarkable success story.' - Lynne Franks

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A magnificent survey of the rich and varied arts in Latin America from 1492 to the end of the colonial era Essays by Gauvin Alexander Bailey, Clara Bargellini, Dilys E. Blum, Elizabeth Hill Boone, Marcus Burke, Mitchell A. Codding, Thomas B. F. Cummins, Cristina Esteras Martín, M. Concepción García Sáiz, Ilona Katzew, Adrian Locke, Gridley McKim-Smith, Alfonso Ortiz Crespo, Jorge F. Rivas P., Nuno Senos, Edward J. Sullivan, and Marjorie Trusted. By the end of the 16th century, Europe, Africa, and Asia were connected to North and South America via a vast network of complex trade routes. This led, in turn, to dynamic cultural exchanges between these continents and a proliferation of diverse art forms in Latin America. This monumental book transcends geographic boundaries and explores the history of the confluence of styles, materials, and techniques among Europe, Africa, Asia, and the Americas through the end of the colonial era––a period marked by the independence movements, the formation of national states, and the rise of academic art. Written by distinguished international scholars, essays cover a full range of topics, including city planning, iconography in painting and sculpture, East-West connections, the power of images, and the role of the artist. Beautifully illustrated with over 450 works—many published for the first time—this book presents a spectacular selection of decorative arts, textiles, silver, sculpture, painting, and furniture. Scholarly entries on some three hundred works highlight the various cultural influences and differences throughout this vast region. This groundbreaking book also includes an illustrated chronology, informative maps, and an exhaustive bibliography and is sure to set a new standard in the field of Latin American studies.Published in association with the Philadelphia Museum of Art, Antiguo Colegio de San Ildefonso, Mexico City, and the Los Angeles County Museum of ArtExhibition Schedule:Philadelphia Museum of Art (September 20 – December 31, 2006)Antiguo Colegio de San Ildefonso, Mexico City (February 3 – May 6, 2007)Los Angeles County Museum of Art (June 10 – September 3, 2007)Royal Academy of Arts, London (Fall 2007)Royal Academy, London (Fall 2007)

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She’s hated him since they were teenagers.He’s missed her just as long.The last time Daniel Rosenberg and Liyah Cohen-Jackson spoke to each other was as teenagers, sharing a first kiss. But when the path of young love didn’t run smooth, and Liyah found her heart bruised by Daniel, they parted ways for ever… until they are seated together on an aeroplane fourteen years later, butting heads just as badly but consoling themselves that at least they will never have to see each other again.That is, until Daniel’s marketing firm gets hired by the museum where Liyah works as a junior curator, and they’re forced to work together on a project that will change both of their careers.With every meeting, the tension (and chemistry) between Daniel and Liyah builds until they’re forced to confront the baggage from their childhood to work together.Despite themselves, their friendship blooms once again, each of them finding comfort in their shared experience as Jews of Colour. And as they try and fail to ignore their growing feelings for one another, Liyah must face the fears that she’s been running from her whole adult life and open her heart to love.This sizzling, utterly romantic and emotional debut will sweep you away in a captivating must-read for autumn 2023. Fans of Mhairi Macfarlane, Emily Henry and Talia Hibbert will love this.Praise for Thank You For Sharing:‘This book wrapped a fist around my heart and refused to let go…Rachel Runya Katz is a true talent.’ Rachel Lynn Solomon‘A magical love story. This is a poignant, sharp and sexy romance with the kind of complex, big-hearted characters and emotional honesty readers will adore. I loved it!’ Carley Fortune‘Impossible to put down! A delicious pressure-cooker-style slow burn of a romance…I have no doubt that readers will fall head over heels for Liyah and Daniel!’ Alexandria Bellefleur‘I can’t wait for everyone to fall head-over-heels for Thank You For Sharing…I treasured every moment I spent with Daniel, Liyah, and the rest of the vivid, complex supporting cast. This book is a gift.’ Ava Wilder

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In the early spring of 1358 Francis Petrarch was invited by his friend Giovanni Mandelli, a leading military and political figure of Visconti Milan, to go on a pilgrimage to the Holy Land. Pleased at the invitation, Petrarch nevertheless declined to undertake the journey. Fear of the sea, of shipwreck, and of “slow death and nausea worse than death” held him back. While Petrarch would not make the literal journey he offered Mandelli a pilgrimage guide instead of his companionship: “nevertheless, I shall be with you in spirit, and since you have requested it, I will accompany you with this writing, which will be for you like a brief itinerary.” Composed over three days between March and April of 1358, the Itinerarium ad sepulchrum domini nostri takes the characteristic Petrarchan form of an epistle to a friend. Delivered to his correspondent in the form of an elegant booklet, the work presents a literary self-portrait that was meant to stand as “the more stable effigy of my soul and intellect” as well as “a description of places.” Although the Holy Land is the ostensible destination of the pilgrimage, more than half of this charming guidebook is devoted to Petrarch’s leisurely and loving descriptions of Italy's physical and cultural landscape. Upon reaching the Holy Land, Petrarch transforms himself into one of the greatest ten-cities-in-four-days Baedekers of all time, as Mandelli and the reader race through sacred landmarks and sites and end up, not at the sepulchrum domini nostri, but at the tomb of Alexander. Theodore Cachey has prepared the first English-language translation of the Itinerarium. Based on an authoritative 14th-century manuscript in the Biblioteca Statale of Cremona, which is, according to the explicit declaration of the scribe, a copy of Petrarch’s 1358 autograph, the translation is accompanied by the manuscript reproduced in facsimile and by a transcription of the Latin text. Cachey’s extensive introduction and notes discuss Petrarch’s text within the multiple contexts of travel in the Middle Ages and the Renaissance, and contemporary political and cultural issues, including Petrarch’s relation to emergent forms of “cartographic writing” and Renaissance “self-fashioning.” Petrarch’s little book reveals him to be a man of his time, but one whose voice speaks clearly to us across centuries. The Itinerarium is a jewel rediscovered for the modern reader.

