Search results for ""Tilbury House""

It’s a powerful concept, exploring the routines and rituals of a child’s first year in diverse cultures and traditions and introducing readers to babies from tiny Luke, who is spending his first days of life in an incubator, to Kasa, who is being introduced to the sunrise by her grandmother. Nontraditional families—biracial, adoptive, and single-parent—are included. The ways in which babies are welcomed into the world are wonderfully varied yet strikingly kindred. Welcoming Babies is equally appropriate as a gift to new parents or grandparents and a read-aloud for babies. Lexile Level 990; F&P Level O

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Acadia Greene has done science in summer, autumn, and winter. In the fourth and final book of this series, she carries her search for answers into the spring, investigating meteors and mass extinctions; germination and pollinators; parasites, ticks, and Lyme disease; and pesticides and malaria. Finally, looking back through her notebooks, she puts together her scientific inquiries from all four seasons into a holistic understanding of the natural world. Acadia is curious, determined, bold, and bright—a wonderful STEAM ambassador! Lexile 750

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A melting snowman leads her—of course!—to explore climate change and how to reduce her carbon footprint. The helium balloons at her eleventh birthday party beg questions—naturally!—of molecular structure, weights of gases,and neutral buoyancy. An afternoon making paper airplanes brings discoveries in aerodynamics. Tracks in the snow raise questions of how animals survive the winter. And an afternoon of sledding slides right into an investigation of momentum, acceleration, and friction. Acadia doesn’t mean to do science—it just happens. She’s curious, determined, bold, and bright—a wonderful STEAM ambassador! The Acadia Files is a fun introduction to the wonders of science,using real-world scenarios to make scientific inquiry relatable and understandable. Parents and educators can use The Acadia Files to let kids discover for themselves what it’s like to be curious about the world and to satisfy that curiosity with scientific thinking.

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Acadia Greene wants answers. What happened to the frogs she used to see at her favorite local pond? Why do leaves change color in the fall, and why don’t evergreen needles do the same? What is the water cycle, and what is transpiration? How do time zones work, and why does the sun set at different times in different places within a single zone? How do germs infect us? Acadia doesn’t mean to do science, but she has questions and her parents refuse to simply give her the answers. “Conduct an experiment,” they tell her. “Use the scientific method.” So Acadia makes hypotheses, designs experiments, analyzes data, and draws conclusions. Acadia does science. The author, Katie Coppens writes a recurring column for NSTA's middle school magazine Science Scope on science and literacy called "The Integrated Classroom."

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Kids are under a lot of pressure to fit in. Sometimes bowing to this pressure forces them to betray their own ideas of what is right and wrong. Alexandra and Jenny have been best friends for a long time, but when Alexandra is dazzled by a glamorous new girl at school, she’s willing to do almost anything to be the cool girl’s friend, including first shunning Jenny and then revealing Jenny’s biggest, most important secret. Seeing the hurt she has caused and realizing how bad it feels to lose her best friend, Alexandra then seeks a way to regain the relationship that means far more to her than being invited to sit with the popular girls. Ultimately, she and Jenny write down the rules that will cement their friendship forever. OUR FRIENDSHIP RULES is both a lyrical story of forgiveness and a guidebook on relationships. Author Peggy Moss employs her training as a mediator and communication expert to provide a simple, sweet but instructive tale of how to get along. The evocative collage-paintings of Alissa Imre Geis further illustrate the many layers of personality. Her Alexandra will amaze you with her artistic eye, and her Jenny will make you smile with her practical sensibility as you see these best friends reconnect with the help of their friendship rules. Fountas & Pinnell Level O

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Forgive and be forgiven. It sounds so appealing—why doesn’t it happen every day? Finding herself forgiven on a rain-scrubbed morning after a difficult day, Melena seizes her fresh start and shares the song in her heart with her family and friends. It’s a day of new beginnings. It’s Melena’s jubilee. This story introduces children to the concept of jubilee, which stresses the important principles of debt relief, generosity and forgiveness. Aaron Boyd’s mixed-media illustrations are as bright and vivid as a sun-washed day.

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North America’s flying squirrels and Australia’s sugar gliders notwithstanding, the vast majority of them live in rainforests. Illustrated with arresting photographs, Catching Air takes us around the world to meet these animals, learn why so many gliders live in Southeast Asia, and find out why this gravity-defying ability has evolved in Draco lizards, snakes, and frogs as well as mammals. Why do gliders stop short of flying, how did bats make that final leap, and how did Homo sapiens bypass evolution to glide via wingsuits and hang gliders—or is that evolution in another guise?

