Search results for ""Broadview Press""

Frances Trollope’s Domestic Manners of the Americans, complemented by Auguste Hervieu’s satiric illustrations, took the transatlantic world by storm in 1832. An unusual combination of realism, visual satire, and novelistic detail, Domestic Manners recounts Trollope’s three years as an Englishwoman living in America. Trollope makes the civility of an entire nation the subject of her keen scrutiny, a strategy that would earn her, in the words of the critic Michael Sadleir, “more anger and applause than almost any writer of her day.”Auguste Hervieu’s twenty-four original illustrations, placed and scaled as in the first edition, are included in this Broadview Edition, inviting readers to experience the original relationship of image and text.

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Who is a victim? Considerations of innocence typically figure in our notions of victimhood, as do judgments about causation, responsibility, and harm. Those identified as victims are sometimes silenced or blamed for their misfortune—responses that are typically mistaken and often damaging. However, other problems arise when we defer too much to victims, being reluctant to criticize their judgments or testimony. Reaching a sensitive and yet critical stand on victims’ credibility is a difficult matter.In this book, Trudy Govier carefully examines the concept of victimhood and considers the practical implications of the various attitudes with which we may respond to victims. These issues are explored with reference to a range of complex examples, including child victims of institutional abuse and the famed Rigoberta Menchú controversy. Further topics include the authority of personal experience, restorative justice, restitution, forgiveness, and closure.

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This new anthology offers a wide selection of readings addressing the contemporary moral issues that arise from the division between the Global North and South—“the problem of the color-line” that W.E.B. Du Bois identified at the beginning of the twentieth century and which, on a scale that Du Bois could not have foreseen, is the problem of the twenty-first. The book is interdisciplinary in scope. In addition to standard topical essays in ethical theory by philosophers such as Anthony Appiah, Martha Nussbaum, and Peter Singer, it contains essays from economists such as Amartya Sen, Joseph Stiglitz, and Thomas DeGregori, as well as current empirical data from the World Bank, IMF, United Nations, and other sources.

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These volumes provide an overview of British literature in its social and historical context from the Anglo-Saxon period through to the twenty-first century. They trace literary developments and touch on key developments in the history of the language of print culture. Additionally, they provide essential background for those unfamiliar with the unfolding of British political, social, economic, and cultural history during each of the six periods into which the study of British literature is commonly divided. The material for British Literature: A Historical Overview has been drawn from the general introductions to the six volumes of the acclaimed Broadview Anthology of British Literature.

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Charlotte Perkins Gilman’s provocative utopian novel Herland, first published in 1915, tells its story through the observations of three male explorers who discover a land inhabited solely by women; the women reproduce through parthenogenesis (asexual reproduction). Initially skeptical, the explorers come to realize that Herland has evolved into an ideal, cooperative, matriarchal society—fertile, peaceful, and clean—by selectively reproducing the women’s best attributes. As the explorers study Herland culture, they also rethink their own.This edition reproduces the text originally published in The Forerunner in 1915, including several passages omitted from other editions. Stories, poetry, and nonfiction writing by Gilman on topics such as birth control, capital punishment, and eugenics provide a rich context for the novel. Materials originally published alongside Herland in 1915, many of which have never before been republished, are also included, as is an excerpt from the sequel, With Her in Ourland.

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This collection provides a representative set of theatrical performances popular on the nineteenth-century British stage. All are newly edited critical editions that account for variant sources reflecting the process of rehearsal, licensing, and production. Detailed introductions and extensive notes explain the texts’ relationship to repertoires, the circulating discourses of intelligibility that constantly recombine in performance. The plays address the topical concerns of slavery, imperial conquest, capitalism, interculturalism, uprisings at home and abroad, modernist aesthetic innovation, and the celebration of collective identities. Adaptations from novels, travelogues, and other plays are discussed along with the theatrical history that sustained these works on the stage.

