Search results for ""Author Fredericks"

Covering more than one hundred years of history, this multidisciplinary collection of essays explores the vital connections between popular music and citizenship in Brazil. While popular music has served as an effective resource for communities to stake claims to political, social, and cultural rights in Brazil, it has also been appropriated by the state in its efforts to manage and control a socially, racially, and geographically diverse nation. The question of citizenship has also been a recurrent theme in the work of many of Brazil’s most important musicians. These essays explore popular music in relation to national identity, social class, racial formations, community organizing, political protest, and emergent forms of distribution and consumption. Contributors examine the cultural politics of samba in the 1930s, the trajectory of middle-class musical sensibility associated with Música Popular Brasileira (MPB), rock and re-democratization in the 1980s, music and black identity in Bahia, hip hop and community organizing in São Paulo, and the repression of baile funk in Rio in the 1990s. Among other topics, they consider the use of music by the Landless Workers’ Movement, the performance of identity by Japanese Brazilian musicians, the mangue beat movement of Recife, and the emergence of new regional styles, such as lambadão and tecnobrega, that circulate outside of conventional distribution channels. Taken together, the essays reveal the important connections between citizenship, national belonging, and Brazilian popular music.Contributors. Idelber Avelar, Christopher Dunn, João Freire Filho, Goli Guerreiro, Micael Herschmann, Ari Lima, Aaron Lorenz, Shanna Lorenz, Angélica Madeira, Malcolm K. McNee, Frederick Moehn, Flávio Oliveira, Adalberto Paranhos, Derek Pardue, Marco Aurélio Paz Tella, Osmundo Pinho, Carlos Sandroni, Daniel Sharp, Hermano Vianna, Wivian Weller

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Winner of the 2001 Gustavus Myers Program Book Award. Traces the black struggle for civil rights back to 1787 Contrary to simple textbook tales, the civil rights movement did not arise spontaneously in 1954 with the landmark Brown v. Board of Education decision. The black struggle for civil rights can be traced back to the arrival of the first Africans, and to their work in the plantations, manufacturies, and homes of the Americas. Civil rights was thus born as labor history. Civil Rights Since 1787 tells the story of that struggle in its full context, dividing the struggle into six major periods, from slavery to Reconstruction, from segregation to the Second Reconstruction, and from the current backlash to the future prospects for a Third Reconstruction. The "prize" that the movement has sought has often been reduced to a quest for the vote in the South. But all involved in the struggle have always known that the prize is much more than the vote, that the goal is economic as well as political. Further, in distinction from other work, Civil Rights Since 1787 establishes the links between racial repression and the repression of labor and the left, and emphasizes the North as a region of civil rights struggle. Featuring the voices and philosophies of orators, activists, and politicians, this anthology emphasizes the role of those ignored by history, as well as the part that education and religion have played in the movement. Civil Rights Since 1787 serves up an informative mix of primary documents and secondary analysis and includes the work of such figures as Ella Baker, Mary Frances Berry, Clayborne Carson, Frederick Douglass, W. E. B. DuBois, Eric Foner, Herb Gutman, Fannie Lou Hamer, A. Leon Higginbotham, Darlene Clark Hine, Jesse Jackson, Malcolm X, Martin Luther King, Manning Marable, Nell Painter, Frances Fox Piven and Richard Cloward, A. Philip Randolph, Mary Church Terrell, and Howard Zinn.

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This is a personal account written by a man reflecting on his time as a young pilot with the Royal Flying Corps in France during the First World War, who eventually became an ace. It is a story of survival against the odds at a time when the conduct of air operations depended so much on individual skills, innovation, courage – and luck. Hugh White flew F.E.2D Scout aircraft with 20 Squadron as a reconnaissance patrol pilot aged just eighteen. By his nineteenth birthday he was a flight commander and the most experienced pilot on the squadron. He then became a flight commander on 29 Squadron flying the S.E.5a which was Britain’s best fighter aircraft at the time. During the two years of flying, he experienced and survived a series of escapades including a dramatic mid-air collision with the enemy. Told by Hugh in his own words, he gives a unique insight into war in the air. With the break-up of his squadron and being reduced to a substantive rank – simply because of his young age – Hugh’s writing ends in 1919. From this point, the story is continued by his younger son Chris. He describes Hugh’s life and RAF career from flying Bristol Fighters in India during the 1920s, undertaking engineer training at Henlow, to commanding 501 Squadron in the mid-1930s and becoming a full-time technical officer until his retirement as an air vice-marshal in 1955. This book includes a foreword by Air Marshal Sir Frederick Sowrey (Hugh’s nephew) which puts Hugh White’s early wartime service into context. It is a timely reminder, following the centenary of the end of the First World War, of the difficulties that young pilots faced at the time. A must-read for those interested in wartime exploits.

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Steiner has been able to clarify the historical reality behind the Rosicrucian story, with all its aura of glamour and fantasy. That effected, he points to the enormity of its vision for the future evolution of ideas...' - Dr Andrew Welburn (from the Introduction) In the immediate aftermath of the 'Mystery-act' of the Christmas Foundation Conference, Rudolf Steiner chose to speak on the subject of 'Rosicrucianism and Modern Initiation Mystery Centres of the Middle Ages'. Clearly connected to the events that had just taken place in Dornach - in which he not only refounded the Anthroposophical Society but took a formal position within it - Steiner begins by exploring the intellectual life of the Middle Ages and the role that Mystery culture played within it. He throws new light on the foundations of Rosicrucianism, its principles of initiation and its inherent impulse for freedom. Steiner also discusses the secret teachings of the eighteenth and nineteenth centuries, and the dawn of the age of the Archangel Michael. In the second series of lectures, entitled 'The Easter Festival and the History of the Mysteries' (April 1924), Steiner describes how festivals grew out of the Mysteries themselves. He speaks of Mysteries connected to Spring and Autumn, Adonis and Ephesus, and the significance of Sun and Moon. Throughout the volume he discusses the roles of Alexander the Great and Aristotle in world history and the significance of Aristotle's 'Categories'. Published for the first time as a single volume, the freshly revised text is complemented with an extensive introduction by Dr Andrew Welburn, detailed notes and appendices by Professor Frederick Amrine and an index. (Ten lectures, Jan. and April 1924, GA 233a)

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Provides a wide-ranging entry point and intervention into scholarship on nineteenth-century American letter-writing This comprehensive study by leading scholars in an important new field—the history of letters and letter writing—is essential reading for anyone interested in nineteenth-century American politics, history or literature. Because of its mass literacy, population mobility, and extensive postal system, nineteenth-century America is a crucial site for the exploration of letters and their meanings, whether they be written by presidents and statesmen, scientists and philosophers, novelists and poets, feminists and reformers, immigrants, Native Americans, or African Americans. This book breaks new ground by mapping the voluminous correspondence of these figures and other important American writers and thinkers. Rather than treating the letter as a spontaneous private document, the contributors understand it as a self-conscious artefact, circulating between friends and strangers and across multiple genres in ways that both make and break social ties. Key Features Draws together different emphases on the intellectual, literary and social uses of letter writing Provides students and researchers with a means to situate letters in their wider theoretical and historical contexts Methodologically expansive, intellectually interrogative chapters based on original research by leading academics Offers new insights into the lives and careers of Louisa May Alcott, Charles Brockden Brown, Emily Dickinson, Frederick Douglass, Margaret Fuller, Henry James, Thomas Jefferson, Abraham Lincoln, Herman Melville, Harriet Beecher Stowe, and Edgar Allan Poe, among many others

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The summer of 1871, a team of thirty-two men set out on the first scientific expedition across Yellowstone. Through uncharted territory, some of the day’s most renowned scientists and artists explored, sampled, sketched, and photographed the region’s breathtaking wonders—from its white-capped mountain vistas and thundering falls to its burping mud pots and cauldrons of molten magma. At the end of their adventure, the survey packed up their specimens and boarded trains headed east, determined to convince Congress that the country needed to preserve the land from commercial development. They returned with “stories of wonder hardly short of fairy tales,” to quote the New York Times.With the support of conservationists such as Ralph Waldo Emerson, Henry David Thoreau, Frederick Law Olmsted, and John Muir, the importance of a national park was secured. On March 1, 1872, Ulysses S. Grant signed the Yellowstone Park Bill into law. It set aside over two million acres of one-of-a-kind wilderness as “a great national park for the benefit and enjoyment of people.” This important and fascinating book will introduce young adults to the astonishing adventure that led to “the best idea America ever had.” Today over 130 countries have copied the Yellowstone model, and billions of acres of critical habitat and spectacular scenery are being preserved for all of us to enjoy.This book has a wonderful ecological and historical message for readers ages 12 and up. No book about Yellowstone's founding has been written for this age group before, yet Yellowstone National Park is a major destination for many families, so many readers will likely have heard of Yellowstone or even have visited there. This is a great book for any school library or for history or science classrooms in middle and high school, where information can be used for research projects.

