Search results for ""author joyce"

Inanimation is the third book by author David Wills to analyze the technology of the human. In Prosthesis, Wills traced our human attachment to external objects back to a necessity within the body itself. In Dorsality, he explored how technology is understood to function behind or before the human. Inanimation proceeds by taking literally the idea of inanimate or inorganic forms of life. Starting from a seemingly naïve question about what it means to say texts “live on” or have a “life of their own,” Inanimation develops a new theory of the inanimate.Inanimation offers a fresh account of what life is and the ethical and political consequences that follow from this conception. Inspired by Walter Benjamin’s observation that “the idea of life and afterlife in works of art should be regarded with an entirely unmetaphorical objectivity,” the book challenges the coherence and limitations of “what lives,” arguing that there is no clear opposition between a live animate and dead inanimate. Wills identifies three major forms of inorganic life: autobiography, translation, and resonance. Informed by Jacques Derrida and Gilles Deleuze, he explores these forms through wide-ranging case studies. He brings his panoptic vision to bear on thinkers (Descartes, Freud, Derrida, Benjamin, Carl Schmitt, Jean-Luc Nancy, Roland Barthes), writers and poets (Hélène Cixous, Paul Celan, William Carlos Williams, Ernst Jünger, James Joyce, Georges Bataille), and visual artists (Jean-François Millet, Jean-Luc Godard, Paul Klee). With panache and gusto, Wills discovers life-forms well beyond textual remainders and translations, in such disparate “places” as the act of thinking, the death drive, poetic blank space, recorded bird songs, the technology of warfare, and the heart stopped by love.

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Spiritualism is often dismissed by literary critics and historians as merely a Victorian fad. Helen Sword demonstrates that it continued to flourish well into the twentieth century and seeks to explain why. Literary modernism, she maintains, is replete with ghosts and spirits. In Ghostwriting Modernism she explores spiritualism's striking persistence and what she calls "the vexed relationship between mediumistic discourse and modernist literary aesthetics." Sword begins with a brief historical review of popular spiritualism's roots in nineteenth-century literary culture. In subsequent chapters, she discusses the forms of mediumship most closely allied with writing, the forms of writing most closely allied with mediumship, and the thematic and aesthetic alliances between popular spiritualism and modernist literature. Finally, she accounts for the recent proliferation of a spiritualist-influenced vocabulary (ghostliness, hauntings, the uncanny) in the works of historians, sociologists, philosophers, and especially literary critics and theorists. Documenting the hitherto unexplored relationship between spiritualism and modern authors (some credulous, some skeptical), Sword offers compelling readings of works by James Joyce, T. S. Eliot, W. B. Yeats, H.D., James Merrill, Sylvia Plath, and Ted Hughes. Even as modernists mock spiritualism's ludicrous lingo and deride its metaphysical excesses, she finds, they are intrigued and attracted by its ontological shiftiness, its blurring of the traditional divide between high culture and low culture, and its self-serving tendency to favor form over content (medium, so to speak, over message). Like modernism itself, Sword asserts, spiritualism embraces rather than eschews paradox, providing an ideological space where conservative beliefs can coexist with radical, even iconoclastic, thought and action.

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It's common to be more frustrated with life than at peace with it, the daily grind can wear you down. Responsibilities and burdens often rob you of the happiness you're meant to have as a child of God. But you can be hopeful, learn to rise above your challenges, and be filled with wonder at what God might do every day. You can start loving every part of your life in spite of life's obstacles. With quotes from Joyce Meyer's book Living a Life You Love, this journal will help shift your perspective so that you may also relish every moment and every part of life. Use it to respond to the book as you learn how to love life fully, in spite of your obstacles, and experience the happiness that is promised to you. God has already blessed you with a life to love--and it's time to start living it.Ellie Claire's LeatherLuxe® material plus a four-colour interior design combine to make Living the Life I Love a stunning journal. The rich feel of leather is finished with round corners to make this journal an extraordinary gift for any time of year.

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Robert Hatch's critical life spanned five decades. Starting in 1947 and continuing until 1984, he wrote about drama (and film) for The New Republic, The Nation, Theatre Arts, The Reporter, and Horizon. Along with John Simon, Robert Brustein, Richard Gilman, and Stanley Kauffmann, Hatch was one of the most potent, influential authors in the New York school of twentieth-century American arts criticism. With style and erudition Open Hatch discusses plays and productions from the following countries: England, the United States, France, Russia, Ireland, Germany, Switzerland, Italy, Czechoslovakia, Norway, Greece, and Australia. Among the many works discussed are The Master Builder, by Henrik Ibsen; The Three Sisters, by Anton Chekhov; Cat on a Hot Tin Roof, by Tennessee Williams; The Bourgeois Gentleman, by Molière; The Iceman Cometh, by Eugene O'Neill; Measure for Measure, by William Shakespeare; The Good Woman of Setzuan, by Bertolt Brecht; Exiles, by James Joyce; Endgame, by Samuel Beckett; The Blacks, by Jean Genet; The Caretaker, by Harold Pinter; Who's Afraid of Virginia Woolf?, by Edward Albee; Dutchman, by LeRoi Jones; and Leonce and Lena, by Georg Büchner. Also included in Open Hatch are articles on the following subjects: the idea of repertory; the Living Theatre; the Actors' Studio; Broadway and Off-Broadway; melodrama; and scene design. In addition, one may find in this rich collection bio-critical pieces on such figures as Tyrone Guthrie, Orson Welles, and John Arden. The precision, wit, and wisdom of Hatch's writing chime in Open Hatch, as he reveals his sense of cultural mission - and love of all the arts - by applying to theater and drama the same high standards that are applied to fiction, poetry, art, and music.

