Search results for ""indiana university press""

" . . . a comprehensive analytical survey of the multidimensional evolution of black political thought in South Africa's politicization process." —Choice"Many citizens experience a sense of reluctance to share a single national identity with all of those who are defined by law to be their compatriots. This problem can be explained and surmounted, but it cannot be evaded by those who aspire to build a stable democracy in South Africa." —Richard L. Sklar, from the ForewordWhat will it mean to be a citizen in the new South Africa? This penetrating study analyzes the issues of dual citizenship, black consciousness, populism, racial proletarianization and their interaction with various political ideologies. Halisi's analysis has practical implications for the development of political identity in the new South Africa.

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"Benos-Amos opens for the reader richly detailed adn nuanced vistas into the intellectual and cultural history of one of the major kingdoms of precolonial West Africa." — African Studies Review"The wealth of historiographic resources, the command of relevant literature, the ethnographic research and prudent use of oral traditions give this work a high degree of . . . intellectual excitement. . . . a landmark in the field." —Warren d'AzevedoMaking use of archival and oral resources in this extensively researched book, Paula Girshick Ben-Amos questions to what extent art operates as political strategy. How do objects acquire political meaning? How does the use of art enhance and embody power and authority?

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Central to the repertoire of Western art music since the 18th century, the symphony has come to be regarded as one of the ultimate compositional challenges. Surprisingly, heretofore there has been no truly extensive, broad-based treatment of the genre, and the best of the existing studies are now several decades old. In this five-volume series, A. Peter Brown explores the symphony from its 18th-century beginnings to the end of the 20th century. Synthesizing the enormous scholarly literature, Brown presents up-to-date overviews of the status of research, discusses any important former or remaining problems of attribution, illuminates the style of specific works and their contexts, and samples early writings on their reception. The Symphonic Repertoire provides an unmatched compendium of knowledge for the student, teacher, performer, and sophisticated amateur. The series is being launched with two volumes on the Viennese symphony.Volume II The First Golden Age of the Viennese SymphonyHaydn, Mozart, Beethoven, and SchubertVolume II considers some of the best-known and most universally admired symphonies by Haydn, Mozart, Beethoven, and Schubert, who created what A. Peter Brown designates as the first golden age of the Viennese symphony during the late 18th and first three decades of the 19th century. The last two dozen symphonies by Haydn, half dozen by Mozart, and three by Schubert, together with Beethoven's nine symphonies became established in the repertoire and provided a standard against which every other symphony would be measured. Most significantly, they imparted a prestige to the genre that was only occasionally rivaled by other cyclic compositions. More than 170 symphonies from this repertoire are described and analyzed in The First Golden Age of the Viennese Symphony, the first volume of the series to appear.

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" . . . a chronicle of man's bestiality to man, and therefore the few exceptional instances of courage and humanity shine forth with particular brightness." —The Russian Review"Essential reading for any holocaust course." —Religious Studies ReviewBitter Legacy collects scholarship from America, Israel, Russia, Germany, and the Ukraine on the perpetration of the Holocaust in the Soviet Union and its lasting consequences from the postwar period through post-Soviet times. Newly accessible wartime archives in the former Soviet Union provide chilling details of what happened, of collaboration with the Nazis, and of rescue efforts, too.

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" . . . an original interpretation of the wide-ranging impact of the military on Israeli society . . . one of the most insightful works on Israeli society in general." —Gershon ShafirFrom the early days of the Yishuv, militarism and the military have become a way of life for Israelis. Focusing on the period between 1936 and 1956, Uri Ben-Eliezer traces the ways in which military force acquired legitimacy in civilian society and how the use of organized violence became an acceptable solution to conflicts, especially the Arab-Israeli conflict.

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" . . . the definitive history not only of the Chicago National Association for the Advancement of Colored People (NAACP) but of the city's black middle class as well." —Journal of American History" . . . a candid portrait of the Chicago branch of the NAACP, one of the association's most important chapters. . . . It also offers a revealing window onto a half-century of race relations in Chicago." —Chicago TribuneEvolving through six decades of white resistance, black indifference and internal group struggle, the Chicago NAACP was affected both adversely and positively by two world wars, national depression, the Cold War conflict and growing class differentiation among African Americans.

