Search results for ""Salt Publishing""

‘Annabel was a black and white figure in the distance, going in through the front doors. She worked behind the reception. I was a history teacher.’ As we meet Matt, lying across the backseat of his on/off girlfriend’s car, he begins a long confession. It starts with wrestling moves and continues past statue fires, reaching bomb threats and assault via episodes in the life of Franz von Papen, the Chancellor of interwar Germany. Piece by piece, Matt presents us with a map of his failures. Or is he part of some grander, universal fuck-up? Septembers, Christopher Prendergast’s debut novel, is a simmering tale of upheaval, revolt and loss.

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Winner of the Scott PrizeWinner of the 2015 Polari First Book PrizeWinner of the Saboteur Award for Best Short Story CollectionThe Herald: Book of the Year 2014Shortlisted for the 2014 Green Carnation PrizeTwenty tales of lust and loss. These stories feature clockwork hearts, lascivious queens, paper men, island circuses, and a flooded world. On the island of Skye, an antlered girl and a tiger-tailed boy resolve never to be friends – but can they resist their unique connection? In an alternative 19th-century Paris, a love triangle emerges between a man, a woman, and a coin-operated boy. A teenager deals with his sister's death by escaping from their tiny Scottish island – but will she let him leave? In 1920s New Orleans, a young girl comes of age in her mother's brothel. Some of these stories are radical retellings of classic tales, some are modern-day fables, but all explore substitutions for love.

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Winner of the 2013 McKitterick PrizeShortlisted for the 2013 East Midlands Book AwardShortlisted for the Man Booker Prize 2012Shortlisted for New Writer of the Year in the 2012 Specsavers National Book AwardsObserver Book of the Year 2012The Lighthouse begins on a North Sea ferry, on whose blustery outer deck stands Futh, a middle-aged, recently separated man heading to Germany for a restorative walking holiday.Spending his first night in Hellhaus at a small, family-run hotel, he finds the landlady hospitable but is troubled by an encounter with an inexplicably hostile barman.In the morning, Futh puts the episode behind him and sets out on his week-long circular walk along the Rhine. As he travels, he contemplates his childhood; a complicated friendship with the son of a lonely neighbour; his parents’ broken marriage and his own. But the story he keeps coming back to, the person and the event affecting all others, is his mother and her abandonment of him as a boy, which left him with a void to fill, a substitute to find.He recalls his first trip to Germany with his newly single father. He is mindful of something he neglected to do there, an omission which threatens to have devastating repercussions for him this time around.At the end of the week, Futh, sunburnt and blistered, comes to the end of his circular walk, returning to what he sees as the sanctuary of the Hellhaus hotel, unaware of the events which have been unfolding there in his absence.

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Spring 1927. The birth of popular music. John Coughlin is a song-catcher from New York who has been sent to Appalachia to source and record the local hill-country musicians. His assignment leads him to small-town Tennessee where he oversees the recording session that will establish his reputation. From here he ventures further south in search of glory. He is chasing what song-catchers call the big fish or the firefly; the song or performer which will make a man rich.Waylaid at an old plantation house, Coughlin gets wind of a black teenage guitarist, Moss Evans, who runs bootleg liquor in the Mississippi Delta. The Mississippi has flooded, putting the country underwater, but Coughlin is able to locate the boy and bring him out. Coughlin views himself as a saviour. Others regard him as a thief and exploiter. Coughlin and Moss the catcher and his catch pick their way across a ruined, unstable Old South and then turn north through the mountains, heading for New York.

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Birdeye shows us what the hippy dream looks like fifty years on, when the secrets which were masked by free spirit and a determined nonconformism force their way to the surface.Liv Ferrars is 67 years old and has lived a full life. Her twin daughters, Mary and Rose, are grown, she has survived breast cancer and she has welcomed numerous wanderers to the Birdeye Colony she founded with friends Sonny and Mishti over forty years before. Birdeye, once a pilgrimage-worthy commune in the Catskill Mountains of upstate New York, is now well past its heyday but Liv still holds the weekly Sharing with Mishti and Sonny, and Rose, whose additional needs mean she remains dependent on her mother. Then one late winter's morning a stranger named Conor appears. That same night Sonny and Mishti make a devastating announcement, and when Mary flies in from London to persuade Liv and Rose to move to England, Liv resists what others see as Birdeye's inevitable collapse. Conor seems to offer a lifeline, but

