Search results for ""new york review of books""

An insightful biography of the most controversial and perhaps most fervent of all Zionist political figures “A beautifully written short biography of an exceedingly interesting man: a novelist, translator, poet, playwright, journalist, polemicist, and probably the most remarkable public speaker in modern Jewish life. Halkin’s account of him is credible and vivid.”—Avishai Margalit, New York Review of Books Vladimir Jabotinsky (1880–1940) was a man of huge paradoxes and contradictions and has been the most misunderstood of all Zionist politicians—a first-rate novelist, a celebrated Russian journalist, and the founder of the branch of Zionism now headed by Benjamin Netanyahu. This biography, the first in English in nearly two decades, undertakes to answer central questions about Jabotinsky as a writer, a political thinker, and a leader. Hillel Halkin sets aside the stereotypes to which Jabotinsky has been reduced by his would-be followers and detractors alike. Halkin explains the importance of Odessa, Jabotinsky’s native city, in molding his character and outlook; discusses his novels and short stories, showing the sometimes hidden connections between them and Jabotinsky’s political thought, and studies a political career that ended in tragic failure. Halkin also addresses Jabotinsky’s position, unique among the great figures of Zionist history, as both a territorial maximalist and a principled believer in democracy. The author inquires why Jabotinsky was often accused of fascist tendencies though he abhorred authoritarian and totalitarian politics, and investigates the many opposed aspects of his personality and conduct while asking whether or not they had an ultimate coherence. Few figures in twentieth-century Jewish life were quite so admired and loathed, and Halkin’s splendid, subtle book explores him with empathy and lucidity.

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“[I] can’t recommend this joint enough. ... An illuminating and discomfiting read.” —Ta-Nehisi Coates "Essential reading." —New York Review of BooksA shocking, heart-wrenching investigation into America’s housing crisis and the modern-day robber barons who are making a fortune off the backs of the disenfranchised working and middle class—among them, Donald Trump and his inner circle. Two years before the housing market collapsed in 2008, Donald Trump looked forward to a crash: “I sort of hope that happens because then people like me would go in and buy,” he said. But our future president wasn’t alone. While millions of Americans suffered financial loss, tycoons pounced to heartlessly seize thousands of homes—their profiteering made even easier because, as prize-winning investigative reporter Aaron Glantz reveals in Homewreckers, they often used taxpayer money—and the Obama administration’s promise to cover their losses. In Homewreckers, Glantz recounts the transformation of straightforward lending into a morass of slivered and combined mortgage “products” that could be bought and sold, accompanied by a shift in priorities and a loosening of regulations and laws that made it good business to lend money to those who wouldn’t be able to repay. Among the men who laughed their way to the bank: Trump cabinet members Steve Mnuchin and Wilbur Ross, Trump pal and confidant Tom Barrack, and billionaire Republican cash cow Steve Schwarzman. Homewreckers also brilliantly weaves together the stories of those most ravaged by the housing crisis. The result is an eye-opening expose of the greed that decimated millions and enriched a gluttonous few.

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“[I] can’t recommend this joint enough. ... An illuminating and discomfiting read.” —Ta-Nehisi Coates "Essential reading." —New York Review of BooksA shocking, heart-wrenching investigation into America’s housing crisis and the modern-day robber barons who are making a fortune off the backs of the disenfranchised working and middle class—among them, Donald Trump and his inner circle. Two years before the housing market collapsed in 2008, Donald Trump looked forward to a crash: “I sort of hope that happens because then people like me would go in and buy,” he said. But our future president wasn’t alone. While millions of Americans suffered financial loss, tycoons pounced to heartlessly seize thousands of homes—their profiteering made even easier because, as prize-winning investigative reporter Aaron Glantz reveals in Homewreckers, they often used taxpayer money—and the Obama administration’s promise to cover their losses. In Homewreckers, Glantz recounts the transformation of straightforward lending into a morass of slivered and combined mortgage “products” that could be bought and sold, accompanied by a shift in priorities and a loosening of regulations and laws that made it good business to lend money to those who wouldn’t be able to repay. Among the men who laughed their way to the bank: Trump cabinet members Steve Mnuchin and Wilbur Ross, Trump pal and confidant Tom Barrack, and billionaire Republican cash cow Steve Schwarzman. Homewreckers also brilliantly weaves together the stories of those most ravaged by the housing crisis. The result is an eye-opening expose of the greed that decimated millions and enriched a gluttonous few.

