Search results for ""Author Fredericks"

Get started with an innovative approach to teaching history that develops literacy and higher-order thinking skills, connects the past to students' lives, and meets state and national standards (grades 7–12). Now in a second edition, this popular book provides an introductory unit to help teachers build a trustful classroom climate; over 70 primary sources (including a dozen new ones) organized into thematic units structured around an essential question from U.S. history; and a final unit focusing on periodization and chronology. As students analyze carefully excerpted documents, they build an understanding of how diverse historical figures have approached key issues. At the same time, students learn to participate in civic debates and develop their own views on what it means to be a 21st-century American. Each unit connects to current events with dynamic classroom activities that make history come alive. In addition to the documents, this teaching manual provides strategies to assess student learning; mini-lectures designed to introduce documents; activities to help students process, display, and integrate their learning; guidance to help teachers create their own units, and more.Book Features: Addresses the politicization of history head-on with updated material that allows students entry points into the debates swirling around their education. Makes document-based teaching easy with a curated collection of primary sources (speeches by presidents and protesters, Supreme Court cases, political cartoons) excerpted into manageable chunks for students. Challenges the "master narrative" of U.S. history with texts from Frederick Douglass, Susan B. Anthony, Malcolm X, César Chavez, Jeanne Wakatsuki Houston, and Judy Heumann. Offers printable copies of the documents included in the book, which can be downloaded at tcpress.com.

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'The short play – very traditional to Irish theatre – is a little jewel of a structure, a lightning flash on a different world, the illumination made all the more acute by brevity' Deirdre Kinahan Deirdre Kinahan is an award-winning playwright and member of Aosdána, Ireland's elected organisation of outstanding artists. This volume brings together five of her short plays, taken from the full span of her writing career, each of them shining a light into a forgotten corner of our humanity, giving voice to irrepressible characters that the world has done its best to overlook. In Bé Carna (Tall Tales, 1999), five women reflect on their lives as prostitutes on the streets of Dublin, a dark tale inspired by true-life stories, reverberating with humanity, warmth and comic humour. In Hue & Cry (Tall Tales/Bewley's Café Theatre, 2007), two Dublin cousins, Damian and Kevin, are reunited for a family funeral in a highly charged encounter full of disillusion, denial and dark laughter. In Bogboy (Tall Tales/Solstice Arts Centre, 2010), originally written as a radio play for RTÉ, two lost souls – a young heroin addict and a reclusive middle-aged farmer – discover a budding friendship in the bogs of Meath, until a terrible secret comes to light. Wild Notes (Solas Nua, Washington D.C., 2018) explores the impact of colonialism through a meeting between Frederick Douglass, the escaped slave and abolitionist who visited Ireland in the 1840s, and a young Irishwoman hoping to emigrate to the country he's running from. An Old Song, Half Forgotten (Abbey Theatre, 2023) opens a window into the life and soul of an older actor who is living in care with Alzheimer's disease, rebuilding a man just as he begins to crack and fade.

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AFRICAN AMERICAN HISTORY COMES TO LIFE Discover why young people all over the country are reading the Black Stars biographies of African American heroes. Here is what you want to know about the lives of brave black men and women during the Civil War and Reconstruction: dr. alexander t. augusta thomas "blind tom" greene bethune james bland senator blanche kelso bruce francis louis cardozo major martin robison delany frederick douglass sarah mapps douglass sergeant major christian a. fleetwood charlotte forten grimke frances e. w. harper elizabeth keckley elijah mccoy john p. parker governor pinckney benton stewart pinchback dr. charles burleigh purvis congressman robert smalls sojourner truth harriet tubman lieutenant peter vogelsang booker t. washington sergeant george washington williams granville t. woods "The books in the Black Stars series are the types of books that would have really captivated me as a kid." -Earl G. Graves, Black Enterprise magazine "Inspiring stories that demonstrate what can happen when ingenuity and tenacity are paired with courage and hard work." -Black Books Galore! Guide to Great African American Children's Books "Haskins has chosen his subjects well . . . catching a sense of the enormous obstacles they had to overcome. . . . Some names are familiar, but most are little-known whom Haskins elevates to their rightful place in history." -Booklist "The broad coverage makes this an unusual resource-a jumping-off point for deeper studies." -Horn Book

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American political thought has been shaped by those who fought back against social inequality, economic exclusion, the denial of political representation, and slavery, the country's original sin. Yet too often the voices of African American resistance have been neglected, silenced, or forgotten. In this timely book, Alex Zamalin considers key moments of resistance to demonstrate its current and future necessity, focusing on five activists across two centuries who fought to foreground slavery and racial injustice in American political discourse. Struggle on Their Minds shows how the core values of the American political tradition have been continually challenged-and strengthened-by antiracist resistance, creating a rich legacy of African American political thought that is an invaluable component of contemporary struggles for racial justice. Zamalin looks at the language and concepts put forward by the abolitionists David Walker and Frederick Douglass, the antilynching activist Ida B. Wells, the Black Panther Party organizer Huey Newton, and the prison abolitionist Angela Davis. Each helped revise and transform ideas about power, justice, community, action, and the role of emotion in political action. Their thought encouraged abolitionists to call for the eradication of slavery, black journalists to chastise American institutions for their indifference to lynching, and black radicals to police the police and to condemn racial injustice in the American prison system. Taken together, these movements pushed political theory forward, offering new language and concepts to sustain democracy in tense times. Struggle on Their Minds is a critical text for our contemporary moment, showing how the political thought that comes out of resistance can energize the practice of democratic citizenship and ultimately help address the prevailing problem of racial injustice.

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In the years between the American Revolution and the U.S. Civil War, as legal and cultural understandings of citizenship became more racially restrictive, black writers articulated an expansive, practice-based theory of citizenship. Grounded in political participation, mutual aid, critique and revolution, and the myriad daily interactions between people living in the same spaces, citizenship, they argued, is not defined by who one is but, rather, by what one does. In The Practice of Citizenship, Derrick R. Spires examines the parallel development of early black print culture and legal and cultural understandings of U.S. citizenship, beginning in 1787, with the framing of the federal Constitution and the founding of the Free African Society by Absalom Jones and Richard Allen, and ending in 1861, with the onset of the Civil War. Between these two points he recovers understudied figures such as William J. Wilson, whose 1859 "Afric-American Picture Gallery" appeared in seven installments in The Anglo-African Magazine, and the physician, abolitionist, and essayist James McCune Smith. He places texts such as the proceedings of black state conventions alongside considerations of canonical figures such as Frances Ellen Watkins Harper and Frederick Douglass. Reading black print culture as a space where citizenship was both theorized and practiced, Spires reveals the degree to which concepts of black citizenship emerged through a highly creative and diverse community of letters, not easily reducible to representative figures or genres. From petitions to Congress to Frances Harper's parlor fiction, black writers framed citizenship both explicitly and implicitly, the book demonstrates, not simply as a response to white supremacy but as a matter of course in the shaping of their own communities and in meeting their own political, social, and cultural needs.

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In January 1890, journalist T. Thomas Fortune stood before a delegation of African American activists in Chicago and declared, "We know our rights and have the courage to defend them," as together they formed the Afro-American League, the nation's first national civil rights organization. Over the next two decades, Fortune and his fellow activists organized, agitated, and, in the process, created the foundation for the modern civil rights movement. An Army of Lions: The Civil Rights Struggle Before the NAACP traces the history of this first generation of activists and the organizations they formed to give the most comprehensive account of black America's struggle for civil rights from the end of Reconstruction to the formation of the National Association for the Advancement of Colored People in 1909. Here a host of leaders neglected by posterity—Bishop Alexander Walters, Mary Church Terrell, Jesse Lawson, Lewis G. Jordan, Kelly Miller, George H. White, Frederick McGhee, Archibald Grimké—worked alongside the more familiar figures of Ida B. Wells-Barnett, W. E. B. Du Bois, and Booker T. Washington, who are viewed through a fresh lens. As Jim Crow curtailed modes of political protest and legal redress, members of the Afro-American League and the organizations that formed in its wake—including the Afro-American Council, the Niagara Movement, the Constitution League, and the Committee of Twelve—used propaganda, moral suasion, boycotts, lobbying, electoral office, and the courts, as well as the call for self-defense, to end disfranchisement, segregation, and racial violence. In the process, the League and the organizations it spawned provided the ideological and strategic blueprint of the NAACP and the struggle for civil rights in the twentieth century, demonstrating that there was significant and effective agitation during "the age of accommodation."

