Search results for ""Author Jean"

An Irish Independent Book of the Year. As the great John McGahern used to say, there's verse, and there's prose, and then there's poetry; William Wall is a poet in both mediums' John Banville. 'An underrated veteran at the peak of his powers' Sunday Times. 'It's this mood of lives irreparably spoiled that make this bitter-tasting tale so potent' Daily Mail. Grace and her mother and sisters live on an island off the west coast of Ireland. Their father is a successful writer of travel books that advocate a simpler way of life, though he is so seldom there that his family become the subjects of his social experiments and his children's freedom is indistinguishable from poverty. Grace and Jeannie take turns to look after their little sister Emily. Then one day – Grace's day – a terrible tragedy occurs that changes everything. This is novel about a world of adult self-indulgence and the consequences of careless decisions and dishonest compromises.

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The milestone 100th issue of Camera Obscura recognizes the work and legacy of Belgian filmmaker Chantal Akerman (1950–2015). Arguably the most important figure in feminist film culture, Akerman is central to Camera Obscura's own legacy, and her film Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles was covered in one of the first issues of the journal. The contributors to this special issue return to Akerman's work, illuminating her films, writings, and installations through new criticism and discussion. The issue includes a rich collection of newly published photographs, scholarly essays by leading Akerman scholars, a filmography and installation list, and rare interviews with Akerman's close collaborators. Contributors. Claire Atherton, Janet Bergstrom, Kelley Conway, Sandy Flitterman-Lewis, Ute Holl, Heike Klippel, Eva Kuhn, Matias Lavin, Alisa Lebow, Brenda Longfellow, Babette Mangolte, Ivone Margulies, Michael Mazière, Eva Meyer, Sandra Percival, Jane Stein, Cécile Tourneur, Maureen Turim, Sonia Wieder-Atherton, Patricia White

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"American Ethnographic Film and Personal Documentary" is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism's focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century.

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'A sublime reading experience: delicate, restrained, surpassingly intelligent, uncommonly poised and truly beautiful' Zadie Smith**WINNER OF THE BETTY TRASK AWARD 2020**Midhat Kamal - dreamer, romantic, aesthete - leaves Palestine in 1914 to study medicine in France, under the tutelage of Dr Molineu. He falls deeply in love with Jeannette, the doctor's daughter. But Midhat soon discovers that everything is fragile: love turns to loss, friends become enemies and everyone is looking for a place to belong. Through Midhat's eyes we see the tangled politics and personal tragedies of a turbulent era - the Palestinian struggle for independence, the strife of the early twentieth century, and the looming shadow of the Second World War. Lush and immersive, and devastating in its power, The Parisian is an elegant, richly-imagined debut from a dazzling new voice in fiction.*SHORTLISTED FOR THE WALTER SCOTT PRIZE FOR HISTORICAL FICTION 2020**SHORTLISTED FOR THE EDWARD STANFORD FICTION AWARD 2019*

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For more than a decade, coaches have relied on one classic resource for their every coaching need. Featuring the advice, wisdom, and insights from the sport’s legendary coaches, The Softball Coaching Bible, Volume I, has become the essential guide for coaches at every level worldwide. The Softball Coaching Bible, Volume II, picks up where the first volume left off, providing more instruction, guidance, recommendations, and expertise for every aspect of the sport. The NFCA has put together another stellar lineup of coaches who share the guidance that helped them establish such well-respected softball programs: Patty Gasso Jeanne Tostenson-Scarpello Chris Bellotto George Wares Kris Herman Bob Ligouri Karen Weekly Elaine Sortino Frank Griffin Bonnie Tholl Michelle Venturella Beth Torina Jenny Allard Ehren Earleywine Erica Beach Stacey Nuveman John Tschida Teena Murray Donna Papa Carol Bruggeman Kyla Holas Kelly Inouye-Perez Sandy Montgomery Rachel Lawson Kristi Bredbenner Deanna Gumpf It’s all here—developing players, building a winning program, assessing and refining essential skills and techniques, and incorporating the most effective strategies for any opponent or in-game situation. If you coach the sport and want a competitive edge in today’s game, The Softball Coaches Bible, Volume II, is the must-have resource for every season.

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A critical reexamination of Russian modernist cultural historiography.Winner of the Aldo and Jeanne Scaglione Prize for Studies in Slavic Languages and Literatures by the Modern Language AssociationThe writing and teaching of Russian literary and cultural history have changed little since the 1980s. In Search of Russian Modernism challenges the basic premises of Russian modernist studies, removing the aura of certainty surrounding the analytical tools at our disposal and suggesting audacious alternatives to the conventional ways of thinking and speaking about Russian and transnational modernism. Drawing on methodological breakthroughs in Anglo-American new modernist studies, Leonid Livak explores Russian and transnational modernism as a story of a self-identified and self-conscious interpretive community that bestows a range of meanings on human experience. Livak's approach opens modernist studies to integrative and interdisciplinary analysis, including the extension of scholarly inquiry beyond traditional artistic media in order to account for modernism's socioeconomic and institutional history. Writing with a student audience in mind, Livak presents Russian modernism as a minority culture coexisting with other cultural formations while addressing thorny issues that regularly come up when discussing modernist artifacts. Aiming to open an overdue debate about the academic fields of Russian and transnational modernist studies, this book is also intended for an audience of scholars in comparative literary and cultural studies, specialists in Russian and transnational modernism, and researchers engaged with European cultural historiography.

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In the days before the outbreak of war in Syria, a young Kurdish woman, Zarrin, has brought shame on her family. She has paid a high price - as is the way for such dishonour - and fearing for her life, she flees, stumbling her way blindly to the border with Turkey, where she finds herself amongst a growing tide of migrants in a refugee camp. There, a son, Elend, is born - the product of her punishment. When the weather improves, and still fearing pursuit, she takes Elend, escapes the camp, and heads for Europe, hoping to find refuge there. She makes her way to Britain, scraping a living as best she can, but she is betrayed over and over as she moves from job to job, living hand to mouth and supporting her young son with what little she has. Events conspire to make her flee once more and she finds work as a vegetable picker, exploited, unappreciated but, importantly, largely unnoticed. Then, at last, her fortunes change and she finds happiness and companionship at last. Elend grows strong and love beckons but her happiness is crushed again when she is outed inadvertently by one of her friends and she finds herself pursued once more. This is a compelling tale of a fight for freedom and safety in the vein of American Dirt by Jeanine Cummins.

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When feminists argued for political rights in the context of liberal democracy they faced an impossible choice. On the one hand, they insisted that the differences between men and women were irrelevant for citizenship. On the other hand, by the fact that they acted on behalf of women, they introduced the very idea of difference they sought to eliminate. This paradox--the need both to accept and to refuse sexual difference in politics--was the constitutive condition of the long struggle by women to gain the right of citizenship. In this new book, remarkable in both its findings and its methodology, award-winning historian Joan Wallach Scott reads feminist history in terms of this paradox of sexual difference.Focusing on four French feminist activists--Olympe de Gouges, who wrote the Declaration of the Rights of Woman and Citizen during the French Revolution; Jeanne Deroin, a utopian socialist and candidate for legislative office in 1848; Hubertine Auclert, the suffragist of the Third Republic; and Madeleine Pelletier, a psychiatrist in the early twentieth century who argued that women must "virilize" themselves in order to gain equality--Scott charts the repetitions and variations in feminist history. Again and again, feminists tried to prove they were individuals, according to the standards of individuality of their day. Again and again, they confronted the assumption that individuals were men. But when sexual difference was taken to be a fundamental difference, when only men were regarded as individuals and thus as citizens, how could women also be citizens? The imaginative and courageous answers feminists offered to these questions are the subject of this engaging book.