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A “compelling” (The Wall Street Journal) account of the only mutiny in the history of the United States Navy—a little-known but once notorious event that cost three young men their lives—part murder mystery, part courtroom drama, and as propulsive and dramatic as the bestselling novels of Patrick O’Brian.On December 16, 1842, the US brig-of-war Somers dropped anchor in the New York Harbor at the end of a voyage intended to teach a group of adolescents the rudiments of naval life. But this routine exercise ended in catastrophe. Commander Alexander Slidell Mackenzie came ashore claiming he had prevented a mutiny that would have left him and his officers dead. Some of the thwarted mutineers were being held under guard, but three had already been hanged at sea: Boatswain’s Mate Samuel Cromwell, Seaman Elisha Small, and Acting Midshipman Philip Spencer, whose father was the secretary of war, John Spencer. Eighteen-year-old Philip Spencer, according to his commander, had been the ringleader who encouraged the crew to seize the ship and become pirates so that they might rape and pillage their way through the northern coast of South America and the Caribbean. While the young man might have been fascinated by stories of pirates, it soon became clear the order that condemned the three men had no legal basis. And, worse, it appeared possible that no mutiny had actually occurred, and that the ship might instead have been seized by a creeping hysteria that ended in the sacrifice of three innocents. Months of accusations and counteraccusations were followed by a highly public court-martial that put Mackenzie on trial for his life, and a storm of anti-Navy sentiment drew the attention of such leading writers of the day as Herman Melville and James Fenimore Cooper. But some good did come out of it: public disgust with Mackenzie’s hapless “training” gave birth to Annapolis, the distinguished naval academ that within a century would produce the mightiest navy the world had ever known. Vividly told and filled with tense shown directly in court-martial transcripts, Richard Snow’s masterly account of this all-but-forgotten episode is “a hell of a yarn” (Kirkus Reviews) and naval history at its finest.

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Home, wrote Robert Frost, is the place where, when you have to go there, they have to take you in. And yet the idea of home has, in the modern world, become extremely problematic. Robert Frost's words tellingly illustrate the centrality of home to the human experience, as an unconditional haven that one simply has, without having to earn. Yet, we live at a time when the idea of home has become extremely problematic. Our homeless fill America's streets and shelters; the comfort of home is increasingly threatened by urban violence; and the world-wide plight of those exiled or fleeing from their homelands due to civil war, starvation, or political repression seems relentless. The idea of home, bound as it is in family and in the roles of men and women, has a deep resonance that is not fully captured by its use as a social and political slogan. What is its history and ideology? What has it meant and how has its meaning changed? Home moves us perhaps most powerfully as absence or negation. Homelessness and exile are among the worst of conditions, bringing with them alienation, estrangement, and the feelings of greatest despair. This volume, based on a multi-institutional collaboration between the New School for Social Research and five major New York City museums, and its resulting conference, convenes many of America's top scholarly minds to address historical and contemporary meanings of home. Among the issues specifically addressed are the artistic rendition of home in art and propaganda; literary meanings of home; exile through the ages; homelessness past; homelessness in Dickens; the homeless in New York City history; alienation and belonging; slavery and the female discovery of personal freedom; and, more generally, the home and family in historical perspective. Contributing to the volume are Breyten Breytenbach, David Bromwich (Yale University), Sanford Budick (Hebrew University of Jerusalem), Stanley Cavell (Harvard University), Mary Douglas, Tamara K. Hareven (University of Delaware), Eric Hobsbawm (Cambridge University, Emeritus), John Hollander (Yale University), Kim Hopper (Nathan Kline Institute for Psychiatric Research), George Kateb (Princeton University), Alexander Keyssar (Duke University), Steven Marcus (Columbia University), Orlando Patterson (Harvard University), Joseph Rykwert (University of Pennsylvania), Simon Schama (Harvard University), Alan Trachtenberg (Yale University), and Gwendolyn Wright (Columbia University).

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The elegant Bible you'll keep coming back to because it's so easy to read and use.Enjoy the beautiful New King James Version in a traditional Scripture design optimized to help you quickly navigate through the Bible. The 2-column text employs a verse-by-verse—or verse-style—setting, which means that each verse starts on its own line, making them a snap to find. The large print text is easy to read, and the blue headings and verse numbers stand out while providing a restful, thoroughly enjoyable Scripture-reading experience. With over 72,000 cross references and the complete set of NKJV translator notes, this Bible gives you the tools you'll need to dive deeply into God's Word for yourself.Features include: Verse-style Scripture format starts each verse on its own line so it’s easy to navigate the text Premium Bible paper in opaque white creates a high contrast with the black text, improving readability Words of Christ in black for a reading experience that is easy on your eyes throughout Scripture Ultra-flexible sewn binding lays flat in your hand or on your desk End of page cross references allow you to find related passages quickly and easily Wide double-faced satin ribbons help keep track of where you were reading Full color maps show a visual representation of Israel and other biblical locations for better context Clear and readable 10.5-point NKJV Comfort Print Trusted by millions of believers around the world, the NKJV remains a bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translator’s relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.

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A scion of the New York School, Edmund Berrigan grew up in and around poetry. More Gone, number 18 in the Spotlight Poetry Series, is his first full-length collection in a decade, as well as the first to follow-up to his well-received memoir Can It!Written in a distinctive mix of New York quotidian and post-Language abstraction, More Gone documents the poet’s search for domestic tranquility amidst the city that never sleeps. Berrigan draws on a variety of materials, from songs to found language, assembling them into poems of oblique humor and wry perspective on the challenges of everyday existence. These poems aren’t anecdotes or confessions so much as objects in their own right, even as they remain rooted in a recognizable urban landscape: “Mostly, the city is begging for love, grieving, / or telling us to back the fuck off.” "In More Gone, Eddie Berrigan shows so much writing savvy it has long sleeves, on which he wears his heart. There are poems with strategic non sequiturs which yield an inherent logic that convinces and leads to unfamiliar perceptions. There are multi-line riffs during which he works the count, throwing three or four different pitches. The last will look like a fastball, but it's a slider, low and away, and down you go. In simpler compositions he redirects you with subtle shifts of time and context. He includes himself, which gives a poem its worth. A vulnerable and movingly confident self. He impresses with deep impressions."—John Godfrey "The language employed in Edmund Berrigan's More Gone infuses itself on the lateral plane, variegated as it is by glints from particulars that rely 'on sensory input to motion.' He teases beauty out of terminus via tenuous electrification. One feels clarity evince itself through an opaque psychic transparency, a transparency that magically filters lingual seepage. Thus, our consciousness is marked by an incremental elevation providing us with an experience of language that engages our capacity to cast greater light on the stark complexity that we optically imbibe as daily reality."—Will Alexander "Edmund Berrigan's poems may be 'more gone,' but they are also more here. 'Anxious, patient and sentient,' they happen at an intimate core of self, family, community, and world, webbing out in all our neighboring shades and activities of being, where experience glitches and knits. They are rollercoastery, beautiful, knowing, revelatory, and real."—Eleni Sikelianos