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Winner of the Frederick Jackson Turner AwardWinner of the Isaac and Tamara Deutscher Memorial PrizeWinner of the C. L. R. James AwardA New York Times Book Review Editors’ ChoiceA ProMarket Best Political Economy Book of the Year“The Next Shift is an original work of serious scholarship, but it’s also vivid and readable…Eye-opening.”—Jennifer Szalai, New York Times“A deeply upsetting book…Winant ably blends social and political history with conventional labor history to construct a remarkably comprehensive narrative with clear contemporary implications.”—Scott W. Stern, New Republic“Terrific…A useful guide to the sweeping social changes that have shaped a huge segment of the economy and created the dystopian world of contemporary service-sector work.”—Nelson Lichtenstein, The NationPittsburgh was once synonymous with steel, but today most of its mills are gone. Like so many places across the United States, a city that was a center of blue-collar manufacturing is now dominated by health care, which employs more Americans than any other industry. Gabriel Winant takes us inside the Rust Belt to show how America’s cities have weathered new economic realities.As steelworkers and their families grew older, they required more health care. Even as the industrial economy contracted sharply, the care economy thrived. But unlike their blue-collar predecessors, home health aides and hospital staff work unpredictable hours for low pay. Today health care workers—mostly women and people of color—are on the front lines of our most pressing crises, yet we have been slow to appreciate that they are the face of our twenty-first-century workforce. The Next Shift offers unique insights into how we got here and what could happen next.

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On 4 November 1979, “student” supporters of the Ayatollah seized the U.S. Embassy with over 60 hostages. Although the Cold War was in full swing, the Iran hostage crisis was a watershed for the United States. The counterterrorism learning curve, both political and military, would be steep and often deadly.Detachment A had been established in Berlin early in the Cold War to harass and delay any Soviet military advance west. This Special unit trained relentlessly for every aspect of unconventional warfare, and was later assigned a second mission of counterterrorism. Due to this mix of skills, Det A would be called upon to undertake additional missions, including providing protection to General Al Haig and General Frederick Kroesen following assassination attempts. When American planners were trying to work out how to rescue hostages being held at two sites in the middle of a hostile country, it became apparent that the unit—the only US military dual-capability unit—would be integral to the effort.The plan for Operation Eagle Claw, as it became known, was extremely complex. The first stage was intelligence gathering—no mean feat as most of the CIA’s capabilities in the country had been eliminated. With operatives trained in intelligence work, fluent in many languages and adept at blending in, Det A took on the advanced recon of the targets. Then, when Delta Force admitted that it could only manage the assault of the Embassy, Det A volunteered to rescue the three Americans at the Foreign Ministry. Meanwhile for security purposes, all existing training and exercise commitments in Berlin would continue with no Teams broken up. This caused some consternation as none of the men wanted to miss out on this mission reminiscent of Son Tay.Veteran and historian James Stejskal details Det A’s unique and integral role in Operation Eagle Claw, based upon firsthand accounts of the operatives involved.

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Winner of the St Ermin's Intelligence Book of the Year Award. 'One of the great biographies of 2015.' The TimesFully updated edition including recently released information. A Guardian Book of the Year. The Times Best Biography of the Year. Mail on Sunday Biography of the Year. Daily Mail Biography of Year. Spectator Book of the Year. BBC History Book of the Year. 'A remarkable and definitive portrait ' Frederick Forsyth'Andrew Lownie's biography of Guy Burgess, Stalin's Englishman ... shrewd, thorough, revelatory.' William Boyd'In the sad and funny Stalin's Englishman, [Lownie] manages to convey the charm as well as the turpitude.' Craig BrownGuy Burgess was the most important, complex and fascinating of 'The Cambridge Spies' - Maclean, Philby, Blunt - all brilliant young men recruited in the 1930s to betray their country to the Soviet Union. An engaging and charming companion to many, an unappealing, utterly ruthless manipulator to others, Burgess rose through academia, the BBC, the Foreign Office, MI5 and MI6, gaining access to thousands of highly sensitive secret documents which he passed to his Russian handlers.In this first full biography, Andrew Lownie shows us how even Burgess's chaotic personal life of drunken philandering did nothing to stop his penetration and betrayal of the British Intelligence Service. Even when he was under suspicion, the fabled charm which had enabled many close personal relationships with influential Establishment figures (including Winston Churchill) prevented his exposure as a spy for many years.Through interviews with more than a hundred people who knew Burgess personally, many of whom have never spoken about him before, and the discovery of hitherto secret files, Stalin's Englishman brilliantly unravels the many lives of Guy Burgess in all their intriguing, chilling, colourful, tragi-comic wonder.

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This detailed study of the different rates of growth of parts of the body relative to the body as a whole represents Sir Julian Huxley's great contribution to analytical morphology, and it is still a basis for modern investigations in morphometrics and evolutionary biology. Huxley was the first to put the concept of relative growth - or allometry - upon a firm mathematical foundation, and since publication of this book in 1932, his work has been found to have greater implications than even he imagined. Problems of Relative Growth is at once a formulation of the basic principles of allometry and a survey of its many and various occurrences and applications. Examples are taken from such widely divergent areas as the development of the large claw in male fiddler-crabs, the size and number of points of deer antlers, heterogony in neuter social insects, the disproportionate growth of the human head from infancy to adulthood, and the formation of spiral shapes in certain mollusk shells and of the curved shape of the rhinoceros' horn. Starting from the fact of obvious disharmonic growth, Huxley formulates his first and fundamental law - that of the Constant Differential Growth Ratio. He then demonstrates that the distribution of growth potential occurs in an orderly and systematic way - that there are growth-gradients culminating in growth-centers. Other topics treated include multiplicative and accretionary kinds of growth, the role of hormones and mutations, and the relevance of the entire investigation to the problems of orthogenesis, recapitulation, vestigial organs, the existence of nonadaptive characters, physiological genetics, comparative physiology, and systematics. In theirintroduction to this unabridged facsimile republication of the original 1932 edition, Frederick B. Churchill and Richard E. Strauss place Huxley's work in the context of modern research in history and biology.

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What are the perceived differences among African Americans, West Indians, and Afro Latin Americans? What are the hierarchies implicit in those perceptions, and when and how did these develop? For Ifeoma Kiddoe Nwankwo the turning point came in the wake of the Haitian Revolution of 1804. The uprising was significant because it not only brought into being the first Black republic in the Americas but also encouraged new visions of the interrelatedness of peoples of the African Diaspora. Black Cosmopolitanism looks to the aftermath of this historical moment to examine the disparities and similarities between the approaches to identity articulated by people of African descent in the United States, Cuba, and the British West Indies during the nineteenth century. In Black Cosmopolitanism, Nwankwo contends that whites' fears of the Haitian Revolution and its potentially contagious nature virtually forced people of African descent throughout the Americas who were in the public eye to articulate their stance toward the event. While some U.S. writers, like William Wells Brown, chose not to mention the existence of people of African heritage in other countries, others, like David Walker, embraced the Haitian Revolution and the message that it sent. Particularly in print, people of African descent had to decide where to position themselves and whether to emphasize their national or cosmopolitan, transnational identities. Through readings of slave narratives, fiction, poetry, nonfiction, newspaper editorials, and government documents that include texts by Frederick Douglass, the freed West Indian slave Mary Prince, and the Cuban poets Plácido and Juan Francisco Manzano, Nwankwo explicates this growing self-consciousness about publicly engaging other peoples of African descent. Ultimately, she contends, these writers configured their identities specifically to counter not only the Atlantic power structure's negation of their potential for transnational identity but also its simultaneous denial of their humanity and worthiness for national citizenship.