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Tracing the development of progressive Catholic approaches to political and economic modernization, Catholic Intellectuals and the Challenge of Democracy disputes standard interpretations of the Catholic response to democracy and modernity in the English-speaking world—particularly the conventional view that the Church was the servant of right-wing reactionaries and authoritarian, patriarchal structures. Starting with the writings of Bishop Wilhelm von Ketteler of Germany, the Frenchman Frédérick Ozanam, and England’s Cardinal Henry Edward Manning, whose pioneering work laid the foundation of the Catholic "third way," Corrin reveals a long tradition within Roman Catholicism that championed social activism. These visionary writers were the forerunners of Pope John XXIII’s aggiornamento, a call for Catholics to broaden their historical perspectives and move beyond a static theology fixed to the past. By examining this often overlooked tradition, Corrin attempts to confront the perception that Catholicism in the modern age has invariably been an institution of reaction that is highly suspicious of liberalism and progressive social reform. Catholic Intellectuals and the Challenge of Democracy charts the efforts of key Catholic intellectuals, primarily in Britain and the United States, who embraced the modern world and endeavored to use the legacies of their faith to form an alternative, pluralistic path that avoided both socialist collectivism and capitalism. In this sweeping volume, Corrin discusses the influences of Cecil and G. K. Chesterton, H. A. Reinhold, Hilaire Belloc, and many others on the development of Catholic social, economic, and political thought, with a special focus on Belloc and Reinhold as representatives of reactionary and progressive positions, respectively. He also provides an in-depth analysis of Catholic Distributists’ responses to the labor unrest in Britain prior to World War I and later, in the 1930s, to the tragedy of the Spanish Civil War and the forces of fascism and communism.

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A powerful new account of what a group of nineteenth- and twentieth-century African American activists, intellectuals, and artists can teach us about democracyCould the African American political tradition save American democracy? African Americans have had every reason to reject America’s democratic experiment. Yet African American activists, intellectuals, and artists who have sought to transform the United States into a racially just society have put forward some of the most original and powerful ideas about how to make America live up to its democratic ideals. In The Darkened Light of Faith, Melvin Rogers provides a bold new account of African American political thought through the works and lives of individuals who built this vital tradition—a tradition that is urgently needed today.The book reexamines how figures as diverse as David Walker, Frederick Douglass, Anna Julia Cooper, Ida B. Wells, W.E.B. Du Bois, Billie Holiday, and James Baldwin thought about the politics, people, character, and culture of a society that so often dominated them. Sharing a light of faith darkened but not extinguished by the tragic legacy of slavery, they resisted the conclusion that America would always be committed to white supremacy. They believed that democracy is always in the process of becoming and that they could use it to reimagine society. But they also saw that achieving racial justice wouldn’t absolve us of the darkest features of our shared past, and that democracy must be measured by how skillfully we confront a history that will forever remain with us.An ambitious account of the profound ways African Americans have reimagined democracy, The Darkened Light of Faith offers invaluable lessons about how to grapple with racial injustice and make democracy work.

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The Habsburg Empire’s grand strategy for outmaneuvering and outlasting stronger rivals in a complicated geopolitical worldThe Empire of Habsburg Austria faced more enemies than any other European great power. Flanked on four sides by rivals, it possessed few of the advantages that explain successful empires. Its army was not renowned for offensive prowess, its finances were often shaky, and its populace was fragmented into more than a dozen ethnicities. Yet somehow Austria endured, outlasting Ottoman sieges, Frederick the Great, and Napoleon. The Grand Strategy of the Habsburg Empire tells the story of how this cash-strapped, polyglot empire survived for centuries in Europe's most dangerous neighborhood without succumbing to the pressures of multisided warfare.Taking readers from the War of the Spanish Succession in the early 1700s to the Austro-Prussian War of 1866, A. Wess Mitchell argues that the Habsburgs succeeded not through offensive military power or great wealth but by developing strategies that manipulated the element of time in geopolitical competition. Unable to fight all their enemies at once, the Habsburgs learned to use the limited tools at their disposal—terrain, technology, and treaty allies—to sequence and stagger their conflicts, drive down the costs of empire, and concentrate scarce resources against the greatest threat of the moment. Rarely holding a grudge after war, they played the "long game" in geopolitics, corralling friend and foe alike into voluntarily managing the empire's lengthy frontiers and extending a benign hegemony across the turbulent lands of middle Europe.A study in adaptive statecraft, The Grand Strategy of the Habsburg Empire offers lessons on how to navigate a messy geopolitical map, stand firm without the advantage of military predominance, and prevail against multiple rivals.

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American students vary in educational achievement, but white students in general typically have better test scores and grades than black students. Why is this the case, and what can school leaders do about it? In The Color of Mind, Derrick Darby and John L. Rury answer these pressing questions and show that we cannot make further progress in closing the achievement gap until we understand its racist origins. Telling the story of what they call the Color of Mind--the idea that there are racial differences in intelligence, character, and behavior--they show how philosophers such as David Hume and Immanuel Kant, and American statesman Thomas Jefferson, contributed to the construction of this pernicious idea, how it influenced the nature of schooling and student achievement, and how voices of dissent such as Frederick Douglass, Frances Ellen Watkins Harper, and W. E. B. Du Bois debunked the Color of Mind and worked to undo its adverse impacts. Rejecting the view that racial differences in educational achievement are a product of innate or cultural differences, Darby and Rury uncover the historical interplay between ideas about race and American schooling, to show clearly that the racial achievement gap has been socially and institutionally constructed. School leaders striving to bring justice and dignity to American schools today must work to root out the systemic manifestations of these ideas within schools, while still doing what they can to mitigate the negative effects of poverty, segregation, inequality, and other external factors that adversely affect student achievement. While we cannot expect schools alone to solve these vexing social problems, we must demand that they address the dignitary injustices associated with how we track, discipline, and deal with special education that reinforce long-standing racist ideas. That is the only way to expel the Color of Mind from schools, close the racial achievement gap, and afford all children the dignity they deserve.

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Shortlisted for the 2015 Brooklyn Eagles Literary Prize The Lost Tribe of Coney Island is an Amazon Best Book of the Month The Lost Tribe of Coney Island is a New York Post “must read”! Coney Island, summer 1905: a new attraction opened at Luna Park. Within weeks it would be the talk of the nation. For the first time, The Lost Tribe of Coney Island unearths the incredible true story of the Igorrotes, a group of “headhunting, dog eating” tribespeople brought to America from the Philippines by the opportunistic showman Truman K. Hunt. At Luna Park, the g-string-clad Filipinos performed native dances and rituals before a wide-eyed public in a mocked-up tribal village. Millions of Americans flocked to see the tribespeople slaughter live dogs for their daily canine feasts and to hear thrilling tales of headhunting. The Igorrotes became a national sensation—they were written up in newspaper headlines, portrayed in cartoons, and even featured in advertising jingles, all fueled by Truman’s brilliant publicity stunts. By the end of the summer season, the Igorrote show had made Truman a rich man. But his genius had a dark side and soon he would be on the run across America with the tribe in tow, pursued by ex-wives, creditors, Pinkerton detectives, and the tireless agents of American justice. Award-winning journalist Claire Prentice brings this forgotten chapter in American history to life with vivid prose and rich historical detail. The book boasts a colorful cast of characters, including the mercurial Truman Hunt; his ambitious, young Filipino interpreter, Julio Balinag; Fomoaley Ponci, the tribe’s loquacious, self-important leader; Luna Park impresarios Fred Thompson and Elmer “Skip” Dundy; and Frederick Barker, the government man dead set on bringing Truman to justice. At its heart, The Lost Tribe of Coney Island is a tale of what happens when two cultures collide in the pursuit of money, adventure, and the American Dream. It is a story that makes us question who is civilized and who is savage.

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Paula Deitz has delighted readers for more than thirty years with her vivid descriptions of both famous and hidden landscapes. Her writings allow readers to share in the experience of her extensive travels, from the waterways of Britain's Castle Howard to the Japanese gardens of Kyoto, and home again to New York City's Central Park. Collected for the first time, the essays in Of Gardens record her great adventure of continual discovery, not only of the artful beauty of individual gardens but also of the intellectual and historical threads that weave them into patterns of civilization, from the modest garden for family subsistence to major urban developments. Deitz's essays describe how people, over many centuries and in many lands, have expressed their originality by devoting themselves to cultivation and conservation. During a visit to the Abby Aldrich Rockefeller Garden in Seal Harbor, Maine, Deitz first came to appreciate the notion that landscape architecture can be as intricately conceived as any major structure and is, indeed, the means by which we redeem the natural environment through design. Years later, as she wandered through the gardens of Versailles, she realized that because gardens give structure without confinement, they encourage a liberation of movement and thought. In Of Gardens, we follow Deitz down paths of revelation, viewing "A Bouquet of British Parks: Liverpool, Edinburgh, and London"; the parks and promenades of Jerusalem; the Moonlight Garden of the Taj Mahal; a Tuscan-style villa in southern California; and the rooftop garden at Tokyo's Mori Center, among many other sites. Deitz covers individual landscape architects and designers, including André Le Nôtre, Frederick Law Olmsted, Beatrix Farrand, Russell Page, and Michael Van Valkenburgh. She then features an array of parks, public places, and gardens before turning her attention to the burgeoning business of flower shows. The volume concludes with a memorable poetic epilogue entitled "A Winter Garden of Yellow."

