Search results for ""Author Art, Culture"

The cataclysmic conquests of the eleventh century are here set together for the first time. Eleventh-century England suffered two devastating conquests, each bringing the rule of a foreign king and the imposition of a new regime. Yet only the second event, the Norman Conquest of 1066, has been credited with the impact and influence of a permanent transformation. Half a century earlier, the Danish conquest of 1016 had nonetheless marked the painful culmination of decades of raiding and invasion - and more importantly, of centuries of England's conflict and cooperation with the Scandinavian world - and the Normans themselves were a part of that world. Without 1016, the conquest of 1066 could never have happened as it did: and yet disciplinary fragmentation in the study of eleventh-century England has ensured that a gulf separates the conquests in modern scholarship. The essays in this volume offer multidisciplinary perspectives on a century of conquest: in politics, law, governance, and religion; in art, literature, economics, and culture; and in the lives and experiences of peoples in a changing, febrile, and hybrid society. Crucially, it moves beyond an insular perspective, placing England within its British, Scandinavian, and European contexts; and in reaching across conquests connects the tenth century and earlier with the twelfth century and beyond, seeing the continuities in England's Anglo-Saxon, Danish, Norman, and Angevin elite cultureand rulership. The chapters break new ground in the documentary evidence and give fresh insights into the whole historical landscape, whilst fully engaging with the importance, influence, and effects of England's eleventh-centuryconquests, both separately and together. LAURA ASHE is Professor of English Literature and Fellow and Tutor in English, Worcester College, Oxford; EMILY JOAN WARD is Moses and Mary Finley Research Fellow, Darwin College, Cambridge. Contributors: Timothy Bolton, Stephanie Mooers Christelow, Julia Crick, Sarah Foot, John Gillingham, Charles Insley, Catherine Karkov, Lois Lane, Benjamin Savill, Peter Sigurdson Lunga, Niels Lund, Rory Naismith, Bruce O'Brien, Rebecca Thomas, Elizabeth M. Tyler, Elisabeth van Houts, Emily Joan Ward.

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A new edition of a classic on a beloved turtle species. She's the mascot for the University of Maryland's sports teams and her ancestors were nearly driven to extinction by Victorians who indulged in turtle soup. But as she buries herself in the mud every night to sleep, the diamondback terrapin knows none of this. The size of a dinner plate and named for the beautiful concentric rings on her shell, she can live at least forty years and is the only turtle in North America who can live in brackish and salty waters. Several diamondback populations have been the subjects of ecological studies in recent years, but most of that information was buried in scientific literature and various state and federal reports-until this book. Synthesizing all known research on this remarkable animal, Diamonds in the Marsh is the first full-scale natural history of the diamondback terrapin. Focusing on the northern diamondback, Barbara Brennessel examines its evolution, physiology, adaptations, behavior, growth patterns, life span, genetic diversity, land use, reproduction, and early years. She also discusses its relationship to humans, first as an important food source from colonial times through the nineteenth century, and more recently as a cultural icon, frequently depicted in Native American art and design. She concludes with a look at contemporary hazards to the terrapin and urges continued study of this marvelous creature. Updated with a new introduction by Brennessel, and with a foreword by Bob Prescott, former executive director of Massachusett's Audubon Wellfleet Bay Sanctuary, Diamonds of the Marsh is perfect for those interested in the conservation of a species.

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While scholars of traditional imperial history see the formation of the larger British Atlantic world as a consequence of competing European powers' efforts at nation-building, Atlantic historians see the transatlantic empire shaped more by the motives of a wide variety of subnational groups. Elizabeth Mancke and Carole Shammas have compiled a volume that reflects these different viewpoints concerning the transatlantic experience during Britain's rise to world dominance between the sixteenth and nineteenth centuries. In the book's opening chapters, contributors consider the effect of transatlantic emigration, discussing European and African migration and slave trade; the enslavement of Native American peoples; and the ways individuals adapted their national and religious identities in a world of expanding cultural influences. The second section addresses the roles played by trade, religion, ethnicity, and class in linking the Atlantic borders, with essays examining how mariners circulated political and religious news along with trade goods; how British common law supplanted the diverse legal systems of the early colonies; and how Protestant leaders in the colonies challenged the theological assumptions of their European contemporaries. The chapters in the final section address the increasingly complicated legal relationships between the British sovereign and colonial charterholders; the simultaneous establishment of a British colonial government in East Florida and the Royal Gardens of Kew; the popularity of imperial landscape art in eighteenth-century Britain; and the British roots of Pennsylvania Quakers. The Creation of the British Atlantic World provides insight into the competing forces that forged the Atlantic world as well as the reciprocal relationships between the growing British Empire and the individuals, groups, and subnations within that empire.

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A new edition of the biography of Dallas' own Deep Ellum. Just outside of downtown Dallas lies a section of the city called Deep Ellum, where graffiti and murals decorate the walls of trendy shops, loft apartments, restaurants, nightclubs, art galleries, and tattoo studios. The area has been home to a remarkable array of businesses, creatives, and artistic practices since its birth 150 years ago as a Black center of business. Because of the area’s long association with blues and jazz musicians, Deep Ellum has been shrouded in myth and misconceptions which obscure its actual history. Alan Govenar and Jay Brakefield—using oral histories, old newspapers and photographs, city directories and maps, as well as more traditional public records and secondary sources—reveal another side of Deep Ellum which includes Central Track (formerly called Central Avenue), an area lined with Black-owned businesses which served both Black and white patrons during its heyday in the 1920s and 30s. In the Deep Ellum and Central Track areas, African Americans and whites, primarily Eastern European Jews, operated businesses from the late 19th to the mid-20th centuries, creating a unique social climate where cultural interaction took place. Much of the information in the book is presented through the stories of remarkable individuals, including professionals, pawnbrokers and other merchants, police officers, criminals, and the blues and jazz musicians who had a lasting impact on American popular music.

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More perhaps than any other composer, Edward Elgar (1857-1934) has gained the status of an 'icon of locality', his music seemingly inextricably linked to the English landscape in which he worked. This, the first full-length study of Elgar's complex interaction with his physical environment, explores how it is that such associations are formed and whether it is any sense true that Elgar alchemized landscape into music. It argues that Elgar stands at the apex of an English tradition, going back to Blake, in which creative artists in all media have identified and warned against the self-harm of environmental degradation and that, following a period in which these ideas were swept away by the swift but shallow tide of Modernism in the decades after the First World War, they have since resurfaced with a new relevance and urgency for twenty-first century society. Written with the non-specialist in mind, yet drawing on the rich resources of post-millennial scholarship on Elgar, as well as geographical studies of place, the book also includes many new insights relating to such aspects of Elgar's output as his use of landscape typology in The Apostles, and his encounter with Modernism in the late chamber music. It also calls on the resources of contemporary social commentary, poetry and, especially, English landscape art to place Elgar and his thought in the broader cultural milieu of his time. A survey of recent recordings is included, in the hope that listeners, both familiar and unfamiliar with Elgar's music, will feel inspired to embark on a voyage of (re)discovery of its endlessly rewarding treasures.

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Named one of the best books of 2021 by NPR, The Washington Post, and Financial Times“No one states problems more correctly, more astutely, more amusingly and more uncomfortably than Francine Prose . . . The gift of her work to a reader is to create for us what she creates for her protagonist: the subtle unfolding, the moment-by-moment process of discovery as we read and change, from not knowing and even not wanting to know or care, to seeing what we had not seen and finding our way to the light of the ending.”—Amy Bloom, New York Times Book Review"Depending on the light, it’s either a very funny serious story or a very serious funny story. But no matter how you turn it, The Vixen offers an illuminating reflection on the slippery nature of truth in America, then and now."—Washington PostCritically acclaimed, bestselling author Francine Prose returns with a dazzling new novel set in the glamorous world of 1950s New York publishing, the story of a young man tasked with editing a steamy bodice-ripper based on the recent trial and execution of Ethel and Julius Rosenberg—an assignment that will reveal the true cost of entering that seductive, dangerous new world. It’s 1953, and Simon Putnam, a recent Harvard graduate newly hired by a distinguished New York publishing firm, has entered a glittering world of three-martini lunches, exclusive literary parties, and old-money aristocrats in exquisitely tailored suits, a far cry from his loving, middle-class Jewish family in Coney Island.But Simon’s first assignment—editing The Vixen, the Patriot and the Fanatic, a lurid bodice-ripper improbably based on the recent trial and execution of Ethel and Julius Rosenberg, a potboiler intended to shore up the firm’s failing finances—makes him question the cost of admission. Because Simon has a secret that, at the height of the Red Scare and the McCarthy hearings, he cannot reveal: his beloved mother was a childhood friend of Ethel Rosenberg’s. His parents mourn Ethel’s death.Simon’s dilemma grows thornier when he meets The Vixen’s author, the startlingly beautiful, reckless, seductive Anya Partridge, ensconced in her opium-scented boudoir in a luxury Hudson River mental asylum. As mysteries deepen, as the confluence of sex, money, politics and power spirals out of Simon’s control, he must face what he’s lost by exchanging the loving safety of his middle-class Jewish parents’ Coney Island apartment for the witty, whiskey-soaked orbit of his charismatic boss, the legendary Warren Landry. Gradually Simon realizes that the people around him are not what they seem, that everyone is keeping secrets, that ordinary events may conceal a diabolical plot—and that these crises may steer him toward a brighter future. At once domestic and political, contemporary and historic, funny and heartbreaking, enlivened by surprising plot turns and passages from Anya’s hilariously bad novel, The Vixen illuminates a period of history with eerily striking similarities to the current moment. Meanwhile it asks timeless questions: How do we balance ambition and conscience? What do social mobility and cultural assimilation require us to sacrifice? How do we develop an authentic self, discover a vocation, and learn to live with the mysteries of love, family, art, life and loss?

