Search results for ""Author Art, Culture"

A glimpse into the markets, crafts, and signage of early modern Japan Kanban are the traditional signs Japanese merchants displayed on the street to advertise their presence, represent the products and services to be found inside their shops, and lend a sense of individuality to the shops themselves. Created from wood, bamboo, iron, paper, fabric, gold leaf, and lacquer, these unique objects evoke the frenetic market scenes of nineteenth- and twentieth-century Japan, where merchants created a multifaceted world of symbol and meaning designed to engage the viewer and entice the customer. Kanban provides a tantalizing look at this distinctive fusion of art and commerce. This beautifully illustrated book traces the history of shop signs in Japan, examines how they were created, and explores some of the businesses and trades they advertised. Some kanban are elongated panels of lacquered wood painted with elegant calligraphy and striking images, while others are ornately carved representative sculptures of munificent deities or carp climbing waterfalls. There are oversized functional Buddhist prayer beads, and everyday objects such as tobacco pipes, shoes, combs, and writing brushes. The book also includes archival photographs of market life in "old Japan," woodblock prints of bustling marketplaces, and images of the goods advertised with these intricate and beguiling objects. Providing a look into a unique, handmade world, Kanban offers new insights into Japan's commercial and artistic roots, the evolution of trade, the links between commerce and entertainment, and the emergence of mass consumer culture. Exhibition schedule: Mingei International Museum, San Diego April 15-October 15, 2017

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Ranging from the imperial palaces of ancient China and the bakeries of fourteenth-century Genoa and Naples all the way to the restaurant kitchens of today, Pasta tells a story that will forever change the way you look at your next plate of vermicelli. Pasta has become a ubiquitous food, present in regional diets around the world and available in a host of shapes, sizes, textures, and tastes. Yet, although it has become a mass-produced commodity, it remains uniquely adaptable to innumerable recipes and individual creativity. Pasta: The Story of a Universal Food shows that this enormously popular food has resulted from of a lengthy process of cultural construction and widely diverse knowledge, skills, and techniques. Many myths are intertwined with the history of pasta, particularly the idea that Marco Polo brought pasta back from China and introduced it to Europe. That story, concocted in the early twentieth century by the trade magazine Macaroni Journal, is just one of many fictions umasked here. The true homelands of pasta have been China and Italy. Each gave rise to different but complementary culinary traditions that have spread throughout the world. From China has come pasta made with soft wheat flour, often served in broth with fresh vegetables, finely sliced meat, or chunks of fish or shellfish. Pastasciutta, the Italian style of pasta, is generally made with durum wheat semolina and presented in thick, tomato-based sauces. The history of these traditions, told here in fascinating detail, is interwoven with the legacies of expanding and contracting empires, the growth of mercantilist guilds and mass industrialization, and the rise of food as an art form. Whether you are interested in the origins of lasagna, the strange genesis of the Chinese pasta bing or the mystique of the most magnificent pasta of all, the timballo, this is the book for you. So dig in!

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A place comes into existence through the depth of relationships that underwrite a physical location with layers of sedimented names. In Place Matters scholars and artists conduct varied forms of place-based inquiry to demonstrate why place matters. Lavishly illustrated, the volume brings into conversation photographic projects and essays that revitalize the study of landscape.Contributors engage the study of place through an approach that Jonathan Bordo and Blake Fitzpatrick call critical topography: the way that we understand critical thought to range over a place, or how thought and symbolic forms invent place through text and image as if initiated by an X marking the spot. Critical topography’s tasks are to mediate and to diminish the gap between representation and referent, to be both in the world and about the world; to ask what place is this, what are its names, where am I, how and with what responsibilities may I be here? Chapters map the deep cultural, environmental, and political histories of singular places, interrogating the charged relation between history, place, and power and identifying the territorial imperatives of place making in such sites as Colonus, Mont Sainte-Victoire, Chomolungma/Everest, Hiroshima, Fort Qu’Appelle, Donetsk airport, and the island of Lesbos. With contributions from the renowned artists Hamish Fulton and Edward Burtynsky, the Swedish poet Jesper Svenbro, and others, the collection examines profound shifts in place-based thinking as it relates to the history of art, the anthropocene and nuclear ruin, borders and global migration, residential schools, the pandemic, and sites of refuge.In his prologue W.J.T. Mitchell writes: “Places, like feasts, are moveable. They can be erased and forgotten, lost in space, or maintained and rebuilt. Both their appearance and disappearance, their making and unmaking, are the work of critical topography.” Global in scope, Canadian in spirit, and grounded in singular sites, Place Matters presents critical topography as an approach to analyze, interpret, and reflect on place.

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Written by expert travel-writers with more than 40 titles to their name, Bradt's Gascony & the Pyrenees is the only current English-language guide to the entirety of this fascinating, relatively under-visited and consequently affordable region of southwest France. Offering advice on where to stay and eat with what to do and see, this new guide provides everything you need for an enjoyable, fulfilling visit. In Gascony, everyone can find their own adventure. Surfers can ride Atlantic waves at Hossegor and Mimizan. Sun-seekers can loll on the Landes' beaches, then stretch their legs by climbing Europe's tallest sand dune, the Dune du Pilat. Hikers can trek high into the Pyrenees to gawp at majestic cirques, while those less energetic can go on a donkey-backl. Families can bike along numerous backways, while cycling buffs cheer on the professionals during the Pyrenees stage of the Tour de France. Activity enthusiasts aside, the region will delight anyone who craves a slower-paced holiday in beautiful natural landscapes. Culture buffs can linger in the coastal art havens of Collioure, Port- Vendres and Céret, or discover Palaeolithic cave art at Niaux and Le Mas-d'Azil. Pilgrims can follow the path to Lourdes. Fans of the bizarre can visit Salvador Dali's 'centre of the universe' (Perpignan train station) or La Pourcailhade, the pig festival of Tri-sur-Baïse. Urbanites can enjoy the splendours of Perpignan, Bayonne, Biarritz and Auch, or take it down a notch at medieval Catalan villages. For quirky retail therapy, shopaholics can browse the espadrilles for which Mauléon is famed or the berets synonymous with Oloron-Sainte-Marie. Gourmets will delight in the quality of local cuisine, from cèpe mushrooms and poulet au pot to a flock of duck-based dishes. Cocooned within quiet, natural settings, yoga practitioners can calm mind and body with various wellness therapies. And whatever floats your boat, everyone can relax in some of the hundreds of personally recommended places to stay - from charming inns and spas to restored medieval stables, and even the astronomers' dormitories at the Pic du Midi. All conveyed through the intimate expert insights that characterise Bradt's Gascony & the Pyrenees.

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In celebration of Louisiana State University's sesquicentennial, Treasures of LSU trumpets the numerous and diverse riches found throughout the Baton Rouge campus and beyond. The 101 distinguished artworks, architectural gems, research collections, and scientific and cultural artifacts highlighted here represent only a small fraction of the material resources that surround and engage LSU faculty, staff, and students on a daily basis. As LSU chancellor emeritus Paul W. Murrill declares in his foreword, ""All reflect expressions of superb quality. All encourage, in one way or another, the human spirit to soar.""Some of these treasures act as artistic backdrops to everyday campus life. In Unity Ascending, the striking Frank Hayden sculpture, greets all who enter the LSU Student Union. Vibrant Depression-era murals decorate the corridors of Allen Hall. Other treasures reside in out-of-the-way places. The Department of Geology and Geophysics houses the Henry V. Howe Type Collection of shelled microorganisms -- tiny, beautifully varied fossils that frequently aid geologists in determining the ages of rocks and features of ancient environments. The LSU Museum of Natural Science, in Foster Hall, holds one of the largest and most prestigious research collections of bird specimens in the world.An LSU cadet uniform and a hand-spun Acadian quilt from the LSU Textile & Costume Museum; an enchanting silky-camellia specimen from the collections of the LSU Herbarium, founded in 1869; pottery by Walter Anderson and portraits by William Hogarth and Joshua Reynolds from the LSU Museum of Art -- all showcase the immense variety of LSU's assets. Other featured treasures include a historic dogtrot house at the LSU Rural Life Museum, John James Audubon's double elephant folio Birds of America from the E. A. McIlhenny Natural History Collection at Hill Memorial Library, and cherished campus landmarks like the Indian Mounds, the French House, and Mike the Tiger's habitat.Full-page color photographs set off the treasures to stunning effect. Interpretive essays by LSU faculty, staff, and students explain the origins, history, and sometimes myths surrounding each item. Published by LSU Press during its seventy-fifth year of operation, Treasures of LSU is itself a treasure that inspires pleasure and amazement in discovering the wealth and diversity of LSU's resources and affirms the university's numerous cultural contributions to the world community.

