Search results for ""Salt Publishing""

A plane crashes. A boy drowns. A body is found on a dark lakeside. A woman tries to make sense of a strange memory from her childhood. A father searches for a missing dog – his only link to his lost son. A boy on the brink of adolescence embarks on a journey and gets more than he bargained for. Young lovers get their kicks trespassing in empty houses. A young man prepares to leave his hometown for the last time, and a giant sink hole threatens to swallow everything.In Forgetting Is How We Survive, people are haunted by ghosts of the past, tormented by doppelgangers and pining for the futures that have been lost to them. Each faces a turning point – an event that will move their life from one path to another, and every event casts a shadow.The stories in this collection come from another England where earthy realism hides another world where anything is possible.

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The orphan Cole wanders the world, seeking the fabled Underground City which he has promised his love Sigrid he will find. Somewhere else entirely, Niven sits in a palace garden taking lessons in astronomy and architecture, dreaming up ways to escape being married off to one of her father’s friends.Cole’s story is pieced together from folk songs and fragments as he travels ever onwards towards his destiny: a new life even stranger than the one before. Niven too will learn what it means to leave the garden of childhood. Their world is one of witchcraft and wishing, wisdom and regret, as they slowly learn how much it is possible to love, and suffer for the sake of love.Comic, grotesque, lyrical, and immensely readable, Tony Williams’s fantasy picaresque is a reader’s delight. A sweeping yarn through the darkest of ages, filled with rogues, lovers, murderers, swindlers, and saints.

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Sing Me Down From the Dark explores the highs and lows of a ten-year sojourn in Japan, two international marriages, a homecoming, and the struggles of cross-cultural relationships. It is full of light and dark, as if the writer herself has been ‘caught off guard’ in the making of these poems.

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Alice Thompson’s gripping, deep space novel sees scientist and dream investigator Artemis travelling to the distant moon of Oneiros. Her ship, the Chimera has been sent to look for organisms that will help assuage Earth’s global warming, but it becomes clear on the journey that there are other disturbing reasons for the mission. Accompanied by dryads, sophisticated AIs with synthetic bodies, nothing is quite as it seems, even desire. This is a story of transfiguration, dreams and identity. Are we just a template of memories and experiences, or is there something that makes us uniquely human?

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A lost girl and a sprawling map of an unsettling city.Wren Lithgow has followed her concert pianist mother around the cities of Europe for almost two decades. When they arrive in the mysterious city-state of O, where Wren was conceived during a time of civil war, she resolves to find man she believes is her father.As the city closes in around her, Wren gives herself over to a place of which she understands nothing, but to which she feels a profound connection, in a story of the watchers and the watched, the ways in which we conceive of home and, finally, the possibility of living on our own terms.

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In a country house in England a precocious teenage exile from revolutionary Russia sets down his adventures on paper, beginning with his first ball in St Petersburg and how he frees a huge African elephant from a cruel circus. But a hundred years later an American academic feels the boy may have invented the elephant as the only kind and uplifting being in dark times.

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The Book of Revelation serves as a lonely planet guide to this outrageous place in time. With a nod to Mark E. Smith – late lead singer of The Fall and “the John of Patmos of his day” – Rob A. Mackenzie’s apocalyptic nightmare vision encompasses the rags of Empire, political turpitude and blindingly oppressive headlines in a grimly comic phantasmagoria of twenty-first century turmoil. It is not all darkness, however: there are consolations to be found in the creative underground, the varieties of artistic resistance, and guinea pigs. With typical formal variety and stylistic energy, Mackenzie takes us on a tour through the kingdoms of mosquito governments and “hyena influencers, hyena Messiahs”, recognising both despair at passing moments and also that “the moments are always beginning”.

