Search results for ""author joyce"

A new collection of poetry from an American literary legend, her first in twenty-five yearsJoyce Carol Oates is one of our most insightful observers of the human heart and mind, and, with her acute social consciousness, one of the most insistent and inspired witnesses of a shared American history.Oates is perhaps best known for her prodigious output of novels and short stories, many of which have become contemporary classics. However, Oates has also always been a faithful writer of poetry. American Melancholy showcases some of her finest work of the last few decades.Covering subjects big and small, and written in an immediate and engaging style, this collection touches on both the personal and political. Loss, love, and memory are investigated, along with the upheavals of our modern age, the reality of our current predicaments, and the ravages of poverty, racism, and social unrest. Oates skillfully writes characters ranging from a former doctor at a Chinese People’s Liberation Army hospital to Little Albert, a six-month-old infant who took part in a famous study that revealed evidence of classical conditioning in human beings.

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Our early ancestors lived in small groups and worked actively to preserve social equality. As they created larger societies, however, inequality rose, and by 2500 bce truly egalitarian societies were on the wane. In The Creation of Inequality, Kent Flannery and Joyce Marcus demonstrate that this development was not simply the result of population increase, food surplus, or the accumulation of valuables. Instead, inequality resulted from conscious manipulation of the unique social logic that lies at the core of every human group. A few societies allowed talented and ambitious individuals to rise in prestige while still preventing them from becoming a hereditary elite. But many others made high rank hereditary, by manipulating debts, genealogies, and sacred lore. At certain moments in history, intense competition among leaders of high rank gave rise to despotic kingdoms and empires in the Near East, Egypt, Africa, Mexico, Peru, and the Pacific. Drawing on their vast knowledge of both living and prehistoric social groups, Flannery and Marcus describe the changes in logic that create larger and more hierarchical societies, and they argue persuasively that many kinds of inequality can be overcome by reversing these changes, rather than by violence.

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This release sees the return of two popular returning characters and guest stars: Ian McNeice (Edge of Darkness, Dune, Doc Martin) as Winston Churchill, and Rufus Hound as The Meddling Monk. London, 1945. Winston Churchill campaigns for re-election. His new strategic adviser assures him that Britain has a bright future under his continued leadership. It’s a vote he can’t possibly lose. But the Doctor knows that he must. The Monk is meddling, altering history for his own selfish ends. With spies and aliens in the mix, Winston realises victory may not be so simple. But at least he can trust his old friend… can’t he? Cast: Sylvester McCoy (The Doctor), Ian McNeice (Winston Churchill), Rufus Hound (The Meddling Monk), Jonathan Forbes (Policeman/Mugger/Broadcaster/System), James Joyce (Secretary 2/Landlord/Borstal Boy/Driver), Philip Labey (Edward Dowan), Mimi Ndiweni (Alicia Dowan). Other parts played by members of the cast.

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After Japanese bombs hit Pearl Harbor, the American right stood at a cross-roads. Generally isolationist, conservatives needed to forge their own foreign policy agenda if they wanted to remain politically viable. When Mao Zedong established the People's Republic of China in 1949 - with the Cold War just underway - they now had a new object of foreign policy, and as Joyce Mao reveals in this fascinating new look at twentieth-century Pacific affairs, that change would provide vital ingredients for American conservatism as we know it today. Mao explores the deep resonance American conservatives felt with the defeat of Chiang Kai-Shek and his exile to Taiwan, which they lamented as the loss of China to communism and the corrosion of traditional values. In response, they fomented aggressive anti-communist positions that urged greater action in the Pacific, a policy known as "Asia First." While this policy would do nothing to oust the communists from China, it was powerfully effective at home. Asia First provided American conservatives a set of ideals-American sovereignty, selective military intervention, strident anti-communism, and the promotion of a technological defense state-that would bring them into the global era with the positions that are now their hallmark.

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If the invention of literary modernism is usually attributed to James Joyce, T. S. Eliot and Ezra Pound, it was Pound alone who provided (in Hugh Kenner's words) "the synergetic presence") to convert individual experiment into an international movement. In 1926 Pound carefully sculpted his body of shorter poems into a definitive collection which would best show the concentration of force, the economy of means, and the habit of analysis that were, to him, the hallmarks of the new style.This collection, where Pound presented himself in a variety of characters or "masks," was called Personae. In 1926, Personae's publication gave solidity to a movement today the work stands as one of the classic texts of the twentieth century. Pound scholars Lea Baechler (of Columbia) and A. Walton Litz (Holmes Professor of English Literature at Princeton) have prepared a corrected text and supplied an informative "Note on the Text" explaining both Pound's original criteria for his selection and the volume's subsequent history.

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Meet the black Achievers who attained the American Dream-from the early years to modern times "This wonderful book should be required reading for young people, who will learn how some of the nation's most successful Black men and women became role models." -Joyce Ladner, Ph.D. Robert Sengstacke Abbott Tyra Banks Matel "Mat" Dawson Jr. Joe L. Dudley Sr. Kenneth "Babyface" Edmonds S. B. Fuller Arthur George Gaston Earl G. Graves Earvin "Magic" Johnson John H. Johnson Robert L. Johnson Quincy Jones Shelton "Spike" Jackson Lee William Alexander Leidesdorff Abraham Lincoln Lewis Reginald Francis Lewis Annie Turnbo Malone Bridget "Biddy" Mason Anthony Overton Mary Ellen Pleasant Russell Simmons Madame C. J. Walker Oprah Gail Winfrey Eldrick "Tiger" Woods Crispus Attucks Wright

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World War II has begun. As war rages, and the evacuation of Dunkirk approaches, the women of south London have their own battles to fight. Helen Carey's LONDON ROAD is a compelling novel perfect for fans of Lilian Harry, Kate Thompson and Annie Murray. September 1939As the nation braces itself for war, the residents of Lavender Road are dealing with troubles of their own.With her husband in jail, Joyce Carter is never sure where her family's next meal will come from. And her troublesome daughter, Jen, isn't helping matters by refusing to work until she achieves her dream of becoming an actress.Pam Nelson is struggling to deny the distance growing between her and her husband - which isn't helped by her secret attraction to their handsome new lodger. And unfortunately Pam isn't the only one to fall for his seductive charm...As the threat of a German invasion looms, the lives of the women on this south London street are about to change for ever...