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'A fascinating and challenging story' New York Review of Books 'This is an incredibly absorbing and insightful book about the most important scientific question of our age' Mark Miodownik, author of Stuff Matters'The story of the quest to understand life's genesis is a universal one, in which everyone can find pleasure and fascination. By asking how life came to be, we are implicitly asking why we are here, whether life exists on other planets, and what it means to be alive. This book is the story of a group of fragile, flawed humans who chose to wrestle with these questions. By exploring the origin of life, we can catch a glimpse of the infinite.'How did life begin? Why are we here? These are some of the most profound questions we can ask.For almost a century, a small band of eccentric scientists has struggled to answer these questions and explain one of the greatest mysteries of all: how and why life began on Earth. There are many different proposals, and each idea has attracted passionate believers who promote it with an almost religious fervour, as well as detractors who reject it with equal passion.But the quest to unravel life's genesis is not just a story of big ideas. It is also a compelling human story, rich in personalities, conflicts, and surprising twists and turns. Along the way the journey takes in some of the greatest discoveries in modern biology, from evolution and cells to DNA and life's family tree. It is also a search whose end may finally be in sight.In The Genesis Quest, Michael Marshall shows how the quest to understand life's beginning is also a journey to discover the true nature of life, and by extension our place in the universe.

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Exploring the decadence of Jazz Age New York through a fictionalised version of his own marriage to Zelda Fitzgerald, F. Scott Fitzgerald's The Beautiful and the Damned includes an introduction by Geoff Dyer in Penguin Modern Classics.Anthony Patch and his wife Gloria are the essence of Jazz Age glamour. A brilliant and magnetic couple, they fling themselves at life with an energy that is thrilling. New York is a playground where they dance and drink for days on end. Their marriage is a passionate theatrical performance; they are young, rich, alive and lovely and they intend to inherit the earth. But as money becomes tight, their marriage becomes impossible. And with their inheritance still distant, Anthony and Gloria must face reality; they may be beautiful - but they are also damned.F. Scott Fitzgerald (1896-1940) has acquired a mythical status in American literary history, and his masterwork The Great Gatsby is considered by many to be the 'great American novel'. In 1920 he married Zelda Sayre, dubbed 'the first American Flapper', and their traumatic marriage and Zelda's gradual descent into insanity became the leading influence on his writing. As well as many short stories, Fitzgerald wrote five novels This Side of Paradise, The Great Gatsby, The Beautiful and the Damned, Tender is the Night and, incomplete at the time of his death, The Last Tycoon. After his death The New York Times said of him that 'in fact and in the literary sense he created a "generation" '.If you enjoyed The Beautiful and the Damned, you might like John Dos Passos' Manhattan Transfer, also available in Penguin Classics.'A prose that has the tough delicacy of a garnet'New York Review of Books

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‘Based on meticulous research in original sources … Goodman illustrates vividly how adept [Banks] was … Shining a light on individuals whose achievements are relatively uncelebrated’ Jenny Uglow, New York Review of Books A bold new history of how botany and global plant collecting – centred at Kew Gardens and driven by Joseph Banks – transformed the earth. Botany was the darling and the powerhouse of the eighteenth century. As European ships ventured across the Atlantic, Indian and Pacific oceans, discovery bloomed. Bounties of new plants were brought back, and their arrival meant much more than improved flowerbeds – it offered a new scientific frontier that would transform Europe’s industry, medicine, eating and drinking habits, and even fashion. Joseph Banks was the dynamo for this momentous change. As botanist for James Cook’s great voyage to the South Pacific on the Endeavour, Banks collected plants on a vast scale, armed with the vision – as a child of the Enlightenment – that to travel physically was to advance intellectually. His thinking was as intrepid as Cook’s seafaring: he commissioned radically influential and physically daring expeditions such as those of Francis Masson to the Cape Colony, George Staunton to China, George Caley to Australia, William Bligh to Tahiti and Jamaica, among many others. Jordan Goodman’s epic history follows these high seas adventurers and their influence in Europe, as well as taking us back to the early years of Kew Gardens, which Banks developed devotedly across the course of his life, transforming it into one of the world’s largest and most diverse botanical gardens. In a rip-roaring global expedition, based on original sources in many languages, Goodman gives a momentous history of how the discoveries made by Banks and his collectors advanced scientific understanding around the world.

