Search results for ""Author Hans"

It is intended that the book will be a practical guide to provide any reader with the basic information to help them understand what is necessary in order to produce a good barrier coated web or to improve the quality of any existing barrier product. After providing an introduction, where the terminology is outlined and some of the science is given (keeping the mathematics to a minimum), including barrier testing methods, the vacuum deposition process will be described. In theory a thin layer of metal or glass-like material should be enough to convert any polymer film into a perfect barrier material. The reality is that all barrier coatings have their performance limited by the defects in the coating. This book looks at the whole process from the source materials through to the post deposition handling of the coated material. This holistic view of the vacuum coating process provides a description of the common sources of defects and includes the possible methods of limiting the defects. This enables readers to decide where their development efforts and money can best be used to improve the barrier performance of their own process or materials. The 2nd edition contains at least 20% new material including additional barrier testing techniques that have been developed and testing and cleaning equipment brought to market since the 1st edition was published in 2010. The topic of adhesion is covered in more detail and there is a section on the Hanson Solubility Parameter which is a method of predicting the solubility of gases or liquids in materials.

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In 1980 Cathy N. Davidson traveled to Japan to teach English at a leading all-women’s university. It was the first of many journeys and the beginning of a deep and abiding fascination. In this extraordinary book, Davidson depicts a series of intimate moments and small epiphanies that together make up a panoramic view of Japan. With wit, candor, and a lover’s keen eye, she tells captivating stories—from that of a Buddhist funeral laden with ritual to an exhilarating evening spent touring the “Floating World,” the sensual demimonde in which salaryman meets geisha and the normal rules are suspended. On a remote island inhabited by one of the last matriarchal societies in the world, a disconcertingly down-to-earth priestess leads her to the heart of a sacred grove. And she spends a few unforgettable weeks in a quasi-Victorian residence called the Practice House, where, until recently, Japanese women were taught American customs so that they would make proper wives for husbands who might be stationed abroad. In an afterword new to this edition, Davidson tells of a poignant trip back to Japan in 2005 to visit friends who had remade their lives after the Great Hanshin Earthquake of 1995, which had devastated the city of Kobe, as well as the small town where Davidson had lived and the university where she taught.36 Views of Mount Fuji not only transforms our image of Japan, it offers a stirring look at the very nature of culture and identity. Often funny, sometimes liltingly sad, it is as intimate and irresistible as a long-awaited letter from a good friend.

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Koritha Mitchell analyzes canonical texts by and about African American women to lay bare the hostility these women face as they invest in traditional domesticity. Instead of the respectability and safety granted white homemakers, black women endure pejorative labels, racist governmental policies, attacks on their citizenship, and aggression meant to keep them in "their place."Tracing how African Americans define and redefine success in a nation determined to deprive them of it, Mitchell plumbs the works of Frances Harper, Zora Neale Hurston, Lorraine Hansberry, Toni Morrison, Michelle Obama, and others. These artists honor black homes from slavery and post-emancipation through the Civil Rights era to "post-racial" America. Mitchell follows black families asserting their citizenship in domestic settings while the larger society and culture marginalize and attack them, not because they are deviants or failures but because they meet American standards.Powerful and provocative, From Slave Cabins to the White House illuminates the links between African American women's homemaking and citizenship in history and across literature.

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Here is the story, told firsthand through electric, deeply engaged writing, of America’s living theater, high and low, mainstream and experimental. Drawing on history, criticism, memoir, fiction, poetry, and parody, editor Laurence Senelick presents writers with the special knack “to distill both the immediate experience and the recollected impression, to draw the reader into the charmed circle and conjure up what has already vanished.” Through the words of playwrights and critics, actors and directors, and others behind the footlights, the entertainments and high artistic strivings of successive eras come vividly, sometimes tumultuously, to life.Observers from Washington Irving and Fanny Trollope to Walt Whitman and Mark Twain evoke the world of the nineteenth-century playhouse in all its raucous vitality. Henry James confesses his early enthusiasm for playgoing; Willa Cather reviews provincial productions of Uncle Tom’s Cabin and Antony and Cleopatra. The increasing diversity and ambition of the American theater is reflected in Hutchins Hapgood’s account of New York’s Yiddish theaters at the turn of the century, Carl Van Vechten’s review of the Sicilian actress Mimi Aguglia, Alain Locke’s comments on the emerging African-American theater in the 1920s, and Ezra Pound’s response to James Joyce’s play Exiles and theatrical modernism. Enthusiasts for the New Stagecraft, such as Lee Simonson and Djuna Barnes, are matched by champions of pop culture such as Gilbert Seldes and Fred Allen. S. J. Perelman lampoons Clifford Odets; Edmund Wilson acclaims Minsky’s Burlesque; Harold Clurman explains Stanislavski’s Method; Gore Vidal dissects the compromises of commercial playwriting. A host of playwrights—among them Thornton Wilder, Arthur Miller, Tennessee Williams, Lorraine Hansberry, Edward Albee, Wendy Wasserstein, David Mamet, and Tony Kushner—are joined by such renowned critics as Stark Young, George Jean Nathan, Brooks Atkinson, and Eric Bentley.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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It was where World War II began on September 1, 1939. Its wartime experience was immortalized in Gunter Grass`s The Tin Drum. Later it attracted worldwide attention as the site where workers` strikes led by Lech Walesa and the ensuing Solidarity movement led to the fall of Communism in Eastern Europe. Proud Hanseatic port, heart of the Baltic Sea trade, twice a Free City, present-day liberal, cosmopolitan center: Gdansk''s story between Germany and Poland is rich and fascinating.As Peter Oliver Loew colorfully shows, Gdansk, also known as Danzig, is incomparable not only because of its recent past but also in how it has so uniquely embodied the tensions of the European continent over the last millennium. Situated geographically and culturally within these tensions, the city has developed a fascinating identity amid frequent conflict and shifting national affiliations. From prehistoric amber workers to early Slavic dukes, the conquest of the Teutonic Order, and submission to the Polish

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Every time you open your mouth on stage you are trying to persuade somebody of something. Sometimes referred to as 'the art of persuasion', rhetoric means using language to communicate your ideas and intentions to other people – and to make sure you are heard, understood and believed. This clear and concise guide explains how it works in plays, and how actors can use it to bring their performances to life on stage. Drawing on her decades of experience working with actors on major productions, including as Head of Voice at the National Theatre, Jeannette Nelson introduces all the major rhetorical techniques and devices that playwrights use. She offers fascinating breakdowns of dialogue and speeches from across the theatrical canon – from Shakespeare and Ibsen, to Tennessee Williams, Lorraine Hansberry and Arthur Miller, right up to contemporary playwrights such as Helen Edmundson and Tanika Gupta. Each chapter also includes a series of practical exercises which combine spoken word with physical action to help you explore and understand these techniques, and harness their power in performance. Whether you're an actor, a director or a drama teacher, Keeping It Active will empower you with a greater understanding of the ways that language underpins all dramatic works, and will give you the tools you need to unlock the text, understand characters, connect with the audience, and perform with greater confidence, focus and authenticity. 'As this excellent book outlines, rhetoric is everywhere. It's not simply in the parliament, the press conference and the court; it's in the workplace, the home and the family. There's no argument, classical or modern, in a play that isn't informed and helped by Jeannette's work' Josie Rourke, from her Foreword 'A great resource for actors and directors' Ralph Fiennes 'Jeannette Nelson's revelatory relationship to language is, quite simply, life-changing' Simon Godwin 'Jeannette taught me so much... I felt like I could persuade anybody to do anything' Sophie Okonedo

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In recent years, the academy has undergone significant changes: a more competitive and volatile job market has led to widespread precarity, teaching and service loads have become more burdensome, and higher education is becoming increasingly corporatized. In this revised and expanded edition of The Academic's Handbook, more than fifty contributors from a wide range of disciplines and backgrounds offer practical advice for academics at every career stage, whether they are first entering the job market or negotiating the post-tenure challenges of leadership and administrative roles. Contributors affirm what is exciting and fulfilling about academic work while advising readers about how to set and protect boundaries around their energy and labor. In addition, the contributors tackle topics such as debates regarding technology, social media, and free speech on campus; publishing and grant writing; attending to the many kinds of diversity among students, staff, and faculty; and how to balance work and personal responsibilities. A passionate and compassionate volume, The Academic's Handbook is an essential guide to navigating life in the academy. Contributors. Luis Alvarez, Steven Alvarez, Eladio Bobadilla, Genevieve Carpio, Marcia Chatelain, Ernesto Chávez, Miroslava Chávez-García, Nathan D. B. Connolly, Jeremy V. Cruz, Cathy N. Davidson, Sarah Deutsch, Brenda Elsey, Sylvanna M. Falcón, Michelle Falkoff, Kelly Fayard, Matthew W. Finkin, Lori A. Flores, Kathryn J. Fox, Frederico Freitas, Neil Garg, Nanibaa’ A. Garrison, Joy Gaston Gayles, Tiffany Jasmin González, Cynthia R. Greenlee, Romeo Guzmán, Lauren Hall-Lew, David Hansen, Heidi Harley, Laura M. Harrison, Sonia Hernández, Sharon P. Holland, Elizabeth Q. Hutchison, Deborah Jakubs, Bridget Turner Kelly, Karen Kelsky, Stephen Kuusisto, Magdalena Maczynska, Sheila McManus, Cary Nelson, Jocelyn H. Olcott, Rosanna Olsen, Natalia Mehlman Petrzela, Charles Piot, Bryan Pitts, Sarah Portnoy, Laura Portwood-Stacer, Yuridia Ramirez, Meghan K. Roberts, John Elder Robison, David Schultz, Lynn Stephen, James E. Sutton, Antar A. Tichavakunda, Keri Watson, Ken Wissoker, Karin Wulf

