Search results for ""author christopher""

The insurrection of January 6, 2021, demonstrated conclusively that tribalism in the United States has become dangerous. The “other side” is no longer viewed as a well-intentioned opponent but as an existential threat. If we don’t change course, American democracy is far from assured.This book outlines specific steps that average citizens can take to back the nation away from the brink. Instead of looking to political leaders, institutions, or policy for solutions to extreme partisanship, Christopher Beem argues that concerned citizens can and must take up the cause. He spells out seven civic practices we can all follow that will help us work against our antidemocratic tendencies and reorient the nation toward the “more perfect union” of our Founders. Beem’s road map to restore our democracy draws on thinkers from Aristotle and Thomas Aquinas to James Madison, Hannah Arendt, Abraham Lincoln, and Franklin Delano Roosevelt. Empathetic and eminently reasonable, The Seven Democratic Virtues presents practical advice for what each of us can do to change the political discourse and save our democracy. This is necessary reading for our politics today—and in the future.

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Traditionally gnawa musicians in Morocco played for all-night ceremonies where communities gathered to invite spirits to heal mental, physical, and social ills untreatable by other means. Now gnawa music can be heard on the streets of Marrakech, at festivals in Essaouira, in Fez's cafes, in Casablanca's nightclubs, and in the bars of Rabat. As it moves further and further from its origins as ritual music and listeners seek new opportunities to hear performances, musicians are challenged to adapt to new tastes while competing for potential clients and performance engagements. Christopher Witulski explores how gnawa musicians straddle popular and ritual boundaries to assert, negotiate, and perform their authenticity in this rich ethnography of Moroccan music. Witulski introduces readers to gnawa performers, their friends, the places where they play, and the people they play for. He emphasizes the specific strategies performers use to define themselves and their multiple identities as Muslims, Moroccans, and traditional musicians. The Gnawa Lions reveals a shifting terrain of music, ritual, and belief that follows the negotiation of musical authenticity, popular demand, and economic opportunity.

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We live in a boosterish era that exhorts us to play local and buy local. But what does it mean to support local media? How should we define local media in the first place? Christopher Ali delves into our ideas about localism and their far-reaching repercussions for the discourse of federal media policy and regulation. His critique focuses on the new interest in localism among regulators in the United States, the United Kingdom, and Canada. As he shows, the many different and often contradictory meanings of localism complicate efforts to study local voices. At the same time, market factors and regulators' unwillingness to critically examine local media blunt challenges to the status quo. Ali argues that reconciling the places where we live with the spaces we inhabit will point regulators toward effective policies that strengthens local media. That new approach will again elevate local media to its rightful place as a vital part of the public good.

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Your deadline just got moved up. Your artist has never worked with Flash before. Your inner programmer is telling you that no OOP is a big Oops! Any Flash developer can share similar tales of woe. This book breaks down the process of Flash game development into simple, approachable steps. Never heard of a game loop before? No idea what a design pattern is? No problem! Chris Griffith gives you real-world expertise, and real-world code that you can use in your own games. Griffith has been building games in Flash long enough to know what works and what doesn't. He shows you what you need to know to get the job done.Griffith covers Flash for the everyday developer. The average Flash developer doesn't have luxurious timelines, employers who understand the value of reusability, or the help of an information architect to design a usable experience. This book helps bridge the gap for these coders who may be used to C++, Java, or C# and want to move over to Flash. Griffith covers real-world scenarios pulled from his own experiences developing games for over 10 years in the industry. The 2nd edition will include: completely new game examples on more advanced topics like 3D; more robust physics and collision detection; and mobile device coverage with Android platform development for us on phones and tablets. Also coverage of the new features available in Flash CS5, Flash Player 10.1, and AIR 2.0 that can be used for game development.The associated web site for the book: www.flashgamebook.com gets close to 1,000 visits a month. On the site, readers can find all the source code for the examples, news on industry happenings, updates and special offers, and a discussion forum to ask questions and share ideas.