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INSTANT NEW YORK TIMES BESTSELLERA REESE WITHERSPOON BOOK CLUB PICKMAJOR TV ADAPTATION IN DEVELOPMENT BY AMY ADAMS'Calling it The Handmaid's Tale crossed with Butch Cassidy and the Sundance Kid goes some way to describe this novel's memorable world, but it is also wholly its own' KIRKUS '2021 is already a year that could use a little joy. Here to provide some is Outlawed . . . It's an absolute romp and contains basically everything I want in a book: witchy nuns, heists, a marriage of convenience, and a midwife trying to build a bomb out of horse dung' Vox 'Outlawed sets a high bar for the 12 months of publishing still to come . . . It upends the tropes of the traditionally macho and heteronormative genre while also being a rip-snortin' good read, too' THE WEEK (Most Anticipated Books of the Year) 'North is a riveting storyteller . . . Reader, you are in for a real treat' JENNY ZHANG'Fans of Margaret Atwood and Cormac McCarthy finally get the Western they deserve' ALEXIS COE 'A thrilling tale eerily familiar but utterly transformed ... In North's galloping prose, it's a fantastically cinematic adventure that turns the sexual politics of the Old West inside out' WASHINGTON POST 'A western unlike any other, Outlawed features queer cowgirls, gender nonconforming robbers and a band of feminists that fight against the grain for autonomy, agency and the power to define their own worth' MS. 'A grand, unforgettable tale' ESMÉ WEIJUN WANG In the year of our Lord 1894, I became an outlaw.On the day of her wedding-dance, Ada feels lucky. She loves her broad-shouldered, bashful husband and her job as an apprentice midwife.But her luck will not last. It is every woman's duty to have a child, to replace those that were lost in the Great Flu. And after a year of marriage and no pregnancy, in a town where barren women are hanged as witches, Ada's survival depends on leaving behind everything she knows.She joins up with the notorious Hole in the Wall Gang. Its leader, a charismatic preacher-turned-robber, known to all as The Kid, wants to create a safe haven for women outcast from society. But to make this dream a reality, the Gang hatches a treacherous plan. And Ada must decide whether she's willing to risk her life for the possibility of a new kind of future for them all.

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Bristol and Bath are two beautiful, closely connected cities. They are portrayed through the eyes of their artists in a delightful variety of styles in this stunning book. The Bristol and Bath Art Book portrays two very different cities. The beautiful images in the book capture the breath-taking landscape of rivers, hills and gorges which they share, but also the cities’ sights that are so unique. Bristol is painted as busy, quirky and vibrant, where Bath glows in more tranquil hues. These important cities in the history of the world are intimately connected. The river Avon that flows through both cities, gouges the spectacular Avon Gorge at Bristol, which is where its international maritime connections begin. The regenerated old docks (the ’floating harbour’), Wapping Wharf and the quayside are lovingly depicted by various artists. Now that the main docks are outside the city, the harbour-side now bustles with shops, bars and offices, but there are still cranes to be seen at the M shed. Underfall boatyard remains a home to maritime businesses and is also pictured in this lovely book, along with pleasure craft and houseboats in the harbour. John Cabot’s The Matthew is the ship that put America on the map. The reconstruction is depicted in drawings and paintings. She may have been a pirate ship at one time, too, as Bristol was the birthplace of Blackbeard and had a thriving piracy business. From this Atlantic connection, the list of items traded expanded from wool, wine and grain to tobacco and alas, to slaves. The profits from this trade endowed many of the fine public monuments drawn and painted here. Like many places, Bristol is undertaking a new reckoning with its history. The great engineer Isambard Kingdom Brunel designed the Clifton Suspension Bridge to span the deep Avon Gorge. In the book, there are many images of this vertiginous bridge: ringed by balloons, luminous in the gloaming, stark in the snow, or painted to resemble a cathedral arch from below. It is a much-loved, living monument to the great man. His Great Western Railway terminus at Temple Meads features here in drawings and prints, along with his pioneering Bristol-built steamship, the SS Great Britain. Crossing Brunel’s famous bridge over the Avon, you will find yourself in the tranquil Leigh woods, painted as a hotspot for bluebells in spring. The old Railway Path, flat, traffic-free and lined with greenery, takes you from Bristol to Bath, where you will find more gorgeous parks: the Georgian garden in the town centre, Alexandra Park with panoramas of the city and the Botanical Gardens with its aerial walkway. Bath is a UNESCO world heritage site because of its Roman remains and exquisite Georgian architecture. Its famous Roman Baths were built around a hot spring the Romans believed sacred to the Goddess Sulis and the city became a centre for health and an inspiration for artists. Its 18th-century architecture: The Royal Crescent, The Circus, Pulteney Bridge and Assembly Rooms, are all examples of Bath’s heyday as a Georgian spa town and are featured in the art book in stunning paintings, drawings and collages. They capture the Bath that Jane Austen would have known from her time in the city. Here, movies of some of her novels have been filmed, along with many other Regency era series e.g. the record-breaking series Bridgerton.

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It was on a Malibu beach in 1988 that Peter Lindbergh shot the White Shirts series, images now known the world over. Simple yet seminal, the photographs introduced us to Linda Evangelista, Christy Turlington, Rachel Williams, Karen Alexander, Tatjana Patitz, and Estelle Lefébure. This marked the beginning of an era that redefined beauty, and Lindbergh would go on to alter the landscape of fashion photography for the decades that followed. This edition gathers more than 300 images from forty years of Lindbergh’s career. It traces the German photographer’s cinematic inflections and humanist approach, which produced images at once seductive and introspective. In 1980 Rei Kawakubo asked Lindbergh to shoot a Commes des Garçons campaign, one of his earlier forays into commercial photography. Kawakubo gave him carte blanche. The following years brought forth collaborations with the most venerated names in fashion and resulted in a relationship of mutual reverence; Lindbergh’s respect for some of the greatest designers of our time is palpable in his portraits. Among those photographed are Azzedine Alaïa, Giorgio Armani, Alber Elbaz, John Galliano, Jean Paul Gaultier, Karl Lagerfeld, Thierry Mugler, Yves Saint Laurent, Jil Sander, and Yohji Yamamoto. Widely considered a pioneer in his field, Lindbergh shirked the industry standards of beauty and instead celebrated the essence and individuality of his subjects. He was pivotal to the rise of models such as Kate Moss, Naomi Campbell, Linda Evangelista, Cindy Crawford, Mariacarla Boscono, Lara Stone, Claudia Schiffer, Amber Valletta, Nadja Auermann, and Kristen McMenamy. Lindbergh’s reach also extended across Hollywood and beyond: Cate Blanchett, Charlotte Rampling, Richard Gere, Isabelle Huppert, Nicole Kidman, Madonna, Brad Pitt, Catherine Deneuve, and Jeanne Moreau all appear in his works. From the picture chosen by Anna Wintour as the cover of her first Vogue issue to the legendary shot of Tina Turner on the Eiffel Tower, it is never the clothes, celebrity, or glamour that takes center stage in a Lindbergh photograph. Each picture conveys the humanity of its subject with a serene melancholy that is uniquely and unmistakably Lindbergh. From the outset of his career, Lindbergh was well-known in the contemporary art world, where his photographs were exhibited in galleries long before they appeared in magazines. This edition features an updated introduction adapted from an interview in 2016, allowing a glimpse behind Lindbergh’s lens, where the photographer recounts his early collaborations, the tenuous relationship between commercial and fine art, and the power of storytelling.

