Search results for ""Author Jean"

A reading of Blanchot's idea of the disaster in relation to contemporary fiction of the United Kingdom and Ireland A comprehensive examination of a central, but undefined, aspect of Maurice Blanchot's deeply influential thought, the disaster Sustains an argument for the importance of fiction for representing and comprehending catastrophic events Examines the complex relation between philosophy and fiction, suggesting a deeply reciprocal relation between artistic and philosophical responses to the disaster Blanchot, Ecology and Contemporary Fiction: The Thought of the Disaster delves into Maurice Blanchot's enigmatic, and deeply influential, notion of the disaster a term Blanchot famously refuses to define. By exploring the novels of Jon McGregor, Mike McCormack, David Mitchell, Jeannette Winterson and Maggie Gee, Jonathan Boulter suggests that we can think of literature, the space of the imagination, as the place where some conception (ethical, ecological, or ontological) of the disaster emerges. These novels, all in some ways about the disaster, just as they are inflected by the disaster, become the place where an understanding of critical events death, ecological catastrophe, pandemics is possible.

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A wide-ranging, interconnected anthology presents a diversity of feminist contributions to digital humanitiesIn recent years, the digital humanities has been shaken by important debates about inclusivity and scope—but what change will these conversations ultimately bring about? Can the digital humanities complicate the basic assumptions of tech culture, or will this body of scholarship and practices simply reinforce preexisting biases? Bodies of Information addresses this crucial question by assembling a varied group of leading voices, showcasing feminist contributions to a panoply of topics, including ubiquitous computing, game studies, new materialisms, and cultural phenomena like hashtag activism, hacktivism, and campaigns against online misogyny.Taking intersectional feminism as the starting point for doing digital humanities, Bodies of Information is diverse in discipline, identity, location, and method. Helpfully organized around keywords of materiality, values, embodiment, affect, labor, and situatedness, this comprehensive volume is ideal for classrooms. And with its multiplicity of viewpoints and arguments, it’s also an important addition to the evolving conversations around one of the fastest growing fields in the academy.Contributors: Babalola Titilola Aiyegbusi, U of Lethbridge; Moya Bailey, Northeastern U; Bridget Blodgett, U of Baltimore; Barbara Bordalejo, KU Leuven; Jason Boyd, Ryerson U; Christina Boyles, Trinity College; Susan Brown, U of Guelph; Lisa Brundage, CUNY; micha cárdenas, U of Washington Bothell; Marcia Chatelain, Georgetown U; Danielle Cole; Beth Coleman, U of Waterloo; T. L. Cowan, U of Toronto; Constance Crompton, U of Ottawa; Amy E. Earhart, Texas A&M; Nickoal Eichmann-Kalwara, U of Colorado Boulder; Julia Flanders, Northeastern U Library; Sandra Gabriele, Concordia U; Brian Getnick; Karen Gregory, U of Edinburgh; Alison Hedley, Ryerson U; Kathryn Holland, MacEwan U; James Howe, Rutgers U; Jeana Jorgensen, Indiana U; Alexandra Juhasz, Brooklyn College, CUNY; Dorothy Kim, Vassar College; Kimberly Knight, U of Texas, Dallas; Lorraine Janzen Kooistra, Ryerson U; Sharon M. Leon, Michigan State; Izetta Autumn Mobley, U of Maryland; Padmini Ray Murray, Srishti Institute of Art, Design, and Technology; Veronica Paredes, U of Illinois; Roopika Risam, Salem State; Bonnie Ruberg, U of California, Irvine; Laila Shereen Sakr (VJ Um Amel), U of California, Santa Barbara; Anastasia Salter, U of Central Florida; Michelle Schwartz, Ryerson U; Emily Sherwood, U of Rochester; Deb Verhoeven, U of Technology, Sydney; Scott B. Weingart, Carnegie Mellon U.

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Simple in concept, far-reaching in implementation, Curriculum-Based Measurement (CBM) was developed in the 1980s as an efficient way to assess the progress of struggling students, including those with disabilities. Today, there are few areas of special education policy and practice that have not been influenced by CBM progress monitoring. The impact of CBM is reflected in recent education reforms that emphasize improvements in assessment and data-based decision making. Gathering an international group of leading researchers and practitioners, A Measure of Success provides a comprehensive picture of the past, present, and possible future of CBM progress monitoring. The book will be instrumental for researchers and practitioners in both general and special education, particularly those involved in the rapidly growing Response to Intervention (RTI) approach, an approach used to determine the performance and placement of students with learning difficulties.A Measure of Success presents a nuanced examination of CBM progress monitoring in reading, math, and content-area learning to assess students at all levels, from early childhood to secondary school, and with a wide range of abilities, from high- and low-incidence disabilities to no disabilities. This study also evaluates how the approach has affected instructional practices, teacher training, psychology and school psychology, educational policy, and research in the United States and beyond.Timely and unique, this volume will interest anyone in education who wants to harness the potential advantage of progress monitoring to improve outcomes for students.Contributors: Laurence Bergeron; Lionel A. Blatchley; Renee Bradley; Mary T. Brownell, U of Florida; Todd W. Busch, U of St. Thomas; Heather M. Campbell, St. Olaf College; Ann Casey; Theodore J. Christ, U of Minnesota; Kelli D. Cummings, U of Oregon; Eric Dion, U du Québec à Montréal; Isabelle Dubé, U du Québec à Montréal; Hank Fien, U of Oregon; Anne Foegen, Iowa State U; Douglas Fuchs, Vanderbilt U; Lynn S. Fuchs, Vanderbilt U; Gary Germann; Kim Gibbons; Roland H. Good III, U of Oregon; Anne W. Graves, San Diego State U; John L. Hosp, U of Iowa; Michelle K. Hosp; Joseph R. Jenkins, U of Washington; Ruth A. Kaminski; Panayiota Kendeou, Neapolis U Pafos, Cyprus; Dong-il Kim, Seoul National U, South Korea; Amanda Kloo, U of Pittsburgh; Danika Landry, U du Québec à Montréal; Erica Lembke, U of Missouri; Francis E. Lentz Jr., U of Cincinnati; Sylvia Linan-Thompson, U of Texas at Austin; Charles D. Machesky; Doug Marston; James L. McLeskey, U of Florida; Timothy C. Papadopoulos, U of Cyprus; Kelly A. Powell-Smith; Greg Roberts, U of Texas at Austin; Margaret J. Robinson; Steven L. Robinson, Minnesota State U, Mankato; Catherine Roux, U du Québec à Montréal; Barbara J. Scierka; Edward S. Shapiro, Lehigh U; Jongho Shin, Seoul National U, South Korea; Mark R. Shinn, National Louis U; James G. Shriner, U of Illinois, Urbana-Champaign; Paul T. Sindelar, U of Florida; Deborah L. Speece, U of Maryland; Pamela M. Stecker, Clemson U; Martha L. Thurlow, U of Minnesota; RenátaTichá, U of Minnesota; Gerald Tindal, U of Oregon; Paul van den Broek, Leiden U, the Netherlands; Sharon Vaughn, U of Texas at Austin; Dana L. Wagner, Augsburg College; Teri Wallace, Minnesota State U, Mankato; Jeanne Wanzek, Florida State U; Mary Jane White, U of Minnesota; Mitchell L. Yell, U of South Carolina; Naomi Zigmond, U of Pittsburgh.

