Search results for ""author caroline"

Discover the fascinating story behind the rise of a new pop icon: Dua Lipa.When Dua Lipa was eleven, her music teacher told her she wasn’t good enough to join her school choir – her husky voice couldn’t reach the high notes.Now, she’s a global star. Her songs are pop anthems, streamed billions of times; she’s collaborated with everyone from Calvin Harris and Miley Cyrus to Madonna and Elton John; she’s won Grammys, BRITs and MTV awards; and she’s the biggest homegrown talent to emerge from the UK music scene since Ed Sheeran and Adele. Dua’s rise has been all the more impressive given that her Kosovan parents arrived in London as refugees, but her determination, hard work and undeniable voice have seen her transcend these humble beginnings, all while remaining fiercely proud of her heritage.In this revealing biography from the publishers of Harry, Ariana and Adele, pop music journalist Caroline Sullivan charts Dua’s incredible journey to pop superstardom. Spanning everything from her mainstream breakthrough to her sold-out Future Nostalgia Tour, and exploring her influences, activism and high-profile personal life, it paints the most complete portrait yet of this icon in the making.

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‘An engaging portrait of an indomitable woman at the heart of Golden Age Hollywood’ Gill Paul, bestselling author of The Manhattan Girls ⭐⭐⭐⭐⭐ ‘I was hooked from the first page… it had what I was looking for in the Golden Age of Hollywood’ NetGalley reviewer ⭐⭐⭐⭐⭐ ‘Really reminded me of City of Girls, the lifestyle, the glamour but also the tenderness… Wonderful!’ NetGalley reviewer For fans of The Seven Husbands of Evelyn Hugo and City of Girls. ‘You’re young and beautiful. The world is your oyster – it’s up to you to find your pearl’ When Maybelle Crabtree, a God-fearing farm girl from Kentucky, has a chance encounter with a charismatic stranger, her life changes forever. With an invitation to join the infamous Alla Nazimova and her Sewing Circle, Maybelle’s eyes are opened to a life of decadence and glamour. Able to freely discover her own sexuality, Maybelle embraces all that Hollywood has to offer in the hedonist roaring twenties. But both Maybelle and Alla have secrets that threaten to bring their gilded lives crashing down. Hearts will be broken, careers destroyed and friendships shattered because what happens behind closed doors, doesn’t stay hidden forever… TW: This book contains scenes of a sexual nature, violence, domestic abuse and abortion. Readers have been swept away by Well Behaved Women: ‘An enticing parallel portrait, of women endeavouring to be heard in a glittering but masculine era’ Mandy Robotham, international bestselling author ‘An extraordinary story’ Georgia Kaufmann, author of The Dressmaker of Paris ‘Emotional and poignant… beautifully written and so evocative. A truly fantastic read!’ ⭐⭐⭐⭐⭐ ‘Excellent… I was totally involved in the story, the characters and their lives’ ⭐⭐⭐⭐⭐ ‘Eye-opening… a trip back in time’ ⭐⭐⭐⭐⭐ ‘A thoroughly engaging read with fascinating queer women against the backdrop of the Hollywood age. Bravo!’ ⭐⭐⭐⭐ ‘I was not fully prepared to completely fall in love with this book’ ⭐⭐⭐⭐ ‘Beautifully crafted, richly detailed with captivating characters’ ’ ⭐⭐⭐⭐⭐

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We take summer holidays for granted but, back in the 1940s, the picture was very different. War had gripped Britain. Wave after wave of bombs fell, beaches were closed off, and petrol was rationed by the forbidding question, 'Is your journey really necessary?'But the summer days (with double summer time) seemed to go on forever, war or no war - and British families were determined to make the best of their paralyzed country.For evacuated children, this meant freedom that is unimaginable today: wandering at will, discovering wildlife in fields and ponds, foraging from orchards and hedgerows and swimming in the streams. Elsewhere, country estates were requisitioned for the war efforts, the tennis courts given over for training and the Lord and Lady of the manor sent packing! Dances attracted people from all walks of life - from ballroom dances to the thrill of the arrival of the GIs and the jitterbug.But the shadow of war was never far away; the evacuation of Dunkirk in 1940, and the D-Day Landings in 1944 took place in June - with unreliable summer weather playing a part in both.In this book, Caroline Taggart shows us how Britons succeeded in keeping up spirits in spite of the constant devastation of battle. It is a revealing and entertaining collection of first-hand reminiscences from people who lived through those six long years. Touching, tragic, occasionally hilarious, it shows the British soldiering on as best they could.

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How did the statues of ancient Greece wind up dictating art history in the West? How did the material culture of the Greeks and Romans come to be seen as "classical" and as "art"? What does "classical art" mean across time and place? In this ambitious, richly illustrated book, art historian and classicist Caroline Vout provides an original history of how classical art has been continuously redefined over the millennia as it has found itself in new contexts and cultures. All of this raises the question of classical art's future.What we call classical art did not simply appear in ancient Rome, or in the Renaissance, or in the eighteenth-century Academy. Endlessly repackaged and revered or rebuked, Greek and Roman artifacts have gathered an amazing array of values, both positive and negative, in each new historical period, even as these objects themselves have reshaped their surroundings. Vout shows how this process began in antiquity, as Greeks of the Hellenistic period transformed the art of fifth-century Greece, and continued through the Roman empire, Constantinople, European court societies, the neoclassical English country house, and the nineteenth century, up to the modern museum.A unique exploration of how each period of Western culture has transformed Greek and Roman antiquities and in turn been transformed by them, this book revolutionizes our understanding of what classical art has meant and continues to mean.

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Cosy up with the new novel in the Pudding Pantry series, full of love, laughter, and plenty of delicious pudding! The first snow is falling over Primrose Farm, the mince pies are warming, and Rachel can’t wait to share a kiss under the mistletoe with her gorgeous new flame, Tom. If only it was all comfort and joy . . . The arrival of Tom’s ex brings an unwelcome chill to the farm. And despite Master Baker Mum Jill’s valiant efforts, the new pudding pantry business is feeling the pinch. With a spoonful of festive spirit, a cupful of goodwill with friends, and her messy, wonderful family by her side, can Rachel make this a Christmas to remember? Why readers love cosying up with Caroline Roberts’ gorgeous novels: ‘Family, friendships, farming and fabulous food. The Pudding Pantry is perfect!’ Sunday Times bestseller Heidi Swain ‘Cosy and uplifting – a real treat!’ Debbie Johnson ‘A delightful, life affirming story’ Ali McNamara ‘Such a wonderful book, heart-wrenching and uplifting and joyful! Cressida McLaughlin 'A top-rated romance which I devoured quicker than a slice of Victoria Sponge. Beautifully written, warm, funny, cosy, romantic and sweeter than a tray full of cookie dough' Bookaholic Confessions 'A warm and cosy read for a cold winter's day . . . will have you longing to be served in the tearoom' Rachel's Random Reads

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Territoriale Gestattungen sind ein alltägliches, aber kaum beleuchtetes Phänomen des Außenverfassungsrechts. Die Beispiele sind vielfältig: Sie reichen von Sitzabkommen mit internationalen Organisationen, die ihr eigenes Dienstrecht zur Anwendung bringen, bis zu militärischen Erlaubnissen wie jenen auf der US-amerikanisch genutzten Airbase Ramstein. Jeweils ermöglicht die deutsche Gestattung einem anderen Völkerrechtssubjekt, außerhalb der deutschen Rechtsordnung auf deutschem Staatsgebiet hoheitlich tätig zu werden. Carolin Schlößer legt anhand von Parallelbetrachtungen dar, auf welche Weise sich das Grundgesetz zu diesen territorialen Gestattungen verhält. Sie entwickelt ein verfassungsrechtliches Regime in Gestalt eines ordre public-Vorbehaltes. Daraus leiten sich zahlreiche Vorgaben für die Praxis der Gestattungen ab, die umfänglich beleuchtet werden. Auch auf Rechtsschutzmöglichkeiten geht die Autorin detailliert ein.