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American constitutionalism rests on premises of popular sovereignty, but serious questions remain about how the "people" and their rights and powers fit into the constitutional design. In a book that will radically reorient thinking about the Constitution and its place in the polity, Wayne Moore moves away from an exclusive focus on courts and judges and considers the following queries: Who is included among the people? How are the people politically configured? How may the people act? And how do the people relate to government and other representative structures? Going beyond though not excluding relevant discussions of specific constitutional texts (such as the preamble, articles V and VII, and the ninth, tenth, and fourteenth amendments), Moore examines historical material from the antebellum period, such as the opinions of U.S. Supreme Court justices in the notorious Dred Scott case and significantly different perspectives from the writings and speeches of Frederick Douglass. He also looks at influential thinking from the founding period and examines precedents set during prominent controversies involving the establishment of a national bank, regulations of the economy, and efforts to limit sexual and reproductive choices. The penultimate chapter explores issues raised by claims of state interpretive autonomy, and the conclusion models various dimensions of the constitutional order as a whole. The book offers fresh insights into central problems of constitutional history, theory, and law. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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An unprecedented history of Brooklyn, told through its places, buildings, and the people who made them, from the early seventeenth century to todayAmerica's most storied urban underdog, Brooklyn has become an internationally recognized brand in recent decades—celebrated and scorned as one of the hippest destinations in the world. In Brooklyn: The Once and Future City, Thomas J. Campanella unearths long-lost threads of the urban past, telling the rich history of the rise, fall, and reinvention of one of the world’s most resurgent cities.Spanning centuries and neighborhoods, Brooklyn-born Campanella recounts the creation of places familiar and long forgotten, both built and never realized, bringing to life the individuals whose dreams, visions, rackets, and schemes forged the city we know today. He takes us through Brooklyn’s history as homeland of the Leni Lenape and its transformation by Dutch colonists into a dense slaveholding region. We learn about English émigré Deborah Moody, whose town of Gravesend was the first founded by a woman in America. We see how wanderlusting Yale dropout Frederick Law Olmsted used Prospect Park to anchor an open space system that was to reach back to Manhattan. And we witness Brooklyn’s emergence as a playland of racetracks and amusement parks celebrated around the world.Campanella also describes Brooklyn’s outsized failures, from Samuel Friede’s bid to erect the world’s tallest building to the long struggle to make Jamaica Bay the world’s largest deepwater seaport, and the star-crossed urban renewal, public housing, and highway projects that battered the borough in the postwar era. Campanella reveals how this immigrant Promised Land drew millions, fell victim to its own social anxieties, and yet proved resilient enough to reawaken as a multicultural powerhouse and global symbol of urban vitality.

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A history of three transnational political projects designed to overcome the inequities of imperialismAfter the dissolution of empires, was the nation-state the only way to unite people politically, culturally, and economically? In Post-Imperial Possibilities, historians Jane Burbank and Frederick Cooper examine three large-scale, transcontinental projects aimed at bringing together peoples of different regions to mitigate imperial legacies of inequality. Eurasia, Eurafrica, and Afroasia—in theory if not in practice—offered alternative routes out of empire.The theory of Eurasianism was developed after the collapse of imperial Russia by exiled intellectuals alienated by both Western imperialism and communism. Eurafrica began as a design for collaborative European exploitation of Africa but was transformed in the 1940s and 1950s into a project to include France’s African territories in plans for European integration. The Afroasian movement wanted to replace the vertical relationship of colonizer and colonized with a horizontal relationship among former colonial territories that could challenge both the communist and capitalist worlds.Both Eurafrica and Afroasia floundered, victims of old and new vested interests. But Eurasia revived in the 1990s, when Russian intellectuals turned the theory’s attack on Western hegemony into a recipe for the restoration of Russian imperial power. While both the system of purportedly sovereign states and the concentrated might of large economic and political institutions continue to frustrate projects to overcome inequities in welfare and power, Burbank and Cooper’s study of political imagination explores wide-ranging concepts of social affiliation and obligation that emerged after empire and the reasons for their unlike destinies.

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When Fracking Comes to Town traces the response of local communities to the shale gas revolution. Rather than cast communities as powerless to respond to oil and gas companies and their landmen, it shows that communities have adapted their local rules and regulations to meet the novel challenges accompanying unconventional gas extraction through fracking. The multidisciplinary perspectives of this volume's essays tie together insights from planners, legal scholars, political scientists, and economists. What emerges is a more nuanced perspective of shale gas development and its impacts on municipalities and residents. Unlike many political debates that cast fracking in black-and-white terms, this book's contributors embrace the complexity of local responses to fracking. States adapted legal institutions to meet the new challenges posed by this energy extraction process while under-resourced municipal officials and local planning offices found creative ways to alleviate pressure on local infrastructure and reduce harmful effects of fracking on the environment. The essays in When Fracking Comes to Town tell a story of community resilience with the rise and decline of shale gas production. Contributors: Ennio Piano, Ann M. Eisenberg, Pamela A. Mischen, Joseph T. Palka, Jr., Adelyn Hall, Carla Chifos, Teresa Córdova, Rebecca Matsco, Anna C. Osland, Carolyn G. Loh, Gavin Roberts, Sandeep Kumar Rangaraju, Frederick Tannery, Larry McCarthy, Erik R. Pages, Mark C. White, Martin Romitti, Nicholas G. McClure, Ion Simonides, Jeremy G. Weber, Max Harleman, Heidi Gorovitz Robertson

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Riverside Park is an illustrated tribute to Frederick Law Olmsted's "other" New York City sanctuary. Since its conception in the 1870s, the park has undergone a number of transformations and suffered from periods of misuse and neglect, but in 1984, much-needed renovations turned this city oasis into what is today one of Manhattan's most beautiful attractions. "If the West Side does not stir you, you are a clod, past redemption."-Robert Moses Millions visit the Upper West Side landmark annually, and despite the heavy use, thousands of volunteers keep the grounds pristine. The park is now being extended southward as part of Manhattan's plan to reclaim the island's six hundred miles of waterfront, and Riverside Drive-Olmsted's curving thoroughfare flanking the park-has long been one of Manhattan's premier addresses. "I often feel drawn to the Hudson River...I never get tired of looking at it; it hypnotizes me."-Joseph Mitchell, from The Rivermen From the time it was carved out of an unpromising landscape, Riverside Park has continued to reinvent itself. Using photographs (both contemporary and historical), illustrations, poems, and original and excerpted narrative, Edward Grimm and E. Peter Schroeder tell the intriguing story of a symbol of the modern revitalization of New York City. "Riverside Park will be a genuine riverside reservation, dedicated forever to the use of the people, beautiful in the highest sense."-The New York World, April 24, 1892 *Includes the official Riverside Park Fund Map of 2007*

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Described as an "invaluable reference work" (Classical Philology) and "a tool indispensable for the study of early Christian literature" (Religious Studies Review) in its previous edition, this new updated American edition of Walter Bauer's Wörterbuch zu den Schriften des Neuen Testaments builds on its predecessor's staggering deposit of extraordinary erudition relating to Greek literature from all periods. Including entries for many more words, the new edition also lists more than 25,000 additional references to classical, intertestamental, Early Christian, and modern literature. In this edition, Frederick W. Danker's broad knowledge of Greco-Roman literature, as well as papyri and epigraphs, provides a more panoramic view of the world of Jesus and the New Testament. Danker has also introduced a more consistent mode of reference citation, and has provided a composite list of abbreviations to facilitate easy access to this wealth of information. Perhaps the single most important lexical innovation of Danker's edition is its inclusion of extended definitions for Greek terms. For instance, a key meaning of "episkopos" was defined in the second American edition as overseer; Danker defines it as "one who has the responsibility of safeguarding or seeing to it that something is done in the correct way, guardian." Such extended definitions give a fuller sense of the word in question, which will help avoid both anachronisms and confusion among users of the lexicon who may not be native speakers of English. Danker's edition of Bauer's Wörterbuch will be an indispensable guide for Biblical and classical scholars, ministers, seminarians, and translators.

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During the American Revolution (1775–83), German auxiliary troops provided a vital element of the British war effort. Some 30,000 German troops served in North America, continuing a long-established relationship between Britain and various German principalities. These troops were widely referred to as mercenaries, implying that they sold their services individually, but they were in fact regular troops hired as a body by the British. Initially feared by the American population, the German troops came to be highly respected by their opponents. Their role in the fighting would inform the tactics and methods of a generation of German officers who returned to Europe after the war, many of whom went on to hold senior commands during the French Revolutionary and Napoleonic wars. The largest body of German troops was from Hessen-­Cassel. The only German contingent to be employed as a unit under its own general officers, they were clothed and equipped in the style of Frederick the Great’s Prussians and were trained in much the same way. Many had seen active service during the Seven Years’ War (1756–63) and served under career officers; they were well-disciplined and competent but showed little overt enthusiasm for the British cause. The troops of Hessen-Cassel would participate in every major campaign of the conflict, with the specialized skills of the famous Jäger being particularly in demand. Fully illustrated, this lively study examines the organization, appearance, weapons, and equipment of the Hessen-Cassel troops who fought for King George in the American Revolution.

