Search results for ""David R. Godine Publisher Inc""

Novelist Robert Olmstead journeys back to his youth on his grandfather’s New Hampshire dairy farm to confront the ghosts that continue to afflict him in this coming-of-age memoir. Robert Olmstead has peopled his fiction with the rough-hewn farmers, loggers, and hired hands of rural New England mountain towns where getting drunk, getting into fights, and getting thrown out of bars are the normal rites of passage. In Stay Here with Me, Olmstead lays bare the acute pain of his father’s alcoholism and the decline of his grandfather, the family patriarch. With delicate sensuality, he also traces the flowering of his first love for a woman who “walks like light would walk if it could.” Authentic, intimate, and intense, Stay Here with Me is about growing up and leaving home and about the acts of rebellion that free the body even as they bind the soul to a place forever. This Nonpa

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The complete guide to achieving classical type and book design with a keyboard and screen.How do we absorb the lessons of the printing tradition’s hot metal past and bring them to the digital era? Distinguished designer Mark Argetsinger guides the reader through every aspect of modern book design and production — from the choosing the proper typeface and leading of type to the choice of paper and specifications for binding. Chapters include “The Classical Tradition,“ “A Short History of Typographical Variations,“ “Desktop Publishing,“ “Composition,“ and “OpenType Fonts and Font Editing.“Illustrated with over 425 images and diagrams, many in color, Argetsinger discusses and delineates typography as a discipline, situating it among other art forms. Two appendices cover the history of cast-type ornaments and of Greek typography. Throughout there is special reference to the historical printers’ grammars—from Moxon to De Vinne—that serve as a present-day apprenticeship in the traditions of classical typography. Whether a novice or an expert, readers will gain a deeper appreciation for text, and all its rules of form, that can make words on a page a joy to the eye.

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BOSTON GLOBE BESTSELLER • LOS ANGELES TIMES BESTSELLER • BOSTON.COM BOOKCLUB SELECTION A celebration and meditation on the season for drinking hot chocolate, spotting a wreath on a neighbor’s door, experiencing the change in light of shorter days. All aspects of Winter, from the meteorological to the mythological, are captured in this masterful essay, told in wise and luminous prose that pushes back the dark. Winter begins with the shortest day of the year before nightfall. As in her companion volume, Summer Solstice, the author meditates on both the dark and the light and what this season means in our lives.“Winter tells us,” Nina MacLaughlin says, “more than petaled spring, or hot-grassed summer, or fall with its yellow leaves, that we are mortal. In the frankness of its cold, in the mystery of its deep-blue dark, the place in us that knows of death is tickled, focused, stoked. The angels sing on the doorknobs and others sing from the abyss. The sun has been in retreat since June, and the heat inside glows brighter in proportion to its absence. We make up for the lost light in the spark that burns inside us.” If Winter is a time you love for its memories and traditions, if you love writing that takes your breath away with lyrical leaps across time and space, Winter Solstice is an unforgettable book you’ll cherish.

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For nearly three decades, Richard Buckner has been traveling the byways of America, often alone and with little more than his guitars and notebooks. Now he’s sharing what he saw, felt, and found.Long admired for his impressionistic and elliptical lyrics, Buckner has more recently found himself pulling off the road to furiously write longer, fuller pieces. Here is a collection of his story-like poems gathered by haunting the public and private fringes of America: fifty studies wrung from thin motel walls and passing hallway echoes; from exchanges overheard between happy hour and closing time; from casually caustic conversations in junker parking lots and hash house booths; and from lost opportunities and vague chance meetings—but also from distant narrators caught staring off to recall what refuses to be forgotten. he’d swallowed her youth in sips so small she wouldn’t notice until it was eventually but-remembered on dark afternoonsWith titles such as “One More Last One,” “Everyone is driven unknowingly to their urges,” and simply “Work,” these are Buckner’s singular reports from a revelatory road. reappraising past decisions in renewable review, demanded by the weight of explanations that can still determine what drove you elsewhere then, now with no-where left to wait. Black Sparrow Press is proud to bring this remarkable debut work of prose-poetry to readers.“During a career spent crisscrossing the country, Buckner has seen plenty. In all those hotels between here and there, at those bars and truck stops and lounges, he would sit and listen . . . Buckner puts that power of observation to good use.”—NPR’s Morning Edition“Cuttings from the Tangle is not the work of a road-weary musician dabbling in another form. This book confirms a truth hinted at all these years in the language of his lyrics: Buckner is a writer.”—Literary Hub

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A stirring memoir of a young, single woman's laborious struggle to save her family’s New England apple farm from going under during the Great Depression. The Orchard is an exquisitely beautiful and poignant memoir of a young woman’s single-handed struggle to save her New England farm in the depths of the Great Depression. Discovered by the author’s daughter after the author’s death, it tells the story of Adele “Kitty” Robertson, young and energetic, but unprepared by her Radcliffe education for the rigors of apple farming in those bitter years of the early 1930s. Alone at the end of a country road, with only a Great Dane for company, plagued by debts, broken machinery, and killing frosts, Kitty revives the old orchard after years of neglect. Every day is a struggle, but every day she is also rewarded by the beauty of the world and the unexpected kindness of neighbors and hired workers. Animated by quiet courage and simple goodness, The Orchard is a deeply moving celebration of decency and beauty in the midst of grim prospects and crushing poverty. In addition to a foreword and epilogue by Betsy Robertson Cramer, the author's daughter, this Nonpareil edition includes a new afterword by award-winning author Jane Brox.

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“Beguiling and informative”—Wall Street JournalLearn to see art as an artist does. Discover how a painting’s composition or a sculpture’s spatial structure influence the experience of what you’re seeing. With an artist as your guide, viewing art becomes a powerfully enriching experience that will stay in your mind long after you’ve left a museum.A visit to view art can be overwhelming, exhausting, and unrewarding. Lincoln Perry wants to change that. In fifteen essays—each framed around a specific theme—he provides new ways of seeing and appreciating art. Drawing heavily on examples from the European traditions of art, Perry aims to overturn assumptions and asks readers to re-think artistic prejudices while rebuilding new preferences. Included are essays on how artists “read” paintings, how scale and format influence viewers, how to engage with sculptures and murals, as well as guides to some of the great museums and churches of Europe.Seeing Like an Artist is for any artist, art-lover, or museumgoer who wants to grow their appreciation for the art of others.

