Search results for ""Art Publishers""
Distributed Art Publishers Wild Things Are Happening: The Art of Maurice Sendak
The most comprehensive survey of the work of Maurice Sendak, the most celebrated picture book artist of all time—with previously unpublished archival materials Published in conjunction with the eponymous Sendak retrospective touring museums in the United States and Europe in 2022–24, Wild Things Are Happening emphasizes Maurice Sendak’s relationship to the history of art and the influences of his art collecting on his images. It features previously unpublished sketches, storyboards and paintings that emphasize Sendak’s creative processes. Bringing together a broad diversity of perspectives on the award-winning artist, the book includes an extended essay by the renowned art historian Thomas Crow that traces the genesis and cultural contexts of Sendak’s most famous book, Where the Wild Things Are. It also includes interviews and appreciations by many of Sendak’s key collaborators, including Carroll Ballard, Michael Di Capua, John Dugdale, Spike Jonze, Twyla Tharp and Arthur Yorinks. Maurice Sendak (1928–2012) was born in Brooklyn, New York, to Jewish immigrant parents from Poland. A largely self-taught artist, Sendak wrote and illustrated over 150 books during his 60-year career, including Kenny’s Window, Very Far Away, The Sign on Rosie’s Door, Nutshell Library (consisting of Chicken Soup with Rice, Alligators All Around, One Was Johnny and Pierre), Higglety Pigglety Pop!, Where the Wild Things Are, In the Night Kitchen and Outside Over There. He collaborated with such celebrated authors as Meindert DeJong, Tony Kushner, Randall Jarrell, Ruth Krauss, Else Holmelund Minarik and Isaac Bashevis Singer, and he illustrated classics by the Brothers Grimm, Melville and Tolstoy.
£40.50
Distributed Art Publishers In the Making: Creative Options for Contemporary Art DVD: Special Institutional Edition with DVD
£38.20
Arnoldsche Art Publishers Bizarre Beauty
£48.60
Distributed Art Publishers What Matters Most: Photographs of Black Life: The Fade Resistance Collection
This powerful collection highlights the importance of snapshots in Black American life: as tools to challenge stereotypes, and as a way to document family and culture Thoughtfully illustrated, this volume highlights a selection of photographs of African American family life between the 1970s and the early 2000s—pictures that were lost by their original owners and then found by the artist Zun Lee on a street in Detroit in 2012, marking the beginning of the Fade Resistance collection of more than 4,000 Polaroids. Lee describes the collection as an important record of Black visual self-representation and a means to “reflect the way Black people saw themselves on their terms—without the intention of being seen, or judged, by others.” To Lee, these powerful photographs are an expression of "Black life mattering." These vivid images chronicle milestones such as weddings, birthdays and graduations, as well as quiet daily moments, offering contemporary views long ignored or erased by mainstream culture. Together, these works highlight the role snapshots have played in Black life, as tools to challenge stereotypical portrayals and as a means to memorialize family, culture and heritage. Topics such as self-representation, visual history and the social power of photographs are addressed in critical texts by Sophie Hackett, Stefano Harney, Zun Lee and Fred Moten, and an original contribution by celebrated poet Dawn Lundy Martin.
£28.79
Distributed Art Publishers Barbara Kruger: Thinking of You. I Mean Me. I Mean You
Five decades of iconic and incisive art from Barbara Kruger Since the mid-1970s, Barbara Kruger (born 1945) has been interrogating the hierarchies of power and control in works that often combine visual and written language. In her singular graphic style, Kruger probes aspects of identity, desire and consumerism that are embedded in our everyday lives. This volume traces her continuously evolving practice to reveal how she adapts her work in accordance with the moment, site and context. The book features a range of striking images—from her analogue paste-ups of the 1980s to digital productions of the last two decades, including new works produced on the occasion of the exhibition. Also featured are singular works in vinyl, her large-scale room wraps, multichannel videos, site-specific installations and commissioned works. The book also showcases how Kruger’s site-specific works have been reconceived for each venue, and includes a section of reprinted texts selected by the artist. Renowned for her use of direct address and her engagement with contemporary culture, Kruger is one of the most incisive and courageous artists working today. This volume explores how her pictures and words remain urgently resonant in a rapidly changing world.
£47.70
Distributed Art Publishers David Humphrey
The first monograph on the heterogeneous postmodernist painting of David Humphrey, blending figuration and abstraction, pop and expressionism The acclaimed American painter David Humphrey (born 1955) has been exhibiting his work internationally since the 1980s when he first burst upon the New York art scene. His compositions often feature human figures, animals and objects interwoven into abstract passages to create complex narratives that reckon with the dynamics of human relationships, gender, the environment and race, all while resisting any one interpretation. This is the first comprehensive monograph surveying the totality of the artist’s 40-year career. Edited by Davy Lauterbach in close collaboration with the artist, it includes over 200 full-color reproductions of Humphrey’s painting and sculptural work from the early 1980s to today. The plates are complemented by a selection of archival and detail photographs, and essays by Lauterbach, Wayne Koestenbaum and Lytle Shaw, plus a lively and far-reaching conversation between Humphrey and the painter Jennifer Coates, his frequent artistic collaborator.
£40.50
Distributed Art Publishers No Humans Involved
Artists defy Western conceptions of the “human” The term “no humans involved” emerged shortly after the 1991 beating of Rodney King, when it was discovered that the Los Angeles Police Department was using the term as a shorthand for casework that involved Black and Latino men and sex workers. In 1994, Jamaican scholar and theorist Sylvia Wynter challenged her academic colleagues to consider how they themselves might be contributing to the cultural mindset that gave rise to this exclusionary definition of human. In particular, Wynter highlighted the strong influence the notion of race has on the definition of the human and the social hierarchies and injustices that result from this link. No Humans Involved collects works by contemporary artists that serve as a response to Wynter’s prompt. Among the artists featured are Eddie Aparicio, who uses large-scale, rubber casts of trees to document social and economic relationships between Latin America and the United States; Tau Lewis, a multidisciplinary artist who creates portraits out of culturally relevant found objects and recycled materials; and Wilmer Wilson IV, who investigates the marginalization of Black bodies in social relations through performance, sculpture, photography and other mediums. This collection of artworks from a diverse group of artists provides a contemporary response to Wynter’s call to action, addressing the social divisions present today and exploring opportunities for social unity. Artists include: Eddie Aparicio, Tau Lewis, Las Nietas De Nonó, Sondra Perry, Sangree, Wangshui and Wilmer Wilson IV.
£31.50
Distributed Art Publishers Lucas Blalock: Oar Or Ore
A new form of still life: the first full survey of Lucas Blalock’s humorous and mesmerizing manipulated photographs The acclaimed New York-based photographer Lucas Blalock (born 1978) creates surreal still lifes, often digitally manipulated. From bundles of raw hot dogs to watermelons smothered by plastic wrap to cactus leaves duplicated many times over, Blalock’s eye-catching tableaux reveal more bizarre details the longer one looks. The intentionally ham-fisted photographic manipulations are created in Photoshop after Blalock shoots with a large-format camera on film and then scans the images. The result is a layered network of colorful visual references, careening from the tragicomic to the absurd as they depict everyday objects in unfamiliar contexts. Underlying all of his work is Blalock’s eagerness to revel in the inherent failure connected to any attempt to revive the avant-garde. The artist’s first full survey, this publication accompanies a solo exhibition at the Museum Kurhaus Kleve in Germany. The exhibit’s curator, Susanne Figner, provides commentary alongside essays by professor Russell Ferguson, Institute of Contemporary Art LA curator Jamillah James and Museum of Modern Art curatorial assistant Phil Taylor. The book is available in three different colors.