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Gardens, grotesqueries, historical landscapes, destruction and darkness, all collide in Tony Williams’ explosive new collectionTony Williams is roaming the earth. The poems in Hawthorn City record the tales we tell ourselves to make a home in the lives we find ourselves living. They are songs to family, to stone and outlawry and refusal, and to the fevered memory which reaches back beyond birth, past early modern witches and shepherds’ songs, past medieval chronicles and Icelandic sagas, to the ancient city-states, homely and hellish, which part of the modern imagination still inhabits. Travelling darker and deeper towards the state which is both origin and grave, this grotesque comedy of a book intensifies into a bizarre, baroque vision of the world and our place in it.

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‘By turns beguiling and unsettling, Flotsam examines grief and loss through the eyes of an extraordinary child’ Rachel SeiffertTrine and her mother live in a cottage on the German coast. The mudflats that surround them disappear and reappear with the North Sea tides. The family leads a lonely existence, but each person has adapted in their own way. Anna roams the beaches collecting flotsam and jetsam to make art, while Trine loves playing on a wartime shipwreck. That is, until she loses her brother.In her taut style, Meike Ziervogel tells a coming-of-age story from 1950s Germany – a place still haunted by war. A place where people pretend not to notice the ghosts.

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This is what a bad day looks like: a day when something happens.Robert Exley works for the Faculty: he spends his life making sure that nothing ever happens. In counter-terrorism, that’s your job. His wife worked there, too. She’s been dead for years, but somehow she’s never far away. Now their bookish son is leaving home. He writes an encrypted journal Exley feels obliged to decode, to read the things they cannot talk about. When Exley takes on a colleague’s case, it leads to a flat full of explosives, guns and cash. The trouble is, it’s the wrong flat. And when Exley finds a man in an orange jumpsuit shackled to the floor deep beneath the Faculty’s offices, everything he thinks he knows turns inside out. Mixing Beckett and St Augustine, prison diaries, Japanese Go and Greek tragedy, The Faculty of Indifference is a profoundly black comedy about torture, boredom, suicide and love. Trapped in the moment between an intolerable past and so much worse to come, Exley finds there’s nothing he can do but live.

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Big Issue in the North Summer Reading RecommendationA man boards a train, hoping to see the daughter he has heard nothing from for seven years. As he travels towards his destination, he restlessly revisits the events that blew apart their seemingly perfect world.With acute insight, sparkling imagination, and vividly arresting prose, Phil Whitaker explores the very best and worst that families can do, and asks: what are the forces that shape us; and, against powerful traumas reverberating down the generations, can true love prevail?

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Shortlisted for The Encore Award 2019Greg Gamble: he’s a teacher, he works hard, he’s a husband, a father. He’s a good man, or tries to be. But even a good man can face a crisis. Even a good man can face temptation. Even a good man can find himself faced with difficult choices. Greg Gamble: he thinks he can keep his head in the game. He thinks he’s trying to be good. Until he realises everyone is flawed.And for Gamble, trying to be good just isn’t enough.

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Shortlisted for Best Novella in the 2017 British Fantasy AwardsDen of Geek Top Books of 2016Ginger Nuts of Horror Top 20 Books of 2016After ministering to fallen women in Victorian London, Evelyn has suffered a nervous breakdown and finds herself treated by the Water Doctors in the imposing Wakewater House, a hydropathy sanatorium.Years later, Wakewater House is renovated into modern apartments and Kirsten moves in, fresh from a break up and eager for the restorative calm of the Thames. But her archivist neighbour, Manon, fills her head with the river’s murky past and with those men of science and art who were obsessed with the drowned women who were washed up on its banks. As Kirsten learns more about Wakewater’s secrets, she becomes haunted by a solitary figure in the river and increasingly desperate to understand what the water wants from her.

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In Edwardian England, Violet has a fairy tale existence: loving husband, beautiful baby son and luxurious home. She wants for nothing. But soon after the birth of her baby the idyll begins to disintegrate. Violet becomes obsessed by a book of fairy tales her husband has locked away in a safe. Paranoid hallucinations begin to haunt her and she starts to question her sanity. Meanwhile, vulnerable young women are starting to disappear from the nearby asylum. Soon Violet herself is interned in the asylum for treatment only to discover, on coming out, that her husband has hired a nanny while she has been away, the beautiful, enigmatic Clara. The brutality of the asylum is nothing compared to the horrors that now lie in wait.