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Thirteen-year-old Evan Hanson is always the last in her family to know what’s going on—at least, that’s how it feels. Her father, Gene, who’s been meaner since he began serving in Vietnam, isn’t around much, and she likes it better that way. But then her brother, Adam, gets drafted and her anti-war mother, Endura, takes him across the border to Canada, leaving Evan alone with Gene and her younger, special needs brother, Teddy. When he realizes Endura isn’t returning, Gene takes Evan and Teddy to Eat and Get Gas, his mother’s café and gas station in Hoquiam, Washington. There, as well as her no-nonsense but loving grandma, Evan encounters Aunt Vivian, a teasing but caring know-it-all; Uncle Frankie, injured in Vietnam and suffering from PTSD; Paco, the draft dodger Frankie is hiding; Hal and Hubert, the strange but gentle next-door neighbors who play the piano like virtuosos and help out when they’re needed; and Louanne, Frankie’s reserved, sensitive sister. She is drawn in particular to Louanne, who was disfigured by a car accident that killed the rest of her and Frankie’s family. At Eat and Get Gas, Evan finds a new freedom, and she starts to carve out a place for herself by helping in the café and sorting mail for Uncle Frankie, who runs a postal route in addition to running the gas station. She eventually, too, learns some of the family secrets she’s been kept in the dark about—and comes to understand that her mother isn’t coming back any time soon. Then, after reading a letter that wasn’t meant for her, Evan discovers the biggest secret of all.

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One of the most prolific and respected directors of Japanese cinema, Naruse Mikio (1905–69) made eighty-nine films between 1930 and 1967. Little, however, has been written about Naruse in English, and much of the writing about him in Japanese has not been translated into English. With The Cinema of Naruse Mikio, Catherine Russell brings deserved critical attention to this under-appreciated director. Besides illuminating Naruse’s contributions to Japanese and world cinema, Russell’s in-depth study of the director sheds new light on the Japanese film industry between the 1930s and the 1960s.Naruse was a studio-based director, a company man renowned for bringing films in on budget and on time. During his long career, he directed movies in different styles of melodrama while displaying a remarkable continuity of tone. His films were based on a variety of Japanese literary sources and original scripts; almost all of them were set in contemporary Japan. Many were “women’s films.” They had female protagonists, and they depicted women’s passions, disappointments, routines, and living conditions. While neither Naruse or his audiences identified themselves as “feminist,” his films repeatedly foreground, if not challenge, the rigid gender norms of Japanese society. Given the complex historical and critical issues surrounding Naruse’s cinema, a comprehensive study of the director demands an innovative and interdisciplinary approach. Russell draws on the critical reception of Naruse in Japan in addition to the cultural theories of Harry Harootunian, Miriam Hansen, and Walter Benjamin. She shows that Naruse’s movies were key texts of Japanese modernity, both in the ways that they portrayed the changing roles of Japanese women in the public sphere and in their depiction of an urban, industrialized, mass-media-saturated society.

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United by tragedy, can two broken souls make each other whole? After the tragic loss of his wife, Helen, Luke Hansard is desperate to keep her memory alive. In an effort to stay close to her, he reaches out to an online friend Helen often mentioned: a reclusive photographer with a curious interest in beautiful but broken objects. But first he must find her—and she doesn’t want to be found. Orla Kendrick lives alone in the ruins of a remote Suffolk castle, hiding from the haunting past that has left her physically and emotionally scarred. In her fortress, she can keep a safe distance from prying eyes, surrounded by her broken treasures and insulated from the world outside. When Luke tracks Orla down, he is determined to help her in the way Helen wanted to: by encouraging her out of her isolation and back into the world. But Orla has never seen her refuge as a prison and, when painful secrets and dangerous threats begin to resurface, Luke’s good deed is turned on its head. As they work through their grief for Helen in very different ways, will these two broken souls be able to heal?

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Since the first edition of Approaches to Greek Myth was published in 1990, interest in Greek mythology has surged. There was no simple agreement on the subject of "myth" in classical antiquity, and there remains none today. Is myth a narrative or a performance? Can myth be separated from its context? What did myths mean to ancient Greeks and what do they mean today? Here, Lowell Edmunds brings together practitioners of eight of the most important contemporary approaches to the subject. Whether exploring myth from a historical, comparative, or theoretical perspective, each contributor lucidly describes a particular approach, applies it to one or more myths, and reflects on what the approach yields that others do not. Edmunds' new general and chapter-level introductions recontextualize these essays and also touch on recent developments in scholarship in the interpretation of Greek myth. Contributors are Jordi Pamias, on the reception of Greek myth through history; H. S. Versnel, on the intersections of myth and ritual; Carolina Lopez-Ruiz, on the near Eastern contexts; Joseph Falaky Nagy, on Indo-European structure in Greek myth; William Hansen, on myth and folklore; Claude Calame, on the application of semiotic theory of narrative; Christiane Sourvinou-Inwood, on reading visual sources such as vase paintings; and Robert A. Segal, on psychoanalytic interpretations.

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From the Yukon to Seattle, the hope of a new beginning waits just around the corner. Addie Bryant is haunted by her past of heartbreak and betrayal. After her beau, Isaac Hanson, left the Yukon, she made a vow to wait for him. When she's sold to a brothel owner after the death of her father, Addie manages to escape with the hope that she can forever hide her past and the belief that she will never have the future she's always dreamed of. Years later, Addie has found peace in her new life as a photographer, training Camera Girls to operate and sell the Brownie camera. During the Alaska-Yukon-Pacific Expo in Seattle, Addie is reunited with Isaac, but after the path her life has taken, she's afraid to expose the ugliness of her former life and to move toward the future they had pledged to each other. When her past catches up with her, Addie must decide whether to run or to stay and face her wounds in order to embrace her life, her future, and her hope in God.

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This beautiful hardback Ladybird edition of Pinocchio is a perfect first illustrated introduction to this classic story for young readers from 3+. The tale is sensitively retold, following the story of a little wooden puppet who wants to be a real little boy.Other exciting titles in the Ladybird Tales series include The Three Billy Goats Gruff, Cinderella, The Three Little Pigs, Jack and the Beanstalk, Goldilocks and the Three Bears, The Gingerbread Man, Hansel and Gretel, Little Red Riding Hood, Sleeping Beauty, Rumpelstiltskin, Snow White and the Seven Dwarfs, Rapunzel, The Magic Porridge Pot, The Enormous Turnip, Puss in Boots, The Elves and the Shoemaker, The Big Pancake, Dick Whittington, The Princess and the Frog, The Princess and the Pea, Chicken Licken and The Little Red Hen.Ladybird has published fairy tales for over forty-five years, bringing the magic of traditional stories to each new generation of children. The Ladybird Tales series is based on the original Ladybird re-tellings, with beautiful pictures of the kind children like best ­- full of richness and detail.

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A charming collection of quirky insights into Japanese culture.The Magic of Japan is writer Hector Garcia's intensely personal account of his fifteen years in Japan. A self-professed "otaku" or Japanese anime geek since childhood, Garcia has worked for a Japanese software company, mastered the language, and become one of Japan's most popular bloggers.This book is the culmination of his experiences and showcases Garcia's unique ability to delve beneath the surface of Japanese culture to describe its quirky and deep spiritual underpinnings. This collection of essays and beautiful photographs will appeal to his worldwide fan base—including those who devoured his previous bestsellers, A Geek in Japan and Ikigai: The Japanese Secret to a Long and Happy Life—Japanophiles, armchair travelers and anyone with an interest in cultural and travel memoirs.The Magic of Japan features Garcia's keen observations on a wide variety of cultural topics: Japanese behavioral traits, including non-verbal communication, hansei (self-reflection), heijoshin (a calm mind) and shoshin (childlike openness) How Japan's geography and history have shaped its culture—its natural disasters, scarce resources, centuries of isolation and its feudal past Japanese idiosyncrasies, ranging from food traditions and absurd jobs to a love of queues The Japanese spirit, as evidenced in traditional art, manga and attitudes to women Shintoism and Buddhism, looking at temples, festivals, rituals and how religious beliefs pervade popular culture, as seen for example in Studio Ghibli's movie Spirited Away Japan's dark side, including crime, the yakuza, adultery, bullying and suicide The book ends with a gloriously random selection of all things Garcia considers especially magical about Japan—from izakaya to shiitake mushrooms, summer fireworks and green tea!