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"Phayer offers exactly what was needed. . . . A fair and even-tempered account of a volatile subject." —Kirkus Reviews"An important addition to the literature of the Holocaust." —Publishers Weekly"Very valuable . . . a fine and judicious book." —István Deák, The New York Review of Books"Phayer has written a singularly important book on the role of the Catholic Church in both the Holocaust and its aftermath, up to and including Vatican II. Diligently researched and documented, judicious in its conclusions, comprehensive in its scope, compassionate and humane in its outlook, this book is an indispensable resource." —Richard L. Rubenstein"Phayer's study of [the Catholic Church] as an actor in the tumultuous history of the [20th century] will serve as a model for other historians." —Donald J. Dietrich, Boston CollegePhayer's book, particularly strong on German source material, is at pains to list Pius's strong points his piety, his loathing of Hitler, the instances of personal warmth, the occasions when he criticized Nazism. Phayer examines not only Pius's actions but those of other leading Catholics, and his study extends beyond the end of World War II to follow the evolution of official Catholic thinking during the rebuilding of Germany, the cold war, and the gradual theological reforms that led to Vatican II. This enables Phayer to show how the church completely reversed its position relative to the Jews, but it also gives him a more thorough reading of Pius XII's overall record. It is a damning and convincing verdict that emerges." —Commonweal

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In the most comprehensive study yet of homosexuality in the English Renaissance, Bruce R. Smith examines and rejects the assessments of homosexual acts in moral philosophy, laws, and medical books in favor of a poetics of homosexual desire. Smith isolates six different "myths" from classical literature and discusses each in relation to a particular Renaissance literary genre and to a particular part of the social structure of early modern England. Smith's new Preface places his work in the context of the continuing controversies in gay, lesbian, and bisexual studies."The best single analysis of the homoerotic element in Renaissance English literature."—Keith Thomas, New York Review of Books"Smith's lucid and subtle book offer[s] a poetics of homosexual desire. . . . Its scholarship, impressively broad and deftly deployed, aims to further a serious social purpose: the redemptive location of homosexual desire in history and the recuperation for our own time, through an understanding of its discursive embodiments, of that desire's changing imperatives and parameters."—Terence Hawkes, Times Literary Supplement"The great strength of Bruce Smith's book is that it does not sidestep the complex challenge of engaging in the sexual politics of the present while attending to the resistant discourses and practices of Renaissance England. Homosexual Desire in Shakespeare's England demonstrates how a commitment to the present opens up our understanding of the past."—Peter Stallybrass, Shakespeare Quarterly"A major contribution to the understanding of homosexuality in Renaissance England and by far the best and most comprehensive account yet offered of the homoeroticism that suffuses Renaissance literature."—Claude J. Summers, Journal of Homosexuality