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Principles of Stem Cell Biology and Cancer: Future Applications and Therapeutics Tarik Regad, The John van Geest Cancer Research Centre, Nottingham Trent University, UK, Thomas J. Sayers, Centre for Cancer Research, National Cancer Institute, Frederick, USA and Robert Rees The John van Geest Cancer Research Centre, Nottingham Trent University, UK The field of cancer stem cells is expanding rapidly, with many groups focusing on isolating and identifying cancer stem cell populations. Although some progress has been made developing efficient cancer therapies, targeting cancer stem cells remains one of the important challenges facing the growing stem cell research community. Principles of Stem Cell Biology and Cancer brings together original contributions from international experts in the field to present the very latest information linking stem cell biology and cancer. Divided into two parts, the book begins with a detailed introduction to stem cell biology with a focus on the characterization of these cells, progress that has been made in their identification, as well as future therapeutic applications of stem cells. The second part focuses on cancer stem cells and their role in cancer development, progression and chemo-resistance. This section of the book includes an overview of recent progress concerning therapies targeting cancer stem cells. Features: An authoritative introduction to the link between stem cell biology and cancer. Includes contributions from leading international experts in the field. Well-illustrated with full colour figures throughout. This book will prove an invaluable resource for basic and applied researchers and clinicians working on the development of new cancer treatments and therapies, providing a timely publication of high quality reviews outlining the current progress and exciting future possibilities for stem cell research.

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This book, much needed in our public discourse, examines some of the most significant political leaders in American history. With an eye on the elusive qualities of political greatness, this anthology considers the principles and practices of diverse political leaders who influenced the founding and development of the American experiment in self-government. Providing both breadth and depth, this work is a virtual “who’s who” from the founding to modern times. From George Washington to Frederick Douglass and Elizabeth Cady Stanton to FDR and Ronald Reagan, the book’s twenty-six chapters are thematically organized to include a brief biography of each subject, his or her historical context, and the core principles and policies that led to political success or failure. A final chapter considers the rhetorical legacy of Bill Clinton, George W. Bush, Barack Obama, and Donald Trump. Nearly all readers agree that statesmanship makes a crucial difference in the life of a nation and its example is sorely needed in America today. These concise portraits will appeal to experts as well as history buffs. The volume is ideal for leadership and political science classroom use in conjunction with primary sources. Contributors: Kenneth L. Deutsch, Gary L. Gregg II, David Tucker, Sean D. Sutton, Bruce P. Frohnen, Stephanie P. Newbold, Phillip G. Henderson, Michael P. Federici, Troy L. Kickler, Johnathan O’Neill, H. Lee Cheek, Jr., Carey Roberts, Hans Schmeisser, Joseph R. Fornieri, Peter C. Myers, Emily Krichbaum, Natalie Taylor, Jean M. Yarbrough, Christopher Burkett, Will Morrisey, Elizabeth Edwards Spalding, Patrick J. Garrity, Giorgi Areshidze, William J. Atto, David B. Frisk, Mark Blitz, Jeffrey Crouch, and Mark J. Rozell.

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The basis of the 2013 Academy Award–winning film 12 Years a Slave, this is the autobiography of Solomon Northup—an African American man born free in New York state who is tricked, kidnapped, taken to Washington, DC, and sold into slavery.Solomon experiences the true horrors of the slave trade—intense cruelty, beatings, sickness, negligence, barbarism, starvation. Throughout the book’s melancholic prose, Northup recounts these horrific experiences in excruciating and agonizing detail. In one of the book’s passages, he states: “My sufferings I can compare to nothing else than the burning agonies of hell!” For the next twelve years, Northup kept his identity hidden only to himself and remained imprisoned in this state of bondage.Originally published eight years before the Civil War and similar in many ways to Narrative of the Life of Frederick Douglass, this groundbreaking work gave Americans from the north razor-sharp, firsthand insight into the tragedies that were occurring in the South. Still today, Northup’s story is widely studied and reprinted, giving its readers a glimpse into a painful part of our country’s past.Packaged in handsome, affordable trade editions, Clydesdale Classics is a new series of essential literary works. It features literary phenomena with influence and themes so great that, after their publication, they changed literature forever. From the musings of literary geniuses like Mark Twain in The Adventures of Huckleberry Finn to the striking personal narrative of Harriet Jacobs in Incidents in the Life of a Slave Girl, this new series is a comprehensive collection of our history through the words of the exceptional few.

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2022 PORCHLIGHT LEADERSHIP & STRATEGY BOOK OF THE YEARA 2023 THINKERS50 BEST NEW MANAGEMENT BOOKA transformational book for trying times, Dare to Un-Lead will challenge the way you think and feel about the role of leadership in your life.What is revered as leadership today is often nothing more than a destructive set of obsolete behaviors and systems evolved from the centuries-old industrial theories popularized by Frederick Taylor and Henry Ford. This mode of leadership harms individuals and societies and must be reinvented to better reflect the way we live, trade, and work in the 21st century. Dare to Un-Lead explores how contemporary organizations can transform leadership from a top-down hegemony to one that empowers people to lead together through the concepts of liberty, equality, and community.Kotter affiliate and global engagement leadership specialist Céline Schillinger combines her experience enacting digital-enabled, people-focused collective work practices in global corporate structures with a deep analysis of leadership—studied through multiple lenses and timely sources of knowledge—to provide original insights into why these practices work.The result is a series of evidence-based approaches for reinventing collective performance across organizations in a post-pandemic world.From large corporations to small businesses, the lessons learned in this landmark book, implemented individually and collectively over time, will make our workplaces more equal, our jobs more gratifying, and our economies more profitable. And that will make the world a better place.

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The Black Woods chronicles the history of Black pioneers in New York's northern wilderness. From the late 1840s into the 1860s, they migrated to the Adirondacks to build farms and to vote. On their new-worked land, they could meet the $250 property requirement New York's constitution imposed on Black voters in 1821, and claim the rights of citizenship. Three thousand Black New Yorkers were gifted with 120,000 acres of Adirondack land by Gerrit Smith, an upstate abolitionist and heir to an immense land fortune. Smith's suffrage-seeking plan was endorsed by Frederick Douglass and most leading Black abolitionists. The antislavery reformer John Brown was such an advocate that in 1849 he moved his family to Timbuctoo, a new Black Adirondack settlement in the woods. Smith's plan was prescient, anticipating Black suffrage reform, affirmative action, environmental distributive justice, and community-based racial equity more than a century before these were points of public policy. But when the response to Smith's offer fell radically short of his high hopes, Smith's zeal cooled. Timbuctoo, Freemen's Home, Blacksville and other settlements were forgotten. History would marginalize this Black community for 150 years. In The Black Woods, Amy Godine recovers a robust history of Black pioneers who carved from the wilderness a future for their families and their civic rights. Her immersive story returns the Black pioneers and their descendants to their rightful place at the center of this history. With stirring accounts of racial justice, and no shortage of heroes, The Black Woods amplifies the unique significance of the Adirondacks in the American imagination.

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From Frederick Law Olmsted to Richard Neutra, Michelle Obama to our neighbors, Americans throughout history have revealed something of themselves - their personalities, desires, and beliefs - in the gardens they create. Monticello's gardens helped Jefferson reconcile his conflicted feelings about slavery - and take his mind off his increasing debt. Edith Wharton's gardens made her feel more European and superior to her wealthy but insufficiently sophisticated countrymen. Martha Stewart's how-to instructions helped bring Americans back into their gardens, while at the same time stoking and exploiting our anxieties about social class. Melding biography, history, and cultural commentary in a one-of-a-kind narrative, "American Eden" presents a dynamic, sweeping look at this country's landscapes and the visionaries behind them. "American Eden" offers an inclusive definition of the garden, considering intentional landscapes that range from domestic kitchen gardens to city parks and national parks, suburban backyards and golf courses, public plazas and Manhattan's High Line park, reclaimed from freight train tracks. And it exposes the overlap between garden-making and painting, literature, and especially architecture-the garden's inseparable sibling-to reveal the deep interconnections between the arts and their most inspired practitioners. Beautifully illustrated with color and black-and-white images, "American Eden" is at once a different kind of garden book and a different kind of American history, one that offers a compelling, untold story-a saga that mirrors and illuminates our nation's invention, and constant reinvention, of itself.

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As the French public debates its present diversity and its colonial past, few remember that between 1946 and 1960 the inhabitants of French colonies possessed the rights of French citizens. Moreover, they did not have to conform to the French civil code that regulated marriage and inheritance. One could, in principle, be a citizen and different too. Citizenship between Empire and Nation examines momentous changes in notions of citizenship, sovereignty, nation, state, and empire in a time of acute uncertainty about the future of a world that had earlier been divided into colonial empires. Frederick Cooper explains how African political leaders at the end of World War II strove to abolish the entrenched distinction between colonial "subject" and "citizen." They then used their new status to claim social, economic, and political equality with other French citizens, in the face of resistance from defenders of a colonial order. Africans balanced their quest for equality with a desire to express an African political personality. They hoped to combine a degree of autonomy with participation in a larger, Franco-African ensemble. French leaders, trying to hold on to a large French polity, debated how much autonomy and how much equality they could concede. Both sides looked to versions of federalism as alternatives to empire and the nation-state. The French government had to confront the high costs of an empire of citizens, while Africans could not agree with French leaders or among themselves on how to balance their contradictory imperatives. Cooper shows how both France and its former colonies backed into more "national" conceptions of the state than either had sought.

