Search results for ""Tilbury House""

For generations, Native American traditional artists in the Northeast have passed on their culture through beadwork, basketry, canoe making, wood carving, and quilting. Through the work and words of over thirty-five traditional artists living and working primarily in Maine and New York, North by Northeast explores these artists' connection to place, tradition, and cultural identity. A tribute to the resourcefulness and creativity of contemporary practicing artists from the Wabanaki, Akwesasne Mohawk, and Tuscarora tribes, the book is beautifully illustrated with the work of photographers Cedric Chatterley, Peggy McKenna, Jere DeWaters, and Peter Dembski. Essays by Salli Benedict, Sue Ellen Herne, Jennifer Neptune, Theresa Secord and Lynne Williamson.

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Sea Struck brings alive the final decades of square-rigged sail through the accounts of voyages made on three ships by three young men from Massachusetts. There is plenty of adventure here— storms, men overboard, discipline that bordered on brutality, and exotic ports. There is also a fascinating immersion in the lore of the sea and sail and the global web of connections in the New England maritime community.

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Fran Pelletier is a rare and wonderful storyteller. He grew up in Milford, Maine, in the 1930s, confessed to all seven sins at his first confession (thinking you had to), proudly wore a Lindbergh suit Mama sewed from puce and orange bargain wool (assuring him that aviators needed to be colorful), read aloud to his French-speaking grandfather after school, learned about chewing tobacco the hard way, played an unfortunate role in the derailment and subsequent sinking of a Maine Central handcar, and generally thrived in the bosom of his extended Franco-American family. Dogs, trout, and pigs put in appearances; an air circus comes to town; death claims a young friend; and Fran learns about life.

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This is a story about love and sacrifice: Tamen’s mom, a nightshift nurse, finds a way to take him camping. For one magical night on the shore of a wilderness pond, the Milky Way in all its glory belongs to them.

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Rafael Guastavino Sr. was 39 when he left a successful career as an architect in Barcelona. American cities—densely packed and built largely of wood—were experiencing horrific fires, and Guastavino had the solution: The soaring interior spaces created by his tiled vaults and domes made buildings sturdier, fireproof, and beautiful. What he didn’t have was fluent English. Unable to win design commissions, he transferred control of the company to his American-educated son, whose subsequent half-century of inspired design work resulted in major contributions to the built environment of America. Immigrant Architect is an introduction to architectural concepts and a timely reminder of immigrant contributions to America. The book includes four route maps for visiting Guastavino-designed spaces in New York City: uptown, midtown, downtown, and Prospect Park.

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Each of the three seeds in this story—a cherry stone in Iran, an acacia seed in Australia and a lotus seed in China—survives a difficult journey through flood, fire or drought, then sprouts and ultimately flourishes.

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Musquon must overcome her impatience while learning to distinguish sweetgrass from other salt marsh grasses, but slowly the spirit and peace of her surroundings speak to her, and she gathers sweetgrass as her ancestors have done for centuries, leaving the first blade she sees to grow for future generations. This sweet, authentic story from a Maliseet mother and her Passamaquoddy husband includes backmatter about traditional basket making and a Wabanaki glossary.

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Alone, cold, and frightened, Zoo Sap cries, and his cries attract the forest animals. Beginning with beaver and ending with the great bald eagle, the animals rush to protect the baby and shelter him from the cold until his father returns for him. New, expanded 10th-anniversary edition of this classic that has sold more than 30,000 copies. · New features include an author’s note explaining the seasonal movement of the Passamaquoddy people; a pronunciation guide to the Passamaquoddy names of the animals in the story; and a QR code that will let readers link to the audio recording of Allen Sockabasin telling the story in the Passamaquoddy language. A beguiling bedtime story and a profound expression of reverence for the natural world. Lexile Level 620 Fountas and Pinnell Text Level L

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When the Earth disappears behind the moon, Collins loses contact with his fellow astronauts on the moon’s surface, with mission control at NASA, and with the entire human race, becoming more alone than any human being has ever been before. In total isolation for 21 hours, Collins awaits word that Neil Armstrong and Buzz Aldrin have managed to launch their moon lander successfully to return to the orbiter—a feat never accomplished before and rendered more problematic by the fuel burn of their difficult landing. In this singularly lonely and dramatic setting, Collins reviews the politics, science, and engineering that propelled the Apollo 11 mission across 239,000 miles of space to the moon. Fountas & Pinnell Text Level U