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Is it possible we’ve misunderstood crying all along? That’s the discovery one big sister sets out to share with her little brother as they walk to school and get caught in a storm. Along the way they explore sadness, loneliness, fear, frustration, anger and more, through gentle metaphor. Their journey examines our tears revealing how they begin, why they happen and what to do with them. Throughout the book, the message received is that we are safe in our emotional experiences and that feelings, like the weather, come and go. This is an empowering story about navigating and understanding our feelings as a healthy, important and very natural part of our lives. Have you ever noticed you feel differently after you cry? That’s because Crying is like the Rain.

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Before we eat, many people work very hard—planting grain, catching fish, tending farm animals, and filling crates of vegetables. With vibrant illustrations by Caldecott Medalist Mary Azarian, this book reminds us what must happen before food gets to our tables to nourish our bodies and spirits. This expanded edition of Before We Eat includes back-of-book features about school gardens and the national farm-to-school movement. Fountas & Pinnell Level L

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Emma doesn’t really like hurricanes. After a busy day of school and activities, Emma likes to sit still and rest. Her little brother, Henry, does everything but. She calls him The Lemonade Hurricane. Henry is a lot of fun when he’s not storming through the house so Emma decides to teach him how to be still. By showing him how to sit, bow and breathe, Emma is able to calm the hurricane within Henry. The illustrations bring the story to life with delightful whimsy. When a glass of lemonade is stirred, the pulp swirls around. When it sits quietly, the pulp settles and the liquid becomes clear. In this way, a glass of lemonade is a metaphor for how meditation and mindfulness work. That is why this book is called The Lemonade Hurricane and practicing mindfulness and meditation helps us tame the hurricane within. Includes a back-of-book presentation of simple mindfulness techniques that can be shared at home and in the classroom.

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Mr Book With No Story wants his pages uncluttered by pictures and plot lines but images, questions and ideas keep invading the unruly pages, ignoring his efforts to chase them away. It turns out that Mr Book’s fear is having nothing to say but in this fun tribute to the creative process, he needn’t have worried.

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Michael Leannah wrote Most People as an antidote to the scary words and images children hear and see every day. Jennifer Morris’s emotive, diverting characters provide the perfect complement to Leannah’s words, leading us through the crowded streets of an urban day in the company of two pairs of siblings (one of colour). We see what they see: the hulking dude with tattoos and chains assisting an elderly lady onto the bus; the Goth teenager with piercings and purple Mohawk returning a lost wallet to its owner; and the myriad interactions of daily existence, most of them well intended. Most People is a courageous, constructive response to the dystopian world of the news media.

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Michael Leannah wrote Most People as an antidote to the scary words and images kids hear and see every day. Jennifer Morris’s emotive, diverting characters provide the perfect complement to Leannah’s words, leading us through the crowded streets of an urban day in the company of two pairs of siblings (one of color). We see what they see: the hulking dude with tattoos and chains assisting an elderly lady onto the bus; the Goth teenager with piercings and purple Mohawk returning a lost wallet to its owner; and the myriad interactions of daily existence, most of them well intended. Most People is a courageous, constructive response to the dystopian world of the news media. Fountas & Pinnell Level M

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Milk doesn’t just appear in the refrigerator, nor do apples grow in the fruit bowl. Before we eat, many people work very hard—planting grain, catching fish, tending animals, filling crates and stocking shelves.

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He accomplishes this without doing the deep dive into digital camera functionality that befuddles most users. Instead he creates a user-friendly journey through his own experience, touching on those aspects of the visual experience that painting and photography have in common and leaving the reader with a better understanding of how photography can indeed make an artist a better painter.

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David Antenborough narrates this picture-book send-up of a nature documentary, sounding just like the real-life David but with more gesticulations, since he has six limbs at his disposal. Director Stephen Spielbug tries to keep the cast of characters on task, but it’s worse than herding cats: The orb-weaving spider would like to eat one or two other actors; the grasshopper is a diva; the worm is too busy munching dirt to emerge from the ground on cue; the robin has joined a union and declines to show up for the predation scene; and the slug is too embarrassed by his slime to perform. As David and Stephen near the wrap-up, filming is interrupted by a whuffling noise and then a foul-smelling hurricane, and Fido the dog sniffs his way through the grass and onto their set. The panicked actors flee at top speed (which is not very fast in the slug’s case), but the intrepid Antenborough continues narrating, Spielbug keeps directing, and they bring the film to a dramatic conclusion. Despite the chaos—or maybe because of it—we learn some things about these animals, and backmatter nature facts give us more.