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Once-in-a-generation memoir of a rock legend - the No. 1 SUNDAY TIMES bestseller.'Electrifying' New York Times'A masterpiece' The Word'Funny, poignant, brutally honest' Sunday TelegraphWith the Rolling Stones, Keith Richards created the riffs, the lyrics and the songs that roused the world, and over four decades he lived the original rock and roll life: taking the chances he wanted, speaking his mind, and making it all work in a way that no one before him had ever done.Now, at last, the man himself tells us the story of life in the crossfire hurricane. And what a life. Listening obsessively to Chuck Berry and Muddy Waters records as a child in post-war Kent. Learning guitar and forming a band with Mick Jagger and Brian Jones. The Rolling Stones' first fame and success as a bad-boy band. The notorious Redlands drug bust and subsequent series of confrontations with a nervous establishment that led to his enduring image as outlaw and folk hero. Creating immortal riffs such as the ones in 'Jumping Jack Flash' and 'Street Fighting Man' and 'Honky Tonk Women'. Falling in love with Anita Pallenberg and the death of Brian Jones. Tax exile in France, wildfire tours of the US, 'Exile on Main Street' and 'Some Girls'. Ever increasing fame, isolation and addiction. Falling in love with Patti Hansen. Estrangement from Mick Jagger and subsequent reconciliation. Solo albums and performances with his band the Xpensive Winos. Marriage, family and the road that goes on for ever. In a voice that is uniquely and intimately his own, with the disarming honesty that has always been his trademark, Keith Richards brings us the essential life story of our times.

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2023 Hooks National Book Award Winner (Benjamin L. Hooks Institute for Social Change) Honorable Mention, Association for the Study of the Arts of the Present 2023 Book Prize Honorable Mention, 2023 John W. Frick Book Award (American Theatre and Drama Society) Finalist, 2022 George Freedley Memorial Award of the Theatre Library Association. A bold rethinking of the Civil Rights Movement through the lens of Black theater “Freedom, Now!” This rallying cry became the most iconic phrase of the Civil Rights Movement, challenging the persistent command that Black people wait—in the holds of slave ships and on auction blocks, in segregated bus stops and schoolyards—for their long-deferred liberation. In Black Patience, Julius B. Fleming Jr. argues that, during the Civil Rights Movement, Black artists and activists used theater to energize this radical refusal to wait. Participating in a vibrant culture of embodied political performance that ranged from marches and sit-ins to jail-ins and speeches, these artists turned to theater to unsettle a violent racial project that Fleming refers to as “Black patience.” Inviting the likes of James Baldwin, Lorraine Hansberry, Alice Childress, Douglas Turner Ward, Duke Ellington, and Oscar Brown Jr. to the stage, Black Patience illuminates how Black artists and activists of the Civil Rights era used theater to expose, critique, and repurpose structures of white supremacy. In this bold rethinking of the Civil Rights Movement, Fleming contends that Black theatrical performance was a vital technology of civil rights activism, and a crucial site of Black artistic and cultural production.

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Six thousand people died and hundreds of thousands lost their homes when an earthquake hit Kobe in January 1995. The Hanshin Earthquake was the largest disaster to affect postwar Japan and one of the most destructive postwar natural disasters to strike a developed country. Although the media focused on the disaster’s immediate effects, the long-term reconstruction efforts have gone largely unexplored.Based on fieldwork and interviews with planners, activists, and bureaucrats, Reconstructing Kobe records the first ten years of reconstruction and recovery and offers detailed descriptions of the geography of crisis and opportunity. Which districts were most vulnerable to the quake and why? Did planners successfully exploit opportunities to revitalize the city and make it more sustainable and disaster proof? David Edgington’s intricate investigation of one of the largest redevelopments in recent history offers a compelling post-disaster case study for planners and policy makers and is essential reading for students and scholars of Japanese urban and planning history.

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From Snow White to Cinderella, Rapunzel to Rumpelstiltskin, the Brothers Grimm bequeathed a canon of stories which have become literary and childhood classics. The most widely read story collection after the Bible, their magical tales are stalwarts of early learning and imagination, listed in UNESCO’s Memory of the World Register as a vital part of our history and culture. This beautiful hardback anthology is based on the Grimm’s popular 1857 edition and features 27 of their best-loved stories in a vibrant and meticulous new translation commissioned for this publication. The tales are accompanied by exquisite vintage illustrations from the past 200 years, including masterpieces from the legendary Kay Nielsen, British artists Walter Crane and Arthur Rackham, and giants of 19th-century German illustration Gustav Süs, Heinrich Leutemann, and Viktor Paul Mohn. Additional historic and contemporary silhouettes dance across the pages like delicate black paper lace. In addition to the tales and illustrations, the book contains a foreword on the Grimms’ legacy, brief introductions to each fairy tale, and extended artists’ biographies in the appendix. For adults and children alike, this precious edition brings the eternal magic of the Grimms’ stories to the heart of every home.The following fairy tales are featured in the book:The Frog Prince, The Wolf and the Seven Little Goats, Little Brother and Little Sister, Rapunzel, Hansel and Gretel, The Fisherman and His Wife, The Brave Little Tailor, Cinderella, Mother Holle, Little Red Riding Hood, The Bremen Town Musicians, The Devil with Three Golden Hairs, The Shoemaker and the Elves, Tom Thumb’s Travels, Sleeping Beauty, Snow White, Rumpelstiltskin, The Three Feathers, The Golden Goose, Jorinde and Joringel, The Goose Girl, The Twelve Dancing Princesses, The Star Coins, Snow White and Red Nose, The Hare and the Hedgehog, Puss n’ Boots, The Golden Key

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A perfect story of holiday romance, reconnected family and Christmas magic. ‘I LOVED THIS BOOK… Laugh out loud funny, incredibly charming and full to the brim with Christmas magic.’ ⭐⭐⭐⭐⭐ NetGalley Reviewer Sasha Hansley hates Christmas. As a child, it was her favourite time of year, but ever since the tragic death of her mother, it has completely lost its magic. But when she gets an unexpected phone call from her estranged father, she’s forced to dust off her snow boots. He’s been running a Lapland style Christmas village in Norway, and eager to reconnect with her dad, Sasha books the next flight out there. Met at the runway by drop-dead-gorgeous Taavi Salvesen, they sleigh ride through the snow with the Northern Lights guiding their way. When Sasha uncovers sacks of unopened Santa mail – letters that children and adults from all over the world write to Santa every year – she realises that she can send a little bit of magic out into the world by replying to some of them. With Taavi on hand to help, will Sasha rediscover her own excitement for Christmas and find love among the letters? Fans of Holly Martin, Sarah Morgan and Heidi Swain will love this novel! Readers LOVE The Post Box at the North Pole! ‘The perfect festive read, one to snuggle up with by a fire, with a mug of hot chocolate and a blanket, and sink into.’ NetGalley Reviewer, ⭐⭐⭐⭐⭐ ‘Full of magical, happy moments, and while reading it, I felt like I was there gazing at the Northern Lights.’ NetGalley Reviewer, ⭐⭐⭐⭐⭐ ‘I highly recommend reading this book, just switch off from everyday stresses and get lost in the snow and the magic of Christmas, you won’t regret it!!’ NetGalley Reviewer, ⭐⭐⭐⭐⭐ ‘This book is everything Christmas should be; love, helping others, making memories, friendships, family and so so much more.’ NetGalley Reviewer, ⭐⭐⭐⭐⭐

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The classic story - Alice in Wonderland - from Ladybird!A brilliant introduction to the much-loved story of Alice in Wonderland. Find out what happens when Alice goes down a rabbit hole and meets all sorts of crazy characters. Part of the Ladybird First Favourite Tales series - a perfect introduction to fairy tales for preschoolers - it contains amusing pictures and lots of funny rhythm and rhyme to delight young children. Ideal for reading aloud and sharing with 2-4 year olds.Ladybird's First Favourite Tales series is hugely popular and is a great introduction to the most important fairy tales. With a new look and great covers, the books are just as fun to read as ever.Make sure you look out for the other tales in the series, too!Puss in Boots; Hansel and Gretel; The Ugly Duckling; The Elves and the Shoemaker; Goldilocks and the Three Bears; The Gingerbread Man; Little Red Riding Hood; The Three Little Pigs; The Three Billy Goats Gruff; Chicken Licken; The Enormous Turnip; Jack and the Beanstalk; The Little Red Hen; Little Red Riding Hood; The Magic Porridge Pot; The Sly Fox and the Little Red Hen; The Wizard of Oz and Cinderella.