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Longlisted for the Man Booker Prize 2016Observer Best Fiction of 2016Den of Geek Top Books of 2016Timothy Buchannan buys an abandoned house on the edge of an isolated village on the coast, sight unseen. When he sees the state of it he questions the wisdom of his move, but starts to renovate the house for his wife, Lauren to join him there.When the villagers see smoke rising from the chimney of the neglected house they are disturbed and intrigued by the presence of the incomer, intrigue that begins to verge on obsession. And the longer Timothy stays, the more deeply he becomes entangled in the unsettling experience of life in the small village. Ethan, a fisherman, is particularly perturbed by Timothy’s arrival, but accedes to Timothy’s request to take him out to sea. They set out along the polluted coastline, hauling in weird fish from the contaminated sea, catches that are bought in whole and removed from the village. Timothy starts to ask questions about the previous resident of his house, Perran, questions to which he receives only oblique answers and increasing hostility. As Timothy forges on despite the villagers’ animosity and the code of silence around Perran, he starts to question what has brought him to this place and is forced to confront a painful truth. The Many is an unsettling tale that explores the impact of loss and the devastation that hits when the foundations on which we rely are swept away.

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A hot summer. The countryside around Manchester is ablaze. Ethan Mallam is fresh out of prison and finds his old gang locked in a brutal civil war. Against his wishes, he is quickly drawn into a hellish world of fire, blood, greed, and Billy Bear Ham. Trevor Mark Thomas's follow up to the sensational, and sensationally gripping, The Bothy.

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‘It’s a brilliant novel, I think, so sharply observed and so even handed in its treatment of the sexes.’ —Patrick GaleNameless Lake is about the unspoken pressures of gender and desire, told through the shifting dynamics of a lifelong friendship. Emma and Madryn grow up with dreams of escaping their seaside hometown, sustained by an obsession with photography and secret acts of vandalism. But adulthood brings its own limitations, and Emma yearns for connection beyond the constraints of her family. Drawn deeper into Madryn’s private life, Emma feels new possibilities awakening within herself, but when Madryn faces a backlash from her controlling partner, Emma must finally break out of her role as passive observer.

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How do you write a novel?Practising novelists and teachers of creative writing reveal their working methods and offer practical advice. Subjects covered range from magic realism to characterisation, surrealism to historical fiction, via perspective, plot twists and avoiding being boring, among many others.This book is forcreative writing studentswriters and readers of novelsteachers of creative writingWith contributions from Leone Ross, Tom Bromley, Jenn Ashworth, AJ Dalton, Nikesh Shukla, Stella Duffy, Mark Morris, Alison Moore, Nicholas Royle, Alice Thompson, Kerry Hudson, Toby Litt, Livi Michael, Joe Stretch, James Miller, Sarah Butler, Will Wiles, Graeme ShimminFeaturingEighteen specially commissioned essaysCreative writing exercisesTop tipsLists of recommended novels

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For disillusioned author Max Long, the offer of a writing-fellowship on the mysterious-sounding ‘Burnt Island’ is a godsend. Max is determined that, inspired by his tenure on this windswept outpost, he will produce every writer’s dream — the bestseller. And this time, he plans to subvert his usual genre and write a horror story. But upon arrival, Max’s fantasies of hermetic island life are overturned when he encounters a potential rival living in close proximity – the famously reclusive James Fairfax, author of the internationally-lauded novel, Lifeblood. Fairfax’s critical and financial success with Lifeblood, coupled with his refusal to court the limelight, has long been the talk of the literary circles. However, as the lives of the two men become intertwined, Max cannot marry the myth of the publicity-shy Fairfax with the apparently urbane and confident reality. He begins to suspect that Fairfax is not the true author of his exceptional debut. Moreover, Max cannot escape the disturbing knowledge that Fairfax’s wife has disappeared. Recently-divorced and struggling to keep a grip on his fragile mental state, the vulnerable Max finds himself sliding into Fairfax’s world. And he starts to witness alarming visions that take the form of the horror he is attempting to write. Who or what is the sinister, darting figure who appears between the trees of Fairfax’s garden at night? Who is the tiny, forlorn little girl who seems to need help? And what has happened to Fairfax’s missing wife? With an unnerving plotline in which we encounter doppelgängers, ghostly forms and machines masquerading as humans, Burnt Island is a masterwork of subtle terror. At times evoking The Wicker Man in its growing sense of paranoia and undercurrent of eroticism, Thompson’s evocative, compellingly-written story takes a grip on the reader as inexorable as that of Burnt Island on Max Long. An ironic satire on literary ambition, Thompson’s sixth novel soon draws the reader into something much darker.

