Search results for ""author christopher""

Studying a range of writers, genres, and disciplines, this book interrogates the status of geopolitics as a powerful twentieth-century fiction. The first part argues, through a reading of anarchist and imperialist geographers, that geopolitics emerged as a pseudoscience from the breakdown of nineteenth-century ideas of culture. The book’s second part addresses the fate of the European hypothesis of culture, beginning with a chapter that studies the novels of Wilkie Collins within the historical context of democratic reform and the formalization of Empire. The next chapter finds, in the affinities between Olive Schreiner and Friedrich Nietzsche, a shared diagnosis of the nihilist positivism and eurocentrism of the culture hypothesis. The third part examines the relation between the utopian globalism of international socialism and the geopolitical dystopia of world war. One chapter delineates the geography of politics in the 1890s through the medium of R. B. Cunninghame Graham’s political journalism and early modernist sketch-artistry. The final chapter traces the meaning of “sabotage” from its anarcho-syndicalist origins to its geopolitical significance in early films of Alfred Hitchcock. Charting the contours of the long turn of the century, from 1860 to 1940, the book moves back and forth from Victorian to modernist fields of study to show how the nineteenth-century European hypothesis of culture haunts the twentieth-century fiction of geopolitics.

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Nonprofit corporations, cooperatives, and credit unions constitute an alternative avenue of hope and action for communities that have come up short in the normal operation of the market economy. These organizations comprise the third sector, which accounts for approximately 10 percent of U.S. economic activity. As part of the fastest growing sector in the economy, these dynamic organizations play an increasing role in strengthening local economies. In the United States, they help to compensate for a state that is, in Gunn's view, relatively disengaged from meeting basic human needs. This book helps move thinking about the third sector beyond traditional nonprofits centered on education, health care, and charity, and into the realm of often smaller, dynamic organizations that engage in collective entrepreneurship. Throughout, Gunn illustrates how organizations founded with little in the way of financial resources have made substantial contributions to economic development and general well-being in the communities they serve and from which they arise. After explaining why local development is a problem in such a wealthy and resource-rich country as the United States, Christopher Gunn profiles more than two dozen organizations ranging from child-care cooperatives to retirement communities, from co-housing "villages" to financial institutions. He also investigates public-policy changes that could strengthen this alternative sector's contribution to economic development.

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As an anthropology student studying with Franz Boas, Zora Neale Hurston recorded African American folklore in rural central Florida, studied hoodoo in New Orleans and voodoo in Haiti, talked with the last ex-slave to survive the Middle Passage, and collected music from Jamaica. Her ethnographic work would serve as the basis for her novels and other writings in which she shaped a vision of African American Southern rural folk culture articulated through an antiracist concept of culture championed by Boas: culture as plural, relative, and long-lived. Meanwhile, a very different antiracist model of culture learned from Robert Park's sociology allowed Richard Wright to imagine African American culture in terms of severed traditions, marginal consciousness, and generation gaps. In A Genealogy of Literary Multiculturalism, Christopher Douglas uncovers the largely unacknowledged role played by ideas from sociology and anthropology in nourishing the politics and forms of minority writers from diverse backgrounds. Douglas divides the history of multicultural writing in the United States into three periods. The first, which spans the 1920s and 1930s, features minority writers such as Hurston and D'Arcy McNickle, who were indebted to the work of Boas and his attempts to detach culture from race. The second period, from 1940 to the mid-1960s, was a time of assimilation and integration, as seen in the work of authors such as Richard Wright, Jade Snow Wong, John Okada, and Ralph Ellison, who were influenced by currents in sociological thought. The third period focuses on the writers we associate with contemporary literary multiculturalism, including Toni Morrison, N. Scott Momaday, Frank Chin, Ishmael Reed, and Gloria Anzaldúa. Douglas shows that these more recent writers advocated a literary nationalism that was based on a modified Boasian anthropology and that laid the pluralist grounds for our current conception of literary multiculturalism. Ultimately, Douglas's "unified field theory" of multicultural literature brings together divergent African American, Asian American, Mexican American, and Native American literary traditions into one story: of how we moved from thinking about groups as races to thinking about groups as cultures—and then back again.

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Everything you think you know about Nikola Tesla is wrong. The Truth About Tesla sets the record straight.Nikola Tesla was one of the greatest electrical inventors who ever lived. For years, the engineering genius was relegated to relative obscurity, his contributions to humanity (we are told) obscured by a number of nineteenth-century inventors and industrialists who took credit for his work or stole his patents outright. In recent years, the historical record has been “corrected” and Tesla has been restored to his rightful place among historical luminaries like Thomas Edison, George Westinghouse, and Gugliemo Marconi.Most biographies repeat the familiar account of Tesla’s life, including his invention of alternating current, his falling out with Edison, how he lost billions in patent royalties to Westinghouse, and his fight to prove that Marconi stole 13 of his patents to “invent” radio. But, what really happened?Consider this: Everything you think you know about Nikola Tesla is wrong. Newly uncovered information proves that the popular account of Tesla’s life is itself very flawed. In The Truth About Tesla, Christopher Cooper sets out to prove that the conventional story not only oversimplifies history, it denies credit to some of the true inventors behind many of the groundbreaking technologies now attributed to Tesla and perpetuates a misunderstanding about the process of innovation itself.Are you positive that Alexander Graham Bell invented the telephone? Are you sure the Wright Brothers were the first in flight? Think again! With a provocative foreword by Tesla biographer Marc. J. Seifer, The Truth About Tesla is one of the first books to set the record straight, tracing the origin of some of the greatest electrical inventions to a coterie of colorful characters that conventional history has all but forgotten.