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This special issue marks the recent English translation of the second volume of Peter Weiss’s The Aesthetics of Resistance, also published by Duke University Press, with new, future-oriented readings of the novel. While many of the novel’s images—migrants adrift on a surveilled and fortified Mediterranean and the rise of anti-democratic, antisemitic, and racist authoritarian movements, among others—echo contemporary issues and events, the contributors present the novel as a complex text at the intersection of art, literary, and political histories with special utility for grasping the present moment. Topics include the relationship between form and formlessness in the novel, its implications for the interpretation of art, how political encounters inform the engagement of political subjects, and Weiss’s thematization of Jewish identity and left antisemitism. The issue also includes a new translation of a 1966 public exchange between Peter Weiss and Hans Magnus Enzensberger. Contributors. Hans Magnus Enzensberger, Kai Evers, Julia Hell, Seth Howes, Stefan Jonsson, Kaisa Kaakinen, Richard Langston, Matthew D. Miller, Alex Potts, Caroline Rupprecht, Peter Weiss

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Global biennials have proliferated in the contemporary art world, but artists' engagement with large-scale international exhibitions has a much longer history that has influenced the present in important ways. Going back to the earliest world's fairs in the nineteenth century, this book argues that "globalism" was incubated in a century of international art contests, and today constitutes an important tactic for practicing artists. As world's fairs brought millions of attendees into contact with foreign cultures, products, and processes, artworks became juxtaposed in a "theater of nations," which challenged artists and critics to think outside their local academies for the first time. From Gustave Courbet's rebel pavilion near the official art exhibit at the 1855 French World's Fair to curator Beryl Madra's choice of London-based Cypriot Hussein Chalayan for the off-site Turkish pavilion at the 2006 Venice Biennale, artists have used these exhibitions to reflect on contemporary art, speak to their own governments back home, and challenge the wider geopolitical realm changing art and art history along the way. Ultimately, Caroline A. Jones argues, the modern appetite for experience and event structures, which were cultivated around the art at these earlier expositions, have now come to constitute contemporary art itself, producing encounters that transform the public and force us to reflect critically on the global condition.

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The good, the bad, and the snugly about your new best friend No breed of dog is the subject of more extreme feelings—both good and bad—than the Pit Bull. Man-eating monster or heroic nanny-dog: What's the real story? Are Pit Bulls the very best breed for kids? (Not always.) Is it all in how you raise them? (Not totally). Will they lick you to death? (Absolutely!) In the fully updated 2nd Edition of Pit Bulls For Dummies, Dr. Caroline Coile—Dog Writer's Association of America Hall of Famer and former Pit Bull owner—sniffs out the reality behind the myth, rips through the dogma that both vilifies and sanctifies this unique family of dogs, helps you find the best source for your new family member, and shows you the latest and greatest ways to raise, train, and live with your own partying Pit Bull and reap the rewards of happy canine companionship for years to come. Understand your Pit Bull’s origins and characteristics Decide if a Pit Bull is for you Evaluate Pit Bull sources, whether adopting, rescuing, or buying Care for all ages, from puppies to older dogs Deal with bad behavior Socialize your new dog Follow the advice in this book and help show the world that well-brought-up Pit Bulls are some of the most charming, companionable, and fun-to-be-around dogs out there—enjoy!

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The General Prologue to Chaucer's Canterbury Tales is one of the most enduring works of English literature. Beloved by scholars, teachers, students, and general readers, it has been given a great many different interpretations. This annotated, international bibliography of twentieth-century criticism on the Prologue is an essential reference guide. It includes books, journal articles, and dissertations, and a descriptive list of twentieth-century editions; it is the most complete inventory of modern criticism on the Prologue. The extensive annotations provide uniquely convenient access to many publications that are otherwise difficult to obtain. In her introduction, Caroline Eckhardt provides a careful and comprehensive overview of modern trends in criticism, trends which can be traced through the bibliography. At the beginning of the century, for example, Chaucer's Prologue was often described as a 'portrait gallery' and praised for its realism - social, psychological, and dramatic. Later in the century came emphases on irony, rhetoric, Freudian interpretations, elaborate allegories, and stylistic complexities. At present, the Prologue is often interpreted as a system of signs and symbols in which realism, if it exists at all, serves purposes beyond itself. The smiling and serene poet of the earlier period has been replaced by a self-conscious ironist, sometimes with a split personality. The portrait gallery of the beginning of the century is still there, though the spectator who walks along it tends to see something less fixed textually (the Prologue is now commonly discussed as work-in-progress) and more complicated structurally, generically, and thematically. It is the spectator, of course, who has changed.

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A new paperback edition of the first collected volume from the Cairo School of Urban StudiesBringing together a distinguished interdisciplinary group of scholars, this volume explores what happens when new forms of privatization meet collectivist pasts, public space is sold off to satisfy investor needs and tourist gazes, and the state plans for Egypt’s future in desert cities while stigmatizing and neglecting Cairo’s popular neighborhoods. These dynamics produce surprising contradictions and juxtapositions that are coming to define today’s Middle East.The original publication of this volume launched the Cairo School of Urban Studies, committed to fusing political-economy and ethnographic methods and sensitive to ambivalence and contingency, to reveal the new contours and patterns of modern power emerging in the urban frame. Contributors: Mona Abaza, Nezar AlSayyad, Paul Amar, Walter Armbrust, Vincent Battesti, Fanny Colonna, Eric Denis, Dalila ElKerdany, Yasser Elsheshtawy, Farha Ghannam, Galila El Kadi, Anouk de Koning, Petra Kuppinger, Anna Madoeuf, Catherine Miller, Nicolas Puig, Said Sadek, Omnia El Shakry, Diane Singerman, Elizabeth A. Smith, Leïla Vignal, Caroline Williams.

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'A sublime piece of literary detective work that shows us once and for all how to be precisely the sort of reader that Austen deserves.' Caroline Criado-Perez, GuardianAlmost everything we think we know about Jane Austen is wrong. Her novels don't confine themselves to grand houses and they were not written just for readers' enjoyment. She writes about serious subjects and her books are deeply subversive. We just don't read her properly - we haven't been reading her properly for 200 years. Jane Austen, The Secret Radical puts that right. In her first, brilliantly original book, Austen expert Helena Kelly introduces the reader to a passionate woman living in an age of revolution; to a writer who used what was regarded as the lightest of literary genres, the novel, to grapple with the weightiest of subjects - feminism, slavery, abuse, the treatment of the poor, the power of the Church, even evolution - at a time, and in a place, when to write about such things directly was seen as akin to treason. Uncovering a radical, spirited and political engaged Austen, Jane Austen, The Secret Radical will encourage you to read Jane, all over again.