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A wide-ranging, interconnected anthology presents a diversity of feminist contributions to digital humanitiesIn recent years, the digital humanities has been shaken by important debates about inclusivity and scope—but what change will these conversations ultimately bring about? Can the digital humanities complicate the basic assumptions of tech culture, or will this body of scholarship and practices simply reinforce preexisting biases? Bodies of Information addresses this crucial question by assembling a varied group of leading voices, showcasing feminist contributions to a panoply of topics, including ubiquitous computing, game studies, new materialisms, and cultural phenomena like hashtag activism, hacktivism, and campaigns against online misogyny.Taking intersectional feminism as the starting point for doing digital humanities, Bodies of Information is diverse in discipline, identity, location, and method. Helpfully organized around keywords of materiality, values, embodiment, affect, labor, and situatedness, this comprehensive volume is ideal for classrooms. And with its multiplicity of viewpoints and arguments, it’s also an important addition to the evolving conversations around one of the fastest growing fields in the academy.Contributors: Babalola Titilola Aiyegbusi, U of Lethbridge; Moya Bailey, Northeastern U; Bridget Blodgett, U of Baltimore; Barbara Bordalejo, KU Leuven; Jason Boyd, Ryerson U; Christina Boyles, Trinity College; Susan Brown, U of Guelph; Lisa Brundage, CUNY; micha cárdenas, U of Washington Bothell; Marcia Chatelain, Georgetown U; Danielle Cole; Beth Coleman, U of Waterloo; T. L. Cowan, U of Toronto; Constance Crompton, U of Ottawa; Amy E. Earhart, Texas A&M; Nickoal Eichmann-Kalwara, U of Colorado Boulder; Julia Flanders, Northeastern U Library; Sandra Gabriele, Concordia U; Brian Getnick; Karen Gregory, U of Edinburgh; Alison Hedley, Ryerson U; Kathryn Holland, MacEwan U; James Howe, Rutgers U; Jeana Jorgensen, Indiana U; Alexandra Juhasz, Brooklyn College, CUNY; Dorothy Kim, Vassar College; Kimberly Knight, U of Texas, Dallas; Lorraine Janzen Kooistra, Ryerson U; Sharon M. Leon, Michigan State; Izetta Autumn Mobley, U of Maryland; Padmini Ray Murray, Srishti Institute of Art, Design, and Technology; Veronica Paredes, U of Illinois; Roopika Risam, Salem State; Bonnie Ruberg, U of California, Irvine; Laila Shereen Sakr (VJ Um Amel), U of California, Santa Barbara; Anastasia Salter, U of Central Florida; Michelle Schwartz, Ryerson U; Emily Sherwood, U of Rochester; Deb Verhoeven, U of Technology, Sydney; Scott B. Weingart, Carnegie Mellon U.

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First published in Irish by An Gum in 1965, Seosamh Mac Grianna's magnificent autobiographical novel Mo Bhealach Fein is translated here for the first time into English by Micheal O hAodha. With notes of Dead as Doornails and The Ginger Man in its absurd comedy, Mac Grianna pens his reaction to an anglicised, urbanised, post-revolution Ireland, demonstrating his talents at their peak. This Road of Mine relates a humorous, picaresque journey through Wales en route for Scotland, an Irish counterpart to Three Men in a Boat with a twist of Down and Out in Paris and London. The protagonist follows his impulses, getting into various absurd situations: being caught on the Irish Sea in a stolen rowboat in a storm; feeling guilt and terror in the misplaced certainty that he had killed the likeable son of his landlady with a punch while fleeing the rent; sleeping outdoors in the rain and rejecting all aid on his journey. What lies behind his misanthropy is a reverence for beauty and art and a disgust that the world doesn't share his view, concerning itself instead with greed and pettiness. The prose is full of personality, and O hAodha has proved himself adept at capturing the life and spark of the writer's style. His full-spirited translation has given the English-reading world access to this charming and relentlessly entertaining bohemian poet, full of irrepressible energy for bringing trouble on himself. As well as the undoubted importance of this text culturally, Mac Grianna is able to make rank misanthropy enjoyable - making music out of misery. The voice is wonderful: hyperbolic but sincere.

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Lonely Planet: The world's leading travel guide publisher Lonely Planet Buenos Aires is your passport to the most relevant, up-to-date advice on what to see and skip, and what hidden discoveries await you. Catch the historic sights of Plaza de Mayo, get a backstage tour of the Teatro Colon, or immerse yourself in a game of futbol -all with your trusted travel companion. Get to the heart of Buenos Aires and begin your journey now!Inside Lonely Planet's Buenos Aires Travel Guide: Full-color maps and images throughout Highlights and itineraries help you tailor your trip to your personal needs and interests Insider tips to save time and money and get around like a local, avoiding crowds and trouble spots Essential info at your fingertips - hours of operation, phone numbers, websites, transit tips, prices Honest reviews for all budgets - eating, sleeping, sight-seeing, going out, shopping, hidden gems that most guidebooks miss Cultural insights give you a richer, more rewarding travel experience - history, religion, art, dance, literature, film, music, architecture, politics, shopping, cuisine Free, convenient pull-out Buenos Aires map (included in print version), plus over 25 color maps Covers Puerto Madero, Congreso & Tribunales, San Telmo, La Boca, Retiro, Recoleta, Barrio Norte, Palmero, Belgrano, Caballito, Once, Villa Crespo, Montserrat and more The Perfect Choice: Lonely Planet Buenos Aires, our most comprehensive guide to Buenos Aires, is perfect for both exploring top sights and taking roads less traveled.About Lonely Planet: Since 1973, Lonely Planet has become the world's leading travel media company with guidebooks to every destination, an award-winning website, mobile and digital travel products, and a dedicated traveller community. Lonely Planet covers must-see spots but also enables curious travellers to get off beaten paths to understand more of the culture of the places in which they find themselves. The world awaits! Lonely Planet guides have won the TripAdvisor Traveler's Choice Award in 2012, 2013, 2014, 2015, and 2016. 'Lonely Planet. It's on everyone's bookshelves, it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' - Fairfax Media 'Lonely Planet guides are, quite simply, like no other.' - New York Times

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"Although the Devil still 'lives' in modern popular culture, for the past 250 years he has become marginal to the dominant concerns of Western intellectual thought. That life could not be thought or imagined without him, that he was a part of the everyday, continually present in nature and history, and active at the depths of our selves, has been all but forgotten. It is the aim of this work to bring modern readers to a deeper appreciation of how, from the early centuries of the Christian period through to the recent beginnings of the modern world, the human story could not be told and human life could not be lived apart from the 'life' of the Devil. With that comes the deeper recognition that, for the better part of the last two thousand years, the battle between good and evil in the hearts and minds of men and women was but the reflection of a cosmic battle between God and Satan, the divine and the diabolic, that was at the heart of history itself."—from The Devil Lucifer, Mephistopheles, Beelzebub; Ha-Satan or the Adversary; Iblis or Shaitan: no matter what name he travels under, the Devil has throughout the ages and across civilizations been a compelling and charismatic presence. In Christianity, Judaism, and Islam, the supposed reign of God has long been challenged by the fiery malice of his opponent, as contending forces of good and evil have between them weighed human souls in the balance. In The Devil, Philip C. Almond explores the figure of evil incarnate from the first centuries of the Christian era. Along the way, he describes the rise of demonology as an intellectual and theological pursuit, the persecution as witches of women believed to consort with the Devil and his minions, and the decline in the belief in Hell and in angels and demons as corporeal beings as a result of the Enlightenment. Almond shows that the Prince of Darkness remains an irresistible subject in history, religion, art, literature, and culture. Almond brilliantly locates the "life" of the Devil within the broader Christian story of which it is inextricably a part; the "demonic paradox" of the Devil as both God's enforcer and his enemy is at the heart of Christianity. Woven throughout the account of the Christian history of the Devil is another complex and complicated history: that of the idea of the Devil in Western thought. Sorcery, witchcraft, possession, even melancholy, have all been laid at the Devil's doorstep. Until the Enlightenment enforced a "disenchantment" with the old archetypes, even rational figures such as Thomas Aquinas were obsessed with the nature of the Devil and the specific characteristics of the orders of demons and angels. It was a significant moment both in the history of demonology and in theology when Benedict de Spinoza (1632–1677) denied the Devil's existence; almost four hundred years later, popular fascination with the idea of the Devil has not yet dimmed.

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From the preeminent Edison scholar . . . The definitive life of the inventor of the modern age The conventional story is so familiar and reassuring that it has come to read more like American myth than history: With only three months of formal education, a curious and hardworking young man beats the odds and becomes one of the greatest inventors in history. Not only does he invent the phonograph and the first successful electric light bulb, but he also establishes the first electrical power distribution company and lays the technological groundwork for today's movies, telephones, and sound recording industry. Through relentless tinkering, by trial and error, the story goes, Thomas Alva Edison perseveres-and changes the world. In the revelatory Edison: A Life of Invention, author Paul Israel exposes and enriches this one-dimensional view of the solitary "Wizard of Menlo Park," expertly situating his subject within a thoroughly realized portrait of a burgeoning country on the brink of massive change. The second half of the nineteenth century witnessed the birth of corporate America, and with it the newly overlapping interests of scientific, technological, and industrial cultures. Working against the common perception of Edison as a symbol of a mythic American past where persistence and individuality yielded hard-earned success, Israel demonstrates how Edison's remarkable career was actually very much a product of the inventor's fast-changing era. Edison drew widely from contemporary scientific knowledge and research, and was a crucial figure in the transformation of invention into modern corporate research and collaborative development. Informed by more than five million pages of archival documents, Paul Israel's ambitious life of Edison brightens the unexamined corners of a singularly influential and triumphant career in science. In these pages, history's most prolific inventor-he received an astounding 1,093 U.S. patents-comes to life as never before. Edison is the only biography to cover the whole of Edison's career in invention, including his early, foundational work in telegraphy. Armed with unprecedented access to Edison's workshop diaries, notebooks, and letters, Israel brings fresh insights into how the inventor's creative mind worked. And for the first time, much attention is devoted to his early family life in Ohio and Michigan-where the young Edison honed his entrepreneurial sense and eye for innovation as a newsstand owner and editor of a weekly newspaper-underscoring the inventor's later successes with new resonance and pathos. In recognizing the inventor's legacy as a pivotal figure in the second Industrial Revolution, Israel highlights Edison's creation of the industrial research laboratory, driven by intricately structured teams of researchers. The efficient lab forever changed the previously serendipitous art of workshop invention into something regular, predictable, and very attractive to corporate business leaders. Indeed, Edison's collaborative research model became the prototype upon which today's research firms and think tanks are based. The portrait of Thomas Alva Edison that emerges from this peerless biography is of a man of genius and astounding foresight. It is also a portrait rendered with incredible care, depth, and dimension, rescuing our century's godfather of invention from myth and simplification. Advance Praise for Edison: A Life of Invention "Familiar Edison stories come alive with fresh insight . . . Israel's scholarship is impeccable while his deceptively easy grace transforms a challenging story into a page turner. One hundred years of history texts have been right all along. Thomas Edison, a protean actor on the American landscape, requires our attention. Paul Israel has given us a book to satisfy that requirement for a long time to come."- John M. Staudenmaier, S.J., Editor, Technology and Culture