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Now in paperback, the fifth novel of the galaxy-spanning Sun Eater series merges the best of space opera and epic fantasy, as Hadrian Marlowe continues down a path that can only end in fire.The galaxy is burning.With the Cielcin united under one banner, the Sollan Empire stands alone after the betrayal of the Commonwealth. The Prophet-King of the Cielcin has sent its armies to burn the worlds of men, and worse, there are rumors...whispers that Hadrian Marlowe is dead, killed in the fighting.But it is not so. Hadrian survived with the help of the witch, Valka, and together they escaped the net of the enemy, having learned a terrible truth: the gods that the Cielcin worship are real and will not rest until the universe is dark and cold.What is more, the Emperor himself is in danger. The Prophet-King has learned to track his movements as he travels along the borders of Imperial space. Now the Cielcin legions are closing in, their swords poised to strike off the head of all mankind.This compelling, genre-blending tale of a man-turned-legend is a must-read for space opera and epic fantasy fans alike.

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‘I suppose you know who I am? I was in charge of the actions in Germany and Poland and Czechoslovakia. I am prepared to sell you one million Jews: Goods for blood … Blood for goods.’ These were the chilling words uttered by one of the most notorious Nazi bureaucrats, SS Colonel Adolf Eichmann, to a young Jewish businessman called Joel Brand in the spring of 1944. Brand embarked on a desperate mission to persuade the Allies to barter with Eichmann – and failed. At the same time, the SS deported hundreds of thousands of Hungarian Jews to Auschwitz-Birkenau packed in cattle trains. The majority were gassed, then incinerated. For decades after 1945, many blamed the Allies for callously abandoning a million Hungarian Jews to their fate. In Deception, Christopher Hale presents a new account of the ‘Brand Mission’ based on evidence in the national archives of Germany, Hungary, Britain and the United States. Hale reveals that Eichmann’s offer formed one part of a monstrous deception designed to outwit the leaders of the last surviving Jewish community in Europe. The deception was more complex and – from the German point of view – more successful than any operation mounted by the secret services of the Allied governments.

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Shortlisted for the 2015 Cricket Society and MCC Book of the Year Award.Shortlisted for the Cross British Sports Book of the Year 2015 (Cricket category). August 1914 brought an end to the ‘Golden Age’ of English cricket. At least 210 professional cricketers (out of a total of 278 registered) signed up to fight, of whom thirty-four were killed. However, that period and those men were far more than merely statistics: here we follow in intimate detail not only the cricketers of that fateful last summer before the war, but also the simple pleasures and daily struggles of their family lives and the whole fabric of English social life as it existed on the eve of that cataclysm: the First World War. With unprecedented access to personal and war diaries, and other papers, Sandford expertly recounts the stories of such greats as Hon. Lionel Tennyson, as he moves virtually overnight from the round of Chelsea and Mayfair parties into the front line at the Marne; the violin-playing bowler Colin Blythe, who asked to be moved up to a front-line unit at Passchendaele, following the death in action of his brother, with tragic consequences; and the widely popular Hampshire amateur player Robert Jesson, whose sometimes comic, frequently horrific and always enthralling experiences of the ill-fated Gallipoli campaign are vividly brought to life. The Final Over is undoubtedly a gripping, moving and fully human account of this most poignant summer of the twentieth century, both on and off the field of play.

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Christopher Isherwood gives fascinating insight into pre-war Berlin.MR NORRIS CHANGES TRAINSThe first of Christopher Isherwood's classic 'Berlin' novels, this portrays the encounter and growing friendship between young William Bradshaw and the urbane and mildly sinister Mr Norris. Piquant, witty and oblique, it vividly evokes the atmosphere of pre-war Berlin, and forcefully conveys an ironic political parable.GOODBYE TO BERLINThe inspiration for the film Cabaret and for the play I Am a Camera, this novel remains one of the most powerful of the century, a haunting evocation of the gathering storm of the Nazi terror. Told in a series of wry, detached and impressionistic vignettes, it is an unforgettable portrait of bohemian Berlin, a city and a world on the very brink of ruin.

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Exploring the archetypal representation of the straight girl with the queer guy in film and television culture from 1948 to the present day, Straight Girls and Queer Guys considers the process of the `hetero media gaze’ and the way it contextualizes sexual diversity and gender identity. Offering both an historical foundation and a rigorous conceptual framework, Christopher Pullen draws on a range of case studies, including the films of Doris Day and Rock Hudson, the performances of Kenneth Williams, televisions shows such as Glee, Sex and the City and Will and Grace, the work of Derek Jarman, and the role of the gay best friend in Hollywood film. Critiquing the representation of the straight girl and the queer guy for its relation to both power and otherness, this is a provocative study that frames a theoretical model which can be applied across diverse media forms.