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"Stimulating, incisive, insightful, sometimes revisionist, this volume is required reading for historians of comparative colonialism in an age of revolution." —Choice"[An] eminently original and intellectually exciting book." —William and Mary QuarterlyThis volume examines several slave societies in the Greater Caribbean to illustrate the pervasive and multi-layered impact of the revolutionary age on the region. Built precariously on the exploitation of slave labor, organized according to the doctrine of racial discrimination, the plantation colonies were particularly vulnerable to the message of the French Revolution, which proved all the more potent because it coincided with the emergence of the antislavery movement in the Atlantic world and interacted with local traditions of resistance among the region's slaves, free coloreds, and white colonists.

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Martin Heidegger's 1942 lecture course interprets Friedrich Hölderlin's hymn "The Ister" within the context of Hölderlin's poetic and philosophical work, with particular emphasis on Hölderlin's dialogue with Greek tragedy. Delivered in summer 1942 at the University of Freiburg, this course was first published in German in 1984 as volume 53 of Heidegger's Collected Works. Revealing for Heidegger's thought of the period are his discussions of the meaning of "the political" and "the national," in which he emphasizes the difficulty and the necessity of finding "one's own" in and through a dialogue with "the foreign." In this context Heidegger reflects on the nature of translation and interpretation. A detailed reading of the famous chorus from Sophocles' Antigone, known as the "ode to man," is a key feature of the course.

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"This definitive text is the single best work on Peirce's semeiotic (as Peirce would have spelled it) allowing scholars to extrapolate beyond Peirce or to apply him to new areas . . ." —Society for the Advancement of American Philosophy Newsletter". . . indispensable introduction to Peirce's semiotics." —Teaching Philosophy"Both for students new to Peirce and for the advanced student, this is an excellent and unique reference book. It should be available in libraries at all . . . colleges and universities." —Choice"The best and most balanced full account of Peirce's semiotic which contributes not only to semiotics but to philosophy. Liszka's book is the sourcebook for scholars in general." —Nathan HouserAlthough 19th-century philosopher and scientist Charles Sanders Peirce was a prolific writer, he never published his work on signs in any organized fashion, making it difficult to grasp the scope of his thought. In this book, Liszka presents a systematic and comprehensive acount of Peirce's theory, including the role of semiotic in the system of sciences, with a detailed analysis of its three main branches—grammar, critical logic, and universal rhetoric.

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"This comprehensive, insightful study demonstrates that 1960s New York underground film fused 'artistic innovation and the exploration of everyday life' and distinctively interacted with mass culture.'" —Choice" . . . thoroughly researched [and] engaging text . . . " —Library Journal"This is a very timely and welcome book. . . . intervenes very effectively to rewrite the history of the 1960s American underground cinema." —UTS ReviewAt the confluence of experimental art and the gay subculture of early 1960s New York, Juan Suárez discovers a postmodern, gay-influenced aesthetic that "recycles" popular culture. Filmmakers Kenneth Anger, Jack Smith, and Andy Warhol epitomize this sensibility, combining the influences of European avant-garde movements, comic books, rock 'n' roll, camp, film cults, drag performances, fashion, and urban street cultures.

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"This fine collection of essays from a diverse group of authors expounding on a wide variety of subjects presents a generous sampling of the new philosophy of technology." —Choice" . . . informative, original, and provocative. . . . Many of the writers are major players in defining the contested political terrain of cultural, science, and technology studies as well as critical theory and Heidegger studies." —Gerald Doppelt

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This book presents the remarkable correspondence between Alfred Schutz and Aron Gurwitsch, emigre philosophers influenced by Edmund Husserl, who fled Europe on the eve of World War II and ultimately became seminal figures in the establishment of phenomenology in the United States. Their deep and lasting friendship grew out of their mutual concern with the question of the connections between science and the life-world. Interwoven with philosophical exchange is the two scholars' encounter with the unfamiliar problems of American academic life—what Gurwitsch called the "passology" of exile. Apart from its brilliant and moving portrait of two distinguished men, the correspondence holds rich significance for current issues in philosophy and the social sciences.

