Search results for ""author caroline"

'An enchanting novel, witty, touching and very perceptively written, which will sweep you into wisteria and sunshine' Santa MontefioreA discreet advertisement in 'The Times', addressed to 'Those who Apppreciate Wisteria and Sunshine...' is the impetus for a revelatory month for four very different women. High above the bay on the Italian Riviera stands San Salvatore, a mediaeval castle. Beckoned to this haven are Mrs. Wilkins, Mrs Arbuthnot, Mrs Fisher and Lady Caroline Dester, each quietly craving a respite. Lulled by the Mediterranean spirit, they gradually shed their skins and discover a harmony each of them has longed for but never known.First published in 1922, this delightful novel is imbued with the descriptive power and light-hearted irreverence for which Elizabeth von Arnin is renowned.'Filled with hazy hills and fragrant flora, the novel is a dreamily sensuous description of the glories of Italian spring' Adam Nicolson, Mail on Sunday'Elizabeth von Armin's most charming novel in every sense: it casts a spell...a sun-washed fairytale' Observer

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This is an African story of a boy and a baby elephant, and their unexpected friendship as they journey to reunite Zoya with his elephant herd. The baby elephant is guided by the intrepid boy and a growing coterie of animals. A tender, often amusing, take on the age-old African story of nature and humankind existing together in mutual respect. Their conversations are filled with beautiful African proverbs and life lessons that raise awareness of the plight of Elephants and the need to protect them. The text, by Caroline Montague, is evocative of the African bush, its people and wildlife and their vital importance in the fast-disappearing natural world. Beautifully illustrated by the artist Richie Ryall, this book which will appeal to adults and children as a compelling tale of friendship, courage and hope in the face of adversity. Published in partnership with Elephants Alive, Zoya and Naru is a book which will raise awareness of the plight of elephants and the urgent need to protect them before it’s too late. Elephant lovers and conservationists are currently working against time to tackle the ivory trade, and to create new corridors for animals to move safely across borders as they once did. We are all, as this poignant story reminds us, custodians of our precious environment and the wildlife of Africa. This marvellous book, with its backdrop of survival in the wilds of Africa, makes our duty crystal clear.

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A selection of stellar contributors to the fabulous women’s magazine The Gentlewoman present a timely selection of thought-provoking, witty essays on manners, offering the modern woman viewpoints and advice on classic conundrums and totally contemporary mattersWith contributions from a roster of The Gentlewoman’s impeccably engaging contributors and readers, including Ann Friedman, Eva Wiseman, Otegha Uwagba, Caroline Roux, Susan Irvine, and Joan Juliet Buck, this thoughtful, stylish collection of essays is an essential guide to navigating today’s world. Individually arresting and unexpected, with advice on subjects ranging from the classic topics of manners and social behavior (tipping; arriving alone; godparenting; hosting) to totally contemporary matters (the best legal drugs; the benefits of a menstrual cup; the art of regifting; and crafting the perfect out of office reply), and tips and opinions galore from fun friends of the magazine from Miranda July and Hilary Mantel to Kylie Minogue and Honey Dijon, together these essays form a singular perspective on modern life: that of The Gentlewoman.

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Jules Clement is back in Blue Deer, working as an archaeologist and private investigator. He''s a mostly happy man: he''s a new father, and he and his wife Caroline are building their dream house on an idyllic patch of river bottomland. But everything that can go wrong will, in terms of money, love, and murder. The horrible neighbors enlist Jules to spy on each other. The county hires him to find out if a road runs over some misplaced bodies in a long-abandoned potter''s field. A former priest with a side hustle in extortion ends up very dead. A crew of Russians in fast cars is running amok through the Montana landscape. All this as an old nemesis returns, pulling Jules back to confront what he''s been avoiding his entire life: the death of his father. Published alongside new editions of the entire series, The River View is further proof that ''you haven''t been west in any meaningful sense until you''ve been to Blue Deer''(The New York Times).

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The story Charles Dickens might have written after drinking too much gin… Follow half-orphan Pip's extraordinary exploits with sisters Pippa and Poppy and best friend Harry Biscuit, as they attempt to escape the calculating clutches of the dastardly Mr Gently Benevolent, defeat the hideous Hardthrasher siblings, and deflect disaster at every turn! Will evil be vanquished by virtue? Can love triumph over hate? Mark Evans' stage play Bleak Expectations is a hilarious, chaotic caper, featuring dastardly villains, preposterous names, pulse-quickening romances, heart-rending death scenes, and definitely, probably, hopefully a happy ending. Based on the award-winning BBC Radio 4 series, the play opened at The Watermill Theatre, Newbury, in 2022, directed by Caroline Leslie. It transferred to the Criterion Theatre in London's West End in 2023, where it featured a medley of many well-known actors and comedians. It offers rich opportunities to amateur theatre companies looking for a gloriously daft Dickensian romp which will have their audiences joyfully transported and begging for more.

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While Greens in the UK have always suffered from a grossly unfair electoral system, in the European Union they have been able to flourish as part of a small but effective group of European Greens since their first election in 1999. Greens have had a significant influence on the policies impacting more than 500 million EU citizens, underlining environmental standards and challenging economic and social orthodoxy. While Greens have often been marginalised by the political and media elites in Britain, across Europe, Greens have been seen as 'the voice of reason' and the 'adults in the room'. With Brexit threatening our ongoing influence on European policy-making, former and current UK Green MEPs Caroline Lucas, Jean Lambert, Keith Taylor and Molly Scott Cato reflect on their time in Brussels and chart a course for the party's new relationship with the EU-wide Green movement. This guide to two decades of UK Green achievements in Europe also brings together analysis from prominent academics, journalists, campaigners and Green MEPs from across the EU.

