Search results for ""Author Sylvie""

H2O-scapes by Sylvie Leblanc (b. 1959) are photographic studies of the sky and the water, created between 2009 and 2023 in La Malbaie, Canada. All 57 photographs were taken from the same location and depict the various physical states of the water in and above the Saint Lawrence River. Sometimes the landscape is entirely shrouded in fog without any visible horizon line; sometimes the outlines of islands are visible. Dramatic cloud formations, drifting ice floes or soft waves: Leblanc''s landscape remains the same and yet is presented in a multitude of different ways. Her photographs transform the dynamic play of the water molecules into a moment of stillness and a space for dreams and contemplation.Text in English and German.

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The outbreak of the COVID-19 pandemic has generated much uncertainty around the HE landscape. Global lockdown measures led to university campuses closing and moving to an online mode for teaching and learning. Scholars have reported that the physical closure of HE institutions has been detrimental to student learning worldwide, whilst others have advocated the possible opportunities that may arise from reshaping HE through technologies. The disruption caused to education by the pandemic has had a significant impact on the learning experience for students; self-directed study time has increased, levels of stress and anxiety experienced by students has increased, and the lack of face-to-face interaction with lecturers and other students has led to feelings of isolation. Educators have reported that due to the immediate urgency of the lockdown there was little time to plan in advance for online delivery and assessment. From a financial perspective, the effects of the pandemic led to a loss for UK universities of £790 million during 2020, which is forecast to increase to a loss of £2.6bn during 2021. Enrolment numbers have declined, and the recruitment of international students, who make up a high number of the market sector, has been severely impacted. It is clear that HE institutions as a whole are facing significant challenges in these uncertain times. This edited collection addresses the need to examine the far-reaching impacts of the COVID-19 pandemic upon teaching and learning in higher education, examining the challenges and opportunities associated with the impact of the COVID-19 pandemic and outlining current perspectives, practices and innovations which will contribute to an understanding of the current situation for higher education institutions. Research and best practices on adapting to online modes of delivery and the implications of this are reported upon. The need for this edited collection is to share best practices with educators during this time of uncertainty.

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''An underwater treasure-chest to be slowly unpacked, full of things I adore: nosy and loving families, epistolary romance, gorgeous worldbuilding, and anxious scholars doing their best to meet the world with kindness and curiosity'' Freya Marske, author of A Marvellous LightA charming fantasy set in an underwater world with magical academia and a heartwarming penpal romance, perfect for fans of A Marvellous Light and Emily Wilde''s Encyclopaedia of Faeries.A beautiful discovery outside the window of her underwater home prompts the reclusive E. to begin a correspondence with renowned scholar Henerey Clel. The letters they share are filled with passion, at first for their mutual interests, and then, inevitably, for each other.Together, they uncover a mystery from the unknown depths, destined to transform the underwater world they both equally fear and love. But by no mere coincidence, a seaquake destroys E.''s home, and she a

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In a wise and witty graphic memoir, a young artist finds her path apart from the expectations of those around her. Sylvie lives in a school in France. Her father is the head teacher and her home is a flat at the end of a hallway of classrooms. As a young child, Sylvie and her brother explore this most unusual kingdom, full of small mysteries and quirky surprises. But in middle and high school, life grows more complicated. Sylvie becomes aware of her parents' conflicts, the complexities of shifting friendships and what it means to be the only Jewish family in town. She also begins to sense that her perceived "success" relied on the pursuit of math and science – even though she loves art. In a funny and perceptive graphic memoire, author-illustrator Sylvie Kantorovitz traces her first steps as an artist and teacher. The text captures her poignant questions and her blossoming confidence, while the droll illustrations depict her making art as both a means of solace and self-expression. An affecting portrait of a unique childhood, Sylvie connects the extraordinary moments of growing up to a life rich in hope and purpose.