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This beautiful hardback Ladybird edition of Chicken Licken is a perfect first illustrated introduction to this classic fairy tale for young readers from 3+. The tale is sensitively retold, following Chicken Licken and his friends as they go to tell the king the sky is falling down. Other exciting titles in the Ladybird Tales series include The Three Billy Goats Gruff, Cinderella, The Three Little Pigs, Jack and the Beanstalk, Goldilocks and the Three Little Pigs, The Gingerbread Man, Hansel and Gretel, Little Red Riding Hood, Sleeping Beauty, Rumpelstiltskin, Snow White and the Seven Dwarfs, Rapunzel, The Magic Porridge Pot, The Enormous Turnip, Puss in Boots, The Elves and the Shoemaker, The Big Pancake, Dick Whittington, The Princess and the Frog, The Princess and the Pea, The Ugly Duckling and The Little Red Hen.Ladybird Tales are based on the original Ladybird retellings, with beautiful pictures of the kind children like best - full of richness and detail. Children have always loved, and will always remember, these classic fairy tales and sharing them together is an experience to treasure. Ladybird has published fairy tales for over forty-five years, bringing the magic of traditional stories to each new generation of children.

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In Magic to Do, which celebrates the 50th anniversary of Pippin's opening, two-time Pulitzer Prize jury member Elysa Gardner turns her attention to this innovative show, the musical retelling of the story of Prince Pippin, son of Charlemagne, and his quest for an "extraordinary life." Magic to Do dives deep into the legendary clashes, backstage drama, and incredible artistic synergy that produced one of Broadway's most influential musicals, a show that paved the way for the pop-informed musicals that we know and love today. Full of big personalities, brilliant creative minds, and never-before-told stories, Magic to Do is an intimate look at a moment in history, a time and a place in which popular culture was as defined by conflict—between the young and the old, idealism and cynicism, creation and destruction—as anything else. Gardner draws out this friction through her examination of the creative struggles between Pippin's director/choreographer, the iconic Bob Fosse, for whom the show would mark a massive career resurgence, and its young composer/lyricist, Stephen Schwartz (of Wicked fame), who was making his Broadway debut. Magic to Do clearly marks the lasting cultural significance of Pippin, which derives in large part from the timelessness of the search for self, one that presents itself anew to each succeeding generation, accounting for the show's enduring popularity around the world. Infused with R&B sounds and a universal message, it is fair to say that, without Pippin, there is no Spring Awakening, Dear Evan Hansen, or even Hamilton.

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Who defines the landscapes around us? What practices are employed as contemporary landscapes are produced? This issue argues that landscapes are made and remade through interrelations between people and the worlds around them – from geographers investigating the lives of urban wastelands to landscape architects projecting future cities, and from migrants navigating border systems to artists working with local residents. In contrast to tendencies to emphasise the physical forms of landscapes, with their potential to be redesigned and represented in drawings, this issue brings to the forefront the social constructedness of landscapes by focusing on a range of critical practices and daily actions. As conventional frames of landscape are challenged, other ways of measuring, mapping, imagining, designing, building and occupying them are revealed. For centuries, artists and designers have represented landscapes of power in paintings and have transformed them through their design proposals. But in recent years a number of researchers, designers, artists and activists have explored an expanded field of landscape, investigating populations fleeing conflict zones, reimagining cities facing ecological challenges, questioning territorial claims, and critiquing processes of urbanisation. This issue focuses on some of these individuals whose work and lives encompass a diverse range of practices, brought together through their critical redefinition of landscape relations. Contributors: Pierre Bélanger, Harry Bix, Neil Brenner and Nikos Katsikis, Luis Callejas and Charlotte Hansson, James Corner, Gareth Doherty and Pol Fité Matamoros, Matthew Gandy, Christina Leigh Geros, Rania Ghosn and El Hadi Jazairy, Nina-Marie Lister, Richard Mosse, Kate Orff, Toya Peal, Neil Spiller, Tiago Torres Campos and Tim Waterman. Featured practices: Advanced Landscape and Urbanism, Design Earth, East Anglia Records, Estudio Teddy Cruz + Fonna Forman, Furtherfield, James Corner Field Operations, Larissa Fassler, LCLA office, OPSYS and SCAPE.

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Jeff Buckley made only one album, but the one he made has proved to be seminal. Grace emerged at a time when grunge gripped the charts. Buckley s refined melodies and wide vocal range made him stand apart from his contemporaries. His rendition of Leonard Cohen s Hallelujah is arguably the most memorable version ever recorded. His talent awed industry giants and moved the hearts of fans spanning generations. Grace made clear a remarkably talented force had come upon the world, and it promised a wellspring of astonishing music for years to come. But Buckley s untimely death in 1997 left his fans to wonder about all the sonic magic that could have been and to hold dear the few but brilliant songs he left behind. In the wake of his passing, Buckley has continued to garner new fans and influence countless artists. And while a number of posthumous releases of unpolished, deep cuts have helped satiate listeners over the years, it is his official studio album Grace that reverberates with timelessness: at its release in 1994, the album sounded like nothing that had come before and no album has repeated its essence since. Photographer Merri Cyr was there along the way. She has documented Buckley s career from his days at the East Village coffee shop Sin-e to his iconic Grace cover shoot to his rigorous tour around the world as he promoted his unprecedented debut. In 25 Years of Grace, Cyr joins forces with Jeff Buckley biographer Jeff Apter (A Pure Drop: The Life of Jeff Buckley) to produce an illustrated tribute to this classic album in celebration of its twenty-fifth anniversary. The book features brand new interviews with Buckley insiders Matt Johnson, Mick Grondahl, Michael Tighe, Gary Lucas, Karl Berger, Andy Wallace, George Stein, Steve Berkowitz, and others revealing the details about Buckley s signing to a major label, the role of the band in creating arrangements, finding the right creative direction for the multifaceted songsmith, the songwriting process and final song selections, key meetings and collaborations, recording techniques, memorable moments in the studio, and more. The book also includes reflections about Buckley and Grace from an array of music artists Butch Walker, Pete Yorn, Jimmy Gnecco, Glen Hansard, Holly Miranda, and Lenny Kaye, to name a few. Lavishly illustrated with many never-before-seen photographs, 25 Years of Grace takes a fresh look at the making and legacy of this classic album.

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As we approach the end of the ‘era of the witness’, given the passing on of the generation of Holocaust survivors, Claude Lanzmann’s archive of 220 hours of footage excluded from his ground-breaking documentary Shoah (1985) offers a remarkable opportunity to encounter previously unseen interviews with survivors and other witnesses, recorded in the late 1970s. Although the archive is all available freely to view online and includes extra footage of those who appear in Shoah, this book focuses on the interviews from which no extracts appear in the finished film or in any subsequent release. The material analysed features interviews with such significant figures as the former partisan Abba Kovner, wartime activist Hansi Brand, Kovno Ghetto leader Leib Garfunkel, rescuer Tadeusz Pankiewicz and members of Roosevelt’s War Refugee Board, and focuses throughout on the efforts at rescue and resistance by those within and outside occupied Europe. Sue Vice contends that watching and analysing this wholly excluded footage gives us new insights into the making of Shoah through what was left out. Moreover, she reveals that the near-impossibility of rescue and often suicidal implications of resistance emerge through these excluded interviews as inextricable from the process of genocide. She concludes by arguing that the outtakes show the potential for new filmic forms envisaged on Lanzmann’s part in order to represent the crucial topics of attempted Holocaust rescue and resistance.

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A timely reconsideration of the history of the profession, Outside Literary Studies investigates how midcentury Black writers built a critical practice tuned to the struggle against racism and colonialism. This striking contribution to Black literary studies examines the practices of Black writers in the mid-twentieth century to revise our understanding of the institutionalization of literary studies in America. Andy Hines uncovers a vibrant history of interpretive resistance to university-based New Criticism by Black writers of the American left. These include well-known figures such as Langston Hughes and Lorraine Hansberry as well as still underappreciated writers like Melvin B. Tolson and Doxey Wilkerson. In their critical practice, these and other Black writers levied their critique from “outside” venues: behind the closed doors of the Senate Permanent Subcommittee on Investigations, in the classroom at a communist labor school under FBI surveillance, and in a host of journals. From these vantages, Black writers not only called out the racist assumptions of the New Criticism, but also defined Black literary and interpretive practices to support communist and other radical world-making efforts in the mid-twentieth century. Hines’s book thus offers a number of urgent contributions to literary studies: it spotlights a canon of Black literary texts that belong to an important era of anti-racist struggle, and it fills in the pre-history of the rise of Black studies and of ongoing Black dissent against the neoliberal university.

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Using primary German-language sources, Altmann has gleaned a wonderful assortment of authentic tales to enchant and educate audiences of all ages. The stories are organized in four sections: Animal stories, Comic tales, Fairy tales, and Local legends. Background information on the stories, a description of German life during the 19th century, color photographs, a pronunciation guide for German terms, and traditional German recipes are included. All grade levels. Many people are familiar with the German tales of the Brothers Grimm, but usually in the sugar-coated versions of picture books and Hollywood cartoons. In this book you'll discover some other sides to German folklore. Using primary German-language sources, Altmann has gleaned a wonderful assortment of authentic tales to enchant and educate audiences of all ages. This collection includes many favorite German tales, such as Rapunzel, Snow White, Rumpelstilkskin, Hansel and Gretel, and The Bremen Town Musicians; as well as more obscure tales such as The Seven Swabians and The Master Thief. There are tales for all kinds of listeners and readers—more than 80 stories in all, including tales that may shock you or make your hair stand on end, as well as those that will intrigue or amuse. The stories are organized in four sections: Animal stories (Tiergeschichten, largely fables), Comic tales (Schwanke, which range from the silly to the outrageous), Fairy tales (Zaubermarchen, or wonder tales), Local legends (Sagen, which include stories of ghosts and goblins, and religious legends). Background information and tale type information on the stories, a description of German life during the 19th century, color photos, a pronunciation guide for German terms, and traditional German recipes make this a wonderful resource for introducing audiences to German culture and traditions.