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A moving, funny, sweeping and emotional family drama perfect for fans of David Nicholls, Beth O'Leary, Mike Gayle and Caroline Hulse.* * * * * * *If you're reading this, my funeral must have just finished. I've got something to ask of you...Who knows, you might even enjoy it?The Cadogan children haven't spoken to each other for three years. But their father, Gerry, has a plan to bring them together. To scatter his ashes, they must first drive his old camper van up to Scotland...For the trip, Gerry has provided them with three family photo albums and a bottle of single malt whisky.But will the journey help banish their ghosts and turn them back into a family? Or will it show them exactly why they've stayed apart for so long?* * * * * * *Praise for Jamie Fewery:'Moving, honest, sad and hopeful' MIRANDA DICKINSON'Will melt your heart' VERONICA HENRY'Clever, moving, funny, insightful' ZOE FOLBIGG'Made me do a proper ugly cry' DOMESTIC SLUTTERY

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You can change your company's culture.Organizational culture often feels like something that has a life of its own. But leaders are the stewards of a company's culture and have the power to shape and even change it.If you read nothing else on building a better organizational culture, read these 10 articles. We've combed through hundreds of Harvard Business Review articles and selected the most important ones to help you identify where your culture can be improved, communicate change, and anticipate and address implementation challenges.This book will inspire you to: See what your company culture is currently like--and what it could be Explore your company's emotional culture Gather input on what needs to be fixed or initiated Improve collaboration Foster a culture of trust Articulate the new culture's mission, values, and expectations Deal with resistance and roadblocks This collection of articles includes "The Leader's Guide to Corporate Culture," by Boris Groysberg, Jeremiah Lee, Jesse Price, and J. Yo-Jud Cheng; "Manage Your Emotional Culture," by Sigal Barsade and Olivia A. O'Neill; "The Neuroscience of Trust," by Paul J. Zak; "Creating a Purpose-Driven Organization," by Robert E. Quinn and Anjan V. Thakor; "Creating the Best Workplace on Earth," by Rob Goffee and Gareth Jones; "Cultural Change That Sticks," by Jon R. Katzenbach, Ilona Steffen, and Caroline Kronley; "How to Build a Culture of Originality," by Adam Grant; "When Culture Doesn't Translate," by Erin Meyer; "Culture Is Not the Culprit," by Jay W. Lorsch and Emily Gandhi; "Conquering a Culture of Indecision," by Ram Charan; and "Radical Change, the Quiet Way," by Debra E. Meyerson.

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"an ideal set text" Angela Scriven, Course Leader, Brunel University Which research method should I use to evaluate services? How do I design a questionnaire? How do I conduct a systematic review of research? This handbook helps researchers to plan, carry out, and analyse health research, and evaluate the quality of research studies. The book takes a multidisciplinary approach to enable researchers from different disciplines to work side-by-side in the investigation of population health, the evaluation of health care, and in health care delivery. Handbook of Health Research Methods is an essential tool for researchers and postgraduate students taking masters courses, or undertaking doctoral programmes, in health services evaluation, health sciences, health management, public health, nursing, sociology, socio-biology, medicine and epidemiology. However, the book also appeals to health professionals who wish to broaden their knowledge of research methods in order to make effective policy and practice decisions.Contributors: Joy Adamson, Geraldine Barrett, Jane P. Biddulph, Ann Bowling, Sara Brookes, Jackie Brown, Simon Carter, Michel P. Coleman, Paul Cullinan, George Davey Smith, Paul Dieppe, Jenny Donovan, Craig Duncan, Shah Ebrahim, Vikki Entwistle, Clare Harries, Lesley Henderson, Kelvyn Jones, Olga Kostopoulou, Sarah J. Lewis, Richard Martin, Martin McKee, Graham Moon, Ellen Nolte, Alan O’Rourke, Ann Oakley, Tim Peters, Tina Ramkalawan, Caroline Sanders, Mary Shaw, Andrew Steptoe, Jonathan Sterne, Anne Stiggelbout, S.V. Subramanian, Kate Tilling, Liz Twigg, Suzanne Wait.

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Essays discussing the medieval book, its owners and its readers. Reading, writing, sharing texts, and book ownership in the fifteenth and sixteenth centuries, and how they fostered social and intellectual links and networks between individuals, particularly among women: these are subjects whichthe pioneering work of Mary C. Erler has done so much to illuminate. The essays here, in this volume in her honour, build on her scholarship, engaging with Professor Erler's characteristic use of bibliography in the service of biography by investigating how the physical object of the book can enlighten our understanding of medieval readers and writers. They analyze, for example, what "reading" means in terms of the act itself (and the accessories, such asbookmarks, that helped to set the stage for reading), whether done aloud or silently, in such different venues as an aristocratic court, bourgeois household, village community, and monastic cloister. They also consider the culture of medieval reading practices, especially those of women, across social classes, and in terms of the transition between the pre- and post-Reformation periods; the fluidity of genre boundaries; and changes in devotional reading and writing in this liminal period. A wide variety of genres are covered, including secular romance, devotional texts, schoolbooks, and the illustrated Old Testament preface to the famous Queen Mary Psalter, which recasts the story and image of ancient Israelites to suit elite readerly taste. MARTIN CHASE is Professor of English and Medieval Studies at Fordham University; MARYANNE KOWALESKI is Joseph Fitzpatrick S.J. Distinguished Professor of History and Medieval Studies at Fordham University. CONTRIBUTORS: Allison Alberts, Caroline M. Barron, Heather Blatt, Martin Chase, Joyce Coleman, Sheila Lindenbaum, Joel T. Rosenthal, Michael G. Sargent, Kathryn A. Smith.