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There are few figures in British history more famous than Winston Churchill. Renowned for guiding Britain through the tumultuous Second World War, his speeches echo through history, and his wartime leadership is recognized as essential for weathering the war. But there is so much more to the man than his speeches and official photos. The Compact Guide: Winston Churchill explores that hidden history in succinct yet informative detail, tracking Churchill's nine-decade life from his early childhood, all the way to his last days. The Compact Guide: Winston Churchill is full of revealing personal letters, documents, and speeches, which draw attention to the unforgettable power of his oratory, which added a heroic dimension to a leader who was undoubtedly a true statesman. However, Churchill was not without fault – the disastrous Gallipoli campaign, the creation of Iraq in 1921, his blind spot over India – all these contributed to a reputation for unreliability that dogged much of his public life. These make for an exciting, colourful retelling of this political titan's life, and a definite must-read.

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Christopher Collins introduces an exciting new field of research traversing evolutionary biology, anthropology, archaeology, cognitive psychology, linguistics, neuroscience, and literary study. Paleopoetics maps the selective processes that originally shaped the human genus millions of years ago and prepared the human brain to play, imagine, empathize, and engage in fictive thought as mediated by language. A manifestation of the "cognitive turn" in the humanities, Paleopoetics calls for a broader, more integrated interpretation of the reading experience, one that restores our connection to the ancient methods of thought production still resonating within us. Speaking with authority on the scientific aspects of cognitive poetics, Collins proposes reading literature using cognitive skills that predate language and writing. These include the brain's capacity to perceive the visible world, store its images, and retrieve them later to form simulated mental events. Long before humans could share stories through speech, they perceived, remembered, and imagined their own inner narratives. Drawing on a wide range of evidence, Collins builds an evolutionary bridge between humans' development of sensorimotor skills and their achievement of linguistic cognition, bringing current scientific perspective to such issues as the structure of narrative, the distinction between metaphor and metonymy, the relation of rhetoric to poetics, the relevance of performance theory to reading, the difference between orality and writing, and the nature of play and imagination.

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An ambitious study of the ways opera has sought to ensure its popularity by keeping pace with changes in media technology. From the early days of television broadcasts to today's live streams, opera houses have embraced technology as a way to reach new audiences. But how do these new forms of remediated opera extend, amplify, or undermine production values, and what does the audience gain or lose in the process? In Screening the Operatic Stage, Christopher Morris critically examines the cultural implications of opera's engagement with screen media. Foregrounding the potential for a playful exchange and self-awareness between stage and screen, Morris uses the conceptual tools of media theory to understand the historical and contemporary screen cultures that have transmitted the opera house into living rooms, onto desktops and portable devices, and across networks of movie theaters. If these screen cultures reveal how inherently technological opera is as a medium, they also highlig

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Writing a new page in the surprisingly long history of literary deceit, Impostors examines a series of literary hoaxes, deceptions that involved flagrant acts of cultural appropriation. This book looks at authors who posed as people they were not, in order to claim a different ethnic, class, or other identity. These writers were, in other words, literary usurpers and appropriators who trafficked in what Christopher L. Miller terms the “intercultural hoax.” In the United States, such hoaxes are familiar. Forrest Carter’s The Education of Little Tree and JT LeRoy’s Sarah are two infamous examples. Miller’s contribution is to study hoaxes beyond our borders, employing a comparative framework and bringing French and African identity hoaxes into dialogue with some of their better-known American counterparts. In France, multiculturalism is generally eschewed in favor of universalism, and there should thus be no identities (in the American sense) to steal. However, as Miller demonstrates, this too is a ruse: French universalism can only go so far and do so much. There is plenty of otherness to appropriate. This French and Francophone tradition of imposture has never received the study it deserves. Taking a novel approach to this understudied tradition, Impostors examines hoaxes in both countries, finding similar practices of deception and questions of harm.

