Search results for ""author victoria"

When Margaret Thatcher called in 1979 for a return to Victorian values such as hard work, self-reliance, thrift, and national pride, Labour Party leader Neil Kinnock responded that “Victorian values” also included “cruelty, misery, drudgery, squalor, and ignorance.” The Victorians in the Rearview Mirror is an in-depth look at the ways that the twentieth century reacted to and reimagined its predecessor. It considers how the Victorian inheritance has been represented in literature, politics, film, and visual culture; the ways in which modernists and progressives have sought to differentiate themselves from an image of the Victorian; and how conservatives (and some liberals) have sought to revive elements of nineteenth-century life. Nostalgic and critical impulses combine to fix an understanding of the Victorians in the popular imagination. Simon Joyce examines heritage culture, contemporary politics, and the “neo-Dickensian” novel to offer a more affirmative assessment of the Victorian legacy, one that lets us imagine a model of social interconnection and interdependence that has come under threat in today’s politics and culture. Although more than one hundred years have passed since the death of Queen Victoria, the impact of her time is still fresh. The Victorians in the Rearview Mirror speaks to diverse audiences in literary and cultural studies, in addition to those interested in visual culture and contemporary politics, and situates detailed close readings of literary and cinematic texts in the context of a larger argument about the legacies of an era not as distant as we might like to think.

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This fascinating book about Belfast in the middle of the nineteenth century looks at how and why Ireland’s most prosperous and industrialized town began to tear itself apart. This study provides a vivid example of how a society can come apart at the seams – and how it can stay that way for generations. Through a series of steadily escalating riots, working-class Protestants and Catholics forged a tradition of violence that profoundly shaped their own identities and that of the city itself, setting the stage for the bitter conflicts of the next century. Fighting like the Devil for the Sake of God describes that foundational moment, offering a new analysis of Belfast’s violence that is rooted in the social lives of those who constructed this bitter rivalry and those who were forced to endure it.This book will be of interest to scholars in the fields of Irish and Modern History.

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Every night Hester Monk tends to women of the streets who have been injured as a result of their trade. But the injuries are becoming more serious, and now a body has been discovered in one of the area's brothels. The dead man is the respected head of a successful railway company, Nolan Baltimore. With calls for the police to clean up the streets, Hester decides she must intervene to protect these women who stand to lose everything. Meanwhile her husband, William Monk, is investigating a possible fraud at Baltimore and Sons. As Monk endeavours to prevent a serious crime from taking place, he faces some staggering revelations, and finds that the time has come to confront his own demons - even if it means losing all he holds dear...

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When Margaret Thatcher called in 1979 for a return to Victorian values such as hard work, self-reliance, thrift, and national pride, Labour Party leader Neil Kinnock responded that “Victorian values” also included “cruelty, misery, drudgery, squalor, and ignorance.” The Victorians in the Rearview Mirror is an in-depth look at the ways that the twentieth century reacted to and reimagined its predecessor. It considers how the Victorian inheritance has been represented in literature, politics, film, and visual culture; the ways in which modernists and progressives have sought to differentiate themselves from an image of the Victorian; and how conservatives (and some liberals) have sought to revive elements of nineteenth-century life. Nostalgic and critical impulses combine to fix an understanding of the Victorians in the popular imagination. Simon Joyce examines heritage culture, contemporary politics, and the “neo-Dickensian” novel to offer a more affirmative assessment of the Victorian legacy, one that lets us imagine a model of social interconnection and interdependence that has come under threat in today’s politics and culture. Although more than one hundred years have passed since the death of Queen Victoria, the impact of her time is still fresh. The Victorians in the Rearview Mirror speaks to diverse audiences in literary and cultural studies, in addition to those interested in visual culture and contemporary politics, and situates detailed close readings of literary and cinematic texts in the context of a larger argument about the legacies of an era not as distant as we might like to think.