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Installed at Plymouth, Massachusetts, in 1921 to commemorate the tercentenary of the landing of the Pilgrims, Cyrus Dallin's statue Massasoit was intended to memorialize the Pokanoket Massasoit (leader) as a welcoming diplomat and participant in the mythical first Thanksgiving. But after the statue's unveiling, Massasoit began to move and proliferate in ways one would not expect of generally stationary monuments tethered to place. The plaster model was donated to the artist's home state of Utah and prominently displayed in the state capitol; half a century later, it was caught up in a surprising case of fraud in the fine arts market. Versions of the statue now stand on Brigham Young University's campus; at an urban intersection in Kansas City, Missouri; and in countless homes around the world in the form of souvenir statuettes.As Lisa Blee and Jean M. O'Brien show in this thought-provoking book, the surprising story of this monumental statue reveals much about the process of creating, commodifying, and reinforcing the historical memory of Indigenous people. Dallin's statue, set alongside the historical memory of the actual Massasoit and his mythic collaboration with the Pilgrims, shows otherwise hidden dimensions of American memorial culture: an elasticity of historical imagination, a tight-knit relationship between consumption and commemoration, and the twin impulses to sanitize and grapple with the meaning of settler-colonialism.

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It's only ONE WHITE LIE, until someone turns up dead . . . The No. 1 bestselling, utterly gripping psychological thriller that you won't be able to put down'Intense, unpredictable and completely addictive' TM Logan 'An ending that will blow you away' Samantha Downing________Imagine you've finally escaped the worst relationship of your life, running away with only a suitcase and a black eye - and you're terrified what will happen if he finds you.Imagine your new next-door neighbours are the friends you so desperately needed - fun, kind, empathetic, very much in love.Imagine that they're in trouble. That their livelihoods - even their lives - are at risk. They have a plan to keep all of you safe, but they just need you to tell one small lie.One small lie, and all of these problems would disappear . . .You'd do it. Wouldn't you?It's only one small lie, until someone turns up dead.________'A masterful psychological thriller' Lisa Regan'Reads like the best Hitchcock film never made' Sarah Pinborough 'Remarkably insidious. Extremely readable' Caroline KepnesREADERS ARE HOOKED BY ONE WHITE LIE'Every word of this novel is a mystery. Wonderfully written with brilliant characters. I haven't read such a great book in a long time' 5***** Reader Review'A compelling, gripping roller coaster of a ride . . . I couldn't put the book down until finished' 5***** Reader Review'I would recommend this to anyone who wants to be able to read and feel their heart pounding at the same time' 5***** Reader Review

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A powerful biography of the internationally renowned writer who created one of the most enduring characters in children’s literature, Pippi Longstocking“[An] Insightful, elegantly written biography of the beloved author of the Pippi Longstocking tales, a complex woman of parts. . . Readers who grew up on Lindgren's stories will find this excellent book irresistible—and often surprising.”—Kirkus Reviews, Starred Review The first English-language biography of Astrid Lindgren provides a moving and revealing portrait of the beloved Scandinavian literary icon whose adventures of Pippi Longstocking have influenced generations of young readers all over the world. Lindgren’s sometimes turbulent life as an unwed teenage mother, outspoken advocate for the rights of women and children, and celebrated editor and author is chronicled in fascinating detail by Jens Andersen, one of Denmark’s most popular biographers. Based on extensive research and access to primary sources and letters, this highly readable account describes Lindgren’s battles with depression and her personal struggles through war, poverty, motherhood, and fame. Andersen examines the writer’s oeuvre as well to uncover the secrets to the books’ universal appeal and why they have resonated so strongly with young readers for more than seventy years.

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The first scholarly English translations of thirteen vital texts that elucidate the central role mountains have played across nearly five centuries of Germanophone cultural history. Mountains have occupied a central place in German, Swiss, and Austrian intellectual culture for centuries. This volume offers the first scholarly English translations of thirteen key texts from the Germanophone tradition of engagement with mountains. The selected texts span over 450 years, ranging from the early modern period to the postmodern era, and encompass several discursive modes of the mountain experience including geographical descriptions, philosophical meditations, aesthetic deliberations, and autobiographical climbing narratives. Well-known figures covered in this translational sourcebook include Conrad Gessner, Johann Jakob Scheuchzer, G.W.F. Hegel, Alexander von Humboldt, Georg Simmel, Leni Riefenstahl, and Reinhold Messner. Each text is accompanied by a critical introduction that places the translated text within a broader cultural context. The dual translational-interpretational approach offered in this volume is intended to stimulate new international and interdisciplinary dialogue on the cultural history of mountains and mountaineering. Sean Ireton (University of Missouri) and Caroline Schaumann (Emory University) are also the editors of Heights of Reflection: Mountains in the German Imagination from the Middle Ages to the Twenty-First Century (2012).

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'Genius... Fetto delves deep into her knowledge of the ultimate make-up and skincare essentials for women of colour. Read for the tips, ogle for the illustrations' ELLE'The beauty bible we've all been dreaming of' BUSTLE'Dedicated to women of colour, but one that we all can learn from' CAROLINE HIRONS'A sophisticated and timeless book' STRATEGISTAS FEATURED IN GLAMOUR, METRO, DAILY TELEGRAPH AND OBSERVER AN INDEPENDENT SELECTION FOR AUTUMN 2019A GRAZIA BEAUTY BOOK CLUB PICK'This ground-breaking, first-of-its-kind book is not only destined to become the beauty bible for women of colour everywhere, it is also a significant, relevant and influential voice in the conversation around inclusivity. Essential reading' EDWARD ENNINFULThe idea for Palette came to Vogue Contributing Beauty Editor Funmi Fetto after years of being asked by friends, family and strangers on the street for advice on products suitable for women of colour, who often find themselves excluded from mainstream beauty coverage. Following on from her career in journalism where she has extended the beauty conversation in publications such as the Observer - for whom she writes a weekly column - and written in an honest, elegant and engaging style, Fetto covers all the hair, skincare, makeup and body products available today which really work for women of colour.'If anyone is going to decode beauty's most inclusive and brilliant products, it should be Funmi. This woman really knows her stuff and delivers it in such warm and chatty way. It's a bit like going shopping with your very beauty savvy best friend who happens to have a wicked sense of humour' LISA ELDRIDGE 'Warm, witty and welcoming' GAL-DEM