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"Don Quixote is the first great modern paranoid adventurer.... Grandiosity and persecution define the characters of Swift's Gulliver, Stendhal's Julien Sorel, Melville's Ahab, Dostoyevsky's Underground Man, Ibsen's Masterbuilder Solness, Strindberg's Captain (in The Father), Kafka's K., and Joyce's autobiographical hero Stephen Dedalus.... The all-encompassing conspiracy, very much in its original Rousseauvian cast, has become almost the normal way of representing society and its institutions since World War Two, giving impetus to heroic plots and counter-plots in a hundred films and in the novels of Burroughs, Heller, Ellison, Pynchon, Kesey, Mailer, DeLillo, and others."—from Paranoia and Modernity Paranoia, suspicion, and control have preoccupied key Western intellectuals since the sixteenth century. Paranoia is a dominant concern in modern literature, and its peculiar constellation of symptoms—grandiosity, suspicion, unfounded hostility, delusions of persecution and conspiracy—are nearly obligatory psychological components of the modern hero. How did paranoia come to the center of modern moral and intellectual consciousness? In Paranoia and Modernity, John Farrell brings literary criticism, psychology, and intellectual history to the attempt at an answer. He demonstrates the connection between paranoia and the long history of struggles over the question of agency—the extent to which we are free to act and responsible for our actions. He addresses a wide range of major authors from the late Middle Ages to the eighteenth century, among them Luther, Bacon, Cervantes, Descartes, Hobbes, Pascal, La Rochefoucauld, Swift, and Rousseau. Farrell shows how differently paranoid psychology looks at different historical junctures with different models of agency, and in the epilogue, "Paranoia and Postmodernism," he draws the implications for recent critical debates in the humanities.

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'I loved Fear of Dying. I found it irreverent, funny, tender and very wise and it made me feel more alive' RACHEL JOYCE, The Unlikely Pilgrimage of Harold Fry Vanessa Wonderman is smart, sexy - and sixty. After a lifetime of crazy families, New York high society and playing a soap opera archvillain bitch, she's not ready to give up yet.But life's not so carefree any more. Her parents are dying, her husband's in hospital and her wild-child daughter is pregnant.So when she signs up to a casual encounters site, she's thinking of leaving her wifelife behind - at least for a little bit. However, the most painful parts of your past always have away of surprising you. Will she learn in time how to live, how to love, how to be fearless?

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'He spoke of a new kind of terre-mauvaise, of strange regions, connected, indeed, with definite geographical limits upon the earth, yet somehow apart from them and beyond them.' A poet comes to a fork in the road where three parallel destinies orbit the same violent fate; a child’s rebellious escapade to the city becomes a nightmare when the portal to return is nowhere to be found; rather than abdicate, Kaiser Wilhelm II leads the High Seas Fleet on a doom-laden final voyage. Delving into the strange imaginings of Arthur Conan Doyle, Joyce Carol Oates, Sarban, Robert Holdstock and many more, this new collection brings together fourteen tales traversing uncanny collateral fates, weird eddies of alternative history, realms of Dark Fantasy and the unsettling otherworlds bordering our own reality.

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Featuring new essays by established and emerging scholars, Intersections: Women artists/surrealism/modernism redefines conventional surrealist and modernist canons by focusing critical attention on women artists working in and with surrealism in the context of modernism. In doing so it redefines critical understanding of the complex relations between all three terms.The essays address work produced in a wide variety of international contexts and across several generations of surrealist production by women closely connected to the surrealist movement or more marginally influenced by it. Intersections explores work in a wide range of media, from painting and sculpture to film and fashion, by artists including Susan Hiller, Maya Deren, Birgit Jurgenssen, Aube Elléouët, Dorothea Tanning, Claude Cahun, Elsa Schiaparelli, Joyce Mansour, Leonor Fini, Mimi Parent, Lee Miller, Leonora Carrington, Ithell Colquhoun and Eileen Agar.

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In the modern era, children experiencing grief were encouraged to dry their tears and 'be good soldiers.' How was this phenomenon interrogated and deconstructed in the period's literature? Be a Good Soldier initiates conversation on the figure of the child in modernist novels, investigating the demand for emotional suppression as manifested later in cruelty and aggression in adulthood. Jennifer Margaret Fraser provides sophisticated close readings of key works by Joseph Conrad, Virginia Woolf, and James Joyce, among others who share striking concerns about the concept of infantry - both as a collection of infants, and as foot soldiers of war. A phenomenon associated traditionally with Freud, Fraser instead uses a unique, Derridean theoretical prism to provide new ways of understanding modernist concerns with power dynamics, knowledge, and meaning. Be a Good Soldier establishes a pioneering, nuanced vocabulary for further historical and cultural inquiries into modernist childhood.

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This book provides a wide-ranging and up-to-date critical introduction to the writings of Hélène Cixous (1937-), focusing on key motifs, such as dreams, the supernatural, literature, psychoanalysis, creative writing, realism, sexual differences, laughter, secrets, the ‘Mother unconscious’, drawing, painting, life writing, telephones, non-human animals, telepathy and the ‘art of cutting’. There are close readings of Shakespeare, Brontë, Shelley, Poe, Carroll, Freud, Woolf, Joyce, Beckett and Derrida, for example, alongside in-depth explorations of her own writings, from Inside (1969) and ‘The Laugh of the Medusa’ (1975) up to the present. Royle’s book will be useful to students and academics coming to Cixous’s work for the first time, but it will also appeal to readers interested in contemporary literature, creative writing, life writing, narrative theory, deconstruction, psychoanalysis, trauma studies, feminism, queer theory, ecology, drawing and painting.

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Follow the ingenious mysteries of the ‘Tuesday Night Club’ with this hardback special edition of Agatha Christie’s beloved classic. THE ORIGINAL WEEKDAY MURDER CLUB ‘Well,’ said Joyce, ‘it seems to me we are a pretty representative gathering. How would it be if we formed a Club? What is today? Tuesday? We will call it The Tuesday Night Club. It is to meet every week, and each member in turn has to propound a problem. Some mystery of which they have personal knowledge, and to which, of course, they know the answer.’ Two years before The Murder at the Vicarage, Agatha Christie first introduced the world to Jane Marple and the stories of murder and intrigue told by each member of the Tuesday Night Club. Time and time again, crimes so wicked they have confounded even Scotland Yard’s finest are solved by St Mary Mead’s sharpest mind and everyone’s favourite armchair detective.

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The presence of women and African Americans not simply as viewers, but also as televangelists and station owners in their own right has dramatically changed the face of American religious broadcasting in recent decades. Colored Television looks at the influence of these ministries beyond the United States, where complex gospels of prosperity and gospels of sexual redemption mutually inform one another while offering hopeful yet socially contested narratives of personal uplift. As an ethnography, Colored Television illuminates the phenomenal international success of American TV preachers like T.D. Jakes, Creflo Dollar, Joyce Meyer, and Juanita Bynum. Focusing particularly on Jamaica and the Caribbean, it also explores why the genre has resonated so powerfully around the world. Investigating the roles of producers, consumers, and distributors, Marla Frederick takes a unique look at the ministries, the communities they enter, and the global markets of competition that buffer them.