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Your sister might be the kindred soul who knows you best, or the most alien being in your household; she might enrage you or inspire you; she might be your fiercest competitor or closest co-conspirator, but she'll always share with you a totally unique bond. Meg, Jo, Beth and Amy are four of the most famous sisters in literature, and these stories of the joys and heartaches they share are a touching celebration of the special ties of sisterhood.Selected from the books Little Women and Good Wives by Louisa May AlcottVINTAGE MINIS: GREAT MINDS. BIG IDEAS. LITTLE BOOKS.A series of short books by the world’s greatest writers on the experiences that make us humanAlso in the Vintage Minis series:Fatherhood by Karl Ove KnausgaardMotherhood by Helen SimpsonBabies by Anne EnrightLove by Jeanette Winterson

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A moving collection of firsthand accounts of the HIV epidemic.Tremendous strides have been made in the prevention and treatment of HIV since the disease first appeared in the 1980s. But because many of the people who studied and battled the virus in those early days are now gone, firsthand accounts are at risk of being lost. In HIV Pioneers, Wendee M. Wechsberg collects 29 “first stories” from the outset of the AIDS epidemic. These moving personal narratives and critical historical essays not only shed light on the experiences of global health pioneers, prominent scientists, and HIV survivors, but also preserve valuable lessons for managing the risk and impact of future epidemics.With unprecedented access to many key actors in the fight against AIDS and HIV, Wechsberg brings to life the harrowing reality of those early days of the epidemic. The book captures the experiences of those still working diligently and innovatively in the field, elevating the voices of doctors, scientists, and government bureaucrats alongside those of survivors and their loved ones. Focusing on the impact that the epidemic had on careers, pieces also show how governments responded to HIV, how research agendas were developed, and how AIDS service agencies and case management evolved.Illuminating the multiple facets of the HIV epidemic, both in the United States and across the globe, HIV Pioneers is a touching and inspirational look into the ongoing fight against HIV.Contributors: Quarraisha Abdool Karim, Salim S. Abdool Karim, Lynda Arnold, Anne Jeanene Bengoa, Robert E. Booth, Barry S. Brown, Thomas Coates, Francine Cournos, James W. Curran, Don C. Des Jarlais, Jeffrey D. Fisher, William A. Fisher, Samuel R. Friedman, Robert C. Gallo, Mary Guinan, Gibbie Harris, Warren W. Hewitt Jr., Susan M. Kegeles, Rayford Kytle, Bishop Stacey S. Latimer, Robert Love, Duane C. McBride, Clyde B. McCoy, Carmen Morris, Willo Pequegnat, Mary Jane Rotheram-Borus, Jeffrey Samet, David Serwadda, Lorraine Sherr, James L. Sorensen, Jack B. Stein, Charles van der Horst, Wendee M. Wechsberg, Wayne Wiebel, William A. Zule

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Among the most celebrated works of Modigliani’s brief but brilliant career are his large-format nudes. Drenched in color and glowing with the artist’s deep appreciation of women and the female form, these works ushered in a new era of nude portraiture, while also causing an enormous scandal. This stunning exhibition catalog offers a new perspective on this aspect of Modigliani’s work by examining for the first time his portraits of emancipated women sporting coupe garçonnes haircuts and wearing loin cloths. Modigliani was one of the first chroniclers of the femme moderne, which also influenced his nude painting and the scandal they caused. Featuring lavish reproductions and astute texts by leading scholars, this volume also examines Modigliani’s cultural context in European Classicism, from Toulouse-Lautrec and Cezanne to the work of his contemporaries, including Paula Modersohn-Becker, Gustav Klimt, Egon Schiele, Jeanne Mammen and Wilhelm Lehmbruck; and traces his impact on future European Modernism and New Objectivity.

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Following a first edition that generated wide-spread debate, Cultural Politics – Queer Reading is a bold study of the future of critical theory and the role of gender, ethnicity and cultures within academic literary studies.An illuminating introduction to the second edition revisits the book's agenda for a new form of cultural critique and a truly political lesbian and gay studies. Sinfield renews his call for an 'Englit' that incorporates ongoing study of the cultures of ethnicity, gender and sexuality.Challenging the assumptions that have shaped the study of English literature, Sinfield engages provocatively with topics such as the gendering of literary culture, the sexual politics of psychoanalysis during the Cold War and the history of cultural materialism. He discusses such key figures as William Shakespeare, Christopher Marlowe, Walt Whitman, Arthur Miller, Holly Hughes, Audre Lorde and Jeanette Winterson.This influential investigation of the principles and practice that may form dissident reading, forms compelling argument for intellectual allegiances beyond the academy.

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JEANNE ANTOINETTE POISSON (1721-64), Madame de Pompadour, became the official mistress of Louis XV of France in 1745, and for the rest of her life their patronage of Vincennes/Sèvres helped to make it one of the greatest porcelain factories in history. Everyday Rococo: Madame de Pompadour and Sèvres Porcelain is a year-on-year richly-illustrated chronology in two volumes of her daily life and purchases. Although also partly a social history revealing Madame de Pompadour as a major player in the art and politics of eighteenth-century France, Rosalind Savill’s diligent research has concentrated on the everyday details of Madame de Pompadour’s life for which Vincennes/Sèvres catered so perfectly. Everyday Rococo: Madame de Pompadour and Sevres Porcelain is a year-on-year richly-illustrated chronology of her daily life and purchases. Although also partly a social history revealing Madame de Pompadour as a major player in the art and politics of eighteenth-century France, Rosalind Savill's diligent research has concentrated on the everyday details of Madame de Pompadour's life for which Vincennes/Sevres catered so perfectly.

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In some ways, I didn’t – don’t – want to remember any of it. Which is not to say that one ever forgets. I don’t know any journalist who worked through the Troubles, with its relentless cycle of murders and doorstepping the homes of the dead and funerals and yet more murders, who isn’t haunted from time to time by being an eyewitness to evil, to heartache and, yes, to courage too. GAIL WALKER, editor, Belfast Telegraph In Reporting the Troubles sixty-eight renowned journalists tell their stories of working in Northern Ireland during the Troubles – the victims that they have never forgotten, the events that have never left them, and the lasting impact of the experience of working through those years. The result is a compelling account of one of the most turbulent periods in recent history, told by the journalists who reported on it. Beginning in 1968 with an eyewitness report of the day that civil rights protestors clashed with the police in Derry, the journalists give candid accounts of the years that followed – arriving on the scene of major atrocities; knocking on the doors of bereaved relatives; maintaining objectivity in the face of threats from paramilitaries and pressure from the state; and always the absolute commitment to telling the truth. This is a landmark book – a history of the Troubles told by the journalists who were on the ground from the beginning and including many of the biggest names in journalism from the last fifty years. Reporting the Troubles is a remarkable act of remembrance that is raw, thought provoking and profoundly moving. Contributors: Kate Adie, Martin Bell, Nicholas Denis, Sean O’Neill, David Armstrong, Wendy Austin, Trevor Birney, Suzanne Breen, Gordon Burns, Anne Cadwallader, Michael Cairns, Jim Campbell, Paul Clark, John Coghlan, Martin Cowley, Ed Curran, David Davin-Power, Deaglán de Bréadún, John Devine, Noel Doran, Noreen Erskine, Paul Faith, Robert Fisk, Derval Fitzsimons, Tommie Gorman, Katie Hannon, Deric Henderson, Eamonn Holmes, Gloria Hunniford, John Irvine, Jeanie Johnston, Alan Jones, Hugh Jordan, Richard Kay, Martin Lindsay, Ivan Little, Jane Loughrey, Eamonn Mallie, Ray Managh, Steven McCaffery, Justine McCarthy, Alf McCreary, Denzil McDaniel, Henry McDonald, Jim McDowell, Eddie McIlwaine, Susan McKay, David McKittrick, Ivan McMichael, Gerry Moriarty, John Mullin, Bill Neely, Miriam O’Callaghan, Conor O’Clery, Sister Martina Purdy, Ken Reid, Brian Rowan, Chris Ryder, Gerald Seymour, Sam Smyth, Peter Taylor, Alex Thomson, Chris Moore, Gail Walker, David Walmsley, Ian Woods, Robin Walsh.