£45.00
Distributed Art Publishers Gordon Matta-Clark: Open House
A new publication spotlights Gordon Matta-Clark’s only extant architectural piece In 1972, Gordon Matta-Clark (1943–78) installed a dumpster on the street between 98 and 112 Greene Street in New York’s SoHo neighborhood, an architectural artwork he called Open House. Matta-Clark used discarded, scavenged materials—old pieces of wood, doors—to subdivide the space inside the dumpster, creating corridors and small rooms within the container. Dancers and artists moved around the space, their pedestrian movements activating the sculpture and captured in a Super-8 film of the piece. Matta-Clark is best known for his building cuts and architectural interventions. Because of the nature of this work and its context—sited in spaces abandoned or slated for demolition—Matta-Clark’s “anarchitecture” was almost necessarily ephemeral, surviving as only documentation and sculptural sections. Open House (1972) is the only still-extant architectural piece by Matta-Clark. Gordon Matta-Clark: Open House is the first publication to focus on this crucial piece by the artist, using it as a way into his complex body of work. Featuring contributions from Sophie Costes, Thierry Davila and Lydia Yee, this volume takes a historical and theoretical approach to Open House and Matta-Clark’s entire oeuvre.
£24.30
Distributed Art Publishers Surrealism and Us Caribbean and African Diasporic Artists since 1940
How modern and contemporary artists across the African and Caribbean diasporas transformed European Surrealism into a tool for Black expressionOn the centennial anniversary of André Breton's first Surrealist Manifesto, Surrealism and Us shines new light on how Surrealism was consumed and transformed in the Caribbean and the United States. It brings together more than 50 works from the 1940s to the present that convey how Caribbean and African diasporic artists reclaimed a European avant-garde for their own purposes.Since its inception, the Surrealist movementand many other European art movements of the early 20th centuryembraced and transformed African art, poetry and music traditions. Concurrently, artists in the Americas proposed subsets of Surrealism more closely tied to African diasporic culture. In Martinique, Aimé and Suzanne Césaire proposed a Caribbean Surrealism that challenged principles of order and reason and embraced African spi
£43.20
Distributed Art Publishers Eugene Richards Remembrance Garden
An exquisitely somber portrait of Brooklyn's Green-Wood cemetery across the seasonsIn March 2020, after suffering from a severe bout of Covid, Eugene Richards sought out a safe place to walk and recuperate, and became entranced with Brooklyn's much-loved Green-Wood Cemetery. Founded in 1837 and proclaimed a National Historic Landmark in 2006, the 487-acre burial ground and arboretum is the final resting place of more than 550,000 people. Over the subsequent years, Richards made nearly 100 visits to Green-Wood, photographing both poetical details and grand vistas in rich color, across the seasons and in all weather, creating lyrical images of snowbound headstones, grand mausoleums, intimate epitaphs, the encroachments of moss on stone and the wear of time on all things. The photographs in Remembrance Garden were taken between April 2020 and September 2023. Richards intersperses his images with names and dates inscribed on grave markers and deeply person
£43.20
Distributed Art Publishers Rirkrit Tiravanija: A LOT OF PEOPLE
Four decades of participatory art, films, sculpture and more from the iconic Relational Aesthetics pioneer Accompanying the first US survey and largest exhibition to date dedicated to Thai artist Rirkrit Tiravanija, Rirkrit Tiravanija: A LOT OF PEOPLE traces four decades of Tiravanija’s multifaceted practice. Spanning rarely seen early works from the 1980s through recent projects, the publication covers Tiravanija’s experimentations with installation, film, works on paper, ephemera, sculpture and participatory works. Designed by Tiffany Malakooti, the publication features over 400 images—many of which are published for the first time—as well as 23 newly commissioned texts. Longform essays by exhibition curators Ruba Katrib and Yasmil Raymond, as well as scholars Jörn Schafaff, David Teh and Mi You, dive into key aspects of Tiravanija’s work, providing historical context. These texts are complemented by 18 short reflections from artists, thinkers and collaborators who have been key interlocutors with Tiravanija over the years. Rirkrit Tiravanija (born 1961) is a Thai contemporary artist residing in New York, Berlin and Chiang Mai, Thailand. Recent solo exhibitions include the Hirshhorn Museum (2019); the National Gallery Singapore (2018); Stedelijk Museum, Amsterdam (2016); the Kunsthalle Bielefeld (2010); the Kunsthalle Fridericianum, Kassel (2009); the Musée d’Art Moderne de la Ville de Paris; the Guggenheim Museum, New York; the Serpentine Gallery, London (all 2005); and the Museum Boijmans Van Beuningen, Rotterdam (2004). Tiravanija has been on the faculty of the School of Visual Arts at Columbia University since 2000. He is the cofounder of the Land Foundation, located in Chiang Mai, Thailand, and a member of Bangkok’s alternative space and magazine VER.
£43.20
Distributed Art Publishers Iiu Susiraja: A style called a dead fish
"Subtle yet incandescent rage shimmers everywhere in Susiraja’s output. It’s just one of the many reasons why her art—so mesmerizing, terrorizing, gnarly, monstrous—is incredibly beautiful." –Alex Jovanovich, Artforum Over the past 15 years, Iiu Susiraja has taken photographs of herself in domestic settings, most often in her home in Turku, Finland. Simultaneously seductive, abject, stylized and vulnerable, Susiraja’s works are grounded in unabashed yet private performances for the camera. In these stagings, household objects—tablecloths, umbrellas, hot dogs, bananas, treadmills, rubber duckies and dead fish—become co-conspirators in her confrontations with the lens. Situated between the slapstick and the deadpan, Susiraja’s works locate uneasiness in the comfortable, and vice versa. Published on the occasion of the artist's first US museum exhibition, Iiu Susiraja: A style called a dead fish traces the trajectory of Susiraja's practice from her earliest photographs (circa 2007) to the present. The publication also features poems by Susiraja and an essay by curator Jody Graf. Iiu Susiraja (born 1975) earned an MFA from the Finnish Academy of Fine Arts. She was featured as the cover story for ArtForum’s February 2022 issue. Her recent solo exhibitions include MoMA PS1, Ramiken Gallery, SKMU Museum, KIASMA, Kadel Willborn Gallery, Francois Ghebaly Gallery, PS2 Gallery, VB Photographic Centre, Ramiken Crucible and Fotogalleriet Format. Her work is in public and private collections worldwide, including at the Adam Lindenmann Collection, the University of Chicago, the Rubell Family Collection, the Finnish Museum of Photography collection, Kiasma Museum of Contemporary Art and the Finnish National Gallery.