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This is a sustained critique of present-day academic philosophy combined with a practical agenda for change. Christopher Norris raises some basic questions about the way that analytic philosophy has been conducted over the past 25 years. In doing so, he offers an alternative to what he sees as an over-specialisation of a lot of recent academic work. Arguing that analytic philosophy has led to a narrowing of sights to the point where other approaches that might be more productive are blocked from view, he goes against the grain to claim that Continental philosophy holds the resources for a creative renewal of analytic thought. It draws on a wide range of examples to shine light on one topic: philosophy's current condition and how we can move beyond it. It addresses issues of interest to students and teachers of philosophy in both the analytic and the Continental traditions: speculative realism, the 'extended mind' hypothesis, experimental philosophy, the ontology of political song, linguistic philosophy, anti-realism and epistemological scepticism. It interrogates the analytical zeitgeist through a vigorous critique of the prevailing modes of thought.

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This is a colourful and stimulating history of modern Scotland. Christopher Harvie brings his inimitable vision to a history of modern Scotland epitomised by political and social change, in what he sees as 'recuperation' through change. This introductory history takes Scotland through two world wars and subsequent social exhaustion, through the re energising adjustments loosely referred to as 'the sixties' to a final endgame of Union versus Independence. The novel structure of Harvie's history mirrors that of a grand engineering project, or a structure as complex as the Forth Railway Bridge: 'three periods of change rendered as towers, and two great cantilevered arches of life in common, over which day to day life proceeds'. This is a final narrative of 'Union versus Independence'. It thematically rebuilts chapters: Economy/Society/Politics/Culture. The '60s' is reinterpreted.

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This book examines how technology and online media shape social interaction. Social Interaction and Technology explores how technology mediates social interaction. The focal point of analysis and discussion is online communication. Using conversation analysis and ethnomethodology, the book identifies and explicates key social and interactional issues in voice-based and text-based chat rooms, emails, social networking websites, and mobile telephony. Facebook, Youtube, FaceTime and other popular forms of communication are also discussed. Divided into three sections - survey, analysis, application - this is an ideal resource for postgraduate students of computer-mediated communication (CMC) or applied linguistics. It examines popular forms of online communication from a conversation analytic and ethnomethodological perspective. It provides transcript-based analyses and discussions of popular forms of online communication. It offers in-depth commentaries of data extracts and provides suggestions for further research. It discusses the practical implications and applications of studying online communication.

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The American counterculture played a major role during a pivotal moment in American history. Post-War prosperity combined with the social and political repression characteristic of middle-class life to produce both widespread civil disobedience and artistic creativity in the Baby Boomer generation. This introduction explores the relationship between the counterculture and American popular culture. It looks at the ways in which Hollywood and corporate record labels commodified and adapted countercultural texts, and the extent to which countercultural artists and their texts were appropriated. It offers an interdisciplinary account of the economic and social reasons for the emergence of the counterculture, and an appraisal of the key literary, musical, political and visual texts which were seen to challenge dominant ideologies. Key Features: *examines the ways in which texts were seen to be countercultural *assesses the extent to which they represented real opposition to cultural orthodoxies *scrutinises the notion of the counterculture *examines the limits to and achievements of the counterculture *places key countercultural figures and texts in context of the shifting wider social and political climate of the United States *uses case studies to illuminate the text.

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A special issue of the popular Scotlands journal.

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International terrorism and the ‘war’ against it have come to define the age in which we live. The threat of terrorist attacks and the measures taken by governments around the world to prevent such atrocities are now part of our daily lives. But what exactly do we mean by global terrorism? Why does it occur? And, most importantly, what can be done about it? This book explores global terror from a range of perspectives – from the impact of terrorism on the international system to the American ‘War on Terror’ and the individual motivations of the suicide bomber. Core themes such as the funding of terrorist groups and the roles of intelligence-gathering and international law in combating terrorism are fully explored. The volume also offers in-depth analyses of the relationship between globalization and terrorism as well as regional and country-based responses to the rise of terrorist networks in Europe, Russia, Southeast Asia and Africa. Understanding Global Terror includes a thought-provoking preface by Philip C. Bobbitt and contributions from Christopher Ankersen, Alexander Bialsky, James Boutilier, Chris Brown, Michael Cox, Lawrence Freedman, Margot Light, Christopher Mackmurdo, Kerry Lynn Nanikvell, Martin Navias, Ami Pedahzur, Arie Perliger, Dinah Pokempner, Timothy Shaw, and William Wallace.