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The second edition of Lonely Planet’s The Best Things in Life are Free is the ultimate guide for travellers who want to find the best value for their next trip. From parks, museums and exercise classes that are free, to insider ideas on food and drink experiences offered at great value. Continent by continent, our on-the-ground experts provide planning tips plus plenty of recommendations to pinpoint bargains.Presented in a beautiful hardback format that features details such as debossing and foil on the cover, this is the perfect book for any traveller on a budget that’s wanting to get the best bang for their buck.Featuring money-saving tips for 130 cities and regions across 85 countriesEach continent has its own chapter that features a toolkit with an introduction to its top budget destinations as well as transport and accommodation information. Themed experiences include Arts & Culture; Festivals & Events; Food & Drink; Outdoors & Adventure; Wellness; and Wildlife Encounters.Africa Recommendations for 17 countries including: Egypt, Mauritius, Morocco, South Africa, Tanzania Special feature: - Africa’s Best Affordable Wildlife Encounters Asia Recommendations for 18 countries including: China, India, Japan, Malaysia, Singapore, Thailand Special features: - Terrific Temples at Tiny Prices- Asia’s Best Cheap Gourmet Grub- Asia’s Best Discount Wildlife Encounters- Best Wet & Wild Activities- Asia’s Best Low-Cost Treks Europe Recommendations for 22 countries including: France, Iceland, Italy, Norway, Portugal, Spain Special features:- Europe’s Best Places to Escape a Crowd- Europe’s Best Free Museums & Galleries- Food-Market Magic- Europe’s Best Wild Swimming- Europe’s Best Tours By Public Transport- Europe’s Best Free Walking Tours North & Central America Recommendations for 10 countries including: USA, Belize, Canada, Costa Rica, Nicaragua Special features:- Top 10 All-American Adventures- Best Street Food- Best National Park Wonders - Free Sports Experiences South America Recommendations for 10 countries including: Argentina, Brazil, Chile, Peru, Uruguay Special features:- Ruins That Won’t Wreck Your Budget- Wine Tasting on a Budget- How to Party at Carnival in Rio- South America’s Wildest Experiences Oceania Recommendations for 8 countries including: Australia, Fiji, French Polynesia, New Zealand, Tahiti Special features:- Top Cultural Encounters- Best Free Walks- Best Aquatic Adventures About Lonely Planet: Lonely Planet is a leading travel media company, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we've printed over 145 million guidebooks and phrasebooks for 120 languages, and grown a dedicated, passionate global community of travellers. You'll also find our content online, and in mobile apps, videos, 14 languages, armchair and lifestyle books, ebooks, and more, enabling you to explore every day.

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REVISED 2023 Streetwise Munich Map is a laminated city center map of Munich, Germany - Accordian fold pocket size travel map with integrated metro map including S-Bahn & U-Bahn lines & stations. Coverage includes: Main Munich Map 1:14,000 Munich Area Map 1:73,000 Munich Metro Map Dimensions: 4" x 8.5" folded, 8.5" x 28" unfolded Munich, regional capital of Bavaria in south central Germany, is the second most popular destination in Germany after Berlin. The city is a center for culture and arts, with a staggering assortment of museums. It's also a fun loving, convivial, good old fashion party town known for the annual Oktoberfest. Munich is a city of contrasts. The Marienplatz is the heart of Munich and the site of its most important historic buildings. The square is dominated by the Neo-gothic Town Hall featuring its famous Glockenspiel. The Alte Pinakothek houses ones of Europe s most important art collections. In contrast is the Hofbrauhouse where beer has been swilled at this world famous tavern site since it became a royal brewery in 1605. In Englischer Garten you'll find Haus der Kunst, a popular place for art exhibits. It's located adjacent to one of the best river surfing spots in Munich (there are several): the Eisenbach River. You can stand on the bridge and watch as surfers carve turns on the icy water. The water is shallow and the water is fast, so this may not be the best place to try the sport for the first time, but it's definitely worth watching as surfers line up for a chance to test their skills on this permanent 3 foot wave. And then there is Theresienwiese, the park on the west side of town where the vast beerhall tents are pitched for Octoberfest. The main STREETWISE® map of Munich covers the central city in detail and contains all important sites, architecture, metro stations and parks. Also provided is an inset map which features Munich s metro system and fare structure. This Munich map will enable you to navigate your way to Nymhenburg Palace or Olympic Park, both of which are outside the center city. A Munich Area map, which guides you in, out, and around Munich, is helpful in finding the Munich International Airport and other out of town sites. Our pocket size map of Munich is laminated for durability and accordion folding for effortless use. To enhance your visit to Munich, check out the Michelin Green Guide Germany which details sites and attractions using the famed Michelin star-rating system so you can prioritize your trip based on your time and interest. For a selection of the best restaurants and hotels, buy the red MICHELIN Guide Main Cities of Europe. To plan your trip to and from Munich, use Michelin Germany Map No. 718.

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Sky-high, ornate, and the pinnacle of glamour, both restrictive and liberating, art object and deeply ordinary, shoes tell the story of shifting attitudes toward desire, power, and wealth throughout history. Lace up for a journey through the most enviable shoe closet from the permanent collection at The Museum at the Fashion Institute of Technology—and four centuries of fashion’s hardest working accessory.Featuring designs from the likes of Louis Vuitton, Salvatore Ferragamo, Chanel, Gucci, Saint Laurent, Roger Vivier, Christian Louboutin, and more, Shoes A–Z. The Collection of The Museum at FIT celebrates fashion’s most revolutionary and coveted labels with more than 400 styles selected from the Museum’s pristinely preserved collection. Texts from Daphne Guinness, Valerie Steele, Colleen Hill, and The Museum’s expert team of curators explore the unique legacy of each of the featured designers and the lasting cultural impact of the shoe. Also featured are custom portraits of the designers by illustrator Robert Nippoldt. Exclusive access to original sketches, advertisements, and photographs from the designers’ private archives further illuminate the genius behind the functional, sculptural delights we cannot live without. Also available as Collector’s Edition of 1,000 numbered copies, including three prints by Manolo Blahník created exclusively for this edition with a hallmark stamp. The 6/8 color drawings are printed on 100% cotton paper, by famed Italian company Fabriano, and are housed in a luxury portfolio with gold foil embossing and with a ribbon closure.

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American artist Barkley L. Hendricks (1945 2017) revolutionized contemporary portraiture with his vivid depictions of Black subjects beginning in the late 1960s. This book contextualizes Hendricks s portraits at different stages of the country s history and places him in the pantheon of innovative twentieth-century artists. Hendricks developed his signature style at a time of significant social and cultural change in the United States, especially with regard to Black artists, and amid a perceived bifurcation between abstraction and representation. He produced portraits from the late 1960s through the early 1980s. Following a hiatus during which he made landscapes, basketball paintings, works on paper, and photographs, he resumed his portraiture practice from 2002 until his death in 2017. Hendricks s portrait paintings, often derived from photographs of friends and family, hired models, or figures he encountered on the street, were inspired by the artist s research, international travels, and visits to museums like The Frick Collection, where he studied centuries-old European paintings by artists such as Rembrandt, Van Dyck, Bronzino, and others. This publication presents some of the most inventive and striking examples from Hendricks s first period of portrait painting, including 'limited-palette' canvases featuring Black figures dressed in white against white backgrounds a self-portrait, and boldly colorful works that spotlight their subjects spectacular styles and poses. An assessment of this great artist acknowledges his significant contributions to the canon of American art and portraiture in general.

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The pace of modern life is undoubtedly speeding up, yet this acceleration does not seem to have made us any happier or more content. If acceleration is the problem, then the solution, argues Hartmut Rosa in this major new work, lies in “resonance.” The quality of a human life cannot be measured simply in terms of resources, options, and moments of happiness; instead, we must consider our relationship to, or resonance with, the world. Applying his theory of resonance to many domains of human activity, Rosa describes the full spectrum of ways in which we establish our relationship to the world, from the act of breathing to the adoption of culturally distinct worldviews. He then turns to the realms of concrete experience and action – family and politics, work and sports, religion and art – in which we as late modern subjects seek out resonance. This task is proving ever more difficult as modernity’s logic of escalation is both cause and consequence of a distorted relationship to the world, at individual and collective levels. As Rosa shows, all the great crises of modern society – the environmental crisis, the crisis of democracy, the psychological crisis – can also be understood and analyzed in terms of resonance and our broken relationship to the world around us. Building on his now classic work on acceleration, Rosa’s new book is a major new contribution to the theory of modernity, showing how our problematic relation to the world is at the crux of some of the most pressing issues we face today. This bold renewal of critical theory for our times will be of great interest to students and scholars across the social sciences and humanities.

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This book examines how 'filmic' ways of experiencing and representing the world affected different eras, art forms, and media. In a world where change has become the only constant, how does the perpetually new relate to the old? How does cinema, itself once a new medium, relate both to previous or outmoded media and to what we now refer to as New Media? This collection sets out to examine these questions by focusing on the relations of cinema to other media, cultural productions and diverse forms of entertainment, demarcating their sometimes parallel and sometimes more closely conjoined histories. Cinematicity in Media History makes visible the complex ways in which media anticipate, interfere with and draw on one other, demonstrating how cinematicity makes itself felt in practices of seeing, reading, writing and thinking both before and after the 'birth' of cinema. The examination of the interrelations between cinema, literature, photography and other modes of representation, not only to each other but amid a host of other minor and major media - the magic lantern, the zoetrope, the flick book, the iPhone and the computer - provides crucial insights into the development of media and their overlapping technologies and aesthetics. Cinematicity in Media History is therefore an essential resource for students and scholars in Film and Media Studies. Demonstrates the breadth and influences of cinematic ways of perceiving the world; covers a range of cinematic texts and genres in comparative contexts; examines key developments in pre cinema and cinema history and provides new scholarship on cinematic perception across different media.