£22.00
Distributed Art Publishers Jay DeFeo: Photographic Work
A revelatory trove of innovative photo collages, photograms, photographs and photocopies—many never before published—most reproduced at the size DeFeo printed them This monograph on the legendary and influential artist Jay DeFeo features over 150 photographic works—many never before published—most reproduced at the size the artist printed them. After the completion of her monumental masterpiece The Rose in 1966, DeFeo moved from the heart of artistic activity in San Francisco to a small house in Marin County, California. There she embarked on a focused and rigorous exploration with the camera. For much of the 1970s, she used the camera as a tool to look and think with, creating a wide range of black-and-white photographs she processed in her darkroom. The artist used experimental photographic techniques to produce extraordinary artworks, alongside documentary images of her studio and paintings in process. Her contact sheets, some of which are reproduced here, are often filled with multiple views of one object, revealing the way DeFeo looked and sketched with the lens. In 1972 she wrote: "My interest in photography has always paralleled my expression as a painter." Essays by Hilton Als, Judith Delfiner, Corey Keller, Justine Kurland, Dana Miller and Catherine Wagner survey the rich materiality, sculptural layering and illusionistic devices of DeFeo’s playful and enigmatic photographic works, illuminating her astonishing range and daring experimentation with the medium. Jay DeFeo (1929–89) was a Bay Area artist who created an original and provocative body of work, including the iconic painting The Rose (1958–66). In the 1970s and 1980s, DeFeo continued her visionary work in a range of mediums, including works on paper, photography, collage and photocopies. Among many other exhibitions, a retrospective of her work was organized by the Whitney Museum of American Art, New York, and traveled to the San Francisco Museum of Modern Art in 2012.
£60.30
Distributed Art Publishers Whistler: Streetscapes, Urban Change
An in-depth look at Whistler’s city streets and storefronts, addressing the phenomena of urbanization and gentrification, past and present James McNeill Whistler (1834–1903) created hundreds of works that depicted urban contexts undergoing rapid transformation. This handsome volume sheds new light on his picturesque representations of London’s shifting urban landscape during the Victorian era. Despite Whistler’s aversion to overtly political themes, his artworks reveal a long-term engagement with social change. Properties for the newly rich replaced historic buildings and shops, forcing many into squalid conditions. The images featured here, primarily drawn from the permanent collections of the Colby College Museum of Art and the National Museum of Asian Art, bear witness to the uncertainties of modern metropolitan life that Whistler saw firsthand. However, his streetscapes also reflect the modern practice of “artwashing,” wherein the negative consequences of gentrification are hidden by aesthetic screens. This book asks the reader to consider the intention and function of these engaging images: to memorialize the new struggles of the urban poor or to romanticize poverty for a rising middle-class art market.
£30.60
Distributed Art Publishers Leonard Cohen: Everybody Knows: Inside His Archive
Previously unseen journals, letters, sketches and more from the vast personal archive of Leonard Cohen Leonard Cohen is renowned the world over for his meditations on beauty, death, loss and the human heart. The objects, papers and artifacts from Cohen’s personal archive provide fresh insight into the artist’s creative pursuits and the arc of his career over six decades. Aware from an early age that he was destined to make a mark on this world, Cohen preserved an expansive collection of letters, journals, manuscripts, sketches and records. Together, they provide a rich visual road map to his evolution as a poet and songwriter. The first publication to present the holdings of the Leonard Cohen Family Trust, Everybody Knows: Inside His Archive immerses readers in the many facets of Cohen’s creative life. Images of rare concert footage and archival materials, including musical instruments, notebooks, lyrics and letters, are featured alongside photographs, drawings and digital art created by Cohen across several decades. Leonard Cohen (1934–2016) was a Canadian poet, singer-songwriter and novelist. Born and educated in Montreal, Cohen began his artistic career in 1956 with the publication of his first book of poetry, Let Us Compare Mythologies. Over his long and productive career, he published two novels, The Favourite Game (1963) and Beautiful Losers (1966), and numerous books of poetry, including Stranger Music: Selected Poems and Songs (1993). He recorded more than a dozen music albums, and numerous tribute albums have celebrated his songs in various languages. He died in Los Angeles in 2016 and was secretly buried in Montreal a few days later.
£30.59
Distributed Art Publishers Joseph Stella: Visionary Nature
The first major monograph on the visionary nature paintings of the pioneering American modernist Though Joseph Stella is primarily recognized for his dynamic Futurist-inspired paintings of New York, particularly of the Brooklyn Bridge, he was also compelled to express the powerful connection he felt to the natural world, a subject he pursued persistently throughout his career. Visionary Nature presents an overdue examination of this prolific and wide-ranging body of nature-based work. If Stella’s cityscapes became symbols of a modern era, his pictures of flowers, plants, birds and trees were rooted in another, more ancient, primal and paradisaical world. Inspired by archaic and classical precedents as well as his own brand of spirituality, these lyrical and exuberant works are also his least understood. By focusing on his unique visual vocabulary and the context in which it developed, Visionary Nature reconsiders how his nature paintings relate to his career, revealing a surprising continuity between seemingly disparate subjects and exploring how these works are reflective of Stella’s passionate spirituality. His close affiliation with the natural world shaped a body of work that ranged from vividly realistic to poetically transcendent and visionary in its unique expression. Joseph Stella (1877–1946) was born in Italy and moved to New York City in 1896. He belonged to avant-garde circles on both sides of the Atlantic and achieved international notoriety in the 1910s for his large-scale paintings of modern America. For the remainder of his career, he traveled widely and produced a large body of nature-themed work. He died in 1946 from heart failure.
£42.30
Distributed Art Publishers To Begin Again: Artists and Childhood
How artists from Paul Klee and Mierle Laderman Ukeles to Faith Ringgold and Deborah Roberts have explored childhood themes of innocence, spontaneity and storytelling Artists have long been inspired by children—by their imagination, creativity and unique ways of seeing and being in the world—and have made work that depicts and involves children as collaborators, that represents or mimics their ways of drawing or telling stories, that highlights their unique cultures, and that addresses ideas of innocence and spontaneity closely associated with children. To Begin Again: Artists and Childhood surveys how artists have reflected on and contributed to notions of childhood from the early 20th century to the present. The works in To Begin Again offer distinctive viewpoints and experiences, revealing how time and place, economics and race, and representation and aesthetics fundamentally shape how we experience and understand early development. The catalog underscores that while there is no single, uniform idea of childhood, it is nevertheless the ground upon which so much of society is built, negotiated and imagined. Artists include: Ann Agee, John Ahearn, Njideka Akunyili Crosby, Francis Alÿs, Jean-Michel Basquiat, Brian Belott, Jordan Casteel, Lenka Clayton, Allan Rohan Crite, Henry Darger, Karon Davis, Robert Gober, Jay Lynn Gomez, Trenton Doyle Hancock, Duane Hanson, Mona Hatoum, Sharon Hayes, Ekua Holmes, Mary Kelly, Paul Klee, Justine Kurland, Helen Levitt, Tau Lewis, Glenn Ligon, Oscar Murillo, Rivane Neuenschwander, Berenice Olmedo, Charles Ray, Faith Ringgold, Deborah Roberts, Tim Rollins and K.O.S., Rachel Rose, Heji Shin, Sable Elyse Smith, Becky Suss, Mierle Laderman Ukeles, Cathy Wilkes and Carmen Winant.
£29.69
Distributed Art Publishers Richard Dupont: Works/Writings 2000–2022
A career-spanning overview of Dupont’s multimedia interrogations of surveillance culture and technological ubiquity This definitive volume, spanning more than two decades, surveys the works and writings of New York–based artist Richard Dupont (born 1968), and their prescient bearing on a paradigm-shifting period of technological and cultural transformation. Much of Dupont’s work stems from a complete digital model of his body created between 2002 and 2004 and 3D body scans obtained while participating in a US military anthropometry study. This overview reveals how Dupont’s work mirrors digital technology’s infiltration of our lives and the extent to which the commodification and virtualization of the body have become commonplace in our culture of “self-surveillance.” Illustrations emphasize his works’ physical aspect, where traditional materials and techniques such as plaster and bronze casting play a role, as do the use of experimental techniques and materials such as cast polyurethane, poured silicone, 3D-printed resins, digital scanning and the manipulation of found objects.