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When most Americans think of surfing, they often envision waves off the coasts of California, Hawai'i, or even New Jersey. What few know is that the South has its own surf culture. To fully explore this unsung surfing world, Steve Estes undertook a journey that stretched more than 2,300 miles, traveling from the coast of Texas to Ocean City, Maryland. Along the way he interviewed and surfed alongside dozens of people—wealthy and poor, men and women, Black and white—all of whom opened up about their lives, how they saw themselves, and what the sport means to them. They also talked about race, class, the environment, and how surfing has shaped their identities.The cast includes a retired Mississippi riverboat captain and alligator hunter who was one of the first to surf the Gulf Coast of Louisiana, a Pensacola sheet-metal worker who ran the China Beach Surf Club while he was stationed in Vietnam, and a Daytona Beach swimsuit model who shot the curl in the 1966 World Surfing Championships before circumnavigating the globe in search of waves and adventure. From these varied and surprising stories emerge a complex, sometimes troubling, but nevertheless beautiful picture of the modern South and its people.

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Combining Atlantic and imperial perspectives, Caribbean New Orleans offers a lively portrait of the city and a probing investigation of the French colonists who established racial slavery there as well as the African slaves who were forced to toil for them. Casting early New Orleans as a Caribbean outpost of the French Empire rather than as a North American frontier town, Cecile Vidal reveals the persistent influence of the Antilles, especially Saint-Domingue, which shaped the city's development through the eighteenth century. In so doing, she urges us to rethink our usual divisions of racial systems into mainland and Caribbean categories.Drawing on New Orleans's rich court records as a way to capture the words and actions of its inhabitants, Vidal takes us into the city's streets, market, taverns, church, hospitals, barracks, and households. She explores the challenges that slow economic development, Native American proximity, imperial rivalry, and the urban environment posed to a social order that was predicated on slave labor and racial hierarchy. White domination, Vidal demonstrates, was woven into the fabric of New Orleans from its founding. This comprehensive history of urban slavery locates Louisiana's capital on a spectrum of slave societies that stretched across the Americas and provides a magisterial overview of racial discourses and practices during the formative years of North America's most intriguing city.

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In this book, Yelena Bailey examines the creation of ""the streets"" not just as a physical, racialized space produced by segregationist policies but also as a sociocultural entity that has influenced our understanding of blackness in America for decades. Drawing from fields such as media studies, literary studies, history, sociology, film studies, and music studies, this book engages in an interdisciplinary analysis of the how the streets have shaped contemporary perceptions of black identity, community, violence, spending habits, and belonging. Where historical and sociological research has examined these realities regarding economic and social disparities, this book analyzes the streets through the lens of marketing campaigns, literature, hip-hop, film, and television in order to better understand the cultural meanings associated with the streets. Because these media represent a terrain of cultural contestation, they illustrate the way the meaning of the streets has been shaped by both the white and black imaginaries as well as how they have served as a site of self-assertion and determination for black communities.

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This book features the social literacy of scholarship. Intersectionality, or the consideration of race, class, and gender, is one of the prominent contemporary theoretical contributions made by scholars in the field of women's studies that now broadly extends across the humanities, social sciences, and natural sciences. Taking stock of this transformative paradigm, ""The Intersectional Approach"" guides new and established researchers to engage in a critical reflection about the broad adoption of intersectionality that constitutes what the editors call a new 'social literacy' for scholars. In eighteen essays, contributors examine various topics of interest to students and researchers from a feminist perspective as well as through their respective disciplines, looking specifically at gender inequalities related to globalization, health, motherhood, sexuality, body image, and aging. Together, these essays provide a critical overview of the paradigm, highlight new theoretical and methodological advances, and make a strong case for the continued use of the intersectional approach both within the borders of women's and gender studies and beyond.

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Slavery helped finance the Industrial Revolution in England. Plantation owners, shipbuilders, and merchants connected with the slave trade accumulated vast fortunes that established banks and heavy industry in Europe and expanded the reach of capitalism worldwide. Eric Williams advanced these powerful ideas in Capitalism and Slavery, published in 1944. Years ahead of its time, his profound critique became the foundation for studies of imperialism and economic development. Binding an economic view of history with strong moral argument, Williams's study of the role of slavery in financing the Industrial Revolution refuted traditional ideas of economic and moral progress and firmly established the centrality of the African slave trade in European economic development. He also showed that mature industrial capitalism in turn helped destroy the slave system. Establishing the exploitation of commercial capitalism and its link to racial attitudes, Williams employed a historicist vision that set the tone for future studies.William A. Darity Jr.'s new foreword highlights Williams's insights for a new generation of readers, and Colin Palmer's introduction assesses the lasting impact of Williams's groundbreaking work and analyzes the heated scholarly debates it generated when it first appeared.

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The overall rate of incarceration in the United States has been on the rise since 1970s, skyrocketing during Ronald Reagan's presidency, and recently reaching unprecedented highs. Looking for innovative solutions to the crises produced by gigantic prison populations, Florida's Department of Corrections claims to have found a partial remedy in the form of faith and character-based correctional institutions (FCBIs). While claiming to be open to all religious traditions, FCBIs are almost always run by Protestants situated within the politics of the Christian right. The religious programming is typically run by the incarcerated along with volunteers from outside the prison. Stoddard takes the reader deep inside FCBIs, analyzing the subtle meanings and difficult choices with which the incarcerated, prison administrators, staff, and chaplains grapple every day. Drawing on extensive ethnographic research and historical analysis, Brad Stoddard argues that FCBIs build on and demonstrate the compatibility of conservative Christian politics and neoliberal economics.Even without authoritative data on whether FCBIs are assisting rehabilitation and reducing recidivism rates, similar programs are appearing across the nation-only Iowa has declared them illegal under non-establishment-of-religion statutes. Exposing the intricate connections among incarceration, neoliberal economics, and religious freedom, Stoddard makes a timely contribution to debates about religion's role in American society.