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According to evolutionary biologists, we are the minders of our genes. But, as Christopher Badcock points out in this book, it is only recently that evolutionists have realized that minders need minds, and that evolution needs psychology to fill the yawning gap between genes and behaviour. Evolutionary Psychology assumes no prior knowledge of the subject, and concentrates on the fundamental issues raised by the application of modern Darwinism to psychology. Basic concepts of evolution are explained carefully, so that the reader has a sound grasp of them before their often controversial application to psychology is discussed. The approach is a critical one, and the author does not hide the many difficulties that evolutionary psychology raises. Examples include the strange neglect of Darwin's own writings on psychology, and the fact that no existing theory has succeeded in explaining why the human brain evolved in the first place. The book is the first to give a non-technical account of remarkable new findings about the roles that conflicting genes play in building different parts of the brain. It is also the first to consider the consequences of this for controversies like those over nature/nurture, IQ, brain lateralization and consciousness. Evolutionary Psychology is based on many years experience of teaching evolution and psychology to social science students, and is intended for all who wish to get to grips with the basic issues of one of the most exciting and rapidly growing areas of modern science.

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As the twenty-first century dawned, social democratic parties across Europe and beyond found themselves newly, and rather surprisingly, in the ascendant. Britain's New Labour was only the most spectacular in a whole series of political restorations. For many, this renewal only became possible when 'modernizing' social democratic parties jettisoned their old ideological and institutional baggage, setting off down a 'third way' that rejected the outmoded ideas of both left and right. The argument of Hard Choices is that this view is doubly misleading: it misrepresents the past and misunderstands the present. The first half of the book restores some of the complexity to social democracy's past and shows that it was much more subtle, varied and intelligent than its latter-day critics suppose. Turning to the present, the second half of the book shows how a few contemporary half-truths - relating to globalization and demographic change - have been used to justify the abandonment of the defining core of a social democratic politics. The book does not argue that 'nothing has really changed'. In fact, a great deal has changed and policy-makers have to adjust to a range of new circumstances, constraints (and opportunities). But those who exhort us simply to abandon the 'traditional' terrain of the centre-left are wrong. Social democracy remains just what it always was - a politics of messy compromises and hard choices. This book will appeal to undergraduates, postgraduates and scholars in politics, social policy and political sociology, as well as the interested general reader.

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'A brilliant exposé' - Danny Dorling Covid-19 has exposed the limits of a neoliberal public health orthodoxy. But instead of imagining radical change, the left is stuck in a rearguard action focused on defending the NHS from the wrecking ball of privatisation. Public health expert Christopher Thomas argues that we must emerge from Covid-19 on the offensive - with a bold, new vision for our health and care. He maps out five new frontiers for public health and imagines how we can move beyond safeguarding what we have to a radical expansion of the principles put forward by Aneurin Bevan, the founder of the NHS, over 70 years ago. Beyond recalibrating our approach to healthcare services, his blueprint includes a fundamental redesign of our economy through Public Health Net Zero; a bold new universal public health service fit to address the real causes of ill health; and a major recalibration in the efforts against the epidemiological reality of an era of pandemics.

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Christopher Pyne has been many things and called many things throughout his long career in politics. Member for Sturt. Minister for Defence. Manager of Opposition Business. Leader of the House. 'The Fixer'. Any Canberra story he doesn't know isn't worth telling.Now, after 26 years, the ultimate insider is outside the House and ready to burst the Canberra bubble with his trademark sharp wit. His revelations of dealings, double dealings, friendships and feuds shine a light on the political processes of those in power: the egos, the sacrifices, the winners, the losers, the triumphs and the failures. From Howard to Rudd, Gillard, Abbott, Turnbull and Morrison, Christopher Pyne has seen and heard it all. THE INSIDER is one of the most brilliant, funny, engaging books by an Australian public figure you'll ever read.

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Philosophic Pride is the first full-scale look at the essential place of Stoicism in the foundations of modern political thought. Spanning the period from Justus Lipsius's Politics in 1589 to Jean-Jacques Rousseau's Emile in 1762, and concentrating on arguments originating from England, France, and the Netherlands, the book considers how political writers of the period engaged with the ideas of the Roman and Greek Stoics that they found in works by Cicero, Seneca, Epictetus, and Marcus Aurelius. Christopher Brooke examines key texts in their historical context, paying special attention to the history of classical scholarship and the historiography of philosophy.Brooke delves into the persisting tension between Stoicism and the tradition of Augustinian anti-Stoic criticism, which held Stoicism to be a philosophy for the proud who denied their fallen condition. Concentrating on arguments in moral psychology surrounding the foundations of human sociability and self-love, Philosophic Pride details how the engagement with Roman Stoicism shaped early modern political philosophy and offers significant new interpretations of Lipsius and Rousseau together with fresh perspectives on the political thought of Hugo Grotius and Thomas Hobbes.Philosophic Pride shows how the legacy of the Stoics played a vital role in European intellectual life in the early modern era.

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A comprehensive history of censorship in modern BritainFor Victorian lawmakers and judges, the question of whether a book should be allowed to circulate freely depended on whether it was sold to readers whose mental and moral capacities were in doubt, by which they meant the increasingly literate and enfranchised working classes. The law stayed this way even as society evolved. In 1960, in the obscenity trial over D. H. Lawrence's Lady Chatterley's Lover, the prosecutor asked the jury, "Is it a book that you would even wish your wife or your servants to read?" Christopher Hilliard traces the history of British censorship from the Victorians to Margaret Thatcher, exposing the tensions between obscenity law and a changing British society.Hilliard goes behind the scenes of major obscenity trials and uncovers the routines of everyday censorship, shedding new light on the British reception of literary modernism and popular entertainments such as the cinema and American-style pulp fiction and comic books. He reveals the thinking of lawyers and the police, authors and publishers, and politicians and ordinary citizens as they wrestled with questions of freedom and morality. He describes how supporters and opponents of censorship alike tried to remake the law as they reckoned with changes in sexuality and culture that began in the 1960s.Based on extensive archival research, this incisive and multifaceted book reveals how the issue of censorship challenged British society to confront issues ranging from mass literacy and democratization to feminism, gay rights, and multiculturalism.