£45.00
Distributed Art Publishers Sarah Sze: Fallen Sky
Commemorating Sarah Sze’s new permanent site-specific commission at Storm King Art Center Published to contextualize Sarah Sze’s (born 1969) outdoor work Fallen Sky and the accompanying installation Fifth Season at Storm King Art Center, this book includes an overview of the work in relation to Sze's larger practice. Also included is a discussion between Sze and artist Katharina Grosse to discuss Fallen Sky and thematic parallels in their respective work. Eight contributing authors from across disciplines of fiction, poetry, art history and cultural criticism contribute creative pieces in response to Sze’s work. The publication also includes photographs of Fallen Sky taken over the course of a full year, capturing the dynamic seasonality of the artwork and the context of Storm King’s environment. Installation photography illustrates Fallen Sky’s ability to reflect movement and to depict how the landscape behaves and changes over time, the work’s appearance shifting continuously depending on the season, time of day and weather.
£37.79
Distributed Art Publishers Robert Houle: Red Is Beautiful
Houle’s painting blends Western abstraction, postmodernism and conceptualism with First Nations art history and techniques, challenging expectations about Indigenous aesthetics An extensive survey spanning more than 50 years, Robert Houle: Red Is Beautiful celebrates Houle’s ongoing career as an internationally recognized Indigenous artist, curator and writer, calling attention to First Nations and settler-colonialist histories through the critical lens of his impressive oeuvre. Painful personal experiences from the time he spent in residential school as a youth are brought into sharp relief through painting. Houle’s visual commentary tackles global topics including commercial appropriation, Indigenous resistance movements, land rights, religion and war, among others. A leader in challenging systemic racial biases, Houle has played a significant role at successfully introducing Indigenous art and its relationship to the contemporary art world in Canada and beyond. Rare excerpts from the artist’s archive are featured alongside major scholarly texts, poetic writings and personal anecdotes from fellow prominent Indigenous thinkers and creators, offering new insights about an artist ahead of his time. Robert Houle (born 1947) teaches at the OCADU and has collaborated on projects that seek to establish awareness of First Nations contemporary art, such as the Land, Spirit, Power exhibition at the National Gallery of Canada in 1992. He is represented by Kinsman Robinson Galleries in Toronto.
£28.79
Distributed Art Publishers Really Free: The Radical Art of Nellie Mae Rowe
An unprecedented look at Nellie Mae Rowe’s art as a radical act of self-expression and liberation in the post-civil rights-era South A New York Times critics' pick | Best Art Books 2021 During the last 15 years of her life, Nellie Mae Rowe lived on Paces Ferry Road, a major thoroughfare in Vinings, Georgia, and welcomed visitors to her “Playhouse,” which she decorated with found-object installations, handmade dolls, chewing-gum sculptures and hundreds of drawings. Rowe created her first works as a child in rural Fayetteville, Georgia, but only found the time and space to reclaim her artistic practice in the late 1960s, following the deaths of her second husband and her longtime employer. This book offers an unprecedented view of how Rowe cultivated her drawing practice late in life, starting with colorful and at times simple sketches on found materials and moving toward her most celebrated, highly complex compositions on paper. Through photographs and reconstructions of her Playhouse created for an experimental documentary on her life, this publication is also the first to juxtapose her drawings with her art environment. Nellie Mae Rowe (1900–82) grew up in rural Fayetteville, Georgia. When her Playhouse became an Atlanta attraction, she began to exhibit her art outside of her home, beginning with Missing Pieces: Georgia Folk Art, 1770–1976, a traveling exhibition that brought attention to several Southern self-taught artists, including Rowe and Howard Finster. In 1982, the year she died, Rowe’s work received a new level of acclaim, as she was honored in a solo exhibition at Spelman College and included as one of three women artists in the Corcoran Gallery of Art’s landmark exhibition .
£35.99
Distributed Art Publishers City of Cinema: Paris 1850–1907
How film emerged in 19th-century Paris amid an array of social, political, artistic and technological innovations—with works by the Lumiere brothers, Mélies, Chéret and more City of Cinema traces film’s evolution from an obscure entertainment to the most powerful art form of the 20th century. Placing cinema in the context of 19th-century Parisian visual culture, this book brings together posters, paintings, studio and documentary photography, and film stills that evoke Paris as a site of consumption, demonstrate early cinema’s relationship with technology and the fine arts, and highlight local and global spaces of film production. It also examines the aspects of 19th-century visual culture that gave rise to cinema as a quintessentially modern medium with an eager audience. Aligning with French beliefs that the nation’s culture would be democratized through consumption, cinema reinforced a set of assumptions about French cultural and political authority and disseminated these ideas to the rest of the world. Presented here are images of and from the street by Jean Béraud, Charles Marville, Jules Chéret and Auguste and Louis Lumière; the technological experimentation of Loïe Fuller, Émile Reynaud and Georges Méliès; and the plein-air observations of Camille Pissarro and the staged artifice of Jean-Leon Gerome—all of which can be considered alongside the prototype film studios of Georges Méliès, Gaumont and Pathé. At the dawn of the 20th century, cinema is as much, if not more, a way of appropriating the world. Through arresting images and incisive texts, this book examines the origins of cinema and its position as a global medium.
£39.60
Distributed Art Publishers Archive of the World: Art and Imagination in Spanish America, 1500–1800: Highlights from LACMA’s Collection
Including textiles, paintings and decorative arts, Archive of the World offers a lucid alternative to traditional interpretations of art from the so-called New World Exquisitely illustrated with new photography, this stunning book represents the first comprehensive study of LACMA’s notable holdings of Spanish American art. Following the arrival of the Spaniards in the Americas in the 15th century, the region developed complex artistic traditions that drew simultaneously on Indigenous, European, Asian and African art. In 1565 the Spaniards conquered the Philippines, inaugurating a new commercial route that connected Asia, Europe and the Americas. Private homes and civic and ecclesiastic institutions in Spanish America were filled with imported and locally made objects. This confluence of riches signaled the status of the Americas as a major entrepôt—what one contemporaneous author described as “the archive of the world.” Many works created in Spanish America were also shipped across the globe, attesting to their wide appeal. Arranged into five thematic sections, the volume features a conversation about LACMA’s collection and nearly 100 catalog entries by various scholars, including Pablo F. Amador Marrero, Aaron M. Hyman, Rachel Kaplan, Paula Mues Orts, Jeanette F. Peterson, Elena Phipps, Maya Stanfield-Mazzi and Luis Eduardo Wuffarden, among others. These authoritative texts offer multiple access points to appreciate the material, aesthetic and historical aspects of the works, providing a lasting reference in this increasingly influential area of art history.