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Water and the Word focuses on a genre of literature written for the education of the Carolingian clergy: Carolingian baptismal instructions. This literature has never been brought together and studied collectively in the context of the books in which it circulated. As a corpus, read in comparison to one another, the baptismal tracts tell how baptism was celebrated and interpreted across Carolingian Europe. At the same time, in their manuscript context, they are an important new source of information regarding the nature and the success of the Carolingian Reform to educate the clergy. This comprehensive study has three major objectives. One is to describe the codices in which the baptismal instructions are found, in order to show what other kinds of material the baptismal tracts were associated with and to show where, how, and by whom these codices were intended to be used. Another is to bring together the baptismal texts and study them systematically. Finally, a third objective is to interpret the Carolingian Reform in light of the baptismal instructions and the manuscripts in which they were copied. Volume 1 of this two-volume set is devoted to analysis and interpretation of the material in volume 2. It is divided into three parts. The first part is concerned with the manuscript context of the baptismal instructions. In the second, the baptismal expositions themselves are analyzed. Part 3 of volume 1 offers some conclusions about the Carolingian Reform. Volume 2 contains the Latin text of sixty-six manuscripts, as well as descriptions, introductions, and a topical survey of the contents of these manuscripts. In its broadest context this study is about the Christianization of Europe—not the superficial conversion of conquered peoples, but the slow replacement of one mindset with another that came about through the education of the people under the care of pastors.

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'Simply the best detective writer since Agatha Christie' The Sunday TimesDiscover the novels that inspired the hit ITV series Midsomer Murders, seen and loved by millions.Death of a Hollow Man is the second instalment in the Midsomer Murders series, featuring Detective Chief Inspector Barnaby with an audience of 10.34 million. Featuring an exclusive foreword by John Nettles, ITV's DCI Tom Barnaby. Perfect for fans of Agatha Christie, Ann Granger and James Runcie's The Grantchester Mysteries. Backstage nerves are fraying, and revenge is on its way. As Causton Amateur Dramatic Society prepares for the opening night of Amadeus, offstage Esslyn Carmichael suspects his wife is having an affair with another cast member. And where better to settle scores than the stage?Chief Inspector Tom Barnaby expects an evening of entertainment, attending only to show support for his wife. But when someone turns Esslyn's final grand gesture into a gruesome coup de theatre, Barnaby's investigation suddenly begins. Praise for Caroline Graham's novels:'Characterisation first rate, plotting likewise. . . Written with enormous relish. A very superior whodunnit' Literary Review 'Hard to praise highly enough' The Sunday Times'Her books are not just great whodunits but great novels in their own right' Julie Burchill'Enlivened by a very sardonic wit and turn of phrase, the narrative drive never falters' Birmingham Post'Guaranteed to keep you guessing until the very end' Woman

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In The Mirror of Antiquity, Caroline Winterer uncovers the lost world of American women's classicism during its glory days from the eighteenth through the nineteenth centuries. Overturning the widely held belief that classical learning and political ideals were relevant only to men, she follows the lives of four generations of American women through their diaries, letters, books, needlework, and drawings, demonstrating how classicism was at the center of their experience as mothers, daughters, and wives. Importantly, she pays equal attention to women from the North and from the South, and to the ways that classicism shaped the lives of black women in slavery and freedom. In a strikingly innovative use of both texts and material culture, Winterer exposes the neoclassical world of furnishings, art, and fashion created in part through networks dominated by elite women. Many of these women were at the center of the national experience. Here readers will find Abigail Adams, teaching her children Latin and signing her letters as Portia, the wife of the Roman senator Brutus; the Massachusetts slave Phillis Wheatley, writing poems in imitation of her favorite books, Alexander Pope's Iliad and Odyssey; Dolley Madison, giving advice on Greek taste and style to the U.S. Capitol's architect, Benjamin Latrobe; and the abolitionist and feminist Lydia Maria Child, who showed Americans that modern slavery had its roots in the slave societies of Greece and Rome. Thoroughly embedded in the major ideas and events of the time—the American Revolution, slavery and abolitionism, the rise of a consumer society—this original book is a major contribution to American cultural and intellectual history.

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The new breed of American fast aircraft carriers could make thirty-three knots, and each carried almost 100 strike aircraft. Brought together as Task Force 58, also known as the Fast Carrier Task Force, this awesome armada at times comprised more than 100 ships carrying more than 100,000 men afloat. By 1945, more than 1,000-combat aircraft, fighters, dive- and torpedo-bombers could be launched in under an hour. The fast carriers were a revolution in naval warfare - it was a time when naval power moved away from the big guns of the battleship to air power projected at sea. Battleships were eventually subordinated to supporting and protecting the fast carriers, of which, at its peak, Task Force 58 had a total of seventeen. This book covers the birth of naval aviation, the appearance of the first modern carriers in the 1920s, through to the famous surprise six-carrier _Kid? Butai_ Japanese raid against Pearl Harbor on 8 December 1941 and then the early US successes of 1942 at the Battles of the Coral Sea and Midway. The fast carriers allowed America, in late 1942 and early 1943, to finally move from bitter defence against the Japanese expansionist onslaught, to mounting her own offensive to retake the Pacific. Task Force 58 swept west and north from the Solomon Islands to the Gilbert and Marshall Islands, neutralising Truk in Micronesia, and Palau in the Caroline islands, before the vital Mariana Islands operations, the Battle of Saipan, the first battle of the Philippine Sea and the Great Marianas Turkey Shoot. The strikes by Task Force 58 took Allied forces across the Pacific, to the controversial Battle of Leyte Gulf and to Iwo Jima and Okinawa. Task Force 58 had opened the door to the Japanese home islands themselves - allowing US bombers to finally get close enough to launch the devastating nuclear bombing raids on Hiroshima and Nagasaki. Task Force 58 participated in virtually all the US Navy's major battles in the Pacific theatre during the last two years of the war. Having spent many years investigating naval shipwrecks across the Pacific, many the result of the devastating effectiveness of Task Force 58, diver and shipwreck author Rod Macdonald has created the most detailed account to date of the fast carrier strike force, the force that brought Japan to its knees and brought the Second World War to its crashing conclusion.

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A powerful biography of the internationally renowned writer who created one of the most enduring characters in children’s literature, Pippi Longstocking“[An] Insightful, elegantly written biography of the beloved author of the Pippi Longstocking tales, a complex woman of parts. . . Readers who grew up on Lindgren's stories will find this excellent book irresistible—and often surprising.”—Kirkus Reviews, Starred Review The first English-language biography of Astrid Lindgren provides a moving and revealing portrait of the beloved Scandinavian literary icon whose adventures of Pippi Longstocking have influenced generations of young readers all over the world. Lindgren’s sometimes turbulent life as an unwed teenage mother, outspoken advocate for the rights of women and children, and celebrated editor and author is chronicled in fascinating detail by Jens Andersen, one of Denmark’s most popular biographers. Based on extensive research and access to primary sources and letters, this highly readable account describes Lindgren’s battles with depression and her personal struggles through war, poverty, motherhood, and fame. Andersen examines the writer’s oeuvre as well to uncover the secrets to the books’ universal appeal and why they have resonated so strongly with young readers for more than seventy years.