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Narrated in the poetic voice of the estuary itself, and accompanied by natural-history sidebars about estuary plants, animals, and cycles, THE SECRET BAY is another topnotch nature book from the author and illustrator of the award-winning, bestselling The Secret Pool. A stand-alone book and a stunning companion volume to Ridley and Raye’s award-winning Secret Pool. Ridley deftly augments the estuary’s lyrical narrative voice with sidebars about the plants, animals, and natural processes of an estuary. Raye’s gorgeous watercolors reveal new features and hidden treats with each reading. Back matter includes The Estuary Food Web, Great Escapes (how estuary animals avoid predators), and an author’s note about the challenges facing estuaries. A perfect book for the budding naturalist and for his or her parents and teachers. Fountas & Pinnell Level S Lexile 1180

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When a downcast Sergio gets home from a bad day at school, his wise mother listens sympathetically to his tale of woe and then suggests an experiment. Placing a bowl of marbles next to Grandfather’s old balance scale, she asks him to go back to the beginning of his day and remember each good and bad thing that happened. For each bad thing, he places a marble on the right-hand pan of the scale; for each good thing he places a marble on the left-hand pan. Sergio is amazed to discover that even on a day that felt awful, the good outweighed the bad.

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Here Amy Newbold conveys nineteen artists’ styles in a few deft words, while Greg Newbold’s chameleon-like artistry shows us Edgar Degas’ dinosaur ballerinas, Cassius Coolidge’s dinosaurs playing Go Fish, Hokusai’s dinosaurs surfing a giant wave, and dinosaurs smelling flowers in Mary Cassatt’s garden; grazing in Grandma Moses’ green valley; peeking around Diego Rivera’s orchids in Frida Kahlo’s portrait; tiptoeing through Baishi’s inky bamboo; and cavorting, stampeding or hiding in canvases by Henri Matisse, Andy Warhol, Frida Kahlo, Franz Marc, Harrison Begay, Alma Thomas, Aaron Douglas, Mark Rothko, Lois Mailou Jones, Marguerite Zorach and Edvard Munch. And, of course, striking a Mona Lisa pose for Leonardo da Vinci. As in If Picasso Painted a Snowman, our guide for this tour is an engaging beret-topped hamster who is joined in the final pages by a tiny dino artist. Thumbnail biographies of the artists identify their iconic works, completing this tour of the creative imagination.

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Scorpions and brown recluse spiders are fine as far as they go, but if you want daily contact with venomous creatures, the ocean is the place to be. Blue-ringed octopi, stony corals, sea jellies, stonefish, lionfish, poison-fanged blennies, stingrays, cone snails, blind remipedes, fire urchins—you can choose your poison in the ocean. Venoms are often but not always defensive weapons. The banded sea krait, an aquatic snake, wriggles into undersea caves to prey on vicious moray eels, killing them with one of the world’s most deadly neurotoxins, which it injects through fangs that resemble hypodermic needles.

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More than 99 percent of all life forms have gone extinct during the 3.6-billion-year history of life on Earth. Other organisms have changed dramatically, but not our extreme survivors. Evolution may have altered their physiology and behavior, but their body plans have stood the test of time. How have these living links with Earth’s prehistoric past survived? The search for answers is leading scientists to new discoveries about the past—and future—of life on Earth. The survival secrets of some of these ancient creatures could lead to new medicines and treatments for disease. Written in a lively, entertaining voice, Extreme Survivors provides detailed life histories and strange “survival secrets” of ten ancient animals and explains evolution and natural selection. Extensive back matter includes glossary, additional facts and geographic range for each organism and a geologic timeline of Earth. F&P Level V

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Worried about the drought that has caused a big decrease in honey production, his dad is irritable and remote, seemingly unable to offer the acceptance that Jonathan yearns for. But one sleepless night Jonathan joins his mother in the kitchen making beeswax candles for sale, and discovers an outlet for his artistic talents that will make a big contribution to the family finances. Bee-fact sidebars buzz through this human story about a child trying to please his father. In this expanded paperback edition, an “About Bees” appendix offers further natural history about these vital and fascinating insects. Helps us see that sensitive, artistic boys have their own special place. Fountas & Pinnell Level O

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Baby golden tortoise beetles pile poop on their backs to create a shield as protection from predators. Silver-spotted skipper caterpillars can shoot their poops 40 times their own body length to conceal their true locations. Baby hoopoes squirt their poops into the eyes of attackers -- and who wants feces in their faces? Baby Ozark blind cave salamanders use gray bat guano for food. The bottom (!!) line: Ever-inventive nature finds a thousand uses for poop. Nothing goes to waste (!!). This book is a guaranteed crowd-pleaser with a lot of information to share.