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A multifaceted history of Ho Chi Minh’s climactic victory over French colonial might that foreshadowed America’s experience in VietnamOn May 7, 1954, when the bullets stopped and the air stilled in Dien Bien Phu, there was no doubt that Vietnam could fight a mighty colonial power and win. After nearly a decade of struggle, a nation forged in the crucible of war had achieved a victory undreamed of by any other national liberation movement. The Road to Dien Bien Phu tells the story of how Ho Chi Minh turned a ragtag guerrilla army into a modern fighting force capable of bringing down the formidable French army.Taking readers from the outbreak of fighting in 1945 to the epic battle at Dien Bien Phu, Christopher Goscha shows how Ho transformed Vietnam from a decentralized guerrilla state based in the countryside to a single-party communist state shaped by a specific form of “War Communism.” Goscha discusses how the Vietnamese operated both states through economics, trade, policing, information gathering, and communications technology. He challenges the wisdom of counterinsurgency methods developed by the French and still used by the Americans today, and explains why the First Indochina War was arguably the most brutal war of decolonization in the twentieth century, killing a million Vietnamese, most of them civilians.Panoramic in scope, The Road to Dien Bien Phu transforms our understanding of this conflict and the one the United States would later enter, and sheds new light on communist warfare and statecraft in East Asia today.

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Philosophic Pride is the first full-scale look at the essential place of Stoicism in the foundations of modern political thought. Spanning the period from Justus Lipsius's Politics in 1589 to Jean-Jacques Rousseau's Emile in 1762, and concentrating on arguments originating from England, France, and the Netherlands, the book considers how political writers of the period engaged with the ideas of the Roman and Greek Stoics that they found in works by Cicero, Seneca, Epictetus, and Marcus Aurelius. Christopher Brooke examines key texts in their historical context, paying special attention to the history of classical scholarship and the historiography of philosophy. Brooke delves into the persisting tension between Stoicism and the tradition of Augustinian anti-Stoic criticism, which held Stoicism to be a philosophy for the proud who denied their fallen condition. Concentrating on arguments in moral psychology surrounding the foundations of human sociability and self-love, Philosophic Pride details how the engagement with Roman Stoicism shaped early modern political philosophy and offers significant new interpretations of Lipsius and Rousseau together with fresh perspectives on the political thought of Hugo Grotius and Thomas Hobbes. Philosophic Pride shows how the legacy of the Stoics played a vital role in European intellectual life in the early modern era.

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The blame game, with its finger-pointing and mutual buck-passing, is a familiar feature of politics and organizational life, and blame avoidance pervades government and public organizations at every level. Political and bureaucratic blame games and blame avoidance are more often condemned than analyzed. In The Blame Game, Christopher Hood takes a different approach by showing how blame avoidance shapes the workings of government and public services. Arguing that the blaming phenomenon is not all bad, Hood demonstrates that it can actually help to pin down responsibility, and he examines different kinds of blame avoidance, both positive and negative. Hood traces how the main forms of blame avoidance manifest themselves in presentational and "spin" activity, the architecture of organizations, and the shaping of standard operating routines. He analyzes the scope and limits of blame avoidance, and he considers how it plays out in old and new areas, such as those offered by the digital age of websites and e-mail. Hood assesses the effects of this behavior, from high-level problems of democratic accountability trails going cold to the frustrations of dealing with organizations whose procedures seem to ensure that no one is responsible for anything. Delving into the inner workings of complex institutions, The Blame Game proves how a better understanding of blame avoidance can improve the quality of modern governance, management, and organizational design.

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Despite costing hundreds of billions of dollars and subsidizing everything from homeownership and child care to health insurance, tax expenditures (commonly known as tax loopholes) have received little attention from those who study American government. This oversight has contributed to an incomplete and misleading portrait of U.S. social policy. Here Christopher Howard analyzes the "hidden" welfare state created by such programs as tax deductions for home mortgage interest and employer-provided retirement pensions, the Earned Income Tax Credit, and the Targeted Jobs Tax Credit. Basing his work on the histories of these four tax expenditures, Howard highlights the distinctive characteristics of all such policies. Tax expenditures are created more routinely and quietly than traditional social programs, for instance, and over time generate unusual coalitions of support. They expand and contract without deliberate changes to individual programs. Howard helps the reader to appreciate the historic links between the hidden welfare state and U.S. tax policy, which accentuate the importance of Congress and political parties. He also focuses on the reasons why individuals, businesses, and public officials support tax expenditures. The Hidden Welfare State will appeal to anyone interested in the origins, development, and structure of the American welfare state. Students of public finance will gain new insights into the politics of taxation. And as policymakers increasingly promote tax expenditures to address social problems, the book offers some sobering lessons about how such programs work.