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With this new collection the acclaimed novelist Christopher Burns proves his mastery of the short story form. His intelligent but conflicted characters face their decisive moments across wide ranges of time and place, each action reshaping their futures and redefining their pasts. Interplaying with these choices are locations that underpin and define each story, such as a repository of unstable nitrate film, a desert outcrop where a daughter vanished, a winter barn in which a silent refugee works without explanation, and a Parisian suicide that echoes down far more than a century.In these stories, landscape itself can be a determinant, as essential to the narrative as the characters that walk into a draining reservoir, a Neolithic cave, or a remote Greek church. For these are driven people haunted or determined, alert or unaware, lovers or doubters, saviours or perpetrators.Several of these stories have previously appeared in publications as diverse as Les Temps Modernes, Granta Short

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Denis Klamm, feckless scion of two former Leaders, returns to the Island for his father's funeral, only to find it sinking. Or the sea rising it depends what you believe. Either way, they're all going to drown unless the young, idealistic and newly-elected Leader, Jessica King, really is the saviour long foretold by Our Island Story.But Jessica is only Leader because Ari Spencer, the special advisor's special advisor, has made it so. She wants solutions; Ari offers schemes. She wants to solve the climate crisis, house the homeless and bring justice for the victims of police brutality in a decade-old incident that Ari, for reasons of his own, would rather nobody looked at too closely. Or at all.While Denis falls under Jessica's spell and sets out to make the sort of grand romantic gesture guaranteed to attract attention, Ari hatches a plot to pit conspiracy theory against myth, unleashing a maelstrom of populism, ambition, religion, treachery, lawlessness, old wounds and new battles

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The countryside – what is it for? A paradise on earth where you can relax and get creative? Or an outdoor wool factory where every other house is an Airbnb and there are fewer trees than Camden. In his new collection of short stories David Gaffney explores the theme of town versus country through a number of different lenses, including his own experience of being brought up in west Cumbria then moving to Manchester. A creative residency on the coast of Scotland becomes weirder and weirder in “The Retreat”; ‘I’ve always had the feeling that the countryside has something against me and that one day it will take its revenge.’ In “The Table”, a recluse in Penrith uses mid-century furniture to lure city dwellers into a world of ‘depressed farmers with shotguns and bottomless pits of slurry that will swallow you so hard you'll never be seen again. And in “The Garages” the pressure of city living forces a man to become oddly obsessed with empty spaces. Often funny, often haunting, often profound, Gaffney uses dark humour and surreal characters to demonstrate a deep understanding of how places, urban or rural, can shape, influence and sometimes distort our lives. ‘People who like the countryside tend to believe in things that aren’t really there,’ says a character in “The Country Pub”. These are indeed stories about things that aren’t really there, and this is why they resonate with you long after you have stopped reading.

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Have you ever boarded your morning commute and wished you’d never arrive at your destination? That is what happens to the protagonist of The Way to Work. Having boarded what he assumes to be his usual 8:08 service, he soon discovers that all is not as it first seemed.Does this train stop at any station? Do the carriages ever come to an end? And where is the colleague he thought he saw, as he took his place in the quiet coach? Our narrator reflects on his job as salesman for a cat litter manufacturer as he wanders down-train in search of answers – yet the sliding doors that close behind him appear to be malfunctioning, and every person he meets seems to remember very little of their past.Seduction, destiny and salvation all come into play as this relentless novel unfolds, and we discover precisely where the 8:08 is heading and just who is in charge.

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Longlisted for The Edge Hill Short Story Prize 2023Ambitious and playful, darkly humorous and imaginative, these strikingly original stories move effortlessly between the realistic and the fantastical, as their outsider characters explore what it’s like to be human in the twenty-first century. Whether about our relationship with the environment and animals, technology, social media, loneliness, or the enormity of time, they reflect the complexities of being alive. Beautifully written and compelling, you won’t read anything else like them.