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From prenatal through postpartum care, Gloria Leifer's Maternity Nursing: An Introductory Text provides an essential foundation for promoting the health and wellness of mothers and newborns. This edition includes the latest advances and practice standards in maternity nursing care, highlighting Healthy People 2020 and the 2011 Joint Commission National Patient Safety Goals. Part of the popular LPN Threads series, this text addresses the knowledge, skills, and scope of practice appropriate for LPN/LVN and LPN/LVN-to-ADN ladder programs. Chronological organization of content follows a sequence from family issues, fetal development, pregnancy, labor, birth, and care of the newborn, to postpartum issues with special social, familial, and cultural considerations. Organization of concepts in each chapter by simple to complex and from health to illness makes it easier to locate and understand the material. Complete, concise coverage includes a table of physiologic and psychosocial changes throughout the pregnancy, unique content on CPR for the pregnant patient and infectious diseases acquired during pregnancy, a pictorial story of a vaginal birth, cultural considerations of pregnancy and maternal care, and nursing responses to loss, death, and grief. UNIQUE! A FREE Study Guide in the back of the book reinforces understanding with multiple-choice, fill-in-the-blank, scenario-based clinical situation questions, and online activities. Nursing Care Plans with critical thinking questions help in understanding how a care plan is developed, how to evaluate care of a patient, and how to apply your knowledge to clinical scenarios. Health Promotion boxes and content focus on family-centered care, health promotion, illness prevention, and women's health issues. Clinical Pathways use an interdisciplinary, collaborative-care approach in tracking interventions along a timeline from assessment to discharge and follow up. Online resources for further research and study are included at the end of each chapter. UNIQUE! LPN Threads make learning easier, featuring a 10th-grade reading level, key terms with phonetic pronunciations and text page references, chapter objectives, special features boxes, and full-color art, photographs, and design. Coverage of the latest advances in nursing care includes fetal heart rate monitoring during labor and delivery and revised diabetes classifications. Get Ready for the NCLEX® Examination! section at the end of each chapter includes key points, review questions, and critical thinking questions for individual, small group, or classroom review. Safety Alert! boxes highlight 2011 Joint Commission National Patient Safety Goals, with special consideration for serious and potentially fatal medication errors. Easily recognizable icons for standard steps are included in each skill (e.g., hand hygiene). UNIQUE! Icons in page margins point to relevant animations and video clips on the companion Evolve website.

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Inspirational and informative pocket guide, shining a spotlight on the best of holidaying at home in the UK through clearly laid-out walking and driving itineraries.Explore the best of Jersey with this unique Rough Guide Staycation to Jersey, packed full of insider information and stunning images. From making sure you don't miss out on must-see attractions like Jersey Museum and Art Gallery, Samarès Manor and Jersey Zoo to discovering hidden gems, including walking through the evocative Jersey War Tunnels, a stunning hike along the flower-clad North Coast Footpath and discovering La Hougue Bie, the huge mound that conceals one of the largest and best-preserved Neolithic passage graves in Europe, the easy-to-follow, ready-made walking and driving routes will save you time, help you plan, and enhance your staycation in Jersey. This book has been fully updated post-COVID-19 and it comes with a free eBook.The Rough Guide Staycations to Jersey covers: St Helier, the Southwest, the West Coast, Flowers and Farming, the North Coast, Sights of the East and Durrell's Wildlife.Inside this travel guide you will find:INFORMATION FOR EVERY TYPE OF TRAVELLERProvides practical information for every kind of trip to Jersey, from discovering local history in St. Clement to getting out in nature in Portelet Bay and finding family-friendly activities in Plémont.7 READY TO FOLLOW WALKS AND TOURSFeatures over 7 detailed easy to follow walking tour itineraries, including Flowers and Farming, the North Coast.LOCAL HIGHLIGHTSCarefully curated list of Jersey's unmissable sights and unique attractions for those who want to make the most of their stay.RAINY DAY RECOMMENDATIONSUncover plenty of options, whatever the weather throws at you like exploring the island's links with the sea and its former role as a seafaring state at the Maritime Museum. INSIDER RECOMMENDATIONSTips on how to beat the crowds, save time and money and find the best local spots for walking, cycling, surfing or sailing.Find a curated list of where to stay and what to do, from active pursuits to themed trips.HISTORICAL AND CULTURAL INSIGHTSLearn more about Jersey's rich history with fascinating cultural insights throughout.PRACTICAL TRAVEL TIPSFrom transport to hours of operation, we've got you covered whatever you choose to see and do around Jersey including getting there, getting around by public transport, accommodation, detailed food and drink highlights, and sports and activities in the region.METICULOUS MAPPINGPractical full-colour maps, with clearly numbered sights relating to major points of interest in the main text. Find your way around St. Helier and St. Brelade and many more locations in Jersey without needing to go online.FREE EBOOK Free eBook download with every purchase of a printed book to access all content from your phone or tablet for on-the-road exploration.

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From Frederick Law Olmsted to Richard Neutra, Michelle Obama to our neighbors, Americans throughout history have revealed something of themselves - their personalities, desires, and beliefs - in the gardens they create. Monticello's gardens helped Jefferson reconcile his conflicted feelings about slavery - and take his mind off his increasing debt. Edith Wharton's gardens made her feel more European and superior to her wealthy but insufficiently sophisticated countrymen. Martha Stewart's how-to instructions helped bring Americans back into their gardens, while at the same time stoking and exploiting our anxieties about social class. Melding biography, history, and cultural commentary in a one-of-a-kind narrative, "American Eden" presents a dynamic, sweeping look at this country's landscapes and the visionaries behind them. "American Eden" offers an inclusive definition of the garden, considering intentional landscapes that range from domestic kitchen gardens to city parks and national parks, suburban backyards and golf courses, public plazas and Manhattan's High Line park, reclaimed from freight train tracks. And it exposes the overlap between garden-making and painting, literature, and especially architecture-the garden's inseparable sibling-to reveal the deep interconnections between the arts and their most inspired practitioners. Beautifully illustrated with color and black-and-white images, "American Eden" is at once a different kind of garden book and a different kind of American history, one that offers a compelling, untold story-a saga that mirrors and illuminates our nation's invention, and constant reinvention, of itself.

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From giving rides to children at the British seaside to pulling a plough in the poorest of countries, donkeys have served humans faithfully since the time of their domestication more than 10,000 years ago. Despite the critical role that they have played throughout human history, however, donkeys have often received little respect. Donkey follows the story of this incredibly hard-working animal. Jill Bough reveals the animal's historic significance in Ancient Egypt where they were once highly regarded and even worshipped. However, this elevated status did not endure in Ancient Greece and Rome, where donkeys were denigrated, ridiculed and abused. Since this time, donkeys have continued to be associated with the poorest and most marginalized in human societies. Throughout the world, donkeys have been used for innumerable tasks: the main ones being as pack animals during times of peace and war, and to breed mules. Even today, donkeys are considered to be one of the best draught animals in third world countries, where they continue to make a vital contribution. Jill Bough goes beyond the practical uses of the animal by exploring a variety of social, cultural and religious meanings that the donkey has embodied, especially its symbolic representations in Western literature and art. The story of the donkey makes an important addition to the complex and contradictory history of human and non-human animal relationships. With accounts that are both fascinating and touching, this book will be ideal for anyone with an admiration of the donkey or who is interested by animals in history.

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Winner of a Casa de las Américas Prize 2010, one of Latin America's oldest and most prestigious literary awards.The jury said the collection "captures a sense of the complexities of historical, social and cultural aspects of contemporary Caribbean".Jennifer Rahim's poems move seamlessly between the inwardly confessional, an acute sensitivity to the distinctive subjectivities of an immediate circle of family, friends and neighbours, and a powerful sense of Trinidadian place and history. Few have written more movingly or perceptively of what can vex the relationship between daughters and mothers, or with such a mixture of compassion and baffled rage about a daughter's relationship to her father. If Sylvia Plath comes to mind, acknowledged in the poem 'Lady Lazarus in the Sun', the comparison does Rahim no disfavours; Rahim's voice and world is entirely her own. There is in her work a near perfect balance between the disciplined craft of the poems, and their capacity to deal with the most traumatic of experiences in a cool, reflective way. Equally, she has the capacity to make of the ordinary something special and memorable.Here is no self-indulgent misery memoir, not least in its compassion and involvement with other lives. The threat and reality of fragmentation – of psyche's, of lives, of a nation – is ever present, but the shape and order of the poems provide a saving frame of wholeness. Poem after poem offers phrases of a satisfying weight and appositeness, like the description of the killers of a boy as 'mere children,/ but twisted like neglected fields of cane'.Jennifer Rahim is Trinidadian. She also writes short fiction and criticism. She is currently Senior Lecturer at The Liberal Arts Department, The University of the West Indies, St Augustine, Trinidad.