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The poems in Bookside Down are written about and for 21st Century children, who are into their friends, the TV, Wiis, DS’s, computers, collectibles and things that make them laugh. They deal with important matters such as difficult schoolmates, daft parents, impossible siblings, the last days of the dinosaurs and the death of planet earth. In this book you will find rhyming poems, non-rhyming poems, poems that are conversations and poems that tell stories. You could read them to yourself, read them aloud, or even use them as patterns to write your own poems.

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Irish Times Books Of The Year 2013Observer Books Of The Year 2013Guardian Readers' Books Of The Year 2013Short Listed For Guardian's Not The Booker Prize 2013Unloved sons turn their aggression on the outside world. Unloved daughters destroy the people they love, and then themselves.In this daring portrayal of Magda Goebbels – wife of Hitler’s propaganda minister Joseph Goebbels – Meike Ziervogel unveils an historical tale of abusive mother and daughter relationships that reaches a terrifying conclusion in the last days of Nazi Germany.Magda is born at the beginning of the 20th century, the illegitimate child of a maidservant who feels burdened with a daughter she does not want. The girl grows up to become an ambitious woman, desperate for love and recognition. When Magda meets Joseph Goebbels, he appears to answer all her needs, and together they have six children. Towards the end of the Second World War, Magda has become physically and emotionally sick. As she takes her children into the Führer’s bunker, her eldest daughter Helga experiences an overwhelming sense of foreboding.

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Best British Short Stories invites you to judge a book by its cover – or more accurately, by its title. This new series aims to reprint the best short stories published in the previous calendar year by British writers, whether based in the UK or elsewhere. The editor’s brief is wide ranging, covering anthologies, collections, magazines, newspapers and web sites, looking for the best of the bunch to reprint all in one volume. Neither genre nor Granta shall be overlooked in the search for the very best new short fiction.The first book of the series includes stories published in 2010 by the following authors: David Rose, Hilary Mantel, Lee Rourke, Leone Ross, Claire Massey, Christopher Burns, Adam Marek, SJ Butler, Heather Leach, Alan Beard, Kirsty Logan, Philip Langeskov, Bernie McGill, John Burnside, Robert Edric, Michèle Roberts, Dai Vaughan, Alison Moore and Salley Vickers.

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A naked, burning man runs up a hill of rubble on the last day of the Second World War in Berlin. In one hand are fragments of a white flower and he whispers Ich liebe Sie alle, I love you all. He is saved by a young Irish-American colonel, Kells. Certain the man with no identity or memory will die, Kells gives him the name Hyman Kaplan' who Kells, as part of Operation Lucy, has been sent to kill because, absurdly, Hyman is part of Lucy, and Lucy kills her own to remain secure. Pickering's new novel is a sensationally readable tale of intrigue, sex, horrific killings, and sacrifice.

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This new short story collection from Clare Fisher explores of feelings of failure around gender, sexuality, and work, that arise in a success-obsessed capitalist culture. Dazzling, playful, and experimental, it veers between the real, the surreal and the absurd.

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Emma Simon’s wide-ranging, work explores how strange and surreal the everyday can be and how real life and stories tend to bleed into one another. These poems – mysterious, mythic, magical – remain deeply accessible, while being witty and serious. An unforgettable debut collection.