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Edgar Allan Poe’s only long fiction has provoked intense scholarly discussions about its meaning since its first publication. The novel relates the adventures of Pym after he stows away on a whaling ship, where he endures starvation, encounters with cannibals, a whirlpool, and finally a journey to an Antarctic sea. It draws on the conventions of travel writing and science fiction, and on Poe’s own experiences at sea, but is ultimately in a category of its own.Appendices include virtually all of the contemporary sources of exploration and south polar navigation that Poe consulted and adapted to the narrative, together with reviews and notices of Pym and a sampling of responses to the novel from a wide array of authors, from Herman Melville to Jules Verne. Seven illustrations are also included.

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Over a series of elegantly written, engaging essays, the Enquiry examines the experiential and psychological sources of meaning and knowledge, the foundations of reasoning about matters that lie beyond the scope of our sensory experience and memory, the nature of belief, and the limitations of our knowledge. The positions Hume takes on these topics have been described as paradigmatically empiricist, sceptical, and naturalist and have been widely influential and even more widely decried. The introduction to this edition discusses the Enquiry’s origin, evolution, and critical reception, while appendices provide examples of contemporary responses to Hume.

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The Victorian Art of Fiction presents important Victorian statements on the form and function of fiction. The essays in this anthology address questions of genre, such as realism and sensationalism; questions of gender and authorship; questions of form, such as characterization, plot construction, and narration; and questions about the morality of fiction. The editor discusses where Victorian writing on the novel has been placed in accounts of the history of criticism and then suggests some reasons for reconsidering this conventional evaluation. Among the featured essayists and critics are John Ruskin, Walter Bagehot, George Henry Lewes, Leslie Stephen, Anthony Trollope, and Robert Louis Stevenson; the classic essays include George Eliot’s “Silly Novels by Lady Novelists” and Henry James’s “The Art of Fiction.”

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The Modern English Structures Workbook parallels the text, Modern English Structures, and provides useful training both in memorization and in higher-order thinking skills.

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“Michael Field” was the literary pseudonym of two women, Katharine Bradley (1846-1914) and her niece Edith Cooper (1862-1913). The women were poets, playwrights, diarist, and lovers who lived and wrote together during the final decades of the nineteenth century up to World War I. Their arresting poetry has recently gained them a place in the canon, and their extensive engagement with other writers puts them at the centre of fin de siècle literary culture.This Broadview Edition offers selections from all published books of poetry by Michael Field, and a substantial section of transcriptions from largely unpublished manuscript letters and diaries that gives insight into the extraordinary life and work of the authors. A critical introduction, bibliography, and selection of contemporary reviews are also included.

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Vernon Lee writes in the Preface to Hauntings, "My ghosts are what you call spurious ghosts... of whom I can affirm only one thing, that they haunted certain brains, and have haunted, among others, my own." First published in 1890, Lee's most famous volume of supernatural tales occupies a special place in the literature of the fantastic for its treatment of the femme fatale and the allure of the past, along with the themes of thwarted artistic creativity and psychological obsession. This collection, which includes the four stories originally published in Hauntings and three others, enables readers to consider Lee's work anew for its subtle redefinitions of gender and sexuality during the Victorian fin-de-siècle. The appendices, which include extensive excerpts from writings by Lee's predecessors and peers, including Algernon Charles Swinburne, Walter Pater, and Lee's brother Eugene Lee-Hamilton, allow the reader to see how Lee takes on the themes and preoccupations of the late-Victorian period but adapts them to her own purposes.

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During the British women's suffrage campaign of the late nineteenth and early twentieth centuries, women wrote plays to convert others to their cause; they wrote essays to justify their militant actions; and they wrote fiction and poetry about their prison experiences.This volume is a diverse collection of these writings, focused on the women's suffrage campaign in England and written primarily during the brief period between the New Woman writers of the 1890s and the modernists of the twentieth century. Many of these works have not been reprinted since they were first published.This important collection includes essays reflecting a variety of opinions and political positions; excerpts from autobiographies by women involved in the movement; suffrage poetry; the song that became the official song of the British suffrage movement; several one-act plays that were written and performed specifically to advance the suffrage cause; and short stories and excerpts from novels about suffrage.