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The girl in this story sees it happening, but she would never do these mean things herself. Then one day something happens that shows her that being a silent bystander isn’t enough. Will she take some steps on her own to help another kid? Could it be as simple as sitting on the bus with the girl no one has befriended (and discovering that she has a great sense of humor)? Resources at the end of the book will help parents and children talk about teasing and bullying and find ways to stop it at school.One child at a time can help change a school. Since its release in May 2004, this book has sparked Say Something weeks in schools from Maine to Shanghai. It has been turned into plays, distributed to hundreds of kids at conferences, read by principals on large screens, and rewritten by students in several schools (Do Something! is a favorite title). Most importantly, Say Something has helped start countless conversations among kids and adults about teasing. We’re celebrating with this new edition, updated with a new cover and an author’s note. Fountas & Pinnell Level O

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Mia and Tayja pretend to be princesses on a perilous journey, but there’s one thing they don’t have to pretend. They know in their hearts that they’re real sisters despite being adopted. Playful and sweet, Real Sisters Pretend celebrates the wonderful variety of modern families, in which the only essential ingredient is love.

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Calvin’s dictionary is proud to be carried everywhere Calvin goes—the breakfast table, school then home again—because Calvin is determined to find the perfect word to attach to his annoying older brother. The word isn’t exactly revenge, mayhem, bewilderment, subterfuge, pulverise or even retaliation, though all those words are close and very tempting. When Calvin finally finds the right word for his rascally brother, his dictionary is surprised and delighted, and readers will enjoy celebrating the triumphant discovery of Calvin’s perfect word along with his dictionary.

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Edward Hopper’s monster lurks outside the nighthawks’ diner. James Whistler’s monster rocks in her chair. Monsters invade masterpieces by Dorthea Tanning, Paul Cezanne, M.C. Escher and many other artists, and the monster emerging from Claude Monet’s Water Lilies is unforgettable. Our guide for this romp through re-imagined masterpieces is an engaging hamster, while thumbnail biographies of the artists identify their iconic works.

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What is the most important thing to remember about stargazing? When to do it, who to do it with, what to look for? It’s none of those! This picture book’s spare, lyrical text offers many possible ways to do stargazing: with a friend, with family or alone; on a moonless night, or with a full moon, or even with some clouds; on the beach, lying in the grass or standing on a snowy hill. There is only one rule of stargazing, which is saved for the end, and that is just to do it! Magical illustrations show polar bears, whales and other animals stargazing too, and in the final illustration, diverse kids and animals gaze at the night sky together. Back matter about the constellations completes this bedtime story with its underlying message of love and respect for nature.

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This is a book about mindfulness. About relishing the magic of the here and now. About enjoying the extraordinary unfoldings of an ordinary day. Moving from morning to night, the narrator becomes, by turns, boy or girl, of ever-changing ethnicity and ability, inhabiting city, country, or suburb. They are all children everywhere, opening themselves to the gift of time.

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Big lies are told by governments, politicians and corporations to avoid responsibility, cast blame on the innocent, win elections, disguise intent, create chaos and gain power and wealth. Big lies are as old as civilisation. They corrupt public understanding and discourse, turn science upside down and reinvent history. They prevent humanity from addressing critical challenges. They perpetuate injustices. They destabilise the world. The modern age has provided ever-more-effective ways of spreading lies but it has also given us the scientific method, which is the most effective tool for finding what is true. In the book’s final chapter, Kurlansky reveals ways to deconstruct an allegation. A scientific theory has to be testable and so does an allegation. BIG LIES soars across history: alighting on the “noble lies” of Socrates and Plato; Nero blaming Christians for the burning of Rome; the great injustices of the Middle Ages; the big lies of Stalin and Hitler and their terrible consequences; the reckless lies of contemporary demagogues, which are amplified through social media; lies against women and Jews are two examples in the long history of “othering” the vulnerable for personal gain; up to the equal-opportunity spotlight in America. “Belief is a choice”, Kurlansky writes, “and honesty begins in each of us. A lack of caring what is true or false is the undoing of democracy. The alternative to truth is a corrupt state in which the loudest voices and most seductive lies confer power and wealth on grifters and oligarchs. We cannot achieve a healthy planet for all the world’s people if we do not keep asking what is true.”