£61.20
Distributed Art Publishers Fragments of Epic Memory
New ways of understanding Caribbean visual culture, from historical photographs following emancipation to contemporary transnational perspectives, on the occasion of a major exhibition at the Art Gallery of Ontario, Canada Anchored by an extensive selection from the world-class Montgomery Collection of Caribbean Photographs at the Art Gallery of Ontario, Fragments of Epic Memory situates a range of prints, postcards, daguerreotypes and albums from the period just after emancipation in 1838 within a broader context of visual culture in the Caribbean. This critical volume includes works by Caribbean artists such as Wifredo Lam from Cuba, and Sir Frank Bowling and Aubrey Williams from Guyana—who represent the first generation of migrant modernist artists—alongside 21st-century artists such as Paul Anthony Smith from Jamaica (based in the US), Zak Ové from Britain (of Trinidadian heritage), Nadia Huggins from Trinidad (based in St. Vincent) and Sandra Brewster from Canada (of Guyanese heritage), among others. Their works, along with texts by prominent writers of Caribbean descent, serve as counterpoints to the historical photographs and the violence of the imperial project, constituting a conceptual generational bridge across history, geography, time and space.
£28.79
Distributed Art Publishers Afro-Atlantic Histories
A colossal, panoramic, much-needed appraisal of the visual cultures of Afro-Atlantic territories across six centuries Named one of the best books of 2021 by Artforum Afro-Atlantic Histories brings together a selection of more than 400 works and documents by more than 200 artists from the 16th to the 21st centuries that express and analyze the ebbs and flows between Africa, the Americas, the Caribbean and Europe. The book is motivated by the desire and need to draw parallels, frictions and dialogues around the visual cultures of Afro-Atlantic territories—their experiences, creations, worshiping and philosophy. The so-called Black Atlantic, to use the term coined by Paul Gilroy, is geography lacking precise borders, a fluid field where African experiences invade and occupy other nations, territories and cultures. The plural and polyphonic quality of “histórias” is also of note; unlike the English “histories,” the word in Portuguese carries a double meaning that encompasses both fiction and nonfiction, personal, political, economic and cultural, as well as mythological narratives. The book features more than 400 works from Africa, the Americas and the Caribbean, as well as Europe, from the 16th to the 21st century. These are organized in eight thematic groupings: Maps and Margins; Emancipations; Everyday Lives; Rites and Rhythms; Routes and Trances; Portraits; Afro Atlantic Modernisms; Resistances and Activism. Artists include: Nina Chanel Abney, Emma Amos, Benny Andrews, Emanoel Araujo, Maria Auxiliadora, Romare Bearden, John Biggers, Paul Cézanne, Victoria Santa Cruz, Beauford Delaney, Aaron Douglas, Melvin Edwards, Ibrahim El-Salahi, Ben Enwonwu, Ellen Gallagher, Theodore Géricault, Barkley Hendricks, William Henry Jones, Loïs Mailou Jones, Titus Kaphar, Wifredo Lam, Norman Lewis, Ibrahim Mahama, Edna Manley, Archibald Motley, Abdias Nascimento, Gilberto de la Nuez, Toyin Ojih Odutola, Dalton Paula, Rosana Paulino, Howardena Pindell, Heitor dos Prazeres, Joshua Reynolds, Faith Ringgold, Gerard Sekoto, Alma Thomas, Hank Willis Thomas, Rubem Valentim, Kara Walker and Lynette Yiadom-Boakye.
£46.35
Distributed Art Publishers An Indigenous Present
A monumental gathering of more than 60 contemporary artists, photographers, musicians, writers and more, showcasing diverse approaches to Indigenous concepts, forms and mediums This landmark volume is a gathering of Native North American contemporary artists, musicians, filmmakers, choreographers, architects, writers, photographers, designers and more. Conceived by Jeffrey Gibson, a renowned artist of Mississippi Choctaw and Cherokee descent, An Indigenous Present presents an increasingly visible and expanding field of Indigenous creative practice. It centers individual practices, while acknowledging shared histories, to create a visual experience that foregrounds diverse approaches to concept, form and medium as well as connection, influence, conversation and collaboration. An Indigenous Present foregrounds transculturalism over affiliation and contemporaneity over outmoded categories. Artists include: Neal Ambrose-Smith, Teresa Baker, Natalie Ball, Laakkuluk Williamson Bathory, Rebecca Belmore, Andrea Carlson, Nani Chacon, Raven Chacon, Dana Claxton, Melissa Cody, Chris T. Cornelius, Lewis deSoto, Beau Dick, Demian DineYazhi’, Wally Dion, Divide and Dissolve, Korina Emmerich, Ka’ila Farrell-Smith, Yatika Starr Fields, Nicholas Galanin, Raven Halfmoon, Elisa Harkins, Luzene Hill, Anna Hoover, Sky Hopinka, Chaz John, Emily Johnson, Brian Jungen, Brad Kahlhamer, Sonya Kelliher-Combs, Adam Khalil, Zack Kahlil, Kite, Layli Long Soldier, Erica Lord, Cannupa Hanska Luger, Tanya Lukin Linklater, James Luna, Dylan McLaughlin, Meryl McMaster, Caroline Monnet, Audie Murray, New Red Order, Jamie Okuma, Laura Ortman, Katherine "KP" Paul/Black Belt Eagle Scout, Postcommodity, Wendy Red Star, Eric-Paul Riege, Cara Romero, Sara Siestreem, Rose B. Simpson, Jaune Quick-to-See Smith, Hulleah J. Tsinhnahjinnie, Anna Tsouhlarakis, Arielle Twist, Marie Watt, Dyani White Hawk and Zoon a.k.a. Daniel Glen Monkman.
£60.30
Distributed Art Publishers Andy Warhol's The Chelsea Girls
Andy Warhol’s The Chelsea Girls had its premiere at the Film-Maker’s Cinémathèque on 15 September 1966. It sold out a 200-seat theatre and went on to become the first film to move from the underground to commercial cinema. Since 1972, when Warhol pulled all of his films out of distribution, the public has had extremely limited access to The Chelsea Girls , outside of museum screenings. In honour of the 20th Anniversary of The Andy Warhol Museum and what would have been Warhol’s 85th birthday, hundreds of Warhol’s films – some never seen before – have been converted to a digital format with the partnership of The Andy Warhol Museum, The Museum of Modern Art, New York, and the Moving Picture Company (MPC), a Technicolor Company. This book is an in-depth look at Warhol’s most famous film. It includes all newly digitized film stills, never-before-published transcripts, unpublished archival materials, and expanded information about each of the individual films that comprise the three- plus hour film. As the film alternates sound between the left and right screens, the book reproduces the transcript in complete form as one hears it, with imagery from the corresponding reels. There is also a full transcription of the unheard reels in the back of the book. This is a substantial contribution to the scholarship on Warhol’s complex and most commercial film.
£49.50
Distributed Art Publishers Alexis Rockman: Shipwrecks
The shipwreck narrative is used to explore globalization, colonization and climate change in the masterful works of contemporary American painter Alexis Rockman In Shipwrecks, Alexis Rockman (born 1962) looks at the world’s waterways as a network by which all of history has traveled. The transport of language, culture, art, architecture, cuisine, religion, disease and warfare can all be traced along the routes of seafaring vessels dating back to and in some cases predating the earliest recorded civilizations. Through depictions of historic and obscure shipwrecks and their lost cargoes, Rockman addresses the impact—both factual and extrapolated—the migration of goods, people, plants and animals has on the planet. This timely publication, which includes essays from leading scholars, is propelled by impending climate disaster and the current largest human migration in history, taking place in part by waterway.