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When his mother Joan was diagnosed with terminal cancer, Rory MacLean and his wife Katrin took her into their home. For five months, as their life fragmented and turned inward, they fought both to resist and to accept the inevitable. Each gave vent to their emotions in different ways, but all three kept a diary.Heartbreakingly honest and deeply moving, Gift of Time is the story of those days, in the words of a son, his wife and his mother. Woven together into a poignant meditation on life and death, they illuminate the courage and dignity of one woman who confronted what we all must face. Threaded through with wisdom and guilt, anger and acceptance, the story is punctuated by a family wedding and the hope of new life, by bin-bags of old letters and books rediscovered, by the end of winter and the first signs of spring.Powerful, raw and urgent, this slender volume is above all a celebration of life. Capturing every moment of beauty and pain it acknowledges that what survives all of us is love.Praise for Rory MacLean's previous titles:Stalin's Nose: 'The most extraordinary debut in travel writing since In Patagonia. A dark, sardonic and brilliant book which grows in stature with every page' William Dalrymple'A surreal masterpiece' Colin ThubronThe Oatmeal Ark: 'One of the most original and innovative travel books for years.' Alexander Frater'A truly astonishing performance' Jan Morris'Such a book as this rather marvellously explains why literature still lives.' John FowlesUnder the Dragon: 'I cannot imagine a better book on the beauty and terror of Burma. Read it. Read it. Read it.' Fergal Keane'It will make you cry and it will give you hope. ... It is astonishingly good.' Jeanette Winterson.Magic Bus: 'A disturbing, gripping and intensely passionate story' Esther Freud.

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León Bloy (1846-1917) fue un hombre excepcional; en eso coinciden todos: sus amigos y sus detractores. La potencia extraordinaria de su estilo, la fuerza con que resuena su prosa (que en ocasiones recuerda a Nietzsche) no es la única causa de que el descubrimiento de Bloy sea un acontecimiento memorable en la vida de todo verdadero lector. Lector que no encontrará término medio en estas Cartas, porque Bloy siempre pretende escribir desde lo Absoluto y porque, en estas Cartas, aparece una cuestión que transita toda la obra de Bloy de arriba abajo: el horror por el burgués, al que su amigo Villiers calificó como asesino de cisnes. Y ante Bloy no cabe la indiferencia.Destinados el uno para el otro. No hay casualidades. Destino es uno de los nombres de la providencia. Por eso, el día que Jeanne Molbech (una danesa que, casualmente, estaba pasando una temporada en París) se encontró con León Bloy cuando éste volvía del entierro de un amigo querido, el curso de la vida de am

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Superfudge meets The Lemonade War in this funny, heartwarming book about change, adventure, family, and of course, doughnuts.Tristan isn't Gifted or Talented like his sister Jeanine, and he's always been okay with that because he can make a perfect chocolate chip cookie and he lives in the greatest city in the world. But his life takes a turn for the worse when his parents decide to move to middle-of-nowhere Petersville—a town with one street and no restaurants. It's like suddenly they're supposed to be this other family, one that can survive without bagels and movie theaters.His suspicions about his new town are confirmed when he's tricked into believing the local general store has life-changing chocolate cream doughnuts, when in fact the owner hasn't made them in years. And so begins the only thing that could make life in Petersville worth living: getting the recipe, making the doughnuts, and bringing them back to the town through his very own doughnut stand. But Tristan will soon discover that when starting a business, it helps to be both Gifted and Talented, and it's possible he's bitten off more than he can chew...A perfect book for:Ages 9-12Children with the entrepreneurial spirit!Parents and teachers looking to inspire a growth mindset!Young foodies looking for fun recipes!

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As a city that seems to float between Europe and Asia, removed by a lagoon from the tempos of terra firma, Venice has long seduced the Western imagination. Since the 1797 fall of the Venetian Republic, fantasies about the sinking city have engendered an elaborate series of romantic cliches, provoking conflicting responses: some modern artists and intellectuals embrace the resistance to modernity manifest in Venice's labyrinthine premodern form and temporality, whereas others aspire to modernize by "killing the moonlight" of Venice, in the Futurists' notorious phrase. Spanning the history of literature, art, and architecture-from John Ruskin, Henry James, and Ezra Pound to Manfredo Tafuri, Italo Calvino, Jeanette Winterson, and Robert Coover-Killing the Moonlight tracks the pressures that modernity has placed on the legacy of romantic Venice, and the distinctive strains of aesthetic invention that resulted from the clash. In Venetian incarnations of modernism, the anachronistic urban fabric and vestigial sentiment that both the nation-state of Italy and the historical avant-garde would cast off become incompletely assimilated parts of the new. Killing the Moonlight brings Venice into the geography of modernity as a living city rather than a metaphor for death, and presents the archipelago as a crucible for those seeking to define and transgress the conceptual limits of modernism. In strategic detours from the capitals of modernity, the book redrafts the confines of modernist culture in both geographical and historical terms.

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Midwest Book Award Winner — Young Adult FictionA disturbing call from her great aunts Astrid and Jeannette sends seventeen-year-old Francie far from her new home in New York into a tangle of mysteries. Ditching an audition in a Manhattan theater, Francie travels to a remote lake in the northwoods where her aunts’ neighbors are “dropping like flies” from strange accidents. But are they accidents? On the shores of Enchantment Lake in the woods of northern Minnesota, something ominous is afoot, and as Francie begins to investigate, the mysteries multiply: a poisoned hotdish, a puzzling confession, eerie noises in the bog, and a legendary treasure said to be under enchantment—or is that under Enchantment, as in under the lake? At the center of everything is a suddenly booming business in cabin sales and a road not everyone wants built. To a somewhat reluctant northwoods Nancy Drew, the intrigue proves irresistible, especially when it draws her closer to the mysteries at the heart of her own life. What happened to her father? Who and where is her mother? Who is she, and where does her heart lie—in the bustle of New York City or the deep woods of Minnesota? With its gripping story, romantic spirit, and a sly dash of modern-day trouble (including evil realtors and other invasive species), Enchantment Lake will fascinate readers, providing precisely the charm that Margi Preus’s fans have come to expect.

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The smash-hit Sunday Times bestseller now illustrated with over 100 spectacular full-colour images, showcasing this wondrous and wildly various lifeform as never before'Astonishing ... it seems somehow to tip the natural world upside down' Observer'Completely mind-blowing ... reads like an adventure story' Sunday Times*WINNER OF THE ROYAL SOCIETY BOOK PRIZE 2021**WINNER OF THE WAINWRIGHT PRIZE FOR CONSERVATION WRITING 2021*The more we learn about fungi, the less makes sense without them. They can change our minds, heal our bodies and even help us avoid environmental disaster; they are metabolic masters, earth-makers and key players in most of nature's processes. In Entangled Life, Merlin Sheldrake takes us on a mind-altering journey into their spectacular world, and reveals how these extraordinary organisms transform our understanding of our planet and life itself.'Dazzling, vibrant, vision-changing' Robert Macfarlane'Urgent, astounding and necessary' Helen Macdonald'Gorgeous!' Margaret Atwood (on Twitter)'Wonderful' Nigella Lawson'This book is like one surprise after another' David Byrne'Uplifting' Jeanette Winterson*SHORTLISTED FOR THE RATHBONES FOLIO PRIZE 2021**SHORTLISTED FOR THE BRITISH BOOK AWARDS BOOK OF THE YEAR 2021** A Sunday Times, Daily Telegraph, New Statesman, The Times, Evening Standard, Mail on Sunday, BBC Science Focus and Time Book of the Year *

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For one hundred years members of the Cruising Club of America have been sailing far and wide on the oceans of the world. The CCA is an amateur sailing club without a clubhouse--but that does not mean the members are not communicative. They have written, photographed, and talked about their adventures. They have passed along adventures, disasters, great pleasures, and useful information for those who sail in their wake.In Adventurous Use of the Sea Tim Murphy, an experienced ocean sailor and professional sailing writer, and Sheila McCurdy, deeply experienced sailor and former Commodore of the CCA, recount the experiences of CCA members who will be familiar to sailing readers and some that should be: Bill Nutting, Olin Stephens, Jeanne Socrates, John Alden, Carleton Mitchell, Rich Wilson, Roger Swanson, Irving and Exy Johnson and many more.Each chapter has fascinating details on their sailing adventures, technical information on their boats, and historic and modern photo

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The most substantive monograph yet published on the work of German-born, New York based multimedia artist Andrea Geyer (born 1971), Dance in a Future with All Present focuses on her recent explorations of the marginalized yet pivotal role that women have played in the formulation of American modernism, tracing and honoring the ephemeral acts, initiatives and stories that shaped it. Featuring full-color images of Geyer's artworks and research materials, including documents, found photographs and previously unpublished photographs by the artist, Dance in a Future with All Present offers insight into Geyer's art and the multiple histories of modernism. Contributors to this volume include Thomas J. Lax, Andre Lepecki, Soyoung Yoon, Andrianna Campbell, Alhena Katsof, Matthew Jeffrey, Juli Carson, Lynne Cooke, Barbara Clausen, Dean Daderko, Saisha Grayson, Sharon Hayes, Megan Heuer, Danielle Jackson, Kristan Kennedy, Ralph Lemon, Renate Lorenz, Josiah McElheny, Fred Moten, Kristin Poor, Yvonne Rainer, Gabriela Rangel and Jeannine Tang.