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“What is colour?”, “What is the precise meaning of the statement ‘the stock exchange closes at a 5% drop this evening’?”, “How are TV viewers defined?”, or “How can images produce meaning?” Such everyday questions are examined in this book. To make our analysis intuitive and understandable, numerous concrete examples illustrate our theoretical framework and concepts. The examples include gaming, fictional skits in leisure entertainment, and enigmas. The golden thread running through the text revisits the informational process and places the datum as its pivot. The epistemological perspective of our novel approach is that of “radical relativity”. This is based on the precept that a perceptual trace carries with it the spectrum of the process that has engendered it. Given this, the informational tracking endeavour tracks the meaning-making process, notably through interpretive scaffoldings that leads to plausible realities.

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A bear who loves to dance finds music and delight in all the sounds of the city, and discovers that silence shared with others can be a music all its own. Eugene loves to dance. He loves it so much he'll dance to any noise in the city, whether it be a car horn or a jackhammer. He wishes he could get everyone else to dance along with him, but no one else seems to care. When an evening snow begins to fall, Eugene discovers the magic ingredient that will put everyone in a mood to frolic. Here's a gleeful celebration of the rhythms of daily life, and a lesson in how to find the music that's all around you.

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With The Natural Home, you'll discover how to clean everything in your house the healthy way with just a few inexpensive, easy to find products using tried and true cleaning methods that have been around for centuries. Organized by product and location in the home, the book includes an in-depth explanation of natural products like vinegar, lemon, and baking soda which can be used to clean most areas in your home. There's a cleaning guide by room; tips for maintaining materials like marble, stainless steel, and wood; solutions for every stain; natural fragrances for your home; laundry tips; and natural products for pets. Also included recipes for cleaning products you can make on your own that will help disinfect, whiten, deodorize and remove even the toughest stains in bathrooms, kitchen, carpets and clothing.Beautifully designed with two-color interiors and filled with dozens of illustrations, The Natural Home is a charming gift book that shows you how to keep your home sparkling, green, and healthy.

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A sensitive innocent, Hendrickje Stoffels escapes the harsh realities of her garrison home-town to take up a servant's role in Rembrandt's household. She soon becomes his lover and closest confidante, and plays witness to the highs and lows of the great artist's life. But Hendrickje is fated to discover the hypocrisy and greed of society in Amsterdam's Golden Age.In sensuous prose, Matton paints a powerful fictional portrait of this impassioned relationship through the eyes of a remarkable woman.

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In this timely collection, the authors examine Indigenous peoples’ negotiations with different cosmologies in a globalized world. Dussart and Poirier outline a sophisticated theory of change that accounts for the complexity of Indigenous peoples’ engagement with Christianity and other cosmologies, their own colonial experiences, as well as their ongoing relationships to place and kin. The contributors offer fine-grained ethnographic studies that highlight the complex and pragmatic ways in which Indigenous peoples enact their cosmologies and articulate their identity as forms of affirmation. This collection is a major contribution to the anthropology of religion, religious studies, and Indigenous studies worldwide. Contributors: Anne-Marie Colpron, Robert R. Crépeau, Françoise Dussart, Ingrid Hall, Laurent Jérôme, Frédéric Laugrand, C. James MacKenzie, Caroline Nepton Hotte, Ksenia Pimenova, Sylvie Poirier, Kathryn Rountree, Antonella Tassinari, Petronella Vaarzon-Morel

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Many people crave a creative outlet, but more often than not, don't know where to start. In Yellow, Valentina Zucchi and Sylvie Bello invite you to nurture your creativity and build your confidence by taking inspiration from modern works of art that celebrate yellow, the most cheerful and inviting of colours.Explore some of the many different yellows that artists have used over the years to give substance to the beauty of light, from precious gold to butterscotch and cadmium yellow. Throughout the book, Valentina and Sylvie provide creative and fun prompts – many based on famous works of art – which will encourage you to draw or paint on the pages using various techniques. Packed with inspiration from the world's most celebrated artists, including Olafur Eliassoni, Vincent van Gogh, JMW Turner and more, you will discover the many shades of yellow and just some of the ways it can be used to convey meaning.Yellow is a short course in unlocking your creative self – perfect for budding artists of all ages who are keen to try out different techniques and materials and begin their artistic journey.