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Why does passion bewilder and torment so many Victorian protagonists? And why do so many literary characters experience moments of ecstasy before their deaths? This text shows why Victorian fiction conveys both the pleasure and anguish of intimacy. Examining works by Bulwer-Lytton, Swinburne, Schreiner, Hardy, James, Santayana, and Forster, he argues that these writers struggled with aspects of psychology that were undermining the utilitarian ethos of the Victorian age. Christopher Lane discredits the conservative notion that Victorian literature expresses only a demand for repression and moral restraint. But he also refutes historicist and Foucauldian approaches, arguing that they dismiss the very idea of repression and end up denouncing psychoanalysis as complicit in various kinds of oppression. These approaches, Lane argues, reduce Victorian literature to a drama about politics, power, and the ego. Striving instead to reinvigorate discussions of fantasy and the unconscious, Lane offers an account of writers who grapple with the genuine complexities of love, desire, and friendship.

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For Rousseau, "consecrating one's life to the truth" (his personal credo) meant publicly taking responsibility for what one published and only publishing what would be of public benefit. Christopher Kelly argues that this commitment is central to understanding the relationship between Rousseau's writings and his political philosophy. Unlike many other writers of his day, Rousseau refused to publish anonymously, even though he risked persecution for his writings. But Rousseau felt that authors must be self-restrained, as well as bold, and must carefully consider the potential political effects of what they might publish: sometimes seeking the good conflicts with writing the truth. Kelly shows how this understanding of public authorship played a crucial role in Rousseau's conception - and practice - of citizenship and political action. "Rousseau as Author" should be a ground-breaking book not just for Rousseau scholars, but for anyone studying Enlightenment ideas about authorship and responsibility.

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Water may seem innocuous, but as a universal necessity, it inevitably intersects with politics when it comes to acquisition, control, and associated technologies. While we know a great deal about the socio-ecological costs and benefits of modern dams, we know far less about their political origins and ramifications. In Concrete Revolution, Christopher Sneddon offers a corrective: a compelling historical account of the US Bureau of Reclamation's contributions to dam technology, Cold War politics, and the social and environmental adversity perpetuated by the US government in its pursuit of economic growth and geopolitical power. Founded in 1902, the Bureau became enmeshed in the US State Department's push for geopolitical power following World War II, a response to the Soviet Union's increasing global sway. By offering technical and water resource management advice to the world's underdeveloped regions, the Bureau found that it could not only provide them with economic assistance and the United States with investment opportunities, but also forge alliances and shore up a country's global standing in the face of burgeoning communist influence. Drawing on a number of international case studies-from the Bureau's early forays into overseas development and the launch of its Foreign Activities Office in 1950 to the Blue Nile investigation in Ethiopia-Concrete Revolution offers insights into this historic damming boom, with vital implications for the present. If, Sneddon argues, we can understand dams as both technical and political objects rather than instruments of impartial science, we can better participate in current debates about large dams and river basin planning.

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"The Transatlantic Collapse of Urban Renewal" examines how postwar thinkers from both sides of the Atlantic considered urban landscapes radically changed by the political and physical realities of sprawl, urban decay, and urban renewal. With a sweep that encompasses New York, London, Toronto, and Berlin, among others, Christopher Klemek traces changing responses to the challenging issues that most affected day-to-day life in the world's cities.

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Christopher Hibbert’s acclaimed biography of Queen Victoria is as impressive and authoritative as the great woman herself. In 1837 an eighteen-year-old girl, raised by a German mother, inherited the throne of the United Kingdom. She was to reign as queen – and later Empress of India – for almost sixty-four years, presiding over twenty prime ministers and a period of unprecedented social and political change. Her era became synonymous with moral rigidity and colonial expansion, and this absorbing biography of Queen Victoria, the unlikely figurehead of a vast and powerful empire, explores how the young monarch transformed herself into a formidable matriarch and the epitome of an age. Embracing her life and family, her politics and personality, her love for Prince Albert and her relationship with John Brown, Hibbert’s touching biography is a persuasive portrait of a remarkable woman.