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The presence of women and African Americans not simply as viewers, but also as televangelists and station owners in their own right has dramatically changed the face of American religious broadcasting in recent decades. Colored Television looks at the influence of these ministries beyond the United States, where complex gospels of prosperity and gospels of sexual redemption mutually inform one another while offering hopeful yet socially contested narratives of personal uplift. As an ethnography, Colored Television illuminates the phenomenal international success of American TV preachers like T.D. Jakes, Creflo Dollar, Joyce Meyer, and Juanita Bynum. Focusing particularly on Jamaica and the Caribbean, it also explores why the genre has resonated so powerfully around the world. Investigating the roles of producers, consumers, and distributors, Marla Frederick takes a unique look at the ministries, the communities they enter, and the global markets of competition that buffer them.

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This book reflects on popular politics in Britain during the turbulent period of industrialization, focusing on how political meanings were produced and sustained. It is also a spirited series of responses to the changing terrain of historical studies. It takes as its starting point the goal of defining a middle ground between E. P. Thompson’s concept of cultural materialism and the postmodern view of culture as a system of signs and codes (with emphasis on the linguistic grounding of experience). The first part of the book evaluates and critiques the work of two of the most influential proponents of the linguistic turn in British historical writing: Gareth Stedman Jones and Patrick Joyce. The second part contains four case studies: the first two treating British political culture in the age of the French Revolution, the third dealing with the role of space in historical reasoning, and the fourth assessing the role of gentleman leaders within popular movements.

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"The book not only confirms the high ethical stakes in informed contemporary reading; it offers a rare readerly pleasure in...exploring the wider cultural significance of gender and the body and their narrative representation." -Henry Sussman, SUNY-Buffalo Gabriele Schwab revitalizes debates about literature's cultural function by exploring literary experience as an encounter with otherness. Drawing on literary theory, anthropology, and psychoanalysis, Schwab contends that literature facilitates contact with cultures that may seem foreign to us. At the same time, literature can render the familiar strange, and foreground what a culture tends to repress. At its best, literature challenges the very boundaries of the culture from which it emerges. Schwab's readings of writers such as Hawthorne, Faulkner, Joyce, Lewis Carroll, Djuna Barnes, Marguerite Duras, and John Cage demonstrate the centrality of aesthetics and the literary to studies of otherness and cultural contact.

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The essays brought together in this book understand phobia not as a pathology, but as a versatile moral, political, and aesthetic resource – and one with a history. They demonstrate that enquiry into strong feelings of aversion has enabled writers and film-makers to say and show things they could not otherwise have said or shown; and in this way to get profoundly and provocatively to grips with the modern condition. Makes extensive reference to original readings of a wide range of literary texts and films, from the 1850s to the present Places a strong emphasis on the value phobia has held, in particular, for women activists, writers, and film-makers Discusses a range of writers and film-makers from Dickens, Thackeray, and George Eliot through Hardy, Joyce, Ford and Woolf; from Jean Renoir through Hitchcock and Truffaut to Margarethe von Trotta and Pedro Almodóvar Intervention in key debates in cultural theory and cultural history

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Beatrice dreams of becoming a tree. She grows roots and leaves, and she stretches her branches toward the sky. From Joyce Hesselberth, the award-winning creator of Mapping Sam and Pitter Pattern, Beatrice Was a Tree introduces young readers to everything there is to know about trees. This beautifully illustrated informational picture book is an exceptional choice for home as well as classroom sharing. Includes backmatter about the science of trees.When it’s time to go to bed, Beatrice imagines how much fun it would be to stay outside with the trees all night long. If she were a tree, she would have a trunk and branches and lots of leaves. Her roots would reach deep. She would catch the morning sun with her limbs and cradle a bird’s nest in her branches. And when the air turned crisp, Beatrice would wait patiently for spring.Beatrice Was a Tree is a great read-aloud that illuminates the importance of trees to our planet. This picture book includes information about tree anatomy, shows how trees change with each season, gives a simple explanation of photosynthesis, and includes a checklist of animals that appear throughout the story. A perfect pick for language arts and science classrooms, as well as story time.

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The unsettling story of a young woman's descent into mental illness, from the author of The Haunting of Hill House and We Have Always Lived at the Castle. 'An amazing writer' Neil GaimanElizabeth Richmond is almost too quiet to be believed, with no friends, no parents, and a job that leaves her strangely unnoticed. But soon she starts to behave in ways she can neither control nor understand, to the increasing horror of her doctor, and the humiliation of her self-centred aunt. As a tormented Elizabeth becomes two people, then three, then four, each wilder and more wicked than the last, a battle of wills threatens to destroy the girl and all who surround her. The Bird's Nest is a macabre journey into who we are, and how close we sometimes come to the brink of madness. Shirley Jackson's chilling tales of creeping unease and casual cruelty have the power to unsettle and terrify unlike any other. She was born in California in 1916. When her short story The Lottery was first published in The New Yorker in 1948, readers were so horrified they sent her hate mail; it has since become one of the most iconic American stories of all time. Her first novel, The Road Through the Wall, was published in the same year and was followed by five more: Hangsaman, The Bird's Nest, The Sundial, The Haunting of Hill House and We Have Always Lived in the Castle, widely seen as her masterpiece. Shirley Jackson died in her sleep at the age of 48. 'The world of Shirley Jackson is eerie and unforgettable ... It is a place where things are not what they seem; even on a morning that is sunny and clear there is always the threat of darkness looming, of things taking a turn for the worse' - A. M. Homes Shirley Jackson is unparalleled as a leader in the field of beautifully written, quiet, cumulative shudders' - Dorothy Parker 'Shirley Jackson is one of those highly idiosyncratic, inimitable writers ... whose work exerts an enduring spell' - Joyce Carol Oates