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There is no greater challenge to a translator than the rendering of Chinese, ancient or modern, into English. In this fascinating volume, world-famous scholar-translators talk about their craft from a variety of points of view, confronting key issues of both general and specific nature and imparting some of their joys and the successes which can be achieved.The contributors are Cyril Birch, William H. Nienhauser, Jr., David R. Knechtges, Richard B. Mather, Glen Dudbridge, James I. Crump, Jr., Robert Joe Cutter and William G. Crowell, Stephen H. West, John Minford, Dominic Cheung, Joseph S. M. Lau, Victor H. Mair, David D. W. Wang, Michelle Yeh, Eugene Eoyang, Ching-hsi Peng, and John J. Deeney.

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Ink of Melancholy re-examines and re-evaluates William Faulkner's work from the late 1920s to the early 1940s, one of his most creative periods. Rather than approach Faulkner's fiction through a prefabricated grid, André Bleikasten concentrates on the texts themselves—on the motivations and circumstances of their composition, on the rich array of their themes, structures, textures, points of emphasis and repetition, as well as their rifts and gaps—while drawing on the resources of philosophy, psychoanalysis, anthropology. Brilliant in its thought and argument, Ink of Melancholy is one of the most insightful and stimulating studies of Faulkner's work.

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"The book . . . succeeds at refining elements in the problem that semiotics and theater represent to and for one another." —Choice"The Semiotics of Performance surprisingly retains its revelatory freshness, and actually opens up areas of reseach that could very well supply new incentives for further probing into what semiotics can offer to the study of theatre." —Theatre Survey

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"The most consistently rewarding of the recent anthologies focusing on Afro-American women's writing . . . " —Modern Fiction Studies" . . . successfully [exposes] the core of Black women's writing and confidently [places] it within the American literary tradition." —Belles LettresBlack women have been writing and publishing fiction for more than a century, yet little is known of their literary history, their influence on each other, or the significance of their work to the American literary tradition. All the contributors implicitly address the question of how this recovered tradition reshapes our understanding of American literature.

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Ancient Tales in Modern Japan makes available for the first time in English a unique collection of Japanese folk tales. More than half of these tales have never before been translated. Fanny Hagin Mayer, a pioneer Western scholar in the field of Japanese folklore, has selected 347 folk tales from the standard Japanese reference work, the Meii. Ninety early collectors from throughout Japan, among them key figures such as Sasaki Kizen and Iwakura Ichiro, furnished tales for this selection. This remarkable anthology presents a vivid picture of centuries of Japanese folk culture. Ancient Tales in Modern Japan is an essential work for students of folklore and Japanese culture.

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"An invaluable resource to scholars interested in feminist thought. . . . " —Ruth Perry"Anyone interested in women's history or feminist thought must read this book." —Lillian Faderman"Moira Ferguson has selected wisely from well-known and little-known figures and from fiction, polemic and poetry to illustrate the long and diverse history of feminist reflection up to and including Mary Wollstonecraft. . . . Good reading for scholars and a fine book for classroom use." —Natalie Zemon Davis"The selections resonate with exceptional force." —Fides et Historia" . . . impressive new product, fit for classroom and study, student and scholar." —The Scriblerian" . . . excellent anthology . . . without a doubt at all an immensely important addition to the growing library of Feminist Studies." —Anglo-American Studies" . . . this anthology is a valuable guide." —The Year's Work in English StudiesFor this anthology tracing the origins of feminist thought in Britain, the editor chose 28 important writers from Margaret Tyler (1578) to Mary Anne Radcliffe (1799).

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" . . . a strong and stimulating book. It has no rival in either scope or quality. For libraries, history buffs, and armchair warriors, it is a must. For political science students, career diplomats, and officers in the armed services, its reading should be required." —History"A particularly timely account." —Kansas City Times"It reads easily but is not a popularized history . . . nor does the book become a history of battles. . . . Weigley's analyses and interpretations are searching, competent, and useful." —Perspective

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Recent political, social, and economic changes in Africa have provoked radical shifts in the landscape of health and healthcare. Medicine, Mobility, and Power in Global Africa captures the multiple dynamics of a globalized world and its impact on medicine, health, and the delivery of healthcare in Africa—and beyond. Essays by an international group of contributors take on intractable problems such as HIV/AIDS, malaria, and insufficient access to healthcare, drugs, resources, hospitals, and technologies. The movements of people and resources described here expose the growing challenges of poverty and public health, but they also show how new opportunities have been created for transforming healthcare and promoting care and healing.