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National Geographic Primary Readers is a high-interest series of beginning reading books that have been developed in consultation with education experts. The books pair magnificent National Geographic photographs with lively text by skilled children’s book authors across four reading levels. Find out the inspiring story of female pilot Amelia Earhart, and the mystery behind her disappearance, in this fascinating biography. Level 2: Becoming fluentThese books are a good match for kids who are developing reading stamina and enjoy a longer book. They are ideal for readers of Green, Orange and Turquoise books.

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This important theoretical work by Paul de Man sets forth a mode of reading and interpretation based on exemplary texts by Rousseau, Nietzsche, Rilke, and Proust. The readings start from unresolved difficulties in the critical traditions engendered by these authors, and they return to the places in the text where those difficulties are most apparent or most incisively reflected upon. The close reading leads to the elaboration of a more general model of textual understanding, in which de Man shows that the thematic aspects of the texts—their assertions of truth or falsehood as well as their assertions of values—are linked to specific modes of figuration that can be identified and described. The description of synchronic figures of substitution leads, by an inner logic embedded in the structure of all tropes, to extended, narrative figures or allegories. De Man poses the question whether such self-generating systems of figuration can account fully for the intricacies of meaning and of signification they produce. Throughout the book, issues in contemporary criticism are addressed analytically rather than polemically. Traditional oppositions are put in question by a rhetorical analysis which demonstrates why literary texts are such powerful sources of meaning yet epistemologically so unreliable. Since the structure which underlies this tension belongs to language in general and is not confined to literary texts, the book, starting out as practical and historical criticism or as the demonstration of a theory of literary reading, leads into larger questions pertaining to the philosophy of language. "Through elaborate and elegant close readings of poems by Rilke, Proust’s Remembrance, Nietzsche’s philosophical writings and the major works of Rousseau, de Man concludes that all writing concerns itself with its own activity as language, and language, he says, is always unreliable, slippery, impossible….Literary narrative, because it must rely on language, tells the story of its own inability to tell a story....De Man demonstrates, beautifully and convincingly, that language turns back on itself, that rhetoric is untrustworthy."—Julia Epstein, Washington Post Book World"The study follows out of the thinking of Nietzsche and Genette (among others), yet moves in strikingly new directions....De Man’s text, almost certain to be endlessly provocative, is worthy of repeated re-reading."—Ralph Flores, Library Journal"Paul de Man continues his work in the tradition of ‘deconstructionist criticism,’… [which] begins with the observation that all language is constructed; therefore the task of criticism is to deconstruct it and reveal what lies behind. The title of his new work reflects de Man’s preoccupation with the unreliability of language. … The contributions that the book makes, both in the initial theoretical chapters and in the detailed analyses (or deconstructions) of particular texts are undeniable."—Caroline D. Eckhardt, World Literature Today

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The BBC primetime series, The Great British Sewing Bee, is back.The companion book to the sixth series of this flagship BBC show, The Great British Sewing Bee: Sustainable Style accompanies sewers at all levels on their creative journey to reduce, reuse and recycle – ultimately creating their own considered closet.Starting with the essentials, sewers will learn how to maintain and care for their sewing machine, find out the secrets to using an overlocker (and what to do if you don’t have one) and the key to pattern matching. With a guide that demystifies the fitting process, and with expert sewing tips on making alterations, you’ll be able to choose from 27 projects, for both women and men, that will ease you into the world of sustainable sewing.For burgeoning dressmakers, this book showcases a vast array of sustainable and natural fabrics, reveals how to breathe life into old garments and entices the would-be sewer to dress handmade. Interspersed with sustainable tips, from advice on keeping an eco-friendly sewing space and how to better care for your garments, to guidance on recycling old clothes, using up fabric scraps and making repairs, this book is an indispensable reference to a more considered approach to sewing, that will encourage you to create long-lasting projects to cherish.With womenswear sizes ranging from 8 to 22 and menswear sizes ranging from XS to XL, along with five downloadable pattern sheets, expert sewers Caroline Akselson and Alexandra Bruce cover everything you need to build your sewing repertoire and grow in confidence as you sew yourself sustainable.

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The contributors to Grammars of the Urban Ground develop a new conceptual framework and vocabulary for capturing the complex, ever-shifting, and interactive processes that shape contemporary cities. Building on Marxist, feminist, queer, and critical race theory as well as the ontological turn in urban studies, they propose a mode of analysis that resists the staple of siloed categories such as urban “economy,” “society,” and “politics.” In addition to addressing key concepts of urban studies such as dispossession and scale, the contributors examine the infrastructures of plutocratic life in London, reconfigure notions of gentrification as a process of racial banishment, and seek out alternative archives for knowledge about urban density. They also present case studies of city life in the margins and peripheries of São Paulo, Kinshasa, Nairobi, and Jakarta. In so doing, they offer a foundation for better understanding the connective and aggregative forces of city-making and the entanglements and relations that constitute cities and their everyday politics. Contributors. Ash Amin, Teresa Caldeira, Filip De Boeck, Suzanne Hall, Caroline Knowles, Michele Lancione, Colin McFarlane, Natalie Oswin, Edgar Pieterse, Ananya Roy, AbdouMaliq Simone, Tatiana Thieme, Nigel Thrift, Mariana Valverde

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A PRIMA BEST READ OF 2017'At once tough and tender, funny and sad, this beautifully written novel articulates the dynamic realities of those wondrous friendships that last a lifetime.' Siri HustvedtAnna, Molly, Ming, Caroline, Helen: the Old Friends.Since adopting their official name aged eleven, they have seen each other through careers, children, illnesses, marriage, divorce, addiction, fame, fall outs.But now, Anna - fiercely loved mother and friend, and the Old Friends' glue - is diagnosed with cancer again, and this time, tired of recoveries and relapses, pitying looks and exhausting regimes, she simply says: no more.As her health declines, the politics of the still lived-in world merge with memories of the past while each Old Friend tries to accept the truth of what is happening: they are losing someone they cannot imagine life without.Before Everything is a celebration of friendship and love between a group of wonderful women. End of sixth grade they made it their official name. It was a joke one afternoon but they liked the way it sounded. Permanent. The Old Friends. This way, the five girls agree, it's just a fact. And ours forever.