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"Dr. Joyce A. Ladner brings profound insight to the challenge of raising strong children in ambivalent times, and offers abundant reasons to rejoice in renewing family ties. A treasury of time-tested virtues." -Bookpage "[A] wonderful guide . . . . Ladner has taken words of wisdom from generations past to help parents, teachers, and clergy with new insight into instilling pride, courage, and self-esteem in African American children." -Booklist "A book full of lessons on restoring important values to African American families. . . . [Dr. Ladner] weaves together historical and contemporary issues to offer innovative ways to reconnect the black family." -Ebony "A practical guide for today, and for a better tomorrow. If you care about African American people, then you must read this book." -Dr. Johnnetta B. Cole, Emory University "A crucial template for parents, youth workers, educators, and community groups working closely with young people." -Hugh B. Price, President, National Urban League "A masterpiece of scholarship." -Andrew Billingsley, University of South Carolina "An inspirational and compelling book. Everyone committed to preserving African American values should read it. . . . A must for your home library." -Alvin F. Poussaint, M.D., Harvard Medical School

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Maya "palaces" have intrigued students of this ancient Mesoamerican culture since the early twentieth century, when scholars first applied the term "palace" to multi-room, gallery-like buildings set on low platforms in the centers of Maya cities. Who lived in these palaces? What types of ceremonial and residential activities took place there? How do the physical forms and spatial arrangement of the buildings embody Maya concepts of social organization and cosmology?This book brings together state-of-the-art data and analysis regarding the occupants, ritual and residential uses, and social and cosmological meanings of Maya palaces and elite residences. A multidisciplinary team of senior researchers reports on sites in Belize (Blue Creek), Western Honduras (Copan), the Peten (Tikal, Dos Pilas, Aguateca), and the Yucatan (Uxmal, Chichen-Itza, Dzibilchaltun, Yaxuna). Archaeologist contributors discuss the form of palace buildings and associated artifacts, their location within the city, and how some palaces related to landscape features. Their approach is complemented by art historical analyses of architectural sculpture, epigraphy, and ethnography. Jessica Joyce Christie concludes the volume by identifying patterns and commonalties that apply not only to the cited examples, but also to Maya architecture in general.

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Forget naughty or nice—this is a battle of good vs. evil. Discover the origins of St. Nick and follow along as the Guardians start their quest to rid the world of nightmares in the first Guardians chapter book from Academy Award winner William Joyce that inspired the beloved film, The Rise of the Guardians.Before SANTA was SANTA, he was North, Nicholas St. North—a daredevil swordsman whose prowess with double scimitars was legendary. Like any swashbuckling young warrior, North seeks treasure and adventure, leading him to the fiercely guarded village of Santoff Claussen, said to be home to the greatest treasure in all the East, and to an even greater wizard, Ombric Shalazar. But when North arrives, legends of riches have given way to terrors of epic proportions! North must decide whether to seek his fortune…or save the village. When our rebellious hero gets sucked into the chaos (literally), the fight becomes very personal. The Nightmare King and his evil Fearlings are ruling the night, owning the shadows, and sending waves of fear through all of Santoff Clausen. For North, this is a battle worth fighting…and, he’s not alone. There are five other Guardians out there. He only has to find them in time.

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Winner of the American Medical Writers Association Award. Here in one book are all of the tools that anyone can use to develop ways to be successful in managing body weight. Using self-tests, checklists, and fill-in forms, "Maximize Your Body Potential" shows the reader how to make a commitment, how to set realistic goals, and how to design an individualised exercise and eating program. With the unique information that is developed by the reader and the basic material drawn from so many resources by Joyce Nash, it is possible for anyone to create a program that is unique and individual. The book goes beyond diet and exercise to address behaviour patterns and the psychological components that all have a role to play in successful weight loss and long-term weight management. Additional features include: The latest nutrition information and guidelines for eating a healthy diet; Behaviour change techniques for improving eating and exercise habits; Positive self-talk and thinking skills for achieving success; Coping skills for managing stress and overcoming emotional and binge eating; How to maintain success as a thinner person.

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From the cannery rows of California to the sweatshops of New York, this anthology of poems captures the drama of work and working-class life in industrial America. It speaks of rolling mills, mine shafts, and foundries, and of a people who dig coal, tap blast furnaces, sew shirts, clean fish, and assemble cars. These subjects, though largely absent from literary anthologies and textbooks, are increasingly evident in the work of contemporary poets. Working Classics gathers the best and most representative of these poems, American and Canadian, from 1945 to the present. Included are poems by Antler, Robert Bly, Lorna Dee Cervantes, Jim Daniels, Patricia Dobler, Stephen Dunn, Tess Gallagher, Edward Hirsch, David Ignatow, June Jordan, Lawrence Joseph, Philip Levine, Chris Llewellyn, Joyce Carol Oates, Anthony Petrosky, Michael Ryan, Gary Soto, Tom Wayman, James Wright, and many others. The result is a diverse and evocative collection of 169 poems by 74 poets, nearly a third of them women.

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First full study of the homilies of Archbishop Wulfstan, bringing out their most characteristic themes and concerns. The prodigious writings of Archbishop Wulfstan (d. 1023) encompass secular laws, religious canons, political theory, and homilies (sermons); despite their importance, however the homilies have not received the critical attention they deserve, a gap which this book seeks to fill. It focuses on three particular aspects: the re-establishment of the Wulfstan homiletic canon, Wulfstan's processes of composition and revision as manifested in their manuscript variants, and his characteristic themes and concerns. These include adherence to secular and divine law; the keeping of Christian feasts and fasts; the payment of church dues and tithes; social justice for the poor; absolute clericalcelibacy and sexual continence for the laity; repentance, prayer and penance; and the continual reminder, both pre- and post-millennium, that the end of the world is close at hand. Wulfstan's homilies indicate that for the English to heed his warnings, they would have to be persuaded or if necessarily legally coerced to adhere to the dictates of a "Holy Society"; and their influence can be seen in his law codes, where the book argues that even in coercionthe archbishop sought to teach and to persuade. JOYCE TALLY LIONARONS teaches in the English Department at Ursinus College, Pennsylvania.