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We live in an era marked by an accelerating rate of species death, but since the early days of the discipline, anthropology has contemplated the death of languages, cultural groups, and ways of life. The essays in this collection examine processes of—and our understanding of—extinction across various domains. The contributors argue that extinction events can be catalysts for new cultural, social, environmental, and technological developments—that extinction processes can, paradoxically, be productive as well as destructive. The essays consider a number of widely publicized cases: island species in the Galápagos and Madagascar; the death of Native American languages; ethnic minorities under pressure to assimilate in China; cloning as a form of species regeneration; and the tiny hominid Homo floresiensis fossils ("hobbits") recently identified in Indonesia. The Anthropology of Extinction offers compelling explorations of issues of widespread concern.

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Early Twentieth-Century Continental Philosophy elaborates the basic project of contemporary continental philosophy, which culminates in a movement toward the outside. Leonard Lawlor interprets key texts by major figures in the continental tradition, including Bergson, Foucault, Freud, Heidegger, Husserl, and Merleau-Ponty, to develop the broad sweep of the aims of continental philosophy. Lawlor discusses major theoretical trends in the work of these philosophers—immanence, difference, multiplicity, and the overcoming of metaphysics. His conception of continental philosophy as a unified project enables Lawlor to think beyond its European origins and envision a global sphere of philosophical inquiry that will revitalize the field.

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Many anthropologists return to their original fieldwork sites a number of times during their careers, but this experience has seldom been subjected to analytic and theoretical scrutiny. The contributors to Returns to the Field have all undertaken multitemporal fieldwork—repeated visits to the same place—over periods ranging from 20 to 40 years among minority groups in Africa, Latin America, Asia, and Melanesia. Over the years of contact, these anthropologists have witnessed dramatic changes, but also the perseverance of the people they have worked with. In vivid and personal essays, the authors examine the ramifications of this type of fieldwork practice—the kind of knowledge it produces, what methodological tools are appropriate, and how relationships with people in the field site change over time.

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Disability, like questions of race, gender, and class, is one of the most provocative topics among theorists and philosophers today. This volume, situated at the intersection of feminist theory and disability studies, addresses questions about the nature of embodiment, the meaning of disability, the impact of public policy on those who have been labeled disabled, and how we define the norms of mental and physical ability. The essays here bridge the gap between theory and activism by illuminating structures of power and showing how historical and cultural perceptions of the human body have been informed by and contributed to the oppression of women and disabled people.

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Tony Hinkle was the man who shaped Butler University's athletic tradition. He served the institution for nearly half a century as a teacher, coach, and athletic administrator. A Hoosier legend, Hinkle worked from 1934 to 1970 as Butler's head coach of basketball, baseball, and football. But it was for basketball that he gained the most fame, creating the Hinkle System—a disciplined, high motion offense—which countless other coaches have emulated. Hinkle's 560 career wins rank him among the NCAA's all-time winningest basketball coaches and his 41 years of coaching service rank sixth on the NCAA's all-time list behind legendary greats such as Phog Allen of Kansas, Ed Diddle of Western Kentucky, and Ray Meyer of DePaul. Based on numerous interviews with Hinkle and his players and associates, Tony Hinkle: Coach for All Seasons is an absorbing account of the life of a remarkable figure in the world of sport.

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Asking readers to imagine a history of Mexico narrated through the experiences of Africans and their descendants, this book offers a radical reconfiguration of Latin American history. Using ecclesiastical and inquisitorial records, Herman L. Bennett frames the history of Mexico around the private lives and liberty that Catholicism engendered among enslaved Africans and free blacks, who became majority populations soon after the Spanish conquest. The resulting history of 17th-century Mexico brings forth tantalizing personal and family dramas, body politics, and stories of lost virtue and sullen honor. By focusing on these phenomena among peoples of African descent, rather than the conventional history of Mexico with the narrative of slavery to freedom figured in, Colonial Blackness presents the colonial drama in all its untidy detail.

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One of the most important developments in Muslim politics in recent years has been the spread of movements calling for the implementation of sharia or Islamic law. Sharia Politics maps the ideals and organization of these movements and examines their implications for the future of democracy, citizen rights, and gender relations in the Muslim world. These studies of eight Muslim-majority societies, and state-of-the-field reflections by leading experts, provide the first comparative investigation of movements for and against implementation of sharia. These essays reveal that the Muslim public's interest in sharia does not spring from an unchanging devotion to received religious tradition, but from an effort to respond to the central political and ethical questions of the day.