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What role do objects play in crafting the religions of Southeast Asia and shaping the experiences of believers? The Spirit of Things explores religious materiality in a region marked by shifting boundaries, multiple beliefs, and trends toward religious exclusivism. While most studies of religion in Southeast Asia focus on doctrines or governmental policy, contributors to this volume recognize that religious "things"—statues, talismans, garments, even sacred automobiles—are crucial to worship, and that they have a broad impact on social cohesion. By engaging with religion in its tangible forms, faith communities reiterate their essential narratives, allegiances, and boundaries, and negotiate their coexistence with competing belief systems. These ethnographic and historical studies of Southeast Asia furnish us with intriguing perspectives on wider debates concerning the challenges of secularization, pluralism, and interfaith interactions around the world. In this volume, contributors offer rich ethnographic analyses of religious practices in the Philippines, Thailand, Malaysia, Vietnam, Indonesia, and Burma that examine the roles materiality plays in the religious lives of Southeast Asians. These essays demonstrate that religious materials are embedded in a host of practices that enable the faithful to negotiate the often tumultuous experience of living amid other believers. What we see is that the call for plurality, often initiated by government, increases the importance of religious objects, as they are the means by which the distinctiveness of a particular faith is "fenced" in a field of competing religious discourses. This project is called "the spirit of things" to evoke both the "aura" of religious objects and the power of material things to manifest "that which is fundamental" about faith and belief. Contributors: Julius Bautista, National University of Singapore; Sandra Cate, San Jose State University, California; Margaret Chan, Singapore Management University; Liana Chua, Brunel University, London; Cecilia S. de la Paz, University of the Philippines (Diliman); Alexandra de Mersan, Centre Asie du Sud-Est (Paris) and Institut National des Langues et Civilisations Orientales; Johan Fischer, Roskilde University, Denmark; Janet Hoskins, University of Southern California; Klemens Karlsson, KTH Royal Institute of Technology, Stockholm; Laurel Kendall, American Museum of Natural History and Columbia University, New York City; H. Leedom Lefferts, Drew University and Asian Civilisations Museum, Singapore; Nguyên Thi Thu Huong, Academic Council of the National Museum of History, Hanoi, and Vietnam Museum of Ethnology; Anthony Reid, Australian National University, University of California–Los Angeles, and National University of Singapore; Richard A. Ruth, United States Naval Academy; Kenneth Sillander, University of Helsinki; Vu Thi Thanh Tâm, Vietnam Museum of Ethnology; and Yeoh Seng Guan, Monash University, Malaysia

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If you have ever asked yourself “How do I become an outstanding teacher?” then this is the book for you. Combining state-of-the-art practices with deep insight from many years’ experience of teaching, the book develops and explains how to change practice and attain excellence as a teacher. Seven core themes are embedded in a four level hierarchy of practice that guides the reader from the fundamentals of successful teaching to the highest levels of accomplishment. The book offers: • A ‘one-stop-shop’ providing a structured and supported approach to becoming an outstanding teacher• A unique action planning feature at the end of each level, creating a platform for your personal development• A range of guided reflection activities, to help develop your skills and understanding of the many aspects of teachingThe unique focus on your individual development and creating an authentic identity as the foundation for excellence makes Outstanding Primary Teaching and Learning essential reading for the every trainee teacher or those wishing to enhance practice. “There are a few educational texts that you do not want to put down, and this is one! The book will encourage, motivate and inspire trainee teachers, recently qualified, early career and established teachers to reach the heights of their potential.” Dr. Tracy Whatmore, Senior Lecturer at the University of Birmingham, UK“An easy to read book with sound practical advice underpinned by theory which every trainee teacher or early career teacher can dip into for guidance. It captures the essence of primary teaching through the metaphor of a coat and I’m sure readers will adapt their coats accordingly as they journey through the book.”Professor Vini Lander, Edge Hill University, UK“Outstanding Primary Teaching and Learning” is an absolute must-read for teachers of any age or experience who would like to become more outstanding in their practice. Written from a unique and highly reflective perspective of pedagogy as an art, a proactive and inspiring approach is taken to journey the reader along a personalised path, enabled through highly constructive and reflective opportunities.”Alexander S Phipps, Postgraduate Student, Institute for Education, The University of Chichester, UK“Sally’s writing style is both personal and humorous, which will engage and motivate busy teachers. She seamlessly combines the latest theories and applies them to classroom practice. By including regular reflection tasks, this book can become a valuable accompaniment to trainees regular mentor meetings. Those who engage with Sally’s questions and follow her recommendations, will develop a deep understanding of the role of the teacher and will develop a substantial toolkit to draw upon in the classroom.”Mark Bagust, Associate Headteacher, Cantell School, UK

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'Understanding global health economics and policy has never been so important. This remarkable three-volume collection of chapters is sure to become the standard on health economics and health policy around the world.'David CutlerOtto Eckstein Professor of Applied EconomicsHarvard UniversityThis Handbook covers major topics in global health economics and public policy and provides a timely, systematic review of the field. Edited by Richard M Scheffler, Distinguished Professor of Health Economics and Public Policy and Director of the Global Center for Health Economics and Policy Research at the University of California, Berkeley, the Handbook features academics and practitioners from more than a dozen countries. Contributors are from the London School of Economics and Political Science, Pompeu Fabra University in Barcelona, University of York, University of Oslo, London School of Hygiene and Tropical Medicine, University of California - Berkeley, Stanford University, Johns Hopkins University, University of Toronto, University of Oxford, Harvard Medical School, OECD, the World Health Organization and the World Bank, many of whom have also acted as economic and policy advisors to government and non-governmental organizations across the world. Experts in these areas who provide critical analyses and relevant data for further exploration and research include: Thomas E Getzen, Executive Director of the International Health Economics Association (iHEA); Douglas E Hough, Associate Scientist and Associate Director of the Master in Healthcare Management programme at the Bloomberg School of Public Health of John Hopkins University; Guillem López-Casasnovas, former President of iHEA and member of the Advisory Council of the Spanish Health and Social Welfare Ministry and of the Advisory Council of the Catalan Health Ministry since 1984; Alistair McGuire, Professor of Health Economics at the London School of Economics and Political and advisor to a number of governments and governmental bodies across Europe; Tor Iversen, Research Director at the Health Economics Research Programme at the University of Oslo and former member of the iHEA Arrow Award Committee 2007-2011; William H Dow, Professor and Associate Dean for Research at University of California ,Berkeley and former Senior Economist for the Council of Economic Advisors (White House); Audrey Laporte, the Director of the Canadian Centre for Health Economics; Alexander S Preker, President and CEO of Health Investment & Financing Corporation; Ayda Yurekli, who initiated and developed the World Health Organization TaXSiM simulation model that has been used by many Ministries of Finance around the world for the development of tax policies; Marko Vujicic, Managing Vice President of the Health Policy Resources Center at the American Dental Association; Mark Sculpher, Director of the Programme on Economic Evaluation and Health Technology Assessment at the University of York and former President of the International Society of Pharmacoeconomics and Outcomes Research (ISPOR) (2011-2012); and Peter Berman, who has had almost 40 years of experience in global health and was formerly a Lead Health Economist at the World Bank. The Handbook spans across three volumes. The chapters deal with key global issues in health economics, are evidence-based, and offer innovative policy alternatives and solutions. The Handbook's approach toward global health economics and public policy will make it a useful resource for health economists, policymakers, private sector companies, NGOs, government decision-makers and those who manage healthcare systems.