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Emilio Sereni's classic work is now available in an English language edition. History of the Italian Agricultural Landscape is a synthesis of the agricultural history of Italy in its economic, social, and ecological context, from antiquity to the mid-twentieth century. From his perspective in the Italian tradition of cultural Marxism, Sereni guides the reader through the millennial changes that have affected the agriculture and ecology of the regions of Italy, as well as through the successes and failures of farmers and technicians in antiquity, the middle ages, the Renaissance, and the Industrial Revolution. In this sweeping historical survey, he describes attempts by successive generations to adapt Italy's natural environment for the purposes of agriculture and to respond to its changing ecological problems. History of the Italian Agricultural Landscape first appeared in 1961. At the time of its publication it was a pathbreaking work, parallel in its importance for Italy to Marc Bloc's masterwork of 1931, The Original Characteristics of French Rural History. Sereni invented the concept of the historical "agricultural landscape": an interdisciplinary characterization of rural life involving economic and social history, linguistics, archeology, art history, and ecological studies. Originally published in 1997. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Acting Together, Volume ll, continues from where the first volume ends documenting exemplary peacebuilding performances in regions marked by social exclusion structural violence and dislocation. Acting Together: Performance and the Creative Transformation of Conflict is a two-volume work describing peacebuilding performances in regions beset by violence and internal conflicts. Volume I, Resistance and Reconciliation in Regions of Violence, emphasizes the role theatre and ritual play both in the midst and in the aftermath of direct violence, while Volume II: Building Just and Inclusive Communities, focuses on the transformative power of performance in regions fractured by "subtler" forms of structural violence and social exclusion. Volume I: Resistance and Reconciliation in Regions of Violence focuses on the role theatre and ritual play both in the midst and in the aftermath of violence. The performances highlighted in this volume nourish and restore capacities for expression, communication, and transformative action, and creatively support communities in grappling with conflicting moral imperatives surrounding questions of justice, memory, resistance, and identity. The individual chapters, written by scholars, conflict resolution practitioners, and artists who work directly with the communities involved, offer vivid firsthand accounts and analyses of traditional and nontraditional performances in Serbia, Uganda, Sri Lanka, Palestine, Israel, Argentina, Peru, India, Cambodia, Australia, and the United States. Complemented by a website of related materials, a documentary film, Acting Together on the World Stage, that features clips and interviews with the curators and artists, and a toolkit, or "Tools for Continuing the Conversation," that is included with the documentary as a second disc, this book will inform and inspire socially engaged artists, cultural workers, peacebuilding scholars and practitioners, human rights activists, students of peace and justice studies, and whoever wishes to better understand conflict and the power of art to bring about social change. The Acting Together project is born of a collaboration between Theatre Without Borders and the Program in Peacebuilding and the Arts at the International Center for Ethics, Justice, and Public Life at Brandeis University. The two volumes are edited by Cynthia E. Cohen, director of the aforementioned program and a leading figure in creative approaches to coexistence and reconciliation; Roberto Gutierrez Varea, an award-winning director and associate professor at the University of San Francisco; and Polly O. Walker, director of Partners in Peace, an NGO based in Brisbane, Australia.

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The first comprehensive work on globalization within the context of sustainable development initiatives in Africa. Few studies of globalization have analyzed its impact on African societies from the viewpoint of sustainable development. This volume answers that need. The essays here contribute to the store of knowledge about globalization in sub-Saharan Africa by documenting the affect of this global force on the continent's growth -- economic, political, and cultural. This interdisciplinary collection provides comprehensive analyses at the international, national, andlocal levels of the theoretical issues revolving around the complex process of globalization, while offering detailed examinations of new models of economic development that can be implemented in sub-Saharan Africa to enhance economic growth, self-sufficiency, and sustainable development. These models are accessible to politicians, public policy analysts, scholars, students, international organizations, nongovernmental actors, and members of the public atlarge. Finally, the essays here provide insightful case studies of African countries that already demonstrate creative, indigenous-based models of entrepreneurship and discuss efforts to achieve sustainable development and economic independence at the grassroots level. Contributors represent the disciplines of law, history, political science, economics, sociology, anthropology, business and management, African studies and art history, criminal justice, and education. Bessie House-Soremekun is the Public Scholar in African American Studies, Civic Engagement, and Entrepreneurship, Professor of Political Science and Professor of Africana Studies at Indiana University-Purdue University, Indianapolis. Toyin Falola is the Jacob and Frances Sanger Mossiker Chair in the Humanities and University Distinguished Teaching Professor at the University of Texas at Austin.

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Lonely Planet: The world's leading travel guide publisher Lonely Planet's Venice & the Veneto is your passport to the most relevant, up-to-date advice on what to see and skip, and what hidden discoveries await you. Absorb the architecture at Basilica di San Marco, cruise the Grand Canal on a gondola, and trace the development of Venetian art at the Gallerie dell'Accademia - all with your trusted travel companion. Get to the heart of Venice and the Veneto and begin your journey now! Inside Lonely Planet's Venice & the Veneto: NEW pull-out, passport-size 'Just Landed' card with wi-fi, ATM and transport info - all you need for a smooth journey from airport to hotel Colour maps and images throughout Highlights and itineraries help you tailor your trip to your personal needs and interests Insider tips to save time and money and get around like a local, avoiding crowds and trouble spots Essential info at your fingertips - hours of operation, phone numbers, websites, transit tips, prices Honest reviews for all budgets - eating, sleeping, sightseeing, going out, shopping, hidden gems that most guidebooks miss Cultural insights give you a richer, more rewarding travel experience - history, people, music, art, architecture, cuisine, politics Over 30 maps Covers San Marco, Dorsoduro, San Polo & Santa Croce, Cannaregio, Castello, Giudecca, Lido, Murano, Burano, and more The Perfect Choice: Lonely Planet's Venice & the Veneto is our most comprehensive guide to Venice and the Veneto, and is perfect for discovering both popular and off-the-beaten-path experiences. About Lonely Planet: Lonely Planet is a leading travel media company and the world's number one travel guidebook brand, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we've printed over 145 million guidebooks and grown a dedicated, passionate global community of travellers. You'll also find our content online, and in mobile apps, video, 14 languages, nine international magazines, armchair and lifestyle books, ebooks, and more. 'Lonely Planet guides are, quite simply, like no other.' - New York Times 'Lonely Planet. It's on everyone's bookshelves, it's in every traveler's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' - Fairfax Media (Australia)

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As one of Miami’s most influential architects, Rene Gonzalez revolutionizes the way luxury buildings are equipped for climate change. Tactile, experiential, and holistic, the work of his namesake office demonstrates a belief in the inseparable connection between nature and architecture, creating spaces that are memorable and timeless. Surveying fourteen residential, commercial, and cultural projects in Florida, marking the first phase of his career, Rene Gonzalez Architects: Not Lost in Translation illustrates Gonzalez’s ability to distill the essence of place, distinguishing his work both in his home state of Florida and in the global landscape of contemporary architecture. Projects featured in the book include three Alchemist boutiques, the first of which won the 2011 National AIA Institute Honor Award; the Cisneros Fontanals Art Foundation, whose one million glass mosaic tiles create the illusion of a jungle oasis on the exterior; the eighteen-story GLASS Residential Tower in Miami Beach; the “pocket sanctuary” that is vegan restaurant Plant Food + Wine; and the North Beach Oceanfront Center, which serves as an inviting gathering ground to the North Miami Beach community. Gonzalez is especially attuned to environmental issues that are affecting the world, and which will drastically alter design practice in the coming years. RGA is receiving widespread attention for its efforts to respond to these emerging conditions, and these projects reveal Gonzalez’s commitment to embrace and celebrate the environment, seizing the opportunity to enhance our future. Rene Gonzalez Architects: Not Lost in Translation is a deeply personal book that illustrates Gonzalez’s fascination with the world that surrounds him. Featuring a conversation with Gonzalez’s colleagues Tod Williams and Billie Tsien, essays by journalists Caroline Roux and Beth Dunlop, as well as his own photographs of Miami’s vernacular architecture, this book documents Gonzalez’s progressive and responsive architecture that is of its place yet universally resonant.

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Copeland Forbes is one of the most consequential figures in the history of modern Jamaican music. Through his roles as personal and tour manager for some of the most iconic personalities in music, Forbes has been a witness to and a participant in some of the most intriguing dramas in the annals of modern popular music. Forbes is a much sought after speaking at music symposia and seminars across the world where his name is often a prime attraction and his vast knowledge a source of enlightenment and entertainment. Forbes has copped numerous awards for his outstanding contribution to the music industry including the Order of Distinction from the Government of Jamaica in 2017. In Reggae My Life Is, Forbes provides riveting accounts of incidents and colorful portraits of personalities that have helped to shape our society and our culture. It is a matter of easy concession that Forbes has led an exciting life. He has seen so many places and has made so many things happen during the 60 years he was entrusted with handling the affairs of some of the most celebrated figures ever to grace our planet. Among some of the fascinating figures making appearances in Forbes’ retrospective Bob Marley, Peter Tosh, Dennis Brown, Jimmy Cliff, Bunny Wailer. Rita Marley, Frankie Crocker, Danny Sims, Marcia Griffiths, Gregory Issacs, Chris Blackwell, Mick Jagger, Mark Zuckerberg, Richard Branson, Don Taylor, Sly and Robbie, Grace Jones and Don King. Forbes, with his prodigious recall, is able to situate some of the more seminal moments in the history of Jamaican music with clarity and humor. His knowledge of venues, dates and personalities is encyclopedic. Yet Forbes’ intention is not to provide fodder for the gossip mill. His aim is, instead, to clarify and contextualize in order to provide important lessons for those who seek to learn from art and life.