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Step into the awe-inspiring "New Talent 2023," where emerging talent and boundless creativity intertwine in a remarkable collection. Inside is an extraordinary display of artistic brilliance as students from across the globe unite to showcase their award-winning work. Within the pages of this exceptional anthology are over 600 pieces of powerful creativity that transcend creative norms, establish new standards, and ignite an unwavering spark of innovation. Every project was meticulously juried by industry professionals of the highest caliber, resulting in the prestigious recognition of Platinum, Gold, and Silver awards shown on these pages.Within this exquisite hardcover book discover a visual feast of full-page images, proudly showcasing the mastery of both students and their influential mentors. Be inspired by the visionary schools and esteemed professors that have nurtured these exceptional talents from various corners of the globe. From the United States, South Korea, Denmark, China, Bosnia, Canada, Hungary, Vietnam, Taiwan, and many more, each institution paves the way for the next generation of creative minds. Among the celebrated schools are ArtCenter College of Design, Miami Ad School, Hansung University, Hong Kong Polytechnic, Syracuse University, and more. As you explore each piece of creative in Advertising, Design, Illustration, and Photography prepare to be captivated by a collection that effortlessly showcases breakout creativity and impeccable execution. Plus, gain exclusive insights into the minds of the Platinum-winning students as they share their perspectives on their assignments and the remarkable journeys that led them to success. "New Talent" transcends being a mere book filled with boundless inspiration; it transforms into an indispensable resource for creatives, agencies, and professionals aiming to cultivate and harness the potential of new visionary talents.

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Romantic landscape painting and the tradition of recounting fairy tales have their roots in the 19th century. The painter Philipp Fröhlich transposes them to the present. In his works Hansel and Gretel are dressed like people of the 21st century, and his scenes of nature, which are rendered in a style that approaches photorealism, provide a sharp contrast to the anti-modernism that is usually associated with fairy tales. While we were able to identify with the heroes from the picture books of our childhood, the figures in Fröhlich’s art seem eerily removed from us. The canvases are huge and give the impression to viewers that they have become part of the pictures themselves. Fröhlich studied stage design in Düsseldorf until 2002, and gradually switched from theatre work to painting. But his artistic approach is still influenced by his initial training. Beginning with notes and preparatory studies, Fröhlich develops models, some of which are elaborately designed, to try out the composition of the future picture. The resulting stage-like, almost cinematic quality of his paintings leads to an intriguing mixture of precise, cool realism and soft painterly effects – as if we were gazing into a distorting mirror between reality and fantasy. Text in English and German.

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A major, new, and comprehensive look at six decades of macroeconomic policies across the region What went wrong with the economic development of Latin America over the past half-century? Along with periods of poor economic performance, the region’s countries have been plagued by a wide variety of economic crises. This major new work brings together dozens of leading economists to explore the economic performance of the ten largest countries in South America and of Mexico. Together they advance the fundamental hypothesis that, despite different manifestations, these crises all have been the result of poorly designed or poorly implemented fiscal and monetary policies. Each country is treated in its own section of the book, with a lead chapter presenting a comprehensive database of the country’s fiscal, monetary, and economic data from 1960 to 2017. The chapters are drawn from one-day academic conferences—hosted in all but one case, in the focus country—with participants including noted economists and former leading policy makers. Cowritten with Nobel Prize winner Thomas J. Sargent, the editors’ introduction provides a conceptual framework for analyzing fiscal and monetary policy in countries around the world, particularly those less developed. A final chapter draws conclusions and suggests directions for further research.A vital resource for advanced undergraduate and graduate students of economics and for economic researchers and policy makers, A Monetary and Fiscal History of Latin America, 1960–2017 goes further than any book in stressing both the singularities and the similarities of the economic histories of Latin America’s largest countries.Contributors: Mark Aguiar, Princeton U; Fernando Alvarez, U of Chicago; Manuel Amador, U of Minnesota; Joao Ayres, Inter-American Development Bank; Saki Bigio, UCLA; Luigi Bocola, Stanford U; Francisco J. Buera, Washington U, St. Louis; Guillermo Calvo, Columbia U; Rodrigo Caputo, U of Santiago; Roberto Chang, Rutgers U; Carlos Javier Charotti, Central Bank of Paraguay; Simón Cueva, TNK Economics; Julián P. Díaz, Loyola U Chicago; Sebastian Edwards, UCLA; Carlos Esquivel, Rutgers U; Eduardo Fernández Arias, Peking U; Carlos Fernández Valdovinos (former Central Bank of Paraguay); Arturo José Galindo, Banco de la República, Colombia; Márcio Garcia, PUC-Rio; Felipe González Soley, U of Southampton; Diogo Guillen, PUC-Rio; Lars Peter Hansen, U of Chicago; Patrick Kehoe, Stanford U; Carlos Gustavo Machicado Salas, Bolivian Catholic U; Joaquín Marandino, U Torcuato Di Tella; Alberto Martin, U Pompeu Fabra; Cesar Martinelli, George Mason U; Felipe Meza, Instituto Tecnológico Autónomo de México; Pablo Andrés Neumeyer, U Torcuato Di Tella; Gabriel Oddone, U de la República; Daniel Osorio, Banco de la República; José Peres Cajías, U of Barcelona; David Perez-Reyna, U de los Andes; Fabrizio Perri, Minneapolis Fed; Andrew Powell, Inter-American Development Bank; Diego Restuccia, U of Toronto; Diego Saravia, U de los Andes; Thomas J. Sargent, New York U; José A. Scheinkman, Columbia U; Teresa Ter-Minassian (formerly IMF); Marco Vega, Pontificia U Católica del Perú; Carlos Végh, Johns Hopkins U; François R. Velde, Chicago Fed; Alejandro Werner, IMF.

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Bioethics at the Movies explores the ways in which popular films engage basic bioethical concepts and concerns. Twenty-one philosophically grounded essays use cinematic tools such as character and plot development, scene setting, and narrative framing to demonstrate a range of principles and topics in contemporary medical ethics. The first two sections plumb popular and bioethical thought on birth, abortion, genetic selection, and personhood through several films, including The Cider House Rules, Citizen Ruth, Gattaca, and I, Robot. In the third section, the contributors examine medical practice and troubling questions about the quality and commodification of life by way of Dirty Pretty Things, Eternal Sunshine of the Spotless Mind, and other movies. The fourth section's essays use Million Dollar Baby, Critical Care, Big Fish, and Soylent Green to show how the medical profession and society at large view issues related to aging, dying, and death. A final section makes use of Extreme Measures and select films from Spain and Japan to discuss two foundational matters in bioethics: the role of theories and principles in medicine and the importance of cultural context in devising care. Structured to mirror bioethics and cinema classes, this innovative work includes end-of-chapter questions for further consideration and contributions from scholars from the United States, Canada, the United Kingdom, Israel, Spain, and Australia. Contributors: Robert Arp, Ph.D., Michael C. Brannigan, Ph.D., Matthew Burstein, Ph.D., Antonio Casado da Rocha, Ph.D., Stephen Coleman, Ph.D., Jason T. Eberl, Ph.D., Bradley J. Fisher, Ph.D., Paul J. Ford, Ph.D., Helen Frowe, Ph.D., Colin Gavaghan, Ph.D., Richard Hanley, Ph.D., Nancy Hansen, Ph.D., Al-Yasha Ilhaam, Ph.D., Troy Jollimore, Ph.D., Amy Kind, Ph.D., Zana Marie Lutfiyya, Ph.D., Terrance McConnell, Ph.D., Andy Miah, Ph.D., Nathan Norbis, Ph.D., Kenneth Richman, Ph.D., Karen D. Schwartz, LL.B., M.A., Sandra Shapshay, Ph.D., Daniel Sperling, LL.M., S.J.D., Becky Cox White, R.N., Ph.D., Clark Wolf, Ph.D.