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New Bedford’s Civil War examines the social, political, economic, and military history of New Bedford, Massachusetts, in the nineteenth century, with a focus on the Civil War homefront from 1861 to 1865 and on the city’s black community, soldiers, and veterans. Earl Mulderink’s engaging work contributes to the growing body of Civil War studies that analyzes the “war at home” by focusing on the bustling center of the world’s whaling industry in the nineteenth century. Using a broad chronological framework of the 1840s through the 1890s, this book contextualizes the rise and fall of New Bedford’s whaling enterprise and details the war’s multifaceted impacts between 1861 and 1865. A major goal of this book is to explore the war’s social history by examining how the conflict touched the city’s residents—both white and black. Known before the war for both its wealth and its antislavery fervor, New Bedford offered a congenial home for a sizeable black community that experienced a “different Civil War” than did native-born whites. Drawing upon military pension files, published accounts, and welfare records, this book pays particular attention to soldiers and families connected with the Fifty-fourth Massachusetts Volunteer Infantry, the “brave black regiment” (made famous by the Academy Award–winning 1989 film Glory) that helped shape national debates over black military enlistment, equal pay, and notions of citizenship. New Bedford’s enlightened white leaders, many of them wealthy whaling merchants with Quaker roots, actively promoted military enlistment that pulled 2,000 local citizen-soldiers (about 10 percent of the city’s total population) into the Union ranks. As the Whaling City gave way to a postwar landscape marked by textile manufacturing and heavy foreign immigration, the black community fought to keep alive the meaning and history of the Civil War. Joining their one-time neighbor Frederick Douglass, New Bedford’s black veterans used the memory of the war and their participation in it to push for full equality—a losing battle by the turn of the twentieth century.

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The theory of preservation assumes that humans are different from and opposed to the rest of nature. The contributors to "Beyond preservation", on the other hand, explore their belief that humans are inextricably entwined with nature and therefore have an unavoidable impact on the entire ecosystem. The comprehensive and multidisciplinary approach employed by the editors addresses the possibilities of and problems with the restoration of damaged landscapes and even the invention of new ones. William R. Jordan III, a botanist by training, is committed to ecological restoration, and in the keynote essay he advocates the premises on which his theory is based. Poet and essayist Frederick Turner is fascinated with the construction of new landscapes and proposes a more rather than less ambitious human effort to shape nature. Turner contributes an essay that, together with Jordan's, serves as a cornerstone of the volume. Both Turner and Jordan urge us to use our intelligence and our creative faculties to manage nature by restoring damaged landscapes and creating mutually beneficial relationships among all species. The lead essays are followed by a series of broadly interdisciplinary critiques that confront a host of contemporary issues having to do with our attempts to preserve or restore landscapes. Individual essays address the theoretical issues entailed in restoration; examine case studies of the application of restoration/reclamation/preservation theory and techniques; and finally, reflect on the implications and consequences of environmental restoration. Taken together, these essays are as important for the questions they raise as for their individual assessments of Jordan's and Turner's programmatic statements. A. Dwight Baldwin, Jr., is Professor of Geology at Miami University. Judith De Luce is Professor of Classics, affiliate in women's studies, and fellow in the Scripps Gerontology Center at Miami University. Carl Pletsch is Associate Professor of History at Miami University.

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Winner of the 2015 LGBT Studies Award presented by the Lambda Literary Foundation Unearths connections between homoeroticism, cannibalism, and cultures of consumption in the context of American literature and US slave culture that has largely been ignored until now Scholars of US and transatlantic slavery have largely ignored or dismissed accusations that Black Americans were cannibalized. Vincent Woodard takes the enslaved person’s claims of human consumption seriously, focusing on both the literal starvation of the slave and the tropes of cannibalism on the part of the slaveholder, and further draws attention to the ways in which Blacks experienced their consumption as a fundamentally homoerotic occurrence. The Delectable Negro explores these connections between homoeroticism, cannibalism, and cultures of consumption in the context of American literature and US slave culture. Utilizing many staples of African American literature and culture, such as the slave narratives of Olaudah Equiano, Harriet Jacobs, and Frederick Douglass, as well as other less circulated materials like James L. Smith’s slave narrative, runaway slave advertisements, and numerous articles from Black newspapers published in the nineteenth century, Woodard traces the racial assumptions, political aspirations, gender codes, and philosophical frameworks that dictated both European and white American arousal towards Black males and hunger for Black male flesh. Woodard uses these texts to unpack how slaves struggled not only against social consumption, but also against endemic mechanisms of starvation and hunger designed to break them. He concludes with an examination of the controversial chain gang oral sex scene in Toni Morrison’s Beloved, suggesting that even at the end of the twentieth and beginning of the twenty-first century, we are still at a loss for language with which to describe Black male hunger within a plantation culture of consumption.

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For a long time now, readers and scholars have strained against the limits of traditional literary criticism, whose precepts—above all, "objectivity"—seem to have so little to do with the highly personal and deeply felt experience of literature. The Intimate Critique marks a movement away from this tradition. With their rich spectrum of personal and passionate voices, these essays challenge and ultimately breach the boundaries between criticism and narrative, experience and expression, literature and life.Grounded in feminism and connected to the race, class, and gender paradigms in cultural studies, the twenty-six contributors to this volume—including Jane Tompkins, Henry Louis Gates, Jr., Shirley Nelson Garner, and Shirley Goek-Lin Lim—respond in new, refreshing ways to literary subjects ranging from Homer to Freud, Middlemarch to The Woman Warrior, Shiva Naipaul to Frederick Douglass. Revealing the beliefs and formative life experiences that inform their essays, these writers characteristically recount the process by which their opinions took shape--a process as conducive to self-discovery as it is to critical insight. The result—which has been referred to as "personal writing," "experimental critical writing," or "intellectual autobiography"—maps a dramatic change in the direction of literary criticism.Contributors. Julia Balen, Dana Beckelman, Ellen Brown, Sandra M. Brown, Rosanne Kanhai-Brunton, Suzanne Bunkers, Peter Carlton, Brenda Daly, Victoria Ekanger, Diane P. Freedman, Olivia Frey, Shirley Nelson Garner, Henry Louis Gates, Jr., Melody Graulich, Gail Griffin, Dolan Hubbard, Kendall, Susan Koppelman, Shirley Geok-Lin Lim, Linda Robertson, Carol Taylor, Jane Tompkins, Cheryl Torsney, Trace Yamamoto, Frances Murphy Zauhar

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GURT is nationally and internationally recognized as one of the world's star gatherings for scholars in the fields of language and linguistics. In 2001, the best from around the world in the disciplines of anthropological linguistics and discourse analysis meet to present and share the latest research on linguistic analysis and to address real-world contexts in private and public domains. The result is this newest, invaluable 2001 edition of the Georgetown University Round Table on Languages and Linguistics. This volume brings together the plenary speakers only, all leaders in their fields, showcasing discourse contexts that range from medical interactions to political campaigns, from classroom discourse and educational policy to current affairs, and to the importance of everyday family conversations. The contributors expand the boundaries of discourse to include narrative theory, music and language, laughter in conversation, and the ventriloquizing of voices in dialogue. Frederick Erickson explores the musical basis of language in an elementary school classroom; Wallace Chafe analyzes laughter in conversation. William Labov examines narratives told to South Africa's Truth and Reconciliation Commission, while Deborah Schiffrin compares multiple accounts of Holocaust narratives, and Alessandro Duranti considers competing speaker and audience interpretations during a political candidate's campaign tour. Robin Lakoff uncovers contrasting narratives shared by different cultural groups with respect to such current events as the O.J. Simpson trial. Deborah Tannen examines the integration of power and connection in family relationships, while Heidi Hamilton considers accounts that diabetic patients give their doctors. Shirley Brice Heath looks at discourse strategies used by policymakers to deny research findings, and G. Richard Tucker and Richard Donato report on a successful bilingual program.

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An authoritative account of the long battle between exclusionary and inclusive versions of the American story Was the United States founded as a Christian nation or a secular democracy? Neither, argues Philip Gorski in American Covenant. What the founders actually envisioned was a prophetic republic that would weave together the ethical vision of the Hebrew prophets and the Western political heritage of civic republicanism. In this ambitious book, Gorski shows why this civil religious tradition is now in peril--and with it the American experiment. Gorski traces the historical development of prophetic republicanism from the Puritan era to the present day. He provides close readings of thinkers such as John Winthrop, Thomas Jefferson, Frederick Douglass, W.E.B. Du Bois, and Hannah Arendt, along with insightful portraits of recent and contemporary religious and political leaders such as Jerry Falwell, Pat Robertson, Ronald Reagan, George W. Bush, and Barack Obama. Gorski shows how the founders' original vision for America is threatened by an internecine struggle between two rival traditions, religious nationalism and radical secularism. Religious nationalism is a form of militaristic hyperpatriotism that imagines the United States as a divine instrument in the final showdown between good and evil. Radical secularists fervently deny the positive contributions of the Judeo-Christian tradition to the American project and seek to remove all traces of religious expression from the public square. Gorski offers an unsparing critique of both, demonstrating how half a century of culture war has drowned out the quieter voices of the vital center. American Covenant makes the compelling case that if we are to rebuild that vital center, we must recover the civil religious tradition on which the republic was founded.

