Search results for ""author victoria"

The collecting of Staffordshire figures, a particularly English folk art, has expanded from its origins to include much of the English speaking world. This work, in two books, details and illustrates the range and depth of figures made by the potters. Over 2,900 figures are illustrated in Book One and Book Two, virtually all in the brilliant color which was imperative for the beauty and simplicity of the figures to be fully appreciated. Many of these figures have never before been recorded. A history of the figures, together with many sources and relevant bibliographical details, are included, along with a guide to current prices. Victorian Staffordshire Figures 1835-1875, Book One is the definitive work on Portrait figures, and also includes Naval and Military, and Theatrical and Literary Characters (including Opera, Ballet, and Circus).

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It is paradoxical that instinct became a central term for late Victorian sexual sciences as they were elaborated in the medicalized spaces of confession and introspection, given that instinct had long been defined in its opposition to self-conscious thought. The Ploy of Instinct ties this paradox to instinct’s deployment in conceptualizing governmentality. Instinct’s domain, Frederickson argues, extended well beyond the women, workers, and “savages” to whom it was so often ascribed. The concept of instinct helped to gloss over contradictions in British liberal ideology made palpable as turn-of-the-century writers grappled with the legacy of Enlightenment humanism. For elite European men, instinct became both an agent of “progress” and a force that, in contrast to desire, offered a plenitude in answer to the alienation of self-consciousness. This shift in instinct’s appeal to privileged European men modified the governmentality of empire, labor, and gender. The book traces these changes through parliamentary papers, pornographic fiction, accounts of Aboriginal Australians, suffragette memoirs, and scientific texts in evolutionary theory, sexology, and early psychoanalysis.

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Gerald Howard-Smith’s life is intriguing both in its own right and as a vehicle for exploring the world in which he lived. Tall, boisterous and sometimes rather irascible, he was one of the so-called ‘Lost Generation’ whose lives were cut short by the First World War. Brought up in London, and educated at Eton and Cambridge, he excelled both at cricket and athletics. After qualifying as a solicitor he moved to Wolverhampton and threw himself into the local sporting scene, making a considerable name for himself in the years before the First World War. Volunteering for military service in 1914, he was decorated for bravery before being killed in action two years later. Reporting his death, the War History of the South Staffordshire Regiment claimed that, ‘In his men’s eyes he lived as a loose-limbed hero, and in him they lost a very humorous and a very gallant gentleman.’As well as telling the fascinating story of Gerald Howard-Smith for the first time, this important new biography explores such complex and important issues as childhood and adolescence, class relations, sporting achievement, manliness and masculinity, metropolitan-provincial relationships, and forms of commemoration. It will therefore be of interest to educationalists, sports historians, local and regional historians, and those interested in class, gender and civilian-military relations – indeed all those seeking to understand the economic, social, and cultural life of late nineteenth and early twentieth-century Britain.

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Commander William Monk: in search of justice, he will not stop until he has found the truth.It is a time of progress, with the Empire's interests expanding and the contentious new Suez Canal nearing completion. Many people stand to gain - and to lose - as the world rapidly changes.When a Thames pleasure boat is blown up with the loss of many lives, an Egyptian man is quickly sentenced to hang for the crime. But William Monk, head of the River Police, discovers the evidence was flawed. As he and his wife Hester investigate further, Monk begins to wonder if the wrong man was convicted. If justice itself has been tainted, exposing the true culprit will be far more dangerous...

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Great Scandals of the Victorians features a collection of true stories that shocked, outraged, angered or simply amused the Victorians in nineteenth-century Britain. Drawing on a wide variety of original material, seven disreputable stories that dominated the national newspapers for many weeks are explored, including the Great Warwickshire Scandal, a highly publicized divorce case where for the first time in history a Prince of Wales was called to give evidence in court; a baby' scandal that disrupted Queen Victoria's court and threatened the monarchy; the sex scandals of the Abode of Love, a mysterious religious cult founded by a defrocked clergyman, Henry James Prince and the sensational trial of Fanny and Stella, two outrageous cross-dressers accused of sodomy. Some scandals, though traumatic for the people involved, produced a positive outcome, such as the scandalous custody battle between Caroline Norton and her husband, which led to the passing of the Custody of Infants Act, gr

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The third volume of ""Letters..."" covers years in which Christina Rossetti lost several important family members, including her mother, her brother Dante, and a young nephew, Michael. In the face of her loss, she turned increasingly to religion and wrote works of devotional prose.