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Poetry, or poiēsis, has long been understood as a practice of making. But how are experiments in the making of poetic forms related to formal making in science and engineering? The Limits of Fabrication takes up this question in the context of recent developments in nanoscale materials science, investigating concepts and ideologies of form at stake in new approaches to material construction. Tracing the direct pertinence of fields crucial to the new materials science (nanotechnology, biotechnology, crystallography, and geodesic design) in the work of Shanxing Wang, Caroline Bergvall, Christian Bök, and Ronald Johnson back to the midcentury development of Charles Olson’s “objectist” poetics, Nathan Brown carves out a tradition of constructivist, nonorganic poetics that has developed in conversation with science and engineering. While proposing a new approach to the relation of technē (craft, skill) and poiēsis (making, forming), this book also intervenes in philosophical debates concerning the concept of the object, the distinction between organic and inorganic matter, theories of self-organization, and the relation between “design” and “nature.” Engaging with Heidegger, Agamben, Whitehead, Stiegler, and Nancy, Brown shows that materials science and materialist poetics offer crucial resources for thinking through the direction of contemporary materialist philosophy.

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THE WORD-OF-MOUTH PHENOMENON THAT EVERYONE HAS BEEN TALKING ABOUT:'Intelligent, moving and darkly comic . . . taking us deftly from serious explorations of trauma to riotously funny scenes of modern life' The Sunday Times'Haunting and hilarious' Daily Mail'A brilliant debut' Cariad Lloyd'Full of heart, wit and feeling' Caroline O'Donoghue'I loved it!' Lauren Bravo'Heartfelt, sharp-but-tender' Erin Kelly'I couldn't stop reading' Angela Scanlon'A glorious new talent has arrived' Emma Gannon'Raw and utterly brilliant' Otegha Uwagba'Absorbing and clever . . . I fell in love with Mathilda' Cathy Rentzenbrink'Will be read for years by any and all young women looking for a friend' Scarlett Curtis__________________________________ There is something wrong with Mathilda.She's still reeling from the blow of a gut-punch break up and grieving the death of a loved one. But that's not it. She's cried all her tears, mastered her crow pose and thrown out every last reminder of him. But that's not helping.Concerned that she isn't moving on, Mathilda's friends push her towards a series of increasingly unorthodox remedies. Until the seams of herself begin to come undone. Tender, unflinching and blisteringly funny, What a Shame glitters with rage and heartbreak, perfect for fans of Emma Jane Unsworth, Dolly Alderton and Holly Bourne.__________________________________'Ever-so-relatable' Cosmopolitan'Delightfully frank' The Skinny'A modern story of grief and loss' Refinery29'Dazzling . . . By turns funny, sharp, raw and overwhelming' Heat'Fizzes with energy, rage and love' Jessica Moor'A book that beautifully balances the light and the dark' Chloe Ashby'Dark, nuanced and provocative' Laura Jane Williams'An extraordinary novel that will stay with me for a long time' Laura Kay

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Hannah Arendt was one of the foremost political theorists of the twentieth century to wrestle with the role of violence in public life. Yet remarkably, despite the fact that it was perhaps the most pressing issue of her era, this theme in her work has rarely been explored. In Violence and Power in the Thought of Hannah Arendt, Caroline Ashcroft deepens our understanding of Arendt's conception of the role of violence, offering a critical reading of her work and using it as a provocation to think about how we might engage with contemporary ideas. Arendt has generally been thought to exclude acts of violence from "the political," based on her supposed idealization of ancient democratic politics. Ashcroft argues that Arendt has been widely misunderstood by both critics and advocates on this. By examining Arendt's thought on violence in key examples of political practice such as modern Jewish politics, the politics of Greece and Rome, and the French and American revolutions, Ashcroft reveals a more pragmatic notion of the place of violence in the political. She argues that what Arendt opposes in political violence is the use of force to determine politics, an idea central to modern sovereignty. What Arendt criticizes is not violence as such, but the misuse of violence and misunderstandings of politics which exclude participatory power altogether. This work also engages with a wider set of concerns in political theory by obliging us to rethink the relations between violence and politics. Arendt's work offers a way to bridge the gulf between sovereign or realist politics and nonhierarchical, nonviolent participatory politics, and thus offers valuable resources for contemporary political theory.

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An argument that humanists have the tools—and the responsibility—to mobilize political power to tackle climate changeAs climate catastrophes intensify, why do literary and cultural studies scholars so often remain committed to the separation of aesthetic study from the nitty-gritty of political change? In this thought-provoking book, Caroline Levine makes the case for an alternative view, arguing that humanists have the tools to mobilize political power—and the responsibility to use those tools to avert the worst impacts of global warming. Building on the theory developed in her award-winning book, Forms, Levine shows how formalist methods can be used in the fight for climate justice.Countering scholars in the environmental humanities who embrace only “modest gestures of care”—and who seem to have moved directly to “mourning” our inevitable environmental losses—Levine argues that large-scale, practical environmental activism should be integral to humanists’ work. She identifies three major infrastructural forms crucial to sustaining collective life: routines, pathways, and enclosures. Crisscrossing between art works and public works—from urban transportation to television series and from food security programs to rhyming couplets—she considers which forms might support stability and predictability in the face of growing precarity. Finally, bridging the gap between academic and practical work, Levine offers a series of questions and exercises intended to guide readers into political action. The Activist Humanist provides an essential handbook for prospective activist-scholars.

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Asylum and Extraction in the Republic of Nauru provides an extraordinary glimpse into the remote and difficult-to-access island of Nauru, exploring the realities of Nauru's offshore asylum arrangement and its impact on islanders, workforces, and migrant populations. Drawing on extensive fieldwork in Nauru, Australia, and Geneva, as well as a deep dive into the British Phosphate Commission archives, Julia Caroline Morris charts the island's colonial connection to phosphate through to a new industrial sector in asylum. She explores how this extractive industry is peopled by an ever-shifting cast of refugee lawyers, social workers, clinicians, policy makers, and academics globally and how the very structures of Nauru's colonial phosphate industry and the legacy of the "phosphateer" era made it easy for a new human extractive sector to take root on the island. By detailing the making of and social life of Nauru's asylum system, Morris shows the institutional fabric, discourses, and rhetoric that inform the governance of migration around the world. As similar practices of offshoring and outsourcing asylum have become popular worldwide, they are enabled by the mobile labor and expertise of transnational refugee industry workers who carry out the necessary daily operations. Asylum and Extraction in the Republic of Nauru goes behind the scenes to shed light on the everyday running of the offshore asylum industry in Nauru and uncover what really happens underneath the headlines. Morris illuminates how refugee rights activism and #RefugeesWelcome-style movements are caught up in the hardening of border enforcement operations worldwide, calling for freedom of movement that goes beyond adjudicating hierarchies of suffering.

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Beginning when Greenville was Cherokee hunting grounds, then following its growth from frontier settlement to village to summer resort, A Short History of Greenville traces the town's political and social changes from Unionism to Secession and from agriculture to textiles to tourism.

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Discover the no-fad weight-loss plan that successful dieters and top weight-loss experts are talking about . . .Premier weight-loss expert Dr Caroline Apovian has created the ultimate plan for anyone trying to lose weight. The Overnight Diet delivers exactly what dieters are desperately looking for: an easy-to-follow plan for rapid, lasting weight loss that doesn't compromise your health and energy levels. This cutting-edge diet accelerates fat-burning and primes the body to work at its best. Kick start your weight loss every week with a day of delicious smoothies called the '1-Day Power Up'. This produces powerful results when combined with the '6-Day Fuel Up', during which you can enjoy lean protein, low-fat dairy, whole grains and all-you-can-eat fruit and vegetables. Add in an easy-to-follow workout designed to rev up your metabolism and preserve lean muscle and you have the recipe for a slimmer 'you'. Many popular diets lead to 'shrinking muscle syndrome' - a loss of muscle mass that can rob you of energy, leave you weaker and flabbier and lead to yo-yo dieting. The Overnight Diet avoids all of these common problems. And the best news is that it's not a restrictive diet so there's no mealtime boredom. You can enjoy a wide variety of foods and even your favourite glass of wine. Look slimmer, feel better and live longer with The Overnight Diet.