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Formally-innovative, wildly-inventive, comic, surreal and poignant – Evans’s poetry is a restless delight as he tackles almost any subject from lost invoices, hearing aids, fruit flies, migration, bin lorries, bullet-pierced road signs, to love’s strains and pleasures. As entertaining as they are impressive, these poems are in and of the physical world, brimming with ideas and passion and sharing it all with real panache.

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If you can imagine William Blake playing Scrabble with Joni Mitchell, Catherine of Aragon booking into the Holiday Inn, or Cassius Clay meeting the apostle Paul on the road to Damascus, you’re ready for the dreamworld created by Aidan Semmens in The Jazz Age. After five books of intense – some would say difficult – poetry, he has produced something more accessible, surprising, and fun. In a series of prose vignettes he casts an array of historical figures into times and places other than their own, playing on anachronism and dislocation to surreal, witty, frequently comic, occasionally poignant or disturbing effect. Each brief episode is crystalline, the whole piece theatrical, enjoyably absurd. You might identify a questioning of belief systems, of social hierarchy, of human individuality and inter-relationship – but essentially this is, as it is billed, entertainment.

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‘Nobody believes what they see on TV, so they want to look for something else, an alternate reality, or a conspiracy theory, and it’s interesting to explore it, Twitter is fucking full of it, especially now. It’s no wonder people round here are into it, but you don’t have to read all that shit, just have some mushrooms and wander round Lidl off your tits.’In these fourteen northern tales, Campbell takes us from the edgelands of Manchester to the cloistered villages of The Peak District, Northumberland and Scotland, and illuminates the lives of outsiders, misfits, loners and malcontents with an eye for the darkly comic. A wild-eyed man disturbs the banter in a genial bookshop. A fraught woman seeks to flee a collapsing reservoir. A failed academic finds solace in a crime writer’s favourite pub. A transit van killer stalks a railway footpath. A poet accused of plagiarism finds his life falling apart.

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Every Seventh Wave has strong echoes of Fiona Mozley’s Elmet and Evie Wyld’s All the Birds, Singing. Strongly lyrical, the novel also serves as a literary thriller, with a suspenseful pace that builds to its redemptive finale. People-trafficking, fraternal love and violence are the fulcrum the novel turns on, the latter rippling outwards, sparing no one. Every Seventh Wave is a literary tale of the fates we tether ourselves to, how seemingly benign encounters can provoke both hope and devastation.

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Shortlisted for the Lucy Cavendish 2020 Fiction PrizeOne sweltering midsummer night, two young women forge an unlikely bond. One of them is full of hope and ambition, the other devoid of it. How can they lead good lives, they wonder? What will they give to the world? By the time the sun comes up, their futures have been rewritten and their fates decided. Captivating and involving, in turns joyful and desolate, this haunting mystery is an exploration of vicariousness, virtue and privilege.

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Since childhood, Sandra Peters has been fascinated by the small, private island of Lieloh, home to the reclusive silent-film star Valerie Swanson. Having dreamed of going to art college, Sandra is now in her forties and working as a receptionist, but she still harbours artistic ambitions. When she sees an advert for a two-week artists’ retreat on Lieloh, Sandra sets out on what might be a life-changing journey.

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In this collection, Peter Daniels looks at his life as an older gay man, his London neighbourhood, his furniture, other people’s gardens and London’s creatures. His distinctive voice ranges through tight rhyming to looser meditations and prose poems, always skilfully crafted as words to make some sense of the world.

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Lyrical and at times unsettling, The Somnambulist Cookbook explores the quality of disappearance, slowly breaking down as the poems swing from rogue sonnets to fractured prose poems, reminiscent of Larkin, but if he had gone abroad and listened to Pavement rather than jazz. These are poems which haunt the margins of who and what we are, searching for something that has left only a trace on the barbed wire of our nerves.