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English Pronunciation in Use: Elementary is a comprehensive reference and practice book for learners of English and can be used by individual learners working alone, or in class. There are 50 easy-to use units with key pronunciation points presented on the left-hand page with a range of exercises on the facing right-hand page. All units are supported with audio material which is available in cassette or CD format. The audio material uses a clear model of a standard British accent for presentation and repetition exercises. In receptive exercises different accents used to give learners the opportunity to listen to a range of English accents. There is also a useful reference section. The elementary level will focus on those areas of pronunciation relevant to elementary level learners (e.g. differentiation of sound pairs and pronunciation for listening).

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"Hilf mir, es selbst zu tun." Der pädagogische Ansatz von Maria Montessori stellt das Kind und seine Fähigkeiten zu gestalten in den Mittelpunkt und ermutigt Kinder, kreativ zu sein, selbst Wege zu finden und Entscheidungen zu treffen. Möchten Sie sich mit Montessori-Pädagogik beschäftigen und erwägen, Ihr Kind nach dieser Methode zu erziehen? Dieses Buch stellt Ihnen die Grundideen vor und zeigt Ihnen, wie alle Altersstufen, vom Säugling bis zum Teenager und sogar an Alzheimer oder Autismus leidende Erwachsene, von Montessori profitieren. Sie erfahren, wie man das spezielle Montessori-Material einsetzt, erhalten Tipps zur Schulwahl und vor allem, was Sie als Eltern tun können, um Ihr Kind zu begleiten und in seiner Entwicklung zu unterstützen.

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François Truffaut called Night and Fog “the greatest film ever made.” But when Alain Resnais finished his documentary, with its depiction of Nazi atrocities, the resistance of the French censors was fierce. A mere decade had passed since the end of the war, and the French public was unprepared to confront the horrors shown in the film—let alone the possibility of French complicity. In fact it would be through Night and Fog that many viewers first learned, as film critic Serge Daney put it, “that the worst had only just taken place.” An engrossing account of the genesis, production, and legacy of Resnais’s incomparable film, this book documents in extraordinary detail how a film that began as a cinematic spin-off of an educational exhibition on “resistance, liberation, and deportation” went on to become a significant step in the building of a collective consciousness of the tragedy of World War II. Sylvie Lindeperg frames her investigation with the story of historian Olga Wormser-Migot, who played an integral role in the research and writing of Night and Fog—and whose slight error on one point gave purchase to the film’s detractors and revisionists and Holocaust deniers. Lindeperg follows the travails of Resnais, Wormser-Migot, and their collaborators in a pan-European search for footage, photographs, and other documentation. She uncovers creative use of liberation footage to stand in for daily life of the camps featured to such shocking effect in the film—a finding that raises hotly debated questions about reenactment and witnessing even as it enhances our understanding of the film’s provenance and impact.A microhistory of a film that altered the culture it reflected, Night and Fog offers a unique interpretation of the interworking of biography, history, politics, and film in one epoch-making cultural moment.

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François Truffaut called Night and Fog “the greatest film ever made.” But when Alain Resnais finished his documentary, with its depiction of Nazi atrocities, the resistance of the French censors was fierce. A mere decade had passed since the end of the war, and the French public was unprepared to confront the horrors shown in the film—let alone the possibility of French complicity. In fact it would be through Night and Fog that many viewers first learned, as film critic Serge Daney put it, “that the worst had only just taken place.” An engrossing account of the genesis, production, and legacy of Resnais’s incomparable film, this book documents in extraordinary detail how a film that began as a cinematic spin-off of an educational exhibition on “resistance, liberation, and deportation” went on to become a significant step in the building of a collective consciousness of the tragedy of World War II. Sylvie Lindeperg frames her investigation with the story of historian Olga Wormser-Migot, who played an integral role in the research and writing of Night and Fog—and whose slight error on one point gave purchase to the film’s detractors and revisionists and Holocaust deniers. Lindeperg follows the travails of Resnais, Wormser-Migot, and their collaborators in a pan-European search for footage, photographs, and other documentation. She uncovers creative use of liberation footage to stand in for daily life of the camps featured to such shocking effect in the film—a finding that raises hotly debated questions about reenactment and witnessing even as it enhances our understanding of the film’s provenance and impact.A microhistory of a film that altered the culture it reflected, Night and Fog offers a unique interpretation of the interworking of biography, history, politics, and film in one epoch-making cultural moment.