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Draping Period Costumes provides you with the skill set you need to break away from two-dimensional patterns to drape three dimensional costumes. The basics of draping are explained in precise detail, followed by step-by-step draping projects from multiple historical periods. Packed with photographs that illustrate every seam, pleat, and tuck, you’ll never be lost with this comprehensive guide. -Includes information on measurements, necessary tools, and basic rules of draping -Covers costumes for both men and women - Discusses appropriate period under garments and fabric choicesLet expert draper Sharon Sobel teach you all you need to know to perfectly drape any period costume!

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December 1890: Eleven days before Christmas, Clarice and her husband, Reverend Dominic Corde, arrive in the idyllic village of Cottisham to watch over the Reverend Wynter's flock, whilst he takes a richly deserved holiday.With its village green and thatched cottages, Cottisham is a far cry from the bleak London parish they've left behind. But Clarice can't shake the feeling that the welcoming smiles of the locals are hiding dark secrets. When a shocking discovery confirms her suspicions, Clarice can't resist investigating. Could it be that the Reverend is not all that he seems? Are there black sheep in the fold? One thing is certain: Clarice is determined to uncover the truth. Even if it means putting her own life in danger.

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They built a nation. Now it’s our turn.Many associate the Victorian era with austere social attitudes and filthy factories. But in this bold and provocative book, Jacob Rees-Mogg -- leading Tory MP and prominent Brexit advocate -- takes up the story of twelve landmark figures to paint a very different picture of the age: one of bright ambition, bold self-belief and determined industriousness.Whether through Peel’s commitment to building free trade, Palmerston’s deft diplomacy in international affairs, or Pugin’s uplifting architectural feats, the Victorians transformed the nation and established Britain as a preeminent global force.Now 200 years since the birth of Queen Victoria, it is essential that we remember the spirit, drive and values of the Victorians who forged modern Britain, as we consider our future as a nation.

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Anne Perry's Inspector William Monk: in search of justice, he will not stop until he has found the truth...Oliver Rathbone, William Monk's close friend, has presided brilliantly over his first cases as a judge. But the next will bring a far greater challenge. Abel Taft, a charismatic minister adored by his congregation, stands accused of terrible corruption and fraud which has ruined the lives of those he's betrayed. In court, each victim affirms Taft's guilt, but when the defence's star witness tears their stories apart, the case seems lost. Rathbone realises he holds, locked away, a piece of evidence that could change the outcome of the trial and bring true justice, but can he, as the judge, become involved? The decision Rathbone makes will draw Monk deep into a dangerous case that will shape the rest of both their lives...

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In the American Civil War the opposing armies are desperate for arms. A London trader selling weapons to the South faces a moral dilemma when his daughter, in love with a Confederate, insists he change sides. When he is brutally murdered, her lover is the immediate suspect. William and Hester Monk must bring the pair back from the front line in America to face justice in an English court.

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Build your child’s reading confidence at home with books at the right level Imagine you were a child in Victorian times. What was your day like? What did you wear, eat and play with? Did you go to school, or out to work? Find out what life was like for children in this enthralling non-fiction book. Diamond/Band 17 books offer more complex, underlying themes to give opportunities for children to understand causes and points of view. A timeline on pages 54 and 55 help children to recap the main events of the Victorian era. Text type: A non-chronological report This book is paired with Moving Out a fiction story set in the past about a family in post-World-War-Two London deciding whether to move out to a New Town. Curriculum links: History: What was it like for children living in Victorian Britain. This book has been quizzed for Accelerated Reader.

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Within the context of debates about both the evolution of Victorian professions and the nature of military professionalism, F.W. Beckett considers the late Victorian officer corps as a case study for weighing distinctions between the British soldier and his civilian counterparts.

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Scholars have long argued that nations, as imagined communities, are constituted through the incitement of feelings and the operations of fantasy. Can we say the same about the set of disciplinary and regulatory institutions that we call the state? Can we think of it as constituted by feelings and fantasies, too? Zarena Aslami argues that late Victorian novels certainly did. Revisiting major works by Olive Schreiner, Thomas Hardy, and George Gissing, among others, Aslami shows how novels dramatized the feelings and fantasies of a culture that was increasingly optimistic, as well as increasingly anxious, about the state’s capacity to “step in” and help its citizens achieve the good life. In this study of late Victorian culture, Aslami reveals how a historically specific and intriguing fantasy of the state was thought to animate citizens’ psychic lives. This fantasy starred the modern state as a heroic actor with whom one has a relationship and from whom one desires something. While she tracks fantasies of the state in political writing, Aslami argues that novels were a privileged site for meditating on its more tragic implications.