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What is a city for? How long do the vibrations persist from an economic shock wave, or a guitar chord? Is anything really permanent? The ‘meanwhile site’ is a place where change becomes a design feature, and Pete Green’s remarkable debut collection commemorates the transient and the marginal – from the emergency housing made of shipping containers to crumbling coastal paths and sea stacks; from the villages left isolated by railway closures to the predicament of the new generations disenfranchised by the march of neoliberalism. With the temporary comes hope of renewal, though, and alternatives to a disrupted, rootless culture might emerge in a Neolithic stone circle, or a circle of friends. Keenly observed, deft and humane, these are poems for our age of precarity.

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Howell’s much-celebrated stories interweave elements of the commonplace with darkness, subterfuge and sheer weirdness, all realised with natural narrative flair. In this striking new collection, we see Howell explore a wide range of cultures, including Hawaii, Portugal and Japan, alongside these are period tales, and sinister and sexual encounters, all related with a cool eye for our desires and obsessions.

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Fiction Category Winner in the 2022 East Anglian Book AwardsSome of the characters in Stewkey Blues have lived in Norfolk all their lives. Others are short-term residents or passage migrants. Whether young or old, self-confident or ground-down, local or blow-in, all of them are reaching uneasy compromises with the world they inhabit and the landscape in which that life takes place.

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Longlisted for the Edge Hill PrizeLike Fado consists of thirteen individual stories that culminate in the extended novella-like story, ‘Whitethorn’. Each story takes us into the lived experience and psychological dilemmas of its characters, dissolving certitude in favour of richly ambivalent and suggestive endings as storylines merge and diverge, enriching each other through their narrative resonance. The natural world is brought to life in vivid detail in locations that range from the North-West of England to Europe and Africa, whilst the interior lives of characters form the dramatic locus of each piece, rendered in language that is precise, lyrical and evocative.

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Winner East Anglian Book of the Year 2022In Iron Man, Lynne Bryan writes movingly and candidly about disability, the vulnerability of the body and mind, and the frailty and strength of our corporeality. She writes insightfully and thought-provokingly about the ways in which women’s access to head space and the physical and economic space for creativity can be restricted or blocked – sometimes by the people they love best and who love them best; and, of course, sometimes by themselves.

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Death Magazine is a futuristic, glossy body horror magazine in poetry form. It takes our cacophonous obsession with perfectionism and turns it into a series of synthetic, blackly-comic nightmares.

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Ranging over place, memory and history, Amit Chaudhuri’s new collection of poems makes a fresh, spiritual accommodation with the world. The poems often take their themes from sweets named and eaten, meals remembered, and matches these with meditations on culture, people, time and identity that slowly unfold as much in the mouth as in the mind. And what we discover are the hesitations, assessments and uncertainties that finally make us fully human. Those quiet moments of revelation and rediscovery that create our lives as much as reflect their circumstances, locating and healing us in their intimate pleasures.

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The story of a man walking down a ramp, After Absalon is the culmination of Simon Okotie’s extraordinary trilogy of novels. Marguerite, a down-at-heel detective, is on the trail of Harold Absalon, the Mayor’s transport advisor, who is missing presumed dead. Encountering a woman in a tight-fitting pinstriped suit entering a pedestrian underpass, he decides to follow her. Pursued in turn, and seemingly losing his mind, the choice he faces is impossible yet unavoidable: does he bring his investigation to a successful conclusion and risk befalling the exact same fate as Harold Absalon?

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Scott Pack: Books of the Year 2018Shortlisted for The Sunday Times Literary Awards (South Africa)Twenty-two-year-old Etienne is studying film in London, having fled conscription in his native South Africa. It is 1986, the time of Thatcher, anti-apartheid campaigns and Aids, but also of postmodern art, post-punk rock, and the Royal Vauxhall Tavern. Adrift in a city cast in shadow, he falls in love with a German artist while living in derelict artists’ communes.When Etienne finds the first of three reels of a German film from the 1930s, he begins searching for the missing reels, a project that turns into an obsession when his lover disappears in Berlin. It is while navigating this city divided by the Wall that Etienne gradually pieces together the history of a small group of Jewish film makers in Nazi Germany.It is a desperate quest amid complications that pull him back to the present and to South Africa. However, his search for the missing film continues.Ambitious and cosmopolitan, the material of S. J. Naudé’s The Third Reel is as disparate as the cities in which the book is set. Architecture, cinematography, sex, music, illness, loss and love all collide in this exquisitely wrought, deeply affecting novel.

