Search results for ""indiana university press""

The proliferation of old age homes and increasing numbers of elderly living alone are startling new phenomena in India. These trends are related to extensive overseas migration and the transnational dispersal of families. In this moving and insightful account, Sarah Lamb shows that older persons are innovative agents in the processes of social-cultural change. Lamb's study probes debates and cultural assumptions in both India and the United States regarding how best to age; the proper social-moral relationship among individuals, genders, families, the market, and the state; and ways of finding meaning in the human life course.

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What would the world be like if there were no places? Our lives are so place-oriented that we cannot begin to comprehend the loss of locality. Indeed, the space we occupy has much to do with what and who we are. Yet, despite the pervasiveness of place in our everyday lives, philosophers have neglected it.Since its publication in 1993, Getting Back into Place has been recognized as a pioneering study of the importance of place in people's lives. This edition includes new material that reflects on the development of the field of environmental philosophy and presents Edward S. Casey's current thinking on place and home in our increasingly troubled world.

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In the last two decades, the field of comparative genocide studies has produced an increasingly rich literature on the targeting of various groups for extermination and other atrocities, throughout history and around the contemporary world. However, the phenomenon of "genocides by the oppressed," that is, retributive genocidal actions carried out by subaltern actors, has received almost no attention. The prominence in such genocides of non-state actors, combined with the perceived moral ambiguities of retributive genocide that arise in analyzing genocidal acts "from below," have so far eluded serious investigation. Genocides by the Oppressed addresses this oversight, opening the subject of subaltern genocide for exploration by scholars of genocide, ethnic conflict, and human rights. Focusing on case studies of such genocide, the contributors explore its sociological, anthropological, psychological, symbolic, and normative dimensions.

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For young men in urban Tanzania, barbershops are sites of the struggle to earn a living amid economic crisis. With names like Brooklyn Barber House and Boyz II Men, these workplaces are also nodes in an explosion of popular culture that appropriates images drawn from the global circulation of hip hop music, fashion, and celebrity. Street Dreams and Hip Hop Barbershops grapples with the implications of globalization and neoliberalism for urban youth in Africa today, exploring urban Tanzanians' complex, new ways of understanding their place in the world.

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From Sight to Sound provides practical and creative techniques for classical improvisation for musicians of all levels and instruments, solo or in ensembles. These exercises build aural and communicative skills, instrumental technique, and musical understanding. When students use their instruments to execute and improvise on theoretical concepts, they make vivid connections between abstract ideas and their own playing. This then allows students to unite performance with music theory, ear-training, historical style and context, chamber music skills, and listening skills. Many of the exercises in this book are designed for players working in pairs or small groups to encourage performers to communicate with one another and build an atmosphere of trust in which creativity and spontaneity may flourish.

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Photographers from the U.S. Army's Signal Corps were with the troops that drove back Hitler's troops and occupied Germany at the end of WWII. Soon photos of death camps and starving POWs shocked the home front, providing ample evidence of Nazi brutality. Yet did the faces of the defeated Germans show remorse? The victors saw only arrogance, servility, and the resentment of a population thoroughly brainwashed by the Nazis. In fact, argues Dagmar Barnouw, the photographs from this period tell a more complex story and hold many clues for a better understanding of the recent German past.

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First published in 1988 as volume 63 of his Collected Works, Ontology—The Hermeneutics of Facticity is the text of Heidegger's lecture course at the University of Freiburg during the summer of 1923. In these lectures, Heidegger reviews and makes critical appropriations of the hermeneutic tradition from Plato, Aristotle, and Augustine to Schleiermacher and Dilthey in order to reformulate the question of being on the basis of facticity and the everyday world. Specific themes deal with the history of ontology, the development of phenomenology and its relation to Hegelian dialectic, traditional theological and philosophical concepts of man, the present situation of philosophy, and the influences of Aristotle, Luther, Kierkegaard, and Husserl on Heidegger's thinking. Students of Heidegger will find initial breakthroughs in his unique elaboration of the meaning of human experience and the "question of being," which received mature expression in Being and Time.

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In January 1804, the once wealthy colony of Saint-Domingue declared its independence from France and adopted the Amerindian name "Haiti." Independence was the outcome of the extraordinary uprising of the colony's slaves. Although a central event in the history of the French in the New World, the full significance of the revolution has yet to be realized. These essays deepen our understanding of Haiti during the period from 1791 to 1815. They consider the colony's history and material culture; its "free people of color"; the events leading up to the revolution and its violent unfolding; the political and economic fallout from the revolution; and its cultural representations.

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Richard Pryor is an American icon whose name evokes irreverent humor, social critique, and a perplexing degree of self-agonized genius. This anthology captures in one volume the spirit, zest, and cultural impact of Pryor's complex artistry. Audrey Thomas McCluskey has assembled insightful essays from a broad range of scholars, social critics, writers, filmmakers, and other established and emerging commentators on American culture. Although a celebration of Pryor's genius, the book approaches the subject with a critical sensibility that provides insight into his work to reveal how he simultaneously highlighted and embodied prominent narratives of race, gender, and social conditions in America in ways that continue to enlighten and entertain.