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The contributors to this international volume take up questions about a phenomenology of time that begins with and attunes to gender issues. Themes such as feminist conceptions of time, change and becoming, the body and identity, memory and modes of experience, and the relevance of time as a moral and political question, shape Time in Feminist Phenomenology and allow readers to explore connections between feminist philosophy, phenomenology, and time. With its insistence on the importance of gender experience to the experience of time, this volume is a welcome opening to new and critical thinking about being, knowledge, aesthetics, and ethics.

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The theological turn in French phenomenology has been of great interest to scholars working in contemporary continental thought, but according to J. Aaron Simmons, not enough has been done to bring these debates into conversation with more mainstream philosophy. Building on the work of Kierkegaard, Levinas, Marion, and Derrida, among others, Simmons suggests how continental philosophy of religion can intersect with political philosophy, environmental philosophy, and theories of knowledge. By productively engaging philosophical "God-talk," Simmons proposes a robust model of postmodern religious belief and ethical existence.

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In an age when Jon Stewart frequently tops lists of most-trusted newscasters, the films of Michael Moore become a dominant topic of political campaign analysis, and activists adopt ironic, fake personas to attract attention—the satiric register has attained renewed and urgent prominence in political discourse. Amber Day focuses on the parodist news show, the satiric documentary, and ironic activism to examine the techniques of performance across media, highlighting their shared objective of bypassing standard media outlets and the highly choreographed nature of current political debate.

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On the eve of the Nazi invasion of the USSR in 1941, Ukraine was home to the largest Jewish community in Europe. Between 1941 and 1944, some 1.4 million Jews were killed there, and one of the most important centers of Jewish life was destroyed. Yet, little is known about this chapter of Holocaust history. Drawing on archival sources from the former Soviet Union and bringing together researchers from Ukraine, Germany, Great Britain, the Netherlands, and the United States, The Shoah in Ukraine sheds light on the critical themes of perpetration, collaboration, Jewish-Ukrainian relations, testimony, rescue, and Holocaust remembrance in Ukraine.Contributors are Andrej Angrick, Omer Bartov, Karel C. Berkhoff, Ray Brandon, Martin Dean, Dennis Deletant, Frank Golczewski, Alexander Kruglov, Wendy Lower, Dieter Pohl, and Timothy Snyder.

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The Unknown Black Book provides a revelatory compilation of testimonies from Jews who survived open-air massacres and other atrocities carried out by the Germans and their allies in the occupied Soviet territories during World War II—Ukraine, Belorussia, Lithuania, Latvia, Estonia, and Crimea. These documents are first-hand accounts by survivors of work camps, ghettos, forced marches, beatings, starvation, and disease. Collected under the direction of two renowned Soviet Jewish journalists, Ilya Ehrenburg and Vasily Grossman, they tell of Jews who lived in pits, walled-off corners of apartments, attics, and basement dugouts, unable to emerge due to fear that their neighbors would betray them, as often happened.

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Was the Confederacy doomed from the start in its struggle against the superior might of the Union? Did its forces fight heroically against all odds for the cause of states' rights? In reality, these suggestions are an elaborate and intentional effort on the part of Southerners to rationalize the secession and the war itself. Unfortunately, skillful propagandists have been so successful in promoting this romanticized view that the Lost Cause has assumed a life of its own. Misrepresenting the war's true origins and its actual course, the myth of the Lost Cause distorts our national memory. In The Myth of the Lost Cause and Civil War History, nine historians describe and analyze the Lost Cause, identifying ways in which it falsifies history—creating a volume that makes a significant contribution to Civil War historiography.

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Pinks, Pansies, and Punks charts the construction of masculinity within American literary culture from the 1930s to the 1970s. Penner documents the emergence of "macho criticism," and explores how debates about "hard" and "soft" masculinity influenced the class struggles of the 1930s, anti-communism in the 1940s and 1950s, and the clash between the Old Left and the New Left in the 1960s. By extending literary culture to include not just novels, plays, and poetry, but diaries, journals, manifestos, screenplays, and essays on psychology and sociology, Penner unveils the multiplicity of gender attitudes that emerge in each of the decades he addresses.