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A unique cross-disciplinary survey of design history, A History of Design from the Victorian Era to the Present offers a concise overview of the modern milestones of architecture, interior design, graphic design, product design, and photography from the Crystal Palace of 1851 to the iPhone at the turn of the twenty-first century. This abundantly illustrated volume traces modern design across continents and cultures, highlighting the key movements and design traditions that have shaped the world around us. From the whirlwind of innovation that gripped Victorian England at the dawn of the Industrial Revolution, the book details design’s rich evolution through more than a century and a half, including Art Nouveau’s breathtaking ornament, the “new vision” of the Bauhaus, the rise of the International Style, and postmodernism and contemporary currents in the graphic arts and landscape architecture. Major design figures are framed against a background of evolving aesthetic idioms. Especially attuned to how technological innovations catalyzed daringly conceived skyscrapers, bridges, and cantilever chairs, the authors also chart the impact of technical advances in the disciplines of industrial design, typography, and photographic portraiture. This new edition of a classic text first published in 1970 expands coverage to include developments in design over the last forty years, with emphasis on its global reach, the impact of the digital revolution, and new trends in sustainable design that will shape the century to come.

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A hanged man would say anything to save his life. But what if his testimony is true?When Inspector Ben Ross is called to Newgate Prison by a man condemned to die by the hangman's noose he isn't expecting to give any credence to the man's testimony. But the account of a murder he witnessed over seventeen years ago is so utterly believeable that Ben can't help wondering if what he's heard is true. It's too late to save the man's life, but it's not too late to investigate a murder that has gone undetected for all these years.

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When her brother arrives on her doorstep, Hester Monk is shocked - as much by the unexpectedness of the visit as by the reason for it. For since her marriage to Monk, Charles and his elegant wife, Imogen, have kept their distance. But now Charles needs Hester's help. He believes Imogen is having an affair - there can be no other explanation for her recent strange behaviour. However, before Hester is able to investigate, a tragedy occurs. In a nearby artist's studio two women have been brutally killed. Having left the police force with extreme ill feeling between himself and his superior, the last thing Monk wants to do is face the demons of his past. But, in the course of his work, Monk is left with no choice but to visit his old adversary, Runcorn, and involve himself with the sensational murder case.

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Part of bestselling designer Cynthia Hart''s Victoriana Dogs stationery line, this 1,000-piece puzzle features sweet and charming pups from the Victorian era, combining two big trends-dogs and vintage-into one sophisticated gift.Dogs were celebrated during the Victorian era because they embodied important cultural values of the time: steadfast, loyal, courageous. They became the most popular domestic pets-Dash, a King Charles Spaniel, was considered Queen Victoria''s closest childhood companion-and were pampered just as they are today. Created by artist Cynthia Hart, who layers antique paper ephemera, fresh flowers, ribbons, and vintage objects into lush collages filled with life, color, and energy, this timeless 1,000-piece puzzle celebrates the charming personalities of the dogs that captured hearts everywhere during the 19th century.- 1,000 interlocking pieces- Mini-poster (8 3/8 x 6 5/8) for reference or framing- Completed puzzle size: 23 4/5 x 19<

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Evil lurks on the streets of Victorian London in the third gripping crime novel to feature Scotland Yard Inspector Ben Ross and his wife Lizzie.As Inspector Ben Ross of Scotland Yard walks homeward one Saturday night in late October 1867, the fog that swirls around him is like a living beast. By the time it has lifted next morning a woman lies murdered in Green Park. Allegra Benedict was the beautiful Italian wife of an art dealer in Piccadilly. But what had she been doing in London that afternoon, and why had she been selling her brooch in the Burlington Arcade just hours before her death? As Ben begins his investigation, his wife Lizzie - with the help of their maid Bessie - looks into Allegra's private life and uncovers more than one reason why someone might want her dead...

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The second novel in Ann Granger's wonderfully atmospheric Victorian mystery series. Lizzie Martin, lady's companion, has been sent from London to the New Forest to comfort a young woman whose baby has tragically died. A sad enough task, but things take an even darker turn when a rat-catcher is found murdered in the garden, and the young woman is discovered beside the body, crying and covered in blood. Not knowing where else to turn, Lizzie calls upon her friend Inspector Ben Ross from Scotland Yard to solve the horrific crime.

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Once again, Inspector William Monk, now of the Thames River Police, must face a dangerous foe. It's 1864, and after a game of cat and mouse, Monk has captured Jericho Phillips, the man he suspects of brutally killing a young mudlark and running an evil child prostitution ring. In bringing Phillips to justice, Monk hopes to close down the ring and avenge the memory of Durban, his old commander, who was determined to capture Philips. However at trial justice does not prevail. Oliver Rathbone, Monk's friend, is hired anonymously to represent the accused and when he proves that vital evidence is missing, Phillips is freed. As Monk begins the investigation again, venturing deeper into London's murky underworld, he realises that Durban may have had his own reasons for pursuing Phillips, and shockingly, that secret support for Phillips may reach further into civilised society than anyone could ever have imagined...