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Personally compiled and curated by Yoko Ono, Imagine John Yoko is the definitive inside story – told in revelatory detail – of the making of the legendary album and all that surrounded it: the locations, the creative team, the artworks and the films, in the words of John & Yoko and the people who were there. Features 80% exclusive, hitherto-unpublished archive photos and footage sequences of all the key players in situ, together with lyric sheets, Yoko’s art installations, and exclusive new insights and personal testimonies from Yoko and over forty of the musicians, engineers, staff, celebrities, artists and photographers who were there – including Julian Lennon, Klaus Voormann, Alan White, Jim Keltner, David Bailey, Dick Cavett and Sir Michael Parkinson. ‘A lot has been written about the creation of the song, the album and the film of Imagine, mainly by people who weren’t there, so I’m very pleased and grateful that now, for the first time, so many of the participants have kindly given their time to “gimme some truth” in their own words and pictures’ Yoko Ono Lennon, 2018 In 1971, John Lennon & Yoko Ono conceived and recorded the critically acclaimed album Imagine at their Georgian country home, Tittenhurst Park, in Berkshire, England, in the state-of-the-art studio they built in the grounds, and at the Record Plant in New York. The lyrics of the title track were inspired by Yoko Ono’s ‘event scores’ in her 1964 book Grapefruit, and she was officially co-credited as writer in June 2017. Imagine John Yoko tells the story of John & Yoko’s life, work and relationship during this intensely creative period. It transports readers to home and working environments showcasing Yoko’s closely guarded archive of photos and artefacts, using artfully compiled narrative film stills, and featuring digitally rendered maps, floorplans and panoramas that recreate the interiors in evocative detail. John & Yoko introduce each chapter and song; Yoko also provides invaluable additional commentary and a preface. All the minutiae is examined: the locations, the key players, the music and lyrics, the production techniques and the artworks – including the creative process behind the double exposure polaroids used on the album cover. With a message as universal and pertinent today as it was when the album was created, this landmark publication is a fitting tribute to John & Yoko and their place in cultural history.

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Experiencing Dance: From Student to Dance Artist, Second Edition, takes off where its previous edition—a best-selling high school text for students enrolled in dance classes—left off. Geared to students in dance II, III, and IV classes, this text places teachers in the role of facilitator and opens up a world of creativity and analytical thinking as students explore the art of dance. Through Experiencing Dance, students will be able to do the following: • Encounter dance through creating, performing, responding to, analyzing, connecting with, and understanding dance through its 45-plus lessons. • Experience dance as performers, choreographers, and audience members. • Learn about dance in historical and cultural contexts, in community settings, and as career options. • Go through a complete and flexible high school curriculum that can be presented in one or more years of instruction. • Meet state and national standards in dance education and learn from a pedagogically sound scope and sequence that allow them to address 21st-century learning goals. • Use Spotlight and Did You Know? special elements that will enhance the learning experience and connect studio learning to the real world of dance. Experiencing Dance will help students engage in movement experiences as they learn and apply dance concepts through written, oral, and media assignments. These assignments help them gain a perspective of dance as an art form and provide the content for students to develop interactive dance portfolios. The text contains 15 chapters in five units. Each chapter offers at least three lessons, each containing the following material: • Move It! introduces students, through a movement experience, to a lesson concept. • Vocabulary provides definitions of key terms. • Curtain Up offers background information to help students understand lesson topics and concepts. • Take the Stage presents dance-related assignments for students to produce and share. • Take a Bow engages students in response, evaluation, and revision activities to process their work and concepts presented in the chapter. Each lesson includes Spotlight and Did You Know? special elements that help students extend their learning and deepen their understanding of historical and cultural facts and prominent dancers, dance companies, and professionals in careers related to dance. Each chapter includes a chapter review quiz. Quizzes incorporate true-or-false, short-answer, and matching answer questions. Finally, each chapter ends with a capstone assignment. Students will delve into major topics such as these: • Identifying your movement potential as a dancer • Understanding dance science and its application through studying basic anatomy and injury prevention in relation to dance training • Developing proper warm-ups and cool-downs and integrating fitness principles and nutrition information into healthy dancing practices • Expressing through various dance styles and forms the roles of the dancer, the historical and cultural heritage of the dance, andd the dance’s connections to community and society • Developing and performing dance studies and choreography in a variety of styles and forms and then producing the dance using production elements for a variety of settings • Preparing for a future as a dancer, choreographer, or a career that is otherwise connected to dance • Advocating for dance in your community and beyond The text is bolstered by web resources for both students and teachers. These resources enhance the students’ learning experience while enabling teachers to prepare for, conduct, and manage their classes. The student web resource contains these features: • Journaling prompts • Extended learning activities • Web search suggestions for further research • Worksheets and assignments to either print out or complete online (via editable Word files) • Interactive chapter review quizzes (these are completed online and students get immediate feedback) • Video clips • Vocabulary terms with and without definitions to aid in self-quizzing and review The teacher web resource contains everything that is on the student web resource, plus the following: • A printable full-color poster for the classroom • PowerPoint presentations for each chapter • Answer keys for worksheets and quizzes • A full electronic version of the student textbook In addition, Experiencing Dance is available in both print and interactive iBook versions. The iBook version has embedded chapter-opening and instructional video clips as well as interactive quizzes (in which students immediately receive feedback on their answers). This updated text, with its solid instruction and comprehensive lessons, new resources, and extended learning experiences, will help students at levels II, III, and IV increase their understanding of, expertise in, and enjoyment of dance.

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Horace has long been revered as the supreme lyric poet of the Augustan Age. In his perceptive introduction to this translation of Horace's Odes and Satires, Sidney Alexander engagingly spells out how the poet expresses values and traditions that remain unchanged in the deepest strata of Italian character two thousand years later. Horace shares with Italians of today a distinctive delight in the senses, a fundamental irony, a passion for seizing the moment, and a view of religion as aesthetic experience rather than mystical exaltation--in many ways, as Alexander puts it, Horace is the quintessential Italian. The voice we hear in this graceful and carefully annotated translation is thus one that emerges with clarity and dignity from the heart of an unchanging Latin culture. Alexander is an accomplished poet, novelist, biographer, and translator who has lived in Italy for more than thirty years. Translating a poet of such variety and vitality as Horace calls on all his literary abilities. Horace (Quintus Horatius Flaccus, 65-8 bce), was born the son of a freed slave in southern rural Italy and rose to become one of the most celebrated poets in Rome and a confidante of the most powerful figures of the age, including Augustus Caesar. His poetry ranges over politics, the arts, religion, nature, philosophy, and love, reflecting both his intimacy with the high affairs of the Roman Empire and his love of a simple life in the Italian countryside. Alexander translates the diverse poems of the youthful Satires and the more mature Odes with freshness, accuracy, and charm, avoiding affectations of archaism or modernism. He responds to the challenge of rendering the complexities of Latin verse in English with literary sensitivity and a fine ear for the subtleties of poetic rhythm in both languages. This is a major translation of one of the greatest of classical poets by an acknowledged master of his craft.

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The culmination of 25 years of research, Alex Bennett's groundbreaking English translation of Miyamoto Musashi's The Book of Five Rings reveals the true meaning of the original work. Plus, definitive translations of five more known works of Musashi! This piece of writing by famed samurai Musashi (1584-1645) is the single-most influential work on samurai swordsmanship, offering insights into samurai history, the Zen Buddhist state of "no-mind" that enables warriors to triumph and the philosophical meaning of Bushido—"the way of the warrior."Until now, English translations of The Book of Five Rings have been based on inaccurate copies of Musashi's long-lost original manuscript. Bennett's translation is the first to be based on a careful reconstruction of the original text by Japan's foremost Musashi scholar. By identifying discrepancies among the existing copies, adding missing texts and correcting over 150 incorrect characters, this source is the closest representation of Musashi's original work possible. Utilizing this new source, Bennett captures the subtle nuance of the classic Japanese text, resulting in the most accurate English translation of The Book of Five Rings availableEnjoy complete, richly annotated translations of Musashi's most-known works: The Book of Five Rings Mirror on the Way of Combat Notes on Combat Strategy Combat Strategy in 35 Articles The Five-Direction Sword Pathways The Path Walked Alone The texts are richly annotated by Bennett, who includes an extensive introduction on Musashi's life and legacy. This paperback edition also includes a new introduction by Kendo Kyoshi 7th Dan Graham Sayer, who talks about the influence Musashi's writings have had on him as a person and martial artist.The Complete Musashi: The Book of Five Rings and Other Works will be widely read by those interested in Japanese culture, Samurai history and martial arts—setting a new standard against which all other translations will be measured.

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In this vivid tale of adultery and intrigue, witchcraft and murder, Glenn Watkins explores the fascinating life of the Renaissance composer Carlo Gesualdo—a life suffused with scandal and bordering on the fantastical. An isolated prince, Gesualdo had a personal life that was no less eccentric and bewildering than the music he composed; his biography has often clouded our perception of his oeuvre, which music scholars have periodically dismissed as a late Renaissance deformation of little consequence. Today, however, Gesualdo’s music, once deemed so strange as to be unperformable, stands as one of the most vibrant legacies of the late Italian Renaissance with an undeniable impact on a host of twentieth-century musicians and artists. The incendiary details of Gesualdo’s life recede, and his grip on our musical imagination comes to the fore. Watkins challenges our preconceptions of what has become a nearly mythic persona, weaving together the cumulative experience of some of the most vibrant artists of the past century from Stravinsky and Schoenberg to Abbado and Herzog. Beyond questions of mere influence, however, The Gesualdo Hex offers a profound meditation on cultural memory and historical awareness: how composers attempt to shape the legacy they will bequeath to the world, and how music and history inevitably take on a new guise as they are revisited by subsequent generations and reinterpreted in light of contemporary experience. In examining Gesualdo’s life, music, myth, and memory intertwine with one another to reveal an uncanny affinity with our own time. With his elegant and engaging prose, Watkins asks us to grapple with our understanding not only of art and the artists who create it but also of history itself.