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Shakesqueer puts the most exciting queer theorists in conversation with the complete works of William Shakespeare. Exploring what is odd, eccentric, and unexpected in the Bard’s plays and poems, these theorists highlight not only the many ways that Shakespeare can be queered but also the many ways that Shakespeare can enrich queer theory. This innovative anthology reveals an early modern playwright insistently returning to questions of language, identity, and temporality, themes central to contemporary queer theory. Since many of the contributors do not study early modern literature, Shakesqueer takes queer theory back and brings Shakespeare forward, challenging the chronological confinement of queer theory to the last two hundred years. The book also challenges conceptual certainties that have narrowly equated queerness with homosexuality. Chasing all manner of stray desires through every one of Shakespeare’s plays and poems, the contributors cross temporal, animal, theoretical, and sexual boundaries with abandon. Claiming adherence to no one school of thought, the essays consider The Winter’s Tale alongside network TV, Hamlet in relation to the death drive, King John as a history of queer theory, and Much Ado About Nothing in tune with a Sondheim musical. Together they expand the reach of queerness and queer critique across chronologies, methodologies, and bodies.Contributors. Matt Bell, Amanda Berry, Daniel Boyarin, Judith Brown, Steven Bruhm, Peter Coviello, Julie Crawford, Drew Daniel, Mario DiGangi, Lee Edelman, Jason Edwards, Aranye Fradenburg, Carla Freccero, Daniel Juan Gil, Jonathan Goldberg, Jody Greene, Stephen Guy-Bray, Ellis Hanson, Sharon Holland, Cary Howie, Lynne Huffer, Barbara Johnson, Hector Kollias, James Kuzner , Arthur L. Little Jr., Philip Lorenz, Heather Love, Jeffrey Masten, Robert McRuer , Madhavi Menon, Michael Moon, Paul Morrison, Andrew Nicholls, Kevin Ohi, Patrick R. O’Malley, Ann Pellegrini, Richard Rambuss, Valerie Rohy, Bethany Schneider, Kathryn Schwarz, Laurie Shannon, Ashley T. Shelden, Alan Sinfield, Bruce Smith, Karl Steel, Kathryn Bond Stockton, Amy Villarejo, Julian Yates

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The Baltic Story recounts the shared history of the countries around the Baltic, from the events of a thousand years ago to today. It shows the ties of blood and commerce that have bound the different lands which now lie in Denmark, Sweden, Finland, Estonia, Latvia, Lithuania, Poland, Western Russia and eastern Germany. The narrative encompasses the foundation of some of Europe’s greatest cities, including St Petersburg, Stockholm, Copenhagen and Gdánsk. The earliest settlers created a commercial network. As these Hansa merchants became wealthier, they began to impose on the political affairs of their neighbours. In Poland, descendants of her first rulers eventually united their territories and created a state offering religious tolerance and an elective monarchy. Meanwhile, one of Europe’s most ancient dynasties, the Oldenburgs, assumed power in Denmark, but the king was deposed after his massacre of Swedish nobles. When Gustav Vasa takes the Swedish throne, the Kalmar Union collapses. The Catholic king of Poland invades Russia and his son is elected tsar. Russia’s turmoil ends with the election of Michael, the first of the Romanovs. As the feud between the Poles and Swedes continues, Karl X ravages Poland and moves on to Denmark, where he crosses the frozen sea to attack Copenhagen. Having stood firm against further Swedish assault, the Danish king attains absolute power. This history shows the growth of autocracy, from Denmark’s absolutist kings to the opulent world of the eighteenth-century Russian empresses. It analyses the period of the Enlightenment, in particular the achievements of Frederick II of Prussia and Catherine II of Russia and the problems facing Poland that ended with the country’s collapse. And it shows how Enlightenment thinking influenced Denmark and Sweden and rocked the monarchies. It also explores the threat of Napoleon’s France to the Baltic and the impact of the First World War and the Russian Revolution, which led to the radical re-shaping of the region.

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The Harlem riot of 1935 not only signaled the end of the Harlem Renaissance; it made black America's cultural capital an icon for the challenges of American modernity. Luring photographers interested in socially conscious, journalistic, and aesthetic representation, post-Renaissance Harlem helped give rise to America's full-blown image culture and its definitive genre, documentary. The images made there in turn became critical to the work of black writers seeking to reinvent literary forms. Harlem Crossroads is the first book to examine their deep, sustained engagements with photographic practices. Arguing for Harlem as a crossroads between writers and the image, Sara Blair explores its power for canonical writers, whose work was profoundly responsive to the changing meanings and uses of photographs. She examines literary engagements with photography from the 1930s to the 1970s and beyond, among them the collaboration of Langston Hughes and Roy DeCarava, Richard Wright's uses of Farm Security Administration archives, James Baldwin's work with Richard Avedon, and Lorraine Hansberry's responses to civil rights images. Drawing on extensive archival work and featuring images never before published, Blair opens strikingly new views of the work of major literary figures, including Ralph Ellison's photography and its role in shaping his landmark novel Invisible Man, and Wright's uses of camera work to position himself as a modernist and postwar writer. Harlem Crossroads opens new possibilities for understanding the entangled histories of literature and the photograph, as it argues for the centrality of black writers to cultural experimentation throughout the twentieth century.

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A "contemplative" ethnographic study of a Benedictine monastery in Vermont known for its folk-inspired music. Far from being a long-silent echo of medieval religion, modern monastery music is instead a resounding, living illustration of the role of music in religious life. Benedictine monks gather for communal prayer upwards of five timesper day, every day. Their prayers, called the Divine Office, are almost entirely sung. Benedictines are famous for Gregorian Chant, but the original folk-inspired music of the monks of Weston Priory in Vermont is amongthe most familiar in post-Vatican II American Catholicism. Using the ethnomusicological methods of fieldwork and taking inspiration from the monks' own way of encountering the world, this book offers a contemplative engagement with music, prayer, and everyday life. The rich narrative evokes the rhythms of learning among Benedictines to show how monastic ways of being, knowing, and musicking resonate with humanistic inquiry and the pursuit of knowledge andunderstanding. Maria S. Guarino received her PhD in critical and comparative studies in music from the University of Virginia. She specializes in ethnography, religious life, Benedictine monasticism, and contemplativepractices. Support for this publication was provided by the Howard Hanson Institute for American Music of the Eastman School of Music at the University of Rochester.

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2017 Nicolás Guillén Outstanding Book Award presented by the Caribbean Philosophical Association As the first successful revolution emanating from a slave rebellion, the Haitian Revolution remains an inspired site of investigation for a remarkable range of artists and activist-intellectuals in the African Diaspora. In The Black Radical Tragic, Jeremy Matthew Glick examines twentieth-century performances engaging the revolution as laboratories for political thinking. Asking readers to consider the revolution less a fixed event than an ongoing and open-ended history resonating across the work of Atlantic world intellectuals, Glick argues that these writers use the Haitian Revolution as a watershed to chart their own radical political paths, animating, enriching, and framing their artistic and scholarly projects. Spanning the disciplines of literature, philosophy, and political thought, The Black Radical Tragic explores work from Lorraine Hansberry, Sergei Eisenstein, Edouard Glissant, Malcolm X, and others, ultimately enacting a speculative encounter between Bertolt Brecht and C.L.R. James to reconsider the relationship between tragedy and revolution. In its grand refusal to forget, The Black Radical Tragic demonstrates how the Haitian Revolution has influenced the ideas of freedom and self-determination that have propelled Black radical struggles throughout the modern era.

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It is a popular misconception that Hamburg is a coastal city. In fact, despite possessing Europe s second-busiest port, this 'amphibious city' lies some 65 miles from the North Sea. Its long-standing image as a 'city without culture' is also something of a myth. When the poet Heine remarked that in Hamburg 'the customs are English', he was referring to its no-nonsense mercantile ethos which dates back to the era of the Hanseatic League. Yet even in Heine s day the 'celebrated philistinism' of the city fathers was balanced by a tradition of private philanthropy: Hamburg has long been a city of culture as well as commerce. Although the traumas of twentieth-century German history are never far from the surface, Hamburg has become an attractive city full of colour and contrast. With a population of nearly two million it is one of the largest cities in the European Union not to enjoy the status of a national capital. Above all, as Germany s gateway to the world , it is a cosmopolitan city, whose culture has been shaped by those passing through as much as by those who stayed. Matthew Jefferies explores a city-state boasting the highest per capita GDP in Germany, but where ostentatious displays of wealth are shunned; a place synonymous with fast food and beer, in which fine dining and luxury shopping abound; a city without palaces, castles or cathedrals, yet bursting with monuments and memorials. With nearly eight million overnight visitors each year, Hamburg is fast becoming one of Europe's most popular city-break destinations: it is a city well worth getting to know. CITY OF WATER AND FIRE: the Elbe, the Alster, and more bridges (around 2,500) than Venice and Amsterdam combined; a city devastated by the 'Great Fire' of 1842 and the Allied 'firestorm' of July 1943, but twice rebuilt anew. CITY OF BRICK AND NEON: the Speicherstadt 'warehouse city'; Fritz Hoger's expressionist Chilehaus; and Fritz Schumacher's vision of a 'liveable metropolis'; St. Pauli, the Reeperbahn and the Beatles. THE WORLD CITY: Hamburg's colonial past; embarkation point for millions of European migrants to the New World; and home to the 'father of the modern zoo'.