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The seventeenth novel in Anne Perry's acclaimed William Monk series1864 - Monk and his wife Hester are doing their best to care for Scuff - a homeless boy slowly recovering from a terrifying ordeal at the hands of Jericho Phillips, the runner of a child prostitution ring. Although Scuff's evil abductor is dead, there is no suggestion that the ring has been broken and Scuff is certain that more children are suffering an even worse fate.Monk is determined to find the remaining children and uncover, once and for all, the men funding the operation. And when the body of small-time crook Mickey Parfitt washes up on Mortlake's shore, it fortuitously points him in the right direction. But as Monk's investigation continues, the reputations of respected gentlemen, including Arthur Ballinger, father-in-law of Monk's friend Oliver Rathbone, start being called into question and his task becomes fraught with unforeseen dangers.In an illicit world of blackmail, vice and corruption, Monk must follow the trail - and his conscience - wherever it leads, no matter how disturbing the truth may be.

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When the Maude Idris docks at the Pool of London, laden with ebony, spices and first-grade tusks of ivory collected from her voyage to Zanzibar, Clement Louvain leaves four armed seamen on board to guard the precious cargo. But as soon as the relief for the night watch arrives ready for duty in the morning, he finds the ivory gone and one of the seamen dead. Hindered by his ignorance of the river and its customs, and ashamed of the fact that he so badly requires the huge fees that Louvain is prepared to pay, William Monk nevertheless begins his investigation into the theft and murder. Meanwhile Hester's work at the refuge at Portpool Lane is encountering acute financial difficulties. Sick prostitutes are arriving daily and the medicines needed to help them are running out. When a man arrives promising to pay a huge amount of money for the care of one particular woman, Hester is astonished to meet him. He is none other than Clement Louvain. So who is the woman he is so generously helping? And why is he offering such a substantial sum? Will Monk discover what Louvain is hiding before it is too late?

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The queen of the Victorian mystery, New York Times bestseller Anne Perry returns with the 22nd novel in the William Monk series REVENGE IN A COLD RIVER. An adversary Monk cannot remember threatens everything he holds dear - will he survive what is to come?London, 1869: The body of a middle-aged man is found tangled in a mass of rope and wooden wreckage near the dockside of the River Thames.Commander William Monk of the River Police is called when initial investigations reveal the man was shot in the back. When he learns that the man was a master forger who had just escaped prison, Monk's interest is immediately piqued. But as his investigations lead him ever deeper into the murky world of smuggling and forgery, Monk is forced to confront his own forgotten past.The unsolicited interference of an old foe takes precedence as it becomes clear to Monk that a bitter enemy is back for revenge and has him in his sights. With his life and career in imminent danger, can Monk navigate his way to the truth before it is too late?Commander William Monk - A man with no past has only his conscience and instinct to guide him.

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In this richly textured and wide-ranging survey of Victorian attitudes to the past, Andrew Sanders builds on Roy Strong’s groundbreaking book And when did you last see your father?: The Victorian Painter and British History (1978). Sanders explores the essentially literary nature of Victorian history writing, and he reveals the degree to which painters were indebted to written records both fictional and factual. Starting with a stimulating comparison of Queens Elizabeth I and Victoria, In the Olden Time examines works by poets and painters, essayists and dramatists, architects and musicians, including Jane Austen, John Donne, William Shakespeare, and John Soane. Together with a study of religious history as seen through the eyes of architect and critic Augustus Pugin and journalist William Cobbett, this book offers an original view of Victorian responses to British history, presenting a fresh investigation of unexpected Victorian attitudes and the establishment of particular 20th-century prejudices and bias.

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When nurse Hestor Latterly accompanies the elderly Mrs Mary Farraline on a short trip to London, her only medical duty is to ensure her charming patient takes her heart medicine. But Mrs Farraline dies during the night. When her missing brooch 'turns up' in Hester's possession she is arrested for theft, until a post-mortem reveals a lethal dose of medicine in Mrs Farraline's body, and the charge becomes murder. Inspector William Monk must find a killer amongst the aloof Farraline clan, and in a Scottish courtroom the family's secrets will be exposed - or buried for ever.

