Search results for ""David R. Godine Publisher Inc""

These two puzzle-solving classics are sure to enthral junior detective everywhere. Full of hitmen, hoods, sneak-thieves, and kidnappers, the Crime & Punishment books offer mysteries as challenging as any novel. The clues are all here, just waiting for young Sam Spades and Jane Marples to piece together the solutions. Each two-page mystery features a short description of the crime and a detailed drawing of the crime scene, which provide all the facts. Guided by questions, young sleuths can narrow down the evidence and find the culprit.

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Cool logic shattered like a kaleidoscopic image into symmetrical and infinitely meaningless beauties. Published by Black Sparrow Press, 24 Tenth Street, Santa Rosa, CA 95401. Annotation copyright Book News, Inc. Portland, Or.

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“A delight”—BooklistA richly illustrated historical account of English-language dictionaries, and the people who made them, from the dawn of printing to the present day. Dictionaries are repositories of erudition, monuments to linguistic authority, and battlefields in cultural and political struggles. For centuries, they were also works of almost superhuman endurance, produced by people who devoted themselves for years, even decades, to the wearisome labor of corralling, recording, and defining the vocabulary of a language. Dictionaries also are often beautiful objects: typographically innovative, designed to project learning and authority. Painstakingly collected and lovingly presented, here are the stories behind great works of scholarship and the people who produced them—their prodigious endurance, their nationalist fervor, their philological elucubrations haphazardly mixed with crackpot theories, their

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Far-ranging and thought-provoking essays on the relation of art and ethnic identity. This first collection by award-winning author John Yau, drawn from decades of work, includes essays about Black, Asian, Latinx, and Native American artists: sculptors Luis Jimenez and Ruth Asawa; “second generation Abstract Expressionists” such as the Black painter Ed Clark and the Japanese American painter Matsumi Kanemitsu; the performance artists James Luna and Patty Chang; the photographers Laurel Nakadate and Teju Cole; and a generation of Asian American artists that has emerged during the last decade. While identity is at the fore in this collection, Yau’s essays also propose the need for an expansive view of identity, as in the essay “On Reconsidering Identity,” which explores the writings of Lydia Cabrera and Edouard Glissant, and the possibilities of creolisation versus the reductiveness of Aime Cesaire’s Negritude.Please Wait by the Coat Room is for serious readers interested in the art and artists of color that many mainstream institutions and critics misrepresented or overlooked. It presents a view guided by the artists’ desire for autonomy and freedom in a culture that has deemed them undesirable or invisible.

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“Soaked in booze and sadness, psychotic eruptions and hilarity.”—Willy VlautinIn the freewheeling, debaucherous tradition of Charles Bukowski, a taxi driver’s stories from the streets of lowlife Los Angeles—with an introduction by Willy Vlautin. “Dan Fante is an authentic literary outlaw.”—New York Times. Dan Fante lived the stories he wrote. His voice has the immediacy of a stranger of the next barstool, of a friend who lives on the edge. As he writes in Short Dog (the title is street slang for a half-pint of alcohol): I had been back working a cabbie gig as a result of my need for money. And insanity. Hack driver is the only occupation I know about with no boss, and because I have always performed poorly at supervised employment, I returned to the taxi business. The up side, now that I was working again, was that my own boozing was under control and I was on beer only, except for my days off.Fante was the son of famed novelist and screenwriter John Fante, but as the Los Angeles Times wrote, the younger Fante “… allows us a glimpse of the Southern California demimonde that surely escaped his father’s attention.”These outsider stories are raw, vivid, and brutally honest. But even when the stories are fueled by anger and disgust, they are punctuated by unexpectedly funny and dark-humored vignettes. Short Dog is for readers ready for a cab ride on the wild side.

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“Seething Nation! Vast & Flowing! Day & Night & Dawn!” Bold, sweeping, investigative, rhapsodic, hilarious, heart-rendering, thought-provoking, Edward Sanders' three-volume, America: A History in Verse uniquely and brilliantly tells "the story of America...a million stranded fabric / woven by billions of hands & minds”. It is by turns angry, wistful, defiant and extremely funny re-inventions of historical and biographical worlds, a highly original mix of chronicle, anecdote, document, reportage, paean and polemic. Volume 1, 1900-1939 chronicles the birth of the American century through one world war and to the brink of a second. Not since Leaves of Grass has there been such an un-ironic attempt to give voice to “the rhapsody of a great nation / where so many sing without cease / work without halt / shoulder without shudder / to bring the Feather of Justice to every / bell tower, biome & blade of grass / in Graceful America.” Long may Sanders sing our common song, and long may his America “dwell in peace, freedom & equality / out on its spiraling arm / in the Milky Way.”