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If you love Ali Hazelwood, Sally Thorne and Helen Hoang, you'll LOVE Lyssa Kay Adams!'The most inventive, refreshing concept in rom-coms!' Entertainment Weekly The Bromance Book Club was one of Bustle's '21 Rom-Coms To Give You Warm And Fuzzy Feelings'! Readers are LOVING Isn't It Bromantic?! ⭐ ⭐ ⭐ ⭐ ⭐'Five stars for this sweet, sexy, funny read''Wow! What to say about this book? It was everything and more . . . I loved absolutely everything about this book''Sweet and heartfelt and lovely. Vlad is just an absolute love and I could read about him being in love in every book!''This book was the full package. Amazing plot, great characters, sexual chemistry, heart, humour, vulnerability . . . A masterclass on romance novel construction' 'Heartfelt, sweet, emotional and tender . . . I can't get enough of this group of friends and I can't wait for the next addition!''I adored this book so much and flew through it so fast because I was loving it so much. I found myself laughing out loud multiple times . . . I just loved being back in this world with these characters so much!''Perfect for the summer holidays. An absolute feel-good romance with plenty of heart, laugh-out-loud scenes, and vulnerable yet strong characters. I couldn't put this book down'....................................................................... With his passion for romance novels, it was only a matter of time before Vlad took up the pen to write a novel the Bromance Book Club would swoon over.He's ready to create his own sweeping romance - both on and off the page. Elena Konnikova has lived her entire adult life in the shadows. As the daughter of a Russian journalist who mysteriously disappeared, she escaped danger the only way she knew how. She agreed to marry her childhood friend, Vladimir, and move to the United States, where he is a professional hockey player in Nashville. Vlad, aka The Russian, thought he could be content with his marriage of convenience. But it's become too difficult to continue in a one-sided relationship. He joined the Bromance Book Club to learn how to make his wife love him, but all he's learned is that he deserves more. The Bros are unwilling to let Vlad forgo true love - and this time they're not operating solo, joining forces with Vlad's senior citizen neighbours, a group of meddling widows who call themselves The Loners. But just when things finally look promising, the danger from Elena's past life intrudes. Now the book club face their first-ever life-or-death grand gesture as they race to a happy ever after......................................................................Raves for The Bromance Book Club:'A you're-gonna-burn-dinner book because you will not want to put it down. Laugh out loud with tons of heart, this is an absolutely adorable must read' AVERY FLYNN'A delight! . . . I raced to finish this book, but still never wanted it to end!' ALEXA MARTIN'A delightful, fast-paced read with the perfect mix of laugh-out-loud and swoony moments - every town should have a Bromance Book Club' EVIE DUNMORE'It is the reading aloud in this story that ultimately wins my heart, and shows that everything worth knowing can be learned from romance' KC DYERDon't miss any of the charming and swoonworthy Bromance Book Club reads!The Bromance Book ClubUndercover BromanceCrazy Stupid BromanceIsn't It Bromantic?A Very Merry Bromance

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What role do objects play in crafting the religions of Southeast Asia and shaping the experiences of believers? The Spirit of Things explores religious materiality in a region marked by shifting boundaries, multiple beliefs, and trends toward religious exclusivism. While most studies of religion in Southeast Asia focus on doctrines or governmental policy, contributors to this volume recognize that religious "things"—statues, talismans, garments, even sacred automobiles—are crucial to worship, and that they have a broad impact on social cohesion. By engaging with religion in its tangible forms, faith communities reiterate their essential narratives, allegiances, and boundaries, and negotiate their coexistence with competing belief systems. These ethnographic and historical studies of Southeast Asia furnish us with intriguing perspectives on wider debates concerning the challenges of secularization, pluralism, and interfaith interactions around the world. In this volume, contributors offer rich ethnographic analyses of religious practices in the Philippines, Thailand, Malaysia, Vietnam, Indonesia, and Burma that examine the roles materiality plays in the religious lives of Southeast Asians. These essays demonstrate that religious materials are embedded in a host of practices that enable the faithful to negotiate the often tumultuous experience of living amid other believers. What we see is that the call for plurality, often initiated by government, increases the importance of religious objects, as they are the means by which the distinctiveness of a particular faith is "fenced" in a field of competing religious discourses. This project is called "the spirit of things" to evoke both the "aura" of religious objects and the power of material things to manifest "that which is fundamental" about faith and belief. Contributors: Julius Bautista, National University of Singapore; Sandra Cate, San Jose State University, California; Margaret Chan, Singapore Management University; Liana Chua, Brunel University, London; Cecilia S. de la Paz, University of the Philippines (Diliman); Alexandra de Mersan, Centre Asie du Sud-Est (Paris) and Institut National des Langues et Civilisations Orientales; Johan Fischer, Roskilde University, Denmark; Janet Hoskins, University of Southern California; Klemens Karlsson, KTH Royal Institute of Technology, Stockholm; Laurel Kendall, American Museum of Natural History and Columbia University, New York City; H. Leedom Lefferts, Drew University and Asian Civilisations Museum, Singapore; Nguyên Thi Thu Huong, Academic Council of the National Museum of History, Hanoi, and Vietnam Museum of Ethnology; Anthony Reid, Australian National University, University of California–Los Angeles, and National University of Singapore; Richard A. Ruth, United States Naval Academy; Kenneth Sillander, University of Helsinki; Vu Thi Thanh Tâm, Vietnam Museum of Ethnology; and Yeoh Seng Guan, Monash University, Malaysia