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Winner of the Frederick Jackson Turner AwardWinner of the George Perkins Marsh PrizeWinner of the John Brinckerhoff Jackson Book Prize“A major work of history that brings together African-American history and environmental studies in exciting ways.”—Davarian L. Baldwin, Journal of Interdisciplinary HistoryBetween 1915 and 1940, hundreds of thousands of African Americans left the rural South to begin new lives in the urban North. In Chicago, the black population quintupled to more than 275,000. Most historians map the integration of southern and northern black culture by looking at labor, politics, and popular culture. An award-winning environmental historian, Brian McCammack charts a different course, considering instead how black Chicagoans forged material and imaginative connections to nature.The first major history to frame the Great Migration as an environmental experience, Landscapes of Hope takes us to Chicago’s parks and beaches as well as to the youth camps, vacation resorts, farms, and forests of the rural Midwest. Situated at the intersection of race and place in American history, it traces the contours of a black environmental consciousness that runs throughout the African American experience.“Uncovers the untold history of African Americans’ migration to Chicago as they constructed both material and immaterial connections to nature.”—Teona Williams, Black Perspectives“A beautifully written, smart, painstakingly researched account that adds nuance to the growing field of African American environmental history.”—Colin Fisher, American Historical Review“If in the South nature was associated with labor, for the inhabitants of the crowded tenements in Chicago, nature increasingly became a source of leisure.”—Reinier de Graaf, New York Review of Books

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A MOVEMENT IN WORDS AND IMAGESAward-winning photographer Devin Allen has devoted the last six years to documenting the protests of the Black Lives Matter movement, from its early days in Baltimore, Maryland, up to the present day. The riveting images in No Justice, No Peace provide a lens on the resistance that has empowered Black lives generation after generation. Allen's signature black-and-white photos bear witness to the profound history of African Americans and allies in the fight for social justice and portray the collective action over decades in stunning, timeless portraits.Allen's remarkable photos of today's Black Lives Matter protests, which have been featured in the New York Times, the Washington Post, and twice on the cover of Time magazine, were inspired by Gordon Parks of the Civil Rights Movement, and create a vision of the past and future of Black activism and leadership in America. With contributions from twenty-six bestselling and influential writers and activists of today such as Clint Smith, DeRay Mckesson, D. Watkins, Jacqueline Woodson, Emmanuel Acho, Keeanga-Yamahtta Taylor, and more, alongside the words of past writers and activists such as Martin Luther King Jr, Frederick Douglass, Malcolm X, Maya Angelou, and John Lewis, No Justice, No Peace is a reminder of the moral responsibility of Americans to break unjust laws and take direct action.In words and pictures, No Justice, No Peace honors the connection between activism today and that of the past. If indeed hindsight is 20/20, this artistic look back is a lens on history that enlarges our understanding of the lasting predicament of racism in the United States of America. At once deeply intimate and profoundly uplifting, No Justice, No Peace is a visual tribute to Black resistance and a stern missive on the tough, but necessary, road that lies ahead.

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London in the 1840s was sprawling and smoke-filled, a city of extreme wealth and abject poverty. Some streets were elegant with brilliantly gas-lit shop windows full of expensive items, while others were narrow, fetid, muddy, and in many cases foul with refuse and human filth. Railways, stations and sidings were devouring whole districts and creating acres of slums or 'rookeries' into which the poor of the city were jammed and where crime, disease and prostitution were rife. The most sensational crime of the epoch, the murder of Patrick O'Connor by Frederick and Maria Manning, filled the press in the summer and autumn of 1849. Michael Alpert uses the trial record of this murder, accompanied by numerous other contemporary sources, among them journalism, diaries and fiction, to show how day-to-day lives, birth, death, sickness, work, shopping, cooking, and buying clothes, were lived in the crowded, noisy capital in the early decades of Victoria's reign. These sources illustrate how ordinary people lived in London, their incomes, entertainments, religious practice, reading and education, their hopes and anxieties. Life in Early Victorian London reveals how ordinary people like the Mannings and thousands of others experienced their multifaceted lives in the greatest capital city of the world. Early Victorian London lived on the cusp of great improvements, but it was a city which in some aspects was mediaeval. Its inhabitants enjoyed the benefit of the Penny Post and the omnibus, and they were protected to some extent by a police force. The Mannings fled their crime on the railway, were trapped by the recently-invented telegraph and arrested by 'detectives' (a new concept and word), but they were hanged in public as murderers had been for centuries, watched by a baying, drunken and swearing mob.

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‘Dance, theatre, music, sculpture, painting, all of these different modes of art-making are encapsulated into my practice, which is why I chose film as a medium for making my work.’ — Isaac Julien Celebrated for his compelling lyrical films and video art installations, Isaac Julien is one of the leading artists working today. This landmark book reveals the scope of Julien’s pioneering practice of over forty years, from the early 1980s to the present day, showcasing works from early films to large-scale, multi-screen installations which investigate the movement of peoples across different continents, times and spaces. It includes some of his early projects as part of Sankofa Film and Video Collective (1983–92); his critically acclaimed ten-screen video installation Lessons of the Hour 2019, a portrait of the life and times of Frederick Douglass, the visionary African American orator, philosopher and self-liberated freedom-fighter; and Once Again … (Statues Never Die) 2022. The wide range of writers and collaborators who have contributed to this book highlight Julien's critical thinking and the way his work breaks down barriers between different artistic disciplines, drawing from film, dance, photography, music, theatre, painting and sculpture by using the themes of desire, history and culture. Featuring strikingly beautiful reproductions of these extraordinarily powerful works, this publication enriches our understanding and appreciation of a remarkable artist. The Isaac Julien app allows readers to immerse themselves in the images of the films and installations by bringing to life the artist's work in his recent publications ‘What Freedom Is To Me’. Users are able to position their phone’s camera over a variety of specially chosen images that come to life, in movement and sound, highlighting the artist’s multifaceted practice that draws from film, dance, photography, music, theatre, painting and sculpture by utilising the themes of desire, history and culture.

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‘Dance, theatre, music, sculpture, painting, all of these different modes of art-making are encapsulated into my practice, which is why I chose film as a medium for making my work.’ — Isaac Julien Celebrated for his compelling lyrical films and video art installations, Isaac Julien is one of the leading artists working today. This landmark book reveals the scope of Julien’s pioneering practice of over forty years, from the early 1980s to the present day, showcasing works from early films to large-scale, multi-screen installations which investigate the movement of peoples across different continents, times and spaces. It includes some of his early projects as part of Sankofa Film and Video Collective (1983–92); his critically acclaimed ten-screen video installation Lessons of the Hour 2019, a portrait of the life and times of Frederick Douglass, the visionary African American orator, philosopher and self-liberated freedom-fighter; and Once Again … (Statues Never Die) 2022. The wide range of writers and collaborators who have contributed to this book highlight Julien's critical thinking and the way his work breaks down barriers between different artistic disciplines, drawing from film, dance, photography, music, theatre, painting and sculpture by using the themes of desire, history and culture. Featuring strikingly beautiful reproductions of these extraordinarily powerful works, this publication enriches our understanding and appreciation of a remarkable artist. The Isaac Julien app allows readers to immerse themselves in the images of the films and installations by bringing to life the artist's work in his recent publications ‘What Freedom Is To Me’. Users are able to position their phone’s camera over a variety of specially chosen images that come to life, in movement and sound, highlighting the artist’s multifaceted practice that draws from film, dance, photography, music, theatre, painting and sculpture by utilising the themes of desire, history and culture.

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(Reference). The Martin is considered the finest acoustic guitar in the world, a distinction it has held for more that 160 years. Martin guitars have been played by performers Eric Clapton, Stephen Stills, Judy Collins, and Johnny Cash, as well as hundreds of thousands of other professional and amateur musicians. In C.F. Martin and His Guitars, 1796-1873 , Philip Gura chronicles the career of Christian Frederick Martin from his humble start as an importer and repairman of musical instruments in New York City in the 1830s through his move to Nazareth, Pennsylvania, and the founding of C.F. Martin & Company. Gura is the first historian to thoroughly study the Martin company records dating back to the 1830s: Letters, account books, inventories, and other documents. Using this rich archive, Gura establishes how a German immigrant from Saxony's guild tradition became the finest American guitar maker of his time and created a uniquely American business that successfully eclipsed its competition. As Gura shows, Martin's success was based on his successful navigation of the rapid economic expansion and industrialization of his time. The many sketches and hundreds of photographs illustrate how Martin adapted his artisanal craft to modern industrial methods, maintaining quality while meeting increased demand for instruments. Gura traces the network of suppliers who provided Martin with his raw materials and explores the advertising and other methods Martin employed to build a market for his goods. After Martin's death in 1873, the company continued to grow. It thrives today under the leadership of a sixth-generation Martin, producing instruments that are still the most sought after and collectable in the world. Includes an 80-page color section!

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Theodore of Mopsuestia was hailed in his lifetime as one of the outstanding theologians and bishops in the second half of the fourth and early fifth centuries. He was then and still is respected as the preeminent spokesperson for the School of Antioch's unwavering defense of Christ's full humanity and its exegetical approach to the Scriptures. But within ten years after his death in 428, his enemies began to attack him openly, eventually succeeding in condemning both his works and person at the Second Council of Constantinople in 553. He has since been declared by some as the ""Father of Nestorianism."" In this book, Frederick G. McLeod first establishes the principal influences that shaped Theodore's exegetical outlook. He then draws out the typology that Theodore sees present between Adam and Christ's humanity, exploring three major roles that Christ's humanity plays as the head of all human immortal existence, the bond of the universe, and the perfect image of God. Next McLeod shows how Theodore's customary word for Christ's ""person"" (prosopon) ought to be understood in a functional way. The book concludes by applying these insights to the 71 excerpts that were used to condemn Theodore at the Second Council of Constantinople and proposing that these passages can be interpreted in a different, non-heretical way. This book enables one to judge Theodore's christological statements in the wider context of how he conceives of Christ's roles in salvation. It establishes clearly how Christ can be said to be a true mediator between the Father and all creation. It also makes one aware of the communal dimensions and relationships contained in the notion of ""person."" Finally, it indicates how the body plays an essential role in human and cosmic salvation.