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A Life in Books: Books of the Year 2019Shortlisted for the Goldsmiths Prize 2019In a world where we present our diverse selves through social media, chatbots and messaging, this dark novel listens in on intimate secrets, desires and adultery.This novel-within-a-novel charts the writing of a story about Richard and Anna, a middle-aged professional couple, who face the biggest crisis of their twenty-five-year marriage when he admits seeing prostitutes. The text unfolds through a dialogue between Anna, the writer, and her husband, Richard, the reader.As the story of Richard and Anna progresses, the tension between them increases and, on several occasions, they stop speaking to each other. The writer’s novel compels them to examine their own marriage. Gradually the differences between the characters in the novel on the one hand and the reader and the writer on the other appear to diminish to the point where we begin to wonder whether the reader, like Richard, pays for sex, and whether the writer, like her female protagonist, is coping with the situation by having several lovers.

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Ursula Owen has been a significant figure in the worlds of literature and free expression since the 1970s. A founding director of Virago Press in 1974, she worked there with a committed team as the company rapidly developed an international reputation, repositioning and rediscovering women writers and, over two decades, transforming both the literary canon and the contemporary publishing world.During the 1990s, Owen became Cultural Policy Advisor to the Labour Party and Chief Executive of Index on Censorship. Yet behind these and other signal achievements lies the story of a refugee, a child who fled the Nazis, was educated at Putney High School, went up to Oxford, worked as a psychiatric social worker, travelled extensively, married and became a mother. In this compelling memoir, we discover an extraordinary life, with all its messiness, and meet a woman who’s always fought for ideas against a background of the tumultuous conflicts of the twentieth and twenty-first centuries.

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The third part of Neil Campbell’s Manchester Trilogy, in which our struggling young writer finds love with a girl called Cho. Where a love song to Manchester becomes a love song to Cho.Lanyards explores how the jobs we wear around our necks dictate the ways we are identified.Building on the previous novel in the trilogy, Zero Hours, our protagonist finds himself on universal credit, taking agency jobs, moving from learning support work in schools and colleges to call centre jobs and back again, via a failed attempt at getting a job as a driver on the Metrolink tram network. Lanyards portrays the comic and poignant moments of working life. All the time reflecting back on the football career the narrator might have had were he not injured, his life as a writer, his experiences of being in a mixed race couple with the Hong Kong born Cho, the Manchester Arena bombing, the continuing success of his beloved Manchester City, the child sex abuse scandals in football, the disparities of wealth in contemporary Britain, and the death of a childhood friend that continues to haunt him.

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Longlisted for the Not the Booker Prize 2019Longlisted for The Desmond Elliott Prize 2019Observer: Fiction to look out for in 2019The i Paper’s 30 of the best new debut novels to read in 2019Scottish Review of Books: 2019 in ProspectAs featured on BBC Woman’s Hour, Sky Sunrise and London Live‘Filled with cerebral intensity and scintillating dialogue’ —The Desmond Elliott PrizeExploring themes of ownership and abandonment, Eleanor Anstruther’s bestselling debut is a fictionalised account of the true story of Enid Campbell (1892–1964), granddaughter of the 8th Duke of Argyll. Interweaving one significant day in 1964 with a decade during the interwar period, A Perfect Explanation gets to the heart of what it is to be bound by gender, heritage and tradition, to fight, to lose, to fight again. In a world of privilege, truth remains the same; there are no heroes and villains, only people misunderstood. Here, in the pages of this extraordinary book where the unspoken is conveyed with vivid simplicity, lies a story that will leave you reeling.