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The first biography of George Rickey, one of the greatest kinetic sculptors of the 20th century. His moving blades, squares, triangles, and circles can be found in museums and public spaces around the world, from bucolic landscapes to the streets of New York City. Now, here is the story of his life, his times, and his vision of balance that created something new―sculpture that is defined by movement.Before his death in 2002, George Rickey created more than 3,000 moving sculptures, including hundreds of major outdoor installations. His “useless machines,” as he called them, achieved complete rotation, used multiple variations of the pendulum, and delighted viewers with the joyride effects of conical movement. George Rickey: A Life in Balance follows the life of a renowned artist―first a painter, then a sculptor―who found inspiration all around him―as a child visiting the Singer Sewing Machine factory managed by his father, in his adventurous youth in the London and Paris art studios of the 1920s, as an engineer in the Army Air Corps during World War II, and later as a pioneer in academic art programs around the United States when he embarked on the sculpture he became famous for.But this is not only the story of a single artist’s creativity and achievement but of Rickey’s life in the larger context of the twentieth century: from Depression-era America to the upheaval of World War II, from the rise of New York as the world’s art capital at mid-century to the tumultuous 1960s, when Rickey emerged as an international figure rubbing elbows with Alexander Calder, David Smith, Christo, and many others. It is also the story of an exceptional marriage and of Rickey’s charismatic, devoted wife, Edith Leighton, who managed her husband’s career and reputation in the high-powered art circles of New York, Berlin, and Los Angeles.Belinda Rathbone (author of The Boston Raphael and Walker Evans: A Biography) has captured the spirit of an artist and his world in this deeply researched and engrossing biography. George Rickey: A Life in Balance is for any reader fascinated by the lives of artists, the creation of enduring art, or twentieth century modernism. Includes 30 photographs that document Rickey’s life and work.

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“Beautifully alive.”—Wall Street JournalWinner of the 2022 Distinguished Book Award from The Society of Colonial WarsA tour through the original thirteen colonies in search of historical sites and their stories in America’s founding. Obscure, well-known, off-the-beaten path, and on busy city streets, here are taverns, meeting houses, battlefields, forts, monuments, homes which all combine to define our country—the places where daring people forged a revolution. There is always something new to be found in America’s past that also brings greater clarity to our present and the future we choose to make as a nation. Author-artist Adam Van Doren traveled from Maine to Georgia in that spirit. There are thirty-seven landmarks included, with fifteen additional locations noted in brief. From the Bunker Hill monument in Massachusetts to the Camden Battlefield Site in South Carolina, this is a tour of an American cultural landscape with a curious, perceptive, and insightful guide. The reader steps inside cabins at Valley Forge where nearly two thousand soldiers perished during a cruel winter, meets the chef at Philadelphia’s City Tavern where the menu is based on 18th century fare, seeks out the Swamp Fox in Georgia, visits the homes of Alexander Hamilton, John and Abigail Adams, the Joseph Webb House on the Connecticut River where French general Rochambeau made plans with Washington, and much more. An unvarnished view, we also see Philipsburg Manor, in Sleepy Hollow, New York, where Blacks were once held as slaves to work in the Hudson River Valley. For armchair travelers and anyone fascinated by Americana, Van Doren (The House Tells the Story: Homes of the American Presidents) has created an unforgettable journey through history. We see the Founders—both their stunning achievements and chilling moral failures—where they lived, fought, and agreed on a common purpose, to create a nation whose future—and legacy—is continually evolving.

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The full, inside story of how the discovery of a previously unknown painting by Raphael, the Italian Renaissance master, went from media sensation to career-destroying scandal.On the eve of its centennial celebrations in December, 1969, the Boston Museum of Fine Arts announced the acquisition of an unknown and uncatalogued painting attributed to Raphael. Boston’s coup made headlines around the world. Soon afterward, an Italian art sleuth began investigating the details of the painting’s export from Italy, challenged the museum’s right to ownership. Simultaneously, experts on both sides of the Atlantic lined up to debate the artwork’s very authenticity.While these contests played themselves out on the international stage, the crisis deepened within the museum as its charismatic director, Perry T. Rathbone, faced the most challenging crossroads of his thirty-year career. The facts about the forces that converged on the museum, and how the

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Summer is fireflies and sparklers. Fat red tomatoes sliced thin and salted. Lemonade and long dreamy days. The treasures of the season are gone much too soon — but they’re captured here, in loving sensuous prose that’s both personal and universal, for you to find any time of year.Experience the most evocative tribute to the meaning of the season, a season whose magical feeling stays with us even in winter. Where does that feeling come from? What is summer made of? The smell of cut grass behind the gasoline of a lawnmower. A crown you’ve made of flowers. Blackberry bush prickers. First hot dog off the grill. Stargazing and sleeping with the windows open. This essay brims with a searching honesty and insight about what this season has meant in our pasts and what it might mean in our lives ahead.Release yourself into the sky and feel, Nina MacLaughlin writes, for a moment: there's time.If summer is the season of your life, if the months between Memorial Day and Labor Day hold your favorite memories, you’ll love Summer Solstice.

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A selection of the greatest sentences by the master, Ernest Hemingway. Sentences that can take a reader’s breath away and are not easily forgotten. Each sentence has been selected and examined by authors such as Elizabeth Strout, Sherman Alexie, Paula McLain, and Russell Banks; filmmakers Ken Burns and Lynn Novick; Seán Hemingway, A. Scott Berg, and many others in this celebration and conversation between Hemingway and some of his most perceptive and interesting readers.“All you have to do is write one true sentence,” Hemingway wrote in his memoir, A Moveable Feast. “Write the truest sentence that you know.” If that is the secret to Hemingway’s enduring power, what sentences continue to live in readers’ minds? And why do they resonant? The host and producer of the One True Podcast have gathered the best of their program (heard by thousands of listeners) and added entirely new material for this collection of conversations about Hemingway’s truest words.From the long, whole-story-in-a-sentence line, “I have seen the one-legged streetwalker who works the Boulevard Madeleine between the Rue Cambon and Bernheim Jeunes’ limping along the pavement through the crowd on a rainy night with a beefy red faced episcopal clergyman holding an umbrella over her.”, to the short, pithy line that closes The Sun Also Rises, “Isn't it pretty to think so?”, this is a collection full of delights, surprises, and insight.“All good books are alike in that they are truer than if they had really happened,” wrote Hemingway. “And after you're finished reading one, you will feel that all that happened to you and afterwards, it all belongs to you.” For readers of American literature, One True Sentence is full of remembrances—of words you read and the feelings they gave you. For writers, this is an inspiring view of an element of craft—a single sentence—that can make a good story come alive and become a great story.