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WINNER OF THE BETTY TRASK PRIZE 2019March, 1984. Britain’s miners face political opposition. Soon, the State will confront them, violent forces will be unleashed and the country will change forever.The Newmans have enough on their plate without a strike to contend with. Arthur hates working at the pit, his unhappy wife, Shell, doesn’t know what she wants and their lonely son Lawrence has no say in anything – especially a late night mission to Threndle House, home of disgraced politician Clive Swarsby and his two mysterious children. When Lawrence and Arthur take an abandoned rug from the house, their family is plunged into crisis. Then there is the small matter of the pickets . . .Taking in controversial events such as the Battle of Orgreave, The Litten Path is an exceptional debut set against the sunless landscapes of a country now lost in time. Grimly honest and tender, tough and lyrical, comic and painful, it is about class friction, the clash between the urban and the rural. It is about what happens when a decision is made, when one cannot turn back.

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A post-modern puzzle about self and identity.Alexander embarks on a remarkable experiment, the likes of which no one has attempted before, maybe that's why there is a detective watching him. With Penny, Alexander is a gadfly, mucking her about, unable to see past her beauty; but with Melanie, he has met his match. It is remarkable how quickly the mood shifts from talk of big questions (religion, God, beauty, how mirrors lie) to the perfectly ordinary nuances between a couple.

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Shortlisted for the Collyer Bristow Prizes 2019Shortlisted for The Betty Trask Prize and AwardsLonglisted for The Desmond Elliott Prize 2019John is infinite. He can become any book, any combination of words – every thought, act and expression that has ever been, or ever will be, written. Now 800 years old, John wants to tell his story. Looking back over his life, from its beginnings with a medieval anchoress to his current lodgings beside the deathbed of a Cold War spy, John pieces together his tale: the love that held him together and, in particular, the reasons for a murder that took place in Moscow fifty years earlier, which set in train a shattering series of events.Samuel Fisher’s debut, The Chameleon is a love story about books like no other, weaving texts and lives in a family tale that leads the reader on an extraordinary historical journey, a journey of words as much as of places, and a gripping romance.

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For childminder Bobbi, it’s all about keeping your babies safeWhen professional couple Nikki and Rob uncover their childminder Bobbi’s secret everything changes. Bobbi has a child-shaped hole in her life that her ‘silver fox’ lover can’t fill. Now she is seeking out children once more. Troubled young couple, Kim and Connor are battling with social services to keep their baby, Jade – but they needn’t worry, Bobbi soon arrives to help solve all their problems.

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A fast-paced, darkly funny crime novel set in Interior Alaska that follows down-on-his-luck cabbie, Mike Fisher, as he searches for his daughter. Her step-father has been shot in her bathroom, and Fisher thinks she killed him and fled. In a panic he tries to hide the body, but that’s not easy when it’s fifty-below outside. Things get dangerously complicated when it turns out step-dad was part of a local militia, and now they’re on Fisher’s tail. Dead of Winter evokes the harshness of winter in the ­­­sub‑arctic and the intrigue fostered in a bored, trapped and socially circumscribed small-town community.

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‘Fleshing out the shadowy metaphysical hints of Beckett’s novels, this intellectual romp is the best debut I have read in years’ Nicholas Lezard, The GuardianMonday lunchtime: a bank is being robbed. The gunmen tell everyone to get down on the floor, but an old man refuses. Behind him in the queue is Rada Kalenkova, an investigator for the Office of Assessment, recording everything she sees. Shots are fired and a woman is killed. Or maybe two. But Rada ignores the murders and pursues the old man instead.Nothing about the robbery or the putative killings makes sense. The robbers might be police. The bank manager denies anyone was hurt, despite the blood on the walls. Every subsequent enquiry leads towards Edward Likker, a renowned fixer. But Likker is dead.The Fat of Fed Beasts is an ambitious literary mix of existential uncertainty, murder, bureaucracy, unreliable father figures and disaffected policemen. It asks why we do what we do, whether it matters, and what, if anything, our lives are worth. And it’s funny.‘Ware has an uncluttered prose style and a willingness to stretch the boundaries of fiction. His sensibility is finely tuned to those grey areas of experience where identities shift, where people forget who they really are. No other writer springs to mind as a ready comparison to Ware: already he has defined a unique thematic territory.’ Aiden O’Reilly, The Short Review