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The growth of nineteenth-century London was unprecedented, swallowing up once remote villages, commons and open fields around the metropolitan fringe in largely uncontrolled housing development. In the mid-Victorian period widespread opposition to this unbridled growth coalesced into a movement that campaigned to preserve the London commons. The history of this campaign is usually presented as having been fought by members of the metropolitan upper middle class, who appointed themselves as spokespeople for all Londoners and played out their battles mainly in parliament and the law courts. In this fascinating book Mark Gorman tells a different story – of the key role played by popular protest in the campaigns to preserve Epping Forest and other open spaces in and near London. He shows how throughout the nineteenth century such places were venues for both radical politics and popular leisure, helping to create a sense of public right of access, even ‘ownership’. At the same time, London’s suburban growth was partly a response to the rising aspirations of an artisan and lower middle class who increasingly wanted direct access to open space. This not only created the conditions for the mid-Victorian commons preservation movement, but also gave impetus to distinctive popular protest by proletarian Londoners. In comparing the campaign for Epping Forest with other struggles for London’s commons, the book highlights influences which ranged from the role of charismatic leaders to widely held beliefs regarding the land, in which the rights of freeborn Englishmen had been plundered by the aristocracy since the Norman conquest. Mark Gorman reveals a largely hidden history, since ordinary Londoners left few records behind, but his new research clearly reveals how their protests influenced the actions of the more visible elite groups who appeared in parliament or in court.

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The Victorian Age saw the transformation of the madhouse into the asylum into the mental hospital; of the mad-doctor into the alienist into the psychiatrist; and of the madman (and madwoman) into the mental patient. In Andrew Scull's edited collection Madhouses, Mad-Doctors, and Madmen, contributors' essays offer a historical analysis of the issues that continue to plague the psychiatric profession today. Topics covered include the debate over the effectiveness of institutional or community treatment, the boundary between insanity and criminal responsibility, the implementation of commitment laws, and the differences in defining and treating mental illness based on the gender of the patient.

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DAILY MAIL, GUARDIAN AND OBSERVER BOOKS OF THE YEAR 2017Winner of the 2018 PEN/E.O. Wilson Prize for Literary Science WritingShortlisted for the 2018 Wellcome Book PrizeShortlisted for the 2018 Wolfson PrizeThe story of a visionary British surgeon whose quest to unite science and medicine delivered us into the modern world - the safest time to be alive in human historyIn The Butchering Art, historian Lindsey Fitzharris recreates a critical turning point in the history of medicine, when Joseph Lister transformed surgery from a brutal, harrowing practice to the safe, vaunted profession we know today. Victorian operating theatres were known as 'gateways of death', Fitzharris reminds us, since half of those who underwent surgery didn't survive the experience. This was an era when a broken leg could lead to amputation, when surgeons often lacked university degrees, and were still known to ransack cemeteries to find cadavers. While the discovery of anaesthesia somewhat lessened the misery for patients, ironically it led to more deaths, as surgeons took greater risks. In squalid, overcrowded hospitals, doctors remained baffled by the persistent infections that kept mortality rates stubbornly high. At a time when surgery couldn't have been more dangerous, an unlikely figure stepped forward: Joseph Lister, a young, melancholy Quaker surgeon. By making the audacious claim that germs were the source of all infection - and could be treated with antiseptics - he changed the history of medicine forever. With a novelist's eye for detail, Fitzharris brilliantly conjures up the grisly world of Victorian surgery, revealing how one of Britain's greatest medical minds finally brought centuries of savagery, sawing and gangrene to an end.