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By Native Hands describes the history and context of Native American basketry with full-color photographs and scholarly text. The objects are brought to life in words and pictures, including such rare objects as a feathered Pomo blazing sun basket that took three years to create. This book presents baskets from every major geographic region of North America, with examples from the Choctaw, Panamint Shoshone, Salish, Ojibwa, and many others. By the turn of the nineteenth century, Catherine Marshall Gardiner had begun to collect woven baskets from Native American cultures across the continent. Her collection, the first donation to the Lauren Rogers Museum of Art in 1923, is widely known as one of the finest and most representative Native American basketry collections. It now includes baskets from 88 tribes, almost all of the basket-making tribes in North America. The contributors include Stephen W. Cook, Betty J. Duggan, Dawn Glinsmann, William Ashley Harris, and Joyce Herold.

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A cultural revolution in England, France, and the United States beginning during the time of the industrial and political revolutions helped usher in modernity. This cultural revolution worked alongside the better documented political and economic revolutions to usher in the modern era of continuous revolution. Focusing on the period between 1847 and 1937, the book examines in depth six of the cultural "battles" that were key parts of this revolution: the novels of the Brontë sisters, the paintings of the Impressionists, the poetry of Emily Dickinson, the Ballets Russes production of Le Sacre du printemps, James Joyce's Ulysses, and Zora Neale Hurston's Their Eyes Were Watching God. Using contemporaneous reviews in the press as well as other historical material, we can see that these now-canonical works provoked outrage at the time of their release because they addressed critical points of social upheaval and transformation in ways that engaged broad audiences with subversive messages. This framework allows us to understand and navigate the cultural debates that play such an important role in 21st century politics.

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An invitation to observe and learn the therapeutic art of storytelling Healing with Stories brings together a stellar collection of some of the world's most prominent practitioners, taking you inside their thinking and processes for working with metaphors. They represent the panorama of metaphor practice in psychotherapy today with considered, humorous, and compassionate case examples that step you through the intricacies for replicating their work in your own. This is a book for family therapists who work with children, adults, and families, as well as for hypnotherapists, cognitive behavioral therapists, narrative therapists, dynamic therapists, solution-focused therapists, and child therapists. In fact, all therapists who wish to communicate their therapeutic messages with the greatest effectiveness will find this book to be an essential and useful clinical tool. Contributors include: * Richard Kopp * Julie H. Linden * Mikaela J. Hildebrandt * Lindsay B. Fletcher * Steven C. Hayes * Michael D. Yapko * Valerie E. Lewis * Gregory Smit * Joy Nel * Christine Perry * Joyce C. Mills * Rubin Battino * Carol A Hicks-Lankton * Wendel A. Ray * Jana P. Sutton * Robert McNeilly * Roxanna Erickson-Klein * Angela Ebert * Hasham Al Musawi * Teresa Garcia-Sanchez * George W. Burns Praise for Healing with Stories "George Burns has done an expert job of compiling a definitive work that demystifies the ever-versatile metaphor. Whether you are a novice or an expert clinician, you will find a treasury of story interventions along with the 'inside scoop' on how each was created and applied to bring success in nineteen unforgettable case chapters. Better yet, you'll be able to create your own healing metaphors thanks to the expert guidance of a wide range of talented storytellers. Don't miss out on this one!" --Maggie Phillips, PhD, author of Finding the Energy to Heal and coauthor of Healing the Divided Self "If you want to be inspired, entertained, and enlightened, Healing with Stories is the book to read. George Burns, a master storyteller, has assembled a creative, diverse group of clinicians to share their ideas about how metaphor can be used with a variety of problems and clients. The result is a fascinating array of insights into metaphor's role in the healing process." --Richard G. Whiteside, MSW, author of Becoming Dragon

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Around the world, border walls and nationalisms are on the rise as people express the desire to "take back" sovereignty. The contributors to this collection use ethnographic research in disputed and exceptional places to study sovereignty claims from the ground up. While it might immediately seem that citizens desire a stronger state, the cases of compromised, contested, or failed sovereignty in this volume point instead to political imaginations beyond the state form. Examples from Spain to Afghanistan and from Western Sahara to Taiwan show how calls to take back control or to bring back order are best understood as longings for sovereign agency. By paying close ethnographic attention to these desires and their consequences, The Everyday Lives of Sovereignty offers a new way to understand why these yearnings have such profound political resonance in a globally interconnected world. Contributors: Panos Achniotis, Jens Bartelson, Joyce Dalsheim, Dace Dzenovska, Sara L. Friedman, Azra Hromadžić, Louisa Lombard, Alice Wilson, and Torunn Wimpelmann.

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The world of international politics has recently been rocked by a seemingly endless series of scandals involving auditory surveillance: the NSA’s warrantless wiretapping is merely the most sensational example of what appears to be a universal practice today. What is the source of this generalized principle of eavesdropping? All Ears: The Aesthetics of Espionage traces the long history of moles from the Bible, through Jeremy Bentham’s “panacoustic” project, all the way to the intelligence-gathering network called “Echelon.” Together with this archeology of auditory surveillance, Szendy offers an engaging account of spycraft’s representations in literature (Sophocles, Shakespeare, Joyce, Kafka, Borges), opera (Monteverdi, Mozart, Berg), and film (Lang, Hitchcock, Coppola, De Palma). Following in the footsteps of Orpheus, the book proposes a new concept of “overhearing” that connects the act of spying to an excessive intensification of listening. At the heart of listening Szendy locates the ear of the Other that manifests itself as the originary division of a “split-hearing” that turns the drive for mastery and surveillance into the death drive.