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Childhood joy, pleasure, and creativity are not often associated with the civil rights movement. Their ties to the movement may have faded from historical memory, but these qualities received considerable photographic attention in that tumultuous era. Katharine Capshaw’s Civil Rights Childhood reveals how the black child has been—and continues to be—a social agent that demands change. Because children carry a compelling aura of human value and potential, images of African American children in the wake of Brown v. Board of Education had a powerful effect on the fight for civil rights. In the iconography of Emmett Till and the girls murdered in the 1963 Birmingham church bombings, Capshaw explores the function of children’s photographic books and the image of the black child in social justice campaigns for school integration and the civil rights movement. Drawing on works ranging from documentary photography, coffee-table and art books, and popular historical narratives and photographic picture books for the very young, Civil Rights Childhood sheds new light on images of the child and family that portrayed liberatory models of blackness, but it also considers the role photographs played in the desire for consensus and closure with the rise of multiculturalism.Offering rich analysis, Capshaw recovers many obscure texts and photographs while at the same time placing major names like Langston Hughes, June Jordan, and Toni Morrison in dialogue with lesser-known writers. An important addition to thinking about representation and politics, Civil Rights Childhood ultimately shows how the photobook—and the aspirations of childhood itself—encourage cultural transformation.

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In the 1970s, Hollywood experienced a creative surge, opening a new era in American cinema with films that challenged traditional modes of storytelling. Inspired by European and Asian art cinema as well as Hollywood's own history of narrative ingenuity, directors such as Martin Scorsese, Robert Altman, William Friedkin, Stanley Kubrick, Woody Allen, and Francis Ford Coppola undermined the harmony of traditional Hollywood cinema and created some of the best movies ever to come out of the American film industry. Critics have previously viewed these films as a response to the cultural and political upheavals of the 1970s, but until now no one has explored how the period's inventive narrative design represents one of the great artistic accomplishments of American cinema.In Hollywood Incoherent, Todd Berliner offers the first thorough analysis of the narrative and stylistic innovations of seventies cinema and its influence on contemporary American filmmaking. He examines not just formally eccentric films—Nashville; Taxi Driver; A Clockwork Orange; The Godfather, Part II; and the films of John Cassavetes—but also mainstream commercial films, including The Exorcist, The Godfather, The French Connection, Willy Wonka and the Chocolate Factory, Dog Day Afternoon, Chinatown, The Bad News Bears, Patton, All the President's Men, Annie Hall, and many others. With persuasive revisionist analyses, Berliner demonstrates the centrality of this period to the history of Hollywood's formal development, showing how seventies films represent the key turning point between the storytelling modes of the studio era and those of modern American cinema.

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It is nearly impossible to separate contemporary Iranian cinema from the Islamic revolution that transformed film production in the country in the late 1970s. As the aims of the revolution shifted and hardened once Khomeini took power and as an eight-year war with Iraq dragged on, Iranian filmmakers confronted new restrictions. In the 1990s, however, the Reformist Movement, led by Mohammad Khatami, and the film industry, developed an unlikely partnership that moved audiences away from revolutionary ideas and toward a discourse of reform. In Reform Cinema in Iran, Blake Atwood examines how new industrial and aesthetic practices created a distinct cultural and political style in Iranian film between 1989 and 2007. Atwood analyzes a range of popular, art, and documentary films. He provides new readings of internationally recognized films such as Abbas Kiarostami's Taste of Cherry (1997) and Mohsen Makhmalbaf's Time for Love (1990), as well as those by Rakhshan Bani, Masud Kiami, and other key Iranian directors. At the same time, he also considers how filmmakers and the film industry were affected by larger political and religious trends that took shape during Mohammad Khatami's presidency (1997-2005). Atwood analyzes political speeches, religious sermons, and newspaper editorials and pays close attention to technological developments, particularly the rise of video, to determine their role in democratizing filmmaking and realizing the goals of political reform. He concludes with a look at the legacy of reform cinema, including films produced under Mahmoud Ahmadinejad, whose neoconservative discourse rejected the policies of reform that preceded him.

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It is nearly impossible to separate contemporary Iranian cinema from the Islamic revolution that transformed film production in the country in the late 1970s. As the aims of the revolution shifted and hardened once Khomeini took power and as an eight-year war with Iraq dragged on, Iranian filmmakers confronted new restrictions. In the 1990s, however, the Reformist Movement, led by Mohammad Khatami, and the film industry, developed an unlikely partnership that moved audiences away from revolutionary ideas and toward a discourse of reform. In Reform Cinema in Iran, Blake Atwood examines how new industrial and aesthetic practices created a distinct cultural and political style in Iranian film between 1989 and 2007. Atwood analyzes a range of popular, art, and documentary films. He provides new readings of internationally recognized films such as Abbas Kiarostami's Taste of Cherry (1997) and Mohsen Makhmalbaf's Time for Love (1990), as well as those by Rakhshan Bani, Masud Kiami, and other key Iranian directors. At the same time, he also considers how filmmakers and the film industry were affected by larger political and religious trends that took shape during Mohammad Khatami's presidency (1997-2005). Atwood analyzes political speeches, religious sermons, and newspaper editorials and pays close attention to technological developments, particularly the rise of video, to determine their role in democratizing filmmaking and realizing the goals of political reform. He concludes with a look at the legacy of reform cinema, including films produced under Mahmoud Ahmadinejad, whose neoconservative discourse rejected the policies of reform that preceded him.

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Beth Moon's fourteen-year quest to photograph ancient trees has taken her across the United States, Europe, Asia, the Middle East, and Africa. Some of her subjects grow in isolation, on remote mountainsides, private estates, or nature preserves; others maintain a proud, though often precarious, existence in the midst of civilization. All, however, share a mysterious beauty perfected by age and the power to connect us to a sense of time and nature much greater than ourselves. It is this beauty, and this power, that Moon captures in her remarkable photographs. This handsome volume presents nearly seventy of Moon's finest tree portraits as full-page duotone plates. The pictured trees include the tangled, hollow-trunked yews - some more than a thousand years old - that grow in English churchyards; the baobabs of Madagascar, called 'upside-down trees' because of the curious disproportion of their giant trunks and modest branches; and the fantastical dragon's-blood trees, red-sapped and umbrella-shaped, that grow only on the island of Socotra, off the Horn of Africa. Moon's narrative captions describe the natural and cultural history of each individual tree, while Todd Forrest, vice president for horticulture and living collections at The New York Botanical Garden, provides a concise introduction to the biology and preservation of ancient trees. An essay by the critic Steven Brown defines Moon's unique place in a tradition of tree photography extending from William Henry Fox Talbot to Sally Mann, and explores the challenges and potential of the tree as a subject for art.

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Secrecy is the common feature of the so-called allo kafii gida Qur'anic writing boards used by the Hausa of northern Nigeria. While on the one hand their owners share a barely concealed reluctance to reveal the auspicious epigrams decorating these artefacts, on the other they exhibit a clear desire to avoid displaying images of animals and human beings that might cause repercussions in an iconoclastic Islamic context. One need only consider that even today possessing an allo kafii gida incurs severe punishment by the most fervent Moslems, sometimes extending to the death penalty. Every board in this book would have been destroyed by Islamic fundamentalists if it had not somehow been saved at some time in the past. Those who made the decorations embellishing these Qur'anic tablets were not simply illustrators; they were nothing short of troubadours, painting on wooden panels the tales depicting the cosmic connections of the society in which they lived. Over the years, the cosmic ideas of distant foreign lands were incorporated in the Hausas' system of thought and these allo kafii gida have thus turned into cosmological time capsules impressed on wooden panels. In view of this challenging cultural context, the owners of these artworks can be described as 'curators' of these secret boards, which, in spite of serving the Islamic religion, actually record Hausa cosmology. The artefacts adorning the book are truly unique in the field of extra-European art and come from a private collection built over a period of twenty years of painstaking research.

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Pressing Matters is an exciting design and research compilation from PennDesign's Department of Architecture, featuring recent student work, news, important symposia and lectures. Society faces many challenges: global warming and environmental change, pollution and waste, transition to new energy and resource economies, the redistribution and reorganisation of political and economic power worldwide; globalisation of the construction and development industries, population growth, shrinkage and migration; urban intensification and attrition; privatisation of public sector activities; and the transformation of cultural identities and social institutions. We seek to bring the expansion of expertise and creativity in architecture to bear on these challenges with a goal to be at the forefront of advanced research and design by creating an advanced research institute that focuses on new design methodologies and future manufacturing through the interlinked intelligence of digital design, scripting and robotics. Printed on recycled paper with non-toxic inks, Pressing Matters focuses on social awareness and responsibility, and endeavours to be a think-tank for critical exchange and advanced debate within and across disciplinary boundaries. We are a connective device linking invited experts for ongoing lectures and publications to a growing international audience and an increasing network of experts. Approximately 310 graduate students, the Graduate Architecture Department is comprised of design studios, exhibition spaces, classrooms, and offices, a facility that includes state-of-the-art laboratories for computing and fabrication and two advanced research labs: the Digital Design Research Lab and the Building Simulation Group. PennDesign has also introduced 3-D printers in the newly renovated studio spaces and a brand new Robotic lab.

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The poetry of Edgar Allan Poe has had a rough ride in America, as Emerson’s sneering quip about “The Jingle Man” testifies. That these poems have never lacked a popular audience has been a persistent annoyance in academic and literary circles; that they attracted the admiration of innovative poetic masters in Europe and especially France—notably Baudelaire, Mallarmé, and Valéry—has been further cause for embarrassment. Jerome McGann offers a bold reassessment of Poe’s achievement, arguing that he belongs with Whitman and Dickinson as a foundational American poet and cultural presence.Not all American commentators have agreed with Emerson’s dim view of Poe’s verse. For McGann, a notable exception is William Carlos Williams, who said that the American poetic imagination made its first appearance in Poe’s work. The Poet Edgar Allan Poe explains what Williams and European admirers saw in Poe, how they understood his poetics, and why his poetry had such a decisive influence on Modern and Post-Modern art and writing. McGann contends that Poe was the first poet to demonstrate how the creative imagination could escape its inheritance of Romantic attitudes and conventions, and why an escape was desirable. The ethical and political significance of Poe’s work follows from what the poet takes as his great subject: the reader.The Poet Edgar Allan Poe takes its own readers on a spirited tour through a wide range of Poe’s verse as well as the critical and theoretical writings in which he laid out his arresting ideas about poetry and poetics.