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1 Introduction - Kara J. Mitchell, Nason P. Hamlin2 Styles of Medical Consultation - Rachel E. Thompson, Nason P. Hamlin3 The Preoperative Evaluation - Molly Blackley Jackson, Christopher J. Wong4 Perioperative Medication Management - Anna L. Golob, Tyler Lee5 Anesthesia Pearls - Gail A. Van Norman6 Cardiovascular Risk Stratification - Molly Blackley Jackson7 Ischemic Heart Disease - Molly Blackley Jackson8 Perioperative Beta-blockers - Paul B. Cornia, Kay M. Johnson9 Atrial Fibrillation - Kay M. Johnson, Paul Cornia10 Hypertension - Nason P Hamlin, Gail A. Van Norman11 Valvular Heart Disease - Divya Gollapudi12 Implantable Cardiac Electronic Devices - G. Alec Rooke13 Diabetes Mellitus - Nason P. Hamlin, Kara J. Mitchell14 Stress-Dose Steroids - Kara J. Mitchell15 Thyroid Disease - Jennifer R. Lyden, Jeanie C. Yoon16 Liver Disease and Perioperative Risk - Kara J. Mitchell1

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At a time when Asian American theater is enjoying a measure of growth and success, Josephine Lee tells us about the complex social and political issues depicted by Asian American playwrights. By looking at performances and dramatic texts, Lee argues that playwrights produce a different conception of \u0022Asian America\u0022 in accordance with their unique set of sensibilities. For instance, some Asian American playwrights critique the separation of issues of race and ethnicity from those of economics and class, or they see ethnic identity as a voluntary choice of lifestyle rather than an impetus for concerted political action. Others deal with the problem of cultural stereotypes and how to reappropriate their power. Lee is attuned to the complexities and contradictions of such performances, and her trenchant thinking about the criticisms lobbed at Asian American playwrights -- for their choices in form, perpetuation of stereotype, or apparent sexism or homophobia -- leads her to question how the presentation of Asian American identity in the theater parallels problems and possibilities of identity offstage as well. Discussed are better-known plays such as Frank Chin's The Chickencoop Chinaman, David Henry Hwang's M. Butterfly, and Velina Hasu Houston's Tea, and new works like Jeannie Barroga's Walls and Wakako Yamauchi's 12-1-a.

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Here's the most delicious book on kitchen collecting ever written. It is resplendent with hundreds of Depression Glass and Elegant Glass cake plates, from all the major glass manufacturers - Duncan & Miller, Hazel-Atlas Company, Imperial Glass Company, Jeannette Glass Company, Liberty Works, Macbeth-Evans Glass Company, New Martinsville, Paden City, to name merely a few. This treasure explores the American view of serving cake for dessert from the 1920s through the 1960s. An entire chapter is devoted to Canada's Corn Flower cut on American-made glass cake plates. Dozens of chrome, copper, tin, and plastic cake carriers from well-known producers such as Kromex, NESCO, and Deco Ware are also included. Even vintage recipes and serving pieces are included. You won't gain an ounce but you will develop an appetite for cake plates and carriers while enjoying this visually exciting identification and price guide!

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Throughout the history of Western political philosophy, the idea of friendship has occupied a central place in the conversation. It is only in the context of the modern era that friendship has lost its prominence. By retrieving the concept of friendship for philosophical investigation, these essays invite readers to consider how our political principles become manifest in our private lives. They provide a timely corrective to contemporary confusion plaguing this central experience of our public and our private life. This volume assembles essays by well-known scholars who address contemporary concerns about community in the context of philosophical ideas about friendship. Part One includes essays on ancient philosophers including Plato, Aristotle, and Cicero. Part Two considers treatments of friendship by Christian thinkers such as Augustine, Aquinas, Luther, and Calvin, and Part Three continues with Thomas Hobbes, Montaigne, the American founders, and de Tocqueville. The volume concludes with two essays that address the postmodern emphasis on fragmentation and the dynamics of power within the modern state. Contributors: John von Heyking, Richard Avramenko, James M. Rhodes, Stephen M. Salkever, Walter Nicgorski, Jeanne Heffernan Schindler, Thomas Heilke, Timothy Fuller, Travis D. Smith, George Carey, Joshua Mitchell, and Jürgen Gebhardt.

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This engrossing narrative recounts the story of Jane de La Vaudère (née Jeanne Scrive), a prolific and celebrated writer of France's Belle Époque. Interweaving biography and literary analysis, Sharon Larson examines the ways in which La Vaudère adapted her persona to shifting literary trends and readership demandsand how she created and profited from controversy. Relatively unknown today, La Vaudère published more than forty novels, poetry collections, and dramatic works as well as hundreds of shorter pieces. A controversial figure who was known as a plagiarist, La Vaudère attracted the attention of the public and of her peers, who caricatured her in literary periodicals and romans à clef. Most notably, La Vaudère claimed to have written the Rêve d'Egypte pantomime, whose 1907 production at the Moulin Rouge featured a kiss between Missy and Colette that led to riots and the suspension of future performances. Larson scrutinizes the ensemble of these various media constructions, privil

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An examination of women as mothers in medieval French sculpture. What can medieval sculptural representations of women tell us about medieval women's experiences of motherhood? Presumably the work of male sculptors, working for clerical patrons, these sculptures are unlikely to have been shaped by women's maternal experiences during their production. Once produced, however, their beholders would have included women who were mothers and potential mothers, thus opening a space between the sculptures' intended meanings and other meanings liable to be produced by these women as they brought their own interests and concerns to these works of art. Building on theories of reception and response, this book focuses on interactions between women asbeholders and a range of sculptures made in France in the twelfth through sixteenth centuries, aiming to provide insight into women's experiences of motherhood; particular sculptures considered include the Annunciation and Visitation from Reims cathedral, the femme-aux-serpents from Moissac, the transi of Jeanne de Bourbon-Vendome, the Eve from Autun, and a number of French Gothic Virgin and Child sculptures. Marian Bleeke is Associate Professor of Art History and Chair of the Department of Art and Design at Cleveland State University.