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DRETSKE AND HIS CRITICS Dretske and his Critics Frederick Dretske’s views on the nature of seeing, the possibility of knowledge, the nature of content or non-natural meaning, the nature of behavior, and the role of content in the causal explanation of behavior have been profoundly important. Dretske and his Critics contains original discussions of these issues by John Heil, Stuart Cohen, David H. Sanford, Jaegwon Kim, Fred Adams, Daniel Dennett, Robert Cummins, Terence Horgan and Brian McLaughlin. Each chapter is responded to by Dretske himself. In Seeing and Knowing (1968), Dretske argued that there is a relational sense of seeing according to which, if one sees X, then X exists (or occurs); and if one sees X, and X = Y, then one sees Y. He carefully contrasted seeing in this relational sense with seeing that something is the case. In his contribution to this volume, Heil examines Dretske’s notion of non-epistemic seeing. Dretske is largely responsible for the relevant alternatives response to skepticism about knowledge. In arguing that we cannot know the sorts of things we ordinarily claim to know, the skeptic appeals to irrelevant alternatives that the purported knower cannot eliminate. In their contributions to this volume, Cohen and Sanford examine Dretske’s relevant alternatives response to skepticism about knowledge. In Explaining Behavior: Reasons in a World of Causes (1988), Dretske defended a component account of behavior, and offered original, naturalized accounts of the nature of content and of the role of content in the causal explanation of behavior. In their contributions, Kim, Adams, Dennett, Cummins, and Horgan examine Dretske’s account of behavior and his naturalized account of the role of content in the causal explanation of behavior. McLaughlin focuses on Dretske’s naturalized account of content.

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In the years between the American Revolution and the U.S. Civil War, as legal and cultural understandings of citizenship became more racially restrictive, black writers articulated an expansive, practice-based theory of citizenship. Grounded in political participation, mutual aid, critique and revolution, and the myriad daily interactions between people living in the same spaces, citizenship, they argued, is not defined by who one is but, rather, by what one does. In The Practice of Citizenship, Derrick R. Spires examines the parallel development of early black print culture and legal and cultural understandings of U.S. citizenship, beginning in 1787, with the framing of the federal Constitution and the founding of the Free African Society by Absalom Jones and Richard Allen, and ending in 1861, with the onset of the Civil War. Between these two points he recovers understudied figures such as William J. Wilson, whose 1859 "Afric-American Picture Gallery" appeared in seven installments in The Anglo-African Magazine, and the physician, abolitionist, and essayist James McCune Smith. He places texts such as the proceedings of black state conventions alongside considerations of canonical figures such as Frances Ellen Watkins Harper and Frederick Douglass. Reading black print culture as a space where citizenship was both theorized and practiced, Spires reveals the degree to which concepts of black citizenship emerged through a highly creative and diverse community of letters, not easily reducible to representative figures or genres. From petitions to Congress to Frances Harper's parlor fiction, black writers framed citizenship both explicitly and implicitly, the book demonstrates, not simply as a response to white supremacy but as a matter of course in the shaping of their own communities and in meeting their own political, social, and cultural needs.

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When celebrated landscape architect Frederick Law Olmsted despaired in 1870 that the "restraining and confining conditions" of the city compelled its inhabitants to "look closely upon others without sympathy," he was expressing what many in the United States had already been saying about the nascent urbanization that would continue to transform the nation's landscape: that the modern city dramatically changes the way individuals interact with and feel toward one another. An antiurbanist discourse would pervade American culture for years to come, echoing Olmsted's skeptical view of the emotional value of urban relationships. But as more and more people moved to the nation's cities, urbanists began to confront this pessimism about the ability of city dwellers to connect with one another. The Sociable City investigates the history of how American society has conceived of urban relationships and considers how these ideas have shaped the cities in which we live. As the city's physical and social landscapes evolved over the course of the late nineteenth and twentieth centuries, urban intellectuals developed new vocabularies, narratives, and representational forms to express the social and emotional value of a wide variety of interactions among city dwellers. Turning to source materials often overlooked by scholars of urban life—including memoirs, plays, novels, literary journalism, and museum exhibits—Jamin Creed Rowan unearths an expansive body of work dedicated to exploring and advocating the social configurations made possible by the city. His study aims to better understand why we have built and governed cities in the ways we have, and to imagine an urban future that will effectively preserve and facilitate the interpersonal associations and social networks that city dwellers need to live manageable, equitable, and fulfilling lives.

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Big ideas sometimes come from the strangest places. In this wide ranging introduction, James M Russell takes the fear out of philosophy and selects seventy-six works - from Plato, Descartes and Wittgenstein to Philip K Dick and the Moomins as well as contemporary thinkers such as Peter Singer and John Rawls. Dividing into accessible sections - history, contemplation, happiness, and -isms, Russell gives us the lives as well as the lessons of the great thinkers, including a digest of their key ideas. A perfect antidote to the complex life. The topics and books covered include: Traditional Philosophy: The Republic, Plato; The Confessions, St Augustine; The Leviathan, Thomas Hobbes; On Liberty, John Stuart Mill; Philisophical Investigations, Ludwig Wittgenstein; Critique of Pure Reason, Immanuel Kant. Outsiders: Fear and Trembling, Soren Kierkegaard; Beyond Good and Evil, Frederick Nietzsche; The Outsider, Albert Camus; Doors of Perception, Aldous Huxley. Contemplation as Philosophy: The Prophet, Kahil Gibran; Jonathan Livingston Seagull, Richard Bach; Zen and the Art of Motorcycle Maintenance, Robert Pirsig; The Tao of Pooh, Benjamin Hoff. The Continental Tradition: The Prison Notebooks, Antonio Gramsci; The History of Sexuality, Michel Foucault; Symbolic Exchange and Death, Jean Baudrillard. How to Live Your Life: The Art of War, Sun Tzu; Maxims, La Rouchefoucauld; Memories, Dreams, Reflections, Carl Jung; On Sexuality, Sigmund Freud; On Becoming a Person, Carl Rogers. Political and Personal Issues: Das Kapital, Karl Marx; Being and Nothingness, Jean Paul Sartre; Gaia, James Lovelock. Modern Philosophy: A Theory of Justice, John Rawls; Darwin's Dangerous Idea, Daniel Dennett; After the Terror, Ted Honderich.

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A groundbreaking new book, Still the Same Hawk: Reflections on Nature and New York brings into conversation diverse and intriguing perspectives on the relationship between nature and America’s most prominent city. The volume’s title derives from a telling observation in Robert Sullivan’s contribution that considers how a hawk in the city is perceived so much differently from a hawk in the countryside. Yet it’s still the same hawk. How can a hawk nesting above Fifth Avenue become a citywide phenomenon? Or a sudden butterfly migration at Coney Island energize the community? Why does the presence of a community garden or an empty lot ripple so differently through the surrounding neighborhood? Is the city an oasis or a desert for biodiversity? Why does nature even matter to New Yorkers, who choose to live in the concrete jungle? Still the Same Hawk examines these questions with a rich mix of creative nonfiction that ranges from analytical to anecdotal and humorous. John Waldman’s sharp, well-crafted introduction presenting dualism as the defining quality of urban nature is followed by compelling contributions from Besty McCully, Christopher Meier, Tony Hiss, Kelly McMasters, Dara Ross, William Kornblum, Phillip Lopate, David Rosane, Robert Sullivan, Anne Matthews, Devin Zuber, and Frederick Buell. Together these pieces capture a wide range of viewpoints, including the myriad and shifting ways New Yorkers experience and consider the outdoors, the historical role of nature in shaping New York’s development, what natural attributes contribute to New York’s regional identity, the many environmental tradeoffs made by urbanization, and even nature’s dark side where “urban legends” flourish. Still the Same Hawk intermingles elements of natural history, urban ecology, and environmental politics, providing fresh insights into nature and the urban environment on one of the world’s great stages for the clash of these seemingly disparate realms—New York City.