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THE STORY I WANT TO TELL pairs the work of 20 aspiring young writers—including immigrants from war-ravaged countries—with original stories, essays, and poems from Richard Blanco, Richard Russo, Elizabeth Gilbert, Dave Eggers, Lily King, Jonathan Lethem, Bill Roorbach, Monica Wood, and other top writers in a call-and-response anthology.The book's supplemental materials make it a perfect tool for writers' groups and writing teachers.

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Eva Murray moved to Matinicus in 1987 to teach in its one-room school. She married an island man and stayed to raise their family there. Over the years she's written a number of lively columns and articles for mainland publications. But, as she says, she doesn't do lobster wars:"If you're looking for a rabid, swashbuckling tell-all account of maritime outlaws or cut-throat lobstermen, you won't be very impressed. Yes, a rough side of this community exists, but in order to live here happily, I avoid cultivating fear. The same boys who might sprinkle roofing nails in a man's driveway, if they get mad enough, will rush to the same fellow's aid when he's in real danger, and that's the truth. Likewise, if you hope to relive an idyllic summer vacation or read an escape-to-Maine fantasy with the call of the loon and long walks on the beach, you might feel a bit short-changed. Astonishing natural beauty certainly exists on Matinicus Island, but I'm not working too hard to promote this place to visitors. The rare treat of an outer-island sunrise is a privilege for the deserving, which means for those who have endured the six months of gales or the six weeks of fog or the six days of waiting for the weather to break so the airplane can fly and they can get here. In the twenty-three years I have lived here, it's true there have been bullets. One, I think, flew right over my head a few years back. There has been vandalism, drunk driving, sabotage, theft, abuse of power, and people just acting like general-purpose jerks. Those things happen everywhere. There have also been heroic rescues, valiant searches for lost mariners, hospice care, fires fought, electricity restored, boats rescued, spontaneous celebrations and heartfelt acts of support, and graves dug by hand. In those things, we may be different from most places, and here's why: It is not strictly the certified professionals who fight the fires or care for the sick or save the drowning. It's just us."These are the stories of that unique community, of an interdependence that is all too rare these days but necessary for this island's survival. Murray writes with a keen eye and sharp wit, sharing stories that are sometimes poignant, sometimes mind-boggling, and often hilarious. She lives in a place where, "You love it, absolutely love it here, 51 percent of the time. That is enough to make you stay."

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It is also the story of the valley's rogue river, Wild River; of a raging wildfire and the disappearance of an entire village community; of both land abuse and land stewardship; of ecological disaster and renewal; of nature's vulnerability and resiliency; and of people who experienced tragedy and good fortune. Amazingly, through the centuries a single mighty hemlock tree survived to be a living witness to it all. Dean Bennett, who has spent a lifetime exploring the natural world and its human connections, brings to life this surprising story of the power of nature to renew. Illustrated with photographs and maps and Bennett's beautiful illustrations, Nature and Renewal has a message for everyone.

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In the late 1800s the ninth generation of Vickerys expanded the family network to the Montana and Wyoming borderlands, and their stories of pioneer ranching and mining mirror the entrepreneurial spirit of their colonial ancestors, Hawkes keeps a keen historian's eye on the facts while weaving a fascinating tale.

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Bunting has a knack for spotting the unusual in a photograph, or some minor detail that, in fact, tells a major story about the how and why. From granite quarry operations to an itinerant cobbler in a sailing scow to hootchie-kootchie dancers at the state fair to deepwater ships, his page-long captions place these images in social and economic context--but this is not dry history. His research has uncovered a wealth of fascinating, often quirky detail (did you know that mummy wrappings were imported from Egypt for Maine papermaking?), and he makes frequent forays into the Maine storytelling tradition.