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The Writer Uprooted is the first book to examine the emergence of a new generation of Jewish immigrant authors in America, most of whom grew up in formerly communist countries. In essays that are both personal and scholarly, the contributors to this collection chronicle and clarify issues of personal and cultural dislocation and loss, but also affirm the possibilities of reorientation and renewal. Writers, poets, translators, and critics such as Matei Calinescu, Morris Dickstein, Henryk Grynberg, Geoffrey Hartman, Eva Hoffman, Katarzyna Jerzak, Dov-Ber Kerler, Norman Manea, Zsuzsanna Ozsvath, Lara Vapnyar, and Bronislava Volkova describe how they have coped creatively with the trials of displacement and the challenges and opportunities of resettlement in a new land and, for some, authorship in a new language.

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Conspiracy theories have been a part of the American experience since colonial times. There is a rich literature on conspiracies involving, among others, Masons, Catholics, Mormons, Jews, financiers, Communists, and internationalists. Although many conspiracy theories appear irrational, an exaggerated fear of a conspiracy sometimes proves to be well founded. This anthology provides students with documents relating to some of the more important and interesting conspiracy theories in American history and politics, some based on reality, many chiefly on paranoia. It provides a fascinating look at a persistent and at times troubling aspect of democratic society.

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This new approach to Josiah Royce shows one of American philosophy's brightest minds in action for today's readers. Although Royce was one of the towering figures of American pragmatism, his thought is often considered in the wake of his more famous peers. Jacquelyn Ann K. Kegley brings fresh perspective to Royce's ideas and clarifies his individual philosophical vision. Kegley foregrounds Royce's concern with contemporary public issues and ethics, focusing in particular on how he addresses long-standing problems such as race, religion, community, the dangers of mass media, mass culture, and blatant individualistic capitalism. She offers a deep and fruitful philosophical exploration of Royce's ideas on conflict resolution, memory, self-identity, and self-development. Kegley's keen understanding and appreciation of Royce reintroduces him to a new generation of scholars and students.

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Richly illustrated with more than 160 full-color plates, Masterworks from the Indiana University Art Museum presents a selection of the finest works from one of the best university art museums in the world. Included are examples from the full range of world cultures collected by the museum: Africa, the Ancient Western World, Asia, Ancient America, the South Pacific, and Western Art before and after 1800. The entry accompanying each piece, by the curator of that collection, sketches the cultural context within which the object was created and used and describes the unique qualities that make it a masterpiece. In addition to showcasing the research of the museum's highly respected curatorial staff, this handsome volume highlights the remarkable photography of Michael Cavanagh and Kevin Montague, widely regarded as among the premier photographers of fine arts. For students, lovers, and collectors of art, Masterworks provides an inspiring and illuminating tour of the world's artistic traditions.

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The 1930s to the 1950s in Italy witnessed large increases in film-going, radio-listening, and the sale of music and weekly magazines. The industries that made and sold commercial, cultural products were transformed by the new technologies of reproduction and new approaches to marketing and distribution.Yet historians tend to place the "real" genesis of mass culture in the 1960s, or to generalize about the harnessing of mass culture to the Fascist political project, without considering what kind of mass culture existed at the time and whether this harnessing was successful. This book draws on extensive new evidence, including oral histories and archival material, to explore possible continuities between the uses of mass culture before and after World War II.

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Harnessing the energy of provocative theories generated by recent understandings of the human body, the natural world, and the material world, Material Feminisms presents an entirely new way for feminists to conceive of the question of materiality. In lively and timely essays, an international group of feminist thinkers challenges the assumptions and norms that have previously defined studies about the body. These wide-ranging essays grapple with topics such as the material reality of race, the significance of sexual difference, the impact of disability experience, and the complex interaction between nature and culture in traumatic events such as Hurricane Katrina. By insisting on the importance of materiality, this volume breaks new ground in philosophy, feminist theory, cultural studies, science studies, and other fields where the body and nature collide.

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Human rights activists Roger Normand and Sarah Zaidi provide a broad political history of the emergence and development of the human rights movement in the 20th century through the crucible of the United Nations, focusing on the hopes and expectations, concrete power struggles, national rivalries, and bureaucratic politics that molded the international system of human rights law. The book emphasizes the period before and after the creation of the UN, when human rights ideas and proposals were shaped and transformed by the hard-edged realities of power politics and bureaucratic imperatives. It also analyzes the expansion of the human rights framework in response to demands for equitable development after decolonization and organized efforts by women, minorities, and other disadvantaged groups to secure international recognition of their rights.