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This edition of the letters of Sir Walter Ralegh will replace the long out-of-print edition of Edward Edwards published in 1868. It contains the full text, in the original spelling, with modern punctuation, of all known surviving letters, 240 in all, compared with Edwards' 160, in most cases taken from the original manuscripts, many never before published. All are extensively annotated, many have been newly dated and corrected; there is a substantial Introduction by Joyce Youings. The letters help to reconcile the family man, never happier than when at home on his estate in the West Country, with one who is revered, especially in North America, as the founder and inspirer of English overseas settlement. They show him drawn both towards his native West Country, where he was not universally admired, and towards the Court at Westminster where lay the determination of the success or failure of his enterprises. Never before have we been able to get as near to understanding the strengths and weaknesses of one of the best-known figures of English history, the man who was both patriot and European; courtier and failed politician; soldier and poet; owner of ships and organiser of privateering ventures yet a reluctant sailor; greedy for personal wealth and social status but apparently ready to plead the case of the poor and disadvantaged.

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Following the decimation of Mega-City One during Chaos Day, Judges from other `friendly'' Justice Departments have been brought in to strengthen the ranks and help maintain law and order on the streets. Amongst the newcomers is Fintan Joyce - son of a former Emerald Isle Judge, who teamed up with Judge Dredd in one of the most fondly remembered Dredd stories. Exploiting the Big Meg''s weakened state, several groups have risen up against the Judges, including the Goblin King''s Undercity army and a mutant group lead by the monstrous Thorn, who have been attacking Cursed Earth outposts. If things couldn''t get any worse, Dredd has fallen foul of Brit-Cit and they want him in prison or on a slab... Have the odds finally stacked up enough to spell the end of Mega-City One''s greatest lawman?

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* THE TOP 10 NEW YORK TIMES BESTSELLER *''One of the finest contemporary novels I''ve read ... A moral masterpiece'' ANN PATCHETT''Her writing has a luminous kind of clarity, a grace and scope that fills me with wonder'' RACHEL JOYCE''Damning and dazzling ... The story of a Vietnam we never got in history class'' OPRAH DAILY-----------------You have no idea what it was like. For us. The women, I mean. The wives. 1963. Saigon. Tricia is a shy newlywed, married to a rising attorney working for US Navy intelligence. Charlene is a practiced corporate spouse and mother of three, a beauty and a bully. The two women form a wary alliance as they struggle to balance the pressure to be respectable wives for their ambitious husbands, with their own dubious impulses to do good for the people of Vietnam. Sixty years later, Charlene's daughter, spurred by an encounter with an aging Vietnam veteran, reaches out to Tricia. Together

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BOOK OF THE YEAR 2017 - MOJO MAGAZINE & UNCUT MAGAZINE "In early '77 I asked Grant if he'd form a band with me. `No,' was his blunt reply." Grant McLennan didn't want to be in a band. He couldn't play an instrument; Charlie Chaplin was his hero du jour. And yet, when Robert Forster wrote Hemingway, Genet, Chandler and Joyce into his lyrics, McLennan couldn't resist a second invitation to become 80s indie sensation The Go Betweens. The friends would collaborate for three decades, until Grant's premature death in 2006. Beautifully written - like lyrics, like prose - Grant & I is a rock memoir akin to no other. Part `making of', part music industry expose, part buddy-book, this is a delicate and perceptive celebration of creative endeavour. With wit and candour, Robert Forster pays tribute to a band who found huge success in the margins, having friendship at its heart.

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Larry McMurtry’s “big hearted” fiction has been lauded for “taking us places we hadn’t known existed” (Joyce Carol Oates, New York Review of Books). Cadillac Jack does exactly that, inviting readers into the passenger seat of a pearl-colored Caddy with peach velour–covered seats, joining a rodeo-bulldogger-turned-antique- scout at the wheel. “Superbly comic” (Newsday), this rollicking tale echoes the cultural climate of America today, with the cagey yet charming Jack grappling with the capitol’s pretentious elite. As he cruises through relationships with distinctively appealing women—including socialite boutique owner Cindy and discreet mother-of-two Jean—Jack realizes home for him will always be simply barreling down freeways in his Cadillac, wandering the country in search of another obscure treasure. Bolstered with its cast of unforgettable characters, Cadillac Jack entices with the prospect of undiscovered riches around that next bend in the road.

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In Animate Literacies Nathan Snaza proposes a new theory of literature and literacy in which he outlines how literacy is both constitutive of the social and used as a means to define the human. Weaving new materialism with feminist, queer, and decolonial thought, Snaza theorizes literacy as a contact zone in which humans, nonhuman animals, and nonvital objects such as chairs and paper all become active participants. In readings of classic literature by Kate Chopin, Frederick Douglass, James Joyce, Toni Morrison, Mary Shelley, and others, Snaza emphasizes the key roles that affect and sensory experiences play in literacy. Snaza upends common conceptions of literacy and its relation to print media, showing instead how such understandings reinforce dehumanizations linked to dominant imperialist, heterosexist, and capitalist definitions of the human. The path toward disrupting such exclusionary, humanist frameworks, Snaza contends, lies in formulating alternative practices of literacy and literary study that escape disciplined knowledge production.

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Step into the world of the Irish wit, poet, and dramatist Oscar Wilde. Spot scenes from all across his works, including The Picture of Dorian Gray, The Importance of Being Earnest and The Happy Prince, alongside key figures from Wilde's life as you learn about his incredible creativity and the tragic life story that has made him an LGBTQ+ icon.1000-PIECE PUZZLE that measures 48.5 x 68 cm (19 x 27 in.) when completed.INCLUDES A PULL-OUT POSTER so you can spot all the characters and read their stories.'THE WORLD OF...' JIGSAWS are a fun way of celebrating the lives and works of creative greats. Also available in the series: The World of Frida Kahlo, The World of Jane Austen, The World of the Brontës, The World of James Joyce and more.PUBLISHED BY LAURENCE KING - Laurence King has been capturing imaginations and inspiring creativity in new and unexpected ways for

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Taking seriously Ireland’s euphemism for World War II, “the Emergency,” Anna Teekell’s Emergency Writing asks both what happens to literature written during a state of emergency and what it means for writing to be a response to an emergency. Anchored in close textual analysis of works by Samuel Beckett, Elizabeth Bowen, Flann O’Brien, Louis MacNeice, Denis Devlin, and Patrick Kavanagh, and suppported by archival material and historical research, Emergency Writing shows how Irish late modernism was a response to the sociopolitical conditions of a newly independent Irish Free State and to a fully emerged modernism in literature and art. What emerges in Irish writing in the wake of Independence, of the Gaelic Revival, of Yeats and of Joyce, is a body of work that invokes modernism as a set of discursive practices with which to counter the Free State’s political pieties. Emergency Writing provides a new approach to literary modernism and to the literature of conflict, considering the ethical dilemma of performing neutrality—emotionally, politically, and rhetorically—in a world at war.