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It's 1859 and throughout Europe tremendous upheavals have taken place. Hester Latterly is nurse to the sick son of a German Baron and his family, who have moved to London from one of the many small principalities between Prussia and Bavaria - and the Baroness tells Hester about her kingdom's famous royal family...Handsome Prince Friedrich was one of just two heirs to the crown, considered the perfect match by every woman of the land. But during an affair with Countess Zorah Rostova, he meets the alluring and sophisticated Gisela - with whom he falls deeply in love. He can have Gisela or the crown, but not both. He chooses Gisela, marries her in Venice and, after many years, tragically dies in England. Now, Countess Zorah, having accused the widowed Princess of murdering Friedrich, is being sued in the biggest slander trial of the century - and the only way that she can defend herself is to prove that Gisela is indeed guilty. But in doing so she must sully the greatest love story that the country has ever known, and that is enough to put her lawyer's career in jeopardy, too. That lawyer is Oliver Rathbone, who calls on Investigator William Monk to help...

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There is more to the Victorian era than respectability, economic success and the grudging solution of the practical social problems they encountered. The politicians, generals and commercial classes have been well covered in popular history books, but there were also thinkers of radical and unsettling ideas who had a real influence at the time. Many were women, many from the middle and working classes, and almost all outside the power structure. They were by no means all fringe ideas either - in 1840, Queen Victoria herself attended a s ance, for example. The book is a biography focussed history of some of these challenging ideas and the men and women who promoted them. It looks at radical thinkers and movers, the people who stepped outside of the social norm and propelled the Victorians towards the modern day.

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He is not going to die, after all, in this Victorian pesthouse called a hospital. But the accident that felled him on a London street has left him with only half a life, because his memory and his entire past have vanished. His name, they tell him, is William Monk, and he is a London police detective; the mirror reflects a face that women woud like, but he senses he has been more feared than loved. Monk is given a particularly sensational case: the brutal murder of Major the Honourable Joscelin Grey, Crimean war hero and a popular man about town, in his rooms in fashionable Mecklenburgh Square. It's an assignment to make or break an investigator, for the exalted status of the victim puts any representative of the police in the precarious position of having to pry into a noble family's secrets. Suggesting that his superior, the wily Runcorn, hopes he will fail, Monk returns to a world where he cannot distinguish friend from foe. Grasping desperately for any clue to his own past and to the identity of the killer, each new revelation leads Monk step by terrifying step to the answers he seeks but dreads to find.

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Veintiún cuentos de fantasmas escritos por algunas de las maestras victorianas del relato escalofriante. Un regalo perfecto para Navidad y para leer al amor de la lumbre.Qué hace que las historias victorianas de fantasmas sean tan perfectas para leer al calor de una chimenea en una noche oscura? Historias de mansiones abandonadas, de viajes en coches de caballos por páramos desolados, de castillos en acantilados, de bellas mujeres sepulcrales, de oscuras historias familiares en las que los antepasados no acaban de irse del todo? Un género en el que algunas eminentes damas novelistas, especialistas en lo escalofriante, marcaron tendencia. Las veintiuna historias incluidas en este volumen abarcan el reinado de la reina Victoria y cuentan con aportaciones de autoras clásicas como Charlotte Brontë, Elizabeth Gaskell, Margaret Oliphant o Willa Cather, junto con otras no tan conocidas pero no por ello menos especialistas en lo tenebroso y lo sobrenatural. Ambientados en las montañas de I

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It is 1864 when Lizzie Martin takes up the post of companion to a wealthy widow who is also a slum landlord. Lizzie is intrigued to learn that her predecessor as companion had disappeared, supposedly having run off with an unknown man. But when the girl's body is found in the rubble of one of the recently demolished slums around the prestigious new railway station at St Pancras, Lizzie begins to wonder exactly what has been going on. She has re-made the acquaintance of a childhood friend, now Inspector Benjamin Ross, and with his help starts to investigate, risking her life to unearth the truth about the death of a girl whose fate seems interlinked with her own.

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Thomas Pitt is summoned to the offices of Victor Narraway, head of the Imperial Secret Service. An ex-army officer and promising young diplomat has been shot and the prime suspect is the Egyptian mistress of a senior cabinet minister. But some things don't add up at the scene of the murder. When the Egyptian Ambassador puts in a call to Prime Minister Gladstone, it seems a major diplomatic row is brewing. Thomas is convinced Narraway knows more than he claims, and Pitt's wife Charlotte fears there could be involvement with the secret organisation that destroyed Pitt's Metropolitan Police career and nearly cost him his life. Can Pitt tread the tense diplomatic tightrope between protecting justice, the security of his country, and the safety of his family?