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Fans of Ilona Andrews, Jeaniene Frost, Patricia Biggs and Christine Feehan will fall under the spell of New York Times bestseller Yasmine Galenorn's enchanting fantasy romance series. Enter Whisper Hollow at your own risk, for in this town spirits walk among the living, and the lake never gives up her dead.Fifteen years ago, Kerris Fellwater ran away. But Whisper Hollow wove its spell and called her back. In this haunted town, people don't stay buried, and it's up to spirit shaman Kerris to drive the dead back to where they belong.There's no such thing as a quiet life in Whisper Hollow and this time, local Peggin is under a curse. Determined to save her best friend, Kerris and her soul mate Bryan vow to break the hex.Battling dark magic, they unearth a violent mystery of the past. A secret so shocking that some will do anything to protect it, even if it means sacrificing Whisper Hollow. Will Kerris and Bryan rescue their town from the hands of death before it's too late?For more sizzling heat and supernatural action, visit Whisper Hollow again in Book One in the series, the unmissable Autumn Thorns.

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Staunchly homosocial, vaguely or overtly misogynistic, anxiously homophobic—this study follows the male breadwinner as he is incarnated in Arthur Miller’s most celebrated plays and as he resurfaces in different guises throughout American drama, from the 1950s to the present. Anxious Masculinity offers a compelling analysis of gender dynamics and the legacy of this figure as he stalks through the works of other American dramatists, and argues that the gendered anxieties exhibited by their characters are the very ones invoked with such success by Donald Trump. Claire Gleitman examines this figure in the plays of Miller and Tennessee Williams, as well as later 20th-century writers Lorraine Hansberry, August Wilson, and Sam Shepard, who reposition him in more racially and economically marginalized settings. He reappears in the more recent work of playwrights Tony Kushner, Paula Vogel, and collaborators Lisa Kron and Jeanine Tesori, who shift their focus to the next generation, which seeks to escape his clutches and forge new, often gleefully queer identities. The final chapter concerns contemporary Black dramatists Suzan Lori-Parks, Jackie Sibblies Drury, and Jeremy O. Harris, whose plays move us from anxious masculinity to anxious whiteness and speak directly to the current moment.

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Co-Winner of the Modern Language Association’s Aldo and Jeanne Scaglione Prize for Italian Studies, 2018.The rediscovery of the thought of Giambattista Vico (1668-1774) – especially his New science – is a post-Revolutionary phenomenon. Stressing the elements that keep society together by promoting a sense of belonging, Vico’s philosophy helped shape a new Italian identity and intellectual class. Poet and philosopher Giacomo Leopardi (1798-1837) responded perceptively to the spreading and manipulation of Vico’s ideas, but to what extent can he be considered Vico’s heir?Through examining the reasons behind the success of the New science in early nineteenth-century Italy, Martina Piperno uncovers the cultural trends, debates, and obsessions fostered by Vico’s work. She reconstructs the penetration of Vico-related discourses in circles and environments frequented by Leopardi, and establishes and analyses a latent Vico-Leopardi relationship. Her highly original reading sees Leopardi reacting to the tensions of his time, receiving Vico’s message indirectly without a need to draw directly from the source. By exploring the oblique influence of Vico’s thought on Leopardi, Martina Piperno highlights the unique character of Italian modernity and its tendency to renegotiate tradition and innovation, past and future.

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Taking readers on a global journey through human history, Natasha Tidd examines how lies can change the world around us, from Julius Caesar’s deceptive PR machine to the cover-ups that caused Chernobyl.From forgeries that created centuries worth of conflict and domination, such as The Donation of Constantine, the Protocols of Zion and the mysterious Testament of Peter the Great, to mass political and press cover-ups including Britain’s Boer War concentration camps, a Pulitzer Prize-winning whitewash of the Ukraine Famine and the infamous Dreyfus Affair in France.Alongside these are examinations of how our retellings of history can turn fiction into fact, including The Spanish Inquisition’s deceitful legacy. Plus, there is an in-depth look at how historic lies can still impact our lives today, such as the deadly legacy of America’s Tuskegee Experiment.Meet incredible people, including Jeanne de Clisson who became the fourteenth century's most feared pirate – all because of a lie.A Short History of the World in 50 Lies details the profound impact of this secretive side of history and shows that the truth really is stranger – and far more dangerous – than any fiction.

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Berlin has survived two world wars, was divided by a wall during the Cold War, and after the fall of the wall was reunited. The city emerged as a center of European power and culture. From 1860 to the present day, this book is the most comprehensive photographic study of this extraordinary city, dense with spirit as much as with history. Some 560 pages gather aerial views, street scenes, portraits, and more to trace Berlin history from the Imperial Era as capital of Prussia through the Roaring Twenties to devastating images of war to heartwarming postwar photos of a city picking up the pieces—the Reichstag in ruins and later wrapped by Christo and Jeanne-Claude. Among the photographs are works by Henri Cartier-Bresson, Helmut Newton, René Burri, Robert Capa, Thomas Struth, and Wolfgang Tillmans in addition to well-known Berlin photo-chroniclers such as Friedrich Seidenstücker, Erich Salomon, Willy Römer, and Heinrich Zille (an index of photographers’ biographies is also included). The images are accompanied by quotes from Berliners and Berlin connoisseurs such as Vladimir Nabokov, Alfred Döblin, Herwarth Walden, Marlene Dietrich, Billy Wilder, John F. Kennedy, Willy Brandt, Helmut Newton, Sir Simon Rattle, and David Bowie. More than a tribute to the city and its civic, social, and photographic history, this book pays homage to Berlin’s inhabitants: full of hope and strength, in their faces is reflected Berlin’s undying soul.

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‘There is a certain feeling – standing between rows of richly dyed blue cloth – that you are within an enclave of protection, that within this ocean you can feel calm; a separation from the outside world.’ One summer, a mother and daughter are reunited in the small village of Betws Gwerful Goch in North Wales following the death of a father and grandfather. Ellie returned from studying at university, while Jeanette had been studying the art of indigo dyeing in Japan. In this lyrical memoir, Ellie Evelyn Orrell transports readers to their hillside garden, reflecting on a summer spent learning to work with indigo, and witnessing the power of creativity in moments of mourning and recovery. In it, she weaves together stories of resettling in a once-familiar landscape; the healing powers of art; the historical, mythological and present day properties of indigo; and the presence of this indelible colour within the Welsh landscape. An Indigo Summer is an absorbing meditation on art, rural life and roots, grief, creativity and the artistic process.

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In Soundworks Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958–1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially. Soundwork is Reed’s term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes’s collaboration with Charles Mingus, Amiri Baraka’s work with the New York Art Quartet, Jayne Cortez’s albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes.

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This little book is about cats; cats of all shapes, sizes and colours, and specifically about those that have shared their lives with the great and well-respected astronomer, Sir Patrick Moore CBE FRS, over a lifetime of 80 years. This is Patrick's very personal account of the cats who have been part of his family, beginning with Bonnie, who died at the grand old age of twenty, through to Jeannie and Ptolemy, the two beloved felines that he lives with currently. The fascinating and engrossing text is complemented by personal photographs of Sir Patrick, his adored mother, Gertrude (also a cat-lover), and the many cats that have filled Patrick's life with love and companionship. Reveals a delightful and charming side to the man who has attained international status as a writer, researcher, radio commentator and television presenter, and who is credited with having done more than any other to raise the profile of astronomy.