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This new edition of Alexander Miller’s highly readable introduction to contemporary metaethics provides a critical overview of the main arguments and themes in twentieth- and twenty-first-century contemporary metaethics. Miller traces the development of contemporary debates in metaethics from their beginnings in the work of G. E. Moore up to the most recent arguments between naturalism and non-naturalism, cognitivism and non-cognitivism. From Moore’s attack on ethical naturalism, A. J. Ayer’s emotivism and Simon Blackburn’s quasi-realism to anti-realist and best opinion accounts of moral truth and the non-reductionist naturalism of the ‘Cornell realists’, this book addresses all the key theories and ideas in this field. As well as revisiting the whole terrain with revised and updated guides to further reading, Miller also introduces major new sections on the revolutionary fictionalism of Richard Joyce and the hermeneutic fictionalism of Mark Kalderon. The new edition will continue to be essential reading for students, teachers and professional philosophers with an interest in contemporary metaethics.

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Three generations, one family, connected by an historic secret. 1917 – Private Daniel Dawkins fights at Messines Ridge and Passchendaele. He writes home to his true-love Joyce, but reveals little of his extreme bravery, his kindness, his loyalty to his comrades and the horrors they experience on the Western Front. 1920 – Captain Peter Harding is tasked with a secret mission to assist in the selection of a body dug up from the battlefields of Flanders to be buried in Westminster Abbey as the 'Unknown Warrior'. Events take place on that expedition that come to haunt him for the rest of his life. 2011 – Sarah Harding discovers Daniel’s letters and Peter’s diaries. Together with historian James Marchant she pieces together the hidden truth behind the Tomb of the Unknown Warrior and must decide what to do with it. Values are challenged and characters are tested in this gripping novel which asks ‘what if the identity of the Unknown Soldier was discovered - and should that secret ever be revealed?’

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Last Poems brings together the poems from Thomas Kinsella's five final Peppercanister pamphlets, originally collected as Late Poems (2013), along with a selection of new poems, fragments and revised work which the poet completed before his death in December 2021. An iconic figure in Irish literature, Thomas Kinsella was one of the great poets of the last century: his poems' concern with elemental questions, and a poetics which could be equal to them, is evident here in poems drawn from student publications, in his characteristically meditative sequences and in glittering late fragments. His work was compared to Joyce's by the New York Times for 'its sense of place [and] quest for coherence and meaning in a dark and precarious world': throughout, the poems face up to pressing concerns, age and mortality, the savage waste of war, the opposing ways in which religion and science frame the human predicament, and how the artist may creatively redeem and, in their work, 'offer the Gift onward'.

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Dublin has many histories: for a thousand years a modest urban settlement on the quiet waters of the Irish Sea, for the last four hundred it has experienced great - and often astonishing - change. Once a fulcrum of English power in Ireland, it was also the location for the 1916 insurrection that began the rapid imperial retreat. That moment provided Joyce with the setting for the greatest modernist novel of the age, Ulysses, capping a cultural heritage which became an economic resource for the brash 'Tiger Town' of the 1990s. David Dickson's magisterial survey of the city's history brings Dublin to life from its medieval incarnation through the glamorous eighteenth century, when it reigned as the 'Naples of the North', through to the millennium. He reassesses 120 years of Anglo-Irish Union, in which Dublin - while economic capital of Ireland - remained, as it does today, a place in which rival creeds and politics struggled for supremacy. Dublin reveals the rich and intriguing story behind the making of a capital city.

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RELATE (originally the National Marriage Guidance Council) is probably the largest and most successful service of its kind in the world. For over 50 years, helping many hundreds of thousands of couples and individuals, it has developed an approach to couple counselling that is based on acknowledgment of the uniqueness of individual clients and their relationships, a respect for their autonomy and cultural differences, and a commitment to counselling with empathy, genuineness and warmth. The authors of this book are excellently qualified to provide this unique account of the RELATE Approach in action: both were trained by RELATE, both have very substantial counselling experience, and both have supervised the work of other RELATE counsellors for several years. The ever-changing characteristics of relationships and family life are fully recognised in the RELATE Approach, which helps clients to find their solutions to difficulties of family life, transitions, separation, divorce, sexuality, gender and identity, by helping them to find meanings in the patterns of their relationships, and to make sense of emotions, thoughts and actions in themselves and their partner. This book is designed to enrich and stimulate the work of counsellors working within a wide range of counselling models and traditions. This is not a prescriptive manual but rather an informed guide to the RELATE Approach, which includes many illustrative examples and (invented) case studies. The RELATE Approach still depends upon the counsellor's repertoire of counselling skills, but offers a three-stage counselling model (exploration, understanding, action) made operational within the format of brief, time-limited therapy. "The counsellors with RELATE and its predecessor, the Marriage Guidance movement, were the founders of counselling as we know it today. The approaches to counselling which they have developed have wide application. Butler and Joyce write very well and I found this book clear and full of good ideas for clinical practice. I can confidently recommend the book to all who care for couples in relationships." C. Murray Parkes OBE, MD, FRCPsych "A useful introduction to RELATE's three-stage model of couple counselling and some of the concepts on which it is based." Christopher Clulow, Director of the Tavistock Marital Studies Institute