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The Burakumin. Stigmatized throughout Japanese history as an outcaste group, their identity is still “risky,” their social presence mostly silent, and their experience marginalized in public discourse. They are contemporary Japan’s largest minority group—between 1.5 and 3 million people. How do young people today learn about being burakumin? How do they struggle with silence and search for an authentic voice for their complex experience?Voice, Silence, and Self examines how the mechanisms of silence surrounding burakumin issues are reproduced and challenged in Japanese society. It explores the ways in which schools and social relationships shape people’s identity as burakumin within a “protective cocoon” where risk is minimized. Based on extensive ethnographic research and interviews, this longitudinal work explores the experience of burakumin youth from two different communities and with different social movement organizations.Christopher Bondy explores how individuals navigate their social world, demonstrating the ways in which people make conscious decisions about the disclosure of a stigmatized identity. This compelling study is relevant to scholars and students of Japan studies and beyond. It provides crucial examples for all those interested in issues of identity, social movements, stigma, and education in a comparative setting.

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This book provides an innovative contribution to debates about the use of metaphor in the social sciences written by one of today's foremost archaeological theorists.

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This book provides an innovative contribution to debates about the use of metaphor in the social sciences written by one of today's foremost archaeological theorists.

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There's this monstrous idiot - this monstrous elected idiot - who keeps telling his fellow-idiots to throw my books on a bonfire and beat me up in the street. Stefan is a successful author - widely read, universally admired, and translated into every language.

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Christopher Nolan's previous films have reflected the uncertainties of the twentieth-first century. With Dunkirk, Nolan has gone back into the past and brought to life one of the momentous events of the twentieth-century - the evacuation of British troops from Dunkirk, telling the tale by land, sea, and sky.Dunkirk opens as hundreds of thousands of British and Allied troops are surrounded by enemy forces. Trapped on the beach with their backs to the sea, they face an impossible situation as the enemy closes in.The film features a prestigious cast, including Kenneth Branagh, Cillian Murphy, and newcomer Fionn Whitehead, with Mark Rylance and Tom Hardy.The screenplay is accompanied by a conversation about the film between Christopher Nolan and Jonathan Nolan,as well as selected storyboards.

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The scandalous reputation of Laclos's novel, first published in 1782, is based on its chilling portrayal of the mannered decadence and sexual cynicism of the French aristocracy in the last years of the ancien regime. Christopher Hampton has made a masterful adaptation for the stage of the conspiracy to corrupt a young girl barely out of her convent.Les liaisons dangereuses was premiered by Royal Shakespeare Company at The Other Place, Stratford-upon-Avon, on 24 September 1985, and won Christopher Hampton the Evening Standard Award for Best Play and the Laurence Olivier Award for Best New Play in 1986.

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It follows the exploits of a group of hapless bards, more intimately connected than they themselves can possibly know, in their attempts to navigate the hazards of London literary society. Reid's colourful cast includes an ageing ex-offender, a lecherous academic, a fading grande dame and her underachieving best friend, and two young graduates, one as feckless as the other is ambitious. Hard as each may try, the poets' attempts at literary and social advancement are continually hampered both by fate and by a variety of personal shortcomings, ensuring that their story accelerates irrevocably towards comic catastrophe and collapse. Six Bad Poets is a delicious romp through a world that the author has observed closely over many years, and from which he reports with merciless accuracy, zest and humour.

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ATONEMENTTHE SHOOTING SCRIPT®Screenplay by Christopher HamptonBased on the novel by Ian McEwanIntroduction by Christopher HamptonA Newmarket Shooting Script® Series Book 30 Colour photos in a colour insertThe official screenplay book tie-in to the adaptation by screenwriter Christopher Hampton (Academy Award® winner for Dangerous Liaisons) of Ian McEwan's best-selling 2002 novel, starring James McAvoy (BAFTA Award nominee for The Last King of Scotland) opposite Academy Award-nominated Keira Knightley, directed by Joe Wright (Pride & Prejudice), coming from Focus Features in December. Filmed on location in the U.K., the story of Atonement spans several decades. In 1935, 13-year-old fledgling writer Briony Tallis (Saoirse Ronan) and her family live a life of wealth and privilege in their enormous mansion. On the warmest day of the year, the country estate takes on an unsettling hothouse atmosphere, stoking Briony's vivid imagination. Robbie Turner (James McAvoy), the educated son of the family's housekeeper, carries a torch for Briony's headstrong older sister Cecilia (Keira Knightley). Cecilia, he hopes, has comparable feelings; all it will take is one spark for this relationship to combust. When it does, Briony-who has a crush on Robbie- is compelled to interfere, going so far as accusing Robbie of a crime he did not commit. Cecilia and Robbie declare their love for each other, but he is arrested-and with Briony bearing false witness, the course of three lives is changed forever. Briony continues to seek forgiveness for her childhood misdeed. Through a terrible and courageous act of imagination, she finds the path to her uncertain atonement, and to an understanding of the power of enduring love. Praise for the film Atonement:"Impressively directed, beautifully photographed and superbly adapted drama with terrific performances from its cast."-The View (London)