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One night, in a corridor of the Royal Naval Hospital, Greenwich, nurse Hester Monk is approached by a terrified girl. She's from a hidden ward of children, all subject to frequent blood-letting, and her brother is dying. While William Monk's River Police fight to keep London safe from gun-runners, Hester takes on a new role at the hospital, helping to administer a secretive new treatment. But she slowly realises that this experimental cure is putting the lives of the children at risk. Attempting to protect the young victims, she comes under threat from one rich, powerful, and very ill man who is desperate to survive...

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In the latest compelling book in Anne Perry's bestselling Pitt series, Inspector Thomas Pitt must navigate the upper echelons of society if he is to find a murderer bold enough to kill in Buckingham Palace.Early one morning, Inspector Thomas Pitt is awoken by a message from his boss, Narraway. A maid has been murdered. The maid worked at Buckingham Palace and Narraway needs his must trusted man to deal with the investigation.The suspects are narrowed down to a group of guests, meeting with the Prince of Wales to discuss the funding for a huge project: the Cape to Cairo railway. If the murderer isn't found, the Queen will veto royal support for the scheme.It rests with Pitt to solve the murder - in doing so he must reconcile his own concept of justice with those who feel it is within their right to make their own laws, whatever the consequences.

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Black Victorians/Black Victoriana is a welcome attempt to correct the historical record. Although scholarship has given us a clear view of nineteenth-century imperialism, colonialism, and later immigration from the colonies, there has for far too long been a gap in our understanding of the lives of blacks in Victorian England. Without that understanding, it remains impossible to assess adequately the state of the black population in Britain today. Using a transatlantic lens, the contributors to this book restore black Victorians to the British national picture. They look not just at the ways blacks were represented in popular culture but also at their lives as they experienced them—as workers, travelers, lecturers, performers, and professionals. Dozens of period photographs bring these stories alive and literally give a face to the individual stories the book tells.The essays taken as a whole also highlight prevailing Victorian attitudes toward race by focusing on the ways in which empire building spawned a "subculture of blackness" consisting of caricature, exhibition, representation, and scientific racism absorbed by society at large. This misrepresentation made it difficult to be both black and British while at the same time it helped to construct British identity as a whole. Covering many topics that detail the life of blacks during this period, Black Victorians/Black Victoriana will be a landmark contribution to the emergent field of black history in England.

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THE DEAD WOMAN OF DEPTFORD is the sixth Inspector Ben Ross mystery set in Victorian London by much-loved crime writer Ann Granger.On a cold November night in a Deptford yard, dock worker Harry Parker stumbles upon the body of a dead woman. Inspector Ben Ross is summoned from Scotland Yard to this insalubrious part of town, but no witness to the murder of this well-dressed, middle-aged woman can be found. Even Jeb Fisher, the local rag-and-bone man, swears he's seen nothing. Meanwhile, Ben's wife Lizzie is trying to suppress a scandal: family friend Edgar Wellings has a gambling addiction and no means of repaying his debts. Reluctantly, Lizzie agrees to visit his debt collector's house in Deptford, but when she arrives she finds her husband is investigating the murder of the woman in question. Edgar was the last man to see Mrs Clifford alive and he has good reason to want her dead, but Ben and Lizzie both know that a case like this is rarely as simple as it appears...

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Part of bestselling designer Cynthia Hart''s Victoriana Dogs stationery line, these high-quality wrapping papers feature sweet and charming pups from the Victorian era, combining two big trends-dogs and vintage-into one sophisticated gift.Dogs were celebrated during the Victorian era because they embodied important cultural values of the time: steadfast, loyal, courageous. They became the most popular domestic pets-Dash, a King Charles Spaniel, was considered Queen Victoria''s closest childhood companion-and were pampered just as they are today. Created by artist Cynthia Hart, who layers antique paper ephemera, fresh flowers, ribbons, and vintage objects into lush collages filled with life, color, and energy, these twelve gorgeous sheets of wrapping paper and gift tags will make the wrapping as desirable as the gift inside. Tear out the decorated sheets along the perforations, unfold them, cut to size, and wrap your gift in beautiful style.- 12 illustrated she