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Writing Science in the Twenty-First Century offers guidance to help writers succeed in a broad range of writing tasks and purposes in science and other STEM fields. Concise and current, the book takes most of its examples and lessons from scientific fields, such as the life sciences, chemistry, physics, and geology, but some examples are taken from mathematics and engineering. The book emphasizes building confidence and rhetorical expertise in fields where diverse audiences, high ethical stakes, and multiple modes of presentation present unique writing challenges. Using a systematic approach—assessing purpose, audience, order of information, tone, evidence, and graphics—it gives readers a clear road map to becoming accurate, persuasive, and rhetorically savvy writers.

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The tiny, lungless Thorius salamander from southern Mexico, thinner than a match and smaller than a quarter. The lushly white-coated Saki, an arboreal monkey from the Brazilian rainforests. The olinguito, a native of the Andes, which looks part mongoose, part teddy bear. These fantastic species are all new to science--at least newly named and identified; but they weren't discovered in the wild, instead, they were unearthed in the drawers and cavernous basements of natural history museums. As Christopher Kemp reveals in The Lost Species, hiding in the cabinets and storage units of natural history museums is a treasure trove of discovery waiting to happen. With Kemp as our guide, we go spelunking into museum basements, dig through specimen trays, and inspect the drawers and jars of collections, scientific detectives on the hunt for new species. We discover king crabs from 1906, unidentified tarantulas, mislabeled Himalayan landsnails, an unknown rove beetle originally collected by Darwin, and an overlooked squeaker frog, among other curiosities. In each case, these specimens sat quietly for decades--sometimes longer than a century--within the collections of museums, before sharp-eyed scientists understood they were new. Each year, scientists continue to encounter new species in museum collections--a stark reminder that we have named only a fraction of the world's biodiversity. Sadly, some specimens have waited so long to be named that they are gone from the wild before they were identified, victims of climate change and habitat loss. As Kemp shows, these stories showcase the enduring importance of these very collections. The Lost Species vividly tells these stories of discovery--from the latest information on each creature to the people who collected them and the scientists who finally realized what they had unearthed--and will inspire many a museumgoer to want to peek behind the closed doors and rummage through the archives.

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When the Smithsonian's Hall of Physical Anthropology opened in 1965 it featured 160 Andean skulls affixed to a wall to visualize how the world's human population had exploded since the birth of Christ. Through a history of Inca mummies, a pre-Hispanic surgery called trepanation, and Andean crania like these, Empires of the Dead explains how "ancient Peruvians" became the single largest population in the Smithsonian and many other museums in Peru, the Americas, and beyond. In 1532, when Spain invaded the Inca empire, Europeans learned that Inca and Andean peoples made their ancestors sacred by preserving them with the world's oldest practices of artificial mummification. To extinguish their power, the Spaniards collected these ancestors as specimens of conquest, science, nature, and race. Yet colonial Andean communities also found ways to keep the dead alive, making "Inca mummies" a symbol of resistance that Spanish American patriots used to introduce Peruvian Independence and science to the world. Inspired, nineteenth-century US anthropologists disinterred and collected Andean mummies and skulls to question the antiquity and civilization of the American "race" in publications, world's fairs, and US museums. Peruvian scholars then used those mummies and skulls to transform anthropology itself, curating these "scientific ancestors" as evidence of pre-Hispanic superiority in healing. Bringing together the history of science, race, and museums' possession of Indigenous remains, from the sixteenth century to the twentieth, Empires of the Dead illuminates how South American ancestors became coveted mummies, skulls, and specimens of knowledge and nationhood. In doing so it reveals how Peruvian and Andean peoples have learned from their dead, seeking the recovery of looted heritage in the centuries before North American museums began their own work of decolonization.

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An exploration of memory, mourning, and humanity’s precarious relationship to the Anthropocene, Christopher Kennedy’s The Strange God Who Makes Us documents our fragile relationship with time and the imperfect ways in which we document our lives. These prose poems written by one of the form’s masters serve both as attempts to preserve and honor the past and as a call to action to ensure an inhabitable planet for future generations.