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Are innovation and creativity helped or hindered by our intellectual property laws? In the two hundred plus years since the Constitution enshrined protections for those who create and innovate, we're still debating the merits of IP laws and whether or not they actually work as intended. Artists, scientists, businesses, and the lawyers who serve them, as well as the Americans who benefit from their creations all still wonder: what facilitates innovation and creativity in our digital age? And what role, if any, do our intellectual property laws play in the growth of innovation and creativity in the United States? Incentivizing the "progress of science and the useful arts" has been the goal of intellectual property law since our constitutional beginnings. The Eureka Myth cuts through the current debates and goes straight to the source: the artists and innovators themselves. Silbey makes sense of the intersections between intellectual property law and creative and innovative activity by centering on the stories told by artists, scientists, their employers, lawyers and managers, describing how and why they create and innovate and whether or how IP law plays a role in their activities. Their employers, business partners, managers, and lawyers also describe their role in facilitating the creative and innovative work. Silbey's connections and distinctions made between the stories and statutes serve to inform present and future innovative and creative communities. Breaking new ground in its examination of the U.S. economy and cultural identity, The Eureka Myth draws out new and surprising conclusions about the sometimes misinterpreted relationships between creativity and intellectual property protections.

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Ireland's Great Hunger Museum at Quinnipiac University publishes Famine Folios, a unique resource for students, scholars and researchers, as well as general readers, covering many aspects of the Famine in Ireland from 1845 - 1852 - the worst demographic catastrophe of nineteenth-century Europe. The essays are interdisciplinary in nature, and make available new research in Famine studies by internationally established scholars in history, art history, cultural theory, philosophy, media history, political economy, literature and music. This publications initiative is devised to augment the Museum experience, and is part of the Museum's commitment to making its collection accessible to audiences of all ages and levels of educational interest. The booklets are produced to the highest level, beautifully illustrated with works from the Museum and related collections. It ensures that audiences have access to the latest scholarship as it pertains to both the historical and contemporary dimensions of the collection.The absence of photographs of the Irish Famine has been attributed to the shortcomings of a medium then it its infancy, but it may also be due to certain limitations in the visible itself. Susan Sontag argued that images can evoke sentimental responses but cannot address wider political questions of obligation and justice. Luke Gibbons revisits representations of the Famine, particularly those in Ireland's Great Hunger Museum to argue that images can not only give visual pleasure but demand ethical interventions on the part of spectators. This fusing of sympathy and affective response with the right of redress is conveyed by a 'judicious obscurity,' a determination not to show all, which places an obligation on the spectator to complete what is beyond representation, or what is left to the imagination.

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An argument that humanists have the tools—and the responsibility—to mobilize political power to tackle climate changeAs climate catastrophes intensify, why do literary and cultural studies scholars so often remain committed to the separation of aesthetic study from the nitty-gritty of political change? In this thought-provoking book, Caroline Levine makes the case for an alternative view, arguing that humanists have the tools to mobilize political power—and the responsibility to use those tools to avert the worst impacts of global warming. Building on the theory developed in her award-winning book, Forms, Levine shows how formalist methods can be used in the fight for climate justice.Countering scholars in the environmental humanities who embrace only “modest gestures of care”—and who seem to have moved directly to “mourning” our inevitable environmental losses—Levine argues that large-scale, practical environmental activism should be integral to humanists’ work. She identifies three major infrastructural forms crucial to sustaining collective life: routines, pathways, and enclosures. Crisscrossing between art works and public works—from urban transportation to television series and from food security programs to rhyming couplets—she considers which forms might support stability and predictability in the face of growing precarity. Finally, bridging the gap between academic and practical work, Levine offers a series of questions and exercises intended to guide readers into political action. The Activist Humanist provides an essential handbook for prospective activist-scholars.

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A rich history of underwater filmmaking and how it has profoundly influenced the aesthetics of movies and public perception of the oceansIn The Underwater Eye, Margaret Cohen tells the fascinating story of how the development of modern diving equipment and movie camera technology has allowed documentary and narrative filmmakers to take human vision into the depths, creating new imagery of the seas and the underwater realm, and expanding the scope of popular imagination. Innovating on the most challenging film set on earth, filmmakers have tapped the emotional power of the underwater environment to forge new visions of horror, tragedy, adventure, beauty, and surrealism, entertaining the public and shaping its perception of ocean reality.Examining works by filmmakers ranging from J. E. Williamson, inventor of the first undersea film technology in 1914, to Wes Anderson, who filmed the underwater scenes of his 2004 The Life Aquatic with Steve Zissou entirely in a pool, The Underwater Eye traces how the radically alien qualities of underwater optics have shaped liquid fantasies for more than a century. Richly illustrated, the book explores documentaries by Jacques Cousteau, Louis Malle, and Hans Hass, art films by Man Ray and Jean Vigo, and popular movies and television shows such as 20,000 Leagues Under the Sea, Creature from the Black Lagoon, Sea Hunt, the Bond films, Jaws, The Abyss, and Titanic. In exploring the cultural impact of underwater filmmaking, the book also asks compelling questions about the role film plays in engaging the public with the remote ocean, a frontline of climate change.

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'4 stars. Attlee, who knows and loves Italy and the Italians, takes the reader through the country's scented gardens with her sharp descriptions, pertinent stories and quotes and intriguing recipes. I was there with her' Anna del Conte, Sunday TelegraphA delightful book about Italy's unexpected history, told through its citrus fruitsThe story of citrus runs through the history of Italy like a golden thread, and by combining travel writing with history, recipes, horticulture and art, Helena Attlee takes the reader on a unique and rich journey through Italy's cultural, moral, culinary and political past.'Fascinating . . . A distinguished garden writer, Attlee fell under the spell of citrus over ten years ago and the book, like the eleventh labour of Hercules to steal the golden fruit of the Hesperides, is the result. She writes with great lucidity, charm and gentle humour, and wears her considerable learning lightly . . . Helena Attlee's elegant, absorbing prose and sure-footed ability to combine the academic with the anecdotal, make The Land Where Lemons Grow a welcome addition to the library of citrologists and Italophiles alike' The Times Literary Supplement 'A paradise of citrus is how I always think of Italy too: a place where ice-cold limoncello is sipped from tiny glasses on piazzas, and everything from ricotta cake to osso bucco is enlivened with zest. What a joy, therefore, to read Helena Attlee's The Land Where Lemons Grow, which tells the story of Italy through its citrus fruit' Bee Wilson, Telegraph

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'A moving and absorbing account' Adam Buxton'Scorching ... a brave book' Helen Brown, Telegraph'A wise and vivid memoir of a disintegrating marriage and a study of the role of the spouse in the life of a literary giant' Fiona Sturges, i Paper18TH JANUARY 1990Paul left today at 8am.We had been married just over 22 years. The previous evening we had gone out to eat at a local restaurant, where we drank champagne and reminisced. In a short story which he wrote about that final evening of a marriage, the central characters talk wittily and poignantly about the explorer Sir Richard Burton and the sad, misunderstood wife who burnt his books.The reality was different.'This memoir is based on the diary I kept during 1990, the year that my first marriage came to an end.' After 22 years, spent across four continents, with two children - Louis and Marcel - in 1990 Anne and Paul Theroux decided to separate. For that year, Anne - later a professional relationship therapist herself - kept a diary, noting not only her day-to-day experiences as a busy freelance journalist and broadcaster, but the contrasts in her feelings between despairing grief and hope for a new future.With reflections on truth and fiction, literature and art, and the nature of marriage, alongside commentary on notable political and cultural events, and interviews with prominent writers of the time, including Kingsley Amis and Barbara Cartland, The Year of the End offers a unique insight into the unravelling of a relationship and the attempt to rebuild a life.

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"A fascinating and insightful meditation on the act of memory as a built reality. " – Daniel Libeskind, architectAn extraordinary book that explores the art, architecture, and design of memorials around the world from the late twentieth century to today – an important book for our timeMemorials hold a special position in the cultural memory of communities, and collective consciousness of communities, cities, and countries. In Memory Of presents an extraordinary and moving collection of more than 60 exceptional structures commemorating some of the most destructive events of the 20th and 21st centuries, including war, genocide, terrorism, famine, and slavery from around the world.This important book highlights memorials built since 1982, featuring works from Berlin to Washington, D.C., from Montgomery, Alabama to Santiago, Chile, each urging us never to forget.In Memory Of features memorials designed by some of today's leading architects, including David Adjaye, Tadao Ando, Diller Scofidio + Renfro, Peter Eisenman, Daniel Libeskind, Maya Lin, Snøhetta, and Peter Zumthor. It also features memorials designed by artists like Elmgreen & Dragset, Isamu Noguchi, Taryn Simon, and Rachel Whiteread. The book includes well-known structures like Maya Lin's iconic Vietnam War Memorial, completed in 1982 in Washington, D.C. and more recent ones like the poignant National Memorial for Peace and Justice, completed by MASS Design Group in Montgomery, Alabama in 2018.With thoughtful essays on the subjects of hope, strength, grief, loss, and fear, and a moving foreword by Sir David Adjaye, In Memory Of helps to contextualize the projects and addresses the emotional aspects of memorialization. Beautifully designed with a minimal, reflective cover, and illustrated with 200 photographs, this book calls out to be experienced, felt, looked at, interpreted, and read in a variety of ways.