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In 2012, the Eastman Kodak Company declared bankruptcy. That same year, a group of ten photographers from Magnum Photos—Jim Goldberg, Bruce Gilden, Susan Meiselas, Martin Parr, Paolo Pellegrin, Alessandra Sanguinetti, Alec Soth, Larry Towell, Alex Webb, and Donovan Wylie, plus Chien-Chi Chang, who documented the process in audio and video—established a temporary base of operations in Rochester, New York, former home to the once-dominant manufacturer of photographic film. Their goal: to create both a documentary archive of that city’s culture and landscape, and a photo-based experience engaging its residents; and to investigate a community of picture-makers comprised not only of Eastman Kodak, but also the Visual Studies Workshop, George Eastman House, Rochester Institute of Technology, and the citizens of Rochester. Over the course of almost three weeks, photographers, students, faculty, and residents worked together to create a visual record of the city and its people at a time of significant transition. Nathan Lyons, founding director of the Visual Studies Workshop, describes the result as “not only a major documentary project, but a celebration of photography within the city that had for years been a center of imaging technologies.” Upon arrival in Rochester, Martin Parr gave each photographer the task of assembling one hundred photographs to form the basis of an archive. Rochester 585/716 presents all one thousand images, together with commentary by poets Cornelius Eady and Marie Howe, art historian and photo theorist Laura Wexler, and photographer and educator Nathan Lyons. Five sets of the images were printed as a portfolio, each of which now resides in major private and public collections. Two artist proof sets were also created, one of which will be dispersed via the one thousand copies of this publication. Each individual copy contains a single loose print, selected at random from this additional set.

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Making No Compromise is the first book-length account of the lives and editorial careers of Margaret Anderson and Jane Heap, the women who founded the avant-garde journal the Little Review in Chicago in 1914. Born in the nineteenth-century Midwest, Anderson and Heap grew up to be iconoclastic rebels, living openly as lesbians, and advocating causes from anarchy to feminism and free love. Their lives and work shattered cultural, social, and sexual norms. As their paths crisscrossed Chicago, New York, Paris, and Europe; two World Wars; and a parade of the most celebrated artists of their time, they transformed themselves and their journal into major forces for shifting perspectives on literature and art. Imagism, Dada, surrealism, and Machine Age aesthetics were among the radical trends the Little Review promoted and introduced to US audiences. Anderson and Heap published the early work of the "men of 1914"—Ezra Pound, James Joyce, William Butler Yeats, and T. S. Eliot—and promoted women writers such as Djuna Barnes, May Sinclair, Dorothy Richardson, Mina Loy, Mary Butts, and the inimitable Baroness Elsa von Freytag-Loringhoven. In the mid-1920s Anderson and Heap became adherents of George I. Gurdjieff, a Russian mystic, and in 1929 ceased publication of the Little Review. Holly A. Baggett examines the roles of radical politics, sexuality, modernism, and spirituality and suggests that Anderson and Heap's interest in esoteric questions was evident from the early days of the Little Review. Making No Compromise tells the story of two women who played an important role in shaping modernism.

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Cities throughout the Roman Empire flourished during the reign of Hadrian (A.D. 117-138), a phenomenon that not only strengthened and legitimized Roman dominion over its possessions but also revealed Hadrian as a masterful negotiator of power relationships. In this comprehensive investigation into the vibrant urban life that existed under Hadrian's rule, Mary T. Boatwright focuses on the emperor's direct interactions with Rome's cities, exploring the many benefactions for which he was celebrated on coins and in literary works and inscriptions. Although such evidence is often as imprecise as it is laudatory, its collective analysis, undertaken for the first time together with all other related material, reveals that over 130 cities received at least one benefaction directly from Hadrian. The benefactions, mediated by members of the empire's municipal elite, touched all aspects of urban life; they included imperial patronage of temples and hero tombs, engineering projects, promotion of athletic and cultural competitions, settlement of boundary disputes, and remission of taxes. Even as he manifested imperial benevolence, Hadrian reaffirmed the self-sufficiency and traditions of cities from Spain to Syria, the major exception being his harsh treatment of Jerusalem, which sparked the Third Jewish Revolt. Overall, the assembled evidence points to Hadrian's recognition of imperial munificence to cities as essential to the peace and prosperity of the empire. Boatwright's treatment of Hadrian and Rome's cities is unique in that it encompasses events throughout the empire, drawing insights from archaeology and art history as well as literature, economy, and religion.

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Under the Third Reich, Nazi Germany undertook an unprecedented effort to refashion the city of Łódź. Home to prewar Poland’s second most populous Jewish community, this was to become a German city of enchantment—a modern, clean, and orderly showcase of urban planning and the arts. Central to the undertaking, however, was a crime of unparalleled dimension: the ghettoization, exploitation, and ultimate annihilation of the city’s entire Jewish population.Ghettostadt is the terrifying examination of the Jewish ghetto’s place in the Nazi worldview. Exploring ghetto life in its broadest context, it deftly maneuvers between the perspectives and actions of Łódź’s beleaguered Jewish community, the Germans who oversaw and administered the ghetto’s affairs, and the “ordinary” inhabitants of the once Polish city. Gordon Horwitz reveals patterns of exchange, interactions, and interdependence within the city that are stunning in their extent and intimacy. He shows how the Nazis, exercising unbounded force and deception, exploited Jewish institutional traditions, social divisions, faith in rationality, and hope for survival to achieve their wider goal of Jewish elimination from the city and the world. With unusual narrative force, the work brings to light the crushing moral dilemmas facing one of the most significant Jewish communities of Nazi-occupied Eastern Europe, while simultaneously exploring the ideological underpinnings and cultural, economic, and social realities within which the Holocaust took shape and flourished.This lucid, powerful, and harrowing account of the daily life of the “new” German city, both within and beyond the ghetto of Łódź, is an extraordinary revelation of the making of the Holocaust.

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Fully revised and updated, Essentials of Communication Sciences and Disorders, Third Edition is an accessible and engaging introductory resource for students new to communication sciences and disorders. This text covers foundational information about speech disorders in both children and adults, while numerous case scenarios and personal stories paint a vivid picture of speech-language pathology. A robust, full color art program illustrates key concepts with detailed anatomical images, photos, and helpful charts and tables. Additionally, this text addresses multicultural issues as well as the emotional and social effects of each disorder on the individual and family, providing students with a comprehensive overview of the profession. Every new print copy includes Navigate Advantage Access that unlocks a complete, interactive eBook, videos of most disorders, PowerPoint slides, and more! New section on Cultural Competence and the diversity in professional and client interactions New sections on Interviewing and Therapy Microskills, Orofacial Myofunctional Disorders, Neurodiversity, Transgender Voice therapy, Communication Partner training, and more New video footage illustrating almost all disorders, including assessment and therapy Insight Questions throughout the text encourage students to consider how they might relate to the information presented to their personal lives or in ways they had not expected Study Questions are provided at the end of each chapter to help students demonstrate their learning Written for an international market by including journals written by researchers from Canada, United Kingdom, Israel, Argentina, China, Italy, and more

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The ideal travel companion, full of insider advice on what to see and do, plus detailed itineraries and comprehensive maps for exploring this epic nation.Travel on the epic Trans-Siberian railway, admire the colourful onion domes of St Basil's Cathedral in Moscow or spend a couple of weeks touring the Volga River: everything you need to know is clearly laid out within colour-coded chapters. Discover the best of Russia with this indispensable travel guide.Inside DK Eyewitness Travel Guide Russia:- Over 30 colour maps, including transport maps for St Petersburg and Moscow, help you navigate with ease- Simple layout makes it easy to find the information you need- Comprehensive tours and itineraries of Russia, designed for every interest and budget- Illustrations and floorplans show in detail St Basil's Cathedral, the Bolshoi Theatre, the Winter Palace, St Isaac's Cathedral and more- Colour photographs of Russia's historic capital cities, iconic architecture, churches and cathedrals, vast landscape and more- Detailed chapters, with area maps, cover Moscow (The Kremlin, Red Square and Kitay Gorod, Garden Ring, Zamoskvoreche and sights beyond the city), St Petersburg (The Islands, Palace Embankment, Gostinyy Dvor, Sennaya Ploshchad and sights beyond the city), Northern Russia, Kaliningrad, Central and Southern Russia, the Caucasus, and Siberia and the Far East- Historical and cultural context gives you a richer travel experience: learn about the country's epic history, rich culture of arts and literature, iconic architecture, and the festivals and events that take place throughout the year - Essential travel tips: our expert choices of where to stay, eat, shop and sightsee, plus useful phrases, transport, visa and health information DK Eyewitness Travel Guide Russia is a detailed, easy-to-use guide designed to help you get the most from your visit to Russia.DK Eyewitness: winner of the Top Guidebook Series in the Wanderlust Reader Travel Awards 2017. "No other guide whets your appetite quite like this one" - The IndependentPlanning a city break? Try our DK Eyewitness Travel Guide St Petersburg or DK Eyewitness Travel Guide Moscow.About DK Eyewitness Travel: DK's highly visual Eyewitness guides show you what others only tell you, with easy-to-read maps, tips, and tours to inform and enrich your holiday. DK is the world's leading illustrated reference publisher, producing beautifully designed books for adults and children in over 120 countries.