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Extraordinary and diverse people inhabit this rich, ripe, occasionally raucous collection of short stories. Some are based on real people - Jeanne Duval, Baudelaire's handsome and reluctant muse who never asked to be called the Black Venus, trapped in the terminal ennui of the poet's passion, snatching at a little lifesaving respectability against all odds...Edgar Allen Poe, with his face of a actor, demonstrating in every thought and deed how right his friends were when they said 'No man is safe who drinks before breakfast.'And some of these people are totally imaginary. Such as the seventeenth century whore, transported to Virginia for thieving, who turns into a good woman in spite of herself among the Indians, who have nothing worth stealing. And a girl, suckled by wolves, strange and indifferent as nature, who will not tolerate returning to humanity. Angela Carter wonderfully mingles history, fiction, invention, literary criticism, high drama and low comedy in a glorious collection of stories as full of contradictions and surprises as life itself.

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A bold new critique of dialogue as a method of eliminating dissent Is dialogue always the productive political and communicative tool it is widely conceived to be? Resisting Dialogue reassesses our assumptions about dialogue and, in so doing, about what a politically healthy society should look like. Juan Meneses argues that, far from an unalloyed good, dialogue often serves as a subtle tool of domination, perpetuating the underlying inequalities it is intended to address.Meneses investigates how “illusory dialogue” (a particular dialogic encounter designed to secure consensus) is employed as an instrument that forestalls—instead of fostering—articulations of dissent that lead to political change. He does so through close readings of novels from the English-speaking world written in the past hundred years—from E. M. Forster’s A Passage to India and Jeanette Winterson’s The Passion to Indra Sinha’s Animal’s People and more. Resisting Dialogue demonstrates how these novels are rhetorical exercises with real political clout capable of restoring the radical potential of dialogue in today’s globalized world. Expanding the boundaries of postpolitical theory, Meneses reveals how these works offer ways to practice disagreement against this regulatory use of dialogue and expose the pitfalls of certain other dialogic interventions in relation to some of the most prominent questions of modern history: cosmopolitanism at the end of empire, the dangers of rewriting the historical record, the affective dimension of neoliberalism, the racial and nationalist underpinnings of the “war on terror,” and the visibility of environmental violence in the Anthropocene. Ultimately, Resisting Dialogue is a complex, provocative critique that, melding political and literary theory, reveals how fiction can help confront the deployment of dialogue to preempt the emergence of dissent and, thus, revitalize the practice of emancipatory politics.

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Winner of the 2014 Aldo and Jeanne Scaglione Prize for Comparative Literary Studies, awarded by the Modern Language Association. Theories of power have always been intertwined with theories of fatherhood: paternity is the oldest and most persistent metaphor of benign, legitimate rule. The paternal trope gains its strength from its integration of law, body, and affect—in the affirmative model of fatherhood, the biological father, the legal father, and the father who protects and nurtures his children are one and the same, and in a complex system of mutual interdependence, the father of the family is symbolically linked to the paternal gods of monotheism and the paternal ruler of the monarchic state. If tragedy is the violent eruption of a necessary conflict between competing, legitimate claims, The Tragedy of Fatherhood argues that fatherhood is an essentially tragic structure. Silke-Maria Weineck traces both the tensions and various strategies to resolve them through a series of readings of seminal literary and theoretical texts in the Western cultural tradition. In doing so, she demonstrates both the fragility and resilience of fatherhood as the most important symbol of political power. A long history of fatherhood in literature, philosophy, and political thought, The Tragedy of Fatherhood weaves together figures as seemingly disparate as Aristotle, Freud, Kafka, and Kleist, to produce a stunning reappraisal of the nature of power in the Western tradition.

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As scholars become more public, what responsibility do they have to advocate for policies that will advance equity, inclusiveness, and social change?Higher education scholars often conduct research on topics about which they care deeply, but to what extent should they be advocates for reform and social change? One school of thought believes researchers should remain dispassionate and data focused; the other, that a researcher, by the very questions she asks, can help effect social change. In this book, Laura W. Perna questions how, why, and when higher education researchers should be public intellectuals and whether, armed with research, they are—and should be—a powerful force for change.Taking It to the Streets collects essays from nationally and internationally recognized thought leaders with diverse opinions and perspectives on these issues. With the intentional inclusion of voices on different sides of this discussion, the volume offers a thought-provoking and nuanced understanding of the multifaceted connections between higher education research, advocacy, and policy.Contributors: Ann E. Austin, Estela Mara Bensimon, Anthony A. Berryman, Mitchell J. Chang, Cheryl Crazy Bull, Adam Gamoran, Sara Goldrick-Rab, Shaun R. Harper, Donald E. Heller, Adrianna Kezar, Simon Marginson, James T. Minor, Jeannie Oakes, Laura W. Perna, Gary Rhoades, Daniel G. Solorzano, Christine A. Stanley, William G. Tierney

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In the face of changing fortunes, the Strong family must unite to keep their wealth and status: or risk losing it all.It’s 1850 and cholera is sweeping through the streets of Bristol. Blanche and her husband are devastated by the loss of their daughter as they discover that no one is immune. Lost in her grief, her childhood sweetheart Tom Strong, is the only one who can bring her back to her family.Meanwhile, Horatia Strong has her sights on leading the family dynasty, as her brother Nelson succumbs to his opium habit. Still desperately in love with her adoptive cousin, Tom, she knows that he can give her the wealth and strength to take the family businesses to new heights.Will Tom be able to leave his romantic history with Blanche behind for the sake of his family? Previously published as Just Before Dawn by Jeannie Johnson. Perfect for fans of Sharon Maas, Rosie Goodwin and Pam Howes.Don’t miss the rest of the Strong Family Sagas:1. Daughter of Destiny2. The Sugar Merchant’s Wife3. Return to Paradise

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This is the first book about the emerging field of utility indifference pricing for valuing derivatives in incomplete markets. Rene Carmona brings together a who's who of leading experts in the field to provide the definitive introduction for students, scholars, and researchers. Until recently, financial mathematicians and engineers developed pricing and hedging procedures that assumed complete markets. But markets are generally incomplete, and it may be impossible to hedge against all sources of randomness. Indifference Pricing offers cutting-edge procedures developed under more realistic market assumptions. The book begins by introducing the concept of indifference pricing in the simplest possible models of discrete time and finite state spaces where duality theory can be exploited readily. It moves into a more technical discussion of utility indifference pricing for diffusion models, and then addresses problems of optimal design of derivatives by extending the indifference pricing paradigm beyond the realm of utility functions into the realm of dynamic risk measures. Focus then turns to the applications, including portfolio optimization, the pricing of defaultable securities, and weather and commodity derivatives. The book features original mathematical results and an extensive bibliography and indexes. In addition to the editor, the contributors are Pauline Barrieu, Tomasz R. Bielecki, Nicole El Karoui, Robert J. Elliott, Said Hamadene, Vicky Henderson, David Hobson, Aytac Ilhan, Monique Jeanblanc, Mattias Jonsson, Anis Matoussi, Marek Musiela, Ronnie Sircar, John van der Hoek, and Thaleia Zariphopoulou. * The first book on utility indifference pricing * Explains the fundamentals of indifference pricing, from simple models to the most technical ones * Goes beyond utility functions to analyze optimal risk transfer and the theory of dynamic risk measures * Covers non-Markovian and partially observed models and applications to portfolio optimization, defaultable securities, static and quadratic hedging, weather derivatives, and commodities * Includes extensive bibliography and indexes * Provides essential reading for PhD students, researchers, and professionals