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A horror-filled tale of crumbling catacombs and the darkest family secrets, set in the picturesque hills of Sicily, from the acclaimed author of Road of Bones and All Hallows.

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A professional field guide and practical companion to archaeology, packed with information to take the amateur or student from beginner to advanced level. Features how-to photographic sequences of field surveys and step-by-step excavations, plus guidance on handling and recording finds and dating artefacts. Explores a wide range of the world’s most important archaeological sites, spanning every period. Includes fascinating profiles of some of the world’s most famous archaeologists, such as J.F Champollion, decoder of the Rosetta Stone, and Howard Carter, discoverer of Tutankhamen’s tomb. Authoritative but highly accessible text, illustrated with over 1200 photographs and site maps. The first part of the book explores the many fields of archaeology, from forensics applied to burial sites through to the deciphering of ancient languages. The techniques involved in an excavation are unravelled, from the initial surface sampling of a site to the post-excavation practice of dating finds and building matrices. The book then looks at the people who have been responsible for many of the most important discoveries in world archaeology, and the final section of the book is an overview of the world’s greatest archaeological sites broken down into sections on specific geographic regions.

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When The Culture of Narcissism was first published in 1979, Christopher Lasch was hailed as a “biblical prophet” (Time). Lasch’s identification of narcissism as not only an individual ailment but also a burgeoning social epidemic was ground-breaking. His diagnosis of American culture is even more relevant today, predicting the limitless expansion of the anxious and grasping narcissistic self into every part of American life.

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A great age of poetry speaks for itself in Christopher Ricks's celebrated anthology: the variety and power of Victorian verse, the innovation and creativity with which poets resisted the bad propensities of the era through which they lived. The great figures are of course strongly represented - Tennyson and Browning, Swinburne and Hopkins - but not so as to crowd out the less expected but equally rewarding facets of light verse and nonsense, of grotesque and protest. At long last justice is done to the poignant directness of 'the true voice of feeling', from William Barnes and John Clare, through Emily Jane Bronte and Christina G. Rossetti, to Thomas Hardy.

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From around 900 to 400 BC, the Etruscans were the most innovative, powerful, wealthy, and creative people in Italy. Their archaeological record is both substantial and fascinating, including tomb paintings, sculpture, jewellery, and art. In this Very Short Introduction, Christopher Smith explores Etruscan history, culture, language, and customs. Examining the controversial debates about their origins, he explores how they once lived, placing this within the geographical, economic, and political context of the time. Smith concludes by demonstrating how the Etruscans have been studied and perceived throughout the ages, and the impact this has had on our understanding of their place in history. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

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Here is a treasure-house of over seven centuries of English poetry, chosen and introduced by Christopher Ricks, whom Auden described as 'exactly the kind of critic every poet dreams of finding'. The Oxford Book of English Verse, created in 1900 by Arthur Quiller-Couch and selected anew in 1972 by Helen Gardner, has established itself as the foremost anthology of English poetry: ample in span, liberal in the kinds of poetry presented. This completely fresh selection brings in new poems and poets from all ages, and extends the range by another half-century, to include many twentieth-century figures not featured before -- among them Philip Larkin and Samuel Beckett, Thom Gunn and Elaine Feinstein -- right up to Ted Hughes and Seamus Heaney. Here, as before, are lyric (beginning with medieval song), satire, hymn, ode, sonnet, elegy, ballad . . . but also kinds of poetry not previously admitted: the riches of dramatic verse by Marlowe, Shakespeare, Jonson, Webster; great works of translation that are themselves true English poetry, such as Chapman's Homer (bringing in its happy wake Keats's 'On First Looking into Chapman's Homer'), Dryden's Juvenal, and many others; well-loved nursery rhymes, limericks, even clerihews. English poetry from all parts of the British Isles is firmly represented -- Henryson and MacDiarmid, for example, now join Dunbar and Burns from Scotland; James Henry, Austin Clarke, and J. M. Synge now join Allingham and Yeats from Ireland; R. S. Thomas joins Dylan Thomas from Wales -- and Edward Taylor and Anne Bradstreet, writing in America before its independence in the 1770s, are given a rightful and rewarding place. Some of the greatest long poems are here in their entirety -- Wordsworth's 'Tintern Abbey', Coleridge's 'Rime of the Ancient Mariner', and Christina Rossetti's 'Goblin Market' -- alongside some of the shortest, haikus, squibs, and epigrams. Generous and wide-ranging, mixing familiar with fresh delights, this is an anthology to move and delight all who find themselves loving English verse.