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Making Music and Enriching Lives fills an important niche in the very large world of books about music. It's unlike any other instructional book in the way it addresses comprehensive, across-the-board issues that affect all teachers, students, and musicians. In this book, you will find specifics not only about how to teach music, but also about how to motivate and inspire students of any age. In this first volume of her Music for Life series, Bonnie Blanchard (with Cynthia Blanchard Acree) shares successful approaches with both students and teachers that have worked wonders in her own studio to produce successful students who are energized about their lessons and their music. These books touch on all aspects of music instruction from running a studio to student motivation and teaching technique to performing, while addressing not just the musician, but the whole person along the way.

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Calling on the image of the Midwest's vanished inland sea, Susan Neville has written a compelling collection of essays that ponder writing and the "landlocked imagination." The essays range from interviews with Indiana writers Kurt Vonnegut, Scott Sanders, Marguerite Young, and others, to discussions on techniques grounded in a Midwestern sensibility. As director of Butler University's Visiting Writers Series, Neville has had the rare opportunity to converse with such literary giants as Salman Rushdie, Ray Bradbury, and Toni Morrison, and some of those exchanges have been incorporated into this exciting new collection.

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"[A] lucid discussion of race that does not sell out the black experience." —Tommy Lott, author of The Invention of RaceRevealing Whiteness explores how white privilege operates as an unseen, invisible, and unquestioned norm in society today. In this personal and selfsearching book, Shannon Sullivan interrogates her own whiteness and how being white has affected her. By looking closely at the subtleties of white domination, she issues a call for other white people to own up to their unspoken privilege and confront environments that condone or perpetuate it. Sullivan's theorizing about race and privilege draws on American pragmatism, psychology, race theory, and feminist thought. As it articulates a way to live beyond the barriers that white privilege has created, this book offers readers a clear and honest confrontation with a trenchant and vexing concern.

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Colonial Africa saw an explosion of writing and printing, produced and circulated not only by highly educated and visible elites, but also by wage laborers, clerks, village headmasters, traders, and other obscure aspirants to elite status. The ability to read and write was considered essential for educated persons, and Africans from all walks of life strove to participate in the new literary culture. Karin Barber and an international group of Africanist scholars have uncovered a trove of personal diaries, letters, obituaries, pamphlets, and booklets stored away in tin-trunks, suitcases, and cabinets that reveal individuals involved in the new occupation of the colonial era—putting pen to paper. Africa’s Hidden Histories taps into rare primary sources and considers the profusion of literary culture, the propensity to collect and archive text, and the significance attached to reading as a form of self-improvement. As it explores the innovative, intense, and sociable interest in reading and writing, this book opens new avenues for understanding a rich and hidden history of Africa’s creative expression.

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Kosher pork—an oxymoron? Anna Shternshis's fascinating study traces the creation of a Soviet Jewish identity that disassociated Jewishness from Judaism. The cultural transformation of Soviet Jews between 1917 and 1941 was one of the most ambitious experiments in social engineering of the past century. During this period, Russian Jews went from relative isolation to being highly integrated into the new Soviet culture and society, while retaining a strong ethnic and cultural identity. This identity took shape during the 1920s and 1930s, when the government attempted to create a new Jewish culture, "national in form" and "socialist in content." Soviet and Kosher is the first study of key Yiddish documents that brought these Soviet messages to Jews, notably the "Red Haggadah," a Soviet parody of the traditional Passover manual; songs about Lenin and Stalin; scripts from regional theaters; Socialist Realist fiction; and magazines for children and adults. More than 200 interviews conducted by the author in Russia, Germany, and the United States testify to the reception of these cultural products and provide a unique portrait of the cultural life of the average Soviet Jew.

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A long-awaited resource for the young operatic singer, this annotated guide brings together many sources to start the journey toward powerful, informed performance. An extensive discussion of fach and audition repertoire is followed by more than 400 arias organized by voice type, including canonical, contemporary, and obscure works from different languages. Each entry includes level of difficulty, voice/character type, special techniques, tessitura, and accompaniment. Full of detailed and insightful commentary from internationally renowned singers, directors, coaches, and other professionals—Regina Resnik, Sherrill Milnes, Carol Vaness, and Warren Jones, to name a few—this volume will be invaluable to the performer, student, and teacher of operatic repertoire throughout their developing careers.

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Cinephilia and History, or The Wind in the Trees is in part a history of cinephilia, in part an attempt to recapture the spirit of cinephilia for the discipline of film studies, and in part an experiment in cinephilic writing.Cinephiles have regularly fetishized contingent, marginal details in the motion picture image: the gesture of a hand, the wind in the trees. Christian Keathley demonstrates that the spectatorial tendency that produces such cinematic encounters—a viewing practice marked by a drift in visual attention away from the primary visual elements on display—in fact has clear links to the origins of film as defined by André Bazin, Roland Barthes, and others. Keathley explores the implications of this ontology and proposes the "cinephiliac anecdote" as a new type of criticism, a method of historical writing that both imitates and extends the experience of these fugitive moments.