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FOREWORD BY PRIME MINISTER THERESA MAY When Constance Markievicz stood for election as MP for Dublin St Patrick's in 1918, few people believed she could win the seat - yet she did. A breakthrough in the bitter struggle for female enfranchisement had come earlier that year, followed by a second landmark piece of legislation allowing women to be elected to Parliament - and Markievicz duly became the first female MP. A member of Sinn Fein, she refused to take her seat. She did, however, pave the way for future generations, and only eleven months later, Nancy Astor entered the Commons. A century on from that historic event, 491 women have now passed through the hallowed doors of Parliament. Each one of these pioneers has fought tenaciously to introduce enduring reform, and in doing so has helped revolutionise Britain's political landscape, ensuring that women's contributions are not consigned to the history books. Containing profiles of every woman MP from 1918 to 1996, and with female contributors from Mary Beard to Caroline Lucas, Ruth Davidson to Yvette Cooper and Margaret Beckett to Ann Widdecombe, The Honourable Ladies is an indispensable and illuminating testament to the stories and achievements of these remarkable women.

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Abraham-Louis Breguet invented many of the standard components of today's most prestigious watches, earning the title "The Father of Modern Horology." The self-winding watch, the gong spring, the first shock-protection device and the enameled dial-all were created by Breguet. In addition, he invented the first travel clock, sold to Napoleon Bonaparte in 1798 and the first wristwatch, delivered to Caroline Murat, queen of Naples in 1812. Perhaps Breguet's most famous timepiece is the "Marie-Antoinette" pocket watch, which took forty years to make and was the most complex watch of its time. This fascinating, elegantly designed volume features more than seventy watches and clocks that were constructed by the Breguet company, and it contains many insights into the inner workings that made these objects so innovative and valuable. Engaging essays explore Breguet's personal history, the technologies he perfected and his vast international reputation-which survives to this day. This beautiful overview of Breguet's achievements will speak to anyone who treasures their watch-whether as an indispensable daily accessory, or as a prized piece of jewellery.Published in association with the Fine Arts Museums of San Francisco.

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The contributors to Grammars of the Urban Ground develop a new conceptual framework and vocabulary for capturing the complex, ever-shifting, and interactive processes that shape contemporary cities. Building on Marxist, feminist, queer, and critical race theory as well as the ontological turn in urban studies, they propose a mode of analysis that resists the staple of siloed categories such as urban “economy,” “society,” and “politics.” In addition to addressing key concepts of urban studies such as dispossession and scale, the contributors examine the infrastructures of plutocratic life in London, reconfigure notions of gentrification as a process of racial banishment, and seek out alternative archives for knowledge about urban density. They also present case studies of city life in the margins and peripheries of São Paulo, Kinshasa, Nairobi, and Jakarta. In so doing, they offer a foundation for better understanding the connective and aggregative forces of city-making and the entanglements and relations that constitute cities and their everyday politics. Contributors. Ash Amin, Teresa Caldeira, Filip De Boeck, Suzanne Hall, Caroline Knowles, Michele Lancione, Colin McFarlane, Natalie Oswin, Edgar Pieterse, Ananya Roy, AbdouMaliq Simone, Tatiana Thieme, Nigel Thrift, Mariana Valverde

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Editors Marsha Kinder and Tara McPherson present an authoritative collection of essays on the continuing debates over medium specificity and the politics of the digital arts. Comparing the term “transmedia” with “transnational,” they show that the movement beyond specific media or nations does not invalidate those entities but makes us look more closely at the cultural specificity of each combination. In two parts, the book stages debates across essays, creating dialogues that give different narrative accounts of what is historically and ideologically at stake in medium specificity and digital politics. Each part includes a substantive introduction by one of the editors. Part 1 examines precursors, contemporary theorists, and artists who are protagonists in this discursive drama, focusing on how the transmedia frictions and continuities between old and new forms can be read most productively: N. Katherine Hayles and Lev Manovich redefine medium specificity, Edward Branigan and Yuri Tsivian explore nondigital precursors, Steve Anderson and Stephen Mamber assess contemporary archival histories, and Grahame Weinbren and Caroline Bassett defend the open-ended mobility of newly emergent media. In part 2, trios of essays address various ideologies of the digital: John Hess and Patricia R. Zimmerman, Herman Gray, and David Wade Crane redraw contours of race, space, and the margins; Eric Gordon, Cristina Venegas, and John T. Caldwell unearth database cities, portable homelands, and virtual fieldwork; and Mark B.N. Hansen, Holly Willis, and Rafael Lozano-Hemmer and Guillermo Gómez-Peña examine interactive bodies transformed by shock, gender, and color. An invaluable reference work in the field of visual media studies, Transmedia Frictions provides sound historical perspective on the social and political aspects of the interactive digital arts, demonstrating that they are never neutral or innocent.

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Recently widowed and caring for his young son, Andy Boyd thinks his life is over, until he meets the beautiful, enigmatic Anna. And that was his first mistake … A startling, emotive and stark psychological thriller from one of Scotland’s bestselling crime writers… ‘A stark, gripping storyline’ Scots 'Strong female characters, honest, pithy dialogue and ever-present empathy for the victims make this a deeply satisfying read’ Sunday Times ‘Vivid, visceral and compulsive’ Ian Rankin _________________ Some secrets should never be kept… Andy Boyd thinks he is the luckiest man alive. Widowed with a young child, after his wife dies in childbirth, he is certain that he will never again experience true love. Then he meets Anna. Feisty, fun and beautiful, she’s his perfect match … and she loves his son like he is her own. When Andy ends up in the hospital on his wedding night, he receives his first clue that Anna is not all that she seems. Desperate for that happy-ever-after, he ignores it. A dangerous mistake that could cost him everything. A brave, deeply moving, page-turning psychological thriller, A Suitable Lie marks a stunning departure for one of Scotland’s finest crime writers, exploring the lengths people will go to hide their deepest secrets, even if it kills them… _________________ ‘Malone tackles the taboo subject of female violence against men with insight and compassion (for Anna is no one-dimensional witch), while creating all the hallmarks of a fine, page-turning psychological thriller’ Daily Mail ‘A mystery involving some disturbing account anomalies at Andy’s bank is appropriately overshadowed by Malone’s painful depiction of a man in turmoil’ Publishers Weekly 'It’s a tough high-wire act, balancing believability with surprise, but the author pulls it off with aplomb. Excellent stuff’ Doug Johnstone, The Big Issue ‘Disturbing but compulsive … I loved it’ Martina Cole ‘Bristling with unease, this is domestic noir at its very darkest, twisting the marriage thriller into a new and troubling shape’ Eva Dolan ‘A deeply personal thriller that will keep the reader turning those pages, with twists and turns designed to keep the heart pumping’ Russel D. McLean ‘A tightly wound page-turner with real emotional punch’ Rod Reynolds ‘A dark and unnerving psychological thriller that draws you deep into the lives of the characters and refuse to let go’ Caroline Mitchell ‘A chilling tale of the unexpected that journeys right into the dark heart of domesticity’ Marnie Riches ‘Emotionally intelligent and engaging’ Caro Ramsay ‘A story that I won’t forget in a hurry. Malone is a massive talent’ Luca Veste ‘A disturbing and realistic portrayal of domestic noir with a twist … a shocking yet compelling read’ Mel Sherratt ‘Malone perfectly balances storytelling with a brutal commentary on a dysfunctional relationship’ Sarah Ward