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In cities across the nation, communities of color find themselves resisting state disinvestment and the politics of dispossession. Students at the Center—a writing initiative based in several New Orleans high schools—takes on this struggle through a close examination of race and schools. This book builds on the powerful stories of marginalized youth and their teachers, who contest the policies that are destructive to their communities: decentralization, charter schools, market-based educational choice, teachers union-busting, mixed-income housing, and urban redevelopment. Striking commentaries from the foremost scholars of the day explore the wider implications of these stories for pedagogy and educational policy in schools across the United States and the globe. Most importantly, this book reveals what must be done to challenge oppressive conditions and democratize our schools by troubling the vision of city elites who seek to elide students’ histories, privatize their schools, and reinvent their neighborhoods.Contributors include Michael W. Apple, Wayne Au, Adrienne D. Dixson, Maisha T. Fisher, Joyce E. King, Pauline Lipman, and Vanessa Siddle Walker.

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Sister Carrie is a first novel by a woman writer possessing such an original voice and slashing, surrealistic wit that she is sure to take her place at the forefront of cutting-edge fiction writers. Carrie Meeber leaves her stifling Florida home for Chicago, where she enters the related fields of advertising and prostitution. As an unflappable narrator makes inquiries into her bizarre life, a cartoonish, hyperkinetic, blaring street world envelops the reader. Depraved characters parade themselves and their crass literary leanings; many keep journals, out of which Carrie is revealed with stylistic pyrotechnics. Fairbanks's scrappy, fantastic, debauched characters reveal themselves as well in hot rapid monologue and dialogue. There is something of Kathy Acker in Sister Carrie, something of Ronald Firbank, William Burroughs, Mark Leyner perhaps, even the Joyce of Finnegans Wake. (And Theodore Dreiser's Sister Carrie? revamped, accessorized, given riot grrrl attitude). But it is finally a tour de force from a young woman writer with a voice all her own and a sardonic world-view perfect for the irony-clad nineties.

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An interdisciplinary account of the political importance of music in modernist literature A new methodology for analysing music in literature, informed by T. W. Adorno, that examines the politics of aesthetics An intensely interdisciplinary book, with an extensive survey and analysis of music's place in Ancient Greek philosophy, German Romanticism, French Symbolism, British Aestheticism, continental philosophy, as well as new musicology, sociology, and analytical philosophy Conceptual re-framing of modernism as an investigation of the problems associated with post-Enlightenment rationality, logic and empiricism Nuanced arguments about the politics of aesthetics and the real-world significance of literary and musical forms Using an approach to music informed by T. W. Adorno, this book examines the real-world, political significance of seemingly abstracted things like musical and literary forms. Re-assessing music in James Joyce, Ezra Pound and Sylvia Townsend Warner, this book re-shapes temporal, aesthetic and political understandings of modernism, by arguing that music plays a crucial role in ongoing attempts to investigate language, rational thought and ideology using aesthetic forms.

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Anthropologists since Franz Boas and Margaret Mead have traditionally gone off to study “primitive” cultures. This collection of original essays breaks new ground in showing how anthropological theories and techniques can be applied to the culture of contemporary middle-class Americans. In Symbolizing America, ten well-known anthropologists pursue self and identity as cultural rather than psychological matters. Looking homeward, they ask “What Is American about America?” “How do we know?” and “What difference does it make?” They analyze such aspects of American culture as advertising, mass-audience movies, patriotic and ethnic parades, church minutes, college parties, greetings, and the dilemmas of adolescent sexuality. Concerned with familiar interactions, they arrive at new insight into the experience of daily life in America. In their symbolic and semiotic approaches, the authors express the variety yet surprising unity of a dynamic American culture. Chapters include “Creating America,” “Doing the Anthropology of America,” and “’Drop in Anytime’: Community and Authenticity in American Everyday Life” by the editor, Hervé Varenne, Teachers College, Columbia University; “Freedom to Choose: Symbols and Values in American Advertising” by William O. Beeman, Brown University; “The story of [James] Bond” by Lee Drummond, McGill University; “The Melting Pot: Symbolic Ritual or Total Social Fact?” by Milton Singer, University of Chicago; “The Los Angeles Jews ‘Walk for Solidarity’: Parade, Festival, Pilgrimage” by Barbara Myerhoff and Stephen Mongulla, University of Southern California; “History, Faith, and Avoidance” by Carol Greenhouse, Cornell University; “The Discourse of the Dorm: Race, Friendship, and ‘Culture’ among College Youth” by Michael Moffatt, Rutgers University; “Why a ‘Slut’ is a ‘Slut’: Cautionary Tales of American Middle-Class Teenage Girls’ Morality” by Joyce Canaan, Centre for Contemporary Cultural Studies; and an epilogue, “on the Anthropology of America,” by John Caughey, University of Maryland.

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Written by award-winning coach Kim Morgan, this book is aimed at new coaches working in a freelance or self-employed role. It is also a valuable resource for anyone involved in coaching, including trainers of coaches. The Coach’s Survival Guide is an easy to use, accessible book, grounded in practice and experience and including case studies drawn from real-life practice. It is rooted in the real world, normalizing the insecurities felt by many coaches and acknowledging the realities of building a coaching business, while addressing the everyday issues that can hinder a coach's performance or confidence.Kim covers issues such as:• Dealing with Impostor Syndrome• Establishing credibility• Contracting and boundaries• Coaching dilemmas• Building your coaching business • Self-care for coachesThis new book is intended to be a survival guide so that coaches can access instant support for dilemmas that occur in their coaching practice. “Reading this book was like spending time with a close friend; a combination of warmth, wit and illumination.” Professor Damian Hughes, Professor of Organisational Psychology and Change“This book is an essential companion to anyone setting out as a professional coach. It provides knowledge, expertise and, perhaps most importantly, comfort for all the challenges that new coaches face.” Tom Preston, C.E.O. The Preston Associates“At last, here is a book that acknowledges the very real challenges involved in building a coaching business – and provides a blueprint for success!”John Perry, Coach and Principal Teaching Fellow, the University of Southampton, UK“This is a hugely practical and accessible support guide to help you address the challenges you will face in developing your coaching practice, from setting up your practice, generating clients and managing yourself in the coaching relationship.”John Leary-Joyce, Exec Chair AoEC International, author Fertile Void