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As the career of Worsley Senior languished amid studio politics, young Wally began his own odyssey through the Hollywood legacy of the twentieth century, spending almost two decades at MGM with such actors as Greta Garbo, Jeanette MacDonald and Gene Kelly, on pictures like The Wizard of Oz and Thirty Seconds Over Tokyo. Wally left during the turbulent 1950s and went to New York City, Singapore, and Europe. When he returned to Hollywood in 1960, he spent another two decades in the new, television-dominated Hollywood. Here, he worked for Universal City Studios, the MGM of the television age. His credits in later life include such Universal hits as Earthquake, Coal Miner's Daughter and Steven Spielberg's E.T. He also worked on Deliverance at Warner Brothers and Shogun at Paramount. When Wally died in 1991, four days short of his 83rd birthday, his widow, Sue Dwiggins Worsley, completed the autobiography he had begun to assemble from his voluminous business diaries. As edited by Charles Ziarko, a long time friend and co-worker, this chronicle captures a fascinating picture of Hollywood at work. Contains 16 pages of black and white photographs.

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This critical guide introduces major novelists and themes in British fiction from 1975 to 2005. It engages with concepts such as postmodernism, feminism, gender and the postcolonial, and examines the place of fiction within broader debates in contemporary culture. A comprehensive Introduction provides a historical context for the study of contemporary British fiction by detailing significant social, political and cultural events. This is followed by five chapters organised around the core themes: (1) Narrative Forms, (2) Contemporary Ethnicities, (3) Gender and Sexuality, (4) History, Memory and Writing, and (5) Narratives of Cultural Space. Key Features * Introduces the major themes and trends in British fiction over the last 30 years * Analyses a range of writers and texts including Brick Lane by Monica Ali, London Fields by Martin Amis, The Passion of New Eve by Angela Carter, Fever Pitch by Nick Hornby, The Buddha of Suburbia by Hanif Kureishi, Atonement by Ian McEwan, Shame by Salman Rushdie, Downriver by Iain Sinclair, White Teeth by Zadie Smith, and Oranges Are Not the Only Fruit by Jeanette Winterson. * Presents a variety of critical perspectives essential for studying contemporary British fiction * Provides essential resources for further reading and research

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Cosy up on the sofa with this year’s most heartwarming, feel good comfort read! Welcome to Love Heart Lane… When Flick Simons returns to the cosy village of Heartcross she only expected to stay for a few days. The white-washed cottages of Love Heart Lane might be her home, but the place holds too many painful memories, and of one man in particular – Fergus Campbell. When a winter storm sweeps in, the only bridge connecting the village to the main land is swept away. As the villagers pull together, Flick finds herself welcomed back by the friends she once left behind. And as the snow begins to melt, maybe there is a chance that Fergus’s heart will thaw too… Readers ADORE Christie’s books: ‘A hug in a book’ Jeannie, Amazon ‘A warm, cosy winter read perfect for January nights’ Susie, Amazon ‘I love reading about a community pulling together in the face of adversity…These days so many live lonely, anonymous lives in towns and cities’ Joanna, Amazon ‘A book full of love and community spirit’ Kathy, Amazon ‘I want to live there!!!’ Cally, Amazon ‘Delightfully warm feelgood fiction at its best’ Lorna, Amazon

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The Lost Diaries is a wide-ranging anthology of the world's greatest diarists, each of them channelled onto paper through the considerable psychic force that is Craig Brown. Arranged on a day-to-day basis, spread throughout an entire year, these diary extracts form a patchwork quilt of observation, reflection, contemplation and, above all, self-promotion. As the months unfold, different diarists offer their insights on the events that pass: John Prescott on going to Royal Ascot, Nigella Lawson on preparing Christmas lunch, W.G. Sebald on enjoying an ice lolly by the beach, Karl Lagerfeld on the need for an umbrella in Spring. Among over 200 diarists featured are Martin Amis, Jordan, Germaine Greer, The Duchess of Devonshire, President Barack Obama, Philip Roth, HM the Queen, Heather Mills McCartney, Victoria Beckham, Ludwig Wittgenstein, Sir Cecil Beaton, John Prescott, Mohamed Fayed, Harold Pinter, Yoko Ono, Barbara Cartland, Jilly Cooper, Christopher Ricks, Jeremy Clarkson, Jeanette Winterson, Sylvia Plath, Keith Richards, Maya Angelou and Frank McCourt. The Lost Diaries is the first time all Craig Brown’s greatest parodies have been gathered together in one book. Arranged day-by-day, full of invigorating and sometimes shocking juxtapositions, they constitute a treasure-trove, choc-a-bloc with all the fantasies and illusions of our times.

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The story of Liverpool's women is one of diversity and contrast. This iconic port has welcomed countless nationalities over the centuries, both as residents and passing migrants; it has experienced both great prosperity, and crushing poverty. Liverpool's women have lived in unhealthy court dwellings, and comfortable suburbs; helped each other, educated each other, and stood together against common adversaries such as poor living conditions, and enemies in wartime; they have lived, loved, worked, fought, laughed, wept, worshipped, and survived in their own unique way. Containing rarely seen illustrations, this book will take you on an adventure through 100 years of Liverpool's history, with a focus on its courageous, hospitable, caring, intelligent and adventurous women. In this honest account, you will meet women from all walks of life, be they politician, home maker, impoverished migrant, the ladies from the big house', preacher at a chapel, teacher, prostitute, activist, prisoner, and more. Some of them you may have heard of, such as Battling Bessie' Braddock MP, suffragette Jeannie Mole; many are the forgotten women of history you will encounter for the first time. All of them in their own way make up the kaleidoscope of women's history in this great city.

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Mientras estudiaba cine, Julien Frey conoció a Édouard Luntz. El director afirmaba que su carrera se truncó por culpa de Darryl F. Zanuck, el último magnate de Hollywood. Después de un rodaje épico en Brasil en mayo de 1968 y un presupuesto multiplicado por veinte, el productor estadounidense habría hecho desaparecer su película, 'Le grabuge'.Años más tarde, Julien descubre que es toda la obra de Luntz ?quien rodara con grandes de la escena francesa como Jeanne Moreau o Michel Bouquet, y algunas de cuyas películas fueron seleccionadas y premiadas en los festivales de cine Berlín, Cannes y Venecia? la que es inencontrable. Julien decide buscar esas películas perdidas.Recogiendo multitud de testimonios ?de sus allegados, técnicos y actores?, Julien Frey realiza una minuciosa investigación, no exenta de momentos divertidos, tras las obras perdidas del realizador francés, proceso que ha trasladado con maestría a imágenes Nadar, el autor de obras como 'Papel estrujado' (2013), 'El mun

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Electromagnetic Waves 2 examines antennas in the field of radio waves. It analyzes the conditions of use and the parameters that are necessary in order to create an effective antenna. This book presents antennas’ definitions, regulations and fundamental equations, and describes the various forms of antennas that can be used in radio: horns, waveguides, coaxial cables, printed and miniature antennas. It presents the characterization methods and the link budgets as well as the digital methods that make the fine calculation of radio antennas possible. Electromagnetic Waves 2 is a collaborative work, completed only with the invaluable contributions of Ibrahima Sakho, Hervé Sizun and JeanPierre Blot, not to mention the editor, Pierre-Noël Favennec. Aimed at students and engineers, this book provides essential theoretical support for the design and deployment of wireless radio and optical communication systems.