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Materialist, feminist, queer, hybrid—channeling the sensibilities of Gloria Anzaldúa, Rosario Castellanos, Mary Kelly, Teresa Hak Kyung Cha, Cecilia Vicuña, Patssi Valdez, Bernadette Mayer—Carroll’s second collection of prose poems and wordimages contemplates the cost of living in an era of “cruel optimism.” Procedurally formalizing self-editing and indecision, Carroll undocuments the quotidian’s shades of gray/grey, the contingencies of post-Fordist relationality in the pre-Occupy window of time between September 11, 2001, and the 2008 recession. “Cognative dissonance” meets “the rite to be a citizen.” “What is the difference between neoliberalism and globalization?” tempers the countercultural question “And, me?” In Fannie + Freddie / The Sentimentality of Post–9/11 Pornography, Carroll muses, “Like Sammy and Rosie, Fannie and Freddie got laid.” Off-grid, she mixes metaphors, criss-crossing the borders erected between the lyric and the conceptual “I.” She crosses out the dividing lines elected to maintain performance art, visual culture, and poetry as discrete, clairvoyant media of social engagement. She layers jokes, puns, riddles, platitudes, hackneyed phrases, adages, boilerplate, buzzwords, mottos, proverbs, rubber-stamp rhetoric, slogans, threadbare phrases, trite remarks, and truisms over one another to provide a portrait of the contemporary American landscape as experienced by working- and middle-class Americans. Carroll offers an elaborate palimpsest of text and images—text that is often shaded, crossed out, or printed over other text or images. Claudia Rankine, who chose the volume for Fordham University’s 2011–12 Poets Out Loud Prize, succinctly sings its praises: “The intelligence, compassion, and dimensionality of this collection place it in a category all its own—it belongs to and is crafted out of the psychic anxieties of the twenty-first century. I, for one, was both exhilarated and humbled by Fannie + Freddie / The Sentimentality of Post–9/11 Pornography.”

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The contemporary architecture of Japan has long been among the most inventive in the world, recognized for sustainability and infinite creativity. No fewer than seven Japanese architects have won the Pritzker Prize. Since Osaka World Expo ’70 brought contemporary forms center stage, Japan has been a key player in global architecture. With his intentionally limited vocabulary of geometric forms, Tadao Ando has since then put Japanese building on the world’s cultural map, establishing a bridge between East and West. In the wake of Ando’s mostly concrete buildings, figures like Kengo Kuma (Japan National Stadium intended for the Olympic Games), Shigeru Ban (Mount Fuji World Heritage Center), and Kazuyo Sejima (Kanazawa Museum of 21st Century Art of Contemporary Art) pioneered a more sustainable approach. Younger generations have successfully developed new directions in Japanese architecture that are in harmony with nature and connected to traditional building. Rather than planning on the drawing board, the architects presented in this collection stand out for their endless search for forms, truly reacting on their environment. Presenting the latest in Japanese building, this book reveals how this unique creativity is a fruit of Japan’s very particular situation that includes high population density, a modern, efficient economy, a long history, and the continual risk of disasters in the form of earthquakes. Accepting ambiguity, as seen in the evanescent reflections of Sejima’s Kanazawa Museum, or constant change and the threat of catastrophe is a key to understanding what makes Japanese architecture different from that of Europe or America. This XL-sized book highlights 39 architects and 55 exceptional projects by Japanese masters—from Tadao Ando’s Shanghai Poly Theater, Shigeru Ban’s concert hall La Seine Musical, SANAA’S Grace Farms, Fumihiko Maki’s 4 World Trade Center, to Takashi Suo’s much smaller sustainable dental clinic. Each project is introduced with photos, original floor plans and technical drawings, as well as insightful descriptions and brief biographies. An elaborate essay traces the country’s building scene from the Metabolists to today and shows how the interaction of past, present, and future has earned contemporary Japanese architecture worldwide recognition.

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A wide-ranging, multi-disciplinary collection of essays that decenter, critique, and problematize predominant notions of the meaning of mortality for human creativityThis issue of Alif explores the ways in which humans have come to confront their mortality across time and space. Contributions question the nature of loss, grief, and the possibility of an afterlife. Is death only an interlude? Perhaps simply the end? How have people used literature and the arts to conceptualize its relentless presence in our existence?The articles in this issue decenter, critique, and problematize predominant notions of the meaning of mortality for human creativity. They provide a wide scope of responses to mortality, anthropologically, philosophically, and psychologically. They shed light on different cultural receptions of loss, annihilation, and mortality, ranging from India to Yemen, Palestine to Iraq, the Island of Lampedusa to the war-ravished city of Beirut, among many other locales. Death is dealt with in an intimate fashion through the exploration and reinterpretation of modern and classical elegiac poetry, children’s picturebooks, fictional accounts of war, grief, and displacement, and dramatic treatments of dying and the afterlife.Contributors: Hajjaj Abu Jabr, Egyptian Academy of Arts, Cairo, EgyptKaram AbuSehly, Beni-Suef University, Beni Suef, EgyptHala Amin, Beni-Suef University, Beni Suef, EgyptShaimaa El-Ateek, Imam Mohammad Ibn Saud Islamic University, Riyadh, Saudi ArabiaMohamed Birairi, Beni-Suef University, Beni-Suef, Egypt, and American University in Cairo, Cairo, EgyptElliott Colla, Georgetown University, Washington, DC, USASaeed Elmasry, Cairo University, Cairo, EgyptShaimaa Gohar, Ain Shams University, Cairo, EgyptWalid El Khachab, York University, Toronto, CanadaYasmine Motawy, American University in Cairo, Cairo, EgyptDani Nassif, University of Münster, Münster, GermanyAndrea Maria Negri, Ludwig Maximilian University of Munich, Munich, GermanyMarwa Ramadan, Zagazig University, Zagazig, EgyptCaroline Rooney, University of Kent, Kent, United KingdomTania Al Saadi, Stockholm University, Stockholm, SwedenMay Telmissany, University of Ottawa, Ottawa, CanadaShahla Ujayli, American University of Madaba, Madaba, Jordan

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Books about thinkers require a kind of unity that their thought may not possess. This cautionary statement is especially applicable to Mikhail Bakhtin, whose intellectual development displays a diversity of insights that cannot be easily integrated or accurately described in terms of a single overriding concern. Indeed, in a career spanning some sixty years, he experienced both dramatic and gradual changes in his thinking, returned to abandoned insights that he then developed in unexpected ways, and worked through new ideas only loosely related to his earlier concerns Small wonder, then, that Bakhtin should have speculated on the relations among received notions of biography, unity, innovation, and the creative process. Unity—with respect not only to individuals but also to art, culture, and the world generally—is usually understood as conformity to an underlying structure or an overarching scheme. Bakhtin believed that this idea of unity contradicts the possibility of true creativity. For if everything conforms to a preexisting pattern, then genuine development is reduced to mere discovery, to a mere uncovering of something that, in a strong sense, is already there. And yet Bakhtin accepted that some concept of unity was essential. Without it, the world ceases to make sense and creativity again disappears, this time replaced by the purely aleatory. There would again be no possibility of anything meaningfully new. The grim truth of these two extremes was expressed well by Borges: an inescapable labyrinth could consist of an infinite number of turns or of no turns at all. Bakhtin attempted to rethink the concept of unity in order to allow for the possibility of genuine creativity. The goal, in his words, was a "nonmonologic unity," in which real change (or "surprisingness") is an essential component of the creative process. As it happens, such change was characteristic of Bakhtin's own thought, which seems to have developed by continually diverging from his initial intentions. Although it would not necessarily follow that the development of Bakhtin's thought corresponded to his ideas about unity and creativity, we believe that in this case his ideas on nonmonologic unity are useful in understanding his own thought—as well as that of other thinkers whose careers are comparably varied and productive.

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Hannah Callender Sansom (1737–1801) witnessed the effects of the tumultuous eighteenth century: political struggles, war and peace, and economic development. She experienced the pull of traditional emphases on duty, subjection, and hierarchy and the emergence of radical new ideas promoting free choice, liberty, and independence. Regarding these changes from her position as a well-educated member of the colonial Quaker elite and as a resident of Philadelphia, the principal city in North America, this assertive, outspoken woman described her life and her society in a diary kept intermittently from the time she was twenty-one years old in 1758 through the birth of her first grandchild in 1788. As a young woman, she enjoyed sociable rounds of visits and conviviality. She also had considerable freedom to travel and to develop her interests in the arts, literature, and religion. In 1762, under pressure from her father, she married fellow Quaker Samuel Sansom. While this arranged marriage made financial and social sense, her father's plans failed to consider the emerging goals of sensibility, including free choice and emotional fulfillment in marriage. Hannah Callender Sansom's struggle to become reconciled to an unhappy marriage is related in frank terms both through daily entries and in certain silences in the record. Ultimately she did create a life of meaning centered on children, religion, and domesticity. When her beloved daughter Sarah was of marriageable age, Hannah Callender Sansom made certain that, despite risking her standing among Quakers, Sarah was able to marry for love. Long held in private hands, the complete text of Hannah Callender Sanson's extraordinary diary is published here for the first time. In-depth interpretive essays, as well as explanatory footnotes, provide context for students and other readers. The diary is one of the earliest, fullest documents written by an American woman, and it provides fresh insights into women's experience in early America, the urban milieu of the emerging middle classes, and the culture that shaped both.

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Mothers, Sex, and Sexuality talks about things not normally dared spoken out loud — the interconnectedness and conflict between our parental and sexual selves, the taboo of the sexual mother, and why it matters so much to shatter it. What is it about the sexual mother that is incompatible, and at times even disturbing? Why are we threatened by maternal sexuality? And what does this tell us about the structures of gender and power that govern our bodies? Mothers, Sex, and Sexuality presents a rigorous academic analysis of the myriad ways in which the sexual/maternal divide affects women, birthing people, and those of us who assume or are ascribed the title “mother”. We examine the way we as mothers talk to our daughters about sex, the way we talk about sex in a cultural context, and the deafening silence around sex in a medical system that overlooks maternal sexuality. We return repeatedly to the impact of both Christianity and Hinduism on the mother as someone to be revered but tightly controlled. We embrace the lost eroticism of mothering and hail breastfeeding as a sexual maternal practice, arguing for a new, broader, feminist understanding of sexuality. We discuss the way fat mothers destabalise the heteronormative maternal model, the way kinky queers are reconfiguring the sexual/maternal divide through erotic role-play, and we explore the strange, intense, and romantic domestic relationship that springs up between mothers and nannies—two heterosexual women trapped together in a homoerotic triangulation of need and desire. In a titillating climax we revel in the sexual maternal as embodied through performance art, poetry, installations, and comedy, disrupting queer readings of bodies as we are invited to both fuck, and fuck with, the maternal. This book boldly provides both a challenge to the patriarchal constraints of motherhood and a racy road-map escape route out of the sexual-maternal dichotomy.