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Within the Circle is the first anthology to present the entire spectrum of twentieth-century African American literary and cultural criticism. It begins with the Harlem Renaissance, continues through civil rights, the Black Arts Movement, and on into contemporary debates of poststructuralist and black feminist theory. Drawing on a quote from Frederick Douglass for the title of this book, Angelyn Mitchell explains in her introduction the importance for those "within the circle" of African American literature to examine their own works and to engage this critical canon. The essays in this collection—many of which are not widely available today—either initiated or gave critical definition to specific periods or movements of African American literature. They address issues such as integration, separatism, political action, black nationalism, Afrocentricity, black feminism, as well as the role of art, the artist, the critic, and the audience. With selections from Langston Hughes, Sterling Brown, W. E. B. DuBois, Zora Neale Hurston, Richard Wright, James Baldwin, Toni Morrison, Barbara Smith, Alice Walker, Henry Louis Gates, Jr., and many others, this definitive collection provides a dynamic model of the cultural, ideological, historical, and aesthetic considerations in African American literature and literary criticism. A major contribution to the study of African American literature, this volume will serve as a foundation for future work by students and scholars. Its importance will be recognized by all those interested in modern literary theory as well as general readers concerned with the African American experience.Selections by (partial list): Houston A. Baker, Jr., James Baldwin, Sterling Brown, Barbara Christian, W. E. B. DuBois, Ralph Ellison, LeRoi Jones, Sarah Webster Fabio, Henry Louis Gates, Jr., W. Lawrence Hogue, Langston Hughes, Zora Neale Hurston, Alain Locke, Deborah E. McDowell, Toni Morrison, J. Saunders Redding, George Schuyler, Barbara Smith, Valerie Smith, Hortense J. Spillers, Robert B. Stepto, Alice Walker, Margaret Walker, Mary Helen Washington, Richard Wright

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"Dr. Winn’s story is remarkably open, unguarded and intimate. I believe that almost any physician, staff member, patient, patient family member or friend will come away with new insights and understanding after reading this moving memoir." —Frederick R. Appelbaum, M.D. Director, Clinical Research Division, Fred Hutchinson Cancer Research CenterLittle does he know that an unexpected call that interrupts an early Spring bike ride in the Wasatch mountains above Park City will change his life forever. A day later, when Dr. Robert Winn’s beloved wife Nancy is diagnosed with the life-threatening disease acute myeloid leukemia (AML), he is too devastated and emotionally shattered to communicate with family and their many friends. For many months he can’t even speak without getting choked up or crying.At the nadir of her illness Nancy is given a 5% chance of survival and Winnie (the name lovingly bestowed upon Dr. Winn by his many patients and friends) commits to always be by the side of his soul mate and to never leave Nancy alone at night. As a result, during the entire two years his wife is gravely ill and, at times, near death, he sits in the quiet of Nancy’s hospital room late into the evening and writes to their family and friends. These trials and tribulations are movingly and remarkably captured for posterity in Night Reflections: A True Story of Friendship, Love, Cancer, and Survival.Life with cancer, a devastating disease for any patient and family, is a constant struggle and fight for survival that demands that you learn to live through the entire day, each hour, and every minute. Night Reflections chronicles an inspirational story of courage, love, devotion, struggle, and ultimately triumph. Night Reflections will help anyone suffering from a devastating illness, their loved ones, caregivers, and the medical community alike and the strength to face even the darkest of days.

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Arranged in chronological order from the early Greek mathematicians, Euclid and Archimedes through to present-day Nobel Prize winners, 100 Science Discoveries That Changed the World charts the great breakthroughs in scientific understanding. Each entry describes the story of the research, the significance of the science and its impact on the scientific world. There is also a resume of each scientist’s career along with their other achievements, sometimes – in the case of Isaac Newton – in a completely unrelated field (laws of motion and the component parts of light). The book covers all branches of science: geometry, number theory, cosmology, the laws of motion, particle physics, electricity, magnetism, the laws of gasses, optical theory, cell biology, conservation of energy, natural selection, radiation, quantum theory, special relativity, superconductivity, thermodynamics, genomes, plate tectonics, and the uncertainty principal. Scientists include: Albert Einstein, Alessandro Volta, Alexander Fleming, Amedeo Avogrado, Andre Geim, Antoine Lavoisier, Antony van Leeuwenhoek, Archimedes, Benoit Mandelbrot, Carl Friedrich Gauss, Charles Darwin, Christian Doppler, Copernicus, Crick and Watson, Dmitri Mendeleev, Edwin Hubble, Enrico Fermi, Ernest Rutherford, Erwin Schrodinger, Euclid, Fermat, Frederick Sanger, Galileo Galilei, Georg Ohm, Georges Lemaitre, Heike Kamerlingh, Isaac Newton, Jacques Charles, James Clerk Maxwell, James Prescott Joule, Jean Buridan, Johanes Kepler, John Ambrose Fleming, John Dalton, John O’Keefe, Joseph Black, Josiah Gibbs, Lord Kelvin, Lord Rayleigh, Louis Pasteur, Marie Curie, Martinus Beijerinck, Michael Faraday, Murray Gell-Mann & George Zweig, Neils Bohr, Nicholas Steno, Peter Higgs, Pierre Curie, Ptolemy, Robert Boyle, Robert Brown, Robert Hooke, Roger Bacon, Rudolf Clausius, Seleucus, Shen Kuo, Stanley Miller, Tyco Brahe, Werner Heisenberg, William Gilbert, William Harvey, William Herschel, William Rontgen, Wolfgang Pauli.

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In this philosophically sophisticated and historically significant work, John H. Zammito reconstructs Kant's composition of The Critique of Judgment and reveals that it underwent three major transformations before publication. He shows that Kant not only made his "cognitive" turn, expanding the project from a "Critique of Taste" to a Critique of Judgment but he also made an "ethical" turn. This "ethical" turn was provoked by controversies in German philosophical and religious culture, in particular the writings of Johann Herder and the Sturm und Drang movement in art and science, as well as the related pantheism controversy. Such topicality made the Third Critique pivotal in creating a "Kantian" movement in the 1790s, leading directly to German Idealism and Romanticism. The austerity and grandeur of Kant's philosophical writings sometimes make it hard to recognize them as the products of a historical individual situated in the particular constellation of his time and society. Here Kant emerges as a concrete historical figure struggling to preserve the achievements of cosmopolitan Aufkl-rung against challenges in natural science, religion, and politics in the late 1780s. More specifically Zammito suggests that Kant's Third Critique was animated throughout by a fierce personal rivalry with Herder and by a strong commitment to traditional Christian ideas of God and human moral freedom. "A work of extraordinary erudition. Zammito's study is both comprehensive and novel, connecting Kant's work with the aesthetic and religious controversies of the late eighteenth century. He seems to have read everything. I know of no comparable historical study of Kant's Third Critique."-Arnulf Zweig, translator and editor of Kant's ;IPhilosophical Correspondence, 1759-1799;X"An intricate, subtle, and exciting explanation of how Kant's thinking developed and adjusted to new challenges over the decade from the first edition of the Critique of Pure Reason to the appearance of the Critique of Judgment."—John W. Burbidge, Review of Metaphysics"There has been for a long time a serious gap in English commentary on Kant's Critique of Judgment; Zammito's book finally fills it. All students and scholars of Kant will want to consult it."—Frederick Beiser, Times Literary Supplement

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Selected as a Doody’s Core Title for 2023!Orthopaedic Knowledge Update® 14, edited by Leesa M. Galatz, MD, MBA, FAAOS, and Frederick M. Azar, MD, FAAOS, brings you a comprehensive synthesis of the latest clinical thinking and best practices across all orthopaedic specialty areas. OKU® 14 covers developments of the last three years with revisions and updates based on new evidence, outcomes, and innovations in the recent literature, including annotated references. Keep pace with the rapidly evolving body of orthopaedic knowledge and clinical practice with OKU’s objective, balanced coverage. Backed by clinical research, informed by practical experience, and rigorously edited by thought leaders across the orthopaedic specialties, OKU®14 is your most up-to-date resource to guide your delivery of high-quality orthopaedic patient care today. An essential resource at every level of orthopaedic specialization: Daily practice – enhance patient care with clinical guidelines and best practices supported by the latest evidence Ongoing learning – explore vast amounts of new knowledge and clinical thinking across all orthopaedic specialty areas First-time board certification – access information you need to know but won’t find in most textbooks Maintenance of Certification (MOC) – prepare with confidence with objective, unbiased coverage of key topics and concepts All-new content from the top minds in orthopaedics: Over 1,000 pages of new content, such as chapters on: Robotics, Artificial Intelligence, and Machine Learning Structure and Biology of Normal and Diseased Bones Musculoskeletal Mechanics and Kinesiology Applications of Three-Dimensional Technology in Orthopaedic Surgery Inflammation and Immunology Ligament Injuries of the Wrist Ligament Injuries to the Knee Articular Cartilage of the Knee Meniscal Pathology, Repair, and Transplant Sarcomas of Bone And much more Enrich Your eBook Reading Experience Read directly on your preferred device(s),such as computer, tablet, or smartphone. Easily convert to audiobook,powering your content with natural language text-to-speech.

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To celebrate FSG's 75th anniversary, here is a unique anthology celebrating the riches and variety of its poetry list-past, present, and future Poetry has been at the heart of Farrar, Straus and Giroux's identity ever since Robert Giroux joined the fledgling company in the mid-1950s, soon bringing T. S. Eliot, John Berryman, Robert Lowell, and Elizabeth Bishop onto the list. These extraordinary poets and their successors have been essential in helping define FSG as a publishing house with a unique place in American letters. to the company. The FSG Poetry Anthology includes work by almost all of the more than one hundred twenty-five poets whom FSG has published in its seventy-five-year history. Giroux's first generation was augmented by a group of international figures (and Nobel laureates), including Pablo Neruda, Nelly Sachs, Derek Walcott, Seamus Heaney, and Joseph Brodsky. Over time the list expanded to includes poets as diverse as Yehuda Amichai, John Ashbery, Frank Bidart, Louise Glück, Thom Gunn, Ted Hughes, Yusef Komunyakaa, Mina Loy, Marianne Moore, Paul Muldoon, Les Murray, Grace Paley, Carl Phillips, Gjertrud Schnackenberg, James Schuyler, C. K. Williams, Charles Wright, James Wright, and Adam Zagajewski. Today, Henri Cole, francine j. harris, Ishion Hutchinson, Maureen N. McLane, Ange Mlinko, Valzhyna Mort, Rowan Ricardo Phillips, and Frederick Seidel are among the poets who are continuing FSG's tradition as a discoverer and promoter of the most vital and distinguished contemporary voices. This anthology is a wide-ranging showcase of some of the best poems published in America over the past three generations. It is also a sounding of poetry's present and future.