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Praise for the first edition:"[E]ssential reading for Maghreb specialists as well as for anyone interested in issues of nation-building and political culture in Africa." —Africa Today"[T]he best and most comprehensive history of modern Algeria in English." —Digest of Middle East Studies"[A] thoughtful and much-needed introductory historical analysis of Algeria." —ChoiceThe second edition of Modern Algeria brings readers up to date with the outcome of the 2004 Algerian elections. Providing thorough coverage of the 1990s and the end of the Algerian Civil War, it addresses issues such as secularist struggles against fundamentalist Islam, ethnic and regional distinctions, gender, language, the evolution of popular culture, and political and economic relationships with France and the expatriate community. Updated information on resources enhances the usefulness of this popular textbook that has become a standard in the field.

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In Africa, why have so many more women converted to Christianity than men? What explains the appeal of Christianity to women? What does religious conversion mean for the negotiation of gender and ethnic identity? What role does religious conversion play as a tool for empowering women? In The Church of Women, Dorothy L. Hodgson looks at how gender has shaped the encounter between missionary priests and Maasai men and women in Tanzania. Building on her extensive experience with Maasai and the Spiritan missionaries, Hodgson explores how gendered change among Maasai has shaped women's notions of religious faith, religious practice, and spiritual power. Hodgson explores the appeal of Catholicism among women in East Africa, the enmeshing of Catholic practice with Maasai spirituality, and the meaning of conversion to new Christians. This rich, engaging, and original book challenges notions about religious encounter and the role of ethnic identity, female authority, and power among Maasai.

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"Esalen is on the edge. Located in Big Sur, California, just off Highway 1, Esalen is, geographically speaking, a literal cliff, hanging rather precariously over the Pacific Ocean. The Esselen Indians used the hot mineral springs here as healing baths for centuries before the European settlers arrived.... Today the place is adorned with a host of lush organic gardens; mountain streams; a cliffside swimming pool; an occasional Buddha or garden goddess; the same hot springs now embedded in a striking multimillion-dollar stone, cement, and steel spa; and a small collection of meditation huts tucked away in the trees. These are grounds that both constitute the very edge of the American frontier and look due west to see the East...." —from the IntroductionThe renowned Esalen Institute, founded in 1962 by Stanford graduates Michael Murphy and Richard Price, was created as a place "where the body can manifest the glories of the spirit." It offered guests a heady mixture of world mythology, hypnosis and psychic research, spiritual healing, sport mysticism, and Tantric eroticism. Among the notables who have spent time at the Institute are Abraham Maslow, Timothy Leary, Paul Tillich, Carlos Castaneda, B. F. Skinner, and former California governor Jerry Brown.Despite its cultural significance, remarkably little has been written about Esalen itself. In On the Edge of the Future: Esalen and the Evolution of American Culture, 11 original essays, plus an afterword by co-founder Murphy, examine the Institute’s roots, the place of its beliefs in American religious history, and its influence. This lively volume will fascinate anyone interested in the history of American religion as well as those who regard this remarkable place as the epicenter of the human potential movement.The contributors are Catherine L. Albanese, Erik Erickson, Robert Fuller, Marion S. Goldman, Wouter J. Hanegraaff, Don Hanlon Johnson, Jeffrey J. Kripal, Timothy Miller, Michael Murphy, Glenn W. Shuck, Ann Taves, and Gordon Wheeler.

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Postcolonial Images is a comprehensive introduction to and resource for cinema of the Maghreb. In clear and accessible prose, Roy Armes examines the political and cultural context of the films and the film industry in the post-independence era. Since the birth of cinema, North Africa has been the site of countless European and U.S. film productions. This book, however, focuses on the postcolonial period, when indigenous filmmaking in each of the three Maghreb countries—Algeria, Morocco, and Tunisia—arose with the newly independent nations. Comparative analyses of each country’s filmmaking in the decades following independence provide a historical portrait of the conditions and environment for the development of a postcolonial cinema. Armes then turns his attention to an in-depth examination of 10 key films produced between the 1970s and the 1990s, including Omar Gatlato, La Nouba, Halfaouine, Silences of the Palace, and Ali Zaoua. The book includes a dictionary of more than 135 North African filmmakers and a chronological filmography.

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"[F]illed with rare encounters with Syria's oldest, most elite families. Critics of anthropology's taste for exoticism and marginality will savor this study of upper-class Damascus, a world that is urbane and cosmopolitan, yet in many ways as remote as the settings in which the best ethnography has traditionally been done. . . . [Written] with a nuanced appreciation of the cultural forms in question and how Damascenes themselves think, talk about, and create them." —Andrew ShryockIn contemporary urban Syria, debates about the representation, preservation, and restoration of the Old City of Damascus have become part of status competition and identity construction among the city's elite. In theme restaurants and nightclubs that play on images of Syrian tradition, in television programs, nostalgic literature, and visual art, and in the rhetoric of historic preservation groups, the idea of the Old City has become a commodity for the consumption of tourists and, most important, of new and old segments of the Syrian upper class. In this lively ethnographic study, Christa Salamandra argues that in deploying and debating such representations, Syrians dispute the past and criticize the present.Indiana Series in Middle East Studies—Mark Tessler, general editor