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Building on his enormously successful series of Philosophers in 90 Minutes, Paul Strathern applies his witty and incisive prose to brief biographical studies of the world's great writers. He brings their lives and ideas to life in entertaining and accessible fashion. Far from being a novelty, each book is a highly refined appraisal of the writer and his work, authoritative and clearly presented. Applause for Paul Strathern's Philosophers in 90 Minutes: "Each of these little books is witty and dramatic and creates a sense of time, place, and character....I cannot think of a better way to introduce oneself and one's friends to Western civilization."—Katherine A. Powers, Boston Globe "Well-written, clear and informed, they have a breezy wit about them....I find them hard to stop reading."—Richard Bernstein, New York Times "Witty, illuminating, and blessedly concise."—Jim Holt, Wall Street Journal In preparation: Jane Austen, Borges, Cervantes, Chekhov, Conrad, Dante, Dickens, Faulkner, Hardy, Hemingway, Hugo, Henry James, Joyce, Mann, Tolstoy, Twain, Virginia Woolf.

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Building on his enormously successful series of Philosophers in 90 Minutes, Paul Strathern now applies his witty and incisive prose to brief biographical studies of the world's great writers. He brings their lives and ideas to life in entertaining and accessible fashion. Far from being a novelty, each book is a highly refined appraisal of the writer and his work, authoritative and clearly presented. Applause for Paul Strathern's Philosophers in 90 Minutes series: "Each of these little books is witty and dramatic and creates a sense of time, place, and character....I cannot think of a better way to introduce oneself and one's friends to Western civilization."—Katherine A. Powers, Boston Globe "Well-written, clear and informed, they have a breezy wit about them....I find them hard to stop reading."—Richard Bernstein, New York Times "Witty, illuminating, and blessedly concise."—Jim Holt, Wall Street Journal In preparation: Jane Austen, Borges, Cervantes, Chekhov, Conrad, Dante, Dickens, Faulkner, Hardy, Hemingway, Hugo, Henry James, Joyce, Mann, Tolstoy, Twain, Virginia Woolf.

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What if Molly took center stage in James Joyce''s Ulysses? What if she lived in suburban America? The House on Eccles RoadIt is June 16, 1999, in Dublin, Ohio, and Molly wanders through her empty day while her husband, Leo, tends to a strict and busy professor''s schedule. On the surface of her thoughts, Molly wonders: Will he remember their anniversary? And how many hints should she give him? As Molly and Leo circle each other throughout the day, Judith Kitchen illuminates the scope of Leo and Molly''s life together detail by detail. Molly is offended by the hot June day, hums Irish tunes, considers an old love; Leo thinks about his star pupil, young girls at the tennis court, his aging father. Both, if differently, mourn the loss of their four-year-old son eight years ago.In this momentous novel, Kitchen weaves these and other voices into the tapestry of a single day, an ordinary day in the lives of ordinary people, yet a day that, by g

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The Unappeasable Host: Studies in Irish Identities explores some of the tensions created when Anglo-Irish writers - Protestant in religion, of non-Irish ancestryreflected upon their preferred subject matter, Ireland and their unhyphenated Catholic contemporaries. These tensions involve the writers' sense of anxiety about their own membership in the Irish community, and at the same time their anxiety about losing their distinctive identity. Anglo-Irish writers founded modern Irish literature in English, identifying themselves with their native country and its people. Yet they often felt themselves surrounded and watched by an 'Unappeasable Host', a population that resented them. Robert Tracy discusses Irish writers who in England were considered Irish, in Ireland English - including Maria Edgeworth and Lady Morgan, the Banim brothers, Roger O'Connor, Sheridan Le Fanu, W. B. Yeats, J. M. Synge, Elizabeth Bowen - together with James Joyce, who, although neither of English ancestry nor Protestant, similarly focuses on individuals separated or excluded from the Irish life around them.

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THE OTHER SIDE OF THE STREET is an irresistible, romantic and heart-warming saga of south London's women during the Second World War. 'A delightful experience... I can thoroughly recommend it' Ellie DeanIt's 1944. Londoners are weary of air raids and rationing. But now, with rumours of an invasion of France, the tide of war seems to be turning. In Lavender Road, however, everyone still has challenges to face.Young widow Louise Rutherford longs to make a new life for herself. When a glamorous American officer arrives at her factory to recruit volunteers for a secret project, she senses an opportunity, only to find her efforts hampered by ten-year-old war orphan, George Nelson.Jen Carter's relationship with theatrical producer Henry Keller hits a hurdle when an old flame reappears. And when V1 retaliation rockets start hitting London, her mother Joyce's tentative romance is threatened too.Will the war finally wear down the women of Lavender Road, or can love thrive even in the toughest of times?

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An exploration of phrases and excerpts that inspire a major contemporary artist. Over the past several years, renowned South African artist William Kentridge has made a collection of particular phrases and sentences that have called out to him from the pages of whatever he has been reading. And these phrases, which he has written into a studio notebook titled Words, have been put to work in many of his artistic projects. Kentridge has often begun a project by paging through the notebook, waiting for a phrase to claim its place in the new work. The text excerpts come from many sources: Aimé Césaire, Yehuda Amichai, Sigmund Freud, James Joyce, Setswana proverbs, the Book of Ecclesiastes, Tristan Tzara’s Dada Manifesto, and a range of eastern European poets. This volume presents a selection made from the notebook, with phrases arranged neither randomly nor with a clear agenda but finding a space in between. Cleverly designed by the artist and beautifully produced, Words is a thought-provoking collection that provides a window to the mind of a contemporary creative genius.