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“Flows with depth and power....wide-open wonder.”—Washington Post“Simon Van Booy electrifyingly combines story with parable....wise, witty and always breathtakingly beautiful.”—San Francisco Chronicle, Best Fiction of the Year As a writer lies dying, he has one last story to tell: a tale of faith and devotion, a meditation on what lies beyond this life, and a prayer of gratitude that may lead to rebirth. This is Simon Van Booy at his visionary best. “Language is a map leading to a place not on the map,” announces a young writer lying in a hospital bed at the beginning of The Presence of Absence. As he contemplates his impending physical disappearance and the impact on his beloved wife, he realizes, “Life doesn’t start when you’re born . . . it begins when you commit yourself to the eventual devastating loss that results from connecting to another person.” Infused with poetic clarity and graced with humor, Simon Van Booy’s innovative novella asks the reader to find beauty—even gratitude—in the cycle of birth and death. Stripped of artifice, The Presence of Absence is a meditation between the writer and the reader, an imaginative work that challenges the deceit of written words and explores our strongest emotions. Simon Van Booy is not only a master storyteller but a writer whose fiction is rich with philosophical insights into things both mapped and undiscovered. The Presence of Absence parts the darkness to reveal what has been just out of sight all along.

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The story of a man coming into his own by coming home. Since he was a boy, Bill Eville knew he wanted two things in life: to be a writer and a father. Being a minister’s husband had not been on this list, having left the church as a teenager as soon as his parents stopped making him go each Sunday. In Washed Ashore, Eville’s life changes when his wife Cathlin takes a job as the first female pastor of a 350-year-old church on Martha’s Vineyard, the island that was once home to generations of his ancestors. With their two small children in tow, the couple begins a new life eight miles out at sea. Readers follow Eville’s journey from stay-at-home-dad to newspaper editor as he discovers what it means to be a writer, a father, and—after his wife’s devasting breast cancer diagnosis—what it truly means to be a minister’s husband. Washed Ashore, told in a series of linked essays, is poignant and funny, filled with faith, struggle, and light.

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“One of the Year’s Best,” Times Literary Supplement When a writer tracks down his literary hero, Graham Greene, who is living quietly on the shores of the Mediterranean, the author finds his new friend is every bit as complex as the fiction he’s famous for. While living in southern France in 1972, Michael Mewshaw engineered a meeting with Graham Greene. Mewshaw was an ambitious young journalist and novelist, Greene was an internationally revered elder statesman of letters. The pair became fast friends and corresponded for the next twenty years. My Man in Antibes is an intimate portrait of what it was like to eat, drink, and gossip with one of the most revered—and complicated—authors of the twentieth century. Growing up Catholic with literary aspirations, Mewshaw believed Greene was the author to emulate. Not only did Greene demonstrate how religious belief and church dogma could be subjects for fiction, he also wrote murder mysteries and political thrillers where his characters’ inner conflicts played out dramatically in exotic settings. Under Greene’s sway, Mewshaw traveled through Mexico like the whiskey priest in Greene’s The Power and the Glory and honeymooned at the Hotel Oloffson in Haiti, the setting of The Comedians. When Mewshaw tracked down Greene in Antibes, he found the author was far from a reclusive, close-mouthed figure: Greene garrulously recounted tales about the many women in his life—and husbands of those women—as well as his extraordinary interviews with political figures such as Fidel Castro and Ho Chi Minh. Over the next two decades, Mewshaw and Greene ate meals together, discussed their travels, and talked about writers they knew in common, such as Anthony Burgess, Shirley Hazzard, and Gore Vidal. While young Mewshaw looked up to the world-weary Greene, their relationship was never simply that of mentor and mentee. My Man in Antibes bristles with misunderstandings, arguments, and one young writer’s desire to get to know a legendary older writer who, in many ways, actively sought to remain unknowable.