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“Instructive and entertaining.”—Wall Street JournalLearn how to argue from the masters. This book is a complete course on the art of argument, taught by the greatest practitioners of it: Churchill, Lincoln, and hundreds of others from the golden age of debate in England and America. The book’s concise chapters provide lessons in all aspects of give and take—the syllogism and the slippery slope, the argumentum ad hominem and reductio ad absurdum, the fallacy and the insult. Ward Farnsworth shows how the full range of such techniques can be used or repelled, and illustrates them with examples that are fascinating, instructive, and fun to read. The result is a browsable reference in which every page is a pleasure. It will leave you better able to win arguments and to defend yourself under fire. It’s also an entertaining reminder that argument can be a source of beauty and delight. As Farnsworth says of t

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“Must-Read”—Town & CountryA deeply evocative and imaginative portrayal of the life of Isabella Stewart Gardner, a daring visionary who created an inimitable legacy in American art and transformed the city of Boston itself. By the time Isabella Stewart Gardner opened her Italian palazzo-style home as a museum in 1903 to showcase her collection of old masters, antiques, and objects d’art, she was already well-known for scandalizing Boston’s polite society. But when Isabella first arrived in Boston in 1861, she was twenty years old, newly married to a wealthy trader, and unsure of herself. Puzzled by the frosty reception she received from stuffy bluebloods, she strived to fit in. After two devastating tragedies and rejection from upper-society, Isabella discovered her spirit and cast off expectations. Freed by travel, Isabella explores the world of art, ideas, and letters, meeting such kindred spirits as Henry James and Oscar Wilde. From London and Paris to Egypt and Asia, she develops a keen eye for paintings and objects, and meets feminists ready to transform nineteenth century thinking in the twentieth century. Isabella becomes an eccentric trailblazer, painted by John Singer Sargent in a portrait of daring décolletage, and fond of such stunts as walking a pair of lions in the Boston Public Garden.The Lioness of Boston is a portrait of what society expected a woman’s life to be, shattered by a courageous soul who rebelled and was determined to live on her own terms.

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After a sudden and terrible loss, how does a loving family find their way back to the goodness and peace they once shared? Reviewers and readers have called this literary historical novel “hauntingly beautiful,” “a masterpiece of compassion,” “a page-turner and an artistic triumph.”Written by a masterful storyteller, this is a book that illuminates the journey we make through grief to healing.In the midst of a nearly perfect life, Doris Senter is thankful but wary. “We can’t ever know what will come,” she says. When an unimaginable tragedy turns the family of five into a family of four, everything the Senters held faith in is shattered. The family is consumed by sorrow and guilt. Slowly, the surviving family members find their way to forgiveness—of themselves and of each other. Few writers know the human heart and the burden of grief as New York Times bestselling author Meredith Hall (Without a Map). This is a radiant novel of goodness and love—both its gifts and its obligations—that will stay with readers long after the last page. With a rare tenderness and compassion, Beneficence shows broken hearts becoming whole as this family reclaims their love and peace.“People stay together, fall apart, come back together, altered. It is a book about work, about grief, about thick ongoing love. Hall’s prose is hewn, sinewy, with moments of electrifying beauty and grace.”—Boston Globe“One of the best books I've ever read.”—Simon Van Booy“As organically as it traveled to heartbreak, Beneficence progresses to the place of wisdom that lies beyond it, where we learn that a home is part of the ‘vast world of innocence and harm,’ not an island beyond it.”—Wall Street Journal“A modern American masterpiece.”—Dani Shapiro“If the word ‘luminous’ didn’t already exist, you’d have to invent it to describe Meredith Hall’s radiant new novel Beneficence.”—Richard Russo“These voices from the past speak so clearly to our time, at a moment when many of us wonder whether we’ll lose the things that we consider blessings....Beneficence is a quiet but steady book, one that echoes ancient and important rhythms.”—Washington Post“A quiet gem...hard to put down.”—Library Journal“Hauntingly beautiful, emotionally devastating, and infused with great compassion.”—Kim Barnes“With wisdom and compassion, Meredith Hall writes about the capacity for atonement. Goodness. Generosity to see deeply, to live through fear and pain on your journey toward the awareness of splendor.”—Ursula Hegi

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“Seething Nation! Vast & Flowing! Day & Night & Dawn!” Poet Edward Sanders tells the story of America in incandescent verse. Bold, sweeping, investigative, rhapsodic, hilarious, heart-rendering, thought-provoking, Edward Sanders’ three-volume, America: A History in Verse uniquely and brilliantly tells “the story of America...a million stranded fabric / woven by billions of hands & minds.” It is by turns angry, wistful, defiant and extremely funny re-inventions of historical and biographical worlds, a highly original mix of chronicle, anecdote, document, reportage, paean and polemic. Volume 3, 1962-1970 begins with “the time of a randy young president with a bad back / who attracted the squint-eyed scorn / & even the hatred of the / National Security Grouch Apparatus,” of “a strange man named Johnson / & then the reappearance of an even stranger man named Nixon.” It was the time of Vietnam, civil rights, space shots, and evil—”the only word for some of it.” But it was also the time of the poet’s youth and Oh! what bliss to be young, alive, and high in those excruciatingly interesting times, those days “when we searched for meaning / in the sawdust floors of rebel cafés / or the stardust soars of psychedelic haze.” What a whirling hurry of years it was, what a flash of time! And what a necessary, twenty-first-century Whitman Sanders is, channeling Clio for our great nation, ”where so many sing without cease / work without halt / shoulder without shudder / to bring the Feather of Justice to every / bell tower, biome & blade of grass.” Long may Sanders sing us the 1960s, and long may his America “dwell in peace, freedom & equality / out on its spiraling arm / in the Milky Way.”

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“One of the most sinuous stylists and searching minds of the twentieth century.”—Washington Post Forty essays on history, art, and literature to lift your mind and spirit. Guy Davenport provides links between music and sculpture, modernist poets and classic philosophers, the past and present—and pretty much everything in between. Not only had Davenport seemingly read (and often translated from the original languages) everything ever written, he also had the ability, expressed with unalloyed enthusiasm, to draw connections between how cultural synapses make, define, and reflect our civilization.Davenport serves as the reader’s guide through history and literature, pointing out the values and avenues of thought that have shaped our ideas and our thinking. In these forty essays we find fresh thinking on Greek culture, Whitman, Spinoza, Wittgenstein, Melville, Tolkien, Ezra Pound, Wallace Stevens, Charles Olson, Marianne Mo

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A moving and inspiring anthology of masterful essays on stories that touch the hearts and minds of readers. “A writer,” Nobel Prize winner Saul Bellow once said, “is a reader who is moved to emulation.” New York Times bestselling novelist and memoirist Andre Dubus III took that idea and invited acclaimed authors to write about short stories that altered their view of life and their place in it—short stories that, ultimately, made them want to write something substantial themselves. Here is Richard Russo on Shirley Jackson’s “The Lottery,” Joyce Carol Oates on John Updike’s “A&P,” Tobias Wolff on Hawthorne’s “Wakefield,” Michael Cunningham on James Joyce’s “The Dead.” Readers will gain new insight into these masterfully written stories but also on the contributors’ own lives and work. The fifty contributors are T.C. Boyle, Russell Banks, Richard Bausch, Robert Boswell, Charles Baxter, Ann Beattie, Madison Smartt Bell, Ron Carlson, Lan Samantha Chang, Michael Cunningham, Junot Diaz, Anthony Doerr, Emma Donoghue, Stuart Dybek, Dagoberto Gilb, Julia Glass, Mary Gordon, Lauren Groff, Jennifer Haigh, Jane Hamilton, Ron Hansen, Paul Harding, Ann Hood, Pam Houston, Gish Jen, Charles Johnson, Phil Klay, Dennis Lehane, Lois Lowry, Colum McCann, Sue Miller, Rick Moody, Antonya Nelson, Bich Nguyen, Joyce Carol Oates, Stewart O’Nan, Peter Orner, ZZ Packer, Ann Patchett, Edith Pearlman, Jayne Ann Phillips, Kirstin Valdez Quade, Anna Quindlen, Ron Rash, Richard Russo, Dani Shapiro, Mona Simpson, Jess Walter, Tobias Wolff, and Meg Wolitzer. Reaching Inside will remind you why you fell in love with reading.