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The Aesthetics of Natural Environments is a collection of essays investigating philosophical and aesthetics issues that arise in our appreciation of natural environments. The introduction gives an historical and conceptual overview of the rapidly developing field of study known as environmental aesthetics. The essays consist of classic pieces as well as new contributions by some of the most prominent individuals now working in the field and range from theoretical to applied approaches.The topics covered include the nature and value of natural beauty, the relationship between art appreciation and nature appreciation, the role of knowledge in the aesthetic appreciation of nature, the importance of environmental participation to the appreciation of environments, and the connections between the aesthetic appreciation of nature and our ethical obligations concerning its maintenance and preservation.This volume is for scholars and students focussed on nature, landscapes, and environments, individuals in areas such as aesthetics, environmental ethics, geography, environmental studies, landscape architecture, landscape ecology, and the planning and design disciplines. It is also for any reader interested in and concerned about the aesthetic quality of the world in which we live.

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The publication of The Broadview Anthology of Seventeenth-Century Verse and Prose is a literary event; this comprehensive volume is the first anthology of the period to reflect the breadth of seventeenth-century studies in recent decades. Over one hundred writers are included, from John Chamberlain at the beginning of the century to Elisabeth Singer Rowe at its end. There are generous selections from the work of all major writers, and a representation of the work of virtually every writer of significance. The work of women writers figures prominently, with extensive selections not only from canonical writers such as Behn and Bradstreet, but also from other writers (such as Katherine Philips and Margaret Cavendish) who have been receiving considerable scholarly attention in recent years.The anthology is broadly inclusive, with writing from America as well as from the British Isles. Memoirs, letters, political texts, travel writing, prophetic literature, street ballads, and pamphlet literature are all here, as is a full representation of the literary poetry and prose of the period, including the poetry of Jonson; the prose of Bacon; the metaphysical poetry of Donne, Herbert, Marvell, and others; the lyric verse of Herrick; and substantial selections from the poetry and prose of Milton and Dryden. (While Samson Agonistes is included in its entirety, Milton’s epic poems have been excluded, in order to allow space for other works not so readily accessible elsewhere.)The editors have included complete works wherever possible. A headnote by the editors introduces each author, and each selection has been newly annotated.

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Winner of the 2003 Silver Medal for Gay/Lesbian Fiction, ForeWord MagazineImre is one of the first openly gay American novels without a tragic ending. Described by the author as “a little psychological romance,” the narrative follows two men who meet by chance in a café; in Budapest, where they forge a friendship that leads to a series of mutual revelations and gradual disclosures. With its sympathetic characterizations of homosexual men, Imre’s 1906 publication marked a turning point in English literature. This edition includes material relating to the novels origins, contemporary writings on homosexuality, other writings by Prime-Stevenson, and a contemporary review.

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The concept and values of wilderness, along with the practice of wilderness preservation, have been under attack for the past several decades. In Rethinking Wilderness, Mark Woods responds to seven prominent anti-wilderness arguments. Woods offers a rethinking of the received concept of wilderness, developing a positive account of wilderness as a significant location for the other-than-human value-adding properties of naturalness, wildness, and freedom. Interdisciplinary in approach, the book combines environmental philosophy, environmental history, environmental social sciences, the science of ecology, and the science of conservation biology.

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Logical Options introduces the extensions and alternatives to classical logic which are most discussed in the philosophical literature: many-sorted logic, second-order logic, modal logics, intuitionistic logic, three-valued logic, fuzzy logic, and free logic. Each logic is introduced with a brief description of some aspect of its philosophical significance, and wherever possible semantic and proof methods are employed to facilitate comparison of the various systems. The book is designed to be useful for philosophy students and professional philosophers who have learned some classical first-order logic and would like to learn about other logics important to their philosophical work.