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The Origins of the Final Solution is the most detailed, careful, and comprehensive analysis to date of the descent of the Nazi persecution of the Jews into mass murder: the Holocaust. Arguing that genocide was not a preconceived plan but rather a discovered possibility, Christopher Browning explains how Hitler's decision to murder the Jews en masse emerged in stages and by a process of elimination that gradually foreclosed plans for their expulsion from Europe. Only in the interval between late September and late October 1941 did the desire to "remove" the Jews intersect with the discovery of acceptable means of killing them on a large scale and with the euphoria of expected victory in Russia, all of which followed on from two years of 'race war' and 'racial imperialism' in eastern Europe that prepared 'ordinary Germans' for this fateful task.

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The aim of this book is to introduce a graduate student to selected concepts in condensed matter physics for which the language of field theory is ideally suited. The examples considered in this book are those of superfluidity for weakly interacting bosons, collinear magnetism, and superconductivity. Quantum phase transitions are also treated in the context of quantum dissipative junctions and interacting fermions constrained to one-dimensional position space. The style of presentation is sufficiently detailed and comprehensive that it only presumes familiarity with undergraduate physics.

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While most books on architecture focus on the architectural outcome itself, Architects on Dwelling takes a close look at how that outcome is created. To design any kind of dwelling, architects draw on both their reservoir of ideas as well as their own experiences as fellow inhabitants of such structures. This book explores how architects design the places we inhabit and how those places in turn inform the manner in which we live, in ways beyond lifestyle and personal taste. Through contributions by Stephen Hoey, Henry McKeown & Ian Alexander, James Mitchell, Stacey Philips, Christopher Platt, Adrian Stewart, and Miranda Webster—most of whom are Scotland-based practitioners as well as teachers in The Glasgow School of Art—it reveals the unique values and qualities that inform their design processes.In their essays, they focus mostly on one exemplary building, explaining how and why they design the way they do. Dick van Gameren, Simon Henley, and Graeme Hutton, distinguished experts and themselves architect-educators, place this work within an international context and provide insightful comment about what these design approaches inform us about contemporary design in Scotland. Complemented with a wide range of images, these essays both illuminate the architects’ motivations and inspirations and celebrate their featured works. Taken as a whole, Architects on Dwelling reminds us how profoundly the place we live in matters to our wellbeing, and of the social responsibility architects have in creating the built environment in general and dwellings in particular.

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"Delightfully twisty and chilling all at once — murder mysteries are rarely this fun." —Jonathan Whitelaw, The SunSir Lawrence Linwood is dead. More accurately, he was murdered—savagely beaten to death in his own study with a mediaeval mace. The murder calls home his three adopted children: Alan, an archeologist; Roger, an engineer; and Caroline, a journalist. But his heirs soon find that his last testament contains a strange proviso—that his estate shall go to the heir who solves his murder.To secure their future, each Linwood heir must now dig into the past. As their suspicion mounts—of each other and of peculiar strangers in the churchless town of Linwood Hollow—they come to suspect that the perpetrator lurks in the mysterious origins of their own birth.

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Evidence-based medicine is now firmly established in the lexicon of modern health care. In "The Evidence for Plastic Surgery" the diverse spectrum of plastic surgical practice is called to account by a cross-examination of the available evidence in support of many of the common treatment protocols and surgical procedures in everyday use. The result is a text that makes an important contribution to some of the contentious debates within the speciality and details the critical appraisal of new or developing techniques. This is a unique and invaluable reference source for senior doctors and for those in training, not only in plastic surgery but also in a variety of other closely aligned specialities including general and orthopaedic surgery.