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Conversations with leading women artists, composers and writers from Judy Chicago, Anohni and Lynne Tillman to Ellie Ga, Tauba Auerbach and Renee Green This massive volume comprises over 80 interviews published across a 13-year span of Lauren O’Neill-Butler’s career as a writer, educator, editor and cofounder of November magazine. The majority of the interviews first appeared on Artforum.com’s interviews column, which O’Neill-Butler edited for 11 years. The book is divided into two sections, “Q&A” and “As Told To”—the first comprising interviews in a traditional format and the second recast by O’Neill-Butler in the interviewee’s voice. Interviewees include: Judy Chicago, Shannon Ebner, Carolee Schneemann, Lucy R. Lippard, Joan Semmel, Liz Deschenes, Eleanor Antin, Andrea Fraser, Anohni, Claudia Rankine, Lorrie Moore, Adrian Piper, fierce pussy, Nan Goldin, Nell Painter, Frances Stark, Sara Greenberger Rafferty, Alex Bag, Agnès Varda, Lisi Raskin, Mary Mattingly, Carol Bove, Jennifer West, Aki Sasamoto, Mary Ellen Carroll, Rebecca Solnit, Rita McBride and Kim Schoenstadt, Karla Black, Julia Bryan-Wilson, Lynda Benglis, Sturtevant, Rachel Foullon, Ellie Ga, Lisa Tan, Mira Schor, Jo Baer, Ruby Sky Stiler, Suzanne Lacy, Rebecca Warren, Katy Siegel, Marlene McCarty, Rachel Mason, Mary Kelly, Dianna Molzan, Lynne Tillman, Polly Apfelbaum, Jesse Jones, Dorothea Rockburne, Sarah Crowner, Lucy Skaer, Sophie Calle, Mary Beth Edelson, W.A.G.E., Mary Heilmann, Pauline Oliveros, Kathryn Andrews, Jessamyn Fiore, Aura Rosenberg, Lucy McKenzie, Rhonda Lieberman, Lucy Dodd, Hong-Kai Wang, Sakiko Sugawa, Beverly Semmes, Virginia Dwan, Jeanine Oleson, Tauba Auerbach, Renee Green, Iman Issa, Monir Shahroudy Farmanfarmaian, Joan Jonas, Yoko Ono, Donna J. Haraway and more.

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La acción de " La lluvia de verano " (1990) se teje en torno a una familia de inmigrantes cautivadora en su pobreza: el padre, un obrero italiano enamorado de su esposa con la pasión de quien vive obsesionado por un temido abandono; la madre, rodeada por un halo de misterio, ignorante de su poder de fascinación, ajena, animada por el recuerdo luminoso del amante de una noche en un país lejano; los hijos, seductores natos en su atractivo físico, en su libertad, en su clara inteligencia, y sobre todos ellos Ernesto, el mayor, quien, dueño de un talento privilegiado y cobijado en la complicidad que experimenta con su hermana Jeanne, se levanta en medio de una árida soledad sin recursos como el árbol que, insólito en su belleza, crece en un yermo paisaje. En " La lluvia de verano " el lector reconocerá algunos de los temas recurrentes en la obra de Marguerite Duras (1914-1996), como son la infancia, la soledad, el amor, el dolor, la desesperanza.Traducción de M. Teresa Gallego Urrutia y

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In this heartwarming, feel-good novel, a snowstorm brings a cast of very different characters together at a sleepy New England inn, just in time for Christmas—and maybe even in time for a Christmas miracle. A New England inn seems like the picture-perfect place to spend the holidays. But when a snowstorm shuts the roads and keeps them all inside, the guests find themselves worrying that this Christmas may not be exactly what they dreamed of. Molly just needs to keep her head down and finish her latest book, but her writer’s block is crippling. The arrival of Marcus, a handsome widower with two young girls, is exactly the distraction she doesn't need. Hannah was hoping for a picturesque winter wedding, but her plans come crashing down when her fiancé calls everything off. She reconnects with her childhood friend, Luke, when he comes to check on his grandmother before the storm. Jeanne and Tim don't know how they're going to keep the inn open another year—or how to bridge the distance between them in their marriage. With a flurry of unexpected guests, they'll have to work together to fix all the problems that crop up. But will it be enough to rekindle their relationship? As the characters’ stories intertwine, they start to find hope where they thought it had been lost. With faith, and a little bit of Christmas magic, the inn—and its inhabitants—might just make it through the holidays after all.

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Architecture needs women. How can the built environment be designed without the expert input of half the population? In spite of the significant number of women choosing to study architecture as undergraduates, once qualified women remain in the minority. As professionals their expertise is often overlooked, their work devalued and their contribution to the canon forgotten. Yet women’s work is critical to the sustainability of a profession that must aspire to design high-quality buildings for the whole of society. How can architecture attract, recruit and retain women? And how can women find ways to thrive within it? Underpinned by inclusion, internationalism and intersectionality, this practical guide looks back as well as forward, exploring the history of women working in architecture as well as interrogating the contemporary landscape. It provides guidance, tips and examples for navigating key points in an architect’s career, including education, practice, projects and promotion. Inspiring case studies of women and women-led practices consider what success means, and how to negotiate a route to a fruitful career and a balanced life as an architect. The book covers women architects from all walks of life, all sizes of practice and from all over the world, including Jeanne Gang, Yasmeen Lari and Anupama Kundoo as well as many other historical and contemporary women architects and emerging practices. Featuring guidance on: Understanding the barriers and history of women in architecture Expanding the opportunities and visibility of women in leading roles The importance of role models and mentoring With a foreword by Jane Duncan OBE PPRIBA.

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Practical Strategies and Winning Techniques to Engage and Enhance Student Learning The revised and updated second edition of Student Engagement Techniques is a much-needed guide to engaging today's information-overloaded students. The book is a comprehensive resource that offers college teachers a dynamic model for engaging students and includes over one hundred tips, strategies, and techniques that have been proven to help teachers across all disciplines motivate and connect with their students. This edition will provide a deeper understanding of what student engagement is, demonstrate new strategies for engaging students, uncover implementation strategies for engaging students in online learning environments, and provide new examples on how to implement these techniques into STEM fields. "Student Engagement Techniques is among a handful of books—several of which are in this series!—designed specifically to help instructors, regardless of experience, create the conditions that make meaningful, engaged learning not just possible but highly probable." —Michael Palmer, Ph.D., Director, Center for Teaching Excellence, Professor, General Faculty, University of Virginia "This practical guide to motivating and engaging students reads like a quite enjoyable series of conversations held over coffee with skilled colleagues. It has been met with delight from every faculty member and graduate instructor that we've shared the book with!" —Megan L. Mittelstadt, Ph.D., Director, Center for Teaching and Learning, The University of Georgia "Student Engagement Techniques belongs in the hands of 21st century instructors and faculty developers alike. Its research-based, specific, yet broadly applicable strategies can increase student engagement in face-to-face and online courses in any discipline." —Jeanine A. Irons, Ph.D., Faculty Developer for Diversity, Equity, and Inclusion, Center for Teaching and Learning Excellence, Syracuse University "This book is an essential resource for faculty seeking to better engage with their students. Anyone seeking a clear, research-based, and actionable guide needs a copy of Student Engagement Techniques on their shelf!" —Michael S. Harris, Ed.D., Associate Professor of Higher Education, Director, Center for Teaching Excellence, Southern Methodist University

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Electromagnetic Waves 1 examines Maxwell’s equations and wave propagation. It presents the scientific bases necessary for any application using electromagnetic fields, and analyzes Maxwell’s equations, their meaning and their resolution for various situations and material environments. These equations are essential for understanding electromagnetism and its derived fields, such as radioelectricity, photonics, geolocation, measurement, telecommunications, medical imaging and radio astronomy. This book also deals with the propagation of electromagnetic, radio and optical waves, and analyzes the complex factors that must be taken into account in order to understand the problems of propagation in a free and confined space. Electromagnetic Waves 1 is a collaborative work, completed only with the invaluable contributions of Ibrahima Sakho, Hervé Sizun and JeanPierre Blot, not to mention the editor, Pierre-Noël Favennec. Aimed at students and engineers, this book provides essential theoretical support for the design and deployment of wireless radio and optical communication systems.