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Our Lady of Victorian Feminism is about three nineteenth-century women, Protestants by background and feminists by conviction, who are curiously and crucially linked by their extensive use of the Madonna in arguments designed to empower women. In the field of Victorian studies, few scholars have looked beyond the customary identification of the Christian Madonna with the Victorian feminine ideal—the domestic Madonna or the Angel in the House. Kimberly VanEsveld Adams shows, however, that these three Victorian writers made extensive use of the Madonna in feminist arguments. They were able to see this figure in new ways, freely appropriating the images of independent, powerful, and wise Virgin Mothers. In addition to contributions in the fields of literary criticism, art history, and religious studies, Our Lady of Victorian Feminism places a needed emphasis on the connections between the intellectuals and the activists of the nineteenth-century women’s movement. It also draws attention to an often neglected strain of feminist thought, essentialist feminism, which proclaimed sexual equality as well as difference, enabling the three writers to make one of their most radical arguments, that women and men are made in the image of the Virgin Mother and the Son, the two faces of the divine.

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Inspector William Monk: In search of justice, he will not stop until he has found the truth.1864: When the body of a brutally mutilated body of a woman is found on Limehouse Pier, Monk's enquiries into her death unearth a suspicious connection between the victim and Dr Lambourn, a recently deceased scientist and staunch supporter for a new pharmaceutical bill aimed to regulate the sale of opium.Investigating further, Monk learns that Lambourn's widow refuses to believe that her husband's death was suicide; she is convinced that he was murdered by government officials intent on keeping the lucrative trade of opium flowing.With pressure mounting for the police to find the Limehouse killer, Monk is propelled headlong into an investigation that will delve the darkest depths of the opium trade and threatens to expose corruption in the very highest echelons of society...

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Death might be commonplace in 1857 in the Royal Free Hospital in London's Gray's Inn Road, but murder certainly isn't. When the body of Prudence Barrymore, a gently bred, dedicated and passionate nurse, is discovered stuffed into a laundry chute no one - high born or low - can be beyond suspicion. But the police seem determined to concentrate their efforts on proving Dr Kristian Beck the culprit - because he is foreign. Concerned and unhappy with this state of affairs, Lady Callandra Daviot of the Board of Governers asks Investigator William Monk to pursue the case.Monk, frustrated by the lingering traces of amnesia caused by an accident, agrees, and calls upon his old colleagues to aid him. Hester Latterly, an independent young woman who served with Florence Nightingale in the Crimean War, knew the dead woman there; Hester's profession provides the perfect cover for her to obtain work at the Royal Free. And Oliver Rathbone, a brilliant barrister, who is brought in as counsel for the defence. But under the ever-present shadow of the gallows, and inching towards the appalling solution, the three begin to despair of justice ever prevailing.

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Magpies Workbooks provide valuable reading and language support for the "Magpies Storybooks" at Levels 8 and 9. The range of activities to accompany each storybook encourages children to look more closely at the stories, to focus on comprehension, aspects of language and grammar; and develop greater rhyme awareness, sequencing skills, alphabet knowledge, and creative writing. There is a progression within the Level and from levels 8 to 9. This pack contains 6 copies of one workbook, suitable for teachers to use in the classroom with a group of children.

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London Zoo examined in its nineteenth-century context, looking at its effect on cultural and social life. At the dawn of the Victorian era, London Zoo became one of the metropolis's premier attractions. The crowds drawn to its bear pit included urban promenaders, gentlemen menagerists, Indian shipbuilders and Persian princes - and Charles Darwin himself. This book shows that the impact of the zoo's extensive collection of animals can only be understood in the context of a wide range of contemporary approaches to nature, and that it was not merely a manifestation of British imperial culture. The author demonstrates how the early history of the zoo illuminates three important aspects of the history of nineteenth-century Britain: the politics of culture and leisure in a new public domain which included museums and art galleries; the professionalisation and popularisation of science in a consumer society; and the meanings of the animal world for a growing urban population. Weaving these threads together, he presents a flexible frame of analysis to explain how the zoo was established, how it pursued its policies of animal collection, and how it responded to changing social conditions.

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Histories for the Many examines the contribution of illustrated family magazines to Victorian historical culture. How, by whom, for whom and with which intentions was history used within this popular medium? How were class, gender, age, religion, and space debated? How were academic and popular approaches to the past linked to the materiality of the medium? The focus is set on the evangelical Leisure Hour with comparisons to the London Journal, Good Words and Cornhill. The study's approach to the serialisation of history in text and image combines periodical studies and book history with concepts from cultural studies, sociology as well as narratology.