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Between 1902 and 1934, the United States confined hundreds of adults and children from dozens of Native nations at the Canton Asylum for Insane Indians, a federal psychiatric hospital in South Dakota. But detention at the Indian Asylum, as families experienced it, was not the beginning or end of the story. For them, Canton Asylum was one of many places of imposed removal and confinement, including reservations, boarding schools, orphanages, and prison-hospitals. Despite the long reach of institutionalization for those forcibly held at the asylum, the tenacity of relationships extended within and beyond institutional walls. In this accessible and innovative work, Susan Burch tells the story of the Indigenous people-families, communities, and nations, across generations to the present day-who have experienced the impact of this history. Drawing on oral history interviews, correspondence, material objects, and archival sources, Burch reframes the histories of institutionalized people and the places that held them. In so doing, Committed expands the boundaries of Native American history, disability studies, and U.S. social and cultural history generally.

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For over sixty years, American guitarist John Fahey (1939-2001) has been a storied figure, first within the folk and blues revival of the long 1960s, later for fans of alternative music. Mythologizing himself as Blind Joe Death, Fahey crudely parodied white middle-class fascination with African American blues, including his own. In this book, George Henderson mines Fahey's parallel careers as essayist, notorious liner note stylist, musicologist, and fabulist for the first time. These vocations, inspired originally by Cold War educators' injunction to creatively express rather than suppress feelings, took utterly idiosyncratic and prescient turns.Fahey voraciously consumed ideas: in the classroom, the counterculture, the civil rights struggle, the new left; through his study of philosophy, folklore, African American blues; and through his experience with psychoanalysis and southern paternalism. From these, he produced a profoundly and unexpectedly refracted vision of America. To read Fahey is to vicariously experience devastating critical energies and self-soothing uncertainty, passions emerging from a singular location-the place where lone, white rebel sentiment must regard the rebellion of others. Henderson shows the nuance, contradictions, and sometimes brilliance of Fahey's words that, though they were never sung to a tune, accompanied his music.

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Recently widowed and caring for his young son, Andy Boyd thinks his life is over, until he meets the beautiful, enigmatic Anna. And that was his first mistake … A startling, emotive and stark psychological thriller from one of Scotland’s bestselling crime writers… ‘A stark, gripping storyline’ Scots 'Strong female characters, honest, pithy dialogue and ever-present empathy for the victims make this a deeply satisfying read’ Sunday Times ‘Vivid, visceral and compulsive’ Ian Rankin _________________ Some secrets should never be kept… Andy Boyd thinks he is the luckiest man alive. Widowed with a young child, after his wife dies in childbirth, he is certain that he will never again experience true love. Then he meets Anna. Feisty, fun and beautiful, she’s his perfect match … and she loves his son like he is her own. When Andy ends up in the hospital on his wedding night, he receives his first clue that Anna is not all that she seems. Desperate for that happy-ever-after, he ignores it. A dangerous mistake that could cost him everything. A brave, deeply moving, page-turning psychological thriller, A Suitable Lie marks a stunning departure for one of Scotland’s finest crime writers, exploring the lengths people will go to hide their deepest secrets, even if it kills them… _________________ ‘Malone tackles the taboo subject of female violence against men with insight and compassion (for Anna is no one-dimensional witch), while creating all the hallmarks of a fine, page-turning psychological thriller’ Daily Mail ‘A mystery involving some disturbing account anomalies at Andy’s bank is appropriately overshadowed by Malone’s painful depiction of a man in turmoil’ Publishers Weekly 'It’s a tough high-wire act, balancing believability with surprise, but the author pulls it off with aplomb. Excellent stuff’ Doug Johnstone, The Big Issue ‘Disturbing but compulsive … I loved it’ Martina Cole ‘Bristling with unease, this is domestic noir at its very darkest, twisting the marriage thriller into a new and troubling shape’ Eva Dolan ‘A deeply personal thriller that will keep the reader turning those pages, with twists and turns designed to keep the heart pumping’ Russel D. McLean ‘A tightly wound page-turner with real emotional punch’ Rod Reynolds ‘A dark and unnerving psychological thriller that draws you deep into the lives of the characters and refuse to let go’ Caroline Mitchell ‘A chilling tale of the unexpected that journeys right into the dark heart of domesticity’ Marnie Riches ‘Emotionally intelligent and engaging’ Caro Ramsay ‘A story that I won’t forget in a hurry. Malone is a massive talent’ Luca Veste ‘A disturbing and realistic portrayal of domestic noir with a twist … a shocking yet compelling read’ Mel Sherratt ‘Malone perfectly balances storytelling with a brutal commentary on a dysfunctional relationship’ Sarah Ward

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When the Los Angeles neighborhood of Watts erupted in violent protest in August 1965, the uprising drew strength from decades of pent-up frustration with employment discrimination, residential segregation, and poverty. But the more immediate grievance was anger at the racist and abusive practices of the Los Angeles Police Department. Yet in the decades after Watts, the LAPD resisted all but the most limited demands for reform made by activists and residents of color, instead intensifying its power. In Policing Los Angeles, Max Felker-Kantor narrates the dynamic history of policing, anti-police abuse movements, race, and politics in Los Angeles from the 1965 Watts uprising to the 1992 Los Angeles rebellion. Using the explosions of two large-scale uprisings in Los Angeles as bookends, Felker-Kantor highlights the racism at the heart of the city's expansive police power through a range of previously unused and rare archival sources. His book is a gripping and timely account of the transformation in police power, the convergence of interests in support of law and order policies, and African American and Mexican American resistance to police violence after the Watts uprising.