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Across Africa and elsewhere, colonialism promised to deliver progress and development. In urban spaces like Zanzibar, the British vowed to import scientific techniques and practices, ranging from sanitation to urban planning, to create a perfect city. Rather than remaking space, these designs often unraveled. Plans were formulated and then fell by the wayside, over and over again. By focusing on these flawed efforts to impose colonial order, William Cunningham Bissell offers a different view of colonialism and cities, revealing the contradictions, confusion, and even chaos that lay at the very core of British rule. At once an engaging portrait of a cosmopolitan African city and an exploration of colonial irrationality, Urban Design, Chaos, and Colonial Power in Zanzibar opens up new perspectives on the making of modernity and the metropolis.

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Lorelle D. Semley explores the historical and political meanings of motherhood in West Africa and beyond, showing that the roles of women were far more complicated than previously thought. While in Kétu, Bénin, Semley discovered that women were treasurers, advisors, ritual specialists, and colonial agents in addition to their more familiar roles as queens, wives, and sisters. These women with special influence made it difficult for the French and others to enforce an ideal of subordinate women. As she traces how women gained prominence, Semley makes clear why powerful mother figures still exist in the symbols and rituals of everyday practices.

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Most people have heard about quantum physics and its remarkable, well-nigh bizarre claims. And most people would assume that quantum reality describes a world quite different from ours. In this book, David A. Grandy shows that one can find quantum puzzles, or variations thereof, in the backyard of everyday experience. What disappears in transferring quantum theory to the everyday is the theory's mathematical formalism, but that need not imply a loss of analytic rigor. If quantum reality is truly as elemental and ubiquitous as many thinkers suggest, then alternative or complementary perspectives ought to be possible, and with the proliferation of such perspectives, a more fully rounded understanding of quantum reality—and everyday reality—might emerge. Everyday Quantum Reality is a step in that direction.

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Issues surrounding birth and death have been fundamental for Western philosophy as well as for individual existence. The contributors to this volume unravel the gendered aspects of the classical philosophical discourses on death, bringing in discussions about birth, creativity, and the entire chain of human activity. By linking their work to major thinkers such as Heidegger, Nietzsche, Beauvoir, and Arendt, and to major philosophical currents such as ancient philosophy, existentialism, phenomenology, and social and political philosophy, they challenge prevailing feminist articulations of birth and death. These philosophical reflections add an important sexual dimension to current thinking on identity, temporality, and community.

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Focusing on the problems and conflicts of doing African diaspora research from various disciplinary perspectives, these essays situate, describe, and reflect on the current practice of diaspora scholarship. Tejumola Olaniyan, James H. Sweet, and the international group of contributors assembled here seek to enlarge understanding of how the diaspora is conceived and explore possibilities for the future of its study. With the aim of initiating interdisciplinary dialogue on the practice of African diaspora studies, they emphasize learning from new perspectives that take advantage of intersections between disciplines. Ultimately, they advocate a fuller sense of what it means to study the African diaspora in a truly global way.

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Nine actresses, from Madame Sul-Te-Wan in Birth of a Nation (1915) to Ethel Waters in Member of the Wedding (1952), are profiled in African American Actresses. Charlene Regester poses questions about prevailing racial politics, on-screen and off-screen identities, and black stardom and white stardom. She reveals how these women fought for their roles as well as what they compromised (or didn't compromise). Regester repositions these actresses to highlight their contributions to cinema in the first half of the 20th century, taking an informed theoretical, historical, and critical approach.

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Paul Ricoeur (1913–2005) remains one of philosophy of religion's most distinctive voices. Ricoeur was a philosopher first, and while his religious reflections are very relevant to theology, Boyd Blundell argues that his philosophy is even more relevant. Using Ricoeur's own philosophical hermeneutics, Blundell shows that there is a way for explicitly Christian theology to maintain both its integrity and overall relevance. He demonstrates how the dominant pattern of detour and return found throughout Ricoeur’s work provides a path to understanding the relationship between philosophy and theology. By putting Ricoeur in dialogue with current, fundamental, and longstanding debates about the role of philosophy in theology, Blundell offers a hermeneutically sensitive engagement with Ricoeur's thought from a theological perspective.