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“Old Poets is an indispensable jewel.” —Washington Post“An astonishing array of encounters...Hall’s observations are shrewd and generous.” —Boston Globe Intimate portraits of great poets in old age, giving new insight into their work and their lives, and context to the often flawless art created by flawed human beings. The best of themselves endure, and the old poets’ existence and endurance gives readers courage to pursue their own vision. Donald Hall (Essays After Eighty and A Carnival of Losses: Notes Nearing Ninety) knew a great deal about work, about poetry, and about age. Each of those things come together in this unique collection. We hear about Robert Frost as Hall knew him: vain and cruel, a man possessed by guilt. But, as Hall writes, “The poet who survives is the poet to celebrate; the human being who confronts darkness and defeats it is the one to admire. For all his vanity, Robert Frost is admirable: He looked into his desert places, confronted his desire to enter the oblivion of the snowy woods, and drove on.”Hall’s essays are once both intimate portraits and learned treatises. He takes us on a pub crawl through the Welsh countryside with the word-mad Dylan Thomas; to the Faber & Faber office of T. S. Eliot, who had discovered more happiness in age than in youth; to a reading where Robert Frost’s public persona hid the truth; to Brooklyn for lunch with the enigmatic Marianne Moore; and to Italy and for a visit with the notorious Ezra Pound. By the time Hall met them, each poet was, he observed, “old enough to have detached from ongoing poetry, to feel alien to the ambitions of the grandchildren.”Also included are portraits of the poets who taught Hall as a writer: the unfailingly kind Archibald MacLeish and Yvor Winters, from whom he learned the most about poetry. Along the way are observations about many other poets and the literary cultures that sustained them.Contents include: “Vanity, Fame, Love, and Robert Frost,” “Dylan Thomas and Public Suicide,” “Notes on T. S. Eliot,” “Rocks and Whirlpools: Archibald MacLeish and Yvor Winters,” “Marianne Moore: Valiant and Alien,” and “Fragments of Ezra Pound.”For lovers of literature, this is a gorgeous remembrance and likely to compel an immediate visit to the poetry section of the nearest bookstore—as Hall writes, “Their presences have been emblems in my life, and I remember these poets as if I kept them carved in stone.”

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“Beautifully written and astutely observed. This is a marvelous book.”—Washington Post“For fans of The Perfect Storm, In the Heart of the Sea, and Bill Bryson on his sassiest days.”—Afar Travel Magazine and GuideAboard a sinking cruise ship, a journalist faces death and reconsiders life. “If you’re looking for a great read, look no further than The Passenger.”—San Francisco ExaminerIn March 2019, the Viking Sky cruise ship was struck by a bomb cyclone in the North Atlantic. Rocked by 50-foot swells and 40-knot gales, the ship lost power and began to drift straight toward the notoriously dangerous Hustadvika coast in Norway. This is the suspenseful, harrowing, funny, touching story by one passenger who contemplated death aboard that ship. Chaney Kwak is a travel writer used to all sorts of mishaps on the road, but this is a first even for him: trapped on the battered cruise ship, he stuffs his passport into his underwear just in case his body has to be identified. As the massive cruise ship sways in surging waves, Kwak holds on and watches news of the impending disaster unfold on Twitter, where the cruise ship’s nearly 1,400 passengers are showered with “thoughts and prayers.” Kwak uses his twenty-seven hours aboard the teetering ship to examine his family history, maritime tragedies, and the failing relationship back on shore with a man he’s loved for nearly two decades: the Viking Sky, he realizes, may not be the only sinking ship he needs to escape.The Passenger takes readers for an unforgettable journey from the Norwegian coast to the South China Sea, from post-WWII Korea to pandemic-struck San Francisco. Kwak weaves his personal experience into events spanning decades and continents to explore the serendipity and the relationships that move us—perfect for readers who love to discover world travel through the eyes of a perceptive and witty observer.

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A must-read for the craftsperson, artisan and artist. “In his beautiful book, Peter Korn invites us to understand craftsmanship as an activity that connects us to others, and affirms what is best in ourselves.”—Matthew Crawford, author of Shop Class as SoulcraftWoodworking, handicrafts —the rewards of creative practice, bringing something new and meaningful into the world through one’s own vision, make us fully alive. Peter Korn explains his search for meaning as an Ivy-educated child of the middle class who finds employment as a novice carpenter on Nantucket, transitions to self-employment as a designer/maker of fine furniture, takes a turn at teaching at Colorado’s Anderson Ranch Arts Center, and finally founds a school in Maine: the Center for Furniture Craftsmanship, an internationally respected, non-profit institution.How does the making of objects shape our identities? How does creative work enrich our communities and society? What does the process of making things reveal to us about ourselves? Korn poignantly probes for answers in this book that is for the artist, artisan, crafter, do-it-yourselfer inside us all.