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In 1885 Victorian England was scandalized by a court case that lifted the veil on prostitution and the sex trade. In the Old Bailey dock stood W.T. Stead, the editor of the Pall Mall Gazette, which had recently published a series of articles on the sex trade; Rebecca Jarrett, a reformed brothel keeper; and the second-in-command of The Salvation Army, Bramwell Booth. They were accused of abducting a thirteen-year-old girl, Eliza Armstrong, apparently buying her for the purpose of prostitution. In fact they had done this as a sensational exposé of the trade in young girls. The scandal triggered a massive petition and ultimately resulted in the raising of the British age of consent from thirteen to sixteen. Today human trafficking is once again making world headlines - as are recent calls to lower the age of consent. Eliza's story is a thrilling account of what can be achieved by those brave enough to believe that change is not only possible but has to come.

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This work argues that Shakespeare can be appropriated by both dominant and marginal groups to lend cultural currency to their own works. While his cultural status may be used to subvert traditional ideas of politics and letters in Eliot and Swinburne, it may also be used to promote more conservative policies and literary interpretations in other writers such as Browning and Dickens.

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Step back in time to discover life in London during the reign of Queen Victoria with this handy time travel guidebookTravel back in time to Victorian London and find out all about life and culture there. Get ready to visit a cotton mill, drink coffee in one of new coffee houses and watch the Changing of the Guard at Buckingham Palace! Like modern travel guides, the books in this series highlight must-see features and explain local culture. Each highlighted destination contains an explanation of what took part in these areas, as well as a look at important artefacts found there providing a bigger picture of life in the past. Typical travel guide notes include, ''best time to visit'', ''what to eat'' and ''where to stay''. Perfect for the KS2 history curriculum, and for readers aged 7 and up.Contents:LondonPutting London on the mapOut and aboutVictorian homesChristmasThe East EndStroll along the riverVictorian chil

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Studies the manifestations of Edward the Black Prince in the eighteenth and nineteenth centuries. During the Georgian and Victorian periods, the fourteenth-century hero Edward the Black Prince became an object of cultural fascination and celebration; he and his battles played an important part in a wider reimagining of the British as a martial people, reinforced by an interest in chivalric character and a burgeoning nationalism. Drawing on a wealth of literature, histories, drama, art and material culture, this book explores the uses of Edward'simage in debates about politics, character, war and empire, assessing the contradictory meanings ascribed to the late Middle Ages by groups ranging from royals to radicals. It makes a special claim for the importance of the fourteenth century as a time of heroic virtues, chivalric escapades, royal power and parliamentary development, adding to a growing literature on Georgian uses of the past by exposing an active royal and popular investment in the medieval. Disputing current assumptions that the Middle Ages represented a romanticized and unproblematic past, it shows how this investment was increasingly contested in the Victorian era. Barbara Gribling is an Honorary Fellow in Modern British History at Durham University.

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The master of the Victorian crime, New York Times bestselling author Anne Perry returns with the 23rd novel in the William Monk series, AN ECHO OF MURDER.London, 1870: The body of a Hungarian immigrant is found dead in what appears to be a ritualistic killing, with a bayonet through his heart, his fingers broken and his body surrounded by seventeen blood-dipped candles. At first, Commander William Monk of the Thames River Police suspects the killer is from within the community, but when another murder takes place, Monk fears the immigrants are being targeted by an outsider...Meanwhile, Hester is reunited with a doctor who had been left for dead on a Crimean battlefield. Traumatised by his experiences, Fitz has made his way home via Hungary and is now living in the community. Hester is determined to help him and, when he is accused of the killings, she sets out to prove his innocence...

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Apocalyptic millennialism is one of the most powerful strands in evangelical Christianity. It is not a single belief, but across many powerful evangelical groups there is general adhesion to faith in the physical return of Jesus in the Second Coming, the affirmation of a Rapture heavenward of "saved" believers, a millennium of peace under the rule of Jesus and his saints and, eventually, a final judgement and entry into deep eternity. In Discovering the End of Time (2016) Donald Harman Akenson traced the emergence of the primary packaging of modern apocalyptic millennialism back to southern Ireland in the 1820s and '30s. In Exporting the Rapture, he documents for the first time how the complex theological construction that has come to dominate modern evangelical thought was enhulled in an organizational system that made it exportable from the British Isles to North America-- and subsequently around the world. A key figure in this process was John Nelson Darby who was at first a formative influence on evangelical apocalypticism in Ireland; then the volatile central figure in Brethren apocalypticism throughout the British Isles; and also a crusty but ultimately very successful missionary to the United States and Canada. Akenson emphasizes that, as strong a personality as John Nelson Darby was, the real story is that he became a vector for the transmission of a terrifically complex and highly seductive ideological system from the old world to the new. So beguiling, adaptable, and compelling was the new Dispensational system that Darby injected into North-American evangelicalism that it continued to spread logarithmically after his death. By the 1920s, the system had become the doctrinal template of the fundamentalist branch of North-American evangelicalism and the distinguishing characteristic of the bestselling Scofield Bible.