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In The Gender and Psychology Reader, Blythe McVicker Clinchy and Julie K. Norem have culled through a diverse group of readings to provide a wide-ranging exploration of both progress made and problems encountered as psychologists grapple with gender. The volume includes both classic and contemporary readings, drawn from all branches of psychology-- social, developmental, personality, cognitive, history, physiological/biological--as well as from other disciplines, including sociology, philosophy, and anthropology.The essays cover a gamut of subjects including epistemological issues, the study of difference, the embodiment of gender, autonomy and connection in relationships, and clinical implications. A concluding chapter by the editors considers themes that can be traced through the different sections, gaps in current perspectives, and future directions.The Gender and Psychology Reader includes contributions from an array of distinguished scholars from varying methodological and disciplinary backgrounds. Among the contributors are Laurel Furumoto, Jeanne Marecek, Laura S. Brown, Anne Fausto- Sterling, Sandra Lipsitz Bem, Michelle Fine, Jospeh H. Pleck, J. G. Morawski, Daniel A. Hart, Barrie Thorne, and Aida Hurtado. Organized for easy use as either a primary or supplementary text for upper-level undergraduate and graduate courses in psychology, The Gender and Psychology Reader will also serve as the essential reference for those in clinical practice interested in gender issues.

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Regulation No 1346/2000 of 29 May 2000 (EIR) is the cornerstone of European insolvency law. The Regulation, which is directly applicable in all Member States, is the legal basis for cross-border insolvencies within the European Union. Paving the way for a new European insolvency law, the Heidelberg-Luxembourg-Vienna Report carries out a comprehensive legal and empirical evaluation of European insolvency law practice in the Member States. Based on thorough analyses the general reporters evaluate the Regulation and provide recommendations for its current revision. General reporters Professor Burkhard Hess (Luxembourg/Heidelberg), Dr Christian Koller (Vienna), Dr Björn Lankemann (Heidelberg/Luxembourg), Dr Robert Magnus (Heidelberg), Professor Paul Oberhammer (Vienna/London/St Gallen), Professor Thomas Pfeiffer (Heidelberg), Professor Andreas Piekenbrock (Heidelberg), Michael Slonina (Vienna) National reporters Dr Krista Pisani Bencini (Valletta), Samantha Bewick (London), Prof Dr Eric Bylander, LLD (Uppsala), Dr Rosanne Bonnici (Valletta), Prof Dr Remo Caponi (Florence), Mgr Slavomír M.Èauder (Prague), Dr Jeanette Ciantar (Valletta), Prof Dr Zoltaá Csehi (Budapest), Prof Dr Gilles Cuniberti, LLM (Luxembourg), Prof Dr Aleš Galiè (Ljubljana), Prof Dr Francisco Garcimartín (Madrid), Prof Dr Iván Heredia (Madrid), Prof Burkhard Hess (Luxembourg/Heidelberg), Dr Laura Kirilevièiûtë (Lithuania), Prof Dr Nikolaos Klamaris (Athens), Dr Björn Laukemann (Heidelberg/Luxembourg), Dennis Lievens, LLM (Heidelberg), Prof Dr Tuula Linna, LLD (Lapland), Dr Robert Magnus (Heidelberg), Prof Dr Federico M Mucciarelli (London), Dr Carl Friedrich Nordmeier (Wiesbaden), Dr Ailbhe O'Neill (Dublin), Nina Orehek (Ljubljana), Polina Pavlova (Luxembourg), Joanna Perkins (London), Prof Thomas Pfeiffer (Heidelberg), Prof Andreas Piekenbrock (Heidelberg), Dr Tomáš Richter (Prague), Veronika Sajadova (Latvia), Mag Gottfried Schellmann (Vienna), Christopher Seagon (Heidelberg), Kristina Sirakova (Luxembourg), Michael Slonina, LLM (Vienna), Prof Dr Elisa Torralba (Madrid), Prof Dr Paul Varul (Tartu), Prof Dr PM Michael Veder (Nijmegen), Dr Signe Viimsalu (Tallinn), Gheorghe-Liviu Zidaru (Bucharest)

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Start Becoming A Good Samaritan Teen Edition is about people like you. Teens who want to do something to help make the world a better place, who want to help bring healing and comfort to those in need, but don’t know where to start.It is a resource that will help you better understand the parable of the Good Samaritan, showing you how you can live out Jesus’ call to “Love your neighbor” at home, at school, in the community, and throughout the world.In six dynamic sessions (DVD/digital video sold separately), the Start Becoming A Good Samaritan Teen Edition curriculum explores the critical needs facing our world and helps teen Christians understand how they can become Good Samaritans, right now, right where they live.Commit yourself to being the hands and feet of Christ to a hurting world. Start here.Designed for use with the Start Becoming a Good Samaritan Teen Edition Video Study (sold separately). Hosted by Jarret and Jeannie Stevens, this video curriculum features an amazing line up of teachers, thinkers, and global Christian leaders such as Eugene Peterson, Philip Yancey, Jim Cymbala, Chuck Colson, Zach Hunter, Brenda Salter McNeil, Kay Warren, Joni Eareckson Tada, Rob Bell, and many others.

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Honorable Mention, Aldo and Jeanne Scaglione Prize for Comparative Literary Studies, Modern Language Association Twenty-first-century philosophy has been drawn into a false opposition between speculation and critique. Nathan Brown shows that the key to overcoming this antinomy is a re-engagement with the relation between rationalism and empiricism. If Kant’s transcendental philosophy attempted to displace the opposing priorities of those orientations, any speculative critique of Kant will have to re-open and consider anew the conflict and complementarity of reason and experience. Rationalist Empiricism shows that the capacity of reason and experience to extend and yet delimit each other has always been at the core of philosophy and science. Coordinating their discrepant powers, Brown argues, is what enables speculation to move forward in concert with critique. Sweeping across ancient, modern, and contemporary philosophy, as well as political theory, science, and art, Brown engages with such major thinkers as Plato, Descartes, Hume, Hegel, Marx, Heidegger, Bachelard, Althusser, Badiou, and Meillassoux. He also shows how the concepts he develops illuminate recent projects in the science of measurement and experimental digital photography. With conceptual originality and argumentative precision, Rationalist Empiricism reconfigures the history and the future of philosophy, politics, and aesthetics.