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“A deft combination of adventure, history, reportage and elegy.”—Washington Post A journey to the coast of North Sentinel Island, home to a tribe believed to be the most isolated human community on earth. The Sentinelese people want to be left alone and will shoot deadly arrows at anyone who tries to come ashore. As the web of modernity draws ever closer, the island represents the last chapter in the Age of Discovery—the final holdout in a completely connected world.In November 2018, a zealous American missionary was killed while attempting to visit an island he called “Satan’s last stronghold,” a small patch of land known as North Sentinel in the Andaman Islands, a remote archipelago in the Indian Ocean. News of the tragedy fascinated people around the world. Most were unaware such a place still existed in our time: an island unmolested by the advances of modern technology.Twenty years before the American missionary’s ill-fated visit, a young American historian and journalist named Adam Goodheart also traveled to the waters off North Sentinel. During his time in the Andaman Islands he witnessed another isolated tribe emerge into modernity for the first time.Now, Goodheart—a bestselling historian—has returned to the Andamans. The Last Island is a work of history as well as travel, a journey in time as well as place. It tells the stories of others drawn to North Sentinel’s mystery through the centuries, from imperial adventurers to an eccentric Victorian photographer to modern-day anthropologists. It narrates the tragic stories of other Andaman tribes’ encounters with the outside world. And it shows how the web of modernity is drawing ever closer to the island’s shores.The Last Island is a beautifully written meditation on the end of the Age of Discovery at the start of a new millennium. It is a book that will fascinate any reader interested in the limits—and dangers—of our modern, global society and its emphasis on ceaseless, unbroken connection.

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The liberating power of anger has rarely felt so good and healing as in this complete collection of a landmark in feminist poetry.“She digs her teeth into the slaveries of woman, she cries them aloud with such fulminating energy that the chains begin to melt of themselves. Reaching into the hive of her angers, she plucks out images of fear and delight that are transparent yet loaded with the darknesses of life. Diane Wakoski is an important and moving poet.”—The New York TimesIn 1971, Diane Wakoski published The Motorcycle Betrayal Poems to tremendous acclaim. In the decades that followed, she wrote additional “betrayal” poems, which are now collected here in one volume for the first time. Relevant, moving—at times shocking—it is Wakoski’s honesty and bravery as an artist that continues to astonish, delight, inspire, and liberate readers.Wakoski responds to betrayal in a variety of ways including fantasies such as drilling bullet holes into the bodies of unfaithful lovers. But even her anger can be winking, as in the book’s sly dedication to “all those men who betrayed me at one time or another, in hopes they will fall off their motorcycles and break their necks.” There is joy here because it is self-knowledge that the writer seeks, as in the collection’s title poem: So some white wolves and I will sing on your grave, old man and dance for the joy of your death. “Is this an angry statement?” “No, it is a statement of joy.” “Will the sun shine again?” “Yes, yes, yes,” because I’m going to dance dance danceDiane Wakoski’s art as a confessional, storytelling poet has rarely been equaled. Her revelations become shared emotional truth with readers. The collection’s new introduction by poet and Green Mountains Review editor Elizabeth A. I. Powell gives context to the long wake of Wakoski’s inspiring influence on generations of readers. Dancing on the Grave of a Son of a Bitch is for anyone who ever lost a love and wishes to embrace the freedom, rather than the pain, it can bring.

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A journey through both family history and the fascinating and quintessentially American history of New England’s Merrimack Valley, its farmers, and the immigrant workers caught up in the industrial textile age. After years of living away, Jane Brox made the decision to return to the family farm of her birth, where her aging father still tended the crops. Brox twines two narratives, personal and historic, as she captures the cadences of farm life and those who sustain it, at a time when the viability of both are waning. Amid the turmoil after her father’s death, Brox begins a search for her family’s story. As Brox explores, she also reflects on the place of the family farm as it evolved from the Pilgrims’ brutal progress at Plymouth to the modern world, where much of our food is produced by industrial agriculture while the family farm is both marginalized and romanticized. In the Merrimack Valley brings togeth