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"Olaniyan has given us a profound and beautifully integrated book which culminates in a persuasive interpretation of the relationship between Fela’s apparently incompatible presentational selves.... The book’s accessible and evocative prose is in itself a kind of homage to Fela’s continual ability to seduce and astonish.... This is such an attractive book you feel like... ransacking your collection for Fela tapes." —Karin Barber"... an indispensable companion to Fela’s music and a rich source of information for studies in modern African popular music." —Akin EubaArrest the Music! is a lively musical study of Fela Anikulapo-Kuti, one of Africa’s most recognizable, popular, and controversial musicians. The flamboyant originator of the "Afrobeat" sound and self-proclaimed voice of the voiceless, Fela used music, sharp-tongued lyrics, and derisive humor to challenge the shortcomings of Nigerian and postcolonial African states. Looking at the social context, instrumentation, lyrics, visual art, people, and organizations through which Fela produced his music, Tejumola Olaniyan offers a wider, more suggestive perspective on Fela and his impact on listeners in all parts of the world. Placing Fela front and center, Olaniyan underscores important social issues such as authenticity, racial and cultural identity, the relationship of popular culture to radical politics, and the meaning of postcolonialism, nationalism, and globalism in contemporary Africa. Readers interested in music, culture, society, and politics, whether or not they know Fela and his music, will find this work invaluable for understanding the career of an African superstar and the politics of popular culture in contemporary Africa.African Expressive Cultures—Patrick McNaughton, general editor

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"The crowning achievement of one of America's most distinguished military historians." —Lincoln Prize jury"Readers will find much to debate in this book—including . . . its affirmation that, because of emancipation, 'the Civil War calls for a rethinking of the attitude . . . that war is always futile, that its rewards never match its cost, that any conflict [must be] immediately decisive and virtually without loss of American lives.'" —Gary W. Gallagher

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" . . . Butler's recollections of the racially segregated 'chitlin circuit,' the early days of the civil rights movement and fellow performers like Dinah Washington, Little Willie John and Dionne Warwick are fascinating and insightful. . . . Only the Strong Survive makes one wish it came with a soundtrack." —The New York Times Book Review"[Only the Strong Survive] presents a portrait of a remarkable performer, as well as an up-close and personal look at the world of rhythm and blues from the perspective of an insider. . . . A moving chronicle of one of America's music pioneers." —Chicago Tribune"More than an autobiography, Only the Strong Survive is also a glimpse at the political and social climate of the times which shaped the life of one man." —Ebony

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"Will be of interest to those working on conflict and peace studies, economic development, cultural studies, and women in the modern world. A key new publication." —Chandra R. de Silva, Old Dominion University"... offers a superb overview of how a civil war, driven by ethnicity, can engender a new culture and a new political economy... Highly recommended." — ChoiceEconomy, Culture, and Civil War in Sri Lanka provides a lucid and up-to-date interpretation of Sri Lankan society and its 20-year civil conflict. An interdisciplinary examination of the relationship between the economy, broadly defined, and the reproduction of violent conflict, this volume argues that the war is grounded not just in the goals and intentions of the opposing sides, but also in the everyday orientations, experiences, and material practices of all Sri Lankan people. The contributors explore changing political and policy contexts; the effect of long-term conflict on employment opportunities and life choices for rural and urban youth; life histories, memory, and narratives of violence; the "economics of enlisting" and individual decisions about involvement in the war; and nationalism and the moral debate triggered by women’s employment in the international garment manufacturing industry. Contributors are Francesca Bremner, Michele Ruth Gamburd, Newton Gunasinghe, Siri T. Hettige, Caitrin Lynch, John M. Richardson, Jr., Amita Shastri, Deborah Winslow, and Michael D. Woost.

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Praise for the first edition:". . . in the great tradition of Orwell and Solzhenitsyn; its true subject is the survival—and sometimes the defeat—of the human spirit in its lonely quest for integrity." —Time"The almost childlike directness of Chen's tales. . . is captured in the very lightly revised translations of this new edition. . . Highly recommended." —ChoiceA classic of modern world literature, this collection of stories provides a vivid and poignant eyewitness view of everyday life in China during the Cultural Revolution. For this edition, Howard Goldblatt has thoroughly revised the text and updated it to Pinyin romanization. In a new introduction, Perry Link reflects on the book's significance in the post-Tiananmen era. Twenty-five years after its first publication, The Execution of Mayor Yin has lost none of its power to move the reader, and remains unmatched as a document of the period.

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Good data, Michael Ward argues, serve to enhance a perception about life as well as to deepen an understanding of reality. This history of the UN's role in fostering international statistics in the postwar period demonstrates how statistics have shaped our understanding of the world. Drawing on well over 40 years of experience working as a statistician and economist in more than two dozen countries around the world, Ward traces the evolution of statistical ideas and how they have responded to the needs of policy while unraveling the question of why certain data were considered important and why other data and concerns were not. The book explores the economic, social, and environmental dimensions of the UN's statistical work and how each dimension has provided opportunities for describing the well-being of the world community. Quantifying the World also reveals some of the missed opportunities for pursuing alternative models.