£31.50
Distributed Art Publishers Light, Space, Surface: Art from Southern California
A definitive resource on California’s Light and Space and Finish Fetish movements of the 1960s and ’70s This volume explores the art of Light and Space and related “finish fetish” pieces with highly polished surfaces. In the 1960s and 1970s, various artists in Southern California began to create works that investigate perceptual phenomena: how we come to understand form, volume, presence and absence through light, whether seen directly through other materials, reflected, or refracted. Many artists used newly developed industrial materials—including sheet acrylic, fiberglass and polyester resin—in their work. Light, Space, Surface draws on the Los Angeles County Museum of Art’s deep holdings of this material, revealing the vibrancy and diversity of this slice of American art history. Artists include: Peter Alexander, Larry Bell, Billy Al Bengston, Judy Chicago, Gisela Colón, Ron Cooper, Mary Corse, Ronald Davis, Guy Dill, Laddie John Dill, Fred Eversley, Robert Irwin, Craig Kauffman, John McCracken, Bruce Nauman, Helen Pashgian, Roland Reiss, Roy Thurston, James Turrell, De Wain Valentine, Doug Wheeler and Norman Zammitt.
£35.99
Distributed Art Publishers Andrea Bowers
Between art and activism, from climate change to immigration: the multimedia work of Andrea Bowers Based in Los Angeles, Andrea Bowers (born 1965) constructs her practice around the notions of collaboration, representation and engagement. Through her dedication to social and environmental justice, as well as her partnerships with activist organizations and various protest movements, Bowers has renegotiated her role as artist in society. Running throughout her drawings, paintings, videos and installations is a rigorous reevaluation of the concepts, structures and images that have guided our relentless search for meaning and justice. With work that is at once hyper-conceptual and socially engaged, Bowers creates spaces within which to share and evaluate the potential of art as a tool for social progress—while serving as witness and documentarian to the work of activists worldwide. This book is a comprehensive and definitive survey of Bowers’ work to date and investigates some of the key, longstanding interests that have guided her practice. Critical pieces from writers of various backgrounds and fields position Bowers’ practice in the context of the movements, histories and struggles that make up these broader concerns. Accompanying these illuminating texts are full-color illustrations of works, including a selection of Bowers’ well-known neon sculptures and large-scale installations, as well as numerous other drawings, paintings, photographs and video works.
£47.70
Distributed Art Publishers Witch Hunt
Sixteen international artists at the forefront of feminism This book focuses on a selection of midcareer international artists whose oeuvres are informed by the legacies of feminist thought. Each artist adds to the feminist discourse, whether by reclaiming women’s marginalized creative histories, using gender discrimination as a method of institutional critique or creating alternate research methodologies that confront patriarchal norms. The book includes sculpture, painting, video, installation and performance art, and features lesser-known projects or entirely new commissions that recast sociopolitical realities throughout the world. In addition to extensive illustrations, the book includes essays by Anne Ellegood and Connie Butler, curators and art historians whose practices have also been dedicated to a discussion of women’s rights. Artists include: Leonor Antunes, Yael Bartana, Pauline Boudry / Renate Lorenz, Candice Breitz, Shu Lea Cheang, Minerva Cuevas, Vaginal Davis, Every Ocean Hughes, Bouchra Khalili, Laura Lima, Teresa Margolles, Otobong Nkanga, Okwui Okpokwasili, Lara Schnitger and Beverly Semmes.
£42.75
Distributed Art Publishers Christian Marclay: Sound Stories
Marclay fuses art and technology to draw on the sounds and images of life on Snapchat In Sound Stories, American artist and composer Christian Marclay (born 1955) fuses art and technology, using Snapchat videos as raw material. Featuring texts by Max Maxwell, this book documents the collaboration between the artist and Snapchat in an innovative project mixing the sounds and images of everyday life found on the multimedia messaging app, aggregating unattributed stories. Using algorithms created by a team of engineers at Snap Inc., Marclay experiments with millions of publicly posted Snapchat videos to create five immersive audiovisual installations, two of which are interactive. The Organ, a five-octave keyboard and its bench, allows the spectators to trigger video segments and their matched sounds onto the wall. Rooted in a sampling aesthetic fundamental to Marclay’s work, these installations respond to the storytelling available on Snapchat and visitors’ sounds and movements in the gallery space.
£27.00
Distributed Art Publishers The Apartment
A legendary Parisian collection of minimalist and conceptual art, and its evocative installation in the home of collector Ghislain Mollet-Viéville This book documents the scrupulous recreation, inside MAMCO Geneva, of a flat owned between 1975 and 1992 by Parisian collector and self-described agent d’art Ghislain Mollet-Viéville. Mollet-Viéville’s apartment on the rue Beauborg showcased his incredible collection of minimalist and conceptual art; the flat served flexibly as home, gallery and crossroads of international contemporary art. Featuring works by Victor Burgin, Dan Flavin, Donald Judd, Carl Andre, Claude Rutault, Art & Language, John McCracken and Lawrence Weiner, Mollet-Viéville’s collection, and its display in his apartment, defined a radical approach to collecting and played an important role in publicizing the work of these artists in France. MAMCO acquired Mollet-Viéville’s groundbreaking collection in 2017; The Apartment is the first publication to celebrate and study Mollet-Viéville’s collection and its faithful reinstallation at MAMCO Geneva as a “period room” of contemporary art history. The Apartment features an analysis of each work included in the installation, an interview with Mollet-Viéville conducted by Lionel Bovier and Thierry Davila, and an essay by Patricia Falguières.
£24.30
Distributed Art Publishers Displaced: Manzanar 1942-1945
"This sorry episode has been illuminated in books and documentaries. But I've never felt its emotional texture—the unexpected mix of dereliction and upstanding hopefulness—so vividly as in this set of photographs taken by Ansel Adams and Dorothea Lange and five others, among them an artist incarcerated at Manzanar." –Pico Iyer In the weeks following the bombing of Pearl Harbor on December 7, 1941, American suspicion and distrust of its Japanese American population became widespread. The US government soon ordered all Japanese Americans (two thirds of them American citizens) living on the West Coast to report to assembly centers for eventual transfer to internment camps, openly referred to by the New York Times as "concentration camps." Within a few months of Pearl Harbor, President Franklin D. Roosevelt signed Executive Order 9066; soon after, the War Relocation Authority (WRA) was established and by the end of March, the first of 10,000 Japanese evacuees arrived in Manzanar, an internment camp in the Owens Valley desert at the foot of the Sierras. Families were given one to two weeks' notice and were allowed to pack only what they could carry. Businesses were shuttered and farms and equipment were sold at bargain prices. Upon arrival at Manzanar, each person was assigned to a barrack, given a cot, blankets and a canvas bag to be filled with straw in order to create their own mattresses. Dorothea Lange was hired by the WRA to photograph the mass evacuation; she worked into the first months of the internment until she was fired by WRA staff for her "sympathetic" approach. Many of her photographs were seized by the government and largely unseen by the public for a half century. More than a year later, Manzanar Project Director Ralph Merritt hired Ansel Adams to document life at the camp. Lange and Adams were also joined by WRA photographers Russell Lee, Clem Albers and Francis Stewart. Two Japanese internees, Toyo Miyatake and Jack Iwata, secretly photographed life within the camp with a smuggled camera. Gathered together in this volume, these images express the dignity and determination of the Japanese Americans in the face of injustice and humiliation. Today the tragic circumstances surrounding displaced and detained people around the world only strengthen the impact of these photos taken 75 years ago.