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Notoriously difficult to define as a genre, Live Art is commonly positioned as a challenge to received artistic, social and political categories: not theatre, not dance, not visual art... and often wilfully anti-mainstream and anti-establishment. But as it has become an increasingly prevalent category in international festivals, major art galleries, diverse publications and higher education streams, it is time for a reassessment. This collection of essays, conversations, provocations and archival images takes the twentieth anniversary of the founding of one of the sector’s most committed champions, the Live Art Development Agency (LADA) in London, as an opportunity to consider not only what Live Art has been against, but also what it has been for. Rather than defining the practices in oppositional terms – what they might be seeking to critique, reject or disrupt – this collection reframes these practices in terms of the relations and commitments they might be used to model or advocate. What kinds of care and recovery do they enable? What do they connect as well as reject? What do they make possible as they test the impossible? What ideas of success do they stand for as they risk failure? In this way, the central theme of the collection, and to which all contributors were invited to respond, is the idea of agency: the capacity for new kinds of thoughts, actions and energies as enacted by individual artists and groups. It seems appropriate that this question would be considered in relation to the history of one particular ‘agency’: LADA itself. These questions are explored in a unique conversational format, bringing together a diverse range of emerging and established practitioners, curators and leading figures in the field, each paired with another practitioner for a live conversation that has been sensitively edited for the page. Curated within a structure of five overlapping themes – Bodies, Spaces, Institutions, Communities and Actions – this format produces unexpected insights and accounts of the development of the field. Each theme also contains two provocative essays by leading scholars, thinkers and makers, exploring the conceptual frames in more detail. The result is a collection that is as heterogeneous, ambitious, contradictory and inspiring as the field of Live Art itself. Contributors: Aaron Williamson, Adrian Heathfield, Alan Read, Alastair MacLennan, Alexandrina Hemsley, Amelia Jones, Andrew Mottershead, Andy Field, Anne Bean, Barby Asante, Bryan Biggs, Cassils, Catherine Wood, David A. Bailey, Dominic Johnson, Gary Anderson, George Chakravarthi, Guillermo Gómez-Peña, Hayley Newman, Heike Roms, Helen Paris, James Leadbitter, Jamila Johnson-Small, Jane Trowell, Jen Harvie, Johanna Tuukkanen, John Jordan, John McGrath, Jordan McKenzie, Joshua Sofaer, Katherine Araniello, Kira O'Reilly, Lena Šimić, Leslie Hill, Lois Keidan, Lois Weaver, Manuel Vason, Martin O'Brien, Mary Paterson, Rajni Shah, Rebecca French, Richard Dedomenici, Ron Athey, RoseLee Goldberg, Selina Thompson, Simon Casson and Tim Etchells. Co-published with Live Art Development Agency. Winner of the 2021 TaPRA Edited Collection Prize

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'Frantically wacky and wilfully confusing ... gratifyingly clever and very amusing' - MAIL ON SUNDAY'Frothy, fast and funny' - SCOTLAND ON SUNDAYColin Hollinghead is a young man going nowhere fast. Working for his dad might have seemed like a good idea at the time, but starting at the bottom in the widget-making industry has somehow lost its appeal. And now the business is in trouble. At least his father has a plan to turn things round - a new work force that will improve profit margins and secure the company's future for eternity. The deal looks great on paper, but they do say that the devil is in the detail - and the old rogue certainly seems to be involved in some capacity. Colin needs help. Perhaps his new friend from J.W. Wells & Co. (Practical and Effective Magicians, Sorcerers and Supernatural Consultants) can help. Sparkling with wit and oozing charm, Tom Holt's new comic caper will delight his readers and prove once and for all that going to work can actually be hell.And now the business is in trouble. At least his father has a plan to turn things round - a new work force that will improve profit margins and secure the company's future for eternity. The deal looks great on paper, but they do say that the devil is in the detail - and the old rogue certainly seems to be involved in some capacity. Colin needs help. Perhaps his new friend from J.W. Wells & Co. (Practical and Effective Magicians, Sorcerers and Supernatural Consultants) can help.Sparkling with wit and oozing charm, Tom Holt's new comic caper will delight his readers and prove once and for all that going to work can actually be hell.Books by Tom Holt: Walled Orchard Series Goatsong The Walled Orchard J.W. Wells & Co. Series The Portable Door In Your Dreams Earth, Air, Fire and Custard You Don't Have to Be Evil to Work Here, But It Helps The Better Mousetrap May Contain Traces of Magic Life, Liberty and the Pursuit of Sausages YouSpace Series Doughnut When It's A Jar The Outsorcerer's Apprentice The Good, the Bad and the Smug Novels Expecting Someone Taller Who's Afraid of Beowulf Flying Dutch Ye Gods! Overtime Here Comes the Sun Grailblazers Faust Among Equals Odds and Gods Djinn Rummy My Hero Paint your Dragon Open Sesame Wish you Were Here Alexander at World's End Only Human Snow White and the Seven Samurai Olympiad Valhalla Nothing But Blue Skies Falling SidewaysLittle PeopleSong for NeroMeadowlandBarkingBlonde BombshellThe Management Style of the Supreme BeingsAn Orc on the Wild Side