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“The political machinations, betrayal, and battles may appeal to those fans of George R. R. Martin's A Song of Ice and Fire series interested in a real-world game of thrones.” -- BooklistOne of Italy’s most revered cultural figures reconstructs the extraordinary life of the legendary Cleopatra at the height of her power in this epic story of passion, intrigue, betrayal, and war.Our world today would not be the same without Cleopatra. While she is one of the most famous figures in history, the legendary Egyptian queen remains, in many ways, an enigma. In this mesmerizing history, Alberto Angela offers a fresh and dynamic portrait of this extraordinary ruler, revealing a strikingly modern woman born in an ancient era and skilled in the art of diplomacy and war, who would conquer the heart of a general—Marc Antony—and Rome itself.Cleopatra focuses on a twenty-year period that marked a sweeping change in Roman history, beginning with the assassination of Julius Caesar that led to the end of the Republic, and ending with the suicides of Antony and Cleopatra and the birth of the Augustan Empire. Angela brings the people, stories, customs, and traditions of this fascinating period alive as he transports us to the chaotic streets of the capital of the ancient world, the exotic port of Alexandria in Egypt, and to the bloody battlefields where an empire was won and lost. Meticulously researched and rich with vivid detail, this sweeping history, reminiscent of the works of Simon Schama, Mary Beard’s SPQR, and Tom Holland’s Rubicon, recreates this remarkable era and the woman at its turbulent center.Translated from the Italian by Katherine Gregor“[Cleopatra] combines scholarship with novelistic detail and character depth…[Alberto Angela] effectively draws on previous scholarship, wading through legend and myth to get at the truth of what actually occurred… a character-rich historical biography.” -- Kirkus

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In the last ten years, television has reinvented itself in numerous ways. The demise of the U.S. three-network system, the rise of multi-channel cable and global satellite delivery, changes in regulation policies and ownership rules, technological innovations in screen design, and the development of digital systems like TiVo have combined to transform the practice we call watching tv. If tv refers to the technologies, program forms, government policies, and practices of looking associated with the medium in its classic public service and three-network age, it appears that we are now entering a new phase of television. Exploring these changes, the essays in this collection consider the future of television in the United States and Europe and the scholarship and activism focused on it.With historical, critical, and speculative essays by some of the leading television and media scholars, Television after TV examines both commercial and public service traditions and evaluates their dual (and some say merging) fates in our global, digital culture of convergence. The essays explore a broad range of topics, including contemporary programming and advertising strategies, the use of television and the Internet among diasporic and minority populations, the innovations of new technologies like TiVo, the rise of program forms from reality tv to lifestyle programs, television’s changing role in public places and at home, the Internet’s use as a means of social activism, and television’s role in education and the arts. In dialogue with previous media theorists and historians, the contributors collectively rethink the goals of media scholarship, pointing toward new ways of accounting for television’s past, present, and future.Contributors. William Boddy, Charlotte Brunsdon, John T. Caldwell, Michael Curtin, Julie D’Acci, Anna Everett, Jostein Gripsrud, John Hartley, Anna McCarthy, David Morley, Jan Olsson, Priscilla Peña Ovalle, Lisa Parks, Jeffrey Sconce, Lynn Spigel, William Uricchio

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An essential work on teams—now updated with new research and tools and a new preface—X-Teams shows how an externally focused team model is the key to fueling innovation and your organization's success.You build a team around top-notch talent. The team members work well together; they're committed to the mission and are highly motivated to perform. Yet the results are disappointing. You're not seeing creativity and flexibility. You're not getting breakthrough ideas."Good" teams build camaraderie, confidence in their abilities, and a solid process for working together. But these internal dynamics—while positive in themselves—can create a wall between the team and the outside world. And that wall can prevent the team from adapting to change and delivering value to the organization.In this updated, streamlined edition, with a new preface and practical tools, Deborah Ancona and Henrik Bresman describe an externally focused team model—the x-team—that is even more relevant today than when it was first introduced. With their distinctively flexible membership and leadership structure, x-teams continuously reach outward to fuel the innovation process.With new examples and research from organizations such as Microsoft, Takeda, and the Museum of Modern Art, Ancona and Bresman show you how to build x-teams that: Keep pace with shifts in markets, technologies, cultures, and your competition Innovate by moving quickly from generating ideas to executing and diffusing them throughout your organization Employ "distributed leadership" to unlock crucial information, expertise, and new ways of working together—wherever these qualities reside, whether within or outside your company In an increasingly complex and ever-changing world, where adaptability and creativity are paramount to an enterprise's success—and even its survival—X-Teams is your handbook for winning.

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Arvey Foundation Book Award, Association for Latin American Art, 2019Quito, Ecuador, was one of colonial South America’s most important artistic centers. Yet the literature on painting in colonial Quito largely ignores the first century of activity, reducing it to a “handful of names,” writes Susan Verdi Webster. In this major new work based on extensive and largely unpublished archival documentation, Webster identifies and traces the lives of more than fifty painters who plied their trade in the city between 1550 and 1650, revealing their mastery of languages and literacies and the circumstances in which they worked in early colonial Quito.Overturning many traditional assumptions about early Quiteño artists, Webster establishes that these artists—most of whom were Andean—functioned as visual intermediaries and multifaceted cultural translators who harnessed a wealth of specialized knowledge to shape graphic, pictorial worlds for colonial audiences. Operating in an urban mediascape of layered languages and empires—a colonial Spanish realm of alphabetic script and mimetic imagery and a colonial Andean world of discursive graphic, material, and chromatic forms—Quiteño painters dominated both the pen and the brush. Webster demonstrates that the Quiteño artists enjoyed fluency in several areas, ranging from alphabetic literacy and sophisticated scribal conventions to specialized knowledge of pictorial languages: the materials, technologies, and chemistry of painting, in addition to perspective, proportion, and iconography. This mastery enabled artists to deploy languages and literacies—alphabetic, pictorial, graphic, chromatic, and material—to obtain power and status in early colonial Quito.

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Two simple yet tremendously powerful ideas that shaped virtually every aspect of civilizationThis book is a breathtaking examination of the two greatest ideas in human history. The first is the idea that the human mind can grasp the universe. The second is the idea that the human mind can grasp itself. Acclaimed philosopher Linda Zagzebski shows how the first unleashed a cultural awakening that swept across the world in the first millennium BCE, giving birth to philosophy, mathematics, science, and virtually all the major world religions. It dominated until the Renaissance, when the discovery of subjectivity profoundly transformed the arts and sciences. This second great idea governed our perception of reality up until the dawn of the twenty-first century.Zagzebski explores how the interplay of the two ideas led to conflicts that have left us ambivalent about the relationship between the mind and the universe, and have given rise to a host of moral and political rifts over the deepest questions human beings face. Should we organize civil society around the ideal of living in harmony with the world or that of individual autonomy? Zagzebski explains how the two greatest ideas continue to divide us today over issues such as abortion, the environment, free speech, and racial and gender identity.This panoramic book reveals what is missing in our conception of ourselves and the world, and imagines a not-too-distant future when a third great idea, the idea that human minds can grasp each other, will help us gain an idea of the whole of reality.

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This mini pocket Helsinki travel guidebook is perfect for travellers seeking basic information about Helsinki. It covers key places, main attractions and a short hotel and restaurant recommendations list. This book is printed on paper from responsible sources, verified to meet FSC's strict environmental and social standards.This Helsinki travel book covers: Rautatientori, Market and Senate Squares, Mannerheimintie, Töölönlahti Bay and the Olympic Stadium, The "Design District", Ullanlinna and Kaivopuisto, Kallio and Around, Suomenlinna Fortress, Helsinki's Islands, Greater Helsinki.In this Helsinki guidebook, you will find: - Curated recommendations of places - main attractions, child-friendly family activities, chilled-out breaks in popular tourist areas - Things not to miss in Helsinki - Suomenlinna Fortress, Senate Square, Esplanadi, Temppeliaukio, Market Square and Hall, National Museum of Finland, Kiasma gallery, Uspenski Orthodox Cathedral, Kamppi Chapel of Silence, Ateneum Art Museum - Perfect Day - itinerary suggestions for those on a short break- Short Helsinki introduction - geographical location, cultural legacy, history with interesting key dates - What to do in Helsinki - recommendations for entertainment, shopping, sports, children's activities, events and nightlife- Food and drink - recommendations for local products and places to eat- Overview maps - handy maps on the inside cover flaps showing Helsinki and around- Practical information - how to get there and around, opening times, health and medical care, and tourist information- Striking pictures - inspirational colour photography throughout- Free download of the eBook - available after purchase of the printed guidebook Helsinki - Fully updated post-COVID-19This guide is easy to use and quick to scan through when you need help on the go. It's the perfect companion both ahead of your trip and on the ground. It gives you the flavour of Helsinki without overwhelming you with too much information.

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'A masterpiece' Sunday Times'Magisterial... thrilling' Guardian'Terrifically enjoyable' Daily TelegraphThe beautifully illustrated, long-awaited final volume of John Richardson's magisterial Life of Picasso, drawing on original research from interviews and never-before-seen material in the Picasso family archives. The Minotaur Years opens in 1933 with a visit by the Hungarian-French photographer Brassaï to Picasso's château in Normandy, Boisgeloup, where he would take his iconic photographs of the celebrated plaster busts of Picasso's lover Marie-Thérèse Walter. Picasso was contributing to André Breton's Minotaur magazine and spending time with the likes of Man Ray, Salvador Dalí, Lee Miller, and the poet Paul Éluard, in Paris and the south of France. It was during this time that Picasso began writing surrealist poetry and became obsessed with the image of himself as the mythic Minotaur. Richardson shows us the artist being as prolific as ever, painting Walter, as well as the surrealist photographer Dora Maar, who became a muse, collaborator and lover. The bombing of Guernica in April 1937 would inspire Picasso's vast masterwork of the same name, which he painted in just a few weeks for the Spanish Pavilion at the Paris World's Fair. When the Nazis occupied Paris in 1940, Picasso chose to remain in the city despite the threat that his art would be confiscated. In 1943, Picasso met Françoise Gilot who would replace Maar and inspire a brilliant new sequence of paintings. As always, Richardson tells Picasso's story through his work, analysing how it shows what the artist was feeling and thinking. His fascinating and illuminating narrative immerses us in one of the most exciting moments in twentieth-century cultural history, and brings to a close the definitive and critically acclaimed biography of one of the world's most celebrated artists.

