Search results for ""Art Publishers""
Arnoldsche Documents on Contemporary Crafts 15
Documents on Contemporary Crafts is a book series published by Norwegian Crafts in collaboration with Arnoldsche Art Publishers. The series provides a critical reflection of contemporary crafts in a wider context and in doing so asks questions about the ties between contemporary craft, fine art and design, thus helping to redefine the concept of crafts as such. The five volumes discuss such topics as skills, materiality, curating, collecting, perception and New Materialism. The more than thirty contributors range from leading craft theorists, such as Jorunn Veiteberg, Glenn Adamson and Liesbeth den Besten, via academics outside the craft tradition, such as Roger L. Kneebone, professor of surgical education, Trevor Marchand, professor of social anthropology, and Margaret Wasz, consultant psychological therapist, to emerging voices like Sarah R. Gilbert, Marianne Zamecznik and Stephen Knott. No. 1: Museum for Skills. Skills are esse
£64.80
Iron Circus Comics Smut Peddler Presents: Sordid Past
"Another slam-dunk for a series that breaks new ground in erotic art." — PUBLISHERS WEEKLY"Sex-positive, consent-driven erotica with an anchor in . . . the delightful smut of human history." — POLYGON Shelve those dusty tomes, fold up your smoking jacket, and lock the door of the study; this research trip is going to be wild! The latest in the Smut Peddler series of high-end erotic anthologies, Sordid Past is our most scholarly smutty journey yet as we dive into the annals of human history around the globe. From the depths of antiquity to the ancient 1990s, this collection is a whirlwind hands-on history lesson in the tried-and-true Smut Peddler style: broadly diverse, sex-positive, consent-driven, and tons of fun! Featuring some of the biggest names in mainstream and small press comics and illustration, including Eisner Award winner ERICA HENDERSON, Harvey and Lambda Award-winning EK WEAVER, tall-ship-sailing adventure cartoonist LUCY BELLWOOD, and many more!
£22.78
Arnoldsche Gisbert Stach: Jewellery and Experiment
Gisbert Stach's (b. 1963) monograph Jewellery and Experiment presents a multifaceted opus from twenty-five years of gold- and silversmithing. In his oeuvre the primarily conceptual artist combines jewellery with video, photography and performance. One focus of his work deals with processes of transformation and experiment - pieces disappear through chemical dissolution, and form is determined by agencies of growth in nature. Stach works with means of alienation and irritation. Ground amber serves as pigment, which he works into jewellery pieces in the form of fish fingers, sliced bread or schnitzel. A further characteristic of his work is the performative act, for example when brooches are pelted with knives. Gisbert Stach is represented in numerous museums and collections, including Die Neue Sammlung - The Design Museum, Munich (DE); Fondazione Cominelli, Brescia (IT); Museo de Arte Moderno, Tarragona (ES); Museum of Arts & Crafts, Itami (JP); Gallery of Art, Legnica (PL); Museum of Bohemian Paradise, Turnov (CZ); Amber Museum, Gdansk (PL). Published to accompany exhibitions at Arnoldsche Art Publishers, Stuttgart (DE), 9-11 November 2018, and Bayerischer Kunstgewerbeverein (BKV), Munich (DE) 28 February-24 March 2019. Text in English and German.
£25.20
Yale University Press Art and Faith: A Theology of Making
From a world-renowned painter, an exploration of creativity’s quintessential—and often overlooked—role in the spiritual life “Makoto Fujimura’s art and writings have been a true inspiration to me. In this luminous book, he addresses the question of art and faith and their reconciliation with a quiet and moving eloquence.”—Martin Scorsese “[An] elegant treatise. . . . Fujimura’s sensitive, evocative theology will appeal to believers interested in the role religion can play in the creation of art.”—Publishers Weekly Conceived over thirty years of painting and creating in his studio, this book is Makoto Fujimura’s broad and deep exploration of creativity and the spiritual aspects of “making.” What he does in the studio is theological work as much as it is aesthetic work. In between pouring precious, pulverized minerals onto handmade paper to create the prismatic, refractive surfaces of his art, he comes into the quiet space in the studio in a discipline of awareness, waiting, prayer, and praise. Ranging from the Bible to T. S. Eliot, Mark Rothko, and Japanese Kintsugi technique, he shows how, unless we are making something, we cannot know the depth of God’s being and God’s grace permeating our lives. This poignant and beautiful book offers the perspective of, in Christian Wiman’s words, an “accidental theologian,” one who comes to spiritual questions always through the prism of art.
£25.00
The University of Chicago Press History of the Surrealist Movement
"With its unprecedented depth and range, this massive new history of Surrealism from veteran French philosopher and art critic Durozoi will be the one-volume standard for years to come. . . . The book discusses expertly the main surrealist artists like Jean Arp, Max Ernst, René Magritte, Yves Tanguy, Salvador Dalí and Joan Miró, but also treats with considerable understanding the surrealist writing by Louis Aragon, Paul Eluard, Robert Desnos, Julien Graçq and, of course, the so-called 'Pope of Surrealism,' André Breton. . . . This book should turn up in all serious collections on 20th century art."—Publishers Weekly, starred reviewFrom Dada to the Automatists, and from Max Ernst to André Breton, Gérard Durozoi here provides the most comprehensive history of the Surrealist movement. Tracing the movement from its origins in the 1920s to its decline in the 1950s and 1960s, Durozoi tells the history of Surrealism through its activities, publications, and reviews, demonstrating its close ties to some of the most explosive political, as well as creative, debates of the twentieth century.Drawing on a staggering amount of documentary and visual evidence—including 1,000 photos—Durozoi illuminates all the intellectual and artistic facets of the movement, from literature and philosophy to painting, photography, and film, thus making History of the Surrealist Movement its definitive encyclopedia.
£84.00
Image Comics Southern Bastards Volume 1: Here Was a Man
Earl Tubb is an angry old man with a very big stick. Euless Boss is a high school football coach with no more room in his office for trophies and no more room underneath the bleachers for burying bodies. And they're just two of the folks you'll meet in Castor County, Alabama, home of Boss BBQ, the state champion Runnin' Rebs and more bastards than you've ever seen!“What does old Earl Tubb do when he returns home to Craw County, Ala., only to find the place a veritable criminal fiefdom run by Euless Boss, the local high school football coach? Why, pick up the stick helpfully cleaved by lightning from a tree growing out of his daddy's grave and start meting out justice just like his father, the old sheriff, did. In the cleaning-up-the-dirty-old-town Southern-fried pulper, writer Aaron (Scalped) and artist Jason Latour (Django Unchained) spread around no more story than is absolutely necessary, and most of it involves people being at the wrong end of a stick, baseball bat, or even (in an early fight scene) a deep-fryer basket. Both Jasons hail from the South, as they discuss in a particularly bighearted introduction, and so likely feel unencumbered by concerns about overdosing on clichés. Thus, the high-impact pages are strewn with bruising high school football, sweet tea, barbecue, trucker caps, and snarling rednecks. The story, in which Tubb clobbers his way through throngs of underlings to get at Boss, is no more complicated than a redo of Walking Tall. But there's a thread of something deeper, bloodier, and more resonant that often transcends the usual psychotic-redneck shtick, aided in no small part by Latour's spare, elegant art.” - Publishers Weekly
£9.04