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In the antebellum Natchez district, in the heart of slave country, black people sued white people in all-white courtrooms. They sued to enforce the terms of their contracts, recover unpaid debts, recuperate back wages, and claim damages for assault. They sued in conflicts over property and personal status. And they often won. Based on new research conducted in courthouse basements and storage sheds in rural Mississippi and Louisiana, Kimberly Welch draws on over 1,000 examples of free and enslaved black litigants who used the courts to protect their interests and reconfigure their place in a tense society.To understand their success, Welch argues that we must understand the language that they used--the language of property, in particular--to make their claims recognizable and persuasive to others and to link their status as owner to the ideal of a free, autonomous citizen. In telling their stories, Welch reveals a previously unknown world of black legal activity, one that is consequential for understanding the long history of race, rights, and civic inclusion in America.

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Summoning everyday Catholic laywomen to the forefront of twentieth-century Catholic history, Mary J. Henold considers how these committed parishioners experienced their religion in the wake of Vatican II (1962-1965). This era saw major changes within the heavily patriarchal religious faith-at the same time as an American feminist revolution caught fire. Who was the Catholic woman for a new era? Henold uncovers a vast archive of writing, both intimate and public facing, by hundreds of rank-and-file American laywomen active in national laywomen's groups, including the National Council of Catholic Women, the Catholic Daughters of America, and the Daughters of Isabella. These records evoke a formative period when laywomen played publicly with a surprising variety of ideas about their own position in the Catholic Church.While marginalized near the bottom of the church hierarchy, laywomen quietly but purposefully engaged both their religious and gender roles as changing circumstances called them into question. Some eventually chose feminism while others rejected it, but most, Henold says, crafted a middle position: even conservative, nonfeminist laywomen came to reject the idea that the church could adapt to the modern world while keeping women's status frozen in amber.

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How did the Civil War, emancipation, and Reconstruction shape the masculinity of white Confederate veterans? As James J. Broomall shows, the crisis of the war forced a reconfiguration of the emotional worlds of the men who took up arms for the South. Raised in an antebellum culture that demanded restraint and shaped white men to embrace self-reliant masculinity, Confederate soldiers lived and fought within military units where they experienced the traumatic strain of combat and its privations together-all the while being separated from suffering families. Military service provoked changes that escalated with the end of slavery and the Confederacy's military defeat. Returning to civilian life, Southern veterans questioned themselves as never before, sometimes suffering from terrible self-doubt. Drawing on personal letters and diaries, Broomall argues that the crisis of defeat ultimately necessitated new forms of expression between veterans and among men and women. On the one hand, war led men to express levels of emotionality and vulnerability previously assumed the domain of women. On the other hand, these men also embraced a virulent, martial masculinity that they wielded during Reconstruction and beyond to suppress freed peoples and restore white rule through paramilitary organizations and the Ku Klux Klan.

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In the financial chaos of the last few decades, increasing wealth inequality has shaken people's expectations about middle-class stability. At the same time, demographers have predicted the "browning" of the nation's middle class—once considered a de facto "white" category—over the next twenty years as the country becomes increasingly racially diverse. In this book, Joseph O. Jewell takes us back to the turn of the twentieth century to show how evidence of middle-class mobility among Black, Mexican American, and Chinese men generated both new anxieties and varieties of backlash among white populations. Blending cultural history and historical sociology, Jewell chronicles the continually evolving narratives that linked whiteness with middle-class mobility and middle-class manhood. In doing so, Jewell addresses a key issue in the historical sociology of race: how racialized groups demarcate, defend, and alter social positions in overlapping hierarchies of race, class, and gender. New racist narratives about non-white men occupying middle-class occupations emerged in cities across the nation at the turn of the century. These stories helped to shore up white supremacy in the face of far-reaching changes to the nation's racialized economic order.

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This new history of the Christian right does not stop at national or religious boundaries. Benjamin A. Cowan chronicles the advent of a hemispheric religious movement whose current power and influence make headlines and generate no small amount of shock in Brazil and the United States. These two countries, Cowan argues, played host to the principal activists and institutions who collaboratively fashioned the ascendant religious conservatism of the late twentieth century. Cowan not only unearths the deep historical connections between Brazilian and U.S. religious conservatives but also proves just how essential Brazilian thinkers, activists, and institutions were to engendering right-wing political power in the Americas.Cowan shows that both Protestant and Catholic religious warriors began to commune in the 1930s around a passionate aversion to mainstream ecumenicalism and moderate political ideas. Brazilian intellectuals, politicians, religious leaders, and captains of industry worked with partners at home and in the United States to build a united right. Together, activists engaged in a series of reactionary theological discussions. Their transnational, transdenominational platform fostered a sense of common cause and allowed them to develop a series of strategies that pushed once marginal ideas to the center of public discourse, reshaped religious demographics, and effected a rightward shift in politics across two continents.

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As Wesley C. Hogan sees it, the future of democracy belongs to young people. While today's generation of leaders confronts a daunting array of existential challenges, increasingly it is young people in the United States and around the world who are finding new ways of belonging, collaboration, and survival. That reality forms the backbone of this book, as Hogan documents and assesses young people's interventions in the American fight for democracy and its ideals.Beginning with reflections on the inspiring example of Ella Baker and the Student Nonviolent Coordinating Committee in the 1960s, Hogan profiles youth-led organizations and their recent work. Examples include Southerners on New Ground (SONG) in the NAFTA era; Oakland's Ella Baker Center and its fight against the school-to-prison pipeline; the Dreamers who are fighting for immigration reform; the Movement for Black Lives that is demanding a reinvestment in youth of color and an end to police violence against people of color; and the International Indigenous Youth Council, water protectors at Standing Rock who fought to stop the Dakota Access Pipeline and protect sovereign control of Indigenous lands. As Hogan reveals, the legacy of Ella Baker and the civil rights movement has often been carried forward by young people at the margins of power and wealth in U.S. society. This book foregrounds their voices and gathers their inventions—not in a comprehensive survey, but as an activist mix tape—with lively, fresh perspectives on the promise of twenty-first-century U.S. democracy.