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To commemorate the journal’s quarter-century, this double issue consists of foundational pieces arranged in conversation with one another. Common Knowledge has opened lines of communication among schools of thought in the academy, as well as between the academy and the community of thoughtful people outside its walls, and the pages of the journal challenge the ways we think about scholarship and its relevance to humanity. Contributors to the issue include former presidents, prime ministers, and archbishops, along with winners of the Nobel Prize, Man Booker Prize, Pulitzer Prize, National Book Award, Mellon Foundation Distinguished Achievement Award, MacArthur Fellowship, International Balzan Prize, and Holberg International Prize. Contributors. M. H. Abrams, Edward Albee, Barry Allen, Wayne Andersen, Kwame Anthony Appiah, Sir Isaiah Berlin, Marianna Birnbaum, Sir John Boardman, G. W. Bowersock, Aldo Buzzi, Caroline Walker Bynum, Anne Carson, William M. Chace, J. M. Coetzee, Cornelius Castoriadis, Stanley Cavell, Stuart Clark, Inga Clendinnen, Francis X. Clooney, Christopher Coker, Maria Conterno, Michael Cook, Lorraine Daston, Lydia Davis, Natalie Zemon Davis, Thibault De Meyer, Gunter Eich, Sir John H. Elliott, Caryl Emerson, Mikhail Epstein, Péter Esterházy, Roger Cardinal Etchegaray, Fang Lizhi, Paul Feyerabend, Michael Fried, Joseph Frank, Manfred Frank, Luis Garcia, Clifford Geertz, Carlo Ginzburg, Philip Gossett, Stephen Greenblatt, Thom Gunn, Jürgen Habermas, Ian Hacking, Václav Havel, Sir Edward Heath, Albert O. Hirschman, David Hollinger, Darrel Alejandro Holnes, Miroslav Holub, Maya Jasanoff, Albert R. Jonsen, Stanley N. Katz, Hugh Kenner, Sir Anthony Kenny, Sir Frank Kermode, Jee Leong Koh, Joseph Leo Koerner, Yusef Komunyakaa, György Konrád, Bruce Krajewski, László Krasznahorkai, Anton O. Kris, Julia Kristeva, Bruno Latour, Ewa Lipska, Greil Marcus, Steven Marcus, Samuel Menashe, Adam Michnik, Jack Miles, Alexander Nehamas, Reviel Netz, Sari Nusseibeh, Jeffrey M. Perl, Marjorie Perloff, J. G. A. Pocock, W. V. Quine, Belle Randall, Nadja Reissland, Colin Richmond, Richard Rorty, Ingrid Rowland, Hanna Segal, Amartya Sen, Quentin Skinner, Barbara Herrnstein Smith, A. L. Snijders, Timothy Snyder, Susan Sontag, Isabelle Stengers, Wis?awa Szymborska, Miguel Tamen, G. Thomas Tanselle, Sir Keith Thomas, Stephen Toulmin, Anna Lowenhaupt Tsing, Michiko Urita, Bas van Fraassen, Marina Vanzolini, Gianni Vattimo, Helen Vendler, Charlie Samua Veric, Eduardo Viveiros de Castro, Sir Bernard Williams, Lord (Rowan) Williams, H. R. Woudhuysen, Grzegorz Wróblewski, Santiago Zabala

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After the swift defeat of the Taliban in 2001, American optimism has steadily evaporated in the face of mounting violence; a new “war of a thousand cuts” has now brought the country to its knees. In the Graveyard of Empires is a political history of Afghanistan in the “Age of Terror” from 2001 to 2009, exploring the fundamental tragedy of America’s longest war since Vietnam. After a brief survey of the great empires in Afghanistan—the campaigns of Alexander the Great, the British in the era of Kipling, and the late Soviet Union—Seth G. Jones examines the central question of our own war: how did an insurgency develop? Following the September 11 attacks, the United States successfully overthrew the Taliban regime. It established security throughout the country—killing, capturing, or scattering most of al Qa’ida’s senior operatives—and Afghanistan finally began to emerge from more than two decades of struggle and conflict. But Jones argues that as early as 2001 planning for the Iraq War siphoned off resources and talented personnel, undermining the gains that had been made. After eight years, he says, the United States has managed to push al Qa’ida’s headquarters about one hundred miles across the border into Pakistan, the distance from New York to Philadelphia. While observing the tense and often adversarial relationship between NATO allies in the Coalition, Jones—who has distinguished himself at RAND and was recently named by Esquire as one of the “Best and Brightest” young policy experts—introduces us to key figures on both sides of the war. Harnessing important new research and integrating thousands of declassified government documents, Jones then analyzes the insurgency from a historical and structural point of view, showing how a rising drug trade, poor security forces, and pervasive corruption undermined the Karzai government, while Americans abandoned a successful strategy, failed to provide the necessary support, and allowed a growing sanctuary for insurgents in Pakistan to catalyze the Taliban resurgence. Examining what has worked thus far—and what has not—this serious and important book underscores the challenges we face in stabilizing the country and explains where we went wrong and what we must do if the United States is to avoid the disastrous fate that has befallen many of the great world powers to enter the region.

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Most professors and administrators are aware that academic freedom is in danger of being brushed aside by a public that has little understanding of what is at stake. They may be only marginally aware that the defense of academic freedom is endangered by certain confusions concerning the nature of academic freedom, the criteria for its violation, and the structure of an adequate justification for claims to it. These confusions were enshrined in some of the central documents on the subject, including the 1940 Statement on Academic Freedom and Tenure, agreed upon by the American Association of University Professors and the Association of American Colleges and endorsed by many professional organizations. Careful analysis of them will not do away with debate; it will bring the debate into focus, so that attacks on academic freedom can be appraised as near or far away from the center of the target and can then be appropriately answered. Nearly all the contemporary writing on academic freedom consists of attack or defense. The Concept of Academic Freedom is the first book to deal exclusively with fundamental conceptual issues underlying the battle. In the discussion of these issues, certain philosophical positions crystallize: radical versus liberal conceptions of the status and function of university teachers, specific versus general theories of academic freedom, consequential versus nonconsequential theories of justification. Partisans (and enemies) of academic freedom would do well to decide on which side of these divisions they stand, or how they would mediate between sides. Otherwise many questions will remain unclear: What is under discussion—a special right peculiar to academics or a general right that is especially important to academics? Is justification of that right possible? Can the right be derived from other rights, or from the theory of justice or of democratic society? Or is the argument for academic freedom one that more properly turns on the consequences for society as a whole if that freedom is not protected? The essays in this book explore these and other problems concerning the defense of academic freedom by radicals, the justification for disruption on campus, and the control of research. Contributors to the volume include Hugo Adam Bedau, Bertram H. Davis, Milton Fisk, Graham Hughes, Alan Pasch, Hardy E. Jones, Alexander Ritchie, Amelie Oksenberg Rorty, Rolf Sartorius, T. M. Scanlon, Richard Schmitt, John R. Searle, Judith Jarvis Thomson, and William Van Alstyne. All are outstanding in their fields. Many have had practical experience in the legal profession or with the American Association of University Professors on the issue of academic freedom.