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"[P.D. Ouspensky's] yearning for a transcendent, timeless reality—one that cancels out physical disintegration and death—figures into science at some fundamental level. Einstein found solace in his theory of relativity, which suggested to him that events are ever-present in the space-time continuum. When his friend Michele Besso passed on shortly before his own death, he wrote: 'For us believing physicists the distinction between past, present, and future is only an illusion, even if a stubborn one.'" —from Magic, Mystery, and ScienceThe triumph of science would appear to have routed all other explanations of reality. No longer does astrology or alchemy or magic have the power to explain the world to us. Yet at one time each of these systems of belief, like religion, helped shed light on what was dark to our understanding. Nor have the occult arts disappeared. We humans have a need for mystery and a sense of the infinite.Magic, Mystery, and Science presents the occult as a "third stream" of belief, as important to the shaping of Western civilization as Greek rationalism or Judeo-Christianity. The occult seeks explanations in a world that is living and intelligent—quite unlike the one supposed by science. By taking these beliefs seriously, while keeping an eye on science, this book aims to capture some of the power of the occult. Readers will discover that the occult has a long history that reaches back to Babylonia and ancient Egypt. It proceeds alongside, and frequently mingles with, religion and science. From the Egyptian Book of the Dead to New Age beliefs, from Plato to Adolf Hitler, occult ways of knowing have been used—and hideously abused—to explain a world that still tempts us with the knowledge of its dark secrets.

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"As French and American historians of France are revisiting the history of French racism today, William B. Cohen's book is more important than ever. It has become a classic." —Nancy L. GreenIn this pioneering work, William B. Cohen traces the ways in which negative attitudes toward blacks became deeply embedded in French culture. Examining the forces that shaped these views, Cohen reveals the persistent inequality of French interactions with blacks in Africa, in the slave colonies of the West Indies, and in France itself. Now a classic, The French Encounter with Africans is essential reading for anyone engaged in current discussions of European relations with non-Europeans and with issues of racism, ethnicity, identity, colonialism, and empire.

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The Peoples Temple movement ended on November 18, 1978, when more than 900 men, women, and children died in a ritual of murder and suicide in their utopianist community of Jonestown, Guyana. Only a handful lived to tell their story. As is well known, Jim Jones, the leader of Peoples Temple, was white, but most of his followers were black. Despite that, little has been written about Peoples Temple in the context of black religion in America. In 10 essays, writers from various disciplines address this gap in the scholarship. Twenty-five years after the tragedy at Jonestown, they assess the impact of the black religious experience on Peoples Temple.

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During the past two decades, at the same time that the South Asian presence in the U.S. and Europe has become an increasingly visible part of mainstream social life and popular culture, scholars of South Asian descent have come to occupy many prominent positions within the Western academy, contributing to the development of disciplines across the social sciences and humanities. In this collection of highly personal essays, leading figures in anthropology, history, and cultural and literary studies reflect on the complex interplay between individual and collective trajectories, examining their own experiences as students, scholars, and teachers. Their narratives trace the arc of interactions between East and West from the late colonial period, through Indian Independence, the Cold War, the radicalism of the 1960s, and the development of subaltern and postcolonial studies, to the current conjuncture. Throughout, these writers explore the past and future significance of area studies as a paradigm for education and scholarship.Contributors are Shahid Amin, Arjun Appadurai, Urvashi Butalia, Dipesh Chakrabarty, Partha Chatterjee, Vasudha Dalmia, Prasenjit Duara, Ramachandra Guha, Akhil Gupta, Sudipta Kaviraj, Purnima Mankekar, Gyan Prakash, and Sanjay Subrahmanyam.

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"[Sure to become] a classic in the field. Highly recommended." —Library Journal". . . full of surprises and intrigues and written in a beautiful style. . . . a breath of fresh air on the African-Islamic-American connection." —Journal of the American Academy of ReligionThe involvement of black Americans with Islam reaches back to the earliest days of the African presence in North America. Part I of the book explores these roots in the Middle East, West Africa, and antebellum America. Part II tells the story of the "Prophets of the City"—the leaders of the new urban-based African American Muslim movements in the 20th century. Turner places the study of Islam in the context of the racial, ethical, and political relations that influenced the reception of successive presentations of Islam, including the West African Islam of slaves, the Ahmadiyya Movement from India, the orthodox Sunni practice of later immigrants, and the Nation of Islam. This second edition features a new introduction, which discusses developments since the earlier edition, including Islam in a post-9/11 America.