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The Civil War brought many forms of upheaval to America, not only in waking hours but also in the dark of night. Sleeplessness plagued the Union and Confederate armies, and dreams of war glided through the minds of Americans in both the North and South. Sometimes their nightly visions brought the horrors of the conflict vividly to life. But for others, nighttime was an escape from the hard realities of life and death in wartime. In this innovative new study, Jonathan W. White explores what dreams meant to Civil War–era Americans and what their dreams reveal about their experiences during the war. He shows how Americans grappled with their fears, desires, and struggles while they slept, and how their dreams helped them make sense of the confusion, despair, and loneliness that engulfed them.White takes readers into the deepest, darkest, and most intimate places of the Civil War, connecting the emotional experiences of soldiers and civilians to the broader history of the conflict, confirming what poets have known for centuries: that there are some truths that are only revealed in the world of darkness.

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Renowned human rights activist Michael Mike' Wilson has borne witness to the profound human costs of poverty, racism, border policing, and the legacies of colonialism. This richly textured and collaboratively written memoir brings Wilson's experiences to life.

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Psyche A. Williams-Forson is one of our leading thinkers about food in America. In Eating While Black, she offers her knowledge and experience to illuminate how anti-Black racism operates in the practice and culture of eating. She shows how mass media, nutrition science, economics, and public policy drive entrenched opinions among both Black and non-Black Americans about what is healthful and right to eat. Distorted views of how and what Black people eat are pervasive, bolstering the belief that they must be corrected and regulated. What is at stake is nothing less than whether Americans can learn to embrace nonracist understandings and practices in relation to food.Sustainable culture—what keeps a community alive and thriving—is essential to Black peoples' fight for access and equity, and food is central to this fight. Starkly exposing the rampant shaming and policing around how Black people eat, Williams-Forson contemplates food's role in cultural transmission, belonging, homemaking, and survival. Black people's relationships to food have historically been connected to extreme forms of control and scarcity—as well as to stunning creativity and ingenuity. In advancing dialogue about eating and race, this book urges us to think and talk about food in new ways in order to improve American society on both personal and structural levels.

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Chicken - both the bird and the food - has played multiple roles in the lives of African American women from the slavery era to the present. It has provided food and a source of income for their families, shaped a distinctive culture, and helped women define and exert themselves in racist and hostile environments. Psyche A. Williams-Forson examines the complexity of black women's legacies using food as a form of cultural work. While acknowledging the negative interpretations of black culture associated with chicken imagery, Williams-Forson focuses her analysis on the ways black women have forged their own self-definitions and relationships to the ""gospel bird"". Exploring material ranging from personal interviews to the comedy of Chris Rock, from commercial advertisements to the art of Kara Walker, and from cookbooks to literature, Williams-Forson considers how black women arrive at degrees of self-definition and self-reliance using certain foods. She demonstrates how they defy conventional representations of blackness and exercise influence through food preparation and distribution. Understanding these complex relationships clarifies how present associations of blacks and chicken are rooted in a past that is fraught with both racism and agency. The traditions and practices of feminism, Williams-Forson argues, are inherent in the foods women prepare and serve.

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Looking into the economics of American Protestantism, this work examines how churches have raised and spent money since colonial times and considers what these practices say about both religion and American culture. It contends that paying for good works done in the name of God has proved highly compatible with American ideas of enterprise.

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What did Occupy Wall Street accomplish? While it began as a startling disruption in politics as usual, in The Democratic Ethos Freya Thimsen argues that the movement's long-term importance rests in how its commitment to radical democratic self-organization has been adopted within more conventional forms of politics. Occupy changed what counts as credible democratic coordination and how democracy is performed, as demonstrated in opposition to corporate political influence, rural antifracking activism, and political campaigns.By comparing instances of progressive politics that demonstrate the democratic ethos developed and promoted by Occupy and those that do not, Thimsen illustrates how radical and conventional rhetorical strategies can be brought together to seek democratic change. Combining insights from rhetorical studies, performance studies, political theory, and sociology, The Democratic Ethos offers a set of conceptual tools for analyzing anticorporate democracy-movement politics in the twenty-first century.

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In this provocative and interdisciplinary work, Michael J. Hyde develops a philosophy of communication ethics in which the practice of rhetoric plays a fundamental role in promoting and maintaining the health of our personal and communal existence. He examines how the force of interruption—the universal human capacity to challenge our complacent understanding of existence—is a catalyst for moral reflection and moral behavior.Hyde begins by reviewing the role of interruption in the history of the West, from the Big Bang to biblical figures to classical Greek and contemporary philosophers and rhetoricians to three modern thinkers: Søren Kierkegaard, Martin Heidegger, and Emmanuel Levinas. These thinkers demonstrate in various ways that interruption is not simply a heuristic tool, but constitutive of being human. After developing a critical assessment of these thinkers, Hyde offers four case studies in public moral argument that illustrate the applicability of his findings regarding our interruptive nature. These studies feature a patient suffering from heart disease, a disability rights activist defending her personhood, a young woman dying from brain cancer who must justify her decision, against staunch opposition, to opt for medical aid in dying, and the benefits and burdens of what is termed our “posthuman future” with its accelerating achievements in medical science and technology. These improvements are changing the nature of the interruption that we are, yet the wisdom of such progress has yet to be determined. Much more public moral argument is required.Hyde’s philosophy of communication ethics not only calls for the cultivation of wisdom but also promotes the fight for truth, which is essential to the livelihood of democracy.

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This is your handy field guide to the most common and fascinating spiders of North and South Carolina. Its innovative format makes field identification of over 100 species simple and fun, with color photos, detailed information and much more!