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In the desegregation era of the 1970s, a first grader copes with being bused to a white school in this story for young children about racism and an essential time of change. “One of the Ten Best Books of the Year,” The New York Times.Brewster is excited about starting first grade . . . until Mama announces that he'll be attending Central, a school in the white part of town. Mama says they have art and music and a library bursting with books, but Brewster isn’t so sure he’ll fit in.And he’s right. Being black at a white school isn't easy. Brewster winds up spending his first day in detention at the library. But there he meets a very special person: Miss O’Grady. The librarian sees into Brewster’s heart and gives him not only the gift of books but also encourages Brewster to believe in himself.This is an invaluable, unique, view into a tumultous time and the good that came into the lives of school children.

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A personal look at the buildings that define Yale University through the eyes of alumni. “The Stones of Yale is a delight—fresh and highly observant. I will be turning to its pages again and again, I have no doubt.”—David McCullough Artist Adam Van Doren wanted to know how Yale University’s buildings made people feel to live and to study in them. He spoke to alumni as diverse as actor Sam Waterston, the writer Christopher Buckley, Yale librarian Judith Schiff, former NFL great Calvin Hill, architect Cesar Pelli, among others, about their experiences and illustrates this book in gorgeous watercolor paintings of the buildings of Yale that interest him most. Rather than an architectural analysis of buildings, Van Doren explores the visceral experience of seeing them and being inside them. This is one-of-a-kind approach that will interest anyone who’s felt the intangible power of a building and a place.

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In 1968 the photographer Richard Brown fulfilled a romantic childhood dream when he moved to the Northeast Kingdom, a remote corner of Vermont just barely entering the twentieth century. There he encountered a way of life that was fast disappearing, a land of sheep, cattle, work horses, wood-burning stoves, and small family-run farms far removed from the industrial Northeast. Determined to record it before it disappeared, he saw a pastoral vision where, “for the briefest interval, a window opened and the spirit of Vermont’s past—granite hills cleared and formed, hard lives lived and lost, struggle and endurance, a harsh land made starkly beautiful by nature and man—was made palpable.” He saw the land and also a people whose “endless hours of backbreaking, monotonous work were spent with a quiet ferocity” and who believed their “age-old labors were a struggle waged against time itself – labors that might just hold modernity at bay.” And Brown did record it, with an 8 x 10″ large plate view camera. Not only the hauntingly beautiful landscape but also the people who stayed and worked the stubborn hills and “did so with great but fierce attachment.” This is a great ode to an America that has passed before our eyes almost without comment or notice. It is a valiant, indeed a brilliant, effort to make the past tangible, to bring it back to life.

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“Writing with tenderness and understated humor, Wisnewski portrays disabilities as a simple fact of life—the obstacles that Trio surmounts are less about physical limitation than about learning how to use his body to get where he wants to be.”—Publishers WeeklyOne of the Best Children’s Picture Books of the Year—Kirkus ReviewsMeet Trio, the runt of the litter, born with only three legs, but very much the little cat that could. He lives his life as any other kitten would: pouncing, sneaking, and jumping like any other feline. Trio especially loves playing with the eleven chickens that share the garage and garden, and he is game to try all their activities: digging up bugs, rolling in the dust, and even caring for eggs. The latter requires real effort, especially making it up into the nesting box, but once he figures it out he returns to it faithfully every day. And his persistence pays off. One day, an egg starts hatching beneath him. Little does he know, the chick that pops out will be his best friend.This is a story about diversity, overcoming obstacles, and acceptance. It is a story children will love—and a natural conversation starter with your child about differences.

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A collection of quotations from pundits and poets, artists and authors for dog lovers There’s something new and memorable in here for everyone.James Charlton categorizes quotes into sections to easily locate a message to fit your mood or life circumstance. Lonely? Love and Loyalty. Aging? Old Dogs. Bad day at work? Barking and Biting. Cat scratched your furniture? Dogs Are Better. Despairing? Love a Dog. Witty and tender, with hundreds of quotes to choose from, this book doggedly compiles all the best words ever written or spoken about man’s best friend, all complemented by cartoonist Arnold Roth’s artwork. And remember what Mark Twain said: “Heaven goes by favor; if it went by merit, you would stay out and your dog would go in.”