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Suppose that everything we think we know about 'The Victorians' is wrong? That we have persistently misrepresented the culture of the Victorian era, perhaps to make ourselves feel more satisfyingly liberal and sophisticated? What if they were much more fun than we ever suspected? Matthew Sweet's Inventing the Victorians has some revelatory - and entertaining - answers for us. As Sweet shows us in this brilliant study, many of the concepts that strike us as terrifically new - political spin-doctoring, extravagant publicity stunts, hardcore pornography, anxieties about the impact of popular culture upon children - are Victorian inventions. Most of the pleasures that we imagine to be our own, the Victorians enjoyed first: the theme park, the shopping mall, the movies, the amusement arcade, the crime novel and the sensational newspaper report. They were engaged in a well-nigh continuous search for bigger and better thrills. If Queen Victoria wasn't amused, then she was in a very small minority . . .Matthew Sweet's book is an attempt to re-imagine the Victorians; to suggest new ways of looking at received ideas about their culture; to distinguish myth from reality; to generate the possibility of a new relationship between the lives of nineteenth-century people and our own.

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Originally published in 1891, this hilarious (and informative) collection is a treasure trove of essential advice any man or woman, or couple, would be foolish to ignore.From advice about how to find the perfect partner...• Don't marry a villain.• Don't marry a duke, or anyone who travels on his title.• If money is your object, the older and uglier he is, the better.• Avoid slovenly dressed girls or heedless men....to advice about how to wed...• Don't propose on a wash-day, in the rain, at breakfast or in a tunnel.• Marry at home or at church, in good form, without display....as well as general words of wisdom...• Don't expect too much from your marriage.• Don't cross your husband....Hildreth's Advice for Marriage is a delightful collection that is as relevant today as it was 100 years ago.

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Greenwich, 1897. A macabre scene is discovered outside a house on Shooters Hill. There has been a vicious fight, and amid the bloodstains are locks of long auburn hair. Thomas Pitt, head of Special Branch, is called: this is the home of Dudley Kynaston, a minister with access to some of the government's most dangerous secrets, and any inquiry must be handled with utmost discretion. An auburn-haired maid has disappeared from Kynaston's household, but no major crime appears to have taken place. Then a disfigured body is found in the gravel pits nearby. Could this be Kynaston's missing servant? As Pitt begins to investigate, he finds small inconsistencies in Kynaston's story. Are these harmless omissions, or could they lead to something more serious, something that could threaten not just Kynaston's own family but also his Queen and country?

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The two figures had been on the bridge. He had grasped hold of her. To save her, or to push her?Inspector William Monk is still feeling his way in a new post in the Thames River Police and knows he must solve the mystery to gain the respect of his men. Soon both he and Hester find themselves powerfully involved in the story of the dead woman, Mary Havilland, and her quest to vindicate her father, found dead two months previously. An engineer working for the Argyll Construction Company, James Havilland was convinced a major disaster would happen in the tunnels where London's desperately needed new sewer system was being built. Maddened by his obsession, he'd apparently shot himself. Mary had never accepted that and now she was dead too. Was it chance or something more sinister?

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Thomas Pitt arrives at a devastating bombing in Lancaster Gate to find two policemen dead and three more gravely wounded. London's anarchists are blamed, but as Pitt and Inspector Tellman investigate they find it looks increasingly like a personal vendetta against those particular men. Did they lie about a drugs raid that went fatally wrong, and let an innocent man hang? The idea of police dishonesty cuts Tellman to the quick - he joined the force to protect society, not exploit it. But he must uncover the truth, however much he wants to resist the signs of blackmail and corruption. With the threat of further bombings, and their superiors pushing for a quick resolution, Pitt and Tellman find their every move scrutinised, and their own lives suddenly at risk...Treachery at Lancaster Gate is the exceptional new historical thriller from the master of Victorian crime.