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Reaching for Utopia brings together insightful essays and profiles chronicling the remarkable political and cultural transformations of the last decade – from the fall of Gordon Brown, to the rise of Corbyn and the radical left, to Brexit. Cowley is fascinated by the men and women who are creating the history of our era as well as those who document it. He has met and interviewed nearly all the major political players shaping and changing the way we live today.The book features fascinating, wide-ranging narrative profiles of Tony Blair, Gordon Brown, Ed Miliband, Jeremy Corbyn, Alex Salmond, Nigel Farage, David Cameron, George Osborne and Theresa May. Cowley is unusual in having access to party leaders and prime ministers on both the left and right.The book also features penetrating essays on writers such as George Orwell, John le Carré, Kazuo Insiguro, and Ian McEwan, personal essays, an investigation into the so-called Brexit Murder, and a striking conversation with the political philosopher Michael Sandel.Cowley is one of the most influential journalists in Britain. He is notable for being both a political and literary journalist. And he also writes about sport, especially football, and covered the 2006 World Cup in Germany for the Observer.He has been widely credited with transforming the fortunes of the New Statesman, which in 2017 has recorded its highest print circulation for nearly 40 years as well as becoming a major digital title with rapidly growing online profile. According to the European Press Prize, ‘Cowley has succeeded in revitalising the New Statesman and re-establishing its position as an influential political and cultural weekly. He has given the New Statesman an edge and a relevance to current affairs it hasn't had for years.’In 2017, at the British Society of Magazine Editors awards, Cowley won the editor of the year award (politics and current affairs) for the third time. In 2018, he launched New Statesman America.

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Having moved from the Fens to the Midlands to the Scottish Borders, Jessie Noon finds herself struggling to leave the past behind.Following a family tragedy, Jessie Noon moved from the Fens to the Midlands and now lives in the Scottish Borders with a cat, a dog and – she is convinced – a ghost in the spare room. Her husband walked out almost a year ago, leaving a note written in steam on the bathroom mirror, and Jessie hasn’t seen her son for years. When Jessie meets Robert, a local outreach worker, they are drawn to one another and begin a relationship; meanwhile, Jessie has begun receiving messages telling her I’m on my way home.As a translator, Jessie worries over what seems like the terrible responsibility of choosing the right words. It isn’t exactly a matter of life and death, said her husband, but Jessie knows otherwise. This is a novel about communication and miscommunication and lives hanging in the balance (a child going missing, a boy in a coma, an unborn baby), occupying the fine line between life and death, between existing and not existing.

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Sometimes, when you open a door or lift a lid, you find exactly what you expected to find: coats in the coat cupboard, bread in the bread bin, toys in the toy box. And sometimes you don’t.When Sunny’s parents buy an antique shop, they get more than they bargained for: in some of the old furniture, Sunny finds ghosts. Each of the ghosts has an unfulfilled desire, something they never did in their lifetime: Walter wants to learn to read, Violet wants to write a novel, Mary and Elsie want to go to the seaside. While Sunny is trying to help them all, it seems someone else is out to cause trouble…

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Lush Library Recommends: Anna James’ Books for 2018Variations and fugue on the theme of obsessionVesna Main disturbs our self-image as educated, reasonable and ironic people who read modernist fiction. She disturbs us because we recognise ourselves in her obsessive and bloody-minded characters as they are pushed to the extreme. But they are only too human and seek love, just like us.This is a collection of twenty short stories of different lengths and written in a variety of styles. Main writes about characters whose passion borders on obsession and who are seeking love and companionship but are doomed to remain alone, with their sense of personal failure as the only company.

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A boy exiles himself from his family through a shocking act of violence. Years later, having built a new life he returns to try to understand his past. He attempts to reconcile with his family but the closer he gets to them, the more he sets the course for disaster.Starting at the point of the final tragedy, we discover through four narrators the fabric of lies on which all their live were built, and how deep wounds can go.

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A young man sits on a bench looking out at the harbour of a ­French-Spanish border town. Ahead of him, either a ­cash-strapped existence strolling the sun-baked avenues of Seville, where deep shadows conceal a sense of uncanny potential, or the cooler embrace of the daily grind back in the US. Granville, cut adrift in Europe by circumstance, has a choice to make. His solution is not to.This daring, experimental novel addresses the existential dilemma of location, how the regret of a choice not made may overpower the satisfaction of one taken. In his debut, Simon Kinch explores the nature of longing and unfulfilment, romance and rejection, freedom and opposition.