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The Rebel of the Family (1880) is the first New Woman novel by Eliza Lynn Linton. Perdita Winstanley, the novel’s protagonist, struggles to balance the competing demands of her snobbish, conservative mother and sisters, her radical friends in the women’s rights movement, and an admirable but low-born chemist and his family. The Rebel of the Family also includes what is perhaps the first literary portrait of the late-Victorian lesbian community in London, featuring Bell Blount and her “little wife” Connie. This Broadview edition includes a critical introduction and appendices that help to set the work in its historical and literary contexts.

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The Monk is the most sensational of Gothic novels. The main plot concerns Ambrosio, an abbot of irreproachable holiness, who is seduced by a woman (or perhaps a demon) disguised as a novice, and who goes on to sell his soul to the Devil. An extravagant blend of sex, death, politics, Satanism, and poetry, the work greatly appealed to the Marquis de Sade.The Broadview edition includes a critical introduction and appendices of historical materials that address the novel's literary sources (in English, German, and Greek literature), historical contexts (the French Revolution, slavery and abolition debates, sexuality), critical reception, and influence.

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One of Joseph Conrad’s greatest novels, Lord Jim brilliantly combines adventure and analysis. Haunted by the memory of a moment of lost nerve during a disastrous voyage, Jim submits to condemnation by a Court of Inquiry. In the wake of his disgrace he travels to the exotic region of Patusan, and as the agent at this remote trading post comes to be revered as ‘Tuan Jim.’ Here he finds a measure of serenity and respect within himself. However, when a gang of thieves arrives on the island, the memory of his earlier disgrace comes again to the fore, and his relationship with the people of the island is jeopardized.This new Broadview edition is based on the first British edition of 1900, which provides the historical basis for the accompanying critical and contextual discussions. The appendices include a wide variety of Conrad’s source material, documents concerning the scandal of the Jeddah, along with other materials such as a substantial selection of early critical comments.

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There are numerous introductions to poetry and prosody available, but none at once so comprehensive and so accessible as this. With the increasing emphasis on free verse, the past generation has developed a widespread impression that the study of poetic meter is old fashioned—or even that form ‘doesn’t matter’ in poetry. It is an impression that has not been dispelled by the emphasis of some of the existing texts in the area on forms that are now rare or outmoded. The irony is that simultaneously in the past decade interest in formal matters among many poets and literary scholars has been on the increase; the reality is that prosody is today on the cutting edge of literary studies.Stephen Adams’ text provides a full treatment of traditional topics, from the iambic pentameter through other accentual-syllabic rhythms (trochaic, dactylic and so on) and covering as well other metrical types, stanza structure, the sonnet and other standard forms. Adams also includes a variety of topics not covered in most other introductions to the topic; perhaps most significantly, he provides a full chapter on form in free verse. Moreover, he treats rhyme extensively and includes a comprehensive chapter on literary figures. Poetic Designs is thus much more that an introduction to prosody; it is a concise but comprehensive introduction to the nature of poetry in English. It is a book for the general reader and the aspiring writer as well as for the student, a book intended (in the words of the author) to help ‘heighten the experience of poetry.’

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The Broadview Anthology of Victorian Poetry and Poetic Theory is the most comprehensive collection of poetry from the period ever published. Included are generous selections from the work of all major poets, and a representation of the work of virtually every poet of significance, from Thomas Ashe at the beginning of the era to Charlotte Mew at its end. The work of Victorian women poets features very prominently, with extensive selections not only from canonical poets such as Elizabeth Barrett Browning and Christina Rossetti, but also from poets such as Augusta Webster for which high claims have recently been made by critics. The anthology reflects (and will contribute to) the ongoing reassessment of the canon that is central to English Studies today; in all, sixty-six poets are represented.The editors have included complete works wherever feasible — including the complete texts of Tennyson’s In Memoriam and of a number of other long poems. A headnote by the editors introduces the work of each poet, and each selection has been newly annotated.The inclusion of twenty-five selections of the poetic theory from the period is an important feature rounding out the anthology.This anthology is also available in a concise edition.