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Water and the Word focuses on a genre of literature written for the education of the Carolingian clergy: Carolingian baptismal instructions. This literature has never been brought together and studied collectively in the context of the books in which it circulated. As a corpus, read in comparison to one another, the baptismal tracts tell how baptism was celebrated and interpreted across Carolingian Europe. At the same time, in their manuscript context, they are an important new source of information regarding the nature and the success of the Carolingian Reform to educate the clergy. This comprehensive study has three major objectives. One is to describe the codices in which the baptismal instructions are found, in order to show what other kinds of material the baptismal tracts were associated with and to show where, how, and by whom these codices were intended to be used. Another is to bring together the baptismal texts and study them systematically. Finally, a third objective is to interpret the Carolingian Reform in light of the baptismal instructions and the manuscripts in which they were copied. Volume I of this two-volume set is devoted to analysis and interpretation of the material in volume II. It is divided into three parts. The first part is concerned with the manuscript context of the baptismal instructions. In the second, the baptismal expositions themselves are analyzed. Part 3 of volume I offers some conclusions about the Carolingian Reform. Volume II contains the Latin text of sixty-six manuscripts, as well as descriptions, introductions, and a topical survey of the contents of these manuscripts. In its broadest context this study is about the Christianization of Europe—not the superficial conversion of conquered peoples, but the slow replacement of one mindset with another that came about through the education of the people under the care of pastors.

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Discover the fascinating story behind the rise of a new pop icon: Dua Lipa.When Dua Lipa was eleven, her music teacher told her she wasn’t good enough to join her school choir – her husky voice couldn’t reach the high notes.Now, she’s a global star. Her songs are pop anthems, streamed billions of times; she’s collaborated with everyone from Calvin Harris and Miley Cyrus to Madonna and Elton John; she’s won Grammys, BRITs and MTV awards; and she’s the biggest homegrown talent to emerge from the UK music scene since Ed Sheeran and Adele. Dua’s rise has been all the more impressive given that her Kosovan parents arrived in London as refugees, but her determination, hard work and undeniable voice have seen her transcend these humble beginnings, all while remaining fiercely proud of her heritage.In this revealing biography from the publishers of Harry, Ariana and Adele, pop music journalist Caroline Sullivan charts Dua’s incredible journey to pop superstardom. Spanning everything from her mainstream breakthrough to her sold-out Future Nostalgia Tour, and exploring her influences, activism and high-profile personal life, it paints the most complete portrait yet of this icon in the making.

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We take summer holidays for granted but, back in the 1940s, the picture was very different. War had gripped Britain. Wave after wave of bombs fell, beaches were closed off, and petrol was rationed by the forbidding question, 'Is your journey really necessary?'But the summer days (with double summer time) seemed to go on forever, war or no war - and British families were determined to make the best of their paralyzed country.For evacuated children, this meant freedom that is unimaginable today: wandering at will, discovering wildlife in fields and ponds, foraging from orchards and hedgerows and swimming in the streams. Elsewhere, country estates were requisitioned for the war efforts, the tennis courts given over for training and the Lord and Lady of the manor sent packing! Dances attracted people from all walks of life - from ballroom dances to the thrill of the arrival of the GIs and the jitterbug.But the shadow of war was never far away; the evacuation of Dunkirk in 1940, and the D-Day Landings in 1944 took place in June - with unreliable summer weather playing a part in both.In this book, Caroline Taggart shows us how Britons succeeded in keeping up spirits in spite of the constant devastation of battle. It is a revealing and entertaining collection of first-hand reminiscences from people who lived through those six long years. Touching, tragic, occasionally hilarious, it shows the British soldiering on as best they could.

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How did the statues of ancient Greece wind up dictating art history in the West? How did the material culture of the Greeks and Romans come to be seen as "classical" and as "art"? What does "classical art" mean across time and place? In this ambitious, richly illustrated book, art historian and classicist Caroline Vout provides an original history of how classical art has been continuously redefined over the millennia as it has found itself in new contexts and cultures. All of this raises the question of classical art's future.What we call classical art did not simply appear in ancient Rome, or in the Renaissance, or in the eighteenth-century Academy. Endlessly repackaged and revered or rebuked, Greek and Roman artifacts have gathered an amazing array of values, both positive and negative, in each new historical period, even as these objects themselves have reshaped their surroundings. Vout shows how this process began in antiquity, as Greeks of the Hellenistic period transformed the art of fifth-century Greece, and continued through the Roman empire, Constantinople, European court societies, the neoclassical English country house, and the nineteenth century, up to the modern museum.A unique exploration of how each period of Western culture has transformed Greek and Roman antiquities and in turn been transformed by them, this book revolutionizes our understanding of what classical art has meant and continues to mean.

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Cosy up with the new novel in the Pudding Pantry series, full of love, laughter, and plenty of delicious pudding! The first snow is falling over Primrose Farm, the mince pies are warming, and Rachel can’t wait to share a kiss under the mistletoe with her gorgeous new flame, Tom. If only it was all comfort and joy . . . The arrival of Tom’s ex brings an unwelcome chill to the farm. And despite Master Baker Mum Jill’s valiant efforts, the new pudding pantry business is feeling the pinch. With a spoonful of festive spirit, a cupful of goodwill with friends, and her messy, wonderful family by her side, can Rachel make this a Christmas to remember? Why readers love cosying up with Caroline Roberts’ gorgeous novels: ‘Family, friendships, farming and fabulous food. The Pudding Pantry is perfect!’ Sunday Times bestseller Heidi Swain ‘Cosy and uplifting – a real treat!’ Debbie Johnson ‘A delightful, life affirming story’ Ali McNamara ‘Such a wonderful book, heart-wrenching and uplifting and joyful! Cressida McLaughlin 'A top-rated romance which I devoured quicker than a slice of Victoria Sponge. Beautifully written, warm, funny, cosy, romantic and sweeter than a tray full of cookie dough' Bookaholic Confessions 'A warm and cosy read for a cold winter's day . . . will have you longing to be served in the tearoom' Rachel's Random Reads

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