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Gold Medal (tie) in the 2022 Independent Publisher Book Awards (IPPYs) - History (U.S.) Category. A rich account of 1920s to 1950s New York City, starring an eclectic mix of icons like James Joyce, Margaret Sanger, and Alfred Kinsey—all led by an unsung hero of free expression and reproductive rights: Morris L. Ernst. At the turn of the twentieth century, the United States was experiencing an awakening. Victorian-era morality was being challenged by the introduction of sexual modernism and women's rights into popular culture, the arts, and science. Set during this first sexual revolution, when civil libertarian-minded lawyers overthrew the yoke of obscenity laws, Dirty Works focuses on a series of significant courtroom cases that were all represented by the same lawyer: Morris L. Ernst. Ernst's clients included a who's who of European and American literati and sexual activists, among them Margaret Sanger, James Joyce, and Alfred Kinsey. They, along with a colorful cast of burlesque-theater owners and bookstore clerks, had run afoul of stiff obscenity laws, and became actors in Ernst's legal theater that ultimately forced the law to recognize people's right to freely consume media. In this book, Brett Gary recovers the critically neglected Ernst as the most important legal defender of literary expression and reproductive rights by the mid-twentieth century. Each chapter centers on one or more key trials from Ernst's remarkable career battling censorship and obscenity laws, using them to tell a broader story of cultural changes and conflicts around sex, morality, and free speech ideals. Dirty Works sets the stage, legally and culturally, for the sexual revolution of the 1960s and beyond. In the latter half of the century, the courts had a powerful body of precedents, many owing to Ernst's courtroom successes, that recognized adult interests in sexuality, women's needs for reproductive control, and the legitimacy of sexual inquiry. The legacy of this important, but largely unrecognized, moment in American history must be reckoned with in our contentious present, as many of the issues Ernst and his colleagues defended are still under attack eight decades later.

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Throughout history, potters, sculptors, painters, poets, novelists, cartoonists, song-writers, photographers, and filmmakers have recorded and tried to make sense of boxing. From Daniel Mendoza to Mike Tyson, boxers have embodied and enacted our anxieties about race, ethnicity, gender, and sexuality. In her encyclopedic investigation of the shifting social, political, and cultural resonances of this most visceral of sports, Kasia Boddy throws new light on an elemental struggle for dominance whose weapons are nothing more than fists. Looking afresh at everything from neoclassical sculpture to hip-hop lyrics, Boddy explores the ways in which the history of boxing has intersected with the history of mass media. Boddy pulls no punches, looking to the work of such diverse figures as Henry Fielding and Spike Lee, Charlie Chaplin and Philip Roth, James Joyce and Mae West, Bertolt Brecht and Charles Dickens in an all-encompassing study that tells us just how and why boxing has mattered so much to so many.

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Writer, poet, lecturer, broadcaster and man-of -letters, John Jordan (1930-88) was a distinguished scholar-critic in the Dublin of his day, teaching English at University College Dublin (1955-66) and at the Memorial University of Newfoundland at St John’s (1966-7). A true cosmopolitan, and formidably read, his interests ranged from drama to literature in all its forms. This gathering of prose essays and reviews are taken from the columns of the Irish Press, Hibernia, The Crane Bag and Irish University Review and Poetry Ireland (a magazine he refounded in 1962), as well as from private unpublished papers. They focus on the mid-century canon of Irish and Anglo-American writing: Joyce, Yeats, Lawrence, Eliot, Kavanagh, O’Casey, Behan, Clarke, Stuart, Bowen, Gregory, Synge, Shaw and Wilde, as well as on the new voices of a succeeding generation: Kinsella, Cronin, Hutchinson, Heaney, and Durcan. With occasional literary detours to Russia, France and Spain, Jordan brings a continental sensibility to bear on his literary milieu.

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I have never read a text which goes even half as far as this one in expressing the particular poignancy which lay at the heart of the impressionist movement. I say this as an art critic. As a novelist I would simply like to pay my tribute to the mastery of language, portraiture and storytelling which Figes has now at her command. - John BergerA small masterpiece - Susan Hill A luminous prose poem - Joyce Carol OatesThis shimmering novel is an extraordinary portrait of a day in the life of an artist at work and at home. In prose as luminous as the colours Monet is using to portray his garden, Eva Figes guides us from dawn (midnight blueblack growing grey and misty') through midday (the sun was high now shrinking what little shadow remained, fading colours, the pink rambler roses on the fence by the railway track looked almost white') to evening (the tide of shadows rising as the sunset glow faded outside.') Monet's wife, grieving for a lost

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Research underlies nearly every aspect of our culture, with expansive investment poured into it and its significance acknowledged by governments, industries, and academic institutions around the world. Yet the idea, practice, and social life of research have not been a subject of study. Of the 164 million items in the catalog of the Library of Congress, only forty-three fall into the category of “Research—History.” To begin the task of understanding research as a concept and practice, Bard Graduate Center gathered a group of artists, scientists, and humanists—all recipients of MacArthur “genius” grants—for three evenings of discussion moderated by Peter N. Miller, who is also a MacArthur Fellow.What is Research? includes conversations with theater director Annie Dorsen, biomedical researcher Elodie Ghedin, sculptor Tom Joyce, physicist Hideo Mabuchi, poet Campbell McGrath, photographer and filmmaker An-My Lê, neuroscientist Sheila Nirenberg, geochemist Terry Plank, and historian Marina Rustow, all of whom grapple with questions about the nature of research from their varied perspectives.

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From the award-winning biographer of Chaucer, the story of his most popular and scandalous character, from the Middle Ages to #MeTooEver since her triumphant debut in Chaucer's Canterbury Tales, the Wife of Bath, arguably the first ordinary and recognisably real woman in English literature, has obsessed readersfrom Shakespeare to James Joyce, Voltaire to Pasolini, Dryden to Zadie Smith. Few literary characters have led such colourful lives or matched her influence or capacity for reinvention in poetry, drama, fiction, and film. In The Wife of Bath, Marion Turner tells the fascinating story of where Chaucer's favourite character came from, how she related to real medieval women, and where her many travels have taken her since the fourteenth century, from Falstaff and Molly Bloom to #MeToo and Black Lives Matter. A sexually active and funny working woman, the Wife of Bath, also known as Alison, talks explicitly about sexual pleasure. She is also a victim of domestic abuse who tells a s

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*WINNER OF THE COSTA FIRST NOVEL AWARD 2020**LONGLISTED FOR THE OCM BOCAS PRIZE*AS SEEN ON BBC'S BETWEEN THE COVERSONE OF STYLIST'S BEST NEW BOOKS FOR 2020'A beautiful book. I adored it.' RICHARD OSMAN'Full of wit and soul.' TRACY CHEVALIER'Unforgettable' MARLON JAMES'It made me ugly cry' JESSIE BURTON'Glorious' RACHEL JOYCE'Spellbinding' ANDRÉ ACIMANMeet the Ramdin-Chetan family: forged through loneliness, broken by secrets, saved by love.Irrepressible Betty Ramdin, her shy son Solo and their marvellous lodger, Mr Chetan, form an unconventional household. Happy in their differences, they build a home together. Home: the place keeping these three safe from an increasingly dangerous world - until the night when a glass of rum, a heart to heart and a terrible truth explodes the family unit, driving them apart. Brave and brilliant, steeped in affection, Love After Love offers hope to anyone who has loved and lost and has yet to find their way back.