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A dual biography crafted around the famous encounter between the French philosopher who wrote about power and the Russian empress who wielded it with great aplomb.In October 1773, after a grueling trek from Paris, the aged and ailing Denis Diderot stumbled from a carriage in wintery St. Petersburg. The century’s most subversive thinker, Diderot arrived as the guest of its most ambitious and admired ruler, Empress Catherine of Russia. What followed was unprecedented: more than forty private meetings, stretching over nearly four months, between these two extraordinary figures. Diderot had come from Paris in order to guide—or so he thought—the woman who had become the continent’s last great hope for an enlightened ruler. But as it soon became clear, Catherine had a very different understanding not just of her role but of his as well. Philosophers, she claimed, had the luxury of writing on unfeeling paper. Rulers had the task of writing on human skin, sensitive to the slightest touch.Diderot and Catherine’s series of meetings, held in her private chambers at the Hermitage, captured the imagination of their contemporaries. While heads of state like Frederick of Prussia feared the consequences of these conversations, intellectuals like Voltaire hoped they would further the goals of the Enlightenment.In Catherine & Diderot, Robert Zaretsky traces the lives of these two remarkable figures, inviting us to reflect on the fraught relationship between politics and philosophy, and between a man of thought and a woman of action.

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We inhabit a vulnerable planet. The devastation caused by natural disasters such as the southern Asian tsunami, Hurricanes Katrina and Ike, and the earthquakes in China's Sichuan province, Haiti, and Chile—as well as the ongoing depletion and degradation of the world's natural resources caused by a burgeoning human population—have made it clear that "business as usual" is no longer sustainable. We need to find ways to improve how we live on this planet while minimizing our impact on it. Design for a Vulnerable Planet sounds a call for designers and planners to go beyond traditional concepts of sustainability toward innovative new design that fosters regeneration and resilience.Drawing on his own and others' experiences across three continents, Frederick Steiner advocates design practice grounded in ecology and democracy and informed by critical regionalism and reflection. He begins by establishing the foundation for a more ecological approach to planning and design, adopting a broad view of ecology as encompassing human and natural, urban and wild environments. Steiner explores precedents for human ecological design provided by architect Paul Cret, landscape architect Ian McHarg, and developer George Mitchell while discussing their planning for the University of Texas campus, the Lake Austin watershed, and The Woodlands. Steiner then focuses on emerging Texas urbanism and extends his discussion to broader considerations beyond the Lone Star State, including regionalism, urbanism, and landscape in China and Italy. He also examines the lessons to be learned from human and natural disasters such as 9/11, Hurricane Katrina, and the BP oil spill. Finally, Steiner offers a blueprint for designing with nature to help heal the planet's vulnerabilities.

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Winner - 2023 John Brinkerhoff Jackson Book Prize, UVA Center for Cultural LandscapesWith more than eight hundred sprawling green acres in the middle of one of the world’s densest cities, Central Park is an urban masterpiece. Designed in the middle of the nineteenth century by the landscape architects Frederick Law Olmsted and Calvert Vaux, it is a model for city parks worldwide. But before it became Central Park, the land was the site of farms, businesses, churches, wars, and burial grounds—and home to many different kinds of New Yorkers.This book is the authoritative account of the place that would become Central Park. From the first Dutch family to settle on the land through the political crusade to create America’s first major urban park, Sara Cedar Miller chronicles two and a half centuries of history. She tells the stories of Indigenous hunters, enslaved people and enslavers, American patriots and British loyalists, the Black landowners of Seneca Village, Irish pig farmers, tavern owners, Catholic sisters, Jewish protesters, and more. Miller unveils a British fortification and camp during the Revolutionary War, a suburban retreat from the yellow fever epidemics at the turn of the nineteenth century, and the properties that a group of free Black Americans used to secure their right to vote. Tales of political chicanery, real estate speculation, cons, and scams stand alongside democratic idealism, the striving of immigrants, and powerfully human lives. Before Central Park shows how much of the history of early America is still etched upon the landscapes of Central Park today.

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New essays by top international Schiller scholars on the reception of the great German writer and dramatist, emphasizing his realist aspects. The works of Friedrich Schiller (1759-1805) -- an innovative and resonant tragedian and an important poet, essayist, historian, and aesthetic theorist -- are among the best known of German and world literature. Schiller's explosive original artistry and feel for timely and enduring personal tragedy embedded in timeless sociohistorical conflicts remain the topic of lively academic debate. The essays in this volume address the many flashpoints and canonicalshifts in the cyclically polarized reception of Schiller and his works, in pursuit of historical and contemporary answers to Samuel Taylor Coleridge's expression of frightened admiration in 1794: "Who is this Schiller?" The responses demonstrate pronounced shifts from widespread twentieth-century understandings of Schiller: the overwhelming emphasis here is on Schiller the cosmopolitan realist, and little or no trace is left of the ultimately untenable view of Schiller as an abstract idealist who turned his back on politics. Contributors: Ehrhard Bahr, Matthew Bell, Frederick Burwick, Jennifer Driscoll Colosimo, Bernd Fischer, Gail K. Hart, Fritz Heuer, Hans H. Hiebel, Jeffrey L. High, Walter Hinderer, Paul E. Kerry, Erik B. Knoedler, Elisabeth Krimmer, Maria del Rosario Acosta López, Laura Anna Macor, Dennis F. Mahoney, Nicholas Martin, John A. McCarthy, Yvonne Nilges, Norbert Oellers, Peter Pabisch, David Pugh, T. J. Reed, Wolfgang Riedel, Jörg Robert, Ritchie Robertson, Jeffrey L. Sammons, Henrik Sponsel. Jeffrey L. High is Associate Professor of German Studies at California State University Long Beach, Nicholas Martin is Reader in European Intellectual History at the University of Birmingham, and Norbert Oellers is Professor Emeritus of German Literature at the University of Bonn.

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The rediscovery of a pivotal figure in Black history and his importance and influence in the struggle against slavery and discrimination “A masterful biography. . . . Ward’s struggles to find freedom, equality, peace, and belonging are still shared by many African Americans today.”—Kellie Carter Jackson, The Nation Born on the Eastern Shore of Maryland, Samuel Ringgold Ward (1817–c. 1869) escaped enslavement and would become a leading figure in the struggle for Black freedom, citizenship, and equality. He was extolled by his contemporary Frederick Douglass for his “depth of thought, fluency of speech, readiness of wit, logical exactness.” Until now, his story has been largely untold. Ward, a newspaper editor, Congregational minister, and advocate for the temperance movement, was considered one of the leading orators of his time. After the passage of the Fugitive Slave Act of 1850 he fled to Canada, where he lectured widely to improve conditions for formerly enslaved people who had settled there. Ward then went to Britain as an agent of the Canadian Antislavery Society and published his influential book Autobiography of a Fugitive Negro. He never returned to the United States, and he died in obscurity in Jamaica. Despite Ward’s prominent role in the abolitionist movement, his story has been lost because of the decades he spent in exile. In this book, R. J. M. Blackett brings light to Ward’s life and his important role in the struggle against slavery and discrimination, and to the personal price he paid for confronting oppression.

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Selected Tales contains some of the most timeless and enchanting folk and fairy tales collected by the Brothers Grimm, translated with an introduction by David Luke in Penguin Classics.These folktales collected by Jacob and Wilhelm Grimm are among the most memorable stories in European culture - conjuring up a world of spells and bewitchment, outwitted villains and cruel stepmothers, animal bridegrooms and enchanted princesses. Tales such as 'Hansel and Gretel', 'Little Red Cape' and 'The Robber Bridegroom' depict the dangers lurking in dark forests, and others, including 'Briar-Rose' and 'Snow White' show young beauties punished by unforgiving sorceresses. Other tales include 'Thickasathumb', which portrays a childless young couple whose wish for a baby is granted in an unexpected way, while 'The Frog King' tells of a rash promise made by a haughty princess to share her bed with a frog, and a fortune is won in 'The Blue Lamp', when a soldier gains a kingdom with the help of a magic lamp.David Luke's vibrant translation is accompanied by an introduction discussing the key themes of the tales and the literary background of the Brothers Grimm. This edition also includes new further reading and a chronology, with notes and a glossary.Jacob (1785-1863) and Wilhelm (1786-1859) are nowadays simply known as 'the brothers Grimm'. Both brothers were state-appointed librarians in Kassel, and later members of the Academy of Arts and Sciences in Berlin, where Frederick William IV of Prussia had invited them to settle. Two of Germany's greatest scholars, Jacob is regarded as the founder of the scientific study of the German language, and with his brother Wilhelm initiated the Deutsches Wörterbuch, a dictionary of all words in modern High German since 1450.If you enjoyed the Selected Tales of the Brothers Grimm, you might like Hans Christian Andersen's Fairy Tales, also available in Penguin Classics.