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North African immigrants, once confined to France’s social and cultural margins, have become a strong presence in France’s national life. Similarly, descendants of immigrants from Morocco, Algeria, and Tunisia have gained mainstream recognition as filmmakers and as the subject of films. The first collective volume on this topic, Screening Integration offers a sustained critical analysis of this cinema. In particular, contributors evaluate how Maghrebi films have come to participate in, promote, and, at the same time, critique France’s integration. In the process, these essays reflect on the conditions that allowed for the burgeoning of this cinema in the first place, as well as on the social changes the films delineate.Screening Integration brings together established scholars in the fields of postcolonial, Francophone, and film studies to address the latest developments in this cinematic production. These authors explore the emergence of various genres that recast the sometimes fossilized idea of ethnic difference. Screening Integration provides a much-needed reference for those interested in comprehending the complex shifts in twenty-first-century French cinema and in the multicultural social formations that have become an integral part of contemporary France in the new millennium.

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The Barnes Foundation s holdings of works by the renowned Post-Impressionist Paul Cezanne (1839 1906) sixty-one oils on canvas and eight works on paper are among the most significant in the world. The Barnes Foundation was established in 1922 by scientist, entrepreneur, and educator Dr. Albert C. Barnes, a passionate supporter of European modernism. His virtually unrivalled collection, which can only be viewed at the Barnes Foundation, also includes exceptional paintings by Pierre-Auguste Renoir, Henri Matisse, Pablo Picasso, and many others. Beginning in 1912, Barnes acquired works by Cezanne from major Paris dealers such as Paul Durand-Ruel and soon ranked among the artist s most prominent collectors. At the time, this expressed a pioneering taste that Barnes shared with only a small group of enthusiasts, even though Cezanne had been posthumously hailed as a father of modern art at the turn of the twentieth century. The foundation s impressive holdings of Cezannes never before published in a single study in their entirety span every period of the artist s career and include his largest rendition of The Card Players and one of the three versions of The Large Bathers, one of his signal testaments. This lavishly illustrated landmark volume is both a work on Cezanne and his time, and an impetus for further study of an artist whose oeuvre is at once luminous, austere, challenging, and deeply confounding.

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The clepsydra is an ancient water clock and serves as the primary metaphor for this examination of Jewish conceptions of time from antiquity to the present. Just as the flow of water is subject to a number of variables such as temperature and pressure, water clocks mark a time that is shifting and relative. Time is not a uniform phenomenon. It is a social construct made of beliefs, scientific knowledge, and political experiment. It is also a story told by theologians, historians, philosophers, and astrophysicists. Consequently, Clepsydra is a cultural history divided in two parts: narrated time and measured time, recounted time and counted time, absolute time and ordered time. It is through this dialog that Sylvie Anne Goldberg challenges the idea of a unified Judeo-Christian time and asks, "What is Jewish time?" She consults biblical and rabbinic sources and refers to medieval and modern texts to understand the different sorts of consciousness of time found in Judaism. In Jewish time, Goldberg argues, past, present, and future are intertwined and comprise one perpetual narrative.

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"An elegant and timely history of how black intellectuals have long made a case for the intersections between class and race."—The Nation "A meticulously researched look into the development of King’s thought. . . . Laurent’s important new book highlights the depth of the wisdom and organizing skill he brought to the movement for economic justice."—The Progressive Shortly before his assassination, Martin Luther King Jr. called for a radical redistribution of economic and political power to transform the whole of society. In 1967, he envisioned and designed the Poor People’s Campaign, an interracial effort that was carried out after his death. This campaign brought together impoverished Americans of all races to demand better wages, better jobs, better homes, and better education. King and the Other America explores this overlooked and obscured episode of the late civil rights movement, deepening our understanding of King’s commitment to social justice and also of the long-term trajectory of the civil rights movement. Digging into earlier radical arguments about economic inequality across America, which King drew on throughout his entire political and religious life, Sylvie Laurent argues that the Poor People’s Campaign was the logical culmination of King’s influences and ideas, which have had lasting impact on young activists and the public. Fifty years later, growing inequality and grinding poverty in the United States have spurred new efforts to rejuvenate the campaign. This book draws the connections between King's perceptive thoughts on substantive justice and the ongoing quest for equality for all.