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The familiar history of jazz music in the United States begins with its birth in New Orleans, moves upstream along the Mississippi River to Chicago, then by rail into New York before exploding across the globe. That telling of history, however, overlooks the pivotal role the nation's capital has played for jazz for a century. Some of the most important clubs in the jazz world have opened and closed their doors in Washington, DC, some of its greatest players and promoters were born there and continue to reside in the area, and some of the institutions so critical to national support of this uniquely American form of music, including Congress, the Smithsonian Institution, the Kennedy Center, the Library of Congress and the Historical Society of Washington, D.C., are rooted in the city. Closer to the ground, a network of local schools like the Duke Ellington High School for the Performing Arts, jazz programs at the University of the District of Columbia and Howard University, churches, informal associations, locally focused media, and clubs keeps the music alive to this day. Noted historians Maurice Jackson and Blair Ruble, editors of this book, present a collection of original and fascinating stories about the DC jazz scene throughout its history, including a portrait of the cultural hotbed of Seventh and U Streets, the role of jazz in desegregating the city, a portrait of the great Edward "Duke" Ellington’s time in DC, notable women in DC jazz, and the seminal contributions of the University of District of Columbia and Howard University to the scene. The book also includes three jazz poems by celebrated Washington, DC, poet E. Ethelbert Miller. Collectively, these stories and poems underscore the deep connection between creativity and place. A copublishing initiative with the Historical Society of Washington, DC, the book includes over thirty museum-quality photographs and a guide to resources for learning more about DC jazz.

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Bursting with beautiful photography, this alternative bucket list takes some of the world's best-known sights, experiences and destinations – everything from over-visited national parks to crowded museums – and reveals more than 100 fascinating alternatives. Planning a trip to Rome’s Colosseum? Why not try the ancient amphitheatre in Nîmes instead. A visit to the Grand Canyon is on everyone’s bucket list – but how about adding Namibia’s spectacular Fish River Canyon to yours? And while Japan’s cherry blossoms are hard to beat, the seasonal display of hydrangeas in the Azores is just as beautiful.Featuring expert advice and practical tips, Go Here Instead will open your eyes to a wealth of new, and more sustainable, travel ideas. We’ve organized the book by types of trip, so whether you’re a wannabe art critic, an outdoor adventurer or you’re into your history, this epic bucket list has an alternative adventure for you. So, why not give Machu Picchu a break and travel beyond the crowds. Go Here Instead: The Alternative Travel List is your ticket to the trip of a lifetime. Inside Go Here Instead: The Alternative Travel List you will find:- 100 entries each focusing on an alternative to a well-known destination/sight/experience - Stunning photography throughout with color-coded maps and chapters- Stylized locator maps pinpointing the alternative sights, experiences and destinations.- A beautifully designed gift book that showcases inspiring alternatives to the world’s most popular sights, experiences and destinations- Covers: Architectural and Historical Sights, Festivals and Parties, Great Journeys, Architectural Marvels, Natural Wonders, Art and Culture and Cities About DK Eyewitness: At DK Eyewitness, we believe in the power of discovery. We make it easy for you to explore your dream destinations. DK Eyewitness travel guides have been helping travelers to make the most of their breaks since 1993. Filled with expert advice, striking photography and detailed illustrations, our highly visual DK Eyewitness guides will get you closer to your next adventure. We publish guides to more than 200 destinations, from pocket-sized city guides to comprehensive country guides. Named Top Guidebook Series at the 2020 Wanderlust Reader Travel Awards, we know that wherever you go next, your DK Eyewitness travel guides are the perfect companion.

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"No serious student of film should miss the great work collected in this volume."—W. A. Vincent, Choice"When so much writing about film is based on overall impressions or shadowy memories, on notes scribbled in the dark or published shot breakdowns that are often overgeneralized or even inaccurate, it is refreshing to be confronted with such scholarly work, characterized by a genuinely attentive eye and a punctilious observation of detail. This long-awaited collection, gathering Bellour's ground breaking studies into one volume, will surely be a crucial source of inspiration for future generations of film scholars." —Peter Wollen, BookforumThe Analysis of Film brings together Raymonds Bellour's now classic studies of classic Hollywood film. It is at once a book about the methods of close film analysis, the narrative structure of Hollywood film, Hitchcock's work—The Birds, Marnie, Psycho, North by Northwest—and the role of the woman in western representation. But, finally, it is a book about cinema itself and the love for cinema that drives the passion for analyzing the supreme art form of the twentieth century.Bellour creatively reworks the ideas and methods of structuralism, semiology, and psychoanalysis to unravel the knot of significations that is the filmic text. The introductory chapter sketches out a history of the way the close analysis of film developed. And then, beginning with a study of the Bodega Bay sequence of The Birds, the book goes on to examine every aspect of that singular critical practice, "the analysis of film."The book is also a model of how to write about the intricacies of film narrative, shot by shot, sequence by sequence, while addressing larger contextual issues of subjectivity, desire, and identification in Western cultural forms. A new, final chapter on D. W. Griffith's The Lonedale Operator brilliantly demonstrates that the dynamics of repetition and alternation that Bellour discovered to be the heartbeat of Hollywood narrative film were already there in nascent form at the beginnings of cinema.

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Taking us from the beginning of our story to the present day, A Cold Spell examines how ice has shaped our thoughts, actions and societies – and what it means for us that it is rapidly disappearing from our planet 'A warm-hearted tale of the bizarre, something to cuddle up with in the bleak midwinter . . . Astonishing' THE TIMES 'Bracingly original . . . As the earth warms threateningly, there could hardly be a more pertinent time for a story like this’ MICHAEL PALIN 'A book of limitless fascinations' OLIVIA LAING 'Brightly written, nimbly researched and really quite delightful' LITERARY REVIEW Ice has confounded, delighted and fascinated us since the first sparks of art and culture in Europe and it now underpins the modern world. Without ice, we would not feed ourselves or heal our sick as we do, and our towns and cities, countryside and oceans would look very different. Science would not have progressed along the avenues it did and our galleries and libraries would be missing many masterpieces. A Cold Spell uses this vital link to understanding our past to tell a surprising story of obsession, invention and adventure – how we have lived and dreamed, celebrated and traded, innovated, loved and fought over thousands of years. It brings together a sacrificial Incan mummy, Winston Churchill’s secret plans for unusual aircraft carriers, strange bones that shook Victorian beliefs about the world and a macabre journey into the depths of the human body. It is an original and unique way of looking at something that is literally all around us, whose loss confronts us daily in the news, but whose impact on our lives has never been fully explored. [An] extraordinary, complete and utter history of the human experience of the cold stuff' JOHN LEWIS-STEMPEL, COUNTRY LIFE ‘A thought-provoking chronicle of humanity . . . Leonard consistently frames ice in surprising and insightful ways, and in doing so lends it a magical quality’ GEOGRAPHICAL

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A timely feminist intervention on gender, communication, and women’s human rights The Handbook on Gender, Communication, and Women's Human Rights engages contemporary debates on women’s rights, democracy, and neoliberalism through the lens of feminist communication scholarship. The first major collection of its kind published in the COVID-19 era, this unique volume frames a wide range of issues relevant to the gender and communication agenda within a human rights framework. An international panel of feminist academics and activists examines how media, information, and communication systems contribute to enabling, ignoring, questioning, or denying women's human and communication rights. Divided into four parts, the Handbook covers governance and policy, systems and institutions, advocacy and activism, and content, rights, and freedoms. Throughout the text, the contributors demonstrate the need for strong feminist critiques of exclusionary power structures, highlight new opportunities and challenges in promoting change, illustrate both the risks and rewards associated with digital communication, and much more. Offers a state-of-the-art exploration of the intersection between gender, communication, and women's rights Addresses both core and emerging topics in feminist media scholarship and research Discusses the vital role of communication systems and processes in women's struggles to claim and exercise their rights Analyzes how the COVID-19 pandemic has exacerbated structures of inequality and intensified the spread of disinformation Explores feminist-based concepts and approaches that could enrich communication policy at all levels Part of the Global Handbooks in Media and Communication Research series, TheHandbook of Gender, Communication, and Women's Human Rights is essential reading for advanced undergraduate and graduate students in media studies, communication studies, cultural studies, journalism, feminist studies, gender studies, global studies, and human rights programs at institutions around the world. It is also an invaluable resource for academics, researchers, policymakers, and civil society and human rights activists.

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In Underground, Volume 1, Karim Yun, a biracial taekwondo fighter, pits his skills against New York’s most brutal underground martial artists.Seeking revenge against the violent gang who attacked him and ended his Olympic dreams, he’s determined to battle every colorful combatant in his path. His only obstacle is the illness brought about by the violent attack, which could kill Karim if he becomes too reckless—serving as his conscience is his nurse, who is trying to push him into changing his lifestyle but is learning more about the danger and the allure of secret mixed martial arts contests. Created by black belt martial artist JR De Bard, this sports manga provides a detailed look into the world of underground fight clubs. Exploring fighters from various disciplines with realistic tactics and movements will thrill and educate readers. Underground is rated OT for Older Teen, recommended for ages 16 and up for language and bloody, stylized violence. Saturday AM, the world’s most diverse manga-inspired comics, are now presented in a new format! Introducing Saturday AM TANKS, the new graphic novel format similar to Japanese Tankobons where we collect the global heroes and artists of Saturday AM. These handsome volumes have select color pages, revised artwork, and innovative post-credit scenes that help bring new life to our popular BIPOC, LGBTQ, and/or culturally diverse characters. Join in even more adventures with the other action-packed Saturday AM TANKS series:Apple Black, Clock Striker, Gunhild, Hammer, Henshin!, The Massively Multiplayer World of Ghosts, Oblivion Rouge, Saigami, Soul Beat, Titan King, and Yellow Stringer.