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Set between January 1862 and January 1863, this second installment in the ambitious Civil War series paints an unforgettable portrait of the year that turned a secessionist rebellion into a war of emancipationIncluding eleven never-before-published pieces, here are more than 140 messages, proclamations, newspaper stories, letters, diary entries, memoir excerpts, and poems by more than eighty participants and observers, among them Abraham Lincoln, Jefferson Davis, Ulysses S. Grant, George B. McClellan, Robert E. Lee, Frederick Douglass, Emily Dickinson, Walt Whitman, Nathaniel Hawthorne, Clara Barton, Harriet Jacobs, and George Templeton Strong, as well as soldiers Charles B. Haydon and Henry Livermore Abbott; diarists Kate Stone and Judith McGuire; and war correspondents George E. Stephens and George Smalley. The selections include vivid and haunting narratives of battles-Fort Donelson, Pea Ridge, the gunboat war on the Western rivers, Shiloh, the Seven Days, Second Bull Run, Antietam, Iuka, Corinth, Perryville, Fredericksburg, Stones River-as well as firsthand accounts of life and death in the military hospitals in Richmond and Georgetown; of the impact of war on Massachusetts towns and Louisiana plantations; of the struggles of runaway slaves and the mounting fears of slaveholders; and of the deliberations of the cabinet in Washington, as Lincoln moved toward what he would call "the central act of my administration and the great event of the nineteenth century": the revolutionary proclamation of emancipation.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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"If you ask men if they spend any time hiding, they usually look at you as if you're nuts. 'What, me hide?' But if you ask women whether men hide, they immediately know what you mean."-from Where Men Hide Where Men Hide is a spirited tour of the dark and often dirty places men go to find comfort, camaraderie, relaxation, and escape. Ken Ross's striking photographs and James Twitchell's lively analysis trace the evolution of these virtual caves, and question why they are rapidly disappearing. Ross documents both traditional and contemporary male haunts, such as bars, barbershops, lodges, pool halls, strip clubs, garages, deer camps, megachurches, the basement Barcalounger, and Twitchell examines their provenance, purpose, and appeal. He finds that for centuries men have met with each other in underground lairs and clubhouses to conduct business or, in the case of strip clubs and the modern rec room, to bond and indulge in shady entertainments. In these secret dens, certain rules are abandoned while others are obeyed. However, Twitchell sees this less as exclusionary behavior and more as the result of social anxiety: when women want to get together, they just do it; when men get together, it's a production. Drawing on literary, historical, and pop cultural sources, Twitchell connects the places men hide with figures like Hemingway and Huck Finn, Frederick Jackson Turner's theory of the American frontier, and the mythological interpretations of Joseph Campbell and Robert Bly. Instead of blaming the disappearance of the man-cave solely on feminism, simple fair play, or the demands of Title IX, Twitchell believes this evaporation is due as well to the rise of solitary pursuits such as driving, watching television, and playing videogames. By blending together anecdote, research, and keen observation, Ross and Twitchell bring this little-discussed and controversial phenomenon to light.

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In 1865, when San Francisco's Daily Evening Bulletin asked its readers if it were not time for the city to finally establish a public park, residents had only private gardens and small urban squares where they could retreat from urban crowding, noise, and filth. Five short years later, city supervisors approved the creation of Golden Gate Park, the second largest urban park in America. Over the next sixty years, and particularly after 1900, a network of smaller parks and parkways was built, turning San Francisco into one of the nation's greenest cities. In Building San Francisco's Parks, 1850-1930, Terence Young traces the history of San Francisco's park system, from the earliest city plans, which made no provision for a public park, through the private garden movement of the 1850s and 1860, Frederick Law Olmsted's early involvement in developing a comprehensive parks plan, the design and construction of Golden Gate Park, and finally to the expansion of green space in the first third of the twentieth century. Young documents this history in terms of the four social ideals that guided America's urban park advocates and planners in this period: public health, prosperity, social coherence, and democratic equality. He also differentiates between two periods in the history of American park building, each defined by a distinctive attitude towards "improving" nature: the romantic approach, which prevailed from the 1860s to the 1880s, emphasized the beauty of nature, while the rationalistic approach, dominant from the 1880s to the 1920s, saw nature as the best setting for uplifting activities such as athletics and education. Building San Francisco's Parks, 1850-1930 maps the political, cultural, and social dimensions of landscape design in urban America and offers new insights into the transformation of San Francisco's physical environment and quality of life through its world-famous park system.

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The gripping new Ben Hope thriller from the Number One bestseller. When ex-SAS major Ben Hope is urgently recalled to the UK from his base in France to assist with a family crisis, little does he know that he’s about to be drawn into one of the most dangerous missions of his career: his son Jude has been accused of a brutal murder, and all the evidence points to his guilt. To prove Jude’s innocence Ben embarks on a wild chase, facing up against mysterious killers and piecing together a fragile web of clues. What connects an all-female criminal gang from the early 1900s called the Forty Elephants, a century-old vendetta and a shadowy government conspiracy that claimed millions of innocent lives? Along the way Ben teams up with his former acquaintance, rugged Detective Tom McAllister. They’re heading for a showdown in the wilds of Cornwall, and the villains have no intention of letting Ben come out of it alive . . . People can’t get enough of the Ben Hope series: ‘Compelling from the first page until the last, Mariani and his fabulous protagonist Ben Hope entertain in a gripping tale that will have you turning the pages well into the night’ Mark Dawson ‘Thrilling. Scott Mariani is at the top of his game’ Andy McDermott ‘A high level of realism … the action scenes come thick and fast. Like the father of the modern thriller, Frederick Forsyth, Mariani has a knack for embedding his plots in the fears and preoccupations of their time’ Shots Magazine ‘James Bond meets Jason Bourne meets The Da Vinci Code’ J. L. Carrell ‘History, action, devious scheming and eye-opening detail. Mariani delivers a twisting storyline’ David Leadbeater 'Non-stop action – this book delivers’ Steve Berry

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Within a few years of the invention of the first commercially successful photography process in 1839, American slaveholders had already begun commissioning photographic portraits of their slaves. Ex-slaves-turned-abolitionists such as Frederick Douglass also came to see how sitting for a portrait could help them project humanity and dignity amidst northern racism. In the first decade of the medium, enslaved people had begun entering southern daguerreotype saloons of their own volition, posing for cameras, and leaving with visual treasures they could keep in their pockets. And, as the Civil War raged, Union soldiers would orchestrate pictures with fugitive slaves that envisioned racial hierarchy as slavery fell. In these ways and others, from the earliest days of the medium to the first moments of emancipation, photography powerfully influenced how bondage and freedom were documented, imagined, and contested. By 1865, it would be difficult for many Americans to look back upon slavery and its fall without thinking of a photograph. This book explores how photography altered, and was in turn shaped by, conflicts over bondage. Drawing upon an original source base that includes hundreds of unpublished and little-studied photographs of slaves, ex-slaves, and abolitionists as well as written archival materials, it puts visual culture at the center of understanding the experience of late slavery. It assesses how photography helped southerners to defend slavery, slaves to shape their social ties, abolitionists to strengthen their movement, and soldiers to imagine and pictorially enact an interracial society during the Civil War. With diverse goals, these peoples transformed photography from a scientific curiosity (in the early 1840s) into a political tool (by the 1860s). While this project sheds new light on conflicts over late American slavery, it also reveals a key moment in the much broader historical relationship between modern visual culture and racialized forms of power and resistance.

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From as early as the beginning of the nineteenth century, Britain was at the forefront of powered flight. Across the country many places became centres of innovation and experimentation, as increasing numbers of daring men took to the skies. It was in 1799, at Brompton Hall, that Sir George Cayley Bart put forward ideas which formed the basis of powered flight. Cayley is widely regarded as the father of aviation and his ancestral home the cradle' of British aviation. There were balloon flights at Hendon from 1862, although attempts at powered flights from the area later used as the famous airfield, do not seem to have been particularly successful. Despite this, Louis Bleriot established a flying school there in 1910. It was gliders that Percy Pilcher flew from the grounds of Stamford Hall, Leicestershire during the 1890s. He was killed in a crash there in 1899, but Pilcher had plans for a powered aircraft which experts believe may well have enabled him to beat the Wright Brothers in becoming the first to make a fixed-wing powered flight. At Brooklands attempts were made to build and fly a powered aircraft in 1906 even before the banked racetrack was completed but these were unsuccessful. But on 8 June 1908, A.V. Roe made what is considered to be the first powered flight in Britain from there - in reality a short hop - in a machine of his own design and construction, enabling Brooklands to claim to be the birthplace of British aviation. These are just a few of the many places investigated by Bruce Hales-Dutton in this intriguing look at the early days of British aviation, which includes the first ever aircraft factory in Britain in the railway arches at Battersea; Larkhill on Salisbury Plain which became the British Army's first airfield, and Barking Creek where Frederick Handley Page established his first factory.