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This volume collects twenty-three interviews given over the course of the last two decades by Jacques Derrida. It illustrates the extraordinary breadth of his concerns, touching upon such subjects as the teaching of philosophy, sexual difference and feminine identity, the media, AIDS, language and translation, nationalism, politics, and Derrida's early life and the history of his writings. Often, as in the interview on Heidegger, or that on drugs, or on the nature of poetry, these interviews offer not only an introduction to other discussions, but something available nowhere else in his work. When did feminist discourse become an indispensable consideration for deconstruction? What was the impact on Derrida's work of his being an Algerian Jew growing up during World War II? Is there an ineradicable gap between language-based attitude such as those found in a deconstruction and subjectivity-oriented critical models such as those developed by Foucault and Lacan? Such questions as these are answered with great thoughtfulness and intensity. Derrida's oral style is patient, generous, and helpful. His tone varies with the questioners and the subject matter—militant, playful, strategic, impassioned, analytic: difference in modulation can sometimes be heard within the same dialogue. The informality of the interview process frequently leads to the most succinct and lucid explications to be found of many of the most important and influential aspects of Derrida's thought. Sixteen of the interviews appear here for the first time in English, including an interview, conducted especially for this volume, concerning the recent exchange of letters in the New York Review of Books.

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Winner of the National Book Critics Circle AwardA Smithsonian Book of the YearA New York Review of Books “Best of 2020” SelectionA New York Times Best Art Book of the YearAn Art Newspaper Book of the YearA powerful document of the inner lives and creative visions of men and women rendered invisible by America’s prison system.More than two million people are currently behind bars in the United States. Incarceration not only separates the imprisoned from their families and communities; it also exposes them to shocking levels of deprivation and abuse and subjects them to the arbitrary cruelties of the criminal justice system. Yet, as Nicole Fleetwood reveals, America’s prisons are filled with art. Despite the isolation and degradation they experience, the incarcerated are driven to assert their humanity in the face of a system that dehumanizes them.Based on interviews with currently and formerly incarcerated artists, prison visits, and the author’s own family experiences with the penal system, Marking Time shows how the imprisoned turn ordinary objects into elaborate works of art. Working with meager supplies and in the harshest conditions—including solitary confinement—these artists find ways to resist the brutality and depravity that prisons engender. The impact of their art, Fleetwood observes, can be felt far beyond prison walls. Their bold works, many of which are being published for the first time in this volume, have opened new possibilities in American art.As the movement to transform the country’s criminal justice system grows, art provides the imprisoned with a political voice. Their works testify to the economic and racial injustices that underpin American punishment and offer a new vision of freedom for the twenty-first century.

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An Economist Book of the YearA Financial Times Book of the YearA Foreign Affairs Best Book of the YearA Prospect Best Book of the YearA ProMarket Book of the YearAn Omidyar Network “8 Storytellers Informing How We’ve been Reimagining Capitalism” Selection“Brilliant…Poses all the important questions about our future.”—Gordon Brown“A scholar of inequality warns that while capitalism may have seen off rival economic systems, the survival of liberal democracies is anything but assured.”—The EconomistWe are all capitalists now. For the first time in human history, the world is dominated by one economic system. At some level capitalism has triumphed because it works: it delivers prosperity and gratifies our desire for autonomy. But this comes at a moral price, pushing us to treat material success as the ultimate goal, and offers no guarantee of stability. While Western liberal capitalism creaks under the strains of inequality and excess, some are flaunting the virtues of political capitalism, exemplified by China, which may be more efficient, but is also vulnerable to corruption and social unrest.One of the outstanding economists of his generation, Branko Milanovic mines the data to tell his ambitious and compelling story. Capitalism gets a lot wrong, he argues, but also much right—and it isn’t going away anytime soon. Our task is to improve it in the hopes that a more equitable capitalism can take hold.“Erudite, illuminating…Engaging to read…As a virtuoso economist, Milanovic is superb when he is compiling and assessing data.”—Robert Kuttner, New York Review of Books“Leaves little doubt that the social contract no longer holds. Whether you live in Beijing or New York, the time for renegotiation is approaching.”—Edward Luce, Financial Times