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A gardener’s pandemic journal that combines memoir with an exploration of the natural world both inside and outside the garden. In March 2020, Margot Anne Kelley was watching seeds germinate in her greenhouse. At high risk from illness, the planning, planting, and tending to seedlings took on extra significance. She set out to make her pandemic garden thrive but also to better understand the very nature of seeds and viruses. As seeds became seedlings, became plants, became food, Kelley looks back over the last few millennia as successions of pandemics altered human beings and global culture. Seeds and viruses serve as springboards for wide-ranging reflections, such as their shared need for someone to transport them, the centrality of movement to being alive, and the domestication of plants as an act of becoming co-dependent. Pandemic viruses only occurred through humankind’s settling down, taking up agriculture, and givin

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“It is a heartbreaking book, a gorgeous book...In Night Came with Many Stars, Van Booy finds the weakness, grace and beauty of common lives fully lived.”—NPR, “Books We Love” “Not to miss!”—USA Today In Kentucky, back in 1933, Carol’s daddy lost his 13-year-old daughter in a game of cards. Award-winning author Simon Van Booy’s spellbinding novel spans decades as he tells the story of Carol and the people in her life. Incidents intersect and lives unexpectedly change course in this masterfully interwoven story of chance and choice that leads home again to a night blessed with light. “What you give in this world,” an old man tells his grandson, “will be given back to you.” Those words illuminate the actions within this unforgettable novel and its connected characters. A young man survives two nearly fatal accidents. A Black family saves an orphaned white boy. A pregnant teenager is rescued by the side of the road. A teenager with developmental disabilities is given his first job. Each incident grows in meaning and power over many decades as we see connections sometimes felt but not always apparent to the people themselves. “Everything was moving,” observes Samuel (Carol’s grandson) in the Kentucky woods. “An invisible force that was everywhere, and made everything touch.” Told by a master storyteller, Night Came with Many Stars is a rare novel that reveals how wondrous, mysterious, and magically connected life can be—the light Simon Van Booy creates illuminates our own lives.

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How do simple words and images make a children’s picture book so magical that one reading can create a cherished memory for life? Here are 100 books that amply prove the picture book is an art form.Here are books you’ll remember and new gems to discover. From The Tale of Peter Rabbit (1901) to Last Stop on Market Street (2015), each of the 100 books is presented with a cover and inside spread as author Chris Loker explains the qualities that combine to make a successful picture book: the interplay between words and images, the dynamic pulse of picture and narrative that compels us to turn the page and follow the story, the sometimes quirky elements that appeal to both children and adults alike. It affirms what we all instinctively know, and have known since childhood — that a picture book is literature, art, and theater all rolled into one, miraculously blended and irresistibly presented.Additionally, A Shimmer of Joy provides an intriguing array of information, not only about the books but also about the authors, artists, publishers, and designers who created them. Along the way, the reader gains insight into the evolving eras of children’s literature and book publishing in the 20th and 21st century, with fascinating stories of its publication history and biographies of the creators.Anyone will gain a new, deeper, appreciation for the picture book while also remembering a time when, sitting in a classroom or on a lap, someone read you a book and opened up your world.For the collector, bibliophile, or children’s book enthusiast, this collection is guaranteed to provide nothing but joy. “All spot-on choices….a shop-window of the creative versatility embedded in children’s picture books over the decades.”—The Book Collector

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“The story of a book-making life.”—New York Times “The lovely colors, tasteful art and elegant typography are an abiding reminder to a hurried world that some gifts of grace endure. That promise is realized in Godine’s books, the gold standard of commercial bookmaking.”—Wall Street Journal David R. Godine, the retired founder of the press, conducts a personal tour of the most memorable books he published during his 50-year career. From his earliest days as a letterpress printer to the present digital era, Godine managed to survive, and sporadically thrive, against all odds and challenges. For more than fifty years, this publishing house tried to make good on the founder’s claim to “Publish books that matter for people who care.” Books that might, and often did, make a difference. In fiction and nonfiction, biography, photography, art and architecture, the graphic arts, children’s books, and more, the company maintained an open door policy, attempting to discover and nurture new talent, rediscovering and reprinting older and unjustly neglected classics. Its program includes first American editions of such acclaimed authors as John Banville, Richard Rodriguez, Noel Perrin, Andre Dubus, Janet Malcolm, and Georges Perec. Its photographers have included Sally Mann, Paul Caponigro, Yousuf Karsh, Nicholas Nixon, George Tice, Rosamond Purcell, Manuel Álvarez Bravo, and Julia Margaret Cameron, among others. Its list of children’s books, with authors and illustrators as diverse as Mary Azarian, Dylan Thomas, Barbara McClintock, Andrea Wisnewski, Edward Ardizzone, William Steig, Daniel C. Beard, Saki, and Frances Hodgson Burnett, have been embraced by reviewers, bookstores, and the public for two generations. Among many others, the Nonpareil list has reprinted the work of Edmund Wilson, George Orwell, Donald Hall, Iris Origo, Paul Horgan, William Gass, Will Cuppy, Ludwig Bemelmans, William Maxwell, Wright Morris, and Paula Fox. The Verba Mundi series introduced American readers to classics of foreign literature by Aharon Appelfeld, Dino Buzzati, Robert Musil, José Donoso, and two Nobel Laureates, J.M.G. Le Clézio and Patrick Modiano.As publishing history, Godine at Fifty presents a record of an era that began in 1970 as the reign of hot metal type that had endured for almost 500 years was coming to an end, when retailers were mostly brick-and-mortar stores, when small publishers thrived, when library purchases were primarily books, and when correspondence was carried on through letters and the telephone. It was an industry that had not substantially changed for a century. So this is, as well, the story of a sea change—in publishing practices, in technology, in retailing, and in corporate structures. Divided into twenty-four chapters and describing almost 300 titles, it remains primarily a personal story—the record, told through the books themselves, of a staunchly independent publisher who pursued his own interests, expanded on his own passions, and took the unconventional position that somewhere out there were probably enough readers that shared his peculiar obsessions to insure his survival. It is also the back story of books and authors, some famous, some little known, who had a story to tell, and what was required to bring that story, through the many and complex dimensions of the publishing process, to the attention of the world.