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Guest edited by T. Dionne Bailey and Garrett Felber, this issue of Southern Cultures makes visible a radical US South which has long envisioned a world without policing, prisons, or other forms of punishment. A region so often exceptionalized for its brutality and white supremacy is also the seedbed of freedom dreams and radical movement traditions.

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Transparency has, in recent years, become a watchword for good governance. Policymakers and analysts alike evaluate political and economic institutions—courts, corporations, nation-states—according to the transparency of their operating procedures. With the dawn of the New World Order and the “mutual veil dropping” of the post–Cold War era, many have asserted that power in our contemporary world is more transparent than ever. Yet from the perspective of the relatively less privileged, the operation of power often appears opaque and unpredictable. Through vivid ethnographic analyses, Transparency and Conspiracy examines a vast range of expressions of the popular suspicion of power—including forms of shamanism, sorcery, conspiracy theory, and urban legends—illuminating them as ways of making sense of the world in the midst of tumultuous and uneven processes of modernization.In this collection leading anthropologists reveal the variations and commonalities in conspiratorial thinking or occult cosmologies around the globe—in Korea, Tanzania, Mozambique, New York City, Indonesia, Mongolia, Nigeria, and Orange County, California. The contributors chronicle how people express profound suspicions of the United Nations, the state, political parties, police, courts, international financial institutions, banks, traders and shopkeepers, media, churches, intellectuals, and the wealthy. Rather than focusing on the veracity of these convictions, Transparency and Conspiracy investigates who believes what and why. It makes a compelling argument against the dismissal of conspiracy theories and occult cosmologies as antimodern, irrational oversimplifications, showing how these beliefs render the world more complex by calling attention to its contradictions and proposing alternative ways of understanding it. Contributors. Misty Bastian, Karen McCarthy Brown, Jean Comaroff, John Comaroff, Susan Harding, Daniel Hellinger, Caroline Humphrey, Laurel Kendall, Todd Sanders, Albert Schrauwers, Kathleen Stewart, Harry G. West

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Now in English for the first time, Keila Grinberg's compelling study of the nineteenth-century jurist Antonio Pereira Reboucas (1798–1880) traces the life of an Afro-Brazilian intellectual who rose from a humble background to play a key as well as conflicted role as Brazilians struggled to define citizenship and understand racial politics. One of the most prominent specialists in civil law of his time, Reboucas explained why blacks fought stridently for their own inclusion in society but also complicitly embraced an ethic of silence on race more broadly. Grinberg argues that while this silence was crucial for defining spaces of social mobility and respectability regardless of race, it was also stifling, and played an important role in quelling political mobilization based on racial identity. Reboucas's commitment to liberal ideals also exemplifies the contradiction he embodied: though he rejected movements that were grounded in racial political mobilization, he was consistently treated as potentially dangerous for the single fact that he was of African origin. Grinberg's analysis of Reboucas and his times demonstrates how his life and career—encompassing such themes as racial politics and identities, slavery and racism, and imperfect citizenship—are central for our understanding of Atlantic slave and post-abolition societies.

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The Opéra has been reinvented — at least to some extent. After eight successful editions with alternating art direction, the editor, Matthias Straub has entrusted the design legend Mirko Borsche (ZEIT magazine, SZ magazine, and many more) with the creative re-launch of the ninth edition. This refreshing new approach to the pictures and typography will bring The Opéra into its next decade. The proven structure and the artistic gaze in the selection of photographers and pictures are also central in Volume IX: The Opéra embodies contemporary nude photography and stands for an unconditional commitment to art and the body. Artists: Shiori Akiba, Kimbra Audrey, Jim de Block, Martina Borsche, Eva Bukareva, Arthur Cadre, Indira Cesarine, Barron Claiborne, Stephane Coutelle, Francois Delebecque, Emmet Green, Samy Husson, David PD Hyde, Arnoldas Kubilius, Anna Lazareva, Joanne Leah, Maud Levavasseur, Lin Zhipeng, Julia Luzina, Mia Macfarlane & Julien Crouigneau, Gerhard Merzeder, Stefan Milev, Veronique Pecheux, Laurence Philomene, Christina Rollny, Maya Ruska, Ryuta Sakurai, Caroline Senecal, Joanna Szproch, Slava Thisset, Sean Patrick Watters, Leafy Yeh, Ziqian Liu

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At a time of emerging women leaders, the life of Elizabeth Milbanke, Viscountess Melbourne, the shrewdest political hostess of the Georgian period, is particularly intriguing. It was Byron who called her ‘Lady M’ and it was Byron’s tempestuous and very public affair with Elizabeth’s daughter-in-law Lady Caroline Lamb that was the scandal of the age. Lady M rose above all adversity, using sex and her husband’s wealth to hold court among such glittering figures as Georgiana, Duchess of Devonshire, the Whig leader and wit Charles James Fox and the playwright Sheridan. Her many lovers included Lord Egremont, Turner’s wealthy patron, and the future George IV. Elizabeth schemed on behalf of her children and her ambitions were realised when her son William Lamb (‘Lord M’) became the young Queen Victoria’s confidant and Prime Minister. Based upon primary research - diaries, archives and extensive correspondence between Lady M and Lord Byron - Colin Brown examines the Regency period and its pre-Victorian code of morals from the perspective of a powerful and influential woman on the 200th anniversary of her death.

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"Space opera the way it ought to be . . . Bujold and Weber, bend the knee; interstellar adventure has a new king, and his name is Walter Jon Williams."—George R. R. MartinFollowing The Accidental War, the second book of a brand-new series set in the Praxis—an epic mix of space opera and military science fiction, from a grand master of science fiction, Walter Jon Williams.The Praxis, the empire of now extinct Shaa, has again fallen into civil war, with desperate and outnumbered humans battling several alien species for survival. Leading the human forces are star-crossed lovers Gareth Martinez and Caroline Sula, who must find a way to overcome their own thorny personal history to defeat the aliens and assure humanity’s survival.But even if the human fleet is victorious, the divisions fracturing the empire may be too wide to repair, as battles between politicians, the military, and fanatics who want to kill every alien threaten to further tear the empire apart. While Martinez and Sula believe they have the talent and tactics to defeat an overwhelming enemy, what will prevent their fellow humans from destroying themselves?