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The Go-Go Years "The Go-Go Years is not to be read in the usual manner ofWall Street classics. You do not read this book to see our presentsituation reenacted in the past, with only the names changed. Youread it because it is a wonderful description of the way thingswere in a different time and place." --From the Foreword by Michael Lewis The Go-Go Years is the harrowing and humorous story ofthe growth stocks of the 1960s and how their meteoric rise caused amultitude of small investors to thrive until the devastating marketcrashes in the 1970s. It was a time when greed drove the market andfast money was being made and lost as the "go-go" stocks surged andplunged. Included are the stories of such high-profilepersonalities as H. Ross Perot who lost $450 million in one day,Saul Steinberg's attempt to take over Chemical Bank, and the fallof America's "Last Gatsby," Eddie Gilbert. Praise for The Go-Go Years "Those for whom the stock market is mostly a spectator sportwill relish the book's verve, color, and memorableone-liners." --New York Review of Books "Please don't take The Go-Go Years too much for granted:as effortlessly as it seems to fly, it is nonetheless an unusuallycomplex and thoughtful work of social history." --New York Times "Brooks's great contribution is his synthesis of all theelements that made the 1960s the most volatile in Wall Streethistory . and making so much material easily digestible for theuninitiated." --Publishers Weekly "Brooks ... is about the only writer around who combines athorough knowledge of finance with the ability to perceive behindthe dance of numbers 'high, pure, moral melodrama on the themes ofpossession, domination, and belonging.'" --Time

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In the West, monastic ideals and scholastic pursuits are complementary; monks are popularly imagined copying classics, preserving learning through the Middle Ages, and establishing the first universities. But this dual identity is not without its contradictions. While monasticism emphasizes the virtues of poverty, chastity, and humility, the scholar, by contrast, requires expensive infrastructure—a library, a workplace, and the means of disseminating his work. In The Monk and the Book, Megan Hale Williams argues that Saint Jerome was the first to represent biblical study as a mode of asceticism appropriate for an inhabitant of a Christian monastery, thus pioneering the enduring linkage of monastic identities and institutions with scholarship. Revisiting Jerome with the analytical tools of recent cultural history—including the work of Bourdieu, Foucault, and Roger Chartier—Williams proposes new interpretations that remove obstacles to understanding the life and legacy of the saint. Examining issues such as the construction of Jerome’s literary persona, the form and contents of his library, and the intellectual framework of his commentaries, Williams shows that Jerome’s textual and exegetical work on the Hebrew scriptures helped to construct a new culture of learning. This fusion of the identities of scholar and monk, Williams shows, continues to reverberate in the culture of the modern university. "[Williams] has written a fascinating study, which provides a series of striking insights into the career of one of the most colorful and influential figures in Christian antiquity. Jerome's Latin Bible would become the foundational text for the intellectual development of the West, providing words for the deepest aspirations and most intensely held convictions of an entire civilization. Williams's book does much to illumine the circumstances in which that fundamental text was produced, and reminds us that great ideas, like great people, have particular origins, and their own complex settings."—Eamon Duffy, New York Review of Books

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Francois Furet needs little introduction. Widely considered one of the leading historians of the French Revolution, he was a maverick for his time, shining a critical light on the entrenched Marxist interpretations that prevailed during the mid-twentieth century. Shortly after his death in 1997, the New York Review of Books called him "one of the most influential men in contemporary France." Lies, Passions, and Illusions is a fitting capstone to this celebrated author's oeuvre: a late-career conversation with philosopher Paul Ricoeur on the twentieth century writ large, a century of violence and turmoil, of unprecedented wealth and progress, in which history advanced, for better or worse, in quantum leaps. This conversation would be, sadly, Furet's last - he died while Ricoeur was completing his edits. Ricoeur did not want to publish his half without Furet's approval, so what remains is Furet's alone, an astonishingly cohesive meditation on the political passions of the twentieth century. With strokes at once broad and incisive, he examines the many different trajectories that nations of the West have followed over the past hundred years. It is a dialogue with history as it happened but also as a form of thought. It is a dialogue with his critics, with himself, and with those major thinkers - from Tocqueville to Hannah Arendt - whose ideas have shaped our understanding of the tragic dramas and upheavals of the modern era. It is a testament to the crucial role of the historian, a reflection on how history is made and lived, and how the imagination is a catalyst for political change. Whether new to Furet or deeply familiar with his work, readers will find thought-provoking assessments on every page, a deeply moving look back at one of the most tumultuous periods of history and how we might learn and look forward from it.