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Sean Connery's personification of secret agent James Bond invigorated Britain and its cinema, allowing a cash-strapped, morale-sapped country in decline to fancy itself still a player on the world stage. But while Bond would make Connery the first actor to command a million dollar-plus fee, the man himself was forever pouring scorn on the fantasies audiences found it increasingly hard to separate him from.Spirited, argumentative and sardonically celebratory, Christopher Bray's Sean Connery is both a biography of a star and an investigation of what can happen to a man when the images he creates take over his life. And it's an analysis of what it means to be star-struck - a critical tribute to a secular icon who has shaped so many dreams. In this skillfully crafted biography, Christopher Bray challenges the assumptions and rumours prevelent in previous biographies with characteristic wit and skill. His previous book Michael Caine: A Class Act, was described by the Telegraph as 'an extremely enjoyable interpretation of a fascinating body of work.' Apart from his notable performances as James Bond in seven Bond films including Dr. No, From Russia With Love and Goldfinger, Sean Connery won an Oscar for The Untouchables and appeared in Indiana Jones and the Last Crusade, Highlander and The Rock. He has also starred in The Man Who Would Be King, Murder on the Orient Express and Zardoz.

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In this series, a contemporary poet advocates a poet of the past or present whom they have particularly admired. By their selection of verses and by the personal and critical reactions they express, the selectors offer intriguing insight into their own work.

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This first collection of Hampton's work includes The Philanthropist, which premièred at the Royal Court Theatre in 1970 and went on to become one of the Court's longest-running West End transfers. The volume also contains Treats, Savages and Hampton's deeply affecting drama about the relationship of the French poets Rimbaud and Verlaine, Total Eclipse.

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This work provides the first truly comprehensive and systematic reconstruction of proto-Afroasiatic (proto-Afrasian). It rigorously applies, throughout, the established canon and techniques of the historical-comparative method. It also fully incorporates the most up-to-date evidence from the distinctive African branches of the family, Cushitic, Chadic, and Omotic. Using concrete and specific evidence and argument, the author proposes full vowel and consonant reconstructions and a provisional reckoning of tone. Each aspect of these reconstructions is substantiated in detail in an extensive etymological vocabulary of more than 1000 roots. The results, while confirming some previous views on proto-Afroasiatic (proto-Afrasian), revise or overturn many others, and add much that is new.

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Manet, Pissarro, Morisot, Cézanne, Seurat, Gauguin, Van Gogh and their colleagues made some of the most beautiful drawings in the history of art. This book sets drawings by the Impressionists and Post-Impressionists in the context of late nineteenth-century France and explains why these particular works are as important as their paintings in the representation of modernity. A new approach to materials and a wholly inclusive attitude to exhibitions gave drawings a more elevated status in this period than ever before, which avant-garde artists welcomed in their preference for scenes from contemporary life. For the first time also, painting and drawing shared the same stylistic principles of spontaneity, freer handling and lack of finish. Pastels by Degas, watercolors by Cézanne, pen-and-ink drawings by Van Gogh and mixed media works by Toulouse-Lautrec have an autonomy of their own, which proved instrumental in the development of modern art. The distinguished art historian Christopher Lloyd examines the drawings of twenty of the leading Impressionist and Post-Impressionist artists, highlighting an aspect of French avant-garde art that remains relatively unexplored and was of immense importance for the art movements that followed

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Chili-spiked carrots. Skillet-charred Brussels sprouts. Mashed potatoes brightened with harissa and pistachios. These are just three ways to put vegetables in the center of your plate.Here in the U.S., meat is cheap and has been in the center of the plate for centuries. The rest of the world, however, knows how to approach vegetables, grains and beans not only with respect but with a fresh, lively approach, one that transforms the ordinary into the extraordinary.To get a vegetable education, we traveled to Athens to learn how winter vegetable stews could taste light and bright, not hearty and heavy. In Cairo, we tasted eggplant and potatoes that punched up flavor with bold pops of texture from whole spices. And in Puglia, Italy, we had a revelatory bite of zucchini enriched by ricotta cheese and lemon.This is a world of high-heat roasts, unctuous braises, drizzles of honey, and stir-fries aromatic with ginger and garlic. And with 250 recipes, the possibilities are nearly endless: A simple head of cauliflower can become Cauliflower Shawarma, Sichuan Dry-Fried Cauliflower, or Curried Cauliflower Rice with Peas and CashewsHumble cabbage travels the world to become Butter-Roasted Cabbage with Citrus, Hazelnuts and Mustard; Hot and Sour Stir-Fried Cabbage; and Thai-Style Coleslaw with Mint and CilantroMushrooms are transformed into Stir-Fried Mushrooms with Asparagus and Lemon Grass or Miso Soup with Mixed Vegetables and Tofuand greens get the Milk Street treatment in dishes like Pozole with Collard Greens; Hot Oil-Flashed Chard with Ginger, Scallions and Chili; and Persian-Style Swiss Chard and Herb Omelet It's never too late to get your vegetable PhD.