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By Native Hands describes the history and context of Native American basketry with full-color photographs and scholarly text. The objects are brought to life in words and pictures, including such rare objects as a feathered Pomo blazing sun basket that took three years to create. This book presents baskets from every major geographic region of North America, with examples from the Choctaw, Panamint Shoshone, Salish, Ojibwa, and many others. By the turn of the nineteenth century, Catherine Marshall Gardiner had begun to collect woven baskets from Native American cultures across the continent. Her collection, the first donation to the Lauren Rogers Museum of Art in 1923, is widely known as one of the finest and most representative Native American basketry collections. It now includes baskets from 88 tribes, almost all of the basket-making tribes in North America. The contributors include Stephen W. Cook, Betty J. Duggan, Dawn Glinsmann, William Ashley Harris, and Joyce Herold.

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A cultural revolution in England, France, and the United States beginning during the time of the industrial and political revolutions helped usher in modernity. This cultural revolution worked alongside the better documented political and economic revolutions to usher in the modern era of continuous revolution. Focusing on the period between 1847 and 1937, the book examines in depth six of the cultural "battles" that were key parts of this revolution: the novels of the Brontë sisters, the paintings of the Impressionists, the poetry of Emily Dickinson, the Ballets Russes production of Le Sacre du printemps, James Joyce's Ulysses, and Zora Neale Hurston's Their Eyes Were Watching God. Using contemporaneous reviews in the press as well as other historical material, we can see that these now-canonical works provoked outrage at the time of their release because they addressed critical points of social upheaval and transformation in ways that engaged broad audiences with subversive messages. This framework allows us to understand and navigate the cultural debates that play such an important role in 21st century politics.

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A warm and compelling tale, part of Lilian Harry's terrific Dartmoor-based series.The village of Burracombe is looking forward to the Coronation, but 1953 is to prove to be a year of heartbreak as well as celebration. While Stella begins to plan her wedding, her sister Maddy is only just coming to terms with the loss of her own fiancé; Val and Luke are wondering if they will ever become parents, and Hilary's chances of marriage seem at first to come closer, then to recede. The Tozer family also face anxiety. As grandmother Minnie fights for her life, Tom and Joanna's premature twins battle with their own crisis and Jackie, working and living in Plymouth, is determined to live her own life.Meanwhile, the life of the village goes on, with all its ups and downs, its feuds and differences. Bossy Joyce Warren tries to organise everything and everyone, Miss Kemp and Stella plan yet another event for the school, Jacob Prout strives to keep Burracombe looking its best for the festivities - and romance comes from a quite unexpected direction...

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Poems to celebrate the winter season.A wonderful bedside companion for a frosty winter’s evening, with poems to immerse yourself in the season. From William Shakespeare to John Keats to Katherine Mansfield, the finest poets that ever put pen to paper describe this beautiful and sometimes terrible season.With one entry for every day through winter, from 1st December until 28th or 29th February, this is the ideal book to take you through the darker months and find joy and comfort in nature.In December ‘Gaunt in gloom’ begins James Joyce’s ‘Nightpiece’. In January, there’s a ‘certain slant of light for Emily Dickinson, while ‘the dull dead wind is out of tune’ for Oscar Wilde. And in February, the last month of meteorological winter, William Morris muses ‘From this chill thaw to dream of blossomed May’.This beautiful and collectable anthology of poems derives from the popular A Poem for Every Night of the Year and also features wintry poems by Alice Oswald, Edward Lear, Emily Brontë, William Wordsworth, Ted Hughes and many more.

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Hailed in its first edition as an “outstanding work, as stimulating as it is intellectually distinguished” (New York Times), Law and Literature has handily lived up to the Washington Post’s prediction that the book would “remain essential reading for many years to come.” This third edition, extensively revised and enlarged, is the only comprehensive book-length treatment of the field. It continues to emphasize the essential differences between law and literature, which are rooted in the different social functions of legal and literary texts. But it also explores areas of mutual illumination and expands its range to include new topics such as the cruel and unusual punishments clause of the Constitution, illegal immigration, surveillance, global warming and bioterrorism, and plagiarism.In this edition, literary works from classics by Homer, Shakespeare, Milton, Dostoevsky, Melville, Kafka, and Camus to contemporary fiction by Tom Wolfe, Margaret Atwood, John Grisham, and Joyce Carol Oates come under Richard Posner’s scrutiny, as does the film The Matrix.The book remains the most clear, acute account of the intersection of law and literature.

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A captivating, emotional novel that weaves together an achingly beautiful picture of love in all its forms.'An exquisitely beautiful and compelling novel about love, loss and life' Rachel Joyce________________________For Rich, life is golden.He fizzes with happiness and love.When Rich dies, he leaves behind a family without a father, a husband, a son and a best friend. His wife, Ruth, can't imagine living without him and finds herself faced with a grief she's not sure she can find her way through. At the same time, their young son Ollie becomes intent on working out the meaning of life. Because everything happens for a reason. Doesn't it?But when they discover a mismatched collection of presents left by Rich for his loved ones, it provides a puzzle for them to solve, one that will help Ruth navigate her sorrow and help Ollie come to terms with what's happened. Together, they will learn to lay the ghosts of the past to rest, and treasure the true gift that Rich has left them: the ability to embrace life and love every moment.Readers have been moved by THIS SHINING LIFE:***** 'Compelling, bittersweet and beautifully written.'***** 'This book will make you weep and laugh. It is so raw and real that I could feel what the characters are going through.'***** 'Beautifully observed, compellingly written. I found it incredibly moving and I couldn't put it down.'***** 'Harriet Kline conveys beautifully the whole range of emotions experienced by different people.'***** 'I love this book from start to finish.''This captivated me...This beautiful book shows us that grief is not a problem to solve, but an expression of love, as we watch a family come together in the most heartwarming way.' Ann Napolitano, New York Times bestselling author of Dear Edward'This Shining Life gives us a heartbroken family, complicated and familiar in the best ways, going through the hardest of times but finding love and hope and, especially, one another.' Laurie Frankel, author of This is How It Always Is, the Reese Witherspoon Book Club pick