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The Guardian: Fresh voices: 50 writers you should read nowCynical, solitary Stanly Bird used to be a fairly typical teenager – unless you count the fact that his best friend was a talking beagle named Daryl. Then came the superpowers. And the superpowered allies. And the mysterious enemies. And the terrifying monsters. And the stunning revelations. And the apocalypse. Now he’s not sure what he is. Or where he is. Or how exactly one is supposed to proceed after saving the world.All he knows is that his story isn’t finished.Not quite yet …

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Broady's major work of fiction, nearly a decade in the writing, explores the origins and development of the Independent Labour Party the working-class political movement founded in Bradford in 1893. Detailing the exploits, fortunes, and relationships of three central characters: passionate Fred Jowett, ruthless Philip Snowden (later, the Labour Party's first chancellor), and the licentious and unforgettable Victor Grayson.Spanning four decades, the novel covers the socialist foment and activism of fin-de-siècle Britain, the impact of the First World War and the changing landscape of the interwar years, as social change points forward to a new politics and the reinvention of Britain, despite fierce resistance from the establishment and its allies. And all punctuated with sex, comrades, hustings, art, dialect and copious points of order.With cameos of every leading socialist of the age, this sweeping generational tale is thrilling, revolutionary, ribald and laugh-out-loud funny.

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In this, the second volume of a projected Manchester trilogy, the young writer takes a zero-hours job in a mail-sorting depot but struggles to cope with the demands of menial work and the attitudes of his colleagues. Only after rescuing and acquiring a pet tortoise does he realise what is most lacking in his life: intimacy. Embarking on a handful of sexual misadventures, he continues to struggle as a writer. He sees the city in which he was born and brought up changing all around him and, when he gets sacked from the sorting office, some hard choices lie ahead.A powerful indictment of austerity politics and Brexit Britain, the novel never loses sight of its working-class characters’ dignity and humanity, and Campbell’s mordantly witty dialogue ensures that the next laugh is never far away. Gripping in its fascination with the everyday, Zero Hours is keenly observed, blackly funny and ultimately uplifting.

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Departing from Virgil’s Eclogues, The Pastoraclasm is an urgent environmental address to humans, nature and vegetable gardens. During pandemic lockdowns, poet John Kinsella realised that he would have to garden not because he enjoys it but because his family, who live ‘in the bush, would need whatever he could grow. Fierce summers, fire danger, and only having access to rainwater tank water — refusing to drain the aquifer further by using one of the two bores at ‘Jam Tree Gully’, reinforced the realisation that gardening needs to be a careful negotiation with the limitations of time, place and conditions of presence. What developed was a set of dialogues with the garden, and with the endemic plants and animals that surrounded it. Searching for a decolonising antipastoral ‘eclogue’, the poet continues his decades-long practice of investigating the nature of ‘pastoral’ and its failure to translate into the Australian environment/s. Writing to a poet in Wales, Kinsella said: ‘We’re in regional lockdown here, and trying to grow veggies in drought conditions. Lot of silvereyes, thornbills and gerygones out there today – overcast, which is unusual at the moment (still very hot), and that has them vigorous with hope, I guess... but no rain predicted. On emergency water supplies now.’ In this cycle of eco-eclogues, a counter-pastoral of responsibility emerges – one that acknowledges the toxic impact of colonialism, and which seeks to address human rapacity through challenging consumerism and industrialism and offering an ‘alternative’ way of living. As garden and gardener, soul and self, all speak with each other, they are conscious of how close fire and other catastrophes are, and together they try to evoke a healing and a path through to justice for the biosphere. Known for his wide variety of poetic approaches and techniques, this collection is very much about utterance, place and a belief that there are no easy garden metaphors, that garden’s are also spaces of responsibility.

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A ‘Withnail’ for the twenty-first centuryTim Vine’s satirical thriller appears to revolve around the dysfunctional lives of Norman and Peter – the latter becoming an accidental terrorist. Driven by his warped religious tendencies and mental illness, Peter is encouraged by none other than the singer Rick Astley, who instructs and leads him during the most excellent recurring dreams.Along the bizarre journey we explore a cult, infidelity, drug abuse, frustration, extremism, all tinged by a strong awareness of the weirdness of late-Capitalist society.

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