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What does it mean to be gayfriendly? Having gay friends, supporting gay marriage, remaining unfazed when one’s son or daughter comes out? Going to gay bars or questioning one’s own sexual orientation? There is no single model of ‘gayfriendliness’, but rather different attitudes which vary according to age, sex, country and life circumstance. Acceptance of homosexuality has undeniably grown, and homosexuality is increasingly seen as one form of sexuality among others. But embedded in this liberal vision is a perspective that is more troubling. Based on interviews with gayfriendly straight people in the liberal neighbourhoods of Park Slope in New York and the Marais in Paris, Sylvie Tissot shows that stereotypes remain and control of gays and lesbians has not disappeared. Acceptance is directed towards those who are of the same socioeconomic background, who proclaim their wish to emulate traditional norms of family life, and who do not make any other demands. Gays must be normal but not completely so, similar and at the same time different, in order to meet the not always conscious conditions of acceptability. Gayfriendliness has managed to dispel violence and discrimination and has accompanied the invention of less conventional lives. But, as Tissot shows, it has not yet liberated itself from the clutches of heterosexual domination which still structures our society and our ways of thinking.

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Entangled Territorialities offers vivid ethnographic examples of how Indigenous lands in Australia and Canada are tangled with governments, industries, and mainstream society. Most of the entangled lands to which Indigenous peoples are connected have been physically transformed and their ecological balance destroyed. Each chapter in this volume refers to specific circumstances in which Indigenous peoples have become intertwined with non-Aboriginal institutions and projects including the construction of hydroelectric dams and open mining pits. Long after the agents of resource extraction have abandoned these lands to their fate, Indigenous peoples will continue to claim ancestral ties and responsibilities that cannot be understood by agents of capitalism. The editors and contributors to this volume develop an anthropology of entanglement to further examine the larger debates about the vexed relationships between settlers and indigenous peoples over the meaning, knowledge, and management of traditionally-owned lands.

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The lead-acid accumulator was introduced in the middle of the 19th Century, the diverse variants of nickel accumulators between the beginning and the end of the 20th Century. Although old, these technologies are always very present on numerous markets. Unfortunately they are still not used in optimal conditions, often because of the misunderstanding of the internal electrochemical phenomena. This book will show that batteries are complex systems, made commercially available thanks to considerable amounts of scientific research, empiricism and practical knowledge. However, the design of batteries is not fixed; it is subject to constant developments as a result of user feedback and validation processes which are often long and fastidious. This book attempts to show that it is not possible to consider a family of batteries as having fixed, applicable properties and characteristics whatever the application and the technology used in their manufacture. For this reason, the authors have chosen to present the fundamental electrochemical and chemical phenomena involved in as simple and as clear a way as possible. It is essential to be aware of these mechanisms in order to develop suitable theoretical models. This work will be of particular interest to those working in the field of electrical engineering and to industrialists, the final users of these technologies. It will also be of interest to electrochemists, as experts in lead or nickel batteries are becoming fewer and farther between, and their knowledge and practical skills are steadily being lost. Contents Part 1. Universal Characteristics of Batteries 1. Definitions and Methods of Measurement. Part 2. Lead–Acid Batteries 2. The Operation of Lead–Acid Batteries. 3. Internal Composition and Types of Lead–Acid Batteries. 4. Lead Batteries: Main Characteristics. 5. Manufacturing Starting, Lighting and Ignition Batteries. Part 3. Introduction to Nickel-Based Batteries 6. Nickel–Cadmium Batteries. 7. Nickel–Metal Hydride Batteries. 8. Other Nickel-Based Batteries.