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Winner of The Polari First Book Prize 2016Finalist for The People’s Book Prize 2016Shortlisted for the Authors’ Club Best First Novel Award 2016Chosen for City Reads 2016Shortlisted for the Guardian Not the Booker prizeELLE Best Books of 2015The Reading Agency: Books of 2015Mickey Donnelly is smart, which isn’t a good thing in his part of town. Despite having a dog called Killer and being in love with the girl next door, everyone calls him ‘gay’. It doesn’t help that his best friend is his little sister, Wee Maggie, and that everyone knows he loves his Ma more than anything in the world. He doesn’t think much of his older brother Paddy and really doesn’t like his Da. He dreams of going to America, taking Wee Maggie and Ma with him, to get them away from Belfast and Da. Mickey realises it’s all down to him. He has to protect Ma from herself. And sometimes, you have to be a bad boy to be a good son.

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Set between 1989 and the downfall of Ceaușescu, and 2013, The Squeeze travels between Edinburgh, Romania and Oslo and sees this ­multi‑award-winning and bestselling author at the height of her powers.Marta, a teenager trafficked from Romania in the early 1990s is forced to work as a prostitute in Edinburgh. Mats, a Norwegian businessman, who longs only to be a good husband and father, becomes involved with Marta and both their lives are wrenched – for good or ill – in new directions. Told in a splintered narrative style that allows glimpses into several points of view, The Squeeze explores the transactions that take place between men and women. Sex, money and the desire for love, are at its heart.

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Winner of the 2015 International Frank O’Connor Short Story AwardWinner of the 2015 Jerwood Fiction Uncovered PrizeShortlisted for the 2015 Wales Book of the Year: FictionShortlisted for the 2015 Edge Hill Short Story PrizeThe Globe 100: The Best International Fiction of 2017In a remote Australian settlement a young wife with an untellable secret reluctantly invites her neighbour into her home. A Quaker spinster offers companionship to a condemned man in a Colorado jail. In the ice and snows of Siberia an office employee from Birmingham witnesses a scene that will change her life. At a jubilee celebration in a northern English town a middle-aged alderman opens his heart to Queen Victoria. A teenage daughter leaves home in search of adventure. High in the Cumbrian fells a woman seeks help from her father’s enemy.Spare, precise, charged with a prickly wit, the stories in Carys Davies's sparkling second collection remind us how little we know of the lives of others.

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These are tales from the post-industrial scablands – stories of austerity, poverty, masochism and migration. The people here are sick, lonely, lost, half-living in the aftermath of upheaval or trauma. A teacher obsessively canes himself. A neurologist forgets where home is. A starving woman sells hugs in an abandoned kiosk. Yet sometimes, even in the twilit scablands, there’s also beauty, music, laughter. Sometimes a town square is filled with bubbles. Sometimes sisters dream they can fly. Sometimes an old man plays Bach to an empty street, two ailing actors see animal shapes in clouds, a cancer survivor searches for a winning lottery ticket in her rundown flat. And sometimes Gustav Mahler lives just round the corner, hoarding rare records in a Stoke terrace.

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Sennitt Clough's twisty fen-Gothic narratives are filled with macabre imagery and sexual violence. imagine a monstrous fair that has arrived in deepest Cambridgshire, only to discover that the inhabitants are far more frightening than the carnival. Rich in symbolism and mythology, it's a thrilling read that will leave your mind as black as peat.

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Alison Moore’s debut collection, The Pre-War House and Other Stories, gathered together stories written prior to the publication of her first novel.‘The tales collected in The Pre-War House… pick at psychological scabs in a register both wistful and brutal.’ —Anthony Cummins, The Times Literary Supplement‘Moore’s writing is surprising and exact and culminates in the title story, the novella which brings the collection to a powerful crescendo’ —The Arkansas International‘just as uncompromising and unsettling as The Lighthouse… Moore’s distinctive voice commands exceptional power’ —Dinah Birch, The GuardianEastmouth and Other Stories is her second collection, featuring stories published in the subsequent decade, including stories that have appeared in Best British Short Stories, Best British Horror and Best New Horror, as well as new, unpublished work.