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Stamford has a reputation for being one of England's finest stone towns. It is a happy mix of medieval and Georgian architecture that was untouched by the Industrial Revolution or later large scale developments, so its central core has survived remarkably intact. Its architecture is outstanding and for this reason, in 1967, it became the country's first conservation area. In recent years the town has become a popular tourist destination for both home and overseas visitors. It has also attracted the attention of film makers who have been quick to see its potential as a back-drop for such TV productions as Middlemarch and Pride and Prejudice. Using contrasting photographs, this book sets out to show something of both the continuity and change in the town during the last 100 years.

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For centuries, botanists have been drawn to the rarest species, sometimes with dire consequences for the species’ survival. In this book, Great Britain’s rarest flowering plants are discussed in turn, including the stories behind their discovery, the reasons for their rarity, and the work being done to save them from dying out. It is hoped that it will help to throw light on some of the species that normally gain little attention, and foster an appreciation of our most threatened plants. This guide describes 66 native species of plants that have the most narrowly restricted ranges in Great Britain. These range from continental, warmth-loving species in the south of England to those found only on the highest Scottish mountains. Each species is shown together with its habitat to allow the reader to better understand the ecological context. Other scarce plants in the same area are indicated.

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The essential companion for exploring the islands of the Outer Hebrides. Beautifully illustrated with over 500 colour images, this guidebook describes the most beautiful places to visit and photograph on the islands of the Inner Hebrides from Skye in the north to Islay in the south. FEATURING: * Colour OS-style detailed maps * Smartphone scannable direction QR-codes * Where to stay, eat & stock up * Accessibility information * Hebridean climate & weather, including the best seasons to visit * Island fact files, travel advice & logistics * All the classic locations & those off the beaten track * Seascapes, beaches, seaweed, the machair & flora, lighthouses, shipwrecks, waterfalls, mountain vistas, lochs, best views, heritage sites, harbours, villages & crofts, castles, churches, graveyards, distilleries, sheep, Highland cattle, wildlife & sealife.

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Explains the process and materials that bees use to build hives. This book’s colorful photos, clear text, and “A Closer Look” feature highlight the engineering that makes this structure such a marvel and helps bees survive in the wild.

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Provides readers with an engaging introduction to energy. With colorful spreads, clear text, helpful diagrams, and a "Science in Action" activity, this book offers an exciting look at physics in the real world.

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The twenty-first century doesn’t much care for subtlety. Now is the era of the gist, the elevator pitch, the big idea boiled down. This is precisely why Christopher Woodall’s fiction gives such pleasure. His meticulous stories about love, death, fidelity, friendship, and human solitude do not wave their narrative arms wildly, demanding unwarranted attention. They speak in a calm voice, inviting the reader closer—inviting him not merely to react but to feel and think. Sweets and Toxins is the first collection of short fiction to be published by this talented novelist and it marks him as a writer whose sharp eye for detail and feeling for people is a rare commodity indeed. He is one of the major English authors writing today.

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The book is the first of its kind to draw together in conversation the views of the early Church, contemporary biblical and theological scholarship, and post-conciliar teachings. Steck develops a comprehensive, Catholic theology of animals based on an in-depth exploration of Catholicism's fundamental doctrines—trinitarian theology, Christology, pneumatology, eschatology, and soteriology. All God's Animals makes two central claims. First, we can hope that God will include animals of the present age in the kingdom inaugurated by Christ. Second, because of this inclusion, our responses to animals should be guided by the values of the kingdom. As Christians await the final liberation of all creation, they are to be witnesses to God’s kingdom by embodying its ideals in their relations with animal life. Because the kingdom's fullness is yet to come and because our world remains marked by the wounds of sin, however, Christian treatment of animals will at times require acts that are at odds with the kingdom’s ideals (for example, those causing suffering and death). Steck examines each of these ideas and explores all of their complexities.

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