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Abraham Lincoln has long been revered by blacks and whites alike as the "Great Emancipator." In recent years, however, this image has come under assault by scholars who question Lincoln's commitment to racial equality and who assert that he was in fact, as Frederick Douglass once noted, the "white man's president." Such arguments challenging deep-seated assumptions about our nation's beloved leader demand serious investigation. What personal beliefs did Lincoln hold about the inherent differences or similarities between blacks and whites? How did his vision for race relations change as a result of the Civil War? What political, legal, and cultural circumstances prompted him to issue the Emancipation Proclamation? And in what ways have Americans chosen to remember Lincoln's legacy? Does he truly deserve his fame as the "Great Emancipator?" In this volume, seven historians attempt to answer these critical questions. Kenneth J. Winkle analyzes the racial climate of the early nineteenth-century Midwest in order to place Lincoln's views in context. Kevin R. C. Gutzman discusses the influence of Thomas Jefferson's racial politics upon Lincoln; and James N. Leiker scrutinizes Lincoln's attitudes toward Native Americans, Asians, and Hispanics as well as toward blacks. Phillip S. Paludan and Brian Dirck describe Lincoln's tortured deliberation over emancipation, while Dennis K. Boman uses Missouri as a case study of the president's delicate handling of this explosive issue. By tracing the changes in Lincoln's proposals for the future of liberated slaves, Michael Vorenberg argues that, despite what many Americans today would consider limitations, Lincoln demonstrated a remarkable open-mindedness and capacity for growth. Allen C. Guelzo opens the volume with a thought-provoking foreword.

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Traditional jazz studies have tended to see jazz in purely musical terms, as a series of changes in rhythm, tonality, and harmony, or as a parade of great players. But jazz has also entered the cultural mix through its significant impact on novelists, filmmakers, dancers, painters, biographers, and photographers. Representing Jazz explores the "other" history of jazz created by these artists, a history that tells us as much about the meaning of the music as do the many books that narrate the lives of musicians or describe their recordings. Krin Gabbard has gathered essays by distinguished writers from a variety of fields. They provide engaging analyses of films such as Round Midnight, Bird, Mo’ Better Blues, Cabin in the Sky, and Jammin’ the Blues; the writings of Eudora Welty and Dorothy Baker; the careers of the great lindy hoppers of the 1930s and 1940s; Mura Dehn’s extraordinary documentary on jazz dance; the jazz photography of William Claxton; painters of the New York School; the traditions of jazz autobiography; and the art of "vocalese." The contributors to this volume assess the influence of extramusical sources on our knowledge of jazz and suggest that the living contexts of the music must be considered if a more sophisticated jazz scholarship is ever to evolve. Transcending the familiar patterns of jazz history and criticism, Representing Jazz looks at how the music actually has been heard and felt at different levels of American culture. With its companion anthology, Jazz Among the Discourses, this volume will enrich and transform the literature of jazz studies. Its provocative essays will interest both aficionados and potential jazz fans.Contributors. Karen Backstein, Leland H. Chambers, Robert P. Crease, Krin Gabbard, Frederick Garber, Barry K. Grant, Mona Hadler, Christopher Harlos, Michael Jarrett, Adam Knee, Arthur Knight, James Naremore

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How white advocates of emancipation abandoned African American causes in the dark days of Reconstruction, told through the stories of four Minnesotans White people, Frederick Douglass said in a speech in 1876, were “the children of Lincoln,” while black people were “at best his stepchildren.” Emancipation became the law of the land, and white champions of African Americans in the state were suddenly turning to other causes, regardless of the worsening circumstances of black Minnesotans. Through four of these “children of Lincoln” in Minnesota, William D. Green’s book brings to light a little known but critical chapter in the state’s history as it intersects with the broader account of race in America.In a narrative spanning the years of the Civil War and Reconstruction, the lives of these four Minnesotans mark the era’s most significant moments in the state, the Midwest, and the nation for the Republican Party, the Baptist church, women’s suffrage, and Native Americans. Morton Wilkinson, the state’s first Republican senator; Daniel Merrill, a St. Paul business leader who helped launch the first Black Baptist church; Sarah Burger Stearns, founder and first president of the Minnesota Woman Suffragist Association; and Thomas Montgomery, an immigrant farmer who served in the Colored Regiments in the Civil War: each played a part in securing the rights of African Americans and each abandoned the fight as the forces of hatred and prejudice increasingly threatened those hard-won rights. Moving from early St. Paul and Fort Snelling to the Civil War and beyond, The Children of Lincoln reveals a pattern of racial paternalism, describing how even “enlightened” white Northerners, fatigued with the “Negro Problem,” would come to embrace policies that reinforced a notion of black inferiority. Together, their lives—so differently and deeply connected with nineteenth-century race relations—create a telling portrait of Minnesota as a microcosm of America during the tumultuous years of Reconstruction.

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John Brown was fiercely committed to the militant abolitionist cause, a crusade that culminated in Brown's raid on the Federal armory at Harpers Ferry in 1859 and his subsequent execution. Less well known is his devotion to his family, and they to him. Two of Brown’s sons were killed at Harpers Ferry, but the commitment of his wife and daughters often goes unacknowledged. In The Tie That Bound Us, Bonnie Laughlin-Schultz reveals for the first time the depth of the Brown women’s involvement in his cause and their crucial roles in preserving and transforming his legacy after his death.As detailed by Laughlin-Schultz, Brown’s second wife Mary Ann Day Brown and his daughters Ruth Brown Thompson, Annie Brown Adams, Sarah Brown, and Ellen Brown Fablinger were in many ways the most ordinary of women, contending with chronic poverty and lives that were quite typical for poor, rural nineteenth-century women. However, they also lived extraordinary lives, crossing paths with such figures as Frederick Douglass and Lydia Maria Child and embracing an abolitionist moral code that sanctioned antislavery violence in place of the more typical female world of petitioning and pamphleteering.In the aftermath of John Brown’s raid at Harpers Ferry, the women of his family experienced a particular kind of celebrity among abolitionists and the American public. In their roles as what daughter Annie called "relics" of Brown’s raid, they tested the limits of American memory of the Civil War, especially the war’s most radical aim: securing racial equality. Because of their longevity (Annie, the last of Brown’s daughters, died in 1926) and their position as symbols of the most radical form of abolitionist agitation, the story of the Brown women illuminates the changing nature of how Americans remembered Brown’s raid, radical antislavery, and the causes and consequences of the Civil War.

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The unheard history of how race and racism are constructed from sound and maintained through the listening ear. Race is a visual phenomenon, the ability to see “difference.” At least that is what conventional wisdom has lead us to believe. Yet, The Sonic Color Line argues that American ideologies of white supremacy are just as dependent on what we hear—voices, musical taste, volume—as they are on skin color or hair texture. Reinforcing compelling new ideas about the relationship between race and sound with meticulous historical research, Jennifer Lynn Stoever helps us to better understand how sound and listening not only register the racial politics of our world, but actively produce them. Through analysis of the historical traces of sounds of African American performers, Stoever reveals a host of racialized aural representations operating at the level of the unseen—the sonic color line—and exposes the racialized listening practices she figures as “the listening ear.” Using an innovative multimedia archive spanning 100 years of American history (1845-1945) and several artistic genres—the slave narrative, opera, the novel, so-called “dialect stories,” folk and blues, early sound cinema, and radio drama—The Sonic Color Line explores how black thinkers conceived the cultural politics of listening at work during slavery, Reconstruction, and Jim Crow. By amplifying Harriet Jacobs, Frederick Douglass, Elizabeth Taylor Greenfield, Charles Chesnutt, The Fisk Jubilee Singers, Ann Petry, W.E.B. Du Bois, and Lena Horne as agents and theorists of sound, Stoever provides a new perspective on key canonical works in African American literary history. In the process, she radically revises the established historiography of sound studies. The Sonic Color Line sounds out how Americans have created, heard, and resisted “race,” so that we may hear our contemporary world differently.