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Longlisted for the Authors’ Club Best First Novel Award 2018How to be a Kosovan Bride opens up something entirely new to the reader: the history, culture and stories of one of the newest countries in the world. It weaves together Albanian folktale, stories of Kosovan experience of the war in 1999 and a look into the lives of modern-day Kosovan women. The dark undercurrent of Albanian blood feuds underpins a story about the impact of war and the way that new life can emerge from darkness.It is characterised by striking imagery and daring form.

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Shortlisted for The Authors’ Club Best First Novel Award 2012In the house where Marie lives, the cutlery is running wild …Madness and fairy story creep hand in hand in this darkly comic tale. At the top of a narrow driveway there is a shambling Victorian house full of dust and stairs. The walls inside are ancient emulsion, sloughing off the distemper walls in gorgeous ribbons.The mice that infest the dining room chimney-breast are living out their own dreams and nightmares, learning voodoo and the meaning of love and forgiveness. In The Knife Drawer, dead bodies miraculously vanish as if scraped to nothing by pudding spoons. Marie’s mother has rather lost her wits since she did away with her husband. She could swear they’re out to get her; even the house gets messy on purpose, all by itself. Marie’s twin is living in a hole in the back-garden, small and round as a cherry pip, waiting to be discovered.In The Knife Drawer the steak knives grow so hungry that they scream. When the children murder the rent man, things get a little out of hand …

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Odalisque employs the lyric poem to achieve a complicated and layered narrative. It is, on the surface, the story of an L.A.P.D. bomb squad detective who falls for a street hooker. This transgression leads to his dismissal from the force, but it is only one of many instances in the book of “stepping over the line.” There is also the story of a “scrivener” and an “odalisque,” which is interleaved with the cop’s story and is simultaneous with it. Indeed, it seems as if there are the same story, read as palimpsests of each other. The events are not so much set in Los Angeles as imbedded in it, because the city, with its free-floating mythologies of fame, immigration, identity, and transformation, are central to the tale. However, in Odalisque, the mythology does not match up with the reality, and the characters find themselves strung up “between seeming and being.” The book reads as one long poem presented in 14-line panels or tableaux.

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On the hottest day of the year, Ana Sharma and her mum check in to the Hotel Splendid, a place where bells seem to ring all by themselves, jam pots and milk jugs appear on the breakfast table as if by magic, and things go bump in the night. The Hotel Splendid has a problem. When Ana and Sunny meet, they come up with a solution, but one problem leads to another. Meanwhile, the hotel is harbouring an unexpected guest …

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Michele is a successful business woman with a troubled private life. She has a high-powered job, a family, a husband, yet she is defined by a term of possession: she is ‘Clara’s daughter’. Nameless. When Michele moves her mother into the basement, her husband slams the door and disappears into the night. Michele increasingly hides away upstairs, as Clara weaves her conspiracies beneath.Clara’s Daughter begins in terraced houses and city parks of North London but develops, through sharp-edged monologues and surreal visions, into a primeval stand-off between mother and daughter. Eventually, Clara – the controlling matriarch – finds a way to release her daughter. But can Michele release herself?Meike Ziervogel is a master of suspenseful storytelling. In Clara’s clandestine power games and Michele’s increasingly fraught dealings with both her mother and her own highly-strung sister, Hilary, there emerges a chilling, yet poignant family tableau. Devastating in its psychological insights, Clara’s Daughter reveals unnerving truths about relationship anxieties on many levels, which emerge not only from Ziervogel’s elegant, succinct descriptions, but build steadily from the tense, silent spaces between the unfolding of main events. A divinely-crafted, almost cinematic novella, Clara’s Daughter is at once startling, moving and intensely enduring.