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The novelist J.G. Farrell - known to his friends as Jim - was drowned on August 11, 1979 when he was swept off rocks by a sudden storm while fishing in the West of Ireland. He was in his early forties. Had he not sadly died so young,A" remarked Salman Rushdie in 2008, there is no question that he would today be one of the really major novelists of the English language. The three novels that he did leave are all in their different way extraordinary.A" The Siege of Krishnapur, the second of Farrell's Empire Trilogy, won the Booker Prize in 1973, and it was selected as one of only six previous winners to compete in the 2008 international 'Best of Booker' competition. The strength of American interest in Farrell's books is underlined by the inclusion of all three Trilogy novels in the Classics imprint of the New York Review of Books. Troubles won the Lost Man Booker Prize in 2010. Many of these selected letters are written to women whom Jim Farrell loved and whom he inadvertently hurt. His ambition to be a great writer in an age of minimal author's earnings ruled out the expense of marriage and fatherhood, so self-sufficiency was his answer. Books Ireland has astutely portrayed him as 'a mystery wrapped in an enigma, a man who wanted solitude and yet did not want it, wanted love but feared commitment, reached out again and again but, possibly through fear of rejection, was always the first to cut the cord.' But Farrell's kindness, deft humour and gift for friendship reached across rejection, which must account for why so many such letters were kept. Funny, teasing, anxious and ambitious, these previously unpublished letters to a wide range of friends give the reader a glimpse of this private man. Ranging from childhood to the day before his death, Farrell's distinctive letters have the impact of autobiography.

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A lavishly illustrated monograph that spans the entire career of Gerhard Richter, one of the most celebrated contemporary artists "Spans the contemporary German artist's six-decade career. . . . [A] stirring exhibition in [its] own right."—New York Times"[A] weighty catalogue... illuminat[es] some less-visited corners of Richter's oeuvre."—New York Review of Books Over the course of his acclaimed 60-year career, Gerhard Richter (b. 1932) has employed both representation and abstraction as a means of reckoning with the legacy, collective memory, and national sensibility of post–Second World War Germany, in both broad and very personal terms. This handsomely designed book features approximately 100 of his key canvases, from photo paintings created in the early 1960s to portraits and later large-scale abstract series, as well as select works in glass. New essays by eminent scholars address a variety of themes: Sheena Wagstaff evaluates the conceptual import of the artist’s technique; Benjamin H. D. Buchloh discusses the poignant Birkenau paintings (2014); Peter Geimer explores the artist’s enduring interest in photographic imagery; Briony Fer looks at Richter’s family pictures against traditional painting genres and conventions; Brinda Kumar investigates the artist’s engagement with landscape as a site of memory; André Rottmann considers the impact of randomization and chance on Richter’s abstract works; and Hal Foster examines the glass and mirror works. As this book demonstrates, Richter’s rich and varied oeuvre is a testament to the continued relevance of painting in contemporary art.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Met Breuer, New York (March 4–July 5, 2020)Museum of Contemporary Art, Los Angeles (August 14, 2020–January 19, 2021)

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Rory Stewart explores his love for the UK in this account of history, memory and landscape as he traverses the the borderlands between England and Scotland.‘This beautifully written book is a haunting reflection of identity and our relationships with the people and places we love’ Daily Mail His father Brian taught Rory Stewart how to walk, and walked with him on journeys from Iran to Malaysia. Now they have chosen to do their final walk together along ‘the Marches’ - the frontier that divides their two countries, Scotland and England. On their six-hundred-mile, thirty-day journey - with Rory on foot, and his father ‘ambushing’ him by car – the pair relive Scottish dances, reflect on Burmese honey-bears, and on the loss of human presence in the British landscape. Travelling across mountain ridges and through housing estates they uncover a forgotten country crushed between England and Scotland: the Middleland. They discover unsettling modern lives, lodged in an ancient place, as their odyssey develops into a history of the British nationhood, a chronicle of contemporary Britain and an exuberant encounter between a father and a son. And as the journey deepens, and the end approaches, Brian and Rory fight to match, step by step, modern voices, nationalisms and contemporary settlements to the natural beauty of the Marches, and a fierce absorption in tradition in their own unconventional lives. ‘Suggests an open-mindedness in Stewart, a tolerance and flexibility that could make him an exceptional politician while it also continues to define him as a writer’ New York Review of Books ‘Travel writing at its best’ Guardian