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In 1906, two years after the appearance of her best-known novel, The Imperialist, Duncan published its darker twin, an Anglo-Indian novel which returns to political themes but with a deeper and more clinical irony than in her previous work. Set in Authority is about illusions: the imperial illusions of those who rule and are ruled; the illusions of families about their members; the illusions of men and women about each other. The setting moves between the political drawing rooms of London and the English station at Pilaghur in the province of Ghoom, where the murder of a native by an English soldier changes the lives of a cast of ruthlessly observed characters.Duncan, who grew up in Ontario, led a remarkably varied life, working as a political correspondent (writing for the Washington Post, the Toronto Globe and the Montreal Star) and living in India for over twenty years. She is increasingly being regarded as deserving of a place among the first rank of nineteenth- and early twentieth-century novelists; the re-publication of Set in Authority will do nothing to dispel that view.

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The Discourse on the Method for Reasoning Well and for Seeking Truth in the Sciences offers a concise presentation and defense of René Descartes' method of intellectual inquiry - a method that greatly influenced both philosophical and scientific reasoning in the early modern world. Descartes's timeless writing strikes an uncommon balance of novelty and familiarity, offering arguments concerning knowledge, science, and metaphysics (including the famous ""I think, therefore I am"") that are as compelling in the 21st century as they were in the 17th.Ian Johnston's new translation of the original French text is modern, clear, and thoroughly annotated, ideal for readers unfamiliar with Descartes' intellectual context. An approachable introduction engages both the historical and the philosophical aspects of the text, helping the reader to understand the concepts and arguments contained therein.

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How much should we trust the polls on the latest electoral campaign? When a physician tells us that a diagnosis of cancer is 90% certain or a nutritionist tells us what is healthy to eat, what should we believe? Questions such as these are greatly important, yet many of us have only a vague sense of how to answer them. In Is That a Fact?, Mark Battersby aims not only to explain how to identify misleading statistics and research, but also to give readers the understanding necessary to evaluate and use statistical information in their own decision making. This second edition is revised and updated throughout and includes a new chapter on weighing risk in personal and public decision making.

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Book History has emerged as one of the most exciting new interdisciplinary fields of study in the humanities. By focusing on the production, circulation and reception of the book in all its forms, it has transformed the study of history, literature and culture. The Broadview Book History Reader is the most complete and up-to-date introduction available to this area of study.The reader reprints 33 key essays in the field, grouped conceptually and provided with headnotes, explanatory footnotes, an introduction, a chronology, and a glossary of terms.

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Composed in French in twelfth-century England, these twelve brief verse narratives center on the joys, sorrows, and complications of love affairs in a context that blends the courtly culture of tournaments and hunting and otherworldly elements such as self-steering boats, shape-shifting lovers, and talking animals. Popular with readers across countries and languages since their composition, the Lais have made their author, Marie, one of the most famous women writers of the Middle Ages, renowned for her brilliant use of language and cultural allusion as well as her keen eye for human behavior.This new edition provides a complete facing-page edition with the original text alongside a new modern English translation. A single manuscript, Harley 978, is used as the copy text. Appendices include contemporary literature on love, animals, and courtly life, as well as a list of textual variants in other manuscripts.

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This volume includes the text of Twelfth Night as prepared and annotated by David Swain for The Broadview Anthology of British Literature, and is accompanied by the excellent introduction and supplementary materials from the anthology. The diverse and extensive appendices acquaint readers with Shakespeare’s sources and contextualize the play within Elizabethan society. The appendices include an excerpt from Barnabe Riche’s “Of Apollonius and Silla,” Shakespeare’s primary source of inspiration for the play; selections from Galen, Plato, and others illustrating Elizabethan attitudes toward gender and sexuality; excerptions illuminating contemporary moral discomfort with the theatre, such as Philip Stubbes’s “Of Stage-plays and Interludes, with their wickedness”; and pieces on music and duelling that illustrate cultural conventions important to the interpretation of Twelfth Night.This is one of several Broadview Anthology of British Literature Editions being released this year; those wishing to teach the text will have the option of including the convenient stand-alone book as part of a specially-priced shrink-wrapped package together with a volume of the anthology.