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In 1948 Watkins Glen staged the first official American race for sports cars since the Vanderbilt Cup races of the early years of the century. This book is about the transformation of post-World War II racing in America and how road racing became a leading sport in the US, beginning at Watkins Glen and followed by Sebring, Daytona, Laguna Seca and other circuits. These historic first five years are fundamental to road racing in America when the race was staged through the village streets and neighboring countryside until a permanent track was built in 1953. The races introduced famous international marques such as Ferrari, Jaguar, Porsche, Allard, Healey and Cunningham and encouraged a pantheon of great drivers to develop, among them, Briggs Cunningham, John Fitch, Phil Walters, Phil Hill, Jim Kimberly and Walt Hansgen. Later, from 1961 to 1980, Watkins Glen was the site of the Formula 1 United States Grand Prix Cameron Argetsinger, a lawyer and leader in upstate New York, was the man with the dream and the story of how he made it all happen against enormous odds is told in detail. It includes anecdotes and interviews contributed by many of the early participants, and has exclusive color photographs taken during years when color photography was practically unknown. In 2011, Watkins Glen celebrates the 50th anniversary of its first Formula 1 Grand Prix. Had the early Sports Car Grand Prix of 1948-52 not taken place and quickly become a huge popular success, Watkins Glen would long ago have disappeared in the annals of history. Instead, it remains to this day a challenging race track, with two nationally televised events each year, and it is the home of the world's first Motor Racing Research Library. Over 300 photographs provide vivid and fascinating illustrations of the men and machines who threaded together every part of this extraordinary story. Full race results and statistics for all entrants in the 13 races run between 1948 and 1952 are also provided in detail. A final chapter shows how many of the race cars from the early years are now highly valued and are prize-winners at concours events.

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For almost a century, movie fans have been riveted by the Academy Awards and the stars who have won Oscars. 50 Oscar Nights takes readers behind the scenes of Hollywood's most storied awards show through new and exclusive interviews with dozens of A-list actors, filmmakers, and craftspeople spanning sixty years of the Oscars. Here these artists reflect on their winning work and recount all the details of how they got ready, how they felt when they heard their name and got up on stage to accept their award, what they wore, how the entire experience impacted their life, and more.Some interviews bring to light fun stories like why Hilary Swank decided to celebrate her Academy Award at the Astro Burger in West Hollywood, or insight into the work as Elton John explains why he was convinced he won his Best Original Song award for the wrong tune. Other interviews illuminate why for some honorees, such as Julia Roberts, John Legend, and Octavia Spencer, the day remains a life highlight to be treasured, while for Marlee Matlin, Mira Sorvino, and Barry Jenkins, complex emotions cloud what most think would be a purely celebratory moment.Filled with more than 150 photos of red-carpet moments, emotional acceptances, and after-party play, 50 Oscar Nights is both a stunning record of cinema glamour and a must-read for any movie lover.Full list of interviewees: Nicole Kidman, Elton John, Jennifer Hudson, Steven Spielberg, Jane Fonda, Barry Jenkins, Halle Berry, J. K. Simmons, Julia Roberts, John Legend, Rita Moreno, Martin Scorsese, Marlee Matlin, Dustin Hoffman, Hannah Beachler, Cameron Crowe, Mira Sorvino, Kevin O'Connell, Sally Field, Kristen Anderson-Lopez and Robert Lopez, Eddie Redmayne, Lee Grant, Louis Gossett Jr., Hilary Swank, Clint Eastwood, Jessica Yu, Michael Douglas, Catherine Martin, Francis Ford Coppola, Allison Janney, Mel Brooks, Emma Thompson, Peter Jackson, Marcia Gay Harden, Mark Bridges, Sofia Coppola, Joel Grey, Glen Hansard and Markéta Irglová, Olivia Colman, Rob Epstein, Whoopi Goldberg, Alan Menken, Melissa Etheridge, Sissy Spacek, Keith Carradine, Estelle Parsons, Geoffrey Fletcher, Octavia Spencer, Aaron Sorkin, Meryl Streep

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Men of Honor contains more than 100 official citations for bravery above and beyond the call of duty along with several eyewitness acounts such as the following excerpt: ... When we approached the area, Captain Pless asked the crew, "you all with me?" He knew the answer would be yes. As we flew on, we saw four U.S. personnel laying on the beach and around them, not less forty or fifty armed Viet Cong. They, the V.C., were beating the helpless personnel. As we flew over the group of people, one of the beach waved to us, and for his efforts got a rifle butt in the face. The V.C. were too close to the Americans to safely fire at them, but the V.C. were killing them anyway, so Captain Pless ordered the right door gunner, Gunnery Sergeant Poulson, to fire on them. It took only a short burst to send the V.C. running for cover. When Captain Pless saw this, he immediately rolled in hot with rockets and guns. The smoke from our W.P. rockets obscured the V.C. who were running when we started our attack, but Captain Pless continued to fire into the smoke, displaying the most remarkable airmanship I have ever seen in my eighteen months in country as an air crewman. As crewchief of the aircraft, and knowing its capabilities, I couldn't believe what he was making that belo do, but when the smoke started to clear, I saw bodies laying everywhere . . . Along with the above there are short biographies of all thirty-eight men, newspaper articles, and photographs. Men of Honor is a look at only a few of the many heroes of the United States Marine Corps: Kenneth D. Bailey, Harvey C. Barnum, John Basilone, Gregory Boyington, Martin L. Brandtner. Evans F. Carlson, Justice M. Chambers, Raymond G. Davis, Joseph Donovan, Merritt A. Edson, Wesley L. Fox, Robert Murray Hanson, John L. Hopkins, Louis R. Jones, Howard V. Lee, William G. Leftwich, Homer Litzenberg, Harry B. Liversedge, James E. Livingston, Joseph J. McCarthy, Frank N. Mitchell, Raymond G. Murphy, Raymond L. Murray, Steven Pless, Lewis B. Puller, Harold S. Roise, Carlton Robert Rouh, Webb D. Sawyer, James V. Shanley, Alan Shapley, David M. Shoup, Ray L. SMith, Alexander Vandegrift, Jay R. Vargas, Robert W. Vaupell, Kenneth A. Walsh, Lewis W. Walt, Stanley J. Wawrzyniak.

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“The most revealing and subjectively penetrating assessment of Baldwin’s life yet published.” —The New York Times Book Review. “The first Baldwin biography in which one can recognize the human features of this brilliant, troubled, principled, supremely courageous man.” —Boston GlobeJames Baldwin was one of the great writers of the last century. In works that have become part of the American canon—Go Tell It on a Mountain, Giovanni’s Room, Another Country, The Fire Next Time, and The Evidence of Things Not Seen—he explored issues of race and racism in America, class distinction, and sexual difference.A gay, African American writer who was born in Harlem, he found the freedom to express himself living in exile in Paris. When he returned to America to cover the Civil Rights movement, he became an activist and controversial spokesman for the movement, writing books that became bestsellers and made him a celebrity, landing him on the cover of Time.In this biography, David Leeming creates an intimate portrait of a complex, troubled, driven, and brilliant man. He plumbs every aspect of Baldwin’s life: his relationships with the unknown and the famous, including painter Beauford Delaney, Richard Wright, Lorraine Hansberry, Marlon Brando, Harry Belafonte, Lena Horne, and childhood friend Richard Avedon; his expatriate years in France and Turkey; his gift for compassion and love; the public pressures that overwhelmed his quest for happiness, and his passionate battle for black identity, racial justice, and to “end the racial nightmare and achieve our country.”

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Explores the complex life of the most controversial and enigmatic Scot of his generation, and his contribution to Scottish life and lettersShortlisted for Saltire Society Scottish History Book of the Year 2022 Includes accounts of Graham's extraordinary political career from Hansard, and national and local newspapers Examines Graham's role in the founding of both the Labour party and the SNP Discusses Graham's unique political journalism and evocations of Scottish life and character Analyses Graham's relationships with literary figures such as Oscar Wilde, Frank Harris, John Galsworthy, G. B. Shaw, W. H. Hudson and Joseph Conrad R. B. Cunninghame Graham was a well-known and hugely influential figure in late 19th- and early 20th-century Scottish politics and literature. This book explores Graham's early political views, his time as a Member of Parliament, his disillusionment with the Liberal Party and his reputation as the first declared 'socialist' MP. Using documentary evidence and tangible philosophical links, the book traces Graham's early political influences derived directly or indirectly from key 19th-century figures, particularly William Morris. It also examines Graham's anti-imperialist, anti-colonial and anti-racist speeches and writings, and his active support for women's rights and universal suffrage. Lachlan Munro strips away the mythology surrounding Graham to reveal an altogether more complex picture, exploring his political and literary achievements, during a time of enormous political, economic and cultural upheaval the reverberations of which are still ongoing.

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Humanesis critically examines central strains of posthumanism, searching out biases in the ways that human–technology coupling is explained. Specifically, it interrogates three approaches taken by posthumanist discourse: scientific, humanist, and organismic. David Cecchetto’s investigations reveal how each perspective continues to hold on to elements of the humanist tradition that it is ostensibly mobilized against. His study frontally desublimates the previously unseen presumptions that underlie each of the three thought lines and offers incisive appraisals of the work of three prominent thinkers: Ollivier Dyens, Katherine Hayles, and Mark Hansen. To materially ground the problematic of posthumanism, Humanesis interweaves its theoretical chapters with discussions of artworks. These highlight the topos of sound, demonstrating how aurality might produce new insights in a field that has been dominated by visualization. Cecchetto, a media artist, scrutinizes his own collaborative artistic practice in which he elucidates the variegated causal chains that compose human–technological coupling.Humanesis advances the posthumanist conversation in several important ways. It proposes the term “technological posthumanism” to focus on the discourse as it relates to technology without neglecting its other disciplinary histories. It suggests that deconstruction remains relevant to the enterprise, especially with respect to the performative dimension of language. It analyzes artworks not yet considered in the light of posthumanism, with a particular emphasis on the role of aurality. And the form of the text introduces a reflexive component that exemplifies how the dialogue of posthumanism might progress without resorting to the types of unilateral narratives that the book critiques.