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'Your Majesty may find it extraordinary that I should answer with a shipment of fruit your letter of 6 August, in which you inform me that you are sending the plan for a treaty, and that of the 8 September, in which you are so good as to share with me equally important intelligence. Things big and small often come from the same source: my watermelons derive from the same principles as our planned alliance...' (To Frederick the Great) Catherine the Great's letters present a vivid picture of Russia in a momentous age. They also offer a unique account of her personal development and intimate life, her strategic acumen as a diplomat and military commander, and her political skills at the Russian court and in handling foreign monarchs. Born a German princess, Catherine married into the Russian royal family and came to the throne after a coup. As absolute ruler for 34 years she presided over the expansion of the Russian empire, legislated actively to reform the country in keeping with the principles of the Enlightenment, actively promoted the arts and sciences, and in her correspondence engaged with the most renowned minds in Europe, among them Diderot and Voltaire. Her letters are her literary masterpiece, written to a wide circle of associates and friends, not least her most celebrated lover and ally, Potemkin. Combining her wit, charm, and quick eye for detail, they entertain and tell the griping story of a self-made woman and legendary ruler. This edition of the letters offers a taste of Catherine's entire writing career, with biographies of Catherine's addressees, a thorough overview of her reign and an analysis of Catherine's literary skill as a letter-writer. Organized chronologically and thematically into six periods, each section also features an introduction to the domestic, personal and foreign policy contexts out of which her letters emerge.

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An engaging and accessible introductory history of the people, places, culture, and politics that shaped Maryland.In 1634, two ships carrying a small group of settlers sailed into the Chesapeake Bay looking for a suitable place to dwell in the new colony of Maryland. The landscape confronting the pioneers bore no resemblance to their native country. They found no houses, no stores or markets, churches, schools, or courts, only the challenge of providing food and shelter. As the population increased, colonists in search of greater opportunity moved on, slowly spreading and expanding the settlement across what is now the great state of Maryland.In Maryland, historians recount the stories of struggle and success of these early Marylanders and those who followed to reveal how people built modern Maryland. Originally published in 1986, this new edition has been thoroughly revised and updated. Spanning the years from the 1600s to the beginning of Governor Larry Hogan’s term of office in January 2015, the book more fully fleshes out Native American, African American, and immigrant history. It also includes completely new content on politics, arts and culture, business and industry, education, the natural environment, and the role of women as well as notable leaders in all these fields. Maryland is heavily illustrated, with nearly two hundred photographs and illustrations (more than half of them in full color), as well as related maps, charts, and graphs, many of which are new to this book. An extensive index and a comprehensive Further Reading section provide extremely useful tools for readers looking to engage more deeply with Maryland history. Touching on major figures from George Calvert to Frederick Douglass and Harriet Tubman to William Donald Schaefer, this book takes readers on an unforgettable journey through the history of the Free State. It should be in every library and classroom in Maryland.

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Black lives matter. That message would be self-evident in a just world, but in this world and this America, all children need to hear it again and again, and not just to hear it but to feel and know it. This book affirms the message repeatedly, tenderly, with cumulative power and shared pride. Celebrating Black accomplishments in music, art, literature, journalism, politics, law, science, medicine, entertainment and sports, Shani King summons a magnificent historical and contemporary context for honouring the fortitude of Black role models, women and men, who have achieved greatness despite the grinding political and social constraints on Black life. Frederick Douglass, Toni Morrison, Sojourner Truth, John Lewis, Langston Hughes, Louis Armstrong, Maya Angelou, Aretha Franklin and many more pass through these pages. An America without their struggles, aspirations and contributions would be a shadow of the country we know. A hundred life sketches augment the narrative, opening a hundred doors to lives and thinking that aren’t included in many history books. James Baldwin’s challenge is here: “We are responsible for the world in which we find ourselves, if only because we are the only sentient force which can change it". Actress Viola Davis’s words are here too: “When I was younger, I did not exert my voice because I did not feel worthy of having a voice. I was taught so many things that didn’t include me. Where was I? What were people like me doing?” This book tells children what people like Viola were and are doing, and it assures Black children that they are, indisputably, worthy of having a voice. Have I Ever Told You Black Lives Matter? is a book for this time and always. It is time for all children to live and breathe the certainty that Black lives matter.

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In 1865, when San Francisco's Daily Evening Bulletin asked its readers if it were not time for the city to finally establish a public park, residents had only private gardens and small urban squares where they could retreat from urban crowding, noise, and filth. Five short years later, city supervisors approved the creation of Golden Gate Park, the second largest urban park in America. Over the next sixty years, and particularly after 1900, a network of smaller parks and parkways was built, turning San Francisco into one of the nation's greenest cities. In Building San Francisco's Parks, 1850-1930, Terence Young traces the history of San Francisco's park system, from the earliest city plans, which made no provision for a public park, through the private garden movement of the 1850s and 1860, Frederick Law Olmsted's early involvement in developing a comprehensive parks plan, the design and construction of Golden Gate Park, and finally to the expansion of green space in the first third of the twentieth century. Young documents this history in terms of the four social ideals that guided America's urban park advocates and planners in this period: public health, prosperity, social coherence, and democratic equality. He also differentiates between two periods in the history of American park building, each defined by a distinctive attitude towards "improving" nature: the romantic approach, which prevailed from the 1860s to the 1880s, emphasized the beauty of nature, while the rationalistic approach, dominant from the 1880s to the 1920s, saw nature as the best setting for uplifting activities such as athletics and education. Building San Francisco's Parks, 1850-1930 maps the political, cultural, and social dimensions of landscape design in urban America and offers new insights into the transformation of San Francisco's physical environment and quality of life through its world-famous park system.

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Ever since the founders drafted "We the People," "we" have been at pains to work out the contradictions in their formulation, to fix in words precisely what it means to be American. Constituting Americans rethinks the way that certain writers of the mid-nineteenth and early twentieth century contributed to this project; in doing so, it revises the traditional narrative of U.S. literary history, restoring an essential chapter to the story of an emerging American cultural identity. In diverse ways, very different writers—including Frederick Douglass, Herman Melville, Harriet Wilson, W. E. B. Du Bois, and Gertrude Stein—participated in the construction and dissemination of an American identity, but none was entirely at ease in the culture they all helped to define. Evident in their work is a haunting sense of their telling someone else’s story, a discomfort that Priscilla Wald reads in the context of legal and political debates about citizenship and personhood that marked the emergence of the United States as a nation and a world power.From early-nineteenth-century Supreme Court cases to turn-of-the-century Jim Crow and immigration legislation, from the political speeches of Abraham Lincoln to the historical work of Woodrow Wilson, nation-builders addressed the legal, political, and historical paradoxes of American identity. Against the backdrop of their efforts, Wald shows how works such as Douglass’s autobiographical narratives, Melville’s Pierre, Wilson’s Our Nig, Du Bois’s The Souls of Black Folks, and Stein’s The Making of Americans responded, through formal innovations, to the aggressive demands for literary participation in the building of that nation. The conversation that emerges among these literary works challenges the definitions and genres that largely determine not only what works are read, but also how they are read in classrooms in the United States today.Offering insight into the relationship of storytelling to national identity, Constituting Americans will compel the attention of those with an interest in American literature, American studies, and cultural studies.

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In a world awash in “fake news,” where public figures make unfounded assertions as a matter of course, a preeminent legal theorist ranges across the courtroom, the scientific laboratory, and the insights of philosophers to explore the nature of evidence and show how it is credibly established.In the age of fake news, trust and truth are hard to come by. Blatantly and shamelessly, public figures deceive us by abusing what sounds like evidence. Preeminent legal theorist Frederick Schauer proposes correctives, drawing on centuries of inquiry into the nature of evidence.Evidence is the basis of how we know what we think we know, but evidence is no simple thing. Evidence that counts in, say, the policymaking context is different from evidence that stands up in court. Law, science, historical scholarship, public and private decisionmaking—all rely on different standards of evidence. Exploring diverse terrain including vaccine and food safety, election-fraud claims, the January 2021 events at the US Capitol, the reliability of experts and eyewitnesses, climate science, art authentication, and even astrology, The Proof develops fresh insights into the challenge of reaching the truth.Schauer combines perspectives from law, statistics, psychology, and the philosophy of science to evaluate how evidence should function in and out of court. He argues that evidence comes in degrees. Weak evidence is still some evidence. The absence of evidence is not evidence of absence, but prolonged, fruitless efforts to substantiate a claim can go some distance in proving a negative. And evidence insufficient to lock someone up for a crime may be good enough to keep them out of jail. This book explains how to reason more effectively in everyday life, shows why people often reason poorly, and takes evidence as a pervasive problem, not just a matter of legal rules.