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From the award-winning team behind Magnificent Homespun Brown, Samara Cole Doyon and Coretta Scott King Award Honoree Kaylani Juanita, comes a song of gratitude for those who see the world in a different way

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Big lies are told by governments, politicians, and corporations to avoid responsibility, cast blame on the innocent, win elections, disguise intent, create chaos, and gain power and wealth. Big lies are as old as civilization. They corrupt public understanding and discourse, turn science upside down, and reinvent history. They prevent humanity from addressing critical challenges. They perpetuate injustices. They destabilize the world. The modern age has provided ever-more-effective ways of spreading lies, but it has also given us the scientific method, which is the most effective tool for finding what is true. In the book’s final chapter, Kurlansky reveals ways to deconstruct an allegation. A scientific theory has to be testable, and so does an allegation. BIG LIES soars across history: alighting on the “noble lies” of Socrates and Plato; Nero blaming Christians for the burning of Rome; the great injustices of the Middle Ages; the big lies of Stalin and Hitler and their terrible consequences; the reckless lies of contemporary demagogues, which are amplified through social media; lies against women and Jews are two examples in the long history of “othering” the vulnerable for personal gain; up to the equal-opportunity spotlight in America. “Belief is a choice,” Kurlansky writes, “and honesty begins in each of us. A lack of caring what is true or false is the undoing of democracy. The alternative to truth is a corrupt state in which the loudest voices and most seductive lies confer power and wealth on grifters and oligarchs. We cannot achieve a healthy planet for all the world’s people if we do not keep asking what is true.”

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Alya and Atik are stars. Their job is to twinkle in the night sky over Earth and for billions of years they do it well. Plants stretch towards them. Animals look up at them. And, eventually, humans gaze up at them and marvel. But then humans invent powerplants, factories and cars, and smog pours into Earth’s atmosphere. It becomes harder and harder for Alya and Atik to do their jobs until, finally, the stars yell at Earth and Earth feels sick and begins to shake and things look pretty dire. The clueless king’s response is to command Earth to stop shaking. But a little girl named Axiom tells the king to hush then tells humans what they must do to make the Earth feel better. When the Earth Shook provides a mythical framing for kids to understand that it will be their job to help save the Earth. Bravo, Axiom! Keep using that huge megaphone until the earth no longer shakes! Axiom’s list of instructions to humans; some well-known and others new but critically important appears in the back of the book.

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Smoke speaks in mesmerising riddles: “I lack a mouth, but I can speak… I lack hands, but I can push out unwanted guests… I’m gentler than a feather, but I can cause harm…” This rhythmically powerful narration is complemented by illustrations in which swirling smoke was captured on art paper held over smoky candle flames, and the dancing smoke textures were then deepened and elaborated with watercolours and Photoshop finishes. With this unique method, Mercè López “let the smoke decide how the idea I had in mind would dance with it, giving freedom to the images”. The resulting illustrations are astounding, and they resonate with the otherworldly text.

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Edward Hopper’s monster lurks outside the nighthawks’ diner. James Whistler’s monster rocks in her chair. Monsters invade masterpieces by Dorthea Tanning, Paul Cezanne, M.C. Escher, Jean Michel Basquiat, Giuseppe Archimboldo, Rene Magritte, Henri Rousseau, Franz Kline, Frida Kahlo, Bob Thompson, Henri Toulouse-Lautrec, Thomas Hart Benton and Helen Frankenthaler. The monster emerging from Claude Monet’s waterlilies is unforgettable. Our guide for this romp through re-imagined masterpieces is an engaging hamster. Thumbnail biographies of the artists identify their iconic works.

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So begins this lyrical tribute to the bugs, bees, and birds that make the garden such a busy place. With each turned page, more visitors appear, and all the while the “surprise”—a chrysalis—changes unnoticed until, on the last page, a butterfly emerges and flies away across the garden’s well-tended borders. Back-of-book notes about the natural histories of the garden’s denizens complete this lovely and lively portrait of backyard nature, which is also a gentle meditation on the rewards of paying attention. A chipmunk hides on every page to divert and engage young readers. Fountas & Pinnell Level O

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When a downcast Sergio gets home from a bad day at school, his wise mother listens sympathetically to his tale of woe and then suggests an experiment. Placing a bowl of marbles next to Grandfather’s old balance scale, she asks him to go back to the beginning of his day and remember each good and bad thing that happened. For each bad thing, he places a marble on the right-hand pan of the scale; for each good thing he places a marble on the left-hand pan. Sergio is amazed to discover that even on a day that felt awful, the good outweighed the bad.

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While Joey’s mother explains the context of numbers in vivid ways, Joey’s imagination transforms their ordinary car ride into a magical odyssey through a land of make-believe.