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Robinson Crusoe is one of the most famous literary characters in history, and his story has spawned hundreds of retellings. Inspired by the life of Alexander Selkirk, a sailor who lived for several years on a Pacific island, the novel tells the story of Crusoe's survival after shipwreck on an island, interaction with the mainland's native inhabitants, and eventual rescue. Read variously as economic fable, religious allegory, or imperialist fantasy, Crusoe has never lost its appeal as one of the most compelling adventure stories of all time.In addition to an introduction and helpful notes, this Broadview Edition includes a wide range of appendices that situate Defoe's 1719 novel amidst castaway narratives, economic treatises, reports of cannibalism, explorations of solitude, and Defoe's own writings on slavery and the African trade. A final appendix presents images of Crusoe's rescue of Friday from a dozen of the most significant illustrated editions of the novel published between 1719 and 1920.

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This is a new critical edition of Berkeley’s 1734 (third edition, first 1713) Three Dialogues, a text that is deservedly one of the most challenging and beloved classics of modern philosophy. The heart of the work is the dispute between materialism and idealism, two fundamentally opposed positions that are embodied by Hylas and Philonous, the characters in this philosophical drama. The book is packed with brilliant arguments and counter-arguments of an extraordinarily sophisticated nature. Amid all this philosophical swordplay one would think that there could be scant room for the characters to develop any sort of personality. Yet in Berkeley’s hands, and with his literary gifts, the interlocutors are both vivid and funny.The dialogue deals with some of the most important perennial problems of philosophy, including: the materialism-idealism dispute, skepticism in rationalist and empiricist epistemology, the conflict over apriorism and aposteriorism, rationalism versus empiricism, the existence and nature of God, the philosophy of science, philosophy of mathematics, abstract general ideas, the role of perception in human knowledge, and the metaphysics of causation.This edition combines a usefully annotated version of Berkeley’s complete original text with a substantial critical introduction, a chronology of events in Berkeley’s life and career, and supplementary annotated appendices of original sources from thinkers relevant to Berkeley’s work.

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The Basset Table follows the fortunes of Lady Reveller, who runs a table where her friends play the card game basset, and her struggle to avoid marrying Lord Worthy. Meanwhile, Lady Reveller's cousin, Valeria, spends her time conducting scientific experiments and dissections, but her father intends to marry her off to the bluff sea-captain Hearty. How can Lady Reveller be persuaded to forego the delights of gambling? And how can Valeria avoid an unwanted marriage? This witty play paints a seductive picture of the thrills of the Restoration gaming table and challenges contemporary stereotypes of the learned lady.Appendices to this Broadview Edition include materials on female education, gambling, and writing for the stage, as well as eighteenth- and nineteenth-century critical writing on Centlivre and The Basset Table.

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Born to a petty thief in London’s notorious Newgate prison and determined to make her way in a rapacious and materialistic society, Moll Flanders recounts the “fortunes and misfortunes” of her turbulent life in this 1722 novel. Though Moll Flanders was shaped by the conventions of criminal biography, Defoe also drew on other literary traditions and his own rich background to create a remarkably original—and still controversial—work. In addition to a critical introduction and substantial footnotes, this Broadview edition provides a wide range of writings by Defoe as well as contemporary responses to Moll Flanders. Other appendices include a selection of eighteenth-century writings on crime, prisons, and the Virginia colony.

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Increasingly Aphra Behn—the first woman professional writer—is also regarded as one of the most important writers of the 17th century. The Rover, her most famous and most accomplished play, is in many ways firmly in the tradition of Restoration drama; Willmore, the title character, is a rake and a libertine, and the comedy feeds on sexual innuendo, intrigue and wit. But the laughter that the play insights has a biting edge to it and the sexual intrigue an unsettling depth. Anne Russell points out in her introduction to this edition, there are three options for women in the society represented in The Rover: marriage, the convent, or prostitution. In this marriage economy the witty and pragmatic virgin Hellena learns how to survive, while the prostitute Angellica Bianca can retain her autonomy only so long as she remains free from romantic love. It seems that in this world women can only be free by the anonymity of disguise—yet the mask is also the mark of the prostitute. And, paradoxically, disguise is the device that in many ways drives the plot towards marriage.Enormously popular through the eighteenth century, The Rover is now once again widely performed. Filled with the play of ideas, it is one of the most amusing, entertaining—and unsettling—of comedies.