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Honorable Mention, Aldo and Jeanne Scaglione Prize for Comparative Literary Studies, Modern Language Association Twenty-first-century philosophy has been drawn into a false opposition between speculation and critique. Nathan Brown shows that the key to overcoming this antinomy is a re-engagement with the relation between rationalism and empiricism. If Kant’s transcendental philosophy attempted to displace the opposing priorities of those orientations, any speculative critique of Kant will have to re-open and consider anew the conflict and complementarity of reason and experience. Rationalist Empiricism shows that the capacity of reason and experience to extend and yet delimit each other has always been at the core of philosophy and science. Coordinating their discrepant powers, Brown argues, is what enables speculation to move forward in concert with critique. Sweeping across ancient, modern, and contemporary philosophy, as well as political theory, science, and art, Brown engages with such major thinkers as Plato, Descartes, Hume, Hegel, Marx, Heidegger, Bachelard, Althusser, Badiou, and Meillassoux. He also shows how the concepts he develops illuminate recent projects in the science of measurement and experimental digital photography. With conceptual originality and argumentative precision, Rationalist Empiricism reconfigures the history and the future of philosophy, politics, and aesthetics.

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Technology, Literature and Culture provides a detailed and accessible exploration of the ways in which literature across the twentieth century has represented the inescapable presence and progress of technology. As this study argues, from the Fordist revolution in manufacturing to computers and the internet, technology has reconfigured our relationship to ourselves, each other, and to the tools and material we use. The book considers such key topics as the legacy of late-nineteenth century technology, the literary engagement with cinema and radio, the place of typewriters and computers in formal and thematic literary innovations, the representations of technology in spy fiction and the figures of the robot and the cyborg. It considers the importance of broadcast technology and the internet in literature and covers major literary movements including modernism, cold war writing, postmodernism and the emergence of new textualities at the end of the century. An insightful and wide-ranging study, Technology, Literature and Culture offers close readings of writers such as Virginia Woolf, Samuel Beckett, Ian Fleming, Kurt Vonnegut, Don DeLillo, Jeanette Winterson and Shelley Jackson. It is an invaluable resource for students and scholars alike in literary and cultural studies, and also introduces the topic to a general reader interested in the role of technology in the twentieth century.

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AN INSTANT SUNDAY TIMES BESTSELLERSHORTLISTED FOR THE GORDON BURN PRIZEA GUARDIAN BEST MEMOIR OF 2023A WATERSTONES BEST BOOK OF 2023AN iNEWS BEST BOOK TO GIFTJohn Niven's little brother Gary was fearless, popular, stubborn, handsome, hilarious and sometimes terrifying. In 2010, after years of chaotic struggle against the world, he took his own life at the age of 42.Hoping for the best while often witnessing the worst, John, his younger sister Linda and their mother, Jeanette, saw the darkest fears they had for Gary played out in drug deals, prison and bankruptcy. While his life spiralled downward and the love the Nivens shared was tested to its limit, John drifted into his own trouble in the music industry, a world where excess was often a marker of success.Tracking the lives of two brothers in changing times - from illicit cans of lager in 70s sitting rooms to ecstasy in 90s raves - O Brother is a tender, affecting and often uproariously funny story. It is about the bonds of family and how we try to keep the finest of those we lose alive. It is about black sheep and what it takes to break the ties that bind. Fundamentally it is about how families survive suicide, 'that last cry, from the saddest outpost.'

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The smash-hit Sunday Times bestseller that will transform your understanding of our planet and life itself.'Astonishing ... it seems somehow to tip the natural world upside down' Observer'Completely mind-blowing ... reads like an adventure story' Sunday Times*WINNER OF THE ROYAL SOCIETY BOOK PRIZE 2021**WINNER OF THE WAINWRIGHT PRIZE FOR CONSERVATION WRITING 2021*The more we learn about fungi, the less makes sense without them. They can change our minds, heal our bodies and even help us avoid environmental disaster; they are metabolic masters, earth-makers and key players in most of nature's processes. In Entangled Life, Merlin Sheldrake takes us on a mind-altering journey into their spectacular world, and reveals how these extraordinary organisms transform our understanding of our planet and life itself.'Dazzling, vibrant, vision-changing' Robert Macfarlane'Urgent, astounding and necessary' Helen Macdonald'Gorgeous!' Margaret Atwood (on Twitter)'Wonderful' Nigella Lawson'This book is like one surprise after another' David Byrne'Uplifting' Jeanette Winterson*SHORTLISTED FOR THE RATHBONES FOLIO PRIZE 2021**SHORTLISTED FOR THE BRITISH BOOK AWARDS BOOK OF THE YEAR 2021** A Sunday Times, Daily Telegraph, New Statesman, The Times, Evening Standard, Mail on Sunday, BBC Science Focus and Time Book of the Year *

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How can humour and irony in writing both create and destroy boundaries? In the Belly of a Laughing God examines how eight contemporary Native women poets in Canada and the United States - Joy Harjo, Louise Halfe, Kimberly Blaeser, Marilyn Dumont, Diane Glancy, Jeannette Armstrong, Wendy Rose, and Marie Annharte Baker - employ humour and irony to address the intricacies of race, gender, and nationality. While recognizing that humour and irony are often employed as methods of resistance, this careful analysis also acknowledges the ways that they can be used to assert or restore order. Using the framework of humour and irony, five themes emerge from the words of these poets: religious transformations; generic transformations; history, memory, and the nation; photography and representational visibility; and land and the significance of 'home.' Through the double-voice discourse of irony and the textual surprises of humour, these poets challenge hegemonic renderings of themselves and their cultures, even as they enforce their own cultural norms.

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Charlotte Perriand (1903-1999) is undoubtedly one of the most significant figures in 20th-century interior design. Vintage pieces of her furniture designs fetch millions in auctions. Together with Le Corbusier and Pierre Jeanneret she created a number of classics, such as the chaise-longue LC4. From the 1930s, she sought not only to change design but to initiate social change; her main goal as a designer, was to develop affordable, functional, and appealing furniture for the masses. Perriand's life and work has been widely acknowledged, but thus far there has never been a comprehensive monograph covering all aspects of her work. Charlotte Perriand: Complete Works Volume 1 is a valuable resource on this key figure of 20th-century interior design. Each of the three lavishly illustrated volumes is completed by annotations, index, and bibliography. The initial volume looks at the years of collaboration with Le Corbusier and her role as a precursor in the use of tubular steel in interior design. It also documents her work in photography and her special interest in pre-fabricated residential architecture.

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A stunning collection of poems from Grace Nichols, winner of the Queen's Gold Medal for Poetry 2021Beautyis a fat black woman walking the fields pressing a breezed hibiscus to her cheekwhile the sun lights up her feetNichols gives us images that stare us straight in the eye, images of joy, challenge, accusation. Her 'fat black woman' is brash; rejoices in herself; poses awkward questions to politicians, rulers, suitors, to a white world that still turns its back. Grace Nichols writes in a language that is wonderfully vivid yet economical of the pleasures and sadnesses of memory, of loving, of 'the power to be what I am, a woman, charting my own futures'.'Unquestionably one of our most important living poets' i-D magazine 'Not only rich music, an easy lyricism, but also grit, and earthy honesty, a willingness to be vulnerable and clean' Gwendolyn Brooks 'Beneath the folk rhythms and the lyrical simplicities, Nichols's poems preach disquiet' Observer 'Grace Nichols has wit, acidity, tenderness, any number of gifts at her disposal' Jeanette Winterson

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James Patterson's bestselling Middle School series is now a major motion picture! Catch up with everyone's favorite troublemaker, Rafe Khatchadorian, when he gets lost in London on the worst field trip EVER!After a mostly-successful stint at Hills Village Middle School, Rafe is excited to visit the incredible city of London with his class. Sightseeing around a foreign country sounds like a blast, until Rafe finds out his roommate will be none other than Miller the Killer, bully extraordinaire!Then Rafe is forced to work on a class project side by side with his crush Jeanne Galletta and her too-perfect boyfriend, which might be even more torturous than rooming with Miller. And it's no surprise that Rafe's bad luck follows him across the pond, putting him in one crazy situation after another – all under the watchful eye of his bad-tempered principal.Out of all of his adventures, this trip could prove to be Rafe's most embarrassing yet, undoing everything good he has going for him back home!