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Winner of the Frederick Jackson Turner AwardWinner of the George Perkins Marsh PrizeWinner of the John Brinckerhoff Jackson Book Prize“A major work of history that brings together African-American history and environmental studies in exciting ways.”—Davarian L. Baldwin, Journal of Interdisciplinary HistoryBetween 1915 and 1940, hundreds of thousands of African Americans left the rural South to begin new lives in the urban North. In Chicago, the black population quintupled to more than 275,000. Most historians map the integration of southern and northern black culture by looking at labor, politics, and popular culture. An award-winning environmental historian, Brian McCammack charts a different course, considering instead how black Chicagoans forged material and imaginative connections to nature.The first major history to frame the Great Migration as an environmental experience, Landscapes of Hope takes us to Chicago’s parks and beaches as well as to the youth camps, vacation resorts, farms, and forests of the rural Midwest. Situated at the intersection of race and place in American history, it traces the contours of a black environmental consciousness that runs throughout the African American experience.“Uncovers the untold history of African Americans’ migration to Chicago as they constructed both material and immaterial connections to nature.”—Teona Williams, Black Perspectives“A beautifully written, smart, painstakingly researched account that adds nuance to the growing field of African American environmental history.”—Colin Fisher, American Historical Review“If in the South nature was associated with labor, for the inhabitants of the crowded tenements in Chicago, nature increasingly became a source of leisure.”—Reinier de Graaf, New York Review of Books

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The social movements of the 1960s - still vital and challenging - seen through the author's experiences as a civil rights activist, a feminist, an antiwar organizer, and a radical teacher. Today, some fifty years after, we celebrate - or excoriate - "the Sixties." Using his wide-ranging experience as an activist and writer, Paul Lauter examines the values, the exploits, the victories, the implications, and sometimes the failings, of the "Movement" of that conflicted time. In Our Sixties, Lauter writes about movement activities from the perspective of a full-time participant: 1964 Mississippi freedom schools; Students for a Democratic Society (SDS); the Morgan community school in Washington, DC, which he headed; a variety of antiwar, antidraft actions; the New University Conference, a radical group of faculty and graduate students; The Feminist Press, which he helped found; and the United States Servicemen's Fund, an organization supporting antiwar GIs. He got fired, got busted, got published, and even got tenure. He honed his skills writing for the New York Review of Books among other magazines. As a teacher he created innovative courses ranging from "Revolutionary Literature" and "Contesting the Canon" to "The Sixties in Fiction, Poetry, and Film." He led the development of the groundbreaking Heath Anthology of American Literature and remains its general editor. Lauter's book offers both a retrospective look at the social justice struggles of the Sixties and an account of how his participation in these struggles has shaped his life. Social history as well as personal chronicle, this account is for those who recall that turbulent decade as well as for those who seek to better understand its impact on American politics and society in our current era.

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“Exposes the vast gap between the actual science underlying AI and the dramatic claims being made for it.”—John Horgan“If you want to know about AI, read this book…It shows how a supposedly futuristic reverence for Artificial Intelligence retards progress when it denigrates our most irreplaceable resource for any future progress: our own human intelligence.”—Peter ThielEver since Alan Turing, AI enthusiasts have equated artificial intelligence with human intelligence. A computer scientist working at the forefront of natural language processing, Erik Larson takes us on a tour of the landscape of AI to reveal why this is a profound mistake.AI works on inductive reasoning, crunching data sets to predict outcomes. But humans don’t correlate data sets. We make conjectures, informed by context and experience. And we haven’t a clue how to program that kind of intuitive reasoning, which lies at the heart of common sense. Futurists insist AI will