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Fans of Milk Street say that Christopher Kimball has made cooking fun again--with recipes that simplify your time in the kitchen and dramatically improve the results. You'll trade time-consuming marinades for brighter finishing sauces that take a minute to produce. You'll learn that surface area is the key to crispy skin and evenly cooked chicken. And other ideas include:* A simple trick, like shredding chicken breast to coat it more evenly in a flavorful sauce, produces delicious recipes like Vietnamese Chicken Salad with Sweet Lime-Garlic Dressing. * A tip for building all-day flavour with a weeknight pasta sauce is used in Malaysian-Style Noodles with Pork and Mushrooms. * And show off a set of transformational principles for quicker, more flavourful stews with Spanish Chorizo, Ham and White Bean Stew. Each of these modern classic dishes features a full-page photograph alongside step-by-step photography and clear instructions to make it perfect every time.

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Stop shopping and start cooking what you have. Your pantry's possibilities are endless. Milk Street will help you transform whatever you already have into bright, bold meals from around the world. Got a can of chickpeas? It can become anything from a quick hummus to a curry spiked with sweet carrots, from a garlicky chickpea soup to a bowl of crispy canned beans with lemon and scallions. Or grab that can of tomatoes from the back of the cabinet. It can become spicy one-pot pasta all'arrabbiata, chilaquiles rojos, a rich shakshuka with poached eggs or a chicken and tortilla soup.Turn to the refrigerator, where eggs and leftover vegetables are the start of cheesy migas, a Spanish tortilla with potato chips or a quick fried rice. Chicken breasts or thighs from the freezer become Hungarian chicken paprikash or hearty chicken salad with green tahini. Cooks in Amalfi, Italy, taught us to turn a wedge of Parmesan and lemons on the counter into a light yet flavorful pesto. And that's just the start. Desserts, too, come together easily with ingredients everyone keeps on hand. These 225 recipes begin with the most common ingredients in your kitchen, but they provide more than a lesson in practicality. They teach an improvisational, creative way to cook. That's when cooking becomes an adventure.

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A leading psychoanalyst shares his experiences working with schizophrenic patients to show how effective talk therapy can be as a treatment Many schizophrenics experience their condition as one of radical incarceration, mind-altering medications, isolation, and dehumanization. At a time when the treatment of choice is anti-psychotic medication, world-renowned psychoanalyst Christopher Bollas asserts that schizophrenics can be helped by much more humane treatments, and that they have a chance to survive and even reverse the process if they have someone to talk to them regularly and for a sustained period, soon after their first breakdown. In this sensitive and evocative narrative, he draws on his personal experiences working with schizophrenics since the 1960’s. He offers his interpretation of how schizophrenia develops, typically in the teens, as an adaptation in the difficult transition to adulthood. With tenderness, Bollas depicts schizophrenia as an understandable way of responding to our precariousness in a highly unpredictable world. He celebrates the courage of the children he has worked with and reminds us that the wisdom inherent in human beings—to turn to conversation with others when in distress—is the fundamental foundation of any cure for human conflict.

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A fascinating social history of the guitar, reasserting its long-forgotten importance in Romantic England This book is the first to explore the popularity and novelty of the guitar in Georgian England, noting its impact on the social, cultural, and musical history of the period. The instrument possessed an imagery as rich as its uses were varied; it emerged as a potent symbol of Romanticism and was incorporated into poetry, portraiture, and drama. In addition, British and Irish soldiers returning from war in Spain and Portugal brought with them knowledge of the Spanish guitar and its connotations of stylish masculinity. Christopher Page presents entirely new scholarship in order to place the guitar within a multifaceted context, drawing from recently digitized original source material. The Guitar in Georgian England champions an instrument whose importance in the eighteenth and nineteenth centuries is often overlooked.

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This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion.By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.Published for the Paul Mellon Centre for Studies in British Art

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Thanks in part to Shakespeare, Henry V is one of England's best-known monarchs. The image of the king leading his army against the French, and the great victory at Agincourt, are part of English historical tradition. Yet, though indeed a soldier of exceptional skill, Henry V's reputation needs to be seen against a broader background of achievement. This sweepingly majestic book is based on the full range of primary sources and sets the reign in its full European context. Christopher Allmand shows that Henry V not only united the country in war but also provided domestic security, solid government, and a much needed sense of national pride. The book includes an updated foreword which takes stock of more recent publications in the field. "A far more rounded picture of Henry as a ruler than any previous study."--G.L. Harris, The Times

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This generous volume of new and selected poems by Christopher Howell encompasses three decades of his distinguished work, drawing upon all of his previous books. Dreamless and Possible chronicles his wide range of interests, expressed by blending elements of the surreal with biography, imagist economy with a storyteller’s informality. It also shows the development of his signature style, reflected, as poet Albert Goldbarth has written, in poems “connected by deep thought worn lightly, and by large vision writ in small details.” These are poems of palpable force. Howell thinks out loud as he works his way through what charms, challenges, and defines the human project. He questions, tests images and associations, and leaps, trusting himself, into midair. In consequence, the cerebral energy propels his poems beyond statement and into startlingly evocative modes, grappling with and sifting profound matters of memory, imagination, and grief, tempered always by joy.

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