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‘You’ve displeased me. You things always do. Now it’s time for us to part.’ He watched, expressionless, as the thing raised a feeble arm; then he released a handle on the winch. The thing slumped, disappeared into the foot wide gap between the walls. He turned to the pile of loose bricks, looking for his trowel... – from ScarecrowWhen Danny Sanchez, a hard-bitten journalist working in the Almeria region of Spain is sent to cover the demolition of the home of a retired expat couple, he lands a much bigger – and more grisly – story than he bargained for. As the diggers begin to tear down the house, a body, partially decomposed, its face swathed in a strange black sheath, is suddenly revealed dangling in the depths of the brickwork…From the deeply sinister opening pages, Scarecrow draws the reader down an inexorable, tortuous path of discovery and into the gruesome activities of a serial killer so depraved it almost defies comprehension. Via thuggish cowboy builders, a missing drug-addicted teenage boy, and a house with a stinking secret wall, Danny’s scoop of a lifetime becomes a personal crusade to snare the elusive murderer. Alternating between Spain and England, the story takes us into the mind of the complex, highly driven Danny. An expert at ferreting out information from even the most recalcitrant of contacts, this skilled journalist will stop at nothing, even risking his own life, to find the answers that have escaped the authorities for decades.Moving with a Chandleresque efficiency, the narrative is compelling and full of unexpected but highly credible twists; the dialogue stark and often harsh. Pritchard’s mastery lies in the psychology of his characters, his vivid descriptive abilities and his subtle pacing. An essential read for anyone who relishes burning the midnight oil with a superlatively terrifying crime novel, Scarecrow will keep the reader guessing right to the end.

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Long-listed for the 2016 Edge Hill Short Story PrizeSongs of the drowned and a dog with wings…“The world was a grey place once, concrete grey and striped with grey; clay against stone. The pigeons stretched out their scrawny lives and lived as creatures must. Yet they were not hateful birds. They wore their poverty like overcoats; they sat upon the highest places and drizzled the whole world with their compassion. Their souls were dignified as tarnished spoons; pigeons bore witness to the sadness and the tearing of the wind.”By turns tender and unsettling, this book lurks at the tattered edges of the world, where Satan’s daughter wants to die of love and a woman is paralysed with fear in the 24-hours Tesco. There are jokes here too, and you cannot trust the ground beneath your feet. The angels keep stealing God’s fags and the dog is hauled up before a kangaroo court.Fates of The Animals is a book for those who remember fairytales and the TV Test-card; those who like to feel a little uneasy; those who sometimes lie awake in the night.

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Some Bright Elegance is about the changes that are a part of life in the 21st Century. In the book this is explored in relation to the search for meaning and consolation in the wake of bereavement, the memorial role of music, and the effects of social change on local communities. The book is also threaded with imagined scenes centred on those defining moments when people, places or objects take on new significances.

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If You Could See Laughter is Mandy Coe’s first collection of poetry for children. An award-winning poet, Mandy Coe is an educational specialist in poetry in schools and has been commissioned by CBeebies, the Book Trust, the Barbican and National Poetry Day to write poems and educational material for children of all ages. Her poetry has been described as ‘…literally spell-binding’.

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Julian Stannard has been described as the poet of cabaret. His poems sing and weep in equal measure; a poetry of wretchedness and hilarity, of discombobulation and the bizarre. In his new collection a dead brother returns on a white horse, a musical stag slips off to New York, the Kray Twins reappear, a summer pudding is carried across a heath, a pair of buttocks escapes their owner, a couple makes love on a rain-soaked stoop, the Mongols catapult concubines over the parapets, a dead friend walks out of his grave like a twenty-first century Lazarus, a blind boy breaks into the Kelvingrove Gallery and makes off with Salvador Dali’s crucifixion, Ezra Pound – half fish, half man – rises to the surface of the Venetian lagoon, and after ten years in the Cicada Lunatic Asylum the narrator finds peace in the Umbrian town of Bastardo.Please Don’t Bomb the Ghost of my Brother is international in scope and tirelessly ludic. The poems engage with the Covid pandemic, the war in Ukraine and personal loss. Stannard’s poems sing and weep in equal measure: a poetry of wretchedness and hilarity, of discombobulation and the bizarre, mindful of lacerating loss and the redemptive power of strangeness, a special type of humour. They supply a feast of stories.