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This fascinating book about Belfast in the middle of the nineteenth century looks at how and why Ireland’s most prosperous and industrialized town began to tear itself apart. This study provides a vivid example of how a society can come apart at the seams – and how it can stay that way for generations. Through a series of steadily escalating riots, working-class Protestants and Catholics forged a tradition of violence that profoundly shaped their own identities and that of the city itself, setting the stage for the bitter conflicts of the next century. Fighting like the Devil for the Sake of God describes that foundational moment, offering a new analysis of Belfast’s violence that is rooted in the social lives of those who constructed this bitter rivalry and those who were forced to endure it.This book will be of interest to scholars in the fields of Irish and Modern History.

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John Betjeman was undoubtedly the most popular Poet Laureate since Tennyson. But beneath the thoroughly modern window on Britain that he opened during his lifetime lay the influence of his nineteenth-century forbears. This book explores his identity through such Victorianism via the verse of that period, but also its architecture, religious faith and -- more importantly -- religious doubt. It was, nevertheless, a process which took time. In the 1930s Betjeman's work was tinted with modernism and traditionalism. He found Victorian buildings 'funny' and wrote much in praise of the Bauhaus style, even though his early poetry was peppered with Victorian references. This leaning was incorporated into a greater sense of purpose during World War 2, when he transformed himself from precious humorist into propagandist. The resulting sense of cohesion grew when the dangers of post-war urban redevelopment heightened the need to critique the present via the poetics of the past, a mood which continued up to and beyond his gaining the Laureateship in 1972. This duty proved to be a millstone, so the 'official' poems are thus explored by the author more fully than hitherto. The conclusion of looks back to Betjeman's 1960 verse-autobiography, 'Summoned by Bells', which is seen as the apogee of his achievement and a snapshot of his identity. Included here is the first critical appreciation of the lyrics embodied within the text, which are taken as a map of the young poet's literary growth. Larkin's 1959 question 'What exactly is Betjeman?' then leads to a final appraisal of his originality, as evidenced by his glances towards postmodernism, feminism, and post-colonialism. The fact is that Betjeman never quite fits in anywhere. He is always a square peg in a round hole or a round peg in a square hole -- often for the sheer enjoyment of so being. In a sense, his desire to be as non-conformist as a Quaker meeting house makes him a radical, rather than the reactionary that his interests imply. He was a champion of beauty and the British Isles, and clearly did much to make us see the worth of our Victorian forebears. Greg Morse's book highlights this important facet of his work.

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A fascinating account of what it was like to live in a Victorian body from best-selling historian and critic Kathryn Hughes.In Victorians Undone, renowned British historian Kathryn Hughes follows five iconic figures of the nineteenth century as they encounter the world not through their imaginations or intellects but through their bodies. Or rather, through their body parts. Using the vivid language of admiring glances, cruel sniggers, and implacably turned backs, Hughes crafts a narrative of cinematic quality by combining a series of truly eye-opening and deeply intelligent accounts of life in Victorian England.Lady Flora Hastings is an unmarried lady-in-waiting at young Queen Victoria's court whose swollen stomach ignites a scandal that almost brings the new reign crashing down. Darwin's iconic beard provides important new clues to the roles that men and women play in the great dance of natural selection. George Eliot brags that her right hand is larger than her left, but her descendants are strangely desperate to keep the information secret. The poet-painter Dante Gabriel Rossetti, meanwhile, takes his art and his personal life in a new direction thanks to the bee-stung lips of his secret mistress, Fanny Cornforth. Finally, we meet Fanny Adams, an eight-year-old working-class girl whose tragic evisceration tells us much about the currents of desire and violence at large in the mid-Victorian countryside. While 'bio-graphy' parses as 'the writing of a life,' the genre itself has often seemed willfully indifferent to the vital signs of that life—to breath, movement, touch, and taste. Nowhere is this truer than when writing about the Victorians, who often figure in their own life stories as curiously disembodied. In lively, accessible prose, Victorians Undone fills the space where the body ought to be, proposing new ways of thinking and writing about flesh in the nineteenth century.