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In Poetry, Pictures, and Popular Publishing eminent Rossetti scholar Lorraine Janzen Kooistra demonstrates the cultural centrality of a neglected artifact: the Victorian illustrated gift book. Turning a critical lens on “drawing-room books” as both material objects and historical events, Kooistra reveals how the gift book’s visual/verbal form mediated “high” and popular art as well as book and periodical publication. A composite text produced by many makers, the poetic gift book was designed for domestic space and a female audience; its mode of publication marks a significant moment in the history of authorship, reading, and publishing. With rigorous attention to the gift book’s aesthetic and ideological features, Kooistra analyzes the contributions of poets, artists, engravers, publishers, and readers and shows how its material form moved poetry into popular culture. Drawing on archival and periodical research, she offers new readings of Eliza Cook, Adelaide Procter, and Jean Ingelow and shows the transatlantic reach of their verses. Boldly resituating Tennyson’s works within the gift-book economy he dominated, Kooistra demonstrates how the conditions of corporate authorship shaped the production and receptionof the laureate’s verses at the peak of his popularity. Poetry, Pictures, and Popular Publishing changes the map of poetry’s place—in all its senses—in Victorian everyday life and consumer culture.

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The paths of a secret paramour, a jilted lover and a reluctant hangman cross in one fateful winter week in Galway, 1885 James Berry was the notorious hangman who ended the lives of over 100 criminals in Victorian Britain and Ireland. Tortured by nightmares as he tried to come to terms with the toll his gruesome work took on him, he played a central role in some of the crimes of the century, including the hanging of William Bury, the man suspected of being Jack the Ripper. The Hangman Who Came to Galway focuses on a winter week in Irish history where Berry was tasked with bringing to a conclusion the case of two notorious murders in Galway, keeping readers transfixed as they journey with this fascinating character through nineteenth-century Ireland in all its gruesome glory.

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Flow Blue and other transfer print decorated wares produced from 1880 to 1925 by the potters of England's famous Staffordshire pottery district are illustrated in over 740 color images and line drawings, along with the pottery body shapes and the manufacturers' marks found on these highly sought antiques. A thorough text discusses methods of manufacture, provides histories of some of the major Staffordshire pottery firms (including W. H. Grindley & Co., Johnson Brothers, and Alfred Meakin), defines ceramic wares by type, and includes an extensive bibliography. Current market values are provided in the captions. This is a valuable guide for anyone interested in Late Victorian era British ceramics.

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Cardinal Manning * Florence Nightingale * Thomas Arnold * General Gordon Lytton Strachey's biographical essays on four 'eminent Victorians' dropped a depth-charge on Victorian England when the book was published in 1918. It ushered in the modern biography and raised the genre to the level of high literary art. Lytton Strachey approached his subjects with scepticism rather than reverence, and his iconoclastic wit and engaging narratives thrilled as well as shocked his contemporaries. Debunking Church, Public School and Empire, his portraits of Cardinal Manning, Florence Nightingale, Dr Arnold of Rugby, and General Gordon of Khartoum changed perceptions of the Victorians for a generation. This edition is unique in being fully annotated and in drawing on the full range of Strachey's manuscript materials and literary remains. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Another fantastic Pitt novel from the master storyteller of the Victorian mystery.1895 and an increasingly violent tide of political unrest is rising fast all over Europe. Special Branch's Inspector Thomas Pitt knows that they must find those responsible before England is overrun by reformists intent on overthrowing the government. When he finds himself in pursuit of a suspected terrorist, Pitt has no hesitation in following the chase all the way to France. But events take a sinister turn when Narraway, Pitt's superior, is accused of involvement in the death of an Irish informant and abruptly removed from office. Aware that her husband's own career is also in jeopardy if he is not reinstated, Pitt's wife Charlotte determines to help Narraway clear his name. As Charlotte and Narraway depart for Ireland and Pitt is drawn deeper into the investigation in France, it becomes clear that outside forces have conspired to separate them at a crucial time in the country's history. With no one else to trust can they make it back to England and stop the revolt before it's too late?