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Are sex scandals simply trivial distractions from serious issues or can they help democratize politics? In 1820, George IV's "royal gambols" with his mistresses endangered the Old Oak of the constitution. When he tried to divorce Queen Caroline for adultery, the resulting scandal enabled activists to overcome state censorship and revitalize reform. Looking at six major British scandals between 1763 and 1820, this book demonstrates that scandals brought people into politics because they evoked familiar stories of sex and betrayal. In vibrant prose woven with vivid character sketches and illustrations, Anna Clark explains that activists used these stories to illustrate constitutional issues concerning the Crown, Parliament, and public opinion. Clark argues that sex scandals grew out of the tension between aristocratic patronage and efficiency in government. For instance, in 1809 Mary Ann Clarke testified that she took bribes to persuade her royal lover, the army's commander-in-chief, to promote officers, buy government offices, and sway votes. Could women overcome scandals to participate in politics? This book also explains the real reason why the glamorous Georgiana, Duchess of Devonshire, became so controversial for campaigning in a 1784 election. Sex scandal also discredited Mary Wollstonecraft, one of the first feminists, after her death. Why do some scandals change politics while others fizzle? Edmund Burke tried to stir up scandal about the British empire in India, but his lurid, sexual language led many to think he was insane. A unique blend of the history of sexuality and women's history with political and constitutional history, Scandal opens a revealing new window onto some of the greatest sex scandals of the past. In doing so, it allows us to more fully appreciate the sometimes shocking ways democracy has become what it is today.

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"In this new edition of Historical Anthology of Music by Women, Briscoe offers an indispensable resource for our own moment. . . . He has commissioned new biographical and critical essays by leading musicologists such as Thomas J. Mathiesen, Elizabeth Aubrey, Suzanne Cusick, Ellen Rosand, and Mark Everist, thus making the most recent interpretations of these women and their music easily available for the classroom." —from the Foreword by Susan McClaryNew Historical Anthology of Music by Women updates the extremely popular collection with 55 compositions by 46 women composers from the ancient Greeks to the present. Each work is introduced by an informative essay by a specialist in the field, with recommendations for further reading, listening, and performing. Historical scores have been transcribed into modern notation for ease of use, and the works represent a wide variety of genres, including solo songs, chamber music, piano music, and orchestral scores. Composers include Sappho, Hildegard of Bingen, Barbara Strozzi, Clara Schumann, and Fanny Mendelssohn-Hensel. The anthology includes a foreword by Susan McClary, the leading scholar on women's music. New Historical Anthology of Music by Women is supplemented by an expanded 3-CD set featuring newly commissioned recordings.Contributors: Elizabeth Aubrey, Laura Barceló-Lastra, Melissa Blakesly, Adrienne Fried Block, Marcia J. Citron, Suzanne Cusick, David Gordon Duke, Susan Erickson, Mark Everist, Jill Munroe Fankhauser, Annegret Fauser, Nancy Fierro, Susan M. Filler, Barbara Garvey Jackson, Bryony Jones, Michael Klaper, Carolyn Lindeman, Roberta Lindsey, Thomas J. Mathiesen, Hidemi Matsushita, Susan McClary, Sharon Mirchandani, Craig B. Parker, Karin Pendle, Barbara A. Petersen, Martin Picker, Janet Pollack, Caroline Potter, Nancy B. Reich, Ellen Rosand, Judith Rosen, and Diane Touliatos-Milesis.

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According to a 2018 survey, 89 percent of "white-collar" workers at least occasionally work as members of global virtual teams. The percentage has likely increased during the COVID-19 pandemic as bans on international travel and the shifts to telework prompted more online collaboration. Collaboration among people from different countries, cultures, organizations, and institutional environments presents numerous advantages; the diversity of perspectives and knowledge pools greatly enhances the team's creativity and decision-making. However, such workgroups often have to deal with time-zone differences, limited in-person contact substituted by communication online, and the differences stemming from cultural and institutional diversity, which presents challenges not experienced by traditional collocated teams. Based on a wealth of research and personal experiences, contributors to The X-Culture Handbook of Collaboration and Problem Solving in Global Virtual Teams review known challenges and recommend evidence-based best practices for working in global virtual teams. The book provides practical advice not only to members of global virtual teams, but also for team managers, coaches, counselors, and educators. This book is available in an open access digital format.

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Thousands of women pursued artistic careers in the United States during the late 19th century. According to census figures, the number of women among the ranks of professional artists rose from 10 per cent to nearly 50 per cent between 1870 and 1890. Examining the effects of this change, Kirsten Swinth explores how women's growing presence in the American art world transformed both its institutions and its ideology. Swinth traces the careers of women painters in New York, Philadelphia and Boston, opening and closing her book with discussion of the two most famous women artists of the period -Mary Cassatt and Georgia O'Keeffe. Perhaps surprisingly, Swinth shows that in the 1870s and 1880s men and women easily crossed the boundaries separating conventionally masculine and feminine artistic territories to compete with each other as well as to join forces to professionalize art training, manage a fluid and unpredictable art market, and shape the language of art criticism. By the 1890s, however, women artists faced a backlash. Ultimately, Swinth argues, these gender contests spilled beyond the world of art to shape 20th-century understandings of high culture and the formation of modernism in profound ways.

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Environmental scientist Ryan Emanuel, a member of the Lumbee tribe, shares stories from North Carolina about Indigenous survival and resilience in the face of environmental changes. These stories connect the dots between historic patterns of Indigenous oppression and present-day efforts to promote environmental justice and Indigenous rights.

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In this age of shortened office visits, doctors take care of their patients' immediate needs and often elide their own personal histories. But as reflected in Broke, Michael Stein takes the time to listen to the experiences of his patients whose financial challenges complicate every decision in life they make. Stein asks his patients to tell him about their financial conditions not only to find out how to better treat them but also to bear witness to their very survival and the power of human resilience. Stein's intimate vignettes capture these encounters, allowing his patients to offer profound, moving, and unguarded reflections about their struggles, sometimes in a single sentence. Broke is a quietly passionate critique of a country that has grown callous to the plight of the poor, the tens of millions of people in the United States who live below the poverty line and who have no obvious path to security. Full of heartbreaking and surprising details and framed by a wry, knowing, and empathic humor, there is no other book that illuminates the experience of people facing economic hardship in this way.

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By delving into the complex, cross-generational exchanges that characterize any political project as rampant as empire, this thought-provoking study focuses on children and their ambivalent, intimate relationships with maps and practices of mapping at the dawn of the "American Century."Considering children as students, map and puzzle makers, letter writers, and playmates, Mahshid Mayar interrogates the ways turn-of-the-century American children encountered, made sense of, and produced spatial narratives and cognitive maps of the United States and the world. Mayar further probes how children's diverse patterns of consuming, relating to, and appropriating the "truths" that maps represent turned cartography into a site of personal and political contention.To investigate where in the world the United States imagined itself at the end of the nineteenth century, this book calls for new modes of mapping the United States as it studies the nation on regional, hemispheric, and global scales. By examining the multilayered liaison between imperial pedagogy and geopolitical literacy across a wide range of archival evidence, Mayar delivers a careful microhistorical study of U.S. empire.

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