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In the summer of 1854, Longfellow wrote in his diary "I have at length hit upon a plan for a poem on the American Indians, which seems to me the right one and the only. It is to weave together their beautiful traditions as whole." What emerged the next year was "The Song of Hiawatha," a composite of legends, folklore, myth, and characters that presents, in short, lilting lines (who can forget "By the shore of Gitche-Gumme / By the shining Big-Sea Water"?) the life-story of a real Indian, who provides the focus for the narrative thread of this epic drama of high adventure, tragedy and conflict.The aim was not to tell a particular or specific story but to unite the strands of various Indian legends, to present a sympathetic portrait of many Native American tribes, and especially to disclose their profound relationship with the natural world. This when both government policies and an expanding, land-hungry population were just beginning their inexorable campaign of displacement and annihilation.The poem received a decidedly mixed reception. Our own "Boston Traveller" revealed its biases: "We cannot help but express our regret that our own pet national poet should not have selected as a theme of his muse something better and higher than the silly legends of the savage aborigines." Despite this, the poem entered into our canon of great narratives, and was revived again in 1891 when Remington, surely the most renowned artist of the West, provided with new pen and ink drawings.This handsome new, and freshly reset, edition (the only unabridged version in print) presents the full text, includes all 400 of the original Remington illustrations, and provides an index of the Indian names and their meanings.

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Like a long, funny letter from an old friend, an album of drawings by the legendary singer and activist for social justice, Joan Baez. Since retiring from active performing, Baez has focused her formidable talents on painting and drawing. This collection of drawings shows another side of Baez: lovingly loose and charming sketches on reoccurring themes such as politics, relationships, women, animals, and family. Each section, organized thematically, includes an introductory piece by the artist. Baez approaches her line drawings as exercises in freedom: she begins drawing upside down—often using her non-dominant hand—without any preconceived notion of where the lines might lead her. Beginning with her seminal debut album in 1960, Baez has been a musical force of nature of incalculable influence whose earliest recordings fed a host of traditional ballads into the rock vernacular. In 1963, she introduced Bob Dylan to the world, beginning a tradition of mutual mentoring that continued across her many recordings. As a lifetime advocate for non-violent social change, she marched on the front line of the civil rights movement with Martin Luther King Jr., shined a spotlight on the Free Speech Movement, took to the fields with Cesar Chavez, organized resistance to the Vietnam War, and inspired Vaclav Havel in his fight for a Czech Republic. Am I Pretty When I Fly? reveals yet another side of a beloved icon.

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An intimate, autobiographical poetry collection from legendary artist and activist, Joan Baez. Joan Baez shares poems for or about her contemporaries (such as Bob Dylan, Judy Collins, and Jimi Hendrix), reflections from her childhood, personal thoughts, and cherished memories of her family, including pieces about her younger sister, singer-songwriter Mimi Fariña. Speaking to the people, places, and moments that have had the greatest impact on her art, this collection is an inspiring personal diary in the form of poetry. While Baez has been writing poetry for decades, she’s never shared it publicly. Poems about her life, her family, about her passions for nature and art, have piled up in notebooks and on scraps of paper. Now, for the first time ever, her life is shared revealing pivotal life experiences that shaped an icon, offering a never-before-seen look into the reminiscences and musings of a great artist. Like a late-ni

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Published here for the first time, this text presents a collection of recently-discovered stories by John Fante.

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All roads begin somewhere and today’s U. S. highway system began with an exploratory, cross-country ride, led by 28-year-old Army lieutenant colonel, Dwight Eisenhower. This is the story of that coast-to-coast journey and how the dream of connecting America with roads began. Before he led the liberation of Europe, before he became our nation’s 34th President, Dwight D. Eisenhower’s made a road trip in 1919 from Washington D.C. to California. The expedition proved to be a crucial chapter in the history of America as it laid the groundwork to make automobile travel the fastest and easiest way to move around the country, also setting in motion the nation’s future love affair with cheap crude. The 1919 Transcontinental Motor Convoy of eighty-one trucks and other military vehicles traveled more than 3,000 precarious miles along the most famous road of the day, the Lincoln Highway, which ran between New York City and San Francisc

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In the definitive biography of John Fante, English and film studies professor Stephen Cooper explores the life of a man whose muse was Los Angeles.

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“No one mulling this gentle record will fail to be moved.”—San Francisco Chronicle Poet, publisher, bookseller, activist—this is the story of Lawrence Ferlinghetti, the bookshop he made a landmark in San Francisco, and a life beautifully lived with writers and books.In the mid-1950s a group of San Francisco-based writers emerged as a central force in American letters. Self-styled bohemians, disillusioned with the old American dream of prosperity and conformity, they harangued these “virtues” in their writings. They became known as the Beat Generation. Their ranks included Allen Ginsberg, Jack Kerouac, and Gregory Corso. But the unifying force among them was an unassuming, almost painfully shy young poet named Lawrence Ferlinghetti.As owner of the now legendary City Lights Booksellers and its publishing enterprises, City Lights Publishers and its Pocket Poet Series, Ferlinghetti promoted the writings of his rebellious contemporaries, and continually looked for new talent to publish, while conducting a parallel though more personal search for self-identity through his own work. Although that search began with a lonely, unstable childhood in which he never knew his real parents, it would not become manifest until years later with the 1958 publication of his first collection of poems, A Coney Island of the Mind—that debut would go on to sell more than one million copies and become one of the bestselling and most popular books of poetry ever published. In this, the first biography of Ferlinghetti ever published (originally released in 1979), Neeli Cherkovski recreates those early years of the poet-publisher and examines the content and import of his work. Long out-of-print, this is a crucial literary document by a man who knew the legendary poet-publisher-bookseller intimately.This expanded edition—published just one year after Ferlinghetti’s passing in 2021 at the age of 101—includes a fascinating, hilarious new foreword about how the book came to be written in the late 1970s, an epilogue covering the last forty years of Ferlinghetti’s life, and a personal, tender afterword about the long relationship between the author and his subject.For readers interested in American culture and how a business can make social change, this is an irresistible story of a long life very well lived.