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In spring 2014 Peggy Kokernot Kaplan, a former Trinity University athlete and cofounder of the women’s track team, emailed her alma mater’s athletic department asking the school to post statistics from the team’s 1975 season. It’s no surprise that they couldn’t fulfill her request, for Trinity had sparse records from the 1970s—not just for track and field but for most performances by female athletes before 1991, when the school joined a NCAA Division III conference. What started as a humble email request nearly a decade ago has culminated in From the Sidelines to the Headlines: The Legacy of Women's Sports at Trinity University, an expansive book aimed at filling in the gaps in coverage of half a century of women’s intercollegiate sports. Former Trinity athlete Betsy Gerhardt Pasley and historian Doug Brackenridge, along with other members of the Trinity community, have collected hundreds of long-forgotten documents and conducted dozens of interviews with former students, coaches, and administrators to tell the fascinating, multifaceted story of women’s sports at this liberal arts school in San Antonio, Texas.While the book focuses primarily on the post–Title IX years between 1972 and 1999, its scope extends to Trinity’s founding in 1869, illuminating the century-long evolution of women in competitive sports, at Trinity and elsewhere, before Title IX. The story, told alongside the cultural shifts that formed the social and athletic context for female athletes of the day, also documents the decision Trinity and other institutions of higher learning faced after Title IX: Should they adhere to a commercial model, in which a focus on athletics often overshadowed academics, or strive for a more balanced student-athlete, nonscholarship model? Trinity chose the latter and has decades of national championships and academic accolades to show for it.

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Read this book and the world's most famous image will never look the same again. For the world's greatest cultural icon still has secrets to reveal - not the silly secrets that the 'Leonardo loonies' continue to advance, but previously unknown facts about the lives of Leonardo, his father, Lisa Gherardini, the subject of the portrait, and her husband Francesco del Giocondo. From this factual beginning we see how the painting metamorphosed into a 'universal picture' that became the prime vehicle for Leonardo's prodigious knowledge of the human and natural worlds. We learn about the new money of the ambitious merchant who married into the old gentry of Lisa's family. We discover Lisa's life as a wife and mother, her association with sexual scandals, and her later life in a convent. We meet, for the first time, previously undiscovered members of Leonardo's immediate family and discover new information about his early life. The tiny hill town of Vinci is placed before us, with its widespread poverty. We find out about the career and possessions of his father, a notable lawyer in Florence. The meaning of the portrait that resulted from these human circumstances is vividly illuminated though Renaissance love poetry and verses specifically dedicated to Leonardo. We come to understand how Leonardo's sciences of optics, psychology, anatomy and geology are embraced in his poetic science of art. Recent scientific examinations of the painting disclose how it evolved to assume its present appearance in Leonardo's experimental hands. Above all, we cut through the suppositions and the myths to show that the portrait is a product of real people in a real place at a real time. This is the book that brings back a sense of reality into the creation of the portrait of Lisa del Giocondo. And the actual Mona Lisa, it turns out, is even more astonishing and transcendent than the Mona Lisa of legend.

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WINNER OF THE BRITISH ACADEMY BOOK PRIZE A SPECTATOR, WATERSTONES, BBC HISTORY MAGAZINE, PROSPECT AND HISTORY TODAY BOOK OF THE YEAR A profound and ground-breaking new history of one of the most important encounters in the history of colonialism: the British arrival in India in the early seventeenth century. ‘A triumph of writing and scholarship. It is hard to imagine anyone ever bettering Das's account of this part of the story’ - William Dalrymple, Financial Times ‘A fascinating glimpse of the origins of the British Empire . . . drawn in dazzling technicolour’ - Spectator ‘Beautifully written and masterfully researched, this has the makings of a classic’ - Peter Frankopan SHORTLISTED FOR THE POL ROGER DUFF COOPER PRIZE LONGLISTED FOR THE CUNDILL HISTORY PRIZE SHORTLISTED FOR THE HWA CROWN AWARDS When Thomas Roe arrived in India in 1616 as James I’s first ambassador to the Mughal Empire, the English barely had a toehold in the subcontinent. Their understanding of South Asian trade and India was sketchy at best, and, to the Mughals, they were minor players on a very large stage. Roe was representing a kingdom that was beset by financial woes and deeply conflicted about its identity as a unified ‘Great Britain’ under the Stuart monarchy. Meanwhile, the court he entered in India was wealthy and cultured, its dominion widely considered to be one of the greatest and richest empires of the world. In Nandini Das's fascinating history of Roe's four years in India, she offers an insider's view of a Britain in the making, a country whose imperial seeds were just being sown. It is a story of palace intrigue and scandal, lotteries and wagers that unfolds as global trade begins to stretch from Russia to Virginia, from West Africa to the Spice Islands of Indonesia. A major debut that explores the art, literature, sights and sounds of Jacobean London and Imperial India, Courting India reveals Thomas Roe's time in the Mughal Empire to be a turning point in history – and offers a rich and radical challenge to our understanding of Britain and its early empire.

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Gold Medal Winner for Poetry and Special Honours Award for Best of Anthology at the 2020 Nautilus Book Awards. One language is falling silent every two weeks. Half of the 7,000 languages spoken in the world today will be lost by the end of this century. With the loss of these languages, we also lose the unique poetic traditions of their speakers and writers.Poems from the Edge of Extinction gathers together 50 poems in languages from around the world that have been identified as endangered; it is a celebration of our linguistic diversity and a reminder of our commonalities and the fundamental role verbal art plays in human life around the world. With poems by influential, award-winning poets such as US poet laureate Joy Harjo, Hawad, Valzhyna Mort, and Jackie Kay, this anthology offers a unique insight into both languages and poetry, taking the reader on an emotional, life-affirming journey into the culture of these beautiful languages.Each poem appears in its original form, alongside an English translation, and is accompanied by a commentary about the language, the poet and the poem - in a vibrant celebration of life, diversity, language, and the enduring power of poetry.This timely collection is passionately edited by widely published poet and UK National Poetry Librarian, Chris McCabe, who is also the founder of the Endangered Poetry Project, a major project launched by London's Southbank Centre to collect poetry in the world's disappearing languages, and introduced by Dr Mandana Seyfeddinipur, Director of the Endangered Languages Documentation Programme and the Endangered Languages Archive at SOAS University of London, and Dr Martin Orwin, Senior Lecturer in Somali and Amharic, SOAS University of London.Languages included in the book: Assyrian; Belarusian; Chimiini; Irish Gaelic; Maori; Navajo; Patua; Rotuman; Saami; Scottish Gaelic; Welsh; Yiddish; Zoque.Poets included in the book: Joy Harjo; Hawad; Jackie Kay; Aurélia Lassaque; Nineb Lamassu; Gearóid Mac Lochlainn; Valzhyna Mort; Laura Tohe; Taniel Varoujan; Avrom Sutzkever.

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In recent years, environmental and human rights advocates have suggested that we have entered the first new geological epoch since the end of the ice age: the Anthropocene. In this new epoch, humans have come to reshape unwittingly both the climate and natural world; humankind has caused mass extinctions of plant and animal species, polluted the oceans, and irreversibly altered the atmosphere. Ironically, our efforts to make the planet more hospitable to ourselves seem to be driving us toward our inevitable extinction. A force of nature, humanity is now decentered as the agent of history. As Jennifer Fay argues, this new situation is to geological science what cinema has always been to human culture. Film, like the Anthropocene, is a product of the industrial revolution, but arises out of a desire to preserve life and master time and space. It also calls for the creation of artificial worlds, unnatural weather, and deadly environments for entertainment, scientific study, and devising military strategy. Filmmaking stages, quite literally, the process by which worlds and weather come into being and meaning, and it mimics the forces that are driving this new planetary inhospitality. Cinema, in other words, provides an image of "nature" in the age of its mechanical reproducability. Fay argues that cinema exemplifies the philosophical, political, and perhaps even logistical processes by which we can adapt to these forces and also imagine a world without humans in it. Whereas standard ecological criticism attends to the environmental crisis as an unraveling of our natural state, this book looks to film (from Buster Keaton, to Jia Zhangke, to films of atomic testing and early polar exploration) to consider how it reflects upon the creation and destruction of human environments. What are the implications of ecological inhospitality? What role might cinema and media theory play in challenging our presumed right to occupy and populate the world? As an art form, film enjoys a unique relationship to the material, elemental world it captures and produces. Through it, we may appreciate the ambitions to design an unhomely planet that may no longer accommodate us.

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New from the Winner of the Writers' Trust of Canada Marian Engel Award and the Governor General's Award for English Fiction Once touted as compendiums of human knowledge, the encyclopedias and handbooks of bygone eras now read quaintly, if not comically--yet within their musty pages are often found phrases of uncanny evocative power. Scrupulously stitching such fragments together, in a sequel to the Governor General's Award-winning Forms of Devotion, By The Book is a collection of verbal and visual collages whose alchemies transform long-dead texts into tales of enduring vitality. With her visually witty full-colour artwork and stories like "What Is A Hat? Where Is Constantinople? Who Was Sir Walter Raleigh? And Many Other Common Questions, Some With Answers, Some Without," and "Consumptives Should Not Kiss Other People: A Handy Guide to the Care and Maintenance of Your Family's Good Health," Schoemperlen's irreverent and ironic brand of nostalgia combines vintage kitsch with comic, creepy, unexpectedly moving yarns. Praise for By The Book "Diane Schoemperlen's By The Book is a bravura performance. Fragments, collage, assemblage, found poetry - none of the conventional words cover it for they miss the fantastic wit, the energy of humour, the divine ability to find comedic ore in the print detritus of our culture. She doesn't rescue texts; with her wicked sense of irony, she actually puts thought where there was none. She infects the banal with the virus of her own brain and makes it into art. Then she makes a picture of it--oh, dwell upon the details; there are whole novels lurking in the details."--Douglas Glover Praise for Diane Schoemperlen "Schoemperlen's inventive language and narrative structures encourage readers to be free 'from the prison of everyday thinking."--New York Times Book Review "Lovely, clever [and] imaginative."--Wall Street Journal "Cuttingly witty ...Schoemperlen could almost form a school of piquant and inventive fiction with Julie Hecht, Janet Kauffman, and Lydia Davis."--Booklist "There is no mistaking a Schoemperlen story--devoted to form, faithful to the mysteries of the everyday."--The Globe & Mail

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