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Black lives matter. That message would be self-evident in a just world, but in this world and this America, all children need to hear it again and again, and not just to hear it but to feel and know it. This book affirms the message repeatedly, tenderly, with cumulative power and shared pride. Celebrating Black accomplishments in music, art, literature, journalism, politics, law, science, medicine, entertainment and sports, Shani King summons a magnificent historical and contemporary context for honouring the fortitude of Black role models, women and men, who have achieved greatness despite the grinding political and social constraints on Black life. Frederick Douglass, Toni Morrison, Sojourner Truth, John Lewis, Langston Hughes, Louis Armstrong, Maya Angelou, Aretha Franklin and many more pass through these pages. An America without their struggles, aspirations and contributions would be a shadow of the country we know. A hundred life sketches augment the narrative, opening a hundred doors to lives and thinking that aren’t included in many history books. James Baldwin’s challenge is here: “We are responsible for the world in which we find ourselves, if only because we are the only sentient force which can change it". Actress Viola Davis’s words are here too: “When I was younger, I did not exert my voice because I did not feel worthy of having a voice. I was taught so many things that didn’t include me. Where was I? What were people like me doing?” This book tells children what people like Viola were and are doing, and it assures Black children that they are, indisputably, worthy of having a voice. Have I Ever Told You Black Lives Matter? is a book for this time and always. It is time for all children to live and breathe the certainty that Black lives matter.

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In this sequel to the tour de force children’s art-history picture book If Picasso Painted a Snowman, Amy Newbold conveys nineteen artists’ styles in a few deft words, while Greg Newbold’s chameleon-like artistry shows us Edgar Degas’ dinosaur ballerinas, Cassius Coolidge’s dinosaurs playing Go Fish, Hokusai’s dinosaurs surfing a giant wave, and dinosaurs smelling flowers in Mary Cassatt’s garden; grazing in Grandma Moses’ green valley; peeking around Diego Rivera's orchids in Frida Kahlo’s portrait; tiptoeing through Baishi’s inky bamboo; and cavorting, stampeding, or hiding in canvases by Henri Matisse, Andy Warhol, Frida Kahlo, Franz Marc, Harrison Begay, Alma Thomas, Aaron Douglas, Mark Rothko, Lois Mailou Jones, Marguerite Zorach, and Edvard Munch. And, of course, striking a Mona Lisa pose for Leonardo da Vinci. As in If Picasso Painted a Snowman, our guide for this tour is an engaging beret-topped hamster who is joined in the final pages by a tiny dino artist. Thumbnail biographies of the artists identify their iconic works, completing this tour of the creative imagination.

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From the author-illustrator of The Eye of the Whale (Tilbury House, 2013), this nonfiction picture book tells the story of Lawrence Anthony and the deep bond he forged with the matriarch of the herd he saved at his animal reserve in South Africa. When Lawrence died, the matriarch led all the elephants from remote parts of the reserve in a procession to his home, where they gathered to mourn him. They returned on the same day at the same time for the next two years -- because elephants remember. This moving story of human-elephant mutual love and respect will inspire readers of all ages.

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Explores a question unasked by any other book for young readers: What can we learn about nature and evolution from the bizarre and exotic ways some animals have evolved to get life-giving oxygen? An inquiry-based book designed to stimulate active minds; a STEM standout from a celebrated nature photographer and writer.

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In October, 1812, as the 32-gun U.S. frigate Essex ventured out against the British enemy, only one man had any idea that this cruise would turn into the longest, strangest naval adventure in American history. That man was Captain David Porter, who had decided to run off with the navy's ship and its three hundred men to fight a separate Pacific war--one of privateering, pillaging, and orgies. Drawing on Porter's own writings and the accounts of eyewitnesses, the author memorably recounts the events of a dark and fatal voyage in which David Porter crosses the line from commander to cult-leader, from improbable fantasy to disastrous reality. In a tale so amazing that it reads like fiction, Porter, impelled by his own demons and by rivalry with the ghostly British buccaneer Lord Anson, took his men and boys on a seventeen-month mystery tour that did not end until he had disrupted the Chilean revolution, captured the entire English whaling fleet (manned mainly by Americans), vanished into the enchanted Galapagos, and re-emerged in Polynesia, where he made himself the conqueror-chief of the stone-age Nukuhivans. In the end, when he sought redemption with a glorious victory over a British opponent, he failed terribly and sacrificed the lives of one-third of his crew to his personal notions of heroism. Robert Booth tells the story of the ill-fated Essex with accuracy, immediacy, and a broad vision of its meanings as an epic of war, a gripping tale of the sea, a brilliant portrait of a disturbed and disturbing American hero, and a geo-political thriller that sheds new light on the origins of U.S. imperialism, the tragedy of missed opportunities, and the disastrous and permanent impact of Porter's rampage on the peoples of the Pacific.