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With the equality and liberty of the Declaration of Independence as his fighting words, Thomas Jefferson created American democracy. For the two hundred years since then, he has been studied and debated worldwide, but never more intensely than in recent years. His extensive and influential understanding of democracy’s foundation in reason and nature continue to make him one of the most examined American founders. Thomas Jefferson and the Politics of Nature is a collection of the very best current scholarship devoted to Thomas Jefferson as politician, writer, philosopher, Christian, and economist. Lead essayist Michael Zuckert presents his comprehensive interpretation of Jefferson’s political thought, which Zuckert considers the best theoretical approach to democracy. While Zuckert moderates Jefferson’s natural rights philosophy with a Kantian perspective, Jean Yarbrough responds with the argument that Jefferson incorporates the authors of the Scottish Enlightenment and principles from the Republican tradition to achieve the same moderating effect. Garrett Ward Sheldon looks at the broader cultural influences shaping Jefferson’s thought and traces his republicanism to his support of Christian ethics and Aristotle. R. Booth Fowler examines why Jefferson, the leading liberal theorist of the nineteenth century, became the hero of the very different liberalism of the twentieth. Robert Dawidoff considers Jefferson as writer and literary figure instead of political thinker and actor, while Joyce Appleby renews an appreciation of Jefferson's statecraft by a famous reexamination of his commercial agrarian policy. Finally, James Ceaser traces Jefferson’s belief in racial inferiority to a speculative new natural science prominent among contemporary European thinkers and argues that Jefferson committed a significant error in reducing politics to such conjectural “facts.” This compact text is ideal for professors wishing to offer a one-volume collection of current Jeffersonian scholarship to undergraduate students. Professors and students alike will find that the essays contain prompt, focused, substantive discussions on the key issues facing Jeffersonian scholars. This handy collection will be an invaluable classroom tool for those studying not only Jefferson but also history, political philosophy, and science, as well as the history of ideas.

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"Don Quixote is the first great modern paranoid adventurer.... Grandiosity and persecution define the characters of Swift's Gulliver, Stendhal's Julien Sorel, Melville's Ahab, Dostoyevsky's Underground Man, Ibsen's Masterbuilder Solness, Strindberg's Captain (in The Father), Kafka's K., and Joyce's autobiographical hero Stephen Dedalus.... The all-encompassing conspiracy, very much in its original Rousseauvian cast, has become almost the normal way of representing society and its institutions since World War Two, giving impetus to heroic plots and counter-plots in a hundred films and in the novels of Burroughs, Heller, Ellison, Pynchon, Kesey, Mailer, DeLillo, and others."—from Paranoia and Modernity Paranoia, suspicion, and control have preoccupied key Western intellectuals since the sixteenth century. Paranoia is a dominant concern in modern literature, and its peculiar constellation of symptoms—grandiosity, suspicion, unfounded hostility, delusions of persecution and conspiracy—are nearly obligatory psychological components of the modern hero. How did paranoia come to the center of modern moral and intellectual consciousness? In Paranoia and Modernity, John Farrell brings literary criticism, psychology, and intellectual history to the attempt at an answer. He demonstrates the connection between paranoia and the long history of struggles over the question of agency—the extent to which we are free to act and responsible for our actions. He addresses a wide range of major authors from the late Middle Ages to the eighteenth century, among them Luther, Bacon, Cervantes, Descartes, Hobbes, Pascal, La Rochefoucauld, Swift, and Rousseau. Farrell shows how differently paranoid psychology looks at different historical junctures with different models of agency, and in the epilogue, "Paranoia and Postmodernism," he draws the implications for recent critical debates in the humanities.

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A virtuosic epic applauded by Stanley Crouch as “an adventurous masterwork that provides our literature with a signal moment,” back in print in a definitive new edition “I have an awful memory for faces, but an excellent one for voices,” muses Joubert Jones, the aspiring playwright at the center of Divine Days. A kaleidoscopic whorl of characters, language, music, and Black experience, this saga follows Jones for one week in 1966 as he pursues the lore and legends of fictional Forest County, a place resembling Chicago’s South Side. Joubert is a veteran, recently returned to the city, who works for his aunt Eloise’s newspaper and pours drinks at her Night Light Lounge. He wants to write a play about Sugar-Groove, a drifter, “eternal wunderkind,” and local folk hero who seems to have passed away. Sugar-Groove’s disappearance recalls the subject of one of Joubert’s earlier writing attempts—W. A. D. Ford, a protean, diabolical preacher who led a religious sect known as “Divine Days.” Joubert takes notes as he learns about both tricksters, trying to understand their significance.Divine Days introduces readers to a score of indelible characters: Imani, Joubert’s girlfriend, an artist and social worker searching for her lost siblings and struggling to reconcile middle-class life with her values and Black identity; Eloise, who raised Joubert and whose influence is at odds with his writerly ambitions; (Oscar) Williemain, a local barber, storyteller, and founder of the Royal Rites and Righteous Ramblings Club; and the Night Light’s many patrons. With a structure inspired by James Joyce and jazz, Leon Forrest folds references to African American literature and cinema, Shakespeare, the Bible, and classical mythology into a heady quest that embraces life in all its tumult and adventure. This edition brings Forrest’s masterpiece back into print, incorporating hundreds of editorial changes that the author had requested (but were never made) when the book was picked up by W. W. Norton after a disastrous warehouse fire destroyed most of the inventory from the original printing of the book by Another Chicago Press.