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Harriet Tubman is one of America’s most beloved historical figures, revered alongside luminaries including Abraham Lincoln and Frederick Douglass. Harriet Tubman: Myth, Memory, and History tells the fascinating story of Tubman’s life as an American icon. The distinguished historian Milton C. Sernett compares the larger-than-life symbolic Tubman with the actual “historical” Tubman. He does so not to diminish Tubman’s achievements but rather to explore the interplay of history and myth in our national consciousness. Analyzing how the Tubman icon has changed over time, Sernett shows that the various constructions of the “Black Moses” reveal as much about their creators as they do about Tubman herself.Three biographies of Harriet Tubman were published within months of each other in 2003–04; they were the first book-length studies of the “Queen of the Underground Railroad” to appear in almost sixty years. Sernett examines the accuracy and reception of these three books as well as two earlier biographies first published in 1869 and 1943. He finds that the three recent studies come closer to capturing the “real” Tubman than did the earlier two. Arguing that the mythical Tubman is most clearly enshrined in stories told to and written for children, Sernett scrutinizes visual and textual representations of “Aunt Harriet” in children’s literature. He looks at how Tubman has been portrayed in film, painting, music, and theater; in her Maryland birthplace; in Auburn, New York, where she lived out her final years; and in the naming of schools, streets, and other public venues. He also investigates how the legendary Tubman was embraced and represented by different groups during her lifetime and at her death in 1913. Ultimately, Sernett contends that Harriet Tubman may be America’s most malleable and resilient icon.

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Martin Luther King Jr. Malcolm X. Muhammad Ali. When you think of African American history, you think of its heroes—individuals endowed with courage and strength who are celebrated for their bold exploits and nobility of purpose. But what of black villains? Villains, just as much as heroes, have helped define the black experience.Ranging from black slaveholders and frontier outlaws to serial killers and gangsta rappers, Hoodlums examines the pivotal role of black villains in American society and popular culture. Here, William L. Van Deburg offers the most extensive treatment to date of the black badman and the challenges that this figure has posed for race relations in America. He first explores the evolution of this problematic racial stereotype in the literature of the early Republic—documents in which the enslavement of African Americans was justified through exegetical claims. Van Deburg then probes antebellum slave laws, minstrel shows, and the works of proslavery polemicists to consider how whites conceptualized blacks as members of an inferior and dangerous race. Turning to key works by blacks themselves, from the writings of Frederick Douglass and W. E. B. Du Bois to classic blaxploitation films like Black Caesar and The Mack, Van Deburg demonstrates how African Americans have combated such negative stereotypes and reconceptualized the idea of the badman through stories of social bandits—controversial individuals vilified by whites for their proclivity toward evil, but revered in the black community as necessarily insurgent and revolutionary.Ultimately, Van Deburg brings his story up-to-date with discussions of prison and hip-hop culture, urban rioting, gang warfare, and black-on-black crime. What results is a work of remarkable virtuosity—a nuanced history that calls for both whites and blacks to rethink received wisdom on the nature and prevalence of black villainy.

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Sophocles' Oedipus Tyrannus is the most famous of ancient tragedies and a literary masterpiece. It is not, however, the only classical dramatization of Oedipus' quest to discover his identity. Between four and five hundred years after Sophocles' play was first performed, Seneca composed a fine, but neglected and often disparaged Latin tragedy on the same subject, which, in some ways, comes closer to our common understanding of the Oedipus myth. Now, modern readers can compare the two versions, in new translations by Frederick Ahl.Balancing poetry and clarity, yet staying scrupulously close to the original texts, Ahl's English versions are designed to be both read and performed, and are alert to the literary and historical complexities of each. In approaching Sophocles anew, Ahl is careful to preserve the richly allusive nature and rhetorical power of the Greek, including the intricate use of language that gives the original its brilliant force. For Ahl, Seneca's tragedy is vastly and intriguingly different from that of Sophocles, and a poetic masterpiece in its own right. Seneca takes us inside the mind of Oedipus in ways that Sophocles does not, making his inner conflicts a major part of the drama itself in his soliloquies and asides. Two Faces of Oedipus opens with a wide-ranging introduction that examines the conflicting traditions of Oedipus in Greek literature, the different theatrical worlds of Sophocles and Seneca, and how cultural and political differences between Athenian democracy and Roman imperial rule affect the nature and conditions under which the two tragedies were composed. This book brings two dramatic traditions into conversation while providing elegant, accurate, and exciting new versions of Sophocles' and Seneca's tragedies.

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Poetry has always been at the heart of Farrar, Straus and Giroux's identity, ever since Robert Giroux first brought T. S. Eliot to the company. FSG's personality and literary profile have been defined by both the poets and the prose writers who have made it an imprint with a unique place in American letters. The FSG Poetry Anthology includes work by every one of the more than one hundred poets FSG has published in its seventy-five-year history. Robert Lowell, Elizabeth Bishop, John Berryman, and Randall Jarrell were central to the first generation of those poets, followed by the international figures and Nobel laureates Nelly Sachs, Seamus Heaney, Joseph Brodsky, and Derek Walcott. Over time the list expanded to include James Schuyler, John Ashbery, C. K. Williams, Charles Wright, Yusef Komunyakaa, Grace Paley, Gjertrud Schnackenberg, Yehuda Amichai, Paul Valéry, Marianne Moore, Mina Loy, Ted Hughes, and Adam Zagajewski. Today Carl Phillips, Maureen N. McLane, Ange Mlinko, Ishion Hutchinson, Rowan Ricardo Phillips, Frederick Seidel, Henri Cole, francine j. harris, and Valzhyna Mort are among the poets who continue FSG's tradition as a premier discoverer and promoter of the most vital and distinguished contemporary poetic voices. Poetry and prose are two indissoluble sides of the same coin. This anthology offers a unique perspective on the best of contemporary literature over the past three generations. FSG president and long-time poetry editor Jonathan Galassi contributes a lively history of the role of poetry in the publishing house.

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Long neglected by the academic world because of her rejection of belletristic values and resistance to convenient literary taxonomy, Doris Lessing has nonetheless built an international following of serious, dedicated readers. Acknowledging the difficulties posed by the multiple dimensions of Lessing’s work, Kaplan and Rose have gathered eleven essays that address her artistic, philosophical, political, and psychological complexity, and so provide a welcome introduction to the extraordinary depth and diversity of this important contemporary novelist. Lessing has been described as an “alchemical” writer, in that her work is directed toward changing people’s lives and perceptions rather than simply recording experience. Accordingly, the contributors examine her various postures and tactics for the purpose of discovering how the alchemical elements inform her various personae. Frederick C. Stern discusses Lessing’s commitment to radical humanist thought, while Carey Kaplan examines how Lessing’s imperialist past has shaped her futuristic fiction. Elizabeth Abel offers a feminist interpretation of the pattern of brother-sister incest in Lessing’s work, showing how Lessing has established Antigone as a female alternative to the Oedipal myth of male incest. Particularly insightful is Eve Bertelsen’s report of her interview with Lessing, demonstrating how Lessing’s often evasive style of adversarial dialogue works in concert with her refusal to be conveniently pigeonholed by academic analysis. For those readers new to her work, Doris Lessing: The Alchemy of Survival will serve as a useful introduction to Lessing’s concerns and techniques. Those who have long admired her writing will find in this collection new keys to understanding Lessing’s philosophical, political, and psychological complexity.

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'A riotous delve into the dark medical world of Restoration London' - S.G. MACLEAN 'An infectious read, packed with atmosphere and colourful characters' - OSCAR DE MURIEL 'A gripping whodunnit with a sinister twist' - JENNIFER RYAN ________________________________________ WHO WOULD MURDER THE DYING... London, 1665. Hidden within the growing pile of corpses in his churchyard, Rector Symon Patrick discovers a victim of the pestilence unlike any he has seen before: a young woman with a shorn head, covered in burns, and with pieces of twine delicately tied around each wrist and ankle. Desperate to discover the culprit, Symon joins a society of eccentric medical men who have gathered to find a cure for the plague. Someone is performing terrible experiments upon the dying, hiding their bodies amongst the hundreds that fill the death carts. Only Penelope - a new and mysterious addition to Symon's household - may have the skill to find the killer. Far more than what she appears, she is already on the hunt. But the dark presence that enters the houses of the sick will not stop, and has no mercy... This hugely atmospheric and entertaining historical thriller will transport readers to the palaces and alleyways of seventeenth-century London. Perfect for fans of Laura Shepherd-Robinson, Andrew Taylor and C.J. Sansom. ________________________________________ 'A sickening, desperate London, wonderfully evoked. A terrific read!' - ALIX NATHAN 'A rollicking, roistering tale with humour horror and human decency at its dark heart' - KATE GRIFFIN 'Brilliantly convincing and thrillingly infectious' - S.W. PERRY 'A gorgeous, darkly witty novel that transports readers to the London of Charles II' - MARIAH FREDERICKS 'Dark, haunting and unexpectedly witty' - SUSAN ELIA MACNEAL

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