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“Fantastically entertaining and deeply engaging...potent distillations of creative rage, social critique, and subversive wit.”—Washington Post “Terrifying and fearlessly inventive.”—New York TimesThe first complete collection of Wanda Coleman’s original and inventive sonnets. Long regarded as among her finest work, these one hundred poems give voice to loving passions, social outrage, and hard-earned wisdom. Wanda Coleman was a beat-up, broke Black woman who wrote with anger, humor, and ruthless intelligence: “to know, i must survive myself,” she wrote in “American Sonnet 7.” A poet of the people, she created the experimental “American Sonnet” form and published them between 1986 and 2001. The form inspired countless others, from Terrance Hayes to Billy Collins.Drawn from life’s particulars, Coleman’s art is timeless and universal. In “American Sonnet 61” she writes: reaching down into my griot bag of womanish wisdom and wily social commentary, i come up with bricks with which to either reconstruct the past or deconstruct a head.... from the infinite alphabet of afroblues intertwinings, i cull apocalyptic visions (the details and lovers entirely real) and articulate my voyage beyond that point where self disappears These one hundred sonnets—borne from influences as diverse as Huey P. Newton and Herman Melville, Amiri Baraka and Robert Duncan—tell Coleman’s own tale, as well as the story of Black and white America. From “American Sonnet 2”: towards the cruel attentions of violent opiates as towards the fatal fickleness of artistic rain towards the locusts of social impotence itself i see myself thrown heart first into this ruin not for any crime but beingThis is a collection of electrifying truth that only an artist such as Wanda Coleman can deliver.

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“Charming, delightful, and a great companion for gardeners and naturalists alike.”—Booklist Lavender, basil, hyssop, balm, sage, rue — the thinking gardener’s guide to herbs. Writer/naturalist Henry Beston, a founding father of the environmental movement, believed that a strong connection to nature is essential. “It is only when we are aware of the earth and of the earth as poetry that we truly live,” Beston says in his now-classic Herbs and the Earth. In this book, Beston shares one of those connections as seen through the oldest group of plants known to gardeners. “A garden of herbs,” he writes, “is a garden of things loved for themselves in their wholeness and integrity. It is not a garden of flowers, but a garden of plants which are sometimes very lovely flowers and are always more than flowers.” Whether you are already a committed herbalist or ju

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“It is a heartbreaking book, a gorgeous book...In Night Came with Many Stars, Van Booy finds the weakness, grace and beauty of common lives fully lived.”—NPR, “Books We Love” “Not to miss!”—USA Today In Kentucky, back in 1933, Carol’s daddy lost his 13-year-old daughter in a game of cards. Award-winning author Simon Van Booy’s spellbinding novel spans decades as he tells the story of Carol and the people in her life. Incidents intersect and lives unexpectedly change course in this masterfully interwoven story of chance and choice that leads home again to a night blessed with light. “What you give in this world,” an old man tells his grandson, “will be given back to you.” Those words illuminate the actions within this unforgettable novel and its connected characters. A young man survives two nearly fatal accidents. A Black family saves an orphaned white boy. A pregnant teenager is rescued by the side of the road. A teenager with developmental disabilities is given his first job. Each incident grows in meaning and power over many decades as we see connections sometimes felt but not always apparent to the people themselves. “Everything was moving,” observes Samuel (Carol’s grandson) in the Kentucky woods. “An invisible force that was everywhere, and made everything touch.” Told by a master storyteller, Night Came with Many Stars is a rare novel that reveals how wondrous, mysterious, and magically connected life can be—the light Simon Van Booy creates illuminates our own lives.

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“Wesley McNair, an unassuming, avowedly regional pastoral poet from Western Maine, is writing the best poetry of his life—poetry uniquely capable of, and interested in, addressing our larger moment.”—Los Angeles Review of Books Wesley McNair’s story-like poems have long celebrated eccentrics and misfits, the hopeful and the lost, with a tenderness that transcends the everyday. This career-spanning collection brings together his very best poems from the past four decades alongside his newest poems. Since the publication of his first book in the early 1980s, Wesley McNair has earned a reputation as a poet of place, an intimate observer of the speech and character of New England. In fact, McNair’s “place” is unlimited, as he proves in the lucid, far-ranging poems of this volume. “Whole lives fill small lines,” wrote Donald Hall of McNair’s work. He is truly, as Philip Levine wrote, “One of the great storytellers of contemporary poetry.” Late Wonders: New & Selected Poems includes “The Long Dream of Home” the complete trilogy of McNair’s masterful, long narrative poems written over the last thirty years: “My Brother Running,” “Fire,” and “Dwellers in the House of the Lord.” This is a collection for anyone who believes mixing a little sorrow and little comedy makes for poetry that moves the heart.

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“We’re better off for having these men among us.”—Wall Street JournalBefore 9/11, the rugby team at West Point learned to bond on a sports field. This is what happened when those 15 young men became leaders in war. Filled with drama, tragedy, and personal transformations, this is the story of a unique brotherhood. It is a story of American rugby and a story of the U. S. Army created through intimate portraits of men shaped by West Point’s motto: “Duty, Honor, Country.” Some of the players deployed to Afganistan and Iraq, some to Europe. Some became infantry, others became fliers. Some saw action, some did not. One gave his life on a street in Baghdad when his convoy was hit with an IED. Two died away from the battlefield but no less tragically. Journalist Martin Pengelly, a former rugby player himself, was given extraordinary access to tell this story, a story of a brutal sport and even more brutal warfare.

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The fascinating, true, story of baseball’s amateur origins. “Explores the conditions and factors that begat the game in the 19th century and turned it into the national pastime....A delightful look at a young nation creating a pastime that was love from the first crack of the bat.”—Paul Dickson, The Wall Street JournalBaseball’s true founders don’t have plaques in Cooperstown. The founders were the hundreds of uncredited amateurs — ordinary people — who played without gloves, facemasks or performance incentives in the middle decades of the 19th century. Unlike today’s pro athletes, they lived full lives outside of sports. They worked, built businesses and fought against the South in the Civil War.But that’s not the way the story has been told. The wrongness of baseball history can be staggering. You may have heard that Abner Doubleday or Alexander Cartwright invented baseball. Neither did. You may have been told that a club called the Knickerbockers played the first baseball game in 1846. They didn’t. You have read that baseball’s color line was uncrossed and unchallenged until Jackie Robinson in 1947. Nope. You have been told that the clean, corporate 1869 Cincinnati Red Stockings were baseball’s first professional club. Not true. They weren’t the first professionals; they weren’t all that clean, either. You may have heard Cooperstown, Hoboken, or New York City called the birthplace of baseball, but not Brooklyn. Yet Brooklyn was the home of baseball’s first fans, the first ballpark, the first statistics—and modern pitching.Baseball was originally supposed to be played, not watched. This changed when crowds began to show up at games in Brooklyn in the late 1850s. We fans weren’t invited to the party; we crashed it. Professionalism wasn’t part of the plan either, but when an 1858 Brooklyn versus New York City series accidentally proved that people would pay to see a game, the writing was on the outfield wall.When the first professional league was formed in 1871, baseball was already a fully formed modern sport with championships, media coverage, and famous stars. Professional baseball invented an organization, but not the sport itself. Baseball’s amazing amateurs had already done that.Thomas W. Gilbert’s history is for baseball fans and anyone fascinating by history, American culture, and how great things began.