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A comprehensive, theory-based approach to working with young clients in both school and clinical settings Counseling and Psychotherapy with Children and Adolescents, Fifth Edition provides mental health professionals and students with state-of-the-art theory and practical guidance for major contemporary psychotherapeutic schools of thought. Children and adolescents are not just small adults; they have their own needs, requirements, and desires, on top of the issues presented by still-developing brains and limited life perspective. Providing care for young clients requires a deep understanding of the interventions and approaches that work alongside growing brains, and the practical skill to change course to align with evolving personalities. The thoroughly revised fifth edition is a comprehensive reference, complete with expert insight. Organized around theory, this book covers both clinical and school settings in the fields of psychology, counseling, and social work. Coverage of the latest thinking and practice includes Cognitive Behavioral, Rational-Emotive, Reality Therapy, Solution Focused, Family Systems, and Play Therapy, providing a complete resource for any mental health expert who works with young people. Understand the major approaches to counseling and psychotherapeutic interventions Discover the ethical and legal implications of working with children and adolescents Learn how to employ culturally responsive counseling with younger clients Examine interventions for children and adolescents with disabilities and health care needs This updated edition includes a stronger emphasis on the clinical application of theory to specific disorders of childhood and adolescence, and new coverage of the legal and ethical issues related to social media. Chapters include a case studies and online resources that make it ideal for classroom use, and new chapters on Solution-Focused Therapy and Play Therapy enhance usefulness to practicing therapists. Expert guidance covers techniques for working with individuals, groups, and parents, and explores the efficacy of the theories under discussion.

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Can data science truly serve the public interest? Data-driven analysis shapes many interpersonal, consumer, and cultural experiences yet scientific solutions to social problems routinely stumble. All too often, predictions remain solely a technocratic instrument that sets financial interests against service to humanity. Amidst a growing movement to use science for positive change, Anne L. Washington offers a solution-oriented approach to the ethical challenges of data science. Ethical Data Science empowers those striving to create predictive data technologies that benefit more people. As one of the first books on public interest technology, it provides a starting point for anyone who wants human values to counterbalance the institutional incentives that drive computational prediction. It argues that data science prediction embeds administrative preferences that often ignore the disenfranchised. The book introduces the prediction supply chain to highlight moral questions alongside the interlocking legal and commercial interests influencing data science. Structured around a typical data science workflow, the book systematically outlines the potential for more nuanced approaches to transforming data into meaningful patterns. Drawing on arts and humanities methods, it encourages readers to think critically about the full human potential of data science step-by-step. Situating data science within multiple layers of effort exposes dependencies while also pinpointing opportunities for research ethics and policy interventions. This approachable process lays the foundation for broader conversations with a wide range of audiences. Practitioners, academics, students, policy makers, and legislators can all learn how to identify social dynamics in data trends, reflect on ethical questions, and deliberate over solutions. The book proves the limits of predictive technology controlled by the few and calls for more inclusive data science.

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The First Ethiopians explores the images of Africa and Africans that evolved in ancient Egypt, in classical Greece and imperial Rome, in the early Mediterranean world, and in the early domains of Christianity. Inspired by curiosity regarding the origins of racism in southern Africa, Malvern van Wyk Smith consulted a wide range of sources: from rock art to classical travel writing; from the pre-dynastic African beginnings of Egyptian and Nubian civilisations to Greek and Roman perceptions of Africa; from Khoisan cultural expressions to early Christian conceptions of Africa and its people as 'demonic'; from Aristotelian climatology to medieval cartography; and, from the geo-linguistic history of Africa to the most recent revelations regarding the genome profile of the continent's peoples. The research led to a startling proposition: western racism has its roots in Africa itself, notably in late New-Kingdom Egypt as its ruling elites sought to distance Egyptian civilisation from its African origins. Kushite Nubians, founders of Napata and Meroe who, in the eighth century BC, furnished the Black rulers of the twenty-fifth Dynasty in Egypt, adopted and adapted such dynastic discriminations in order to differentiate their own 'superior' Meroitic civilisation from the world of 'other Ethiopians'. In due course, Archaic Greeks, who began to arrive in the Nile Delta in the seventh century BC, internalised these distinctions in terms of Homer's identification of 'two Ethiopias', an eastern and a western, to create a racialised (and racist) discourse of 'worthy' and 'savage Ethiopians'. Such conceptions would inspire virtually all subsequent Roman and early medieval thinking about Africa and Africans, and become foundational in European thought. The book is richly illustrated and concludes with a survey of the special place that Aksumite Ethiopia - later Abyssinia - has held in both European and African conceptual worlds as the site of 'worthy Ethiopia', as well as in the wider context of discourses of ethnicity and race.

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In her vibrant works, the Brazilian painter Beatriz Milhazes fuses two very different worldviews. Her abstract compositions, which can be seen in a line with modernist masters from Henri Matisse to Bridget Riley, are saturated with the colors and light of her native country. Her paintings are strewn with symbols of everyday life in Brazil, invoking carnival, traditional craftsmanship, and motifs from baroque to pop, all choreographed in an exuberant visual rhythm. The colorful atmosphere has an irresistible exotic allure, but as in the works of Paul Gauguin, we find a broken paradise in which darker, more melancholic tones resonate, both in the promises of tropical life and those of modernist abstraction. In seeking this balance, Milhazes developed a special transfer technique in the late eighties, painting her motifs onto plastic sheets, gluing these to the canvas and letting them dry, and then peeling away the plastic once dry so that the paint remains on the canvas. This method allows the artist to layer surface upon surface and to achieve an iridescence somewhere between radiant aura and shimmering melancholy. Since her breakthrough in the early 1990s, Milhazes has extended the scope of her work to other media, producing screen prints, collages made of chocolate and candy wrappers, sculptures such as giant mobiles made of carnival decorations, site-specific projects that transform building façades into stained glass windows, and experiments with body and rhythm in collaboration with her sister Marcia’s ballet ensemble. This updated edition, which has been expanded to include works made as recently as 2020, explores all of the artist’s creative phases, from her beginnings to the present, with over 300 of her works. The book was created in close collaboration with the artist, in both the selection of images and specially designed pages between chapters. It includes a conversation with editor Hans Werner Holzwarth in which the artist unravels her working methods and talks about the ideas and cultural background behind her work. An art historical essay by David Ebony, a poetic dictionary of Milhazes’s key motifs by Adriano Pedrosa, and a detailed, updated artist biography by Luiza Interlenghi round off this comprehensive work. Also available in an Art Edition with a silkscreen print signed by Beatriz Milhazes

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The University of Notre Dame’s connection with Ireland has been entrenched in Notre Dame’s heritage and identity since the founding of the university in 1842. The university is also closely associated with Ireland through its renowned football team, the Fighting Irish. When some thirty-five thousand Americans descended on Dublin, Ireland, for the Emerald Isle Classic football game between Notre Dame and Navy (played on September 1, 2012) at Aviva Stadium, the relationship between Notre Dame and the land and its people was celebrated throughout Dublin and the rest of Ireland. Now the allure of both Ireland and the Emerald Isle Classic football game are brought together in Notre Dame’s Happy Returns: Dublin, the Experience, the Game. Senior University Photographer Matt Cashore took thousands of photographs for this book, and has selected nearly two hundred of his favorite shots for this large-format collection, capturing the sights, historic places, and cultural riches that make Ireland special for fans of the Fighting Irish. Woven together with brief cultural and historical captions by Brian Ó Conchubhair and Susan Mullen Guibert, Notre Dame’s Happy Returns contains dozens of full-page photographs of Ireland’s capital city. Ranging from art and architecture to spectacular views of Dublin Castle, Saint Patrick’s Cathedral, Trinity College, Casino Marino, Saint Stephen’s Green, shops, pubs, and other notable landmarks, the photographs capture the mythical attraction of one of Europe’s most vibrant cities and offer readers a glimpse of its rich history. The photographs and text also highlight the university’s commitment to scholarship through the Keough-Naughton Institute for Irish Studies, Notre Dame’s Catholic tradition of service in Ireland, and the extraordinary beauty of the countryside beyond Dublin. In addition, the book explores the introduction of American football in Ireland and Notre Dame’s role in elevating the sport there, and contains a special section on the 2012 Notre Dame–Navy game in Dublin. As travel guide, sports book, and lush photographic essay all in one, Notre Dame’s Happy Returns is a must have for those who attended the Notre Dame–Navy game in Aviva Stadium as well as for all Notre Dame football fans. It will also be of interest to graduates, subway alumni, members of the Notre Dame family, and university supporters for whom Ireland is a spiritual and ancestral home.

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No Mames is a celebration of the flourishing LGBTQ+ individuals who are energizing the Mexico City’s art and design industries 'In her new book, Mayan Toledano shows a tender side of the Mexico City queer scene' - Vogue (USA) 'Immortalizing queer Mexican artists in places they can fully call their own, Toledano offers a vision of the world through a radical lens of play and unmistakable tenderness that perfectly embodies the book’s title.' - Hyperallergic 'With subjects sometimes shot over several years, intimacy was built organically. This imbues the photos with a special familial quality, the kind of photos taken by a close friend or a lover. Thanks to Mayan’s careful touch, No Mames unfolds as a document of queer joy and togetherness.' - i-D Through her reportage, fashion and portrait work, Israeli Moroccan photographer Mayan Toledano shares the stories of her queer community, exploring their interior lives with empathy and respect. Her photography is characterized by its colorful dreaminess, and she often captures her young subjects in their bedrooms. Although Toledano is based in New York, she has found herself increasingly drawn to Mexico City, a place she considers a creative safe haven. No Mames pays tribute to the local LGBTQ artists, designers and creatives who are currently contributing to Mexican culture—many of whom are couples, roommates, childhood friends. The series’ portraiture follows a two-fold process: first, she captures her subjects as they present themselves in everyday life; then, she photographs them as they would like to appear, facilitating the construction of their fantasy selves. This collaborative act of wish-fulfillment sometimes coincides with real-life transformations; for instance, she follows one of subjects, Havi, over the course of her gender transition, during which she underwent breast augmentation surgery.