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Delarivier Manley is increasingly coming to the fore as a prominent figure in early eighteenth-century fiction, and The Adventures of Rivella in particular has been attracting attention not only as an important example of amatory fiction, but also as an early autobiographical novel. At one level, Sir Charles Lovemore tells the story of Rivella’s life to his friend, the Chevalier d’Aumont; at another, Manley uses the male persona to portray herself as an unrivalled literary goddess of love, repudiating conventional equations of woman, writer, and whore, and refusing to confuse chastity with moral integrity.

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Using Beaumont’s classic story as a touchstone, this work shows how “Beauty and the Beast” takes on different meanings as it is analyzed by psychologists, illustrated in picture books, adapted to the screen, and rewritten by contemporary writers.The Meanings of “Beauty and the Beast” provides expert commentary on the tale and on representative critical approaches and contemporary adaptations. This book also includes a variety of original source materials and twenty-three colour illustrations.The Meanings of “Beauty and the Beast” is for any reader who wishes to explore this classic, endlessly rich fairy tale.

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Both a witty satire of literary cliché and a tender meditation on the varieties of love, As You Like It continues to be one of Shakespeare’s most beloved and widely performed comedies. In the introduction to this new edition, David Bevington traces the complex relationships between the characters in the play, and explores the history of its criticism from Samuel Johnson to the twenty-first century.As part of the newly launched Broadview Press / Internet Shakespeare Editions series, this edition features a variety of interleaved materials—from facsimile pages, diagrams, and musical scores to illustrations and extended discussions of myth and folklore—that provide a context for the social and cultural allusions in the play. Appendices offer excerpts from Shakespeare’s key sources and influences, including Thomas Lodge’s Rosalind and Ben Jonson’s Every Man in His Humor.A collaboration between Broadview Press and the Internet Shakespeare Editions project at the University of Victoria, the editions developed for this series have been comprehensively annotated and draw on the authoritative texts newly edited for the ISE. This innovative series allows readers to access extensive and reliable online resources linked to the print edition.

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This brief spiral-bound booklet provides a portable, scannable, and simple guide to the basics of argumentative essay writing. Designed to complement in-depth classroom instruction, it serves as a portable resource that students can use on their own or in class for quick, step-by-step guidance on how to plan, research, write, and edit argumentative essays. Advice on avoiding plagiarism and documenting sources is included, along with up-to-date MLA and APA citation guidelines and a sample essay. Laminated for convenience and durability, the booklet is intended as a lasting reference tool that students can use throughout their academic studies. Additional resources, including an essay outline tool and grammar exercises, are provided on a free companion website.

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Twelfth Night has seldom been off the stage since Shakespeare’s day. It has been performed for its romantic high comedy and its boisterous low comedy; with an emphasis on farce or on autumnal melancholy; as straightforward celebration of heterosexual love and marriage or as exploration of the complexity of gender. David Carnegie and Mark Houlahan’s introduction to the play provides a lively discussion of the play’s performance history and encourages readers to think about stagecraft and the play as a performance text, while the historical appendices provide materials that illuminate different thematic elements of the play. Extended notes interleaved throughout the play present relevant illustrations and expand on mythological, historical, and religious references in the play. The accompanying online text will offer additional commentary on staging alternatives and more extensive visual materials.A collaboration between Broadview Press and the Internet Shakespeare Editions project at the University of Victoria, the editions developed for this series have been comprehensively annotated and draw on the authoritative texts newly edited for the ISE. This innovative series allows readers to access extensive and reliable online resources linked to the print edition.