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An alphabet book that celebrates the birth of the United States of America. Wendell Minor’s bright illustrations and expressive prose introduce young readers to the rich history behind the colonies and Revolutionary Era.A is for “Acts,” the British tax that incited unrest amongst American patriots. Z is for “Zane,” the daughter of Patriot Colonel Zane, Elizabeth, who saves the day by delivering more gunpowder for the deprived troops at Fort Henry. In between, Paul Revere, Mohawk Chief Joseph Brant, the Boston Tea Party, and the Liberty Bell, and many more people, places, and events of the young America grace these pages. A chronological timeline at the end puts all the events in order.

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A child’s art comes to life and takes him on an out-of-this-world adventure. In this bewitchingly wordless black-and-white picture book, one young child explores the boundless reaches of his imagination. Armed only with a pencil and a pad of paper, he transports himself to the moon, the deep sea, and remote jungles where he meets new friends, visits undiscovered words, and makes his way back home again to his own bed before dawn. Damon Lehrer's visual narrative, a penciled mix of line work and detailed graphite drawings, will appeal to readers of all ages who are invited to help tell the story.

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Drop friends a note with these Cape Cod notecards—featuring the photography of Don Krohn. The outside of each card features one of six different photographs (each duplicated once for a total of 12 cards with matching envelopes) that have captured the Cape during summer, its most cherished season. The inside of each card is blank—ready for your message.

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Catie Copley en voyage á Québec Catie Copley est un labrador retriever noir qui mène une vie exceptionnelle en tant qu’Ambassadrice canine au Fairmont Copley Plaza à Boston. Son travail consiste à accueillir les clients, les faire sentir comme à la maison et aider Jim dans son travail de Chef Concierge de l’hôtel. Santol, qui fût entraîné comme chien-guide, tout comme Catie, est son homologue au Fairmont Le Château Frontenac dans la ville de Québec, Canada. Catie est une chienne très distinguée et bien élevée. Elle est surprise le jour où une grosse bête noire et blanche poilue vient la saluer, lui vole son jouet en forme de homard et s’enfuit. Au début, elle est réticente, mais lorsqu’elle apprend à connaître l’exubérant Santol, ils deviennent vite de très bons amis. Elle est triste lorsque son nouvel ami doit repartir chez lui au Canada. Cependant, lorsque Jim lui oVre de l’amener en vacances – à Québec ! – elle est très excitée. Ce sont ses premières vacances et c’est aussi la première fois qu’elle est laissée seule avec des inconnus, dans une ville étrange où on parle une langue diVérente. Santol lui présente des chèvres et des chevaux et lui fait découvrir des odeurs et des aliments intéressants. Catie trouve qu’il y a plein d’occasions pour l’aventure . . . peut-être même un peu trop.

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This selection, chosen by Andrew Motion himself from three decades of work, is an outstanding representation of the British poet’s varied body of work—elegies, sonnets, poems of social and political observation, and unsentimental poems about childhood, post-war England, the natural world. About his poetry, Motion has observed: “I want my writing to be as clear as water. No ornate language; very few obvious tricks. I want readers to be able to see all the way down through its surfaces into the swamp. I want them to feel they’re in a world they thought they knew, but which turns out to be stranger, more charged, more disturbed than they realized. In truth, creating this world is a more theatrical operation than the writing admits, and it’s this discretion about strong feeling, and strong feeling itself, which keeps drawing me back to the writers I most admire: Wordsworth, Edward Thomas, Philip Larkin.” A significant and consistent feature of Motion’s work, throughout his shifts in style and changes in imaginative topographies, is his signature clarity of observation, his unwillingness to sacrifice intelligibility or embrace opacity. “The best poems,” Motion has said, “are those which speak to us about the important things in our lives in a way that we never forget.”

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An account of the arduous journey the Arctic caribou undertake to give birth to their young.

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Share an old-fashioned New England Christmas with your children—back to a time when making the presents was far more satisfying than buying them.Lucy Wells likes planning ahead. In her quaint New England town the leaves have just begun to change, but Lucy is already thinking of Christmas. She begins to make presents for her family: a pincushion for her mother, a doll for her sister, and a pen-wiper for her best friend. For the whole family, her parents have ordered a new modern range stove. The days grow colder and shorter, the snow grows deeper, and everyone grows more excited. Finally, the day arrives Lucy and her family travel to the South Danbury Church on Christmas to exchange gifts, sing carols with the whole town, and perform in the Christmas pageant.Poet laureate Donald Hall (author of The Ox-Cart Man and the companion to this book, Lucy’s Summer) grew up spending as much time as he could on his grandfather’s farm in rural New Hampshire. It was there he milked cows, raised sheep, and heard stories about Christmases past that are brought to life in this read-aloud picture book for young children.