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“Insightful...empathetic...a thoughtful consideration of a topic that will have a substantial impact on our future.”—BooklistReadable Feast, Book Award Winner for Socially Conscious Writing * Civil Eats’ Food and Farming Book Pick Ever wonder if there’s a better way to live, work, and eat? You’re not alone. Here is the story of five back-to-the-land movements, from 1840 to present day, when large numbers of utopian-minded people in the United States took action to establish small-scale farming as an alternative to mainstream agriculture. Then and now, it’s the story of people striving to live freely and fight injustice, to make the food on their table a little healthier, and to leave the planet less scarred than they found it. Throughout America’s history as an industrial nation, sizable countercultural movements have chosen to forgo modern comforts in pursuit of a simpler life. In this illuminating alternative American history, Margot Anne Kelley details the evolution of food-centric utopian movements that were fueled by deep yearnings for unpolluted water and air, racial and gender equality, for peace, for a less consumerist lifestyle, for a sense of authenticity, for simplicity, for a healthy diet, and for a sustaining connection to the natural world.Millennials who jettisoned cities for rural life form the core of America’s current back-to-the-land movement. These young farmers helped meet surges in supplies for food when COVID-19 ravaged lives and economies, and laid bare limitations in America’s industrial food supply chain. Their forebears were the utopians of the 1840s, including Thoreau and his fellow Transcendental friends who created Brook Farm and Fruitlands; the single taxers and “little landers” who created self-sufficient communities at the turn of the last century; Scott and Helen Nearing and others who decamped to the countryside during the Great Depression; and, of course, the hippie back-to-the-landers of the 1970s. Today, food has become an important element of the social justice movement. Food is no longer just about what we eat, but about how our food is raised and who profits along the way. Kelley looks closely at the efforts of young farmers now growing heirloom pigs, culturally appropriate foods, and newly bred vegetables, along with others working in coalitions, advocacy groups, and educational programs to extend the reach of this era’s Good Food Movement. Foodtopia is for anyone interested in how we all might lead much better—and well-fed—lives.

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The 40th anniversary edition of an American classic: a “minority student” pays the cost of social assimilation and academic success with a painful alienation—from his past, his parents, his culture. Exquisitely written, poignant and powerful, unsettling and controversial, this both a profound study of the importance of language and a moving, intimate portrait of a boy struggling to become a man.Forty years ago, readers met the extraordinary writer Richard Rodriguez through the story of his own education. He would go on to win a loyal readership with Days of Obligation: An Argument with My Mexican Father (a finalist for the Pulitzer Prize), Brown: The Last Discovery of America, and Darling: A Spiritual Autobiography. But first came Hunger of Memory, originally published by Godine in 1982. Hunger of Memory is the story of a young Mexican-American, who began school in Sacramento, California knowing just fifty words of English, yet concluded his university studies in the reading room of the British Museum. In between, he fought a dramatic struggle between his public and private self. A longtime resident of San Francisco, and an ardent opponent of easy labels and limited self-conceptions, Rodriguez describes himself as a “queer Catholic Indian Spaniard at home in a temperate Chinese city in a fading blond state in a post-Protestant nation.” Resisting the easy way of following received dogmatic and conventional thought, Rodriguez has also encountered hostility for his provocative positions on issues such as affirmative action and bilingual education. But the extraordinary clarity of his iconoclastic writing—the surprising twists in his thinking, the view of public policy as it limits individual lives, and the story he tells of an American education—have made this book endure for forty years and counting. This edition includes a new afterword by the author as well as an introduction by Phillip Lopate. Whether you’re hearing about Richard Rodriguez for the first time, or have read him for years, whether his life is like your own or far from it, if you care about the power of language and original thinking, you owe yourself to read Hunger of Memory.

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“Ghost of the Hardy Boys is an elegant book, full of charm and pathos and whimsy. The writing is restrained, the characterizations deep and rich, the humor nuanced.”—Washington Post As millions of boys and girls devoured the early adventures of the Hardy Boys, little did the young readers and aspiring sleuths know: the series’ author was not Franklin W. Dixon, as the cover trumpeted. It was Leslie McFarlane, a nearly penniless scribbler, who hammered out the first adventures while living in a remote cabin without electricity or running water in Northern Ontario. McFarlane was among the first bestselling ghostwriters and this, at last, is his story—as much fun as the stories he wrote.In 1926, 23-year-old cub newspaper reporter Leslie McFarlane responded to an ad: “Experienced Fiction Writer Wanted to Work from Publisher’s Outlines.” The ad was signed by Edward Stratemeyer, whose syndicate effectively invented mass-market children’s book publishing in America. McFarlane, who had a few published adventure stories to his name, was hired and his first job was to write Dave Fearless Under the Ocean as Roy Rockwood—for a flat fee of $100, no royalties. His pay increased to $125 when Stratemeyer proposed a new series of detective stories for kids involving two high school aged brothers who would solve mysteries. The title of the series was The Hardy Boys. McFarlane’s pseudonym would be Franklin W. Dixon. McFarlane went on to write twenty-one Hardy Boys adventures. From The Tower Treasure in 1927 to The Phantom Freighter in 1947, into full-fledged classics filled with perilous scrapes, loyal chums, and breakneck races to solve the mystery. McFarlane kept his ghostwriting gig secret until late in life when his son urged him to share the story of being the real Franklin W. Dixon. By the time McFarlane died in 1977, unofficial sales estimates of The Hardy Boys series already topped 50 million copies. Ghost of the Hardy Boys is a fascinating, funny, and always charming look back at a vanished era of journalism, writing, and book publishing. It is for anyone who loves a great story and who’s curious about solving the mystery of the fascinating man behind one of the most widely read and enduring children’s book series in history.

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A milestone of modern poetry, American history comes to life in the actual words of victims and criminals in its courts.Taking as its raw material the voices of witnesses, victims, and perpetrators discovered by the author in criminal court transcripts, Charles Reznikoff’s book-length poem sets forth a stark panorama of late 19th and early 20th century America—the underside of the Gilded Age, beset by racism and casual violence, poverty and disease.In radically stripped-down language of tremendous intensity, Reznikoff’s poem is an unforgettable reading experience. This edition also includes Reznikoff’s prose studies for the poem, unavailable to readers since the 1930s, and a new introduction by critic and essayist Eliot Weinberger.