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Humanesis critically examines central strains of posthumanism, searching out biases in the ways that human–technology coupling is explained. Specifically, it interrogates three approaches taken by posthumanist discourse: scientific, humanist, and organismic. David Cecchetto’s investigations reveal how each perspective continues to hold on to elements of the humanist tradition that it is ostensibly mobilized against. His study frontally desublimates the previously unseen presumptions that underlie each of the three thought lines and offers incisive appraisals of the work of three prominent thinkers: Ollivier Dyens, Katherine Hayles, and Mark Hansen. To materially ground the problematic of posthumanism, Humanesis interweaves its theoretical chapters with discussions of artworks. These highlight the topos of sound, demonstrating how aurality might produce new insights in a field that has been dominated by visualization. Cecchetto, a media artist, scrutinizes his own collaborative artistic practice in which he elucidates the variegated causal chains that compose human–technological coupling.Humanesis advances the posthumanist conversation in several important ways. It proposes the term “technological posthumanism” to focus on the discourse as it relates to technology without neglecting its other disciplinary histories. It suggests that deconstruction remains relevant to the enterprise, especially with respect to the performative dimension of language. It analyzes artworks not yet considered in the light of posthumanism, with a particular emphasis on the role of aurality. And the form of the text introduces a reflexive component that exemplifies how the dialogue of posthumanism might progress without resorting to the types of unilateral narratives that the book critiques.

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Edited by Richard Grusin of the Center for 21st Century Studies, this is the first book to name and characterize—and therefore consolidate—a wide array of current critical, theoretical, and philosophical approaches to the humanities and social sciences under the concept of the nonhuman turn. Each of these approaches is engaged in decentering the human in favor of a concern for the nonhuman, understood by contributors in a variety of ways—in terms of animals, affectivity, bodies, materiality, technologies, and organic and geophysical systems.The nonhuman turn in twenty-first-century studies can be traced to multiple intellectual and theoretical developments from the last decades of the twentieth century: actor-network theory, affect theory, animal studies, assemblage theory, cognitive sciences, new materialism, new media theory, speculative realism, and systems theory. Such varied analytical and theoretical formations obviously diverge and disagree in many of their assumptions, objects, and methodologies. However, they all take up aspects of the nonhuman as critical to the future of twenty-first-century studies in the arts, humanities, and social sciences.Unlike the posthuman turn, the nonhuman turn does not make a claim about teleology or progress in which we begin with the human and see a transformation from the human to the posthuman. Rather, the nonhuman turn insists (paraphrasing Bruno Latour) that “we have never been human,” that the human has always coevolved, coexisted, or collaborated with the nonhuman—and that the human is identified precisely by this indistinction from the nonhuman. Contributors: Jane Bennett, Johns Hopkins U; Ian Bogost, Georgia Institute of Technology; Wendy Hui Kyong Chun, Brown U; Mark B. N. Hansen, Duke U; Erin Manning, Concordia U, Montreal; Brian Massumi, U of Montreal; Timothy Morton, Rice U; Steven Shaviro, Wayne State U; Rebekah Sheldon, Indiana U.

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In this rich volume our articles range across all the main phases of Greek Archaeology from Prehistory to the Postmedieval era, and cover a wonderful range of topics. Studies of individual sites begin with an overview by Michael Boyd of Colin Renfrew’s research project on the Cycladic island of Keros at the truly remarkable prehistoric sanctuary centre of Dhaskaleio, but we also have an update by Corien Wiersma on the exciting new survey and excavations at the Mycenaean palace of Agios Vassilios near Sparta. Welcome news appears from Northern Greece, till not so long ago rather neglected by scholarship, with Bronze to Iron Age house and household cooking research papers from the Toumba mound and sites around Mount Olympus, by Kalliopi Efkleidou and Anastasia Dimoula. Landscape studies begin at the grandest scale with Bernard Knapp’s article on the interconnections of Bronze Age Cyprus and Kostas Sbonias’ article on the coastal economy of Corfu, then scale down geographically to Nadia Coutsinas’ analysis of long-term settlement dynamics in Eastern Crete and Natasha Dakouri-Hild’s high-tech survey project at Aphidna in Attica. Michalis Karambinis follows up his earlier study of the Roman cities of the province of Achaia (JGA 3, 2018), with a survey of the cities of Roman Crete. In a related topic, Anastasia Yangaki offers us an authoritative study of the archaeology of beekeeping on Late Antique Crete. We try hard never to neglect Greek art and architecture in our Journal, and are delighted to have a redating of the architectural history of the famous Archaic to Classical Athena Aphaia temple on Aegina by Hansgeorg Bankel, partnered by a study of the significance of its terracotta votive figurines by Maria Spathi. Andrew Stewart exhibits his immense learning in the field of Greek and Roman sculpture with an in-depth investigation of the statues of the Homeric hero Protesilaos. Always enthusiastic to keep up our coverage of the Medieval and Post-Medieval archaeology of Greece, we welcome two articles on Byzantine and Frankish ceramics from Nauplia and Crete, by Anastasia Vassiliou and Matteo Randazzo. Finally Michael Fotiadis dissects debates concerning the origins and nature of ‘Aegean prehistoric civilisation’ during the 19th century’s discovery and subsequent evaluation of Bronze Age Greece, a theme which has continued to be central to later and current approaches to ethnic and cultural continuity on the Greek homeland. - From the foreword by John Bintliff, General Editor

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Occasionally a spark of inspiration can become the catalyst for transition. Just such an occasion took place with the construction of Thompson Speedway in 1940, a five-eighth-mile banked oval track, dubbed “The Indianapolis of the East.” A road course joined to the oval in 1952 enlarged the track to form the first privately-owned complex where sports car drivers could race safely. It transformed the face of sports car racing in America, and hastened the demise of the dangerous open-road events together with the majority of flat and boring airfield race venues. These two volumes tell the story of the ground-breaking racetrack and, as far as possible, detail the drivers and cars that participated in the races. They are profusely illustrated with contemporary photographs showing well-known drivers such as Briggs Cunningham, Bill Lloyd, Bill Spear, Lance Reventlow, Walt Hansgen, George Constantine and Denise McCluggage in action driving Maseratis, Jaguars, Porsches, Coopers, Ferraris and other makes that they imported from Europe and that are now in such popular demand. Today, the Raceway has been regenerated and runs as a successful venture under the control of Jonathan Hoenig, great-grandson of the original owner. Volume One, The Formative Years: 1945-1959, covers the years 1938-1960 and describes the development of sports car racing at Thompson as early as 1945. It explains the politics involved between land-owner, John Hoenig, and Raceway manager George Weaver, and their unsuccessful attempts to establish a working relationship. Their disagreements led to the development of the Raceway’s second layout by Weaver as it separated from the Speedway Oval in 1958. Volume Two, Changing Fortunes: 1960-1977, sees Hoenig and Thompson Raceway in Windham County Court in 1961, the culmination of a long-standing dispute over share holdings. SCCA policy changes in the first half of the 1960s involving the conflict between professional and amateur status also contributed to the eventual demise of the Raceway under Weaver’s control in 1967. Subsequently, the venue was revived by the Hoenig family, with a new track that incorporated the original Speedway oval, but the fuel crisis, a lack of investment and a general decline in spectator interest led to its closure again in 1977.

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The Indignant Generation is the first narrative history of the neglected but essential period of African American literature between the Harlem Renaissance and the civil rights era. The years between these two indispensable epochs saw the communal rise of Richard Wright, Gwendolyn Brooks, Ralph Ellison, Lorraine Hansberry, James Baldwin, and many other influential black writers. While these individuals have been duly celebrated, little attention has been paid to the political and artistic milieu in which they produced their greatest works. With this commanding study, Lawrence Jackson recalls the lost history of a crucial era. Looking at the tumultuous decades surrounding World War II, Jackson restores the "indignant" quality to a generation of African American writers shaped by Jim Crow segregation, the Great Depression, the growth of American communism, and an international wave of decolonization. He also reveals how artistic collectives in New York, Chicago, and Washington fostered a sense of destiny and belonging among diverse and disenchanted peoples. As Jackson shows through contemporary documents, the years that brought us Their Eyes Were Watching God, Native Son, and Invisible Man also saw the rise of African American literary criticism--by both black and white critics. Fully exploring the cadre of key African American writers who triumphed in spite of segregation, The Indignant Generation paints a vivid portrait of American intellectual and artistic life in the mid-twentieth century.

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