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A stunning collection of photographs by the marine photographer, Norman Fortier. Sailing and sailors, harbors and fishermen—selected from more than 100,000 negatives. It is also a moving and unforgettable evocation of a time and way of life that has already passed into memory. Since 1947, the marine photographer Norman Fortier embraced the south coast of Massachusetts and Rhode Island as his studio and his inspiration. His cameras have captured images of every conceivable description on the waters from Block Island to outer Cape Cod and the offshore islands: yachts and small craft under sail and at anchor; draggers and trawlers bound to and from Georges Bank; runabouts and sportfishermen dockside and at speed; commercial vessels and tall ships. Always, his images capture the beauty and ever-changing moods of the region’s coastline, harbors, and islands Over the years his photographs have appeared in America’s best boating magazines. In 1967 he published his first collection of yachting images, The Bay and the Sound, which rapidly went through four printings. More recently, the New Bedford Whaling Museum celebrated Fortier’s six decades as a professional photographer with a major retrospective exhibition of his work displaying his deep roots in New Bedford, his intense love of Buzzards Bay, the Elizabeth Islands, and surrounding waters, and his uncanny ability to depict the complex interrelationship of humans, boats, and the sea. Beginning with early images of Padanaram Harbor, On the Wind carries the viewer west to Rhode Island Sound and Newport, east to Mattapoisett, Marion, and harbors at the head of Buzzards Bay. Succeeding chapters cover Martha’s Vineyard and the offshore islands, the port of New Bedford and working craft, the grand spectacle that is the New York Yacht Club’s annual summer cruise, and boats designed and built in South Dartmouth by the legendary Concordia Company.

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Story-poems of rural Maine, of neighbors, of seasons, and of life lived slowly and fully.Kate Barnes wrote wise and moving verse as Robert Creeley said, “of a deep and heartfelt clarity.” She lived and wrote on a farm in Appleton, Maine and was the state’s first Poet Laureate. Her poems contain wisdom gently imparted as life lessons. You’ll feel a sense of connection from her work – a connection with the past, with the earth, with her friends, and with the human condition superbly defined.

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With photos and text, Jonathan Williams (poet, publisher, and raconteur) pays tribute to heroes of the spirit from Paul Strand and Buckminster Fuller to Wendell Berry and James Laughlin.

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The eight stories in this collection explore the boundary conditions between self and others. Social realities—racial and ethnic tensions, sexual harassment and abuse—provide the backdrop for struggles that ultimately take place in the heart. While Naslund’s characters accept that their inner tides cannot be brought into obedience, sometimes, in the act of recognizing the force of their own hopes, needs, and fears, they learn to navigate those waters.

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Twelve iconoclastic and eye-opening essays on life and culture.

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A glorious, illustrated, celebration of a lifetime love affair with dining, by the author-illustrator of the classic Madeline series. Here is the best of Ludwig Bemelmans on the subject he loved most: the good table. The entrancing memories and charming pictures collected here transport the reader behind the scenes of the great hotels of Europe and America—including the immortal Hotel Splendide—and such restaurants as the Tour d’Argent in Paris and Le Pavillon in New York. Memorable dishes, the eccentric geniuses of the kitchens who created them, the opulent and often astonishing patrons who ordered them, the legendary wines and the occasions they toasted, are all evoked in rich and piquant flavor. The gifted and exuberant Ludwig Bemelmans was trained as a boy for a career as a restauranteur, and La Bonne Table is in effect his gastonomical autobiography. The high—and sometimes riotous low—points of his life with food, from Austrian cafes to the late, lamented Ritz of New York, are narrated with delight and zest as he celebrates beer and sausages, pressed duck and caviar, and the chefs who cooked for him. He remembers with decidedly mixed emotions the ways of the busboy and the waiter, and the qualities that make up the perfect maitre d’. He muses over great menus and great eaters—and soon makes the reader very hungry. Here, truly, is a feast of reading on the art of dining well.

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Screams from the Balcony is a collection of letters chronicling Charles Bukowski's life as he tries to get published and work at a postal office, all while drinking and gambling.

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