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Buddy Benches were introduced in Germany in 2014. When a child sits on the bench, it signals to other children to ask him or her to play. Patty Brozo’s children bring a playground to raucous life while Mike Deas’s illustrations invest their games with images of planes, dragons and elephants. The children match their imaginations with empathy, identifying and swooping up the lonely.

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Ms. Snowden and her class practice sending kind thoughts to the people they love, and they launch a class Kindness Project. There is only one problem: Henry can’t think of one kind thing he has done. Declaring that kindness is stupid, he stomps to the classroom door on the verge of tears, but his classmates save the day by reminding him of the kind things he has done for each of them.

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Ms. Snowden and her class practice sending kind thoughts to the people they love, and they launch a class Kindness Project. There is only one problem: Henry can’t think of one kind thing he has done. Declaring that kindness is stupid, he stomps to the classroom door on the verge of tears, but his classmates save the day by reminding him of the kind things he has done for each of them.

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Zombies, monsters, and dragons stalk this book’s pages. Cries of despair echo through them. Prisons and dungeons lie in wait. Is this a nightmare? Is it an apocalypse? Well, yes—because it’s the day before our narrator’s first day of school, and all entreaties to his mother are falling on deaf ears. Why should he go to school when he already knows two letters, “N” and “O,” and he knows they spell NO!, which is exactly the word this occasion demands? Why aren’t these magic letters working anymore? Lexile Level 490; F&P Level L

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More than two centuries before Einstein, using a crude telescope and a mechanical timepiece, Danish astronomer Ole Romer measured the speed of light with astounding accuracy. How was he able to do this when most scientists didn’t even believe that light traveled? Like many paradigm-shattering discoveries, Romer’s was accidental. Night after night he was timing the disappearance and reappearance of Jupiter’s moon Io behind the huge, distant planet. Eventually he realized that the discrepancies in his measurements could have only one explanation: Light had a speed, and it took longer to reach Earth when Earth was farther from Jupiter. All he needed then to calculate light’s speed was some fancy geometry.

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Through color, shape,size, and other adaptations, city fish and country fish have evolved to survive in their particular habitats.In City Fish, Country Fish, Mary Cerullo uses this powerful analogy and Jeffrey Rotman’s vibrant underwater photos to captivate young readers with the wild variety of ocean life. The second edition of this popular book includes new information about the effects of climate change on fish and their habitats and about great white sharks, who are among the few species who roam back and forth between cold and tropical waters. Fountas & Pinnell Level T

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When Laura—a.k.a. Masterpiece Robot—heads into the backyard with her little sister Molly—a.k.a. Sidekick—her active imagination places them instead on patrol around the perimeter of a dystopian city, guarding against super villains. Then older sister Amber—a.k.a. Valerie Knick-Knack—throws handfuls of fallen leaves at them, unknowingly initiating a battle for the ages. The transitions back and forth from suburbia to dystopia in this story within a story are deftly rendered with contrasting palettes. The rollicking interactions of the sibling heroes and villains make Masterpiece Robot pure fun to read. Lexile Level 900 Fountas and Pinnell Level V

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At breakfast she learns she has been given a fresh start, and she decides to celebrate by doing things differently for the rest of the day. Melena chooses not to fight with her brother, and shares the money she has rather than demanding to be repaid by a less fortunate friend. This story introduces children to the concept of jubilee, which stresses the important principles of debt relief, generosity, and forgiveness. Aaron Boyd's mixed-media illustrations are as bright and vivid as a sun-washed day. Fountas & Pinnell Level M

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What followed was a rare and remarkable demonstration of animal behavior. This celebrated story, beautifully depicted in Jennifer O’Connell’s mesmerizing paintings, will make you wonder about animal emotions and the unique connections we can have with animals—even whales. Fountas & Pinnell Level M

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The villagers had tried expanding the school, but the money ran out before the project was finished. No money meant no materials, and that meant no more room for the students. Then one person got a wonderful, crazy idea: Why not use soda bottles, which were readily available, to form the cores of the walls? Sometimes thinking outside the box—or inside the bottle—leads to the perfect solution. Fountas & Pinnell Level Q

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When he runs off to the market instead of sticking around for a reading lesson, he encounters a much-admired older boy secretly reading at a book stall, and then Amadi becomes intrigued by a storybook with pictures of a strange white creature that has a carrot for a nose. Unable to shake his questions about the snowman, Amadi discovers the vast world reading can open up—especially for an Igbo boy of Nigeria.

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