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Consolidation is impractical, a daily commute is usually impossible, island families are determined to keep their communities viable, and all agree that a school is a central part of a stable, year-round community.You might think that these tiny schools are an anachronism, offering an old-fashioned approach to education. You'd be wrong. They are among the most technologically savvy schools in the state and offer a culturally rich educational experience. Author Eva Murray moved to Matinicus in 1987 to teach in the one-room school, married and raised a family on the island, and has served on the school board and volunteered in the school. She has traveled from island to island, collecting the stories that tell how these small communities promise their handful of children a modern education within the context of a specialized and sometimes extreme offshore lifestyle. The hows and whys will fascinate educators, and the details of island life will interest everyone.

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The Honorable Jonathan Jackson, an ex-state legislator and former gubernatorial assistant, is trying to puzzle out and understand one of those mind-boggling tragedies that occur from time to time in the course of U.S. public life an assassination. In this case, the victim was the man he worked for, Governor Richard N. Ellery. The anguish of this tragedy is compounded by the identity of the killer Jonathan Jackson s boyhood friend, a would-be Hollywood actor hung up on the dream of American success. The climactic action is set against the backdrop of a National Governors Conference in Los Angeles, a panorama of America s governing elite where governors and staff members, the media and entertainers have gathered for a final evening featuring an address by the president of the United States. This is also simultaneously the scene of the budding love story between Jackson and the lovely TV news anchor who would become his wife. Here, in the guise of a novel, is a view of our political system from within from municipalities to counties to a state and its ties to Washington, D.C. Whether it s walking Main Street to get the votes or debating gun control issues in a crowded auditorium, the real side of politics and government in O. Murray Carr springs to life in an engrossing tale that dramatically mirrors the way our country works.

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The inspiration for this book came from the tiny Pacific island of Kosrae in Micronesia, where Brewer native and Bangor Theological Seminary graduate the Reverend Galen Snow converted all of the natives to Christianity, and Portlander Harry Skillins left a record as a vicious pirate and who sired a line of descendants by native women. Others in these twenty chapters are far better known, such as poets Henry Wadsworth Longfellow and Pulitzer Prize winner Edna St. Vincent Millay, opera singer Lillian Nordica, and Hollywood movie director John Ford. But whether it is Woolwich's Sir William Phips, the wilderness shepherd boy who went to sea and found a Spanish treasure and was knighted by the king of England, or Brunswick's Asa Simpson, the forty-niner who built a lumber and shipping empire in Oregon, or John Frank Stevens of West Bath, the noted engineer who made the Panama Canal possible, or Franklin County's Mark Walker, a 1930s' radical during the Great Depression, these stories, varied as they are, provide a continuous range of Mainers' contributions to the world at large. Told chronologically from the time of pre-history Indians in Maine, they end in the present with a look at our current connections overseas and at several Maine women who have dedicated their lives to helping the poor in Central and South America.

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Bob, living in a farmhouse near the pond, buys a dilapidated camp at the water's edge and finds his way down there almost daily, to swim or ski, depending on the season. His friends discover the allure of the pond, too--summer afternoons of swimming with Bob, his wife Rita, and an assortment of canine dog-paddlers, or companionable conversations over a beer, enjoying the beauty of a quiet pond beyond the porch. Bob tells the McNairs about a neighboring camp up for sale, a perfect little camp, compact as a ship in all its details, and they buy it. Roorbach feels drawn to the pond so strongly that he and his wife sometimes bushwack through underbrush so as not to intrude, but the pond is a place where this trio of friendships flourishes. Told with humor and affection, the stories in this small book will appeal to anyone who feels drawn to spend time near water.