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The Holocaust memoir of a Dutch family who evaded arrest and deportation by the Nazis. Told through letters, diaries, and interviews, and illustrated with photographs throughout, this detailed account brings a new perspective to one of history’s most horrific chapters. During the Second World War, as the Nazis tightened their grip on the Netherlands, the Jewish population was slowly restricted from public life—everything from owning a bike to having a job was forbidden. Sensing the murderous consequences of deportation, Daphne Geismar’s family—her parents, grandparents, aunts, and uncles—decided to separate and go into hiding. Parents and children were torn apart, living for years in isolation behind a church organ, below floorboards, or even in plain sight. While timelines and notes provide context, we hear the voices of young Mirjam, sent by her parents to live with a family of strangers; Judith whose braids were cut to make her look less Jewish; Nathan, taken in and given false papers by a Dutch soldier. Ordinary people whose collective story is one of resilience and resistance, survival and compassion. “This is an important book because many people don’t know what took place in the Netherlands during the Nazi occupation....[The] fascinating story also highlights the courage of the rescuers involved in that dangerous undertaking. It is a story that must be told to inspire others never to give up even when it seems all is lost.”—Mordecai Paldiel, Former Director, Righteous Among Nations, Yad Vashem For readers of history and memoirs, this family’s story, Invisible Years, challenges readers to follow this example of resistance to inhumanity.

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Make your writing and speech shine like the sun! Here’s the most entertaining and instructive book about both enlivening and clarifying communication with the art of comparison. “Ward Farnsworth is a witty commentator…It’s a book to dip in and savor.”—The Boston Globe.The author of Farnsworth’s Classical English Style and Farnsworth’s Classical English Rhetoric now provides a wide-ranging, practical, tour of metaphors, arranged by theme. Chapters include Sources & Uses of Comparisons, The Use of Nature to Describe Abstractions, Extreme People & States, Circumstances, Personification, and The Construction of Similes.Using hundreds of examples, Farnsworth demonstrates all the different stylistic ways that points can be unforgettably made. There are quotations from novelists, poets, playwrights, philosophers, and orators—along with commentary on how and why they work to bring power to words both in person and on paper. Farnsworth shows how the best writers have put figurative comparisons to distinctive use—for the sake of caricature, to make an abstract idea visible, to make a complicated idea simple. Writers and speakers, this book will make you a star.

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This is an insightful and enlightening look at the life and works of the internationally renowned English garden designer. Rosemary Verey was the last of the great English garden legends. Although she embraced gardening late in life, she quickly achieved international renown. She was the acknowledged apostle of the "English style," the "must have" adviser to the rich and famous - including Prince Charles and Elton John - and a wildly popular lecturer. She was a natural teacher who encouraged her fans to believe that they were fully capable of creating beautiful gardens while validating their quest for a native vernacular, She also re-introduced the English to their own gardening traditions. A demanding taskmaster and a relentless perfectionist, Rosemary Verey, in her life as in her work, was the very personification of the English garden style.

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“Farnsworth beautifully integrates his own observations with scores of quotations from Epictetus, Seneca, Marcus Aurelius, Montaigne and others. This isn’t just a book to read—it’s a book to return to, a book that will provide perspective and consolation at times of heartbreak or calamity.”—The Washington PostSee more clearly, live more wisely, and bear the burdens of this life with greater ease—here are the greatest insights of the Stoics, in their own words. Presented in twelve lessons, Ward Farnsworth systematically presents the heart of Stoic philosophy accompanied by commentary that is clear and concise.A foundational idea to Stoicism is that we appear to go through life reacting directly to events. That appearance is an illusion. We react to our judgments and opinions—to our thoughts about things, not to things themselves. Stoics seek to become conscious of those judgments, to find the irrationality in them, and to choose them more carefully.In chapters including Emotion, Adversity, Virtue, and What Others Think, here is the most valuable wisdom about living a good life from ages past—now made available for our time.

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The bilingual, illustrated, and National Book Award-winning edition of Charles Baudelaire’s masterpiece. The complete French text is accompanied with an English translation by Richard Howard.Charles Baudelaire’s 1857 masterwork was scandalous in its day for its portrayals of sex, same-sex love, death, the corrupting and oppressive power of the modern city and lost innocence, Les Fleurs Du Mal (The Flowers of Evil) remains powerful and relevant for our time.In “Spleen et idéal,” Baudelaire dramatizes the erotic cycle of ecstacy and anguish—of sexual and romantic love. “Tableaux Parisiens” condemns the crushing effects of urban planning on a city’s soul and praises the city’s anti-heroes including the deranged and derelict. “Le Vin” centers on the search for oblivion in drink and drugs. The many kinds of love that lie outside traditional morality is the focus of “Fleurs du Mal” while rebellion is at the heart of “Révolte.” The voice of Baudelaire lives in this award-winning edition that includes monotypes by artist, Michael Mazur. “Howard’s achievement is such that we can be confident that this Fleurs du Mal will long stand as definitive, a superb guide to France’s greatest poet.”—The Nation

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A truly seminal and original thesis, this is a book that should be read by anyone interested in science, myth, and the interactions between the two. In this classic work of scientific and philosophical inquiry, the authors track world myths to a common origin in early man's descriptions of cosmological activity, arguing that these remnants of ancient astronomy, suppressed by the Greeks and Romans and then forgotten, were really a form of pre-literate science. Myth became the synapse by which science was transmitted. Their truly original thesis challenges basic assumptions of Western science and theories about the transmission of knowledge.

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“A delight”—BooklistA richly illustrated historical account of English-language dictionaries, and the people who made them, from the dawn of printing to the present day. Dictionaries are repositories of erudition, monuments to linguistic authority, and battlefields in cultural and political struggles. For centuries, they were also works of almost superhuman endurance, produced by people who devoted themselves for years, even decades, to the wearisome labor of corralling, recording, and defining the vocabulary of a language. Dictionaries also are often beautiful objects: typographically innovative, designed to project learning and authority. Painstakingly collected and lovingly presented, here are the stories behind great works of scholarship and the people who produced them—their prodigious endurance, their nationalist fervor, their philological elucubrations haphazardly mixed with crackpot theories, their

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Far-ranging and thought-provoking essays on the relation of art and ethnic identity. This first collection by award-winning author John Yau, drawn from decades of work, includes essays about Black, Asian, Latinx, and Native American artists: sculptors Luis Jimenez and Ruth Asawa; “second generation Abstract Expressionists” such as the Black painter Ed Clark and the Japanese American painter Matsumi Kanemitsu; the performance artists James Luna and Patty Chang; the photographers Laurel Nakadate and Teju Cole; and a generation of Asian American artists that has emerged during the last decade. While identity is at the fore in this collection, Yau’s essays also propose the need for an expansive view of identity, as in the essay “On Reconsidering Identity,” which explores the writings of Lydia Cabrera and Edouard Glissant, and the possibilities of creolisation versus the reductiveness of Aime Cesaire’s Negritude.Please Wait by the Coat Room is for serious readers interested in the art and artists of color that many mainstream institutions and critics misrepresented or overlooked. It presents a view guided by the artists’ desire for autonomy and freedom in a culture that has deemed them undesirable or invisible.

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