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Taking readers on a global journey through human history, Natasha Tidd examines how lies can change the world around us, from Julius Caesar’s deceptive PR machine to the cover-ups that caused Chernobyl.From forgeries that created centuries worth of conflict and domination, such as The Donation of Constantine, the Protocols of Zion and the mysterious Testament of Peter the Great, to mass political and press cover-ups including Britain’s Boer War concentration camps, a Pulitzer Prize-winning whitewash of the Ukraine Famine and the infamous Dreyfus Affair in France.Alongside these are examinations of how our retellings of history can turn fiction into fact, including The Spanish Inquisition’s deceitful legacy. Plus, there is an in-depth look at how historic lies can still impact our lives today, such as the deadly legacy of America’s Tuskegee Experiment.Meet incredible people, including Jeanne de Clisson who became the fourteenth century's most feared pirate – all because of a lie.A Short History of the World in 50 Lies details the profound impact of this secretive side of history and shows that the truth really is stranger – and far more dangerous – than any fiction.

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This series of books comprises a major social and cultural history of Britain, reflected through the prism of music — mostly folk music. It amounts to a hidden history of both Britain and music, and is part oral history and part incisive criticism, with a fair amount of humour thrown in. The ten part series is based on the life of 90-year-old Bill Leader, the prolific sound engineer and producer, who was the first to record Bert Jansch, the Watersons, Anne Briggs, Nic Jones and Connollys Billy and Riognach, and among the last to record Jeannie Robertson, Fred Jordan and Walter Pardon. Bill straddled the golden age of traditional singing and the folk revival. He agreed to the biographical treatment if due prominence be given to colleagues who may have since slipped from the world’s eyes. Through the series, a parade of the great and good come and go. These include Paul Simon, Brendan Behan, Pink Floyd and Christy Moore, all recorded by Bill at one time or another. Secrets, surprises and heresies are rife and something jaw dropping happens at least every four pages. Each book comes with illustrations by PETER SEAL and rare photographs.

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On which day was history's shortest war waged and won (in roughly 40 minutes)? How was Napoleon bested by a group of rabbits in 1807? Why did a dispute about beer in an Oxford pub lead to over 100 deaths and 470 years of penance? Why in 1752 did Britain go to bed on 2nd September and wake up on the 14th? How did a women's march in 1917 set off the Russian Revolution?On This Day in History brings to life a key event that happened on each day of the year.From the most important British battle that you've never heard of (20 May 685) to the first meeting of Lennon and McCartney (6 July 1957), and from why Julius Caesar should have been wary of the Ides of March (15 March 44BC) to the day Jeanne de Clisson became a pirate and single-handedly declared war on the King of France (2 August 1343), history is full of unlikely heroes and fascinating turning points.In this book Dan Snow shows us how each day offers a different and unexpected insight into our past. And story by gripping story, this year grows into a vivid, very human history of the world.

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Winner, 2020 Aldo and Jeanne Scaglione Prize for Comparative Literary Studies, Modern Language Association The novel, the literary adage has it, reflects a world abandoned by God. Yet the possibilities of novelistic form and literary exegesis exceed the secularizing tendencies of contemporary literary criticism. Showing how the Qurʾan itself invites and enacts critical reading, Hoda El Shakry’s Qurʾanic model of narratology enriches our understanding of literary sensibilities and practices in the Maghreb across Arabophone and Francophone traditions. The Literary Qurʾan mobilizes the Qurʾan’s formal, narrative, and rhetorical qualities, alongside embodied and hermeneutical forms of Qurʾanic pedagogy, to theorize modern Maghrebi literature. Challenging the canonization of secular modes of reading that occlude religious epistemes, practices, and intertexts, it attends to literature as a site where the process of entextualization obscures ethical imperatives. Engaging with the Arab-Islamic tradition of adab—a concept demarcating the genre of belles lettres, as well as social and moral comportment—El Shakry demonstrates how the critical pursuit of knowledge is inseparable from the spiritual cultivation of the self. Foregrounding form and praxis alike, The Literary Qurʾan stages a series of pairings that invite paratactic readings across texts, languages, and literary canons. The book places twentieth-century novels by canonical Francophone writers (Abdelwahab Meddeb, Assia Djebar, Driss Chraïbi) into conversation with lesser-known Arabophone ones (Maḥmūd al-Masʿadī, al-Ṭāhir Waṭṭār, Muḥammad Barrāda). Theorizing the Qurʾan as a literary object, process, and model, this interdisciplinary study blends literary and theological methodologies, conceptual vocabularies, and reading practices.

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The first woman Speaker of the House. The first female combat veteran. The first Native American women. The first Muslim women. The first openly gay member of the Senate. These are just some of the remarkable firsts represented by the women of the 116th Congress, the most diverse and inclusive in American history. Just over a century ago, Jeannette Rankin of Montana won a seat in the House of Representatives, becoming the first woman ever elected to federal office. In 1917, 128 years after the first United States Congress convened, she was sworn into its 65th session. One hundred and two years later, one has become 131 — the number of women serving in both chambers of the 116th Congress as of 2019. For most of recorded American history, political power has looked a certain way. But the 2018 midterm elections brought a seismic change. This book documents the women of the 116th Congress in their totality, photographed in the style of historical portrait paintings commonly seen in the halls of power to highlight the stark difference between how we’ve historically viewed governance and how it has evolved. The Women of the 116th Congress is a testament to what representation in the United States looks and sounds like in 2019 — and the possibilities of what it may look like in the years to come.

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This book addresses the unique and profound indeterminacy of “Creole,” a label applied to white, black, and mixed-race persons born in French colonies during the nineteenth century. "Creole” implies that the geography of one’s birth determines identity in ways that supersede race, language, nation, and social status. Paradoxically, the very capaciousness of the term engendered a perpetual search for visual signs of racial difference as well as a pretense to blindness about the intermingling of races in Creole society. Darcy Grimaldo Grigsby reconstructs the search for visual signs of racial difference among people whose genealogies were often repressed. She explores French representations of Creole subjects and representations by Creole artists in France, the Caribbean, and the Americas. To do justice to the complexity of Creole identity, Grigsby interrogates the myriad ways in which people defined themselves in relation to others. With close attention to the differences between Afro-Creole and Euro-Creole cultures and persons, Grigsby examines figures such as Théodore Chassériau, Guillaume Guillon-Lethière, Alexandre Dumas père, Édouard Manet, Edgar Degas, the models Joseph and Laure, Josephine Bonaparte, Jeanne Duval, and Adah Isaacs Menken.Based on extensive archival research, Creole is an original and important examination of colonial identity. This essential study will be welcomed by specialists in nineteenth-century art history, French cultural history, the history of race, and transatlantic history more generally.

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Lose yourself in the tortured love lives of expats in 1920s Paris in this iconic cult classic.'Nightwood is itself. It is its own created world, exotic and strange, and reading it is like drinking wine with a pearl dissolving in the glass ... From now on, a part of you is pearl-lined.' Jeanette Winterson'Like a dark lesbian genius rolling in a giant heap of damp, dead leaves. What a great, shaking, grieving party this book is - the best.' Eileen Myles'I read with the aching intensity of a person possessed ... The story of passion and grief, of exile and loneliness, spoke directly to me, a young woman who [never] felt she quite belonged ... A hymn to the dispossessed, the misbegotten and those who love too much.' Siri HustvedtNightwood tells the stories of the love-lives of a group of American expats and Europeans in Paris in the 1920s - an exotic, night-time underworld, eccentric, seedy and beautiful. A modernist masterpiece, and one of the earliest novels to explicitly portray homosexuality, the influence of Djuna Barnes's novel remains exceptional.'A bold, exceptionally well-written modernist prose poem ... The closest thing to James Joyce.' Andre Aciman'The great achievement of a style, the beauty of phrasing, the brilliance of wit and characterisation, and a quality of horror and doom very nearly related to that of Elizabethan tragedy.' T.S. Eliot'One of the greatest books of the twentieth century.' William S. Burroughs'A writer of wild and original gifts . To her name there is always to be attached the splendor of Nightwood, a lasting achievement of her great gifts and eccentricities - her passionate prose and, in this case, a genuineness of human passions.' Elizabeth Hardwick