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Billy loves to draw. He draws on books and on his homework and even on his math tests-he might not get the answer right, but doesn't it look swell sitting in a boat at sea? His teacher doesn't think so, and neither does the principal. But the librarian has an idea that just might help Billy better direct his illustrative energies: a book-making contest! Billy gets right to work, reading everything he can about meteors, mythology, space travel, and...mucus? Yep, his book is going to be about the world's smartest booger, who stays tucked away until needed-say, to solve multiplication problems, or answer questions from the President. Billy's sure his story is a winner. But being a winner doesn't mean you always win. Full of nostalgic references to a time when TV was black-and-white and Sunday newspapers had things called the funnies, this wildly fun story-within-a-story is based loosely on children's book legend William Joyce's third grade year, and includes a sewn-in mini-book of that tale of the world's smartest booger.

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New Perspectives in English and American Studies. Volume One: Literature contains a selection of papers delivered at 14th International Conference on English and American Literature and Language, an international event organized every three years by the Institute of English Studies at the Jagiellonian University in Kraków, Poland. The editors divided the content into five broad sections reflecting the scope of academic reflection, the breadth of cultural material and the depth of its analysis.The articles in the volume revolve around the topics of literary and cultural studies and their diversity mirrors the broad spectrum of the thematic panels of the conference.These included, among others, Medievalism in Literature, James Joyce Studies, The Contemporary Historical Novel and Multimodality. Aside from these thematic sessions, a number of general sessions dedicated to a wide spectrum of topics pertinent to English and American studies was held – in particular, the issues of the individual’s perspective upon collective history, regional myths as well as the pivotal new historical awareness.

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The world of international politics has recently been rocked by a seemingly endless series of scandals involving auditory surveillance: the NSA’s warrantless wiretapping is merely the most sensational example of what appears to be a universal practice today. What is the source of this generalized principle of eavesdropping? All Ears: The Aesthetics of Espionage traces the long history of moles from the Bible, through Jeremy Bentham’s “panacoustic” project, all the way to the intelligence-gathering network called “Echelon.” Together with this archeology of auditory surveillance, Szendy offers an engaging account of spycraft’s representations in literature (Sophocles, Shakespeare, Joyce, Kafka, Borges), opera (Monteverdi, Mozart, Berg), and film (Lang, Hitchcock, Coppola, De Palma). Following in the footsteps of Orpheus, the book proposes a new concept of “overhearing” that connects the act of spying to an excessive intensification of listening. At the heart of listening Szendy locates the ear of the Other that manifests itself as the originary division of a “split-hearing” that turns the drive for mastery and surveillance into the death drive.

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Los ensayos de Cuaderno de faros constituyen una colección alimentada pacientemente con apuntes de viajes, crónicas personales, recuerdos de lecturas y referencias históricas.En su afán coleccionista, una pasión fervorosa pero domesticada, la autora visita algunos faros reales, como el de Yaquina Head, el de Goury o el de Tapia de Casariego, y rememora otros procedentes de la literatura, como los presentes en las obras de Virginia Woolf, Lawrence Durrell, Suetonio, Homero, James Joyce, Herman Melville o Luis Cernuda.La mirada lúcida y nostálgica de Jazmina Barrera, el franco envoltorio de su voz, convierten la lectura de este Cuaderno de faros en una experiencia íntima y magnética.

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En Chet Baker piensa en su arte, texto que propone un nuevo género (la ficción crítica), Enrique Vila-Matas se autorretrata como un escritor de personalidad escindida, como un ensayista mitad doctor Jekyll y mitad míster Hyde, mitad doctor Finnegans y mitad monsieur Hire. Esta historia narra la noche de un crítico literario que, encerrado por unas horas en un hotel de Turín, busca el punto de unión entre la literatura radical encarnada por el último Joyce ?el de Finnegans Wake? y la literatura tradicional de calidad representada por Simenon: dos tendencias sólo aparentemente irreconciliables, que el protagonista tratará de ensamblar en un ansiado texto-monstruo de orden franskensteiniano.

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One hundred years after Marshall McLuhan's birth, Elena Lamberti explores a fundamental, yet neglected aspect of his work: the solid humanistic roots of his original 'mosaic' form of writing. In this investigation of how his famous communication theories were influenced by literature and the arts, Lamberti proposes a new approach to McLuhan's thought. Lamberti delves into McLuhan's humanism in light of his work on media and culture, exploring how he began to perceive literature not just as a subject, but a 'function inseparable from communal existence.' Lamberti pays particular attention to the central role played by Modernism in the making of his theories, including the writings of Ford Madox Ford, James Joyce, Ezra Pound, and Wyndham Lewis. Reconnecting McLuhan with his literary past, Marshall McLuhan's Mosaic is a demonstration of one of his greatest ideas: that literature not only matters, but can help us understand the hidden patterns that rule our environment.

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In this book Robert Crunden puts the "jazz" back in the Jazz Age. Jazz was America's greatest contribution to the Modernist movement, yet it is much overlooked. When we hear the term "Jazz Age," we conjure the ghosts of Fitzgerald, Hemingway, and Eliot, not Jelly Roll Morton, Louis Armstrong, Ethel Waters, George Gershwin, and Duke Ellington. In order to correct this imbalance, Crunden re-introduces us to these musical luminaries who gave the era its name as he traces the early history of jazz from New Orleans to Chicago to New York. While Crunden emphasizes music over literature and the visual arts, he never fails to map the complex cross-currents of literature that passed between jazz musicians and their "Lost Generation" peers, a veritable pageant of the glittering personalities of the day-James Joyce, Alfred Stieglitz, Georgia O'Keeffe, Paul Strand, John Dos Passos, Langston Hughes, Gertrude Stein.

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This release sees the return of two popular returning characters and guest stars: Ian McNeice (Edge of Darkness, Dune, Doc Martin) as Winston Churchill, and Rufus Hound as The Meddling Monk. London, 1945. Winston Churchill campaigns for re-election. His new strategic adviser assures him that Britain has a bright future under his continued leadership. It’s a vote he can’t possibly lose. But the Doctor knows that he must. The Monk is meddling, altering history for his own selfish ends. With spies and aliens in the mix, Winston realises victory may not be so simple. But at least he can trust his old friend… can’t he? Cast: Sylvester McCoy (The Doctor), Ian McNeice (Winston Churchill), Rufus Hound (The Meddling Monk), Jonathan Forbes (Policeman/Mugger/Broadcaster/System), James Joyce (Secretary 2/Landlord/Borstal Boy/Driver), Philip Labey (Edward Dowan), Mimi Ndiweni (Alicia Dowan). Other parts played by members of the cast.

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