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A collection of scholarship on monsters and their meaning—across genres, disciplines, methodologies, and time—from foundational texts to the most recent contributions Zombies and vampires, banshees and basilisks, demons and wendigos, goblins, gorgons, golems, and ghosts. From the mythical monstrous races of the ancient world to the murderous cyborgs of our day, monsters have haunted the human imagination, giving shape to the fears and desires of their time. And as long as there have been monsters, there have been attempts to make sense of them, to explain where they come from and what they mean. This book collects the best of what contemporary scholars have to say on the subject, in the process creating a map of the monstrous across the vast and complex terrain of the human psyche.Editor Jeffrey Andrew Weinstock prepares the way with a genealogy of monster theory, traveling from the earliest explanations of monsters through psychoanalysis, poststructuralism, and cultural studies, to the development of monster theory per se—and including Jeffrey Jerome Cohen’s foundational essay “Monster Theory (Seven Theses),” reproduced here in its entirety. There follow sections devoted to the terminology and concepts used in talking about monstrosity; the relevance of race, religion, gender, class, sexuality, and physical appearance; the application of monster theory to contemporary cultural concerns such as ecology, religion, and terrorism; and finally the possibilities monsters present for envisioning a different future. Including the most interesting and important proponents of monster theory and its progenitors, from Sigmund Freud to Julia Kristeva to J. Halberstam, Donna Haraway, Barbara Creed, and Stephen T. Asma—as well as harder-to-find contributions such as Robin Wood’s and Masahiro Mori’s—this is the most extensive and comprehensive collection of scholarship on monsters and monstrosity across disciplines and methods ever to be assembled and will serve as an invaluable resource for students of the uncanny in all its guises.Contributors: Stephen T. Asma, Columbia College Chicago; Timothy K. Beal, Case Western Reserve U; Harry Benshoff, U of North Texas; Bettina Bildhauer, U of St. Andrews; Noel Carroll, The Graduate Center, CUNY; Jeffrey Jerome Cohen, Arizona State U; Barbara Creed, U of Melbourne; Michael Dylan Foster, UC Davis; Sigmund Freud; Elizabeth Grosz, Duke U; J. Halberstam, Columbia U; Donna Haraway, UC Santa Cruz; Julia Kristeva, Paris Diderot U; Anthony Lioi, The Julliard School; Patricia MacCormack, Anglia Ruskin U; Masahiro Mori; Annalee Newitz; Jasbir K. Puar, Rutgers U; Amit A. Rai, Queen Mary U of London; Margrit Shildrick, Stockholm U; Jon Stratton, U of South Australia; Erin Suzuki, UC San Diego; Robin Wood, York U; Alexa Wright, U of Westminster.

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This collection covers the period February 1862-March 1864, which constituted the final two years and one month that Rear-Admiral Sir Alexander Milne commanded the Royal Navy’s North America and West India Station. Its chief focus is upon Anglo-American relations in the midst of the American Civil War. Whilst the most high-profile cause of tension between the two countries — the Trent Affair — had been resolved in Britain’s favour by January 1862, numerous sources of discord remained. Most turned on American efforts to blockade the so-called Confederacy, efforts that often ran afoul of international law, not to mention British amour-propre. As commander of British naval forces in the theatre, Milne’s decisions and actions could and did have a major impact on the state of affairs between his government and that of the US.While noting in one private exchange with the British ambassador to Washington, Richard, Lord Lyons, that he had been "enjoined to abstain from any act likely to involve Great Britain in hostilities with the United States," Milne added ominously, "yet I am also instructed to guard our Commerce from all illegal interference" and it is plain from his correspondence that both he and the British government were prepared to use force in that undertaking. Thus, between apparently high-handed behaviour by the US Navy and Milne’s and the Palmerston government’s resolve not to be pushed beyond a certain point, the ingredients for a major confrontation between the two countries existed. Yet most of Milne’s efforts were directed toward preventing such a confrontation from occurring. In this endeavour he was joined by Lyons and by the British government. No vital British interest was at stake in the conflict raging between North and South, and thus the nation was unlikely to become directly involved in it unless provoked by rash US actions.Yet there was no shortage of such provocations: the seizure of British merchant vessels bound from one neutral port to another, detaining such ships without first conducting a search of their cargo for evidence of contraband of war, the de facto blockade of British colonial ports, apparent violations of British territorial waters, the seizure of British merchantmen off the neutral port of Matamoros, Mexico, and the use of neutral ports as bases of operations by US warships among them. In responding to these and other sources of dispute between the US and Britain, Milne proved adept at pouring oil on troubled waters, so much so that in a late 1863 letter to Foreign Secretary Lord Russell, Lyons lamented his impending departure from the station: "I am very much grieved at his leaving….No change of admirals could be for the better."This collection centres upon Milne’s private correspondence, especially that between him and Lyons, First Lord of the Admiralty the Duke of Somerset and First Naval Lord Vice Admiral Sir Frederick Grey. It also includes private letters to and from many of Milne’s other professional correspondents and important official correspondence with the Admiralty.

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‘I laughed and cried my way through this book in all its unputdownable glory. Nancy’s writing is utterly sublime.’ Julie CaplinWhen did having it all become doing it all?Penny Baker is coping. Just about.Three kids, one dog, one lovely but sometimes oblivious husband. Tick, tick tick.She is even managing to hold her own among the competitive school mums - if you don’t look too closely. But when she finds herself also caring for her elderly mother, diagnosed with dementia, the household is thrown into disarray and Penny finds herself stretched to breaking point trying to meet everyone’s needs.Can she make the new family situation work? And is there any chance of finding some space in it all for herself?Fans of Milly Johnson, Gill Sims and Alexandra Potter will adore this funny, relatable and uplifting read.Praise for The Mother of All Problems:‘Genuinely laugh-out-loud, but also deeply moving... a warm, witty, page-turner of a book.’ Kathleen Whyman‘I absolutely loved this book... funny, heartwarming and just brilliant. If you like Motherland, this is a book for you!’ Olivia Beirne‘One of the best books I have read this year. Funny and heartbreaking by turns. One to devour, rejoice in and reflect upon. An absolute triumph.’ Jenni Keer'Hilarious, heartbreaking and so relatable - a brilliant yet poignant take on the struggles of real life.' Nina Kaye‘Frank, fun and touching... crafted beautifully to tell a story many ‘sandwiched’ readers will identify with...a very special read.’ Faye Brann‘What a glorious book - warm, hilarious and utterly relatable. Nancy Peach’s writing is delicious.’ Donna Ashcroft‘Poignant yet hilarious...Prepare to laugh out loud and be moved to tears as you read this book.’ Helga Jensen‘Brilliantly written and utterly refreshing. Nancy’s writing is inspiring, quick-witted and heartbreaking in equal measure.’ Zoe Allison‘Laugh-out-loud funny but also very moving. If you’ve ever struggled to keep all the plates spinning then this is the book for you.’ Nicola Gill‘Properly hilarious and equally heartbreaking, Nancy Peach writes her acute observations of family life in the shadow of dementia both frankly and with endearing wit... a timely and relevant portrayal of today’s Sandwich Generation, brilliantly cloaked in sparkling humour and hope.’ Pernille Hughes‘Absolutely hilarious and heartwarming all at the same time.’ ⭐⭐⭐⭐⭐ Reader Review‘Captivating, witty, hilarious, emotional, raw and real! One of the best books I’ve read in the last few months!’ ⭐⭐⭐⭐⭐ Reader Review‘What an absolutely beautiful story this was. I laughed out loud, I cried and I had many moments of self-reflection’ ⭐⭐⭐⭐⭐ Reader Review‘Great, totally relatable read, particularly for women of a certain age…Would highly recommend this’ ⭐⭐⭐⭐⭐ Reader Review‘What a delightful, heartwarming book…The story was compelling and entertaining’ ⭐⭐⭐⭐⭐ Reader Review

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