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Despite their ubiquitous presence among prehistoric remains in Greece, ground stone tools have yet to attract the same kind of attention as have other categories of archaeological material, such as pottery or lithics. Flexible Stones provides a detailed analysis of the material discovered during the excavations at Franchthi Cave, Peloponnese, Greece. Approximately 500 tools, the raw material used for their manufacture, as well as the byproducts of such manufacture were found. Most of this collection comes from the Neolithic component of the site—including a small number of Palaeolithic and Mesolithic cases—with a large number of the studied tools indicating multiple uses. Anna Stroulia sees the multifunctional character of these tools as a conscious choice that reflects a flexible attitude of tool makers and users toward tools and raw materials.

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This comprehensive treatment of Neo-Kantianism discusses the main topics and key figures of the movement and their intersection with other 20th-century philosophers. With the advent of phenomenology, existentialism, and the Frankfurt School, Neo-Kantianism was deemed too narrowly academic and science-oriented to compete with new directions in philosophy. These essays bring Neo-Kantianism back into contemporary philosophical discourse. They expand current views of the Neo-Kantians and reassess the movement and the philosophical traditions emerging from it. This groundbreaking volume provides new and important insights into the history of philosophy, the scope of transcendental thought, and Neo-Kantian influence on the sciences and intellectual culture.

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A gathering of the best jazz fiction from the 1920s to the present, this anthology includes 20th-century fiction by Eudora Welty, James Baldwin, Richard Yates, and others, plus important recent work from writers such as Yusef Komunyakaa, Xu Xi, and Amiri Baraka. Together these artists demonstrate the strong influence of jazz on fiction. That influence can be felt in prose styles shaped by jazz—freewheeling, dramatic, conversational, improvisatory; in stories of players and listeners searching for what lies beyond the music's aesthetic power; and in the ambience of the jazz performance as captured by the written word. What sounds throughout these stories is the universal voice of humanity that is the essence of the music.

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Heroes and Victims explores the cultural power of war memorials in 20th-century Romania through two world wars and a succession of radical political changes—from attempts to create pluralist democratic political institutions after World War I to shifts toward authoritarian rule in the 1930s, to military dictatorships and Nazi occupation, to communist dictatorships, and finally to pluralist democracies with populist tendencies. Examining the interplay of centrally articulated and locally developed commemorations, Maria Bucur's study engages monumental sites of memory, local funerary markers, rituals, and street names as well as autobiographical writings, novels, oral narratives, and film. This book reveals the ways in which a community's religious, ethnic, economic, regional, and gender traditions shaped local efforts at memorializing its war dead.

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Giorgio Bertellini traces the origins of American cinema's century-long fascination with Italy and Italian immigrants to the popularity of the pre-photographic aesthetic—the picturesque. Once associated with landscape painting in northern Europe, the picturesque came to symbolize Mediterranean Europe through comforting views of distant landscapes and exotic characters. Taking its cue from a picturesque stage backdrop from The Godfather Part II, Italy in Early American Cinema shows how this aesthetic was transferred from 19th-century American painters to early 20th-century American filmmakers. Italy in Early American Cinema offers readings of early films that pay close attention to how landscape representations that were related to narrative settings and filmmaking locations conveyed distinct ideas about racial difference and national destiny.

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Melissa M. Wilcox explores the complex spiritual lives of queer women in the Los Angeles area. She takes the reader on a tour of a colorful array of religious and secular groups that serve as spiritual resources for these women—from the well-known Metropolitan Community Churches to Wiccan covens, from the Gay and Lesbian Sierrans to the Sisters of Perpetual Indulgence. Arguing that these women's stories are exemplary cases of postmodern patterns of religious identity, belief, and practice, Wilcox offers a nuanced analysis of contemporary Western spirituality and selfhood, and a detailed exploration of the history of queer religious organizing in Los Angeles. Queer Women and Religious Individualism is important reading for scholars in religious studies, sociology, women's studies, and LGBT studies.

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What was it like to experience World War II in small-town America? Here is the story of the war at home as it unfolded in one small town, New Castle, Indiana. We see through the eyes of the residents of Plum Street as families search for information about the progress of the war and the fate of loved ones in the censored accounts in local newspapers. We overhear everyday conversation up and down the street, in which the dominant subject is the news from overseas. The war finds its way into letters and diaries, which also record private fears and hopes, rumors and town gossip, and the wonderfully mundane events of everyday life.

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