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A Sunday Times Art Book of the Year: the first critical illustrated biography of this much-loved artist, locating her firmly in the art worlds of late 19th- and early 20th-century London and Paris. One of the most significant British artists of the twentieth century, Gwen John (1867-1939) made her life and work within the heady art worlds of London and Paris. This critical biography demolishes the myth of Gwen John as a recluse and situates her, brilliant, singular and assured, amid a rich cultural milieu that included James McNeill Whistler, Henri Matisse, Pablo Picasso, Paula Modersohn-Becker and Maude Gonne. Art historian, curator and novelist Alicia Foster draws on previously unpublished archival sources to explore John’s many relationships with artists and writers, including her affair with Auguste Rodin, passionate friendships with Jeanne Robert Foster and Véra Oumançoff, and correspondence with, among others, the poet Rainer Maria Rilke and her Slade compatriot and fellow painter Ursula Tyrwhitt. John’s library, ranging from writing by her friends Rilke and Arthur Symonds to French philosophy and religious thought, is considered, as is her part in the increasing presence and visibility of women artists in the early-twentieth-century art world. From the life rooms of the Slade to the Paris salons, this is the story of an artist both devoted to her craft and deeply involved in the life and creativity of her era. With over 120 illustrations, Gwen John: Art and Life in London and Paris offers a lively, meticulously researched portrait of Gwen John as a vital and utterly compelling figure in twentieth-century art history.

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Get started with an innovative approach to teaching history that develops literacy and higher-order thinking skills, connects the past to students' lives, and meets state and national standards (grades 7–12). Now in a second edition, this popular book provides an introductory unit to help teachers build a trustful classroom climate; over 70 primary sources (including a dozen new ones) organized into thematic units structured around an essential question from U.S. history; and a final unit focusing on periodization and chronology. As students analyze carefully excerpted documents, they build an understanding of how diverse historical figures have approached key issues. At the same time, students learn to participate in civic debates and develop their own views on what it means to be a 21st-century American. Each unit connects to current events with dynamic classroom activities that make history come alive. In addition to the documents, this teaching manual provides strategies to assess student learning; mini-lectures designed to introduce documents; activities to help students process, display, and integrate their learning; guidance to help teachers create their own units, and more.Book Features: Addresses the politicization of history head-on with updated material that allows students entry points into the debates swirling around their education. Makes document-based teaching easy with a curated collection of primary sources (speeches by presidents and protesters, Supreme Court cases, political cartoons) excerpted into manageable chunks for students. Challenges the "master narrative" of U.S. history with texts from Frederick Douglass, Susan B. Anthony, Malcolm X, César Chavez, Jeanne Wakatsuki Houston, and Judy Heumann. Offers printable copies of the documents included in the book, which can be downloaded at tcpress.com.

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A bold new critique of dialogue as a method of eliminating dissent Is dialogue always the productive political and communicative tool it is widely conceived to be? Resisting Dialogue reassesses our assumptions about dialogue and, in so doing, about what a politically healthy society should look like. Juan Meneses argues that, far from an unalloyed good, dialogue often serves as a subtle tool of domination, perpetuating the underlying inequalities it is intended to address.Meneses investigates how “illusory dialogue” (a particular dialogic encounter designed to secure consensus) is employed as an instrument that forestalls—instead of fostering—articulations of dissent that lead to political change. He does so through close readings of novels from the English-speaking world written in the past hundred years—from E. M. Forster’s A Passage to India and Jeanette Winterson’s The Passion to Indra Sinha’s Animal’s People and more. Resisting Dialogue demonstrates how these novels are rhetorical exercises with real political clout capable of restoring the radical potential of dialogue in today’s globalized world. Expanding the boundaries of postpolitical theory, Meneses reveals how these works offer ways to practice disagreement against this regulatory use of dialogue and expose the pitfalls of certain other dialogic interventions in relation to some of the most prominent questions of modern history: cosmopolitanism at the end of empire, the dangers of rewriting the historical record, the affective dimension of neoliberalism, the racial and nationalist underpinnings of the “war on terror,” and the visibility of environmental violence in the Anthropocene. Ultimately, Resisting Dialogue is a complex, provocative critique that, melding political and literary theory, reveals how fiction can help confront the deployment of dialogue to preempt the emergence of dissent and, thus, revitalize the practice of emancipatory politics.

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The USA TODAY bestseller! Inspired by the brave women of WWII, this is a moving and powerful novel of friendship, love and resilience for fans of My Name is Eva, The Alice Network and The Tattooist of Auschwitz. A story of love not a story of a war… A daring WWII pilot who grew up among the clouds, Juliet Caron’s life was one of courage, adventure – and a love torn apart by war. Every nook of her Cornish cottage is alive with memories just waiting to be discovered. Katherine Henderson has escaped to Cornwall for Christmas, but she soon finds there is more to her holiday cottage than meets the eye. And on the eve of Juliet’s 100th birthday, Katherine is enlisted to make an old lady’s final Christmas wish come true… Me Before You meets The English Patient in this stunning romantic historical novel ‘I loved it’ Jill Mansell Readers love The Last Letter from Juliet ‘OK…. I’ve finished the book. Holy ******…I had to keep taking breaks in the last 15% just so I didn’t break down in a flood of tears’ Zoe Hartgen ‘Read the first chapter and I. Was. HOOKED!’ Skye’s Mum ‘If you only read one book this year make it The Last Letter from Juliet’ Tracey Shults ‘I just couldn't put it down until finished’ Jeanette ‘Captures those stolen moments in dangerous and desperate times…beautiful, nostalgic and emotional’ Cheryl M-M ‘Jam packed full of emotion…I don't usually read historical fiction but I'm so glad I read this’ Jennie Scanlan ‘I can highly recommend this beautiful tale of love, sacrifice, friendship, courage and so much more’ Nessa Stimpson

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Lose yourself in the tortured love lives of expats in 1920s Paris in this iconic cult classic.'Nightwood is itself. It is its own created world, exotic and strange, and reading it is like drinking wine with a pearl dissolving in the glass ... From now on, a part of you is pearl-lined.' Jeanette Winterson'Like a dark lesbian genius rolling in a giant heap of damp, dead leaves. What a great, shaking, grieving party this book is - the best.' Eileen Myles'I read with the aching intensity of a person possessed ... The story of passion and grief, of exile and loneliness, spoke directly to me, a young woman who [never] felt she quite belonged ... A hymn to the dispossessed, the misbegotten and those who love too much.' Siri HustvedtNightwood tells the stories of the love-lives of a group of American expats and Europeans in Paris in the 1920s - an exotic, night-time underworld, eccentric, seedy and beautiful. A modernist masterpiece, and one of the earliest novels to explicitly portray homosexuality, the influence of Djuna Barnes's novel remains exceptional.'A bold, exceptionally well-written modernist prose poem ... The closest thing to James Joyce.' Andre Aciman'The great achievement of a style, the beauty of phrasing, the brilliance of wit and characterisation, and a quality of horror and doom very nearly related to that of Elizabethan tragedy.' T.S. Eliot'One of the greatest books of the twentieth century.' William S. Burroughs'A writer of wild and original gifts . To her name there is always to be attached the splendor of Nightwood, a lasting achievement of her great gifts and eccentricities - her passionate prose and, in this case, a genuineness of human passions.' Elizabeth Hardwick