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A big one and little one talk together. The little one is frustrated because he wants to do something really big, even though he's still small. The big one asks if he means something big like a mountain. No, a mountain is too big. Big like an elephant? No, that's too gray. More like a lighthouse by the sea, muses the boy, though not exactly. Father and son take a walk by the ocean, and there something surprising and deep and big occurs. Lyrical and gentle, Something Big is a touching story about childhood, parenting, and experiences that repeat generation after generation. Here the author beautifully grasps the tension between a child's smallness and his ability to dream big dreams.

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Papermaking by hand is carried on professionally by only a small number of dedicated papermakers around the world. Yet the craft of papermaking attracts interest from many areas - bookmakers, calligraphers, artists, teachers, sculptors, and printers. The problem has always been where to buy supplies and machinery. Here, at last, is a book that lists sources of equipment and products worldwide for the hand papermaker. It addresses professionals and amateurs alike, listing sources of supply for all types of fibers, pulps, stampers, beaters, moulds and deckles, vats, felts and presses, dyes and pigments. It also lists papermaking kits, Japanese and oriental supplies, vacuum systems, pulp sprayers, paper information resources, workshops, magazines, and videos. (7 3/4 X 10, 112 pages, b&w photos, illustrations, diagrams)

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When Princess Rose and Princess Josephine decide to leave their castle, Rose wants to go this way and Josephine wants to go that way. Which way do you go? Readers will decide whether to stomp their feet in the rushing river or take a nap in the meadow; enter a dark cave or stay the course; open a castle door with cobwebs or one that wafts a sweet-smelling scent. There are many paths to take, but only two will lead the princesses to their sweet happy ending.

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This important new book develops an ecological-economics perspective on sustainability at the regional, national and international level. It explores prospects for sustainable development using methods firmly grounded in empirical reality, as well as emphasizing scientific, economic and socio-political concerns.This approach is based on the construction of non-monetary indicators for sustainability, and the application of cost-effectiveness analyses to identify robust alternatives for the achievement of specified policy norms. In calculating the requirements for sustainability the contributors attach importance to multiple criteria decision aid (MCDA) methods of analysis to evaluate the key components of sustainability and help assess the sustainability of aregional or national economic development trajectory. Case studies of water pollutants in the Bretagne region in France and greenhouse gas reduction in Europe are used to investigate resource allocation from this perspective. The contributors utilize the M3ED model - a structural economy-environment simulation model which gives a multi-sectoral representation of a national economy's production, final consumption and environmental pressures - to explore feasible economic futures. It is applied to scenarios in France to demonstrate ways that prospects for sustainability can be investigated at a national level. The contributors compare and contrast these models with the aims of more typical neoclassical modelling in their search for the most effective approaches to defining operational measures for sustainability. This book will be of great interest to academics in the field of ecological and environmental economics and to policymakers and planners in government and industry.

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In 1980, Sylvie Rancourt and her boyfriend moved to Montreal from rural Northern Quebec. With limited formal education or training, they had a hard time finding employment, so Sylvie began dancing in strip clubs. These experiences formed the backbone of the first Canadian autobiographical comic book, Melody, which Rancourt wrote, drew, and distributed, starting in 1985. Later, Rancourt collaborated with artist Jacques Boivin, who translated and drew a new series of Melody comics for the American market - the comics were an instant cult classic. The Rancourt drawn-and-written comics have never before seen English publication. These stories are compelling without ever being voyeuristic or self-pitying, and her drawings are formally innovative while maintaining a refreshingly frank and engaging clarity. Whether she's divulging her first experiences dancing for an audience or sharing moments from her life at home, her storytelling is straightforward and never sensationalized. With a knowing wink at the reader, Rancourt shares a world that, in someone else's writing, might be scandalous or seedy, but in hers is fully realized, real, and often funny. The Drawn and Quarterly edition of Melody, featuring an introduction from Chris Ware (Building Stories), will place this masterpiece of early autobiographical comics in its rightful place at the heart of the comics canon.

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