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Whether you're marveling at Gaudi masterpieces or cheering with locals at a football match, soak up the best of Catalonia's sun, sea, and delicious flavours with Moon Barcelona & Beyond.*Explore In and Around the City: Get to know Barcelona's most interesting neighbourhoods, like the Gothic Quarter, El Born, the Ciutat Vella, and Gràcia, and nearby regions, including Girona, Sitges, and more*Go at Your Own Pace: Choose from tons of itinerary options designed for foodies, beach-goers, history buffs, art lovers, and more*See the Sights: Marvel at the Sagrada Familia's fantastical architecture, hike through the colourful Parc Güell, see Picasso's earliest-known drawings, and stroll the narrow streets of the Barri Gòtic*Get Outside the City: Savour cava in the Penedès wine region, swim in the sparkling water on the Costa Brava, explore the medieval village of Besalú, or climb to the Sant Jeroni peak in Montserrat*Savour the Flavours: Feast on a seafood paella, sample your way through a bustling market, and find the best spots for authentic tapas*Experience the Nightlife: Sip sangria on the beach, discover a local favourite cocktail bar, people-watch from a bustling terrace, and enjoy regional Catalan wines*Get to Know the Real Barcelona: Follow suggestions from Barcelona transplant Carol Moran for supporting indie businesses and avoiding crowds*Full-Colour Photos and Detailed Maps*Handy Tools: Background information on Catalan and Basque history and culture, plus tips on ethical travel, what to pack, where to stay, and how to get aroundDay trip itineraries, favourite local spots, and strategies to skip the crowds: Take your time with Moon Barcelona & Beyond. Exploring more of Europe? Check out Moon Venice & Beyond or Moon Lisbon & Beyond.

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‘Fearsome wit’ Elle‘Charming’ Buzzfeed‘Ridiculously entertaining’ Associated Press‘Endearingly honest’ Guardian A collection of humorous autobiographical essays by the Academy Award-nominated actress and star of Pitch Perfect, Twilight, Up in the Air, Into the Woods and Trolls. Even before she made a name for herself on the silver screen, Anna Kendrick was unusually small, weird, defiant, and ‘10 per cent weird’. When she was thirteen, a classmate dropped by her house unexpectedly and discovered written evidence of Anna’s social ineptitude. From then on she decided to ‘keep the crazy inside my head where it belonged. Forever. But here's the thing about crazy: It. Wants. Out.’ In Scrappy Little Nobody, she invites her readers inside her brain, sharing extraordinary and charmingly ordinary stories with candour and winningly wry observations. With her razor-sharp wit, Anna recounts the absurdities she’s experienced on her way to and from the heart of pop culture as only she can – from her unusual path to the performing arts (her older brother’s affinity for Vanilla Ice may have inadvertently launched her career) to her double life as a middle-school student who also starred on Broadway to her initial ‘dating experiments’ (including only liking boys who didn't like her back) to the perils of reading The Shining while filming Twilight in the isolated Canadian wilderness to reviewing a binder full of butt doubles to her struggle to live like an adult woman instead of a perpetual ‘man-child'. Enter Anna's world and follow her rise from ‘scrappy little nobody’ to someone who dazzles on the stage, the screen, and now the page – with an electric, singular voice, at once familiar and surprising, sharp and sweet, funny and serious (well, not that serious).

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Mäkelä's study brings together German, Nordic and Anglo-American work on Sibelius, and synthesizes these various strands of Sibelius reception into a single coherent critical narrative. This acclaimed study, available in English for the first time, looks at the music of Jean Sibelius in its biographical context. Myths have surrounded Sibelius [1865-1957] and his work, for more than 100 years, often diverting attention away from his creative output. Drawing on many unpublished sources, Mäkelä's study leads us back to Sibelius as a musician and a 'poet' of universal validity. Chapters examine the composer's creativity, inspiration, influence, aspects of genre, as well as the relationship of the artist with nature and homeland. Those who knew Sibelius at an early age tell of a youthful bohemian in the midst of European decadence. This 'age of Carmen'[Eduard Munch] marked Sibelius's formative years. The composer's most important works, dating from a time between his third symphony and Tapiola, reflect the modernistic mainstream. Sibelius's last three decades, known asthe 'Silence of Ainola', have inspired the masculine clichés that this book deconstructs. Sibelius was one of the least political artists of his time who nevertheless became heavily politicized. The first supreme musical talent in the region, he gave his nation a genuine sound. Europeans of the late nineteenth century showed increasing affinity with Nordic culture. Aino, Sibelius's wife, was instrumental in creating the image of her husband as a Nordic icon. The book closely scrutinizes this popular image. In an Anglo-American artistic context his mix of regionalism and modernity remained attractive even when these elements went out of fashion in the art movement of continental Europe. Ideas of Finland and the North vastly influenced the interpretation of meaning in Sibelius's music, a music that until this day remains enigmatic.

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Discover the Science of (not so) Imaginary Creatures “The sheer depth of material covered in its pages is amazing”….” ―Fortean Times Magazine #1 Bestseller in the Occult and Unexplained Mysteries This is a book about monsters. From an early age we are taught that monsters do not exist. The reality is that monsters walk the earth today. Explore the world through its most unlikely creatures. Cryptozoology, the study of hidden, monstrous, and legendary animals, is truly the art of discovering the unknown. Richard Freeman, Zoological Director of Centre for Fortean Zoology, has explored the corners of the five continents on the search for creatures that many people believe are non-existent. In this book, he shares the exciting stories of his investigations of the Yeti, Mongolian Deathworm, Loch Ness Monster, Orang-Pendak, Ninki-Naka, and more. The line between myth and reality may be more narrow than you think. Cryptozoologists throughout the years have studied unknown species of reptiles, lake and sea creatures, apes, and hominins. The science and history of this field of study includes examples of creatures that were once thought to be mythological, but that have since been proven to exist. Our monsters and ourselves. The history of fabulous beasts and our searches for them is a history of the cultures of the world and the secrets we keep. If you’re ready to begin your search for Sasquatch and learn to hunt monsters, Adventures in Cryptozoology is your guide. In these pages you’ll find: Tales of mythical, extinct, and out-of-place creatures Hints about Bigfoot and other ape-men Tips for equipping your own cryptozoology adventure, including all the gear, field craft, and resources you’ll need to record your findings You’ve read Cryptozoology A to Z, Expedition Unknown, or Chasing American Monsters? Then you’ll want to read Adventures in Cryptozoology

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Amazons--fierce warrior women dwelling on the fringes of the known world--were the mythic archenemies of the ancient Greeks. Heracles and Achilles displayed their valor in duels with Amazon queens, and the Athenians reveled in their victory over a powerful Amazon army. In historical times, Cyrus of Persia, Alexander the Great, and the Roman general Pompey tangled with Amazons. But just who were these bold barbarian archers on horseback who gloried in fighting, hunting, and sexual freedom? Were Amazons real? In this deeply researched, wide-ranging, and lavishly illustrated book, National Book Award finalist Adrienne Mayor presents the Amazons as they have never been seen before. This is the first comprehensive account of warrior women in myth and history across the ancient world, from the Mediterranean Sea to the Great Wall of China. Mayor tells how amazing new archaeological discoveries of battle-scarred female skeletons buried with their weapons prove that women warriors were not merely figments of the Greek imagination. Combining classical myth and art, nomad traditions, and scientific archaeology, she reveals intimate, surprising details and original insights about the lives and legends of the women known as Amazons. Provocatively arguing that a timeless search for a balance between the sexes explains the allure of the Amazons, Mayor reminds us that there were as many Amazon love stories as there were war stories. The Greeks were not the only people enchanted by Amazons--Mayor shows that warlike women of nomadic cultures inspired exciting tales in ancient Egypt, Persia, India, Central Asia, and China. Driven by a detective's curiosity, Mayor unearths long-buried evidence and sifts fact from fiction to show how flesh-and-blood women of the Eurasian steppes were mythologized as Amazons, the equals of men. The result is likely to become a classic.

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Winner of the Mbokodo Award for Women in the Arts for Literature, the ATKV (Afrikaans Language and Culture Association) Award for non-fiction and the kykNet/Rapport Award for non-fiction. 'Here was Emily . . . in these diaries and scrapbooks. An unprecedented, intimate angle on the real Emily'Elsabé Brits has drawn on a treasure trove of previously private sources, including Emily Hobhouse's diaries, scrap-books and numerous letters that she discovered in Canada, to write a revealing new biography of this remarkable Englishwoman. Hobhouse has been little celebrated in her own country, but she is still revered in South Africa, where she worked so courageously, selflessly and tirelessly to save lives and ameliorate the suffering of thousands of women and children interned in camps set up by British forces during the Anglo-Boer War, in which it is estimated that over 27,000 Boer women and children died; and where her ashes are enshrined in the National Women's Monument in Bloemfontein. During the First World War, Hobhouse was an ardent pacifist. She organised the writing, signing and publishing in January 1915 of the 'Open Christmas Letter' addressed 'To the Women of Germany and Austria'. In an attempt to initiate a peace process, she also secretly metwith the German foreign minister Gottlieb von Jagow in Berlin, for which some branded her a traitor. In the war's immediate aftermath she worked for the Save the Children Fund in Leipzig and Vienna, feeding daily for over a year thousands of children, who would otherwise have starved. She later started her own feeding scheme to alleviate ongoing famine.Despite having been instrumental in saving thousands of lives during two wars, Hobhouse died alone - spurned by her country, her friends and even some of her relatives. Brits brings Emily's inspirational and often astonishing story, spanning three continents, back into the light.

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