£36.00
Distributed Art Publishers Love, Icebox: Letters from John Cage to Merce Cunningham
These early letters from John Cage to Merce Cunningham will be revelatory for many. While the two are widely known as a dynamic, collaborative duo, the story of how and when they came together has never been fully told. In the 39 letters of this collection, spanning 1942 46, Cage shows himself to be a man falling deeply in love. When they first met at the Cornish School in Seattle in the 1930s, Cage was 26 to Cunningham's 19, their relationship was purely that of teacher and student, and Cage was also very much married.It was in Chicago that their romantic relationship would begin. Cage was teaching at Moholy-Nagy's School of Design when Cunningham passed through town as a dancer with the Martha Graham Company on March 14, 1942. The letters begin in January, but a week after Cunningham's performance, the essential correspondence begins. Cage's letters to Cunningham are passionate, distraught, romantic and confused, occasionally containing snippets of poetry and song. They are also more than love letters, with intimations that resonate with our experience of the later John Cage.Love, Icebox takes its shape from these letters transcribed, chronologically ordered and in some instances reproduced in facsimile. Laura Kuhn, Cage's assistant from 1986 to 1992 and now longtime director of the John Cage Trust, adds an introduction, postscript and running commentary. Photographic illustrations of their final 18th St loft, as well as personal and household objects left behind, remind us of the substance and rituals of a long-shared life.
£22.00
Distributed Art Publishers William Christenberry
"Modesty and discretion characterize everything Christenberry touches.” –Richard B. Woodward, The New York Times William Christenberry is firmly established as a contemporary American master photographer, but no comprehensive overview of his diverse talents is currently in print. This 260-page volume--the largest Christenberry overview yet published--corrects this lacuna, offering a thematic survey of his half-century-long career. It is composed of 13 sections, each devoted to a particular series or theme: the wooden sculptures of Southern houses, cafes and shops; the early, black-and-white, Walker Evans-influenced photographs of Southern interiors, taken in Alabama and Mississippi in the early 60s; documentations of Ku Klux Klan meeting houses and rallies, from the mid-1960s; color photographs of tenant houses in Alabama, from 1961 to 1978; signs in landscapes, ranging from handwritten gas station signs to Klan and corporate signs; graves (which, through Christenberry's lens, emerge as a kind of folk art); churches in Alabama, Delaware and Mississippi, taken between the mid-1960s and the 80s; Alabama street scenes, in towns such as Demopolis, Marion and Greensboro; street scenes in Tennessee (mostly Memphis); Southern landscapes; gas stations, trucks and cars in Alabama; and a selection from Christenberry's famous series of buildings to which he returns annually, photographing them over several decades-the palmist building, the Underground Nite Club, Coleman's Cafe, the Bar-B-Q Inn, the Green Warehouse and the Christenberry family home, near Stewart, Alabama. William Christenberry (born 1936) has been a professor at the Corcoran College of Art and Design, Washington, D.C., since 1968. His work has been the subject of numerous solo exhibitions over the last 40 years, and can be found in numerous permanent collections, including those of the Smithsonian American Art Museum, Washington, D.C.; The Museum of Modern Art and Whitney Museum of American Art, New York; San Francisco Museum of Modern Art; and the Center for Creative Photography, Tucson. His work was the subject of a major year-long solo exhibition at the Smithsonian American Art Museum in 2006.
£51.30
Distributed Art Publishers Aura Rosenberg: Head Shots: Photographs by Aura Rosenberg
Aura Rosenberg is concerned with the visible expression of sexual desire. Capturing the moment of orgasm on camera is usually reserved for the voyeur, the hidden witness. What Rosenberg has done is present herself as the public's witness via the camera, inviting a number of men into her studio to reenact the ecstasy of release, the moment when potency and vulnerability coexist. The result is a collection of extraordinary photographs that run the gamut of psychosexual expression. Whether her subjects were really giving their best shot or simply indulging in sublime fakery is just one of the very pertinent questions these pictures throw out. In acting out their most abandoned sexual and emotional moment before her lens, Rosenberg's subjects invite us to step beyond the traditional limits of voyeurism. These beautiful, curious and erotic images reserve the traditional male-on-female gaze and relieve it of some of its associations with misogyny and perversity. Writers Lynn Tillman and Gary Indiana reflect together on the experience of witnessing these photographs.
£22.00
Distributed Art Publishers David Medalla In Conversation with the Cosmos
Medalla''s first major retrospective draws from his archive of kinetic art designs and works on paper to outline his transformative impact on the 20th-century avant-gardeThis comprehensive survey of drawings and works on paper by the late Filipino artist David Medalla (19422020) explores his prolific career from the mid-1950s to the late 2010s. The book tracks and contextualizes Medalla's pioneering involvement in artistic movementsfrom kinetic art to performance and participatory artwhile providing insight into more intimate forms of exchange between contemporaries and friends to underscore the interpersonal narratives that often tend to evade art history. In anticipation of a major retrospective exhibition of Medalla's art at the Hammer Museum, this volume charts the artist's persistent presence that has sometimes been omitted from the histories of art movements in which he played a significant role. This publication showcases Medalla as an influential figu
£35.10
Distributed Art Publishers Christine Sun Kim Oh Me Oh My
Drawings, videos and murals center the experience of the Deaf community in an auditory worldIn this monograph, the groundbreaking work of the American-born, Berlin-based artist Christine Sun Kim (born 1980) is explored through essays, short texts and reflections, an interview and abundant large-scale images of Kim''s work. An artist who foregrounds the visual, physical and political dimension of sound, Kim challenges the notion that sound is solely an auditory experience. Kim, whose first language is American Sign Language (ASL), uses elements from various information systems, such as musical notation, infographics and ASL, to develop a dryly humorous visual vocabulary in a variety of mediums, including performance, drawing, video, lectures and more. She aims to draw attention to the power imbalances between the hearing world and the Deaf community, as well as to celebrate the generative possibilities and creative energy that can arise from interactions betwe
£43.20
Distributed Art Publishers William Klein: Who Are You, Polly Maggoo?
Klein’s madcap romp of a photo-novel brilliantly translates his cult ’60s film into book form Based on the original images and dialogue of William Klein’s 1966 film Who Are You, Polly Maggoo?, this fantastic photo-novel tells the adventures of Polly Maggoo, a star model played by Dorothy McGowan (model for Vogue in the 1960s). The plot unfolds across the fashion world of Polly Maggoo; the world of television (based around the character of director Jean Rochefort); and a magical kingdom of operetta whose crown prince (played by Sami Frey) is in love with the young model. Also featuring in this star-studded cast are Alice Sapritch, Delphine Seyrig, Philippe Noiret, Roland Topor and Jacques Seiler. The publication ingeniously translates into book form the zany universe of the film. Klein’s masterful framing gives exquisite rhythm to its page composition and flow as we follow the crazy adventures of the extraordinary heroine in a madcap race through the streets and rooftops of Paris, all the way up to a distant palace lost in the snow. Born in New York, William Klein (1926–2022) was a multidisciplinary artist whose practice revolutionized photography, particularly fashion and street photography. His fashion work was the subject of several iconic photobooks, including Life Is Good and Good for You in New York (1957) and Tokyo (1964). In the 1980s, he turned to film projects. His works are held in the collections of the Museum of Modern Art in New York, the National Gallery of Art in Washington, DC, and the Art Institute of Chicago, among others.