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Sous l’aspect rassurant d’un recueil érudit, cet album est un permis de chasse aux trésors. Non pour les perceurs de murailles, mais pour les perceurs de mystères. Nul besoin de forcer les secrets des Pyramides ou des palais de Maharajas! Restons ‘Rive gauche’, où la Société Asiatique, libéralement ouverte, ne cesse d’enrichir sa bibliothèque, marquée par la mémoire de Jeanne-Marie Allier, fille du sinologue Paul Demiéville. Quand elle fut fondée, le 1er avril 1822, Paris était la capitale européenne de l’orientalisme. Jusqu’alors l’Asie était le domaine réservé des missionnaires et des marchands, dont le zèle n’était pas désintéressé. Anquetil-Duperron (1731-1805), traducteur de l’Avesta, fut le premier orientaliste au sens savant du mot. Depuis l’expédition d’Égypte, les orientalistes découvraient un monde encore plus captivant que les utopies des Voyages de Gulliver. À la Société Asiatique affluaient livres, chartes et rouleaux, tablettes d’argile, moulages d’inscriptions lapidaires, papyri, xylographies chinoises, feuilles de latanier couvertes de textes bouddhiques. Plus tard, avec les langues non écrites, arrivèrent des transcriptions sur sacs de ciment, notées à la hâte par les ethnologues. Présents dès 1822, Abel-Rémusat et Champollion affrontaient le même défi: déchiffrer des idéogrammes à l’aide de textes bilingues, sino-mandchou d’un côté, gréco-égyptien de l’autre. La quête des caractères spéciaux nécessaires à l’impression du Journal Asiatique fut un roman d’aventures, où se croisent marchands arméniens partant pour l’Égypte, ambassadeurs du Tsar en Mandchourie, graveurs méritants, et même la générosité du roi de Prusse, donateur des lettres dévanagari. Par l’extension de son champ géographique et disciplinaire, la Société Asiatique reflète la ferveur de milliers d’orientalistes, qui partagent depuis deux siècles le même projet humaniste et universaliste. Chaque livre porte la mémoire d’un savant. L’herbier chinois traduit l’insatiable curiosité du fondateur, le Comte de Lasteyrie. Le manuscrit du Lalita Vistara, est lié aux travaux d’Eugène Burnouf. Les charmantes images chinoises populaires sont un don d’Édouard Chavannes. À l’heure des spécialisations étroites et des cloisonnements excessifs, la présente collection ouvre un espace de réflexion et de citoyenneté universelles. Under the comforting aspect of a lavishly illustrated erudite collection, this album is a treasure hunting license. Not for breaking through walls, but for breaking enigmas. No need to break into the secret corridors of the Pyramids, to enter the mazes of the Maharajas' palaces! We can stay on the 'Left Bank', where the Société Asiatique, open to those who ask, has not ceased, for two centuries, to enrich its library, durably marked by the memory of Jeanne-Marie Allier, daughter of the great sinologist Paul Demiéville. When the Société Asiatique was founded on April 1st 1822, Paris was the European capital of research on the Orient. Until then, the Near East and Asia had been the exclusive domain of missionaries and merchants, whose zeal was not entirely disinterested. Anquetil-Duperron (1731-1805) was the first orientalist in the scholarly sense of the word, that is to say 'a true traveler, loving all men as his brothers, sailing all over the world, above wealth and poverty'. Since the Egyptian expedition, the horizon had opened on the depths of Asia. Orientalists discovered a world even more captivating than the amusing utopias of Gulliver's Travels. Certainly, no Asian people wrote diagonally, like Lilliputians or the English ladies. But how can one not marvel at the variety of media? Books, charters and scrolls, clay tablets, casts of lapidary inscriptions, papyri, Chinese xylographs, and leaves of exotic trees covered with Buddhist texts, all flowed in to the Société Asiatique,. Later, when ethnologists began collecting unwritten languages, they sent their transcriptions, hastily noted down on bags of cement. Both present at the first session of the Société Asiatique, Abel-Rémusat and Champollion faced the same challenge at the opposite ends of Asia: to decipher ideograms with the help of bilingual texts, Sino-Manchu on the one hand, Greco-Egyptian on the other. Printing the Journal Asiatique required special characters. The quest for these new fonts is a kind of adventure novel, in which we meet Armenian merchants leaving for Egypt, Tsar's ambassadors in Manchuria, skilled engravers, and even the generosity of the King of Prussia, donor of the Devanagari letters. The Imprimerie Nationale took over under the Second Empire. The library of the Société Asiatique mirrors the fervor of thousands of Orientalists who have shared the same humanist and universalist project for two centuries. Each work bears the memory of a scholar. The Chinese Herbarium reflects the insatiable curiosity of the founder, Count de Lasteyrie. The Lalita Vistara manuscript is linked to the work of Eugene Burnouf. The charming popular Chinese images are a gift from Edouard Chavannes. 'Truth is in the whole', wrote Hegel. At a time of narrow specialization and excessive compartmentalization, the present collection opens up a space for universal reflection and citizenship.

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Between 1942 and 1944 a very small, very secret, very successful clandestine unit of the Royal Navy, operated between Dartmouth in Devon, and the Brittany Coast in France. It was a crossing of about 100 miles, every yard of it dangerous. The unit was called the 15th Motor Gunboat Flotilla: crewed by 125 officers and men, it became the most highly decorated Royal Naval unit of the Second World War.The 15th MGBF was an extraordinary group of men thrown together in the most secret of adventures. Very few were regular Royal Naval officers: instead the unit was made up of mostly Royal Naval Volunteer Officers and 'duration only' sailors. Their home was a converted paddle steamer and luxury yacht, but their work could not have been more serious. Their mission was to ferry agents of SIS and SOE to pinpoint landing sites on the Brittany coast in Occupied France. Once they had landed their agents, together with stores for the Resistance, they picked up evaders, escaped POWs who had had the good fortune to be collected by escape lines run by M19, as well as returning SIS and SOE agents.It is a story that is inextricably entwined with that of the many agents they were responsible for - Pierre Hentic, Yves Le Tac, Virginia Hall, Albert Hué, Jeannie Rousseau, Suzanne Warengham, François Mitterrand and Mathilde Carré, as well as many others. Without the Flotilla, such intelligence gathering networks as Jade Fitzroy and Alliance would never have developed, and SOE's VAR Line and MI9's Shelburne Escape Line would never have been realised. Drawing on a huge amount of research on both sides of the Channel, including private archives of many of the families involved, A Dangerous Enterprise brings the story of this most clandestine of operations brilliantly to life.

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** THE NUMBER ONE BESTSELLER **Some books are guaranteed to break your heart - and put it back together again. Letters to my Daughters is one of those wonderful books. Throughout their lives, the three Brady sisters have always been closer to their nanny May than to their own mother, Martha a busy midwife. May always thought of them as her daughters so when she dies suddenly, the sisters are left devastated -- especially when they learn that letters intended for them from May with final words of advice and love have gone missing.But what words of advice could the sisters need?Beatrice, owner of exclusive wedding boutiques, is busy and fulfilled. Rose has a beautiful daughter, a luxurious home and a thriving interiors company. And Jeannie, married to a wealthy plastic surgeon in L.A., wants for nothing. Except that each of the sisters carries a secret ...As they gather for the reading of May's will in Dublin, they must face some life-changing decisions. Will they ever learn the words of advice May had for them and discover who took the letters?Letters to my Daughters is a spellbinding story about the complicated bonds between women -- daughters, mothers, sisters -- and how love and happiness comes in many guises.

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This groundbreaking text demystifies archival and recordkeeping theory and its role in modern day practice. The book's great strength is in articulating some of the core principles and issues that shape the discipline and the impact and relevance they have for the 21st century professional. Using an accessible approach, it outlines and explores key literature and concepts and the role they can play in practice. Leading international thinkers and practitioners from the archives and records management world, Jeannette Bastian, Alan Bell, Anne Gilliland, Rachel Hardiman, Eric Ketelaar, Jennifer Meehan and Caroline Williams, consider the concepts and ideas behind the practicalities of archives and records management to draw out their importance and relevance. Key topics covered include: Concepts, roles and definitions of records and archives Archival appraisal Arrangement and description Ethics for archivists and records managers Archives, memories and identities The impact of philosophy on archives and records management Does technological change marginalize recordkeeping theory? Readership: This is essential reading for students and educators in archives and recordkeeping and invaluable as a guide for practitioners who want to better understand and inform their day-to-day work. It is also a useful guide across related disciplines in the information sciences and humanities.