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Jane Austen's?Persuasion?is now available in a fine exclusive collector's edition featuring beautiful cover art from artist Laci Fowler and distinctive interior treatments, making it ideal for fiction lovers and book collectors alike. Each collectible volume will be the perfect addition to any well-appointed library.The Harper Muse Classics: Painted Edition of?Persuasion?is perfect for special-edition book collectors, Jane Austen lovers, fans of literary fiction and classic literature, and people who love both the book and the cinematic adaptations it inspired.Persuasion?is Austen's final completed novel, published six months after her death in 1817. The story revolves around Anne Elliot who at 27 is no longer considered young enough for worthy romantic prospects. Eight years earlier, she had been persuaded to break off her engagement to Frederick Wentworth, a handsome naval captain with neither fortune nor rank. What transpires when they reunite is movingly told in this remarkable love story tinged with the heartache of missed opportunities.Whether you're buying this as a gift or for yourself, this remarkable edition features: A beautiful high-end hardcover featuring Laci Fowler's distinctive hand-painted art, perfect for standing out on any discerning fiction-lover's bookshelf Embossed cover art and gold foiling? Decorative interior pages featuring pull quotes distributed throughout Matching ribbon marker and gold page edges Part of a 4-volume collection including?Jane Eyre, Little Women,?and?The Mysterious Affair at Styles. Persuasion?by Jane Austen?is a title in the Harper Muse Classics: Painted Editions collection and is being released alongside?Jane Eyre?(Charlotte Brontë),?Little Women?(Louisa May Alcott), and?The Mysterious Affair at Styles?(Agatha Christie).

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A thoroughly updated and substantially expanded edition of an acclaimed anthologyThis is a thoroughly updated and substantially expanded new edition of one of the most popular, wide-ranging, and engaging anthologies of Western political thinking, one that spans from antiquity to the twenty-first century. In addition to the majority of the pieces that appeared in the original edition, this new edition features exciting new selections from more recent thinkers who address vital contemporary issues, including identity, cosmopolitanism, global justice, and populism. Organized chronologically, the anthology brings together a fascinating array of writings—including essays, book excerpts, speeches, and other documents—that have indelibly shaped how politics and society are understood. Each chronological section and thinker is presented with a brief, lucid introduction, making this a valuable reference as well as an essential reader. A thoroughly updated and substantially expanded edition of an acclaimed anthology of political thought Features a wide range of thinkers, including Thucydides, Plato, Aristotle, Cicero, Augustine, Aquinas, Christine de Pizan, Machiavelli, Luther, Calvin, Hobbes, Spinoza, Locke, Swift, Hume, Rousseau, Adam Smith, Jefferson, Burke, Olympes de Gouges, Wollstonecraft, Kant, Hegel, Bentham, Mill, de Tocqueville, Frederick Douglass, Lincoln, Marx, Nietzsche, Lenin, John Dewey, Gaetano Mosca, Roberto Michels, Weber, Emma Goldman, Freud, Einstein, Mussolini, Arendt, Hayek, Franklin D. Roosevelt, T. H. Marshall, Orwell, Leo Strauss, de Beauvoir, Fanon, Martin Luther King Jr., Malcolm X, Havel, Fukuyama, Habermas, Foucault, Rawls, Nozick, Walzer, Iris Marion Young, Martha Nussbaum, Peter Singer, Amartya Sen, and Jan-Werner Müller Includes brief introductions for each thinker

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This is the only collection of papers of an African American woman held in slavery.Although millions of African American women were held in bondage over the 250 years that slavery was legal in the United States, Harriet Jacobs (1813-97) is the only one known to have left papers testifying to her life. Her autobiography, ""Incidents in the Life of a Slave Girl"", holds a central place in the canon of American literature as the most important slave narrative by an African American woman.Born in Edenton, North Carolina, Jacobs escaped from her owner in her mid-twenties and hid in the cramped attic crawlspace of her grandmother's house for seven years before making her way north as a fugitive slave. In Rochester, New York, she became an active abolitionist, working with all of the major abolitionists, feminists, and literary figures of her day, including Frederick Douglass, Lydia Maria Child, Amy Post, William Lloyd Garrison, Susan B. Anthony, Harriet Beecher Stowe, Fanny Fern, William C. Nell, Charlotte Forten Grimke, and Nathan Parker Willis.Jean Fagan Yellin has devoted much of her professional life to illuminating the remarkable life of Harriet Jacobs. Over three decades of painstaking research, Yellin has discovered more than 900 primary source documents, approximately 300 of which are now collected in two volumes. These letters and papers written by, for, and about Jacobs and her activist brother and daughter provide for the thousands of readers of Incidents - from scholars to schoolchildren - access to the rich historical context of Jacobs' struggles against slavery, racism, and sexism beyond what she reveals in her pseudonymous narrative. Accompanied by a CD containing a searchable PDF file of the entire contents, this collection is an essential launching point for future scholarship on Jacobs' life and times.

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How white advocates of emancipation abandoned African American causes in the dark days of Reconstruction, told through the stories of four Minnesotans White people, Frederick Douglass said in a speech in 1876, were “the children of Lincoln,” while black people were “at best his stepchildren.” Emancipation became the law of the land, and white champions of African Americans in the state were suddenly turning to other causes, regardless of the worsening circumstances of black Minnesotans. Through four of these “children of Lincoln” in Minnesota, William D. Green’s book brings to light a little known but critical chapter in the state’s history as it intersects with the broader account of race in America.In a narrative spanning the years of the Civil War and Reconstruction, the lives of these four Minnesotans mark the era’s most significant moments in the state, the Midwest, and the nation for the Republican Party, the Baptist church, women’s suffrage, and Native Americans. Morton Wilkinson, the state’s first Republican senator; Daniel Merrill, a St. Paul business leader who helped launch the first Black Baptist church; Sarah Burger Stearns, founder and first president of the Minnesota Woman Suffragist Association; and Thomas Montgomery, an immigrant farmer who served in the Colored Regiments in the Civil War: each played a part in securing the rights of African Americans and each abandoned the fight as the forces of hatred and prejudice increasingly threatened those hard-won rights. Moving from early St. Paul and Fort Snelling to the Civil War and beyond, The Children of Lincoln reveals a pattern of racial paternalism, describing how even “enlightened” white Northerners, fatigued with the “Negro Problem,” would come to embrace policies that reinforced a notion of black inferiority. Together, their lives—so differently and deeply connected with nineteenth-century race relations—create a telling portrait of Minnesota as a microcosm of America during the tumultuous years of Reconstruction.

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The unheard history of how race and racism are constructed from sound and maintained through the listening ear. Race is a visual phenomenon, the ability to see “difference.” At least that is what conventional wisdom has lead us to believe. Yet, The Sonic Color Line argues that American ideologies of white supremacy are just as dependent on what we hear—voices, musical taste, volume—as they are on skin color or hair texture. Reinforcing compelling new ideas about the relationship between race and sound with meticulous historical research, Jennifer Lynn Stoever helps us to better understand how sound and listening not only register the racial politics of our world, but actively produce them. Through analysis of the historical traces of sounds of African American performers, Stoever reveals a host of racialized aural representations operating at the level of the unseen—the sonic color line—and exposes the racialized listening practices she figures as “the listening ear.” Using an innovative multimedia archive spanning 100 years of American history (1845-1945) and several artistic genres—the slave narrative, opera, the novel, so-called “dialect stories,” folk and blues, early sound cinema, and radio drama—The Sonic Color Line explores how black thinkers conceived the cultural politics of listening at work during slavery, Reconstruction, and Jim Crow. By amplifying Harriet Jacobs, Frederick Douglass, Elizabeth Taylor Greenfield, Charles Chesnutt, The Fisk Jubilee Singers, Ann Petry, W.E.B. Du Bois, and Lena Horne as agents and theorists of sound, Stoever provides a new perspective on key canonical works in African American literary history. In the process, she radically revises the established historiography of sound studies. The Sonic Color Line sounds out how Americans have created, heard, and resisted “race,” so that we may hear our contemporary world differently.

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American constitutionalism rests on premises of popular sovereignty, but serious questions remain about how the "people" and their rights and powers fit into the constitutional design. In a book that will radically reorient thinking about the Constitution and its place in the polity, Wayne Moore moves away from an exclusive focus on courts and judges and considers the following queries: Who is included among the people? How are the people politically configured? How may the people act? And how do the people relate to government and other representative structures? Going beyond though not excluding relevant discussions of specific constitutional texts (such as the preamble, articles V and VII, and the ninth, tenth, and fourteenth amendments), Moore examines historical material from the antebellum period, such as the opinions of U.S. Supreme Court justices in the notorious Dred Scott case and significantly different perspectives from the writings and speeches of Frederick Douglass. He also looks at influential thinking from the founding period and examines precedents set during prominent controversies involving the establishment of a national bank, regulations of the economy, and efforts to limit sexual and reproductive choices. The penultimate chapter explores issues raised by claims of state interpretive autonomy, and the conclusion models various dimensions of the constitutional order as a whole. The book offers fresh insights into central problems of constitutional history, theory, and law. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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