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This compact introduction to Islam describes the essential aspects of Islam as a living religion and social force. The book is organized around seven topics: the life of Muhammad; Islamic political development and territorial expansion; the important groupings of Islamic believers (Sunni, Shi'ite, and Sufi); the Qur'an (the Holy Book of Islam); Sunnah, Hadith (the record of the Prophet's actions and sayings), and Shari'ah (the compilation of Islamic law); the five Articles of Faith and the so-called Five Pillars of Islam that govern faith and action; and other binding religious observances and festivals. The presentation of these seven aspects of Islam strikes a balance between fact, tradition, current interpretation, and commentary.S. A. Nigosian underscores two fundamental points: that to understand Islam properly, it is necessary to see it as a major faith tradition, with Muhammad as the last of a series of messengers sent by God; and that to grasp the spirit of Islam, one must recognize its emphasis on an uncompromising monotheism, with strict adherence to certain social, political, and religious practices, as taught by the Prophet and elaborated by tradition.

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Apartheid's Festival highlights the conflicts and debates that surrounded the 1952 celebration of the 300th anniversary of the landing of Jan Van Riebeeck and the founding of Cape Town, South Africa. Taking place at the height of the apartheid era, the festival was viewed by many as an opportunity for the government to promote its nationalist, separatist agenda in grand fashion. Leslie Witz's fine-grained examination of newspapers, brochures, pamphlets, and advertising materials reveals the expectations of the festival planners as well as how the festival was engineered, historical figures were reconstructed, and the ANC and other anti-apartheid organizations mounted opposition to it. While laying open the darker motives of the apartheid regime, Witz shows that the production of local history is part of a global process forged by the struggle between colonialism and resistance. Readers interested in South Africa, representations of nationalism, and the making of public history will find Apartheid's Festival to be an important study of a society in transition.

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"It is difficult to imagine a more thoughtful, balanced, or comprehensive treatment of this extremely elusive and difficult subject." —Digest of Middle East StudiesThis second edition of a widely acclaimed collection of essays reports on how new media—fax machines, satellite television, and the Internet—and the new uses of older media—cassettes, pulp fiction, the cinema, the telephone, and the press—shape belief, authority, and community in the Muslim world. The chapters in this work, including new chapters dealing specifically with events after September 11, 2001, concern Indonesia, Bangladesh, Turkey, Iran, Lebanon, the Arabian Peninsula, and Muslim communities in the United States and elsewhere. The extent to which today's new media have transcended local and state frontiers and have reshaped understandings of gender, authority, social justice, identities, and politics in Muslim societies emerges from this timely and provocative book.

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Is there really a God, and if so, what is God actually like? Is there an afterlife, and if so, is there such a thing as eternal punishment for unrepentant sinners, as many orthodox Christians and Muslims believe? And is it really true that our unconscious minds are connected to a higher spiritual reality, and if so, could this higher spiritual reality be the very same thing that religionists call "God"? In his latest book, Raymond M. Smullyan invites the reader to explore some beautiful and some horrible ideas related to religious and mystical thought. In Part One, Smullyan uses the writings on religion by fellow polymath Martin Gardner as the starting point for some inspired ideas about religion and belief. Part Two focuses on the doctrine of Hell and its justification, with Smullyan presenting powerful arguments on both sides of the controversy. "If God asked you to vote on the retention or abolition of Hell," he asks, "how would you vote?" Smullyan has posed this question to many believers and received some surprising answers. In the last part of his treasurable triptych, Smullyan takes up the "beautiful and inspiring" ideas of Richard Bucke and Edward Carpenter on Cosmic Consciousness. Readers will delight in Smullyan's observations on religion and in his clear-eyed presentation of many new and startling ideas about this most wonderful product of human consciousness.

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Violence and the Body: Race, Gender, and the State explores the relationship between subalternity, the discourse and technology of the body, and the rise and proliferation of racial, colonial, sexual, domestic, and state violence, examining the materiality of violence on the "otherized" body. Grounded in U.S./Mexico border and Latin American cultural studies, the essays in this collection intersect discussions of subalternity, violence, and discourses of the body in a transethnic, feminist, and global cultural studies context. They provide a global mapping of contemporary modes and acts of physical and representational violence and demonstrate how discourses of otherization are reinforced and interanimated through violence on what Elizabeth Grosz has called the "intensities" and "flows" of the body.

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"Critically Modern makes a critical intervention in one of the great debates of the moment. It offers a variety of rich and fascinating empirical analyses of 'modern' phenomena from diverse societies, and contributes a powerful (and largely missing) voice to the growing literature on globalization and modernity outside anthropology." —Charles Piot"In these essays theory and ethnography are presented in ways that make them mutually enriching. The volume should appeal to scholars across the entire range of disciplines that deal with modernity and/or globalization." —Edward LiPumaAre there multiple ways of being "modern" in the world today? How do people in various parts of the world become modern in their own distinct ways? Does the current focus on modernity in the social sciences resurrect a series of dichotomies ("traditional" and "modern," "the West" and "the Rest," "developed" and "undeveloped") that social theorists have sought to move beyond in recent years? Or do inflections of modernity capture key features of ideology and influence in the contemporary world? Combining rich ethnographic analysis with incisive theoretical critiques, this timely volume is certain to make an important mark in anthropology and in all related fields in which modernity is a central problematic.Contributors: Donald L. Donham, Robert J. Foster, Jonathan Friedman, Ivan Karp, John D. Kelly, Bruce M. Knauft, Lisa B. Rofel, Debra A. Spitulnik, Michel-Rolph Trouillot, and Holly Wardlow.