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Speaking My Soul is the honest story of linguist John R. Rickford’s life from his early years as the youngest of ten children in Guyana to his status as Emeritus Professor of Linguistics at Stanford, of the transformation of his identity from colored or mixed race in Guyana to black in the USA, and of his work championing Black Talk and its speakers.This is an inspiring story of the personal and professional growth of a black scholar, from his life as an immigrant to the USA to a world-renowned expert who has made a leading contribution to the study of African American life, history, language and culture. In this engaging memoir, Rickford recalls landmark events for his racial identity like being elected president of the Black Student Association at the University of California, Santa Cruz; learning from black expeditions to the South Carolina Sea Islands, Jamaica, Belize and Ghana; and meeting or interviewing civil rights icons like Huey P. Newton, Rosa Parks and South African Dennis Brutus. He worked with Rachel Jeantel, Trayvon Martin’s good friend, and key witness in the trial of George Zimmerman for his murder—Zimmerman’s exoneration sparked the Black Lives Matter movement.With a foreword by poet John Agard, this is the account of a former Director of African and African American Studies whose work has increased our understanding of the richness of African American language and our awareness of the education and criminal justice challenges facing African Americans. It is key reading for students and faculty in linguistics, mixed race studies, African American studies and social justice.

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Wer ein Intellektueller ist, ist umstritten. In einem aber gleichen sich die Studien zur Geschichte der Intellektuellen: Sie blenden Frauen aus. Dieser Band gibt Frauen ein Forum, die als Kulturproduzentinnen im 20. und 21. Jahrhundert mit öffentlichen Stellungnahmen in die politische Arena eingegriffen und damit die Rolle der Intellektuellen wahrgenommen haben. Was forderte ihre Einmischungen heraus? Wie griffen sie ein? Orientierten sie sich an männlichen Vorbildern? Oder begründeten sie eigene Formen gesellschaftspolitischen Engagements? Die Autoren der Studien untersuchen Interventionsstrategien weiblicher Intellektueller in Konstellationsanalysen und entfalten das facettenreiche Rollenrepertoire und die Waffen der Kritik von 14 "Eingreifenden Denkerinnen": Käthe Kollwitz, Erika Mann, Margarete Buber-Neumann, Hannah Arendt, Simone de Beauvoir, Rita Levi Montalcini, Rossana Rossanda, Carla Lonzi, Susan Sontag, Yoko Ono, Jeanne Hersch, Elfriede Jelinek, Judith Butler und Naomi Klein. Als widerständige Zeitdiagnostikerinnen stellten sie, sich einmischend in die Politik, etablierte Weltanschauungen, Wahrnehmungsschemata, Werte und Einstellungen in Frage, um einen 'neuen'' 'anderen' Blick auf die Gesellschaft freizulegen. Sie ergriffen das Wort in Verteidigung der Rechte anderer. Sie artikulierten Unbehagen, klagten Missstände an, deckten Diskriminierungen und Menschenrechtsverletzungen auf. Sie provozierten durch Widerspruch, Dissens, Eigensinn. Das gesellschaftspolitische Engagement Eingreifender Denkerinnen überdauerte, wie die Studien zeigen, den vermeintlichen "Tod des intellektuellen" (Lyotard) in den 1980er Jahren. Es zeigt vielmehr Kontinuitäten und Wandel in der Wahrnehmung der Rolle der Intellektuellen im 20. und 21. Jahrhundert auf.

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A cutting-edge view of the digital humanities at a time of global pandemic, catastrophe, and uncertaintyWhere do the digital humanities stand in 2023? Debates in the Digital Humanities 2023 presents a state-of-the-field vision of digital humanities amid rising social, political, economic, and environmental crises; a global pandemic; and the deepening of austerity regimes in U.S. higher education. Providing a look not just at where DH stands but also where it is going, this fourth volume in the Debates in the Digital Humanities series features both established scholars and emerging voices pushing the field’s boundaries, asking thorny questions, and providing space for practitioners to bring to the fore their research and their hopes for future directions in the field. Carrying forward the themes of political and social engagement present in the series throughout, it includes crucial contributions to the field—from a vital forum centered on the voices of Black women scholars, manifestos from feminist and Latinx perspectives on data and DH, and a consideration of Indigenous data and artificial intelligence, to essays that range across topics such as the relation of DH to critical race theory, capital, and accessibility.Contributors: Harmony Bench, Ohio State U; Christina Boyles, Michigan State U; Megan R. Brett, George Mason U; Michelle Lee Brown, Washington State U; Patrick J. Burns, New York U; Kent K. Chang, U of California, Berkeley; Rico Devara Chapman, Clark Atlanta U; Marika Cifor, U of Washington; María Eugenia Cotera, U of Texas; T. L. Cowan, U of Toronto; Marlene L. Daut, U of Virginia; Quinn Dombrowski, Stanford U; Kate Elswit, U of London; Nishani Frazier, U of Kansas; Kim Gallon, Brown U; Patricia Garcia, U of Michigan; Lorena Gauthereau, U of Houston; Masoud Ghorbaninejad, University of Victoria; Abraham Gibson, U of Texas at San Antonio; Nathan P. Gibson, Ludwig-Maximilians-Universität, Munich; Kaiama L. Glover, Barnard College; Hilary N. Green, Davidson College; Jo Guldi, Southern Methodist U; Matthew N. Hannah, Purdue U Libraries; Jeanelle Horcasitas, DigitalOcean; Christy Hyman, Mississippi State U; Arun Jacob, U of Toronto; Jessica Marie Johnson, Johns Hopkins U and Harvard U; Martha S. Jones, Johns Hopkins U; Annette K. Joseph-Gabriel, Duke U; Mills Kelly, George Mason U; Spencer D. C. Keralis, Digital Frontiers; Zoe LeBlanc, U of Illinois at Urbana-Champaign; Jason Edward Lewis, Concordia U; James Malazita, Rensselaer Polytechnic Institute; Alison Martin, Dartmouth College; Linda García Merchant, U of Houston Libraries; Rafia Mirza, Southern Methodist U; Mame-Fatou Niang, Carnegie Mellon U; Jessica Marie Otis, George Mason U; Marisa Parham, U of Maryland; Andrew Boyles Petersen, Michigan State U Libraries; Emily Pugh, Getty Research Institute; Olivia Quintanilla, UC Santa Barbara; Jasmine Rault, U of Toronto Scarborough; Anastasia Salter, U of Central Florida; Maura Seale, U of Michigan; Celeste Tường Vy Sharpe, Normandale Community College; Astrid J. Smith, Stanford U Libraries; Maboula Soumahoro, U of Tours; Mel Stanfill, U of Central Florida; Tonia Sutherland, U of Hawaiʻi at Mānoa; Gabriela Baeza Ventura, U of Houston; Carolina Villarroel, U of Houston; Melanie Walsh, U of Washington; Hēmi Whaanga, U of Waikato; Bridget Whearty, Binghamton U; Jeri Wieringa, U of Alabama; David Joseph Wrisley, NYU Abu Dhabi. Cover alt text: A text-based cover with the main title repeating right-side up and upside down. The leftmost iteration appears in black ink; all others are white.

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“Revealing and much needed.” —Booklist In this unflinching, unforgettable memoir, Regina Louise tells the true story of overcoming neglect in the US foster-care system. Drawing on her experience as one of society’s abandoned children, she tells how she emerged from the cruel, unjust system, not only to survive, but to flourish. After years of jumping from one fleeting, often abusive home to the next, Louise meets a counselor named Jeanne Kerr. For the first time in her young life, Louise knows what it means to be seen, wanted, understood, and loved. After Kerr tries unsuccessfully to adopt Louise, the two are ripped apart—seemingly forever—and Louise continues her passage through the cold cinder-block landscape of a broken system, enduring solitary confinement, overmedication, and the actions of adults who seem hell-bent on convincing her that she deserves nothing, that she is nothing. But instead of losing her will to thrive, Louise remains determined to achieve her dream of a higher education. After she ages out of the system, Louise is thrown into adulthood and, haunted by her trauma, struggles to finish school, build a career, and develop relationships. As she puts it, it felt impossible “to understand how to be in the world.” Eventually, Louise learns how to confront her past and reflect on her traumas. She starts writing, quite literally, a new future for herself, a new way to be. Louise weaves together raw, sometimes fragmented memories, excerpts from real documents from her case file, and elegant reflections to tell the story of her painful upbringing and what came after. The result is a rich, engrossing account of one abandoned girl’s efforts to find her place in the world, people to love, and people to love her back.

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