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Fast track route to leading change in a fast-moving business world Covers the key areas of change leadership, from collaborativeleadership to relationship management and from efficiency andefficacy to getting organizations ready for change Examples and lessons from some of the world's most successfulbusinesses, including Microsoft, Daewoo, Cisco, The Royal/DutchShell, Komatsu, and ideas from the smartest thinkers, includingAlan Hooper and John Kotter, Jeanie Daniel Duck, John Katzenbachand the RCL team, Daryl Conner, John Adair and Tom Peters Includes a glossary of key concepts and a comprehensiveresources guide

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This international collection of eleven original essays on Australian Aboriginal literature provides a comprehensive critical companion that contextualizes the Aboriginal canon for scholars, researchers, students, and general readers. Australian Aboriginal literature, once relegated to the margins of Australian literary studies, now receives both national and international attention. Not only has the number of published texts by contemporary Australian Aboriginals risen sharply, but scholars and publishers have also recently begun recovering earlier published and unpublished Indigenous works. Writing by Australian Aboriginals is making a decisive impression in fiction, autobiography, biography, poetry, film, drama, and music, and has recently been anthologized in Oceania and North America. Until now, however, there has been no comprehensive critical companion that contextualizes the Aboriginal canon for scholars, researchers, students, and general readers. This international collection of eleven original essays fills this gap by discussing crucial aspects of Australian Aboriginal literature and tracing the development of Aboriginalliteracy from the oral tradition up until today, contextualizing the work of Aboriginal artists and writers and exploring aspects of Aboriginal life writing such as obstacles toward publishing, questions of editorial control (orthe lack thereof), intergenerational and interracial collaborations combining oral history and life writing, and the pros and cons of translation into European languages. Contributors: Katrin Althans, Maryrose Casey, Danica Cerce, Stuart Cooke, Paula Anca Farca, Michael R. Griffiths, Oliver Haag, Martina Horakova, Jennifer Jones, Nicholas Jose, Andrew King, Jeanine Leane, Theodore F. Sheckels, Belinda Wheeler. Belinda Wheeler is Associate Professor of English at Claflin University, Orangeburg, SC.

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In People Get Ready, musicians, scholars, and journalists write about jazz since 1965, the year that Curtis Mayfield composed the famous civil rights anthem that gives this collection its title. The contributors emphasize how the political consciousness that infused jazz in the 1960s and early 1970s has informed jazz in the years since then. They bring nuance to historical accounts of the avant-garde, the New Thing, Free Jazz, "non-idiomatic" improvisation, fusion, and other forms of jazz that have flourished since the 1960s, and they reveal the contemporary relevance of those musical practices. Many of the participants in the jazz scenes discussed are still active performers. A photographic essay captures some of them in candid moments before performances. Other pieces revise standard accounts of well-known jazz figures, such as Duke Ellington, and lesser-known musicians, including Jeanne Lee; delve into how money, class, space, and economics affect the performance of experimental music; and take up the question of how digital technology influences improvisation. People Get Ready offers a vision for the future of jazz based on an appreciation of the complexity of its past and the abundance of innovation in the present. Contributors. Tamar Barzel, John Brackett, Douglas Ewart, Ajay Heble, Vijay Iyer, Thomas King, Tracy McMullen, Paul D. Miller/DJ Spooky, Nicole Mitchell, Roscoe Mitchell, Famoudou Don Moye, Aldon Lynn Nielsen, Eric Porter, Marc Ribot, Matana Roberts, Jaribu Shahid, Julie Dawn Smith, Wadada Leo Smith, Alan Stanbridge, John Szwed, Greg Tate, Scott Thomson, Rob Wallace, Ellen Waterman, Corey Wilkes

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Duncan Williamson was the son, grandson and great grandson of nomadic tinsmiths, basket makers, pipers and storytellers. In this book, he describes his life as a traveller with verve, candour and intimacy, recounting a childhood spent on the shores of Loch Fyne, work on the small hill farms in the summer, walking with barrows and prams and later with horse and cart, the length and breadth of Scotland. He recalls camping with hundreds of traveller families from the 1940s to the 1960s, his marriage to his cousin, Jeanie Townsley, and all the various traditional skills and arts which must be perfected for a man to maintain his family adequately. The Horsieman is the story of traditions long vanished - of traveller trades, of building tents, of routes travelled and traditional camping sites, of stories, songs, music and cures which have been the heritage and tradition of travelling people in Scotland through the ages. Set mainly in Argyll, Tayside and all stations in between, Duncan Williamson's story is told with great warmth and humour and in the inimitable style of one Scotland's master storytellers.

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Explores a full spectrum of Gothic works broadly understood as queer, from the eighteenth century to today Explores Gothic themes through nuanced queer lenses Re-visits past ideas of queer theory and expands on them within Gothic context Focuses on time periods, genres, and queer Gothic modes Queer Gothic: An Edinburgh Companion features sixteen essays that interrogate queer theory's intersections with the Gothic. By re-visiting the usefulness of the term 'queer' and pushing queer theoretical frameworks into new territory, this volume explores the ways that Gothic and queer work alongside each other: one as a marginalised genre and the other as a marginalised identity. Considering both major and lesser-known Gothic works, and ranging from the canonical (poetry and fiction) to the popular (film, video games, music, and visual and performance art), it offers queer and trans perspectives on a wide selection of Gothic modes, genres and texts from fiction such as Hugh Walpole's The Castle of Otranto to Jeanette Winterson's The Daylight Gate, films from Nosferatu to The Cured and TV shows including In the Flesh and Pose.

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German society's inability and/or refusal to come to terms with its Nazi past has been analyzed in many cultural works, including the well-known books Society without the Father and The Inability to Mourn. In this pathfinding study, Susan Linville challenges the accepted wisdom of these books by focusing on a cultural realm in which mourning for the Nazi past and opposing the patriarchal and authoritarian nature of postwar German culture are central concerns—namely, women's feminist auto/biographical films of the 1970s and 1980s. After a broad survey of feminist theory, Linville analyzes five important films that reflect back on the Third Reich through the experiences of women of different ages—Marianne Rosenbaum's Peppermint Peace, Helma Sanders-Brahms's Germany, Pale Mother, Jutta Brückner's Hunger Years, Margarethe von Trotta's Marianne and Juliane, and Jeanine Meerapfel's Malou. By juxtaposing these films with the accepted theories on German culture, Linville offers a fresh appraisal not only of the films' importance but especially of their challenge to misogynist interpretations of the German failure to grieve for the horrors of its Nazi past.

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