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". . . refreshing and provocative . . . a significant addition to existing literature on African politics." —Stephen Ellis"It opens up a whole new field of investigation, and brings into focus the pertinence of an interdisciplinary approach to African politics." —René LemarchandIn this innovative work, Michael G. Schatzberg reads metaphors found in the popular press as indicators of the way Africans come to understand their political universe. Examining daily newspapers, popular literature, and political and church documents from across middle Africa, Schatzberg finds that widespread and deeply ingrained views of government and its relationship to its citizenry may be understood as a projection of the metaphor of an idealized extended family onto the formal political sphere. Schatzberg's careful observations and sensitive interpretations uncover the moral and social factors that shape the African political universe while showing how some African understandings of politics and political power may hamper or promote the development of Western-style democracy. Political Legitimacy in Middle Africa looks closely at elements of African moral and political thought and offers a nuanced assessment of whether democracy might flourish were it to be established on middle African terms.

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"Hickman['s] . . . style of pragmatism provides us with flexible, philosophical 'tools' which can be used to analyze and penetrate various technology and technological cultural problems of the present. He, himself, uses this toolkit to make his analyses and succeeds very well indeed." —Don IhdeA practical and comprehensive appraisal of the value of philosophy in today's technological culture.Philosophical Tools for Technological Culture contends that technology—a defining mark of contemporary culture—should be a legitimate concern of philosophers. Larry A. Hickman contests the perception that philosophy is little more than a narrow academic discipline and that philosophical discourse is merely redescription of the ancient past. Drawing inspiration from John Dewey, one of America's greatest public philosophers, Hickman validates the role of philosophers as cultural critics and reformers in the broadest sense. Hickman situates Dewey's critique of technological culture within the debates of 20th-century Western philosophy by engaging the work of Richard Rorty, Albert Borgmann, Jacques Ellul, Walter Benjamin, Jürgen Habermas, and Martin Heidegger, among others. Pushing beyond their philosophical concerns, Hickman designs and assembles a set of philosophical tools to cope with technological culture in a new century. His pragmatic treatment of current themes—such as technology and its relationship to the arts, technosciences and technocrats, the role of the media in education, and the meaning of democracy and community life in an age dominated by technology—reveals that philosophy possesses powerful tools for cultural renewal. This original, timely, and accessible work will be of interest to readers seeking a deeper understanding of the meanings and consequences of technology in today's world.

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How a Film Theory Got Lost and Other Mysteries in Cultural StudiesRobert B. RayForeword by James NaremoreChallenges accepted ideas about film and cultural studies.In the 1920s, when film criticism was as new as the cinema itself, a particular way of thinking about the movies developed in Paris. The cinema, this theory suggested, turns on photography's automatism, the revolutionary fact that for the first time in human history a perfect representation of the world can be produced by accident. Moreover, the camera's gaze has the potential to transform ordinary objects—a telephone, a letter on a desk, a woman's face—into spellbinding images, swarming with details whose precise appeal remains unpredictable. By the 1930s, this theory of photogénie (photogenia) had vanished from most serious writing about film. Why did this disappearance occur? In this collection of essays, Robert B. Ray discusses this disappearance and other mysteries like it: Why did photography and the detective story originate at exactly the same time? Why has some of the most prominent academic writing about the cinema resisted anything but "scientific" accounts of the movies? What counts as "knowledge" in film studies or any intellectual discipline? What do the French Impressionists have in common with the Sex Pistols? How did Douglas Sirk's critically ignored melodramas become "subversive critiques of bourgeois ideology"? How did the fate of Sirk's movies help us understand postmodernism and the avant-garde? In taking up these questions, Ray's essays challenge certain ideas about film and cultural studies, while arguing for a mode of writing about the movies and experimental art that would respect the abidingly mysterious effect of their images and sounds.Robert B. Ray, Director of Film and Media Studies and Professor of English at the University of Florida, is author of A Certain Tendency of the Hollywood Cinema 1930–1980 and The Avant-Garde Finds Andy Hardy. He is also a member of The Vulgar Boatmen, whose records include You and Your Sister, Please Panic, and Opposite Sex.ContentsForeword by James NaremoreImpressionism, Surrealism, and Film Theory: Path Dependence, or How a Tradition in Film Theory Gets LostThe Bordwell Regime and the Stakes of KnowledgeSnapshots: The Beginnings of PhotographyTrackingHow to Start and Avant-GardeHow to Teach Cultural StudiesThe Best Way to Understand PostmodernismThe Mystery of Edward HopperFilm and LiteratureConclusion

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