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THE SUNDAY TIMES BESTSELLER ‘Part whodunnit, part coming of age, this is a gripping debut about the secrets behind every door’ RACHEL JOYCE ‘Cannon is so attuned to other people’s stories… a chronicler both of the human condition and the quotidian details which speak to who we are’ GUARDIAN ‘A very special book’ NATHAN FILER‘An utter delight’ SARAH WINMAN‘A delight’ PAULA HAWKINS‘A treasure chest of a novel’ JULIE COHEN‘One of the standout novels of the year’ HANNAH BECKERMAN‘I didn't want the book to end’ CARYS BRAY‘An excellent debut’ JAMES HANNAH‘Grace and Tilly are my new heroes’ KATE HAMER‘A wonderful debut’ JILL MANSELL‘A modern classic in the making’ SARAH HILARY‘A stunning debut’ KATIE FFORDE‘Phenomenal’ MIRANDA DICKINSON England,1976. Mrs Creasy is missing and The Avenue is alive with whispers. As the summer shimmers endlessly on, ten-year-olds Grace and Tilly decide to take matters into their own hands. And as the cul-de-sac starts giving up its secrets, the amateur detectives will find much more than they imagined…

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In 2016, Bob Dylan received the Nobel Prize in Literature ‘for having created new poetic expressions within the great American song tradition’. This collection of essays by leading poets and critics – with a new foreword by Will Self – examines Dylan’s poetic genius, as well as his astounding cultural influence over the decades.‘From Orpheus to Faiz, song and poetry have been closely linked. Dylan is the brilliant inheritor of the bardic tradition’ Salman Rushdie‘The most significant Western popular artist in any form or medium of the past sixty years’ Will Self‘For fifty and some years he has bent, coaxed, teased and persuaded words into lyric and narrative shapes that are at once extraordinary and inevitable’ Andrew Motion‘His haunting music and lyrics have always seemed, in the deepest sense, literary’ Joyce Carol Oates‘There is something inevitable about Bob Dylan… A storyteller pulling out all the stops – metaphor, allegory, repetition, precise detail… His virtue is in his style, his attitude, his disposition to the world’ Simon Armitage

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Is the point of philosophy to transmit beliefs about the world, or can it sometimes have higher ambitions? In this bold study, Karen Zumhagen-Yekplé makes a critical contribution to the “resolute” program of Wittgenstein scholarship, revealing his Tractatus Logico-Philosophicus as a complex, mock-theoretical puzzle designed to engage readers in the therapeutic self-clarification Wittgenstein saw as the true work of philosophy. Seen in this light, Wittgenstein resembles his modernist contemporaries more than might first appear. Like the literary innovators of his time, Wittgenstein believed in the productive power of difficulty, in varieties of spiritual experience, in the importance of age-old questions about life’s meaning, and in the possibility of transfigurative shifts toward the right way of seeing the world. In a series of absorbing chapters, Zumhagen-Yekplé shows how Kafka, Woolf, Joyce, and Coetzee set their readers on a path toward a new way of being. Offering a new perspective on Wittgenstein as philosophical modernist, and on the lives and afterlives of his indirect teaching, A Different Order of Difficulty is a compelling addition to studies in both literature and philosophy.

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Expectation is a major volume of Jean-Luc Nancy’s writings on literature, written across three decades but, for the most part, previously unavailable in English. More substantial than literary criticism, these essays collectively negotiate literature’s relation to philosophy. Nancy pursues such questions as literature’s claims to truth, the status of narrative, the relation of poetry and prose, and the unity of a book or of a text, and he addresses a number of major European writers, including Dante, Sterne, Rousseau, Hölderlin, Proust, Joyce, and Blanchot. The final section offers a number of impressive pieces by Nancy that completely merge his concerns for philosophy and literature and philosophy-as-literature. These include a lengthy parody of Valéry’s “La Jeune Parque,” several original poems by Nancy, and a beautiful prose-poetic discourse on an installation by Italian artist Claudio Parmiggiani that incorporates the Faust theme. Opening with a substantial Introduction by Jean-Michel Rabaté that elaborates Nancy’s importance as a literary thinker, this book constitutes the most substantial statement to date by one of today’s leading philosophers on a discipline that has been central to his work across his career.

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Subversive, edgy, and wildly entertaining, this short story collection is a unique encounter with fiction in Leon Rooke’s characteristic style as he peels back the skin of social convention and embraces the chaos of life with characters and themes as unpredictable as an assassin who murders the words in your memory; Egi Balducchi who is either a recording angel or a mad old man with a wheelbarrow; Eli's daughter, Frannie, who may just be a gentle two-bit hooker, or the Virgin herself; and is that really God, shrugging off insults from Isaac Babel and Guy de Maupassant? Then there is Lap the Dog who escapes gunshot and poison, and heads cross-country to find the human survivors; a glimpse into the life of Joyce Carol Oates; the philosopher Heidegger in a fight with Hannah Arendt; the Indian Chief who is denied his professorship at Yale when he turns up for the ceremony with a black princess on his arm; and more... Wide World in Celebration and Sorrow is an evocative short story collection that is wild with laughter, confronting pathos, rage and humour in ways that only Rooke’s writing could approach.

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This collection of essays examines various representations of “the Jew” in British and American literature in the nineteenth and twentieth centuries. It analyzes in detail the literary racism and antisemitism of some of the most important and influential writers of this period, including Dickens, Trollope, James, Eliot, Pound, Joyce, Woolf, and Orwell, as well as such marginal figures as Dorothy Richardson, Stevie Smith, and Michael Gold. The contributors are all well-known Anglo-American literary, cultural, or feminist critics; some have written extensively on literary racism or antisemitism, others are working in this area for the first time. The collection does not impose a schema or new orthodoxy, but instead encourages a plurality of approaches to a difficult and always contentious issue that has been demarcated into broadly defined “politically correct” and “liberal humanist” positions. Liberal humanism asserts that the ameliorating western canon has, by definition, nothing to do with racism or antisemitism. Political correctness wishes to exclude from the academy any literary text deemed to reinforce oppressive stereotypes. This volume adopts neither position, arguing instead that these two supposedly antagonistic approaches are, in fact, mirror-images of each other.