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Regardless of time period, some things hold true: kindness is timeless.Invasion of privacy; divorce; relationship issues; encounters between people from different places and cultures; new technologies developed at dizzying speeds . . . the hectic pace of life in the late nineteenth century could make the mind reel.Wait a minute—the nineteenth century?Many of the issues people faced in the 1880s and ’90s surprisingly remain problems in today’s modern world, so why not take a peek at some Victorian advice about negotiating life’s dizzying twists and turns? Gathered from period magazines and Hill’s Manual of Social and Business Forms, a book on social conduct originally published in 1891, this volume provides timeless guidance for a myriad of situations, including:The husband’s duty: Give your wife every advantage that it is possible to bestow.Suggestions about shopping: Purchasers should, as far as possible, patronize the merchants of their own town. (Buy local!)Suggestions for travel: Having paid for one ticket, you are entitled to only one seat. It shows selfishness to deposit a large amount of baggage in the surrounding seats and occupy three or four.Unclassified laws of etiquette: Never leave home with unkind words.This advice is accompanied by watercolors and illustrations throughout. Though these are tips originate from nineteenth-century ideas, you’ll find that they certainly do still apply.

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When Mr Thomas Tapley is found bludgeoned to death in his sitting room, his neighbour Inspector Benjamin Ross of Scotland Yard is immediately summoned. Little is known about the elusive gentleman until Mr Jonathan Tapley, QC, hears of the news and the truth about his cousin's tragic past slowly begins to emerge. Meanwhile, Ben's wife Lizzie is convinced she saw someone following Thomas Tapley on the day he died and she discovers that he received a mysterious visitor a few days before his death. As the list of suspects begins to mount, Ben must unearth who would benefit most from Tapley's unfortunate demise.

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The Victorians were image obsessed. The middle decades of the nineteenth century saw an unprecedented growth in the picture industry. Technological advances enabled the Victorians to adorn with images the pages of their books and the walls of their homes. But this was not a wholly visual culture. Pictorial Victorians focuses on two of the most popular mid-nineteenth-century genres—illustration and narrative painting—that blurred the line between the visual and textual. Illustration negotiated text and image on the printed page, while narrative painting juxtaposed the two media in its formulation of pictorial stories. Author Julia Thomas reassesses mid-nineteenth-century values in the light of this interplay. The dialogue between word and image generates meanings that are intimately related to the Victorians’ image of themselves. Illustrations in Victorian publications and the narrative scenes that lined the walls of the Royal Academy reveal the Victorians’ ideas about the world in which they lived and their notions of gender, class, and race. Pictorial Victorians surveys a range of material, from representations of the crinoline, to the illustrations that accompanied Harriet Beecher Stowe’s novel Uncle Tom’s Cabin and Tennyson’s poetry, to paintings of adultery. It demonstrates that the space between text and image is one in which values are both constructed and questioned.

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A powerful reimagining of the world in which a young Charles Darwin developed his theory of evolution. When Charles Darwin returned to Britain from the Beagle voyage in 1836, the most talked-about scientific books of the day were the Bridgewater Treatises. This series of eight works was funded by a bequest of the last Earl of Bridgewater and written by leading men of science appointed by the president of the Royal Society to explore "the Power, Wisdom, and Goodness of God, as manifested in the Creation." Securing public attention beyond all expectations, the series offered Darwin’s generation a range of approaches to one of the great questions of the age: how to incorporate the newly emerging disciplinary sciences into Britain’s overwhelmingly Christian culture. Drawing on a wealth of archival and published sources, including many unexplored by historians, Jonathan R. Topham examines how and to what extent the series contributed to a sense of congruence between Christianity and the sciences in the generation before the fabled Victorian conflict between science and religion. Building on the distinctive insights of book history and paying close attention to the production, circulation, and use of the books, Topham offers new perspectives on early Victorian science and the subject of science and religion as a whole.

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Despite Thomas Pitt's success in the Whitechapel case, the secretive Inner Circle prevent his returning to Bow Street police as Superintendent. Pitt's next task for Special Branch is to investigate Charles Voisy - the corrupt Inner Circle man Pitt defeated in court - who is standing for election as a Tory MP. Pitt must obtain information to stop Voisy's climb to political power. Then Pitt is ordered to Southampton Row, scene of the hideous murder of a spiritual medium. As the link between the spiritualist and political figures is revealed, the whispers of scandal grow louder. And with Charlotte in hiding for safety, Pitt must turn to his sister-in-law, Emily, to help him solve one of his most high-profile cases yet...

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