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In June of 1881, on the very night of their wedding in Searsport, Maine, Captain Lincoln Alden Colcord and his new wife, Jane Sweetser Colcord, departed for sea to begin a two-year voyage on the bark Charlotte A. Littlefield. The voyage would take them around the world and witness the birth of their daughter Joanna amid the South Sea Islands and young Lincoln's arrival during a treacherous winter storm off Cape Horn.Fifth generation seafarers, Joanna and Lincoln Colcord spent their youth at sea aboard their fathers' ships. Years later, looking back at his seafaring childhood Lincoln wrote, "I know no other home than a ship's deck, except the distant home in Maine that we visited for a few weeks every year or two. My countryside was the ocean floor, where I could roam only with the spyglass; my skyline was the horizon, broken by the ghostly silhouettes of passing vessels, or at intervals by the coasts of many continents, as we sailed the world."The Colcords' richly detailed "journal letters" to family members ashore, their logbooks, photographs, and later correspondence all give us a splendid window into the life of a seafaring family. We share their exhilaration in catching the trades under fair skies yet are ever conscious of the uncertainties of sea life: illness, the threat of typhoons and dismastings, wrecks and financial disaster. Life's tasks emerge as the family forges a home aboard ship, raises and educates the children, and seeks companionship in foreign ports, all while trying to eke out a living under sail.

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Sometimes nature is the world's greatest innovator

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Her name is Purple, and she is the only dash of color in William’s gray yard. She asks his name, and when he answers “Um, well…,” she dubs him Umwell the Gray, then leads him on an exploration of a world that is always new and beautiful to eyes that can see. This story is a celebration of the ever-present newness and change around and within us. Because newness is more readily discernible in nature than in human lives, the story relies on Purple’s guidance through the natural world to build a bridge to William’s inner world. Umwell the Gray can’t see what Purple sees in a falling leaf, a cloud, a swirling stream, a tidepool. She is demanding, challenging, frustrating, but compelling. Though he doesn’t understand her, he wants to be around her. Bit by bit the world comes to life for him, and as it does, Rebecca Evans’s palette evolves from gray to multihued. At last Umwell becomes William, but a different William than he was before. He is a new boy, looking out upon a new world.

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An enchanting picture book about the joyful, mysterious, awe-inspiring messages of light, whether emanating from a firefly or the sun, fireworks or the Big Bang, boats at sea or a bolt of lightning, a movie projector or a rainbow. Luciana Navarro Powell’s illustrations follow a group of kids through a magical day and evening in a seacoast town, while Christine Layton’s lyrical text explores the natural history of light. Backmatter provides further adventures in the science of light.

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...and the narrator could be any child anywhere, gazing out over the waters, thinking about all the places she could go and imagining other little blue houses on other shores, with other children gazing back. What child doesn’t love walking in the surf, feeling the water steal the sand from beneath her toes as a wave retreats? Who doesn’t love the salty smell of the air and the sight of ships far out on the horizon? What happens in the oceans is critically important to life on Earth. That’s why the girl in her little blue house wants to believe that the children gazing back from far over the horizon love the oceans as she does and wants to keep them safe, alive and beautiful.

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More than 99 percent of all life forms have gone extinct during the 3.6-billion-year history of life on Earth. Other organisms have changed dramatically, but not our extreme survivors. Evolution may have altered their physiology and behavior, but their body plans have stood the test of time. How have these living links with Earth’s prehistoric past survived? The search for answers is leading scientists to new discoveries about the past—and future—of life on Earth. The survival secrets of some of these ancient creatures could lead to new medicines and treatments for disease. Written in a lively, entertaining voice, Extreme Survivors provides detailed life histories and strange “survival secrets” of ten ancient animals and explains evolution and natural selection. Extensive back matter includes glossary, additional facts and geographic range for each organism and a geologic timeline of Earth. F&P Level V

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In this probing, plain-spoken book, based on a true story, Margy Burns Knight and Anne Sibley O'Brien, author and illustrator of the acclaimed Talking Walls, invite young readers to explore the human implications of intolerance. Anecdotes relating the experiences of other refugees and their contributions to American culture play counterpoint to Nary's tale, all enlivened by O'Brien's full-color pastels. A compendium at the end of the book offers more detailed information about Pol, Pot, Ellis Island, and other topics in this text. Who Belongs Here? will lead to discussions about The effects of war on children and familiesRefugees and relocation processes in the U.S.Cambodian cultureU.S. History and attitudes towards immigrationBullying and intoleranceConflict-resolution skills Lexile Level 1040 Fountas and Pinnell Level W

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