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Djuna Barnes once described herself as one of the most famous unknowns of the century. Revisionary accounts of female modernist writers have re-awakened interest in her work, yet she remains a unique and idiosyncratic figure, unassimilated by models of American expatriate or Sapphic modernism. In this illuminating and lucid study, Deborah Parsons examines the range of Barnes’s oeuvre; her early journalism, short stories and one act dramas, poetry, the family chronicle Ryder, the Ladies Almanack, and her late play The Antiphon, as well as her modernist classic Nightwood. She explores the psychological and stylistic aspect of Barnes’s work through close analysis of the texts within their social, cultural and aesthetic context, and provides an indispensable and enriching guide to Barnes’s artistic identity and poetic vision. Barnes’s determined inversion of generic and social norms, sexology, degeneration, ethnography and decadence, her unusual childhood, her professional friendships with T.S. Eliot and James Joyce, and her controversial lesbianism are all highlighted and discussed in this introduction to a bold and enigmatic writer.

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'What do we seek through millions of pages? Still hopefully turning the pages -- oh, here is Jacob's room.' Who is Jacob Flanders? Virginia Woolf's third novel, published in 1922 alongside James Joyce's Ulysses and T.S. Eliot's The Waste Land, follows this elusive title character from a sunlit childhood on the Cornwall coast to adventures in Cambridge, London, and Athens. Women fall in love with Jacob; young men desire his company and conversation. But Woolf keeps her scornful, charming protagonist at a distance, enveloping Jacob in mystery as he enters adulthood and the Great War thunders across Europe. A daring work that reimagines every element of the traditional novel, Jacob's Room tells a new story for a new century. In 1922, Lytton Strachey pronounced Jacob's Room 'a most wonderful achievement—more like poetry, it seems to me, than anything else, and as such I prophesy immortal.' One hundred years after its publication, Woolf's first full-length work of experimental fiction pulls us into the inexhaustible mysteries of intimacy and mortality.

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'Magnificent.' Irish Times'Much to savour.' The Times'An event in Irish culture.' TLSThe collected letters of John McGahern, 'one of the greatest writers of our era' (Hilary Mantel) and 'the most important Irish novelist since Samuel Beckett.' (Guardian)John McGahern is consistently hailed as one of the finest Irish writers since James Joyce and Samuel Beckett.This volume collects some of the witty, profound and unfailingly brilliant letters that he exchanged with family, friends and literary luminaries - such as Seamus Heaney, Colm Tóibín and Paul Muldoon - over the course of a well-travelled life.It is one of the major contributions to the study of Irish and British literature of the past thirty years, acting not just as a crucial insight into the life and works of a much-revered writer - but also a history of post-war Irish literature and its close ties to British and American literary life.'McGahern brings us that tonic gift of the best fiction, the sense of truth - the sense of transparency that permits us to see imaginary lives more clearly than we see our own.' John Updike

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This collection looks beyond the literary, religious, and philosophical aspects of Chaucer’s texts to a new mode of interdisciplinary scholarship: one that celebrates the richness of Chaucer’s visual poetics. The twelve illustrated essays make connections between Chaucer’s texts and various forms of visual data, both medieval and modern.Basing their approach on contemporary understandings of interplay between text and image, the contributors examine a wealth of visual material, from medieval art and iconographical signs to interpretations of Chaucer rendered by contemporary artists. The result uncovers interdisciplinary potential that deepens and informs our understanding of Chaucer’s poetry in an age in which digitization makes available a wealth of facsimiles and other visual resources.A learned assessment of imagery and Chaucer’s work that opens exciting new paths of scholarship, Chaucer: Visual Approaches will be welcomed by scholars of literature, art history, and medieval and early modern studies.The contributors are Jessica Brantley, Joyce Coleman, Carolyn P. Collette, Alexandra Cook, Susanna Fein, Maidie Hilmo, Laura Kendrick, Ashby Kinch, David Raybin, Martha Rust, Sarah Stanbury, and Kathryn R. Vulić.

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The publication of this volume of essays is a milestone in Old English studies. It is the first collection to examine this literature from a feminist perspective. Although the contributors represent a plurality of approaches and positions, they share a common objective: to reassess women as women, as they actually appear in the laws, in works written by women, and in canonical literature. The essays address, correct, and round out the nineteenth-century Anglo-Saxon critical tradition and begin fresh exploration of the women in Old English literature.The subjects discussed fall into the following broad categories: the historical record; sexuality and folklore; language and difference in characterization and the "deconstructed" stereotype. Contributors include Marijane Osborn; Christine E. Fell; F.T. Wainwright; Pauline Stafford; Frank M. Stenton; Mary P. Richard s and B. Jane Stanfield; Carol J. Clover; Edith Whitehurst Williams; Paul E. Szarmach; Audrey L. Meaney; Helen Damico; Patricia A. Belanoff; L. John Sklute; Paul Beekman Taylor; Alexandra Hennessey Olsen; Joyce Hill; Jane Chance; Alain Renoir; Dolores Warwick Frese; and Anita R. Riedinger.

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Encuadernación: rústicaColección: Lecturas CompulsivasParís, los años 20, Montparnasse, el barrio latino, Ernest Hemingway, Scott Fitzgerald, James Joyce, Ezra Pound, Gertrude Stein Nombres, rostros, recuerdos de viejas fotos color sepia En la pluma de Jason estos personajes familiares se transforman en autores de cómic. Debaten sobre su forma de enfocar la creación, luchan por entregar a tiempo sus páginas, por conseguir que sus obras sean aceptadas, por ganarse la vida. Al hacerse cargo del destino de sus personajes, Jason se apropia de una parte del imaginario de cada lector. Juega con códigos conocidos para conducirlos en una dirección personal e inesperada. Maltratados, sus personajes se debaten en una historia que les viene demasiado grande, sacando a la superficie un increíble sentimiento de humanidad.

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