£99.00
Distributed Art Publishers Rebecca Morris: 2001–2022
A survey for a long-term champion of abstraction Acclaimed American painter Rebecca Morris (born 1969) has long been celebrated for her juxtapositions of thin, matte washes of color with shimmering, metallic impasto. Her first major monograph coincides with a new survey exhibition traveling from the Institute of Contemporary Art, Los Angeles to the Museum of Contemporary Art, Chicago. Teeming with opulently illustrated plates, the volume provides insight into Morris’ practice through various vantage points, including texts from longtime collaborators of the artist and new voices alike. Topics include the historiography of color in Morris’ paintings as well as art historical contexts for her work. An additional section of the book traces Morris' own photo documentation of her studios over the 21-year period. Today, Morris remains steadfast to an ethos of constant evolution and a rigorous commitment to experimentation in painting. As she wrote in a widely circulated manifesto from 2005: “Abstraction never left, motherfuckers.”
£46.35
Distributed Art Publishers Stanley Whitney How High the Moon
The first in-depth survey of Whitney's endless experimentation with colorThe esteemed American painter Stanley Whitney has, for 50 years, created joyful, immersive abstractions characterized by a bold, experimental palette and unique rhythm. Over the last 20 years, he has structured his paintings as loose grids: a consistent framework that frees him to work through seemingly infinite painterly variations and allows viewers to focus not on each painting's subject, but rather on our own response to color. These large-scale paintings are joined by improvisatory small paintings; drawings and prints, which constitute their own practice for Whitney; and the artist's sketchbooks, which offer a view into Whitney's engagement with the written word and politics.This traveling North American exhibition is Whitney's first museum survey, presenting 170 paintings and works on paper spanning from the 1970s to the present day. The catalog includes an introduction by exhi
£59.40
Distributed Art Publishers Cynthia Carlson: Sixty Years
The first retrospective on a fascinating protagonist of the 1970s Pattern & Decoration movement, who defied Minimalist orthodoxy with humorous multimedia explorations of domesticity and ornament This is the first comprehensive volume on Cynthia Carlson (born 1942), a key artist of the Pattern & Decoration group who responded to Minimalism’s dominance in the 1970s. The work of this group has recently been revisited and reappraised in exhibitions and by art scholarship. A Chicagoan under the influence of the Chicago Imagists, Carlson landed in New York City in 1965 and has exhibited widely (she was included in Lucy Lippard’s seminal 1971 exhibition 26 Contemporary Women Artists at the Aldrich Museum of Contemporary Art). Her interest in the domestic—as a source of shapes and as a realm of familial experiences, chores and memories—intersects with the works of contemporaries ranging from Jennifer Bartlett to Joel Shapiro and Elizabeth Murray. Carlson's utilization of architectural motifs might align at one moment with the vernacular embraced in the buildings of Venturi & Scott Brown and, at another, with the postmodern rehabilitation of Beaux-Arts ornament. Her hand-painted "wallpaper" is considered a significant contribution and influence on contemporary installation art. Carlson’s artistic identity continues to morph: from room-size wallpaper and a life-size gingerbread house to unexpected shaped canvasses, architectural constructions and pet portraits. Whatever she creates, however eccentric, is high-spirited, genial and insightful.
£51.30
Distributed Art Publishers Yashua Klos: Our Labour
Klos unravels American histories of Black labor in brilliantly executed print-based collages and sculptures that mark new creative terrain for the artist This book features a recent body of work by New York–based artist Yashua Klos (born 1977) and builds upon the artist’s explorations into the intersections between the human form, the natural world and the built environment. Foregrounding a series of print-based and sculptural works, Yashua Klos: Our Labour considers how familial, geographic and narrative histories inform notions of identity. Klos employs a process of collaging woodblock prints to engage ideas about Blackness and maleness as identities that are both fragmented and constructed. In this volume, Klos introduces works conceived around an examination of creative and industrial labor through both deeply personal and historic lenses.
£48.60
Distributed Art Publishers Evelyn Hofer: Eyes on the City
How Hofer used the photobook form to chronicle American and European cities in an era of postwar transformation Evelyn Hofer was a highly innovative photographer whose prolific career spanned five decades. Despite her extraordinary output, she was underrecognized during her lifetime and was notably referred to by New York Times art critic Hilton Kramer as “the most famous unknown photographer in America.” She made her greatest impact through a series of photobooks, published throughout the 1960s, devoted to European and American cities, including Florence, London, New York, Washington and Dublin, and a book focused on the country of Spain. Comprising more than 100 photographs in both black and white and color, Eyes on the City accompanies the artist’s first major museum exhibition in the United States in over 50 years and is organized around her photobooks. The photographs feature landscapes and architectural views combined with portraiture, conveying the unique character and personality of these urban capitals during a period of intense structural, social and economic transformations after World War II. Evelyn Hofer (1922–2009) was born in Germany and moved to New York in 1946. She was an early adopter of color photography and published assignments for many major magazines including Vogue and Harper's Bazaar. Hofer collaborated with authors such as Mary McCarthy and V.S. Pritchett on several books, including The Stones of Florence (1959), London Perceived (1962) and Dublin: A Portrait (1967). She died in Mexico City.
£42.30
Distributed Art Publishers I’ll Be Your Mirror: Art and the Digital Screen
Artists from Nam June Paik to Arthur Jafa show how modern digital technologies have shaped the art and themes of our time Surveying some 50 years of groundbreaking art related to digital technology and the screen, I’ll Be Your Mirror examines how technologies such as home computers, smartphones and TV have affected art and life over the past five decades. It traces a trajectory stretching back to the late 1960s, a watershed moment in the rise of the screen in the home. Today, accelerated by the pandemic, our daily life is mediated through screens for work, entertainment and sociality. Artists include: Lillian Schwartz, Nam June Paik, Lynn Hershman Leeson, Andy Warhol, Gretchen Bender, Eva and Franco Mattes, Jacqueline Humphries, Cory Arcangel, Petra Cortright, Elias Sime, Rafael Lozano-Hemmer, Trevor Paglen, Hito Steyerl, Liss LaFleur, Kristin Lucas, Rick Silva, Wickerham & Lomax, Avery Singer, American Artist, Simon Denny, Skawennati, Jacolby Satterwhite, Carson Lynn, Ed Atkins, Arthur Jafa, Cao Fei and Frances Stark.
£38.69
Distributed Art Publishers Gary Simmons: Public Enemy
Long overdue, this first comprehensive survey spans three decades of Simmons’ richly layered, socially engaged art Covering 30 years of sculptures, paintings, works on paper, large-scale wall drawings, installations and site-specific works, this book presents the art of Gary Simmons, one of the most respected artists of his generation. Since the late 1980s, Simmons has played a key role in situating questions of race, class and gender identity within art discourse. He is notable for combining pop-cultural imagery with conceptual artistic strategies to expose and analyze histories of racism inscribed in US visual culture. Over the course of his career, Simmons has revealed traces of these histories in the fields of sports, cinema, literature, music, and architecture and urbanism while drawing on popular genres such as hip-hop, horror and science fiction. His approach is cool and unflinching in its interrogation of historical and cultural narratives, yet the results consistently deliver a strong emotional charge. This publication offers readers the opportunity to gain a holistic understanding of the complex, profoundly moving work of this influential artist. Gary Simmons was born in 1964 in New York City, where he was raised. Today he lives and works in Los Angeles. He received a BFA in 1988 from the School of Visual Arts, New York, and an MFA in 1990 from the California Institute of the Arts, Valencia; he also studied at Hunter College, New York. He has received numerous awards, including the Studio Museum in Harlem Joyce Alexander Wein Prize (2013), the George Gund Foundation USA Gund Fellowship (2007) and the National Endowment for the Arts Interarts Grant (1990).
£46.80