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The most exotic of George Eliot’s works, Romola recounts the story of the famous religious leader Savonarola in Florence at the time of Machiavelli and the Medicis. Of all her novels, this was the author’s favourite.No other Eliot novel was illustrated in its first edition. Romola, however, was sought by George Smith for serialization in the prestigious illustrated Cornhill Magazine. Smith commissioned illustrations for the novel from the rising young artist Frederick Leighton, who had studied in Florence in the 1840s and had frequently painted Florentine Renaissance subjects. Romola was serialised with the Leighton illustrations in the magazine from July 1862 to August 1863. It was first published in book form in 1863; the first edition was published by Smith, Elder in three volumes, and a one-volume edition in two-column format with all but one of the Leighton illustrations was published later that year by Harper & Brothers in the United States. This facsimile reprint is of the one-volume 1863 Harper & Brothers edition, and includes 8 pages of original advertisements from the back of the book.This is one of a series from Broadview Press of facsimile reprint editions—editions that provide readers with a direct sense of these works as the Victorians themselves experienced them.

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The original essays in Crimes of Colour explore the link between "race" and "crime" in the Canadian context. Much of the literature on race and crime to date has treated the category of "race" unproblematically; debate on this topic has focused primarily on the assumption that members of certain racial groups are most likely to commit crimes. In charting a different path, the authors in this collection provide critical and historical analyses of the connections between processes of "racialization" and "criminalization" in Canada. The book seeks to engage the reader in thinking critically about how conceptualizations of racial identity and crime are interwoven. The editors begin by arguing for a need to shift from an analysis of "race" to an analysis of "racialization" in order to create the space for new ways of looking at the connections between race and crime. They investigate the history of the treatment of racialized people in Canada, looking at the processes through which First Nations people, immigrants, and people of colour have been defined in racialized terms and the way in which state policy has racialized individuals and groups. The insights provided by the historical backdrop situates the problematic legal positions First Nations people and people of colour occupied vis-a-vis the criminal justice system. Contemporary analyses of "race" and crime continue to highlight the on-going, complex, and subtle nature of the issues. Understanding how individuals are racialized in the legal system forms one of the main themes in this collection. Specifically, these discussions involve identifying the processes through which racialized groups and individuals are criminalized. The processes of racialization and criminalization come together in many contexts including various criminal justice institutions like the police and social institutions like the media.

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First penned in Egypt between the 2nd and 4th centuries, the Physiologus brought together poetic descriptions of animals and their Christian allegories. Translated into a wide range of languages from across North Africa and much of Europe, each version of the Physiologus adapted the text in culturally specific ways that yield fascinating insights for those who delve into this truly global tradition of representing and interpreting animals. This edition provides the texts and translations of the only two surviving English versions: the Old English Physiologus from the late 10th-century Exeter Book and the Middle English Physiologus from the mid-13th-century MS Arundel 292, as well as translations of a range of Latin, French and Old English sources and analogues. Underpinned by a commitment to both the fields of medieval studies and animal studies, this book provides an accessible introduction to the literary history of the Physiologus and the politics of animal representation, asking the vital question: how can we understand humanity's relationships with non-human animals and the environment today without understanding their past?

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Considering the composition classroom as a mad scientist's laboratory, The Mad Scientist's Guide to Composition introduces different kinds of writing as experiments. Writing an essay is a task that can strike fear into a student's heart, but performing an experiment licenses creativity and doesn't presume that one knows the outcome from the start.The Mad Scientist's Guide covers the kinds of writing most often required on college campuses, while also addressing important steps and activities frequently overlooked in composition guides, such as revision and peer reviewing. Actual examples of student writing are included throughout, as are helpful reminders and tips to help students polish their skills. Above all, the Mad Scientist's Guide seeks to make writing fun.

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Written collaboratively by writing instructors at the Queen's University Writing Centre, A Writer's Handbook is a compact yet thorough guide to academic writing for a North American audience. This clear and concise handbook outlines strategies both for thinking assignments through and for writing them well.

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