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Where Richard Skinner’s previous pamphlets, Invisible Sun and Dream into Play, were primarily concerned with the play of light and playfulness respectively, White Noise Machine is mainly concerned with sound. A white noise machine is a device that produces a noise that calms the listener, which in many cases sounds like a rushing waterfall or wind blowing through trees, and other serene or nature-like sounds and Skinner has used this idea to try to create this effect in many of the poems.

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In a radical departure in style and tone, Rob A. Mackenzie’s new collection, Woof! Woof! Woof!, offers biting satire and sweeping social commentary. From the murk of political engagement in an age of offence sensibility, to the bleached-out culture of munificent late-capitalism, Mackenzie’s experimental poems take the reader on an engaging and engaged descent into the sort of purgatory we may never choose to escape from, yet his impish wit offers us all a large dose of saving grace. Sardonic, at times morally exhausted, the poems offer a clear-sighted challenge to the risk of isolationism and powerless relativism.

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The Death Poems: Songs, Visons, Meditations explores death in a range of forms – celebratory, visionary and contemplatively, using subject matter as varied as the dust heaps of remains that accumulated in 19th century London to the environmentally toxic ship graveyards at Alang in India. Formally dazzling, Beirne’s complex and textured meditations are sobering, spiritual and, in the end, sustaining.

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Shortlisted for Best Collection in the British Fantasy Awards 2023Candescent Blooms is a collection of twelve short stories which form fictionalised biographies of mostly Golden Era Hollywood actors who suffered untimely deaths. From Olive Thomas in 1920 through to Grace Kelly in 1982, these pieces utilise facts, fiction, gossip, movies and unreliable memories to examine the life of each individual character set against a Hollywood background of hope and corruption, opportunity and reality.

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‘So, where is he then, your dad?’ The world may be on a precipice but Sol, fresh from Tucson-desert rehab, finally has an answer to the question that has dogged her since childhood. And not a moment too soon. With aviation grinding to a halt in the face of global climate meltdown, this is the last chance to connect with her absentee father, a US marine stationed in Okinawa. To mend their broken past Sol and her lovelorn friend Kit must journey across poisoned oceans to the furthest reaches of the Japanese archipelago, a place where sea, sky and earth converge at the forefront of an encroaching environmental and geopolitical catastrophe; a place battered by the relentless tides of history, haunted by the ghosts of its past, where the real and the virtual, the dreamed and the lived, are ever harder to define.In Dreamtime Venetia Welby paints a terrifying and captivating vision of our near future and takes us on a vertiginous odyssey into the unknown.

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The nation’s favourite annual guide to the short story, now in its tenth year.Best British Short Stories invites you to judge a book by its cover – or, more accurately, by its title. This new series aims to reprint the best short stories published in the previous calendar year by British writers, whether based in the UK or elsewhere. The editor’s brief is wide ranging, covering anthologies, collections, magazines, newspapers and web sites, looking for the best of the bunch to reprint all in one volume.Featuring: Richard Lawrence Bennett, Luke Brown, David Constantine, Tim Etchells, Nicola Freeman, Amanthi Harris, Andrew Hook, Sonia Hope, Hanif Kureishi, Helen Mort, Jeff Noon, Irenosen Okojie, KJ Orr, Bridget Penney, Diana Powell, David Rose, Sarah Schofield, Adrian Slatcher, NJ Stallard, Robert Stone, Stephen Thompson and Zakia Uddin.

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The nation’s favourite annual guide to the short story, now in its eleventh year.Best British Short Stories invites you to judge a book by its cover – or, more accurately, by its title. This critically acclaimed series aims to reprint the best short stories published in the previous calendar year by British writers, whether based in the UK or elsewhere. The editor’s brief is wide ranging, covering anthologies, collections, magazines, newspapers and web sites, looking for the best of the bunch to reprint all in one volume.This new anthology includes stories by Julia Armfield, A.J. Ashworth, Iphgenia Baal, Emma Bolland, Tom Bromley, Gary Budden, Jen Calleja, Robert Dewa, John Foxx, Josephine Galvin, Uschi Gatward, Meave Haughey, Hilaire, Alice Jolly, Isha Karki, Yasmine Lever, Simon Okotie, Mel Pryor, Douglas Thompson and Matthew Turner.

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