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The Society for Psychical Research was established in 1882 to further the scientific study of consciousness, but it arose in the surf of a larger cultural need. Victorians were on the hunt for self-understanding. Mesmerists, spiritualists, and other romantic seekers roamed sunken landscapes of entrancement, and when psychology was finally ready to confront these altered states, psychical research was adopted as an experimental vanguard. Far from a rejected science, it was a necessary heterodoxy, probing mysteries as diverse as telepathy, hypnosis, and even séance phenomena. Its investigators sought facts far afield of physical laws: evidence of a transcendent, irreducible mind. The New Prometheans traces the evolution of psychical research through the intertwining biographies of four men: chemist Sir William Crookes, depth psychologist Frederic Myers, ether physicist Sir Oliver Lodge, and anthropologist Andrew Lang. All past presidents of the society, these men brought psychical research beyond academic circles and into the public square, making it part of a shared, far-reaching examination of science and society. By layering their papers, textbooks, and lectures with more intimate texts like diaries, letters, and literary compositions, Courtenay Raia returns us to a critical juncture in the history of secularization, the last great gesture of reconciliation between science and sacred truths.

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The Society for Psychical Research was established in 1882 to further the scientific study of consciousness, but it arose in the surf of a larger cultural need. Victorians were on the hunt for self-understanding. Mesmerists, spiritualists, and other romantic seekers roamed sunken landscapes of entrancement, and when psychology was finally ready to confront these altered states, psychical research was adopted as an experimental vanguard. Far from a rejected science, it was a necessary heterodoxy, probing mysteries as diverse as telepathy, hypnosis, and even séance phenomena. Its investigators sought facts far afield of physical laws: evidence of a transcendent, irreducible mind. The New Prometheans traces the evolution of psychical research through the intertwining biographies of four men: chemist Sir William Crookes, depth psychologist Frederic Myers, ether physicist Sir Oliver Lodge, and anthropologist Andrew Lang. All past presidents of the society, these men brought psychical research beyond academic circles and into the public square, making it part of a shared, far-reaching examination of science and society. By layering their papers, textbooks, and lectures with more intimate texts like diaries, letters, and literary compositions, Courtenay Raia returns us to a critical juncture in the history of secularization, the last great gesture of reconciliation between science and sacred truths.

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Collecting Staffordshire ceramic figures, a particularly English folk art, has expanded from its origins to include much of the English speaking world. This work, in two books, details and illustrates the range and depth of figures made by the potters. Over 2,900 figures are illustrated in the two books, virtually all in the brilliant color which was imperative for the beauty and simplicity of the figures to be fully appreciated. Many of these figures have never before been recorded. A history of the figures, together with sources and relevant bibliographical details, are included, along with a guide to current prices. Victorian Staffordshire Figures 1835-1875, Book Two details Religous and Temperance Figures; Hunters and Huntsmen; Shepherds, Gardeners, Harvesters, and Pastoral Scenes; Other Pursuits, Pastimes, and Occupations; Children with Animals; Dogs; Animals; Houses, Cottages, and Castles; and Sport and Miscellaneous.

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When Margaret Thatcher called in 1979 for a return to Victorian values such as hard work, self-reliance, thrift, and national pride, Labour Party leader Neil Kinnock responded that “Victorian values” also included “cruelty, misery, drudgery, squalor, and ignorance.” The Victorians in the Rearview Mirror is an in-depth look at the ways that the twentieth century reacted to and reimagined its predecessor. It considers how the Victorian inheritance has been represented in literature, politics, film, and visual culture; the ways in which modernists and progressives have sought to differentiate themselves from an image of the Victorian; and how conservatives (and some liberals) have sought to revive elements of nineteenth-century life. Nostalgic and critical impulses combine to fix an understanding of the Victorians in the popular imagination. Simon Joyce examines heritage culture, contemporary politics, and the “neo-Dickensian” novel to offer a more affirmative assessment of the Victorian legacy, one that lets us imagine a model of social interconnection and interdependence that has come under threat in today’s politics and culture. Although more than one hundred years have passed since the death of Queen Victoria, the impact of her time is still fresh. The Victorians in the Rearview Mirror speaks to diverse audiences in literary and cultural studies, in addition to those interested in visual culture and contemporary politics, and situates detailed close readings of literary and cinematic texts in the context of a larger argument about the legacies of an era not as distant as we might like to think.

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In 1879, Canon Thomas Frederick Simmons edited the late medieval poem now known as The Lay Folks' Mass Book creating what remains the standard edition of the text. This volume shows how Simmons' interest in the text was related profoundly to contemporary debates about worship in the Church of England, and how he used his medievalist researches as the basis for the most important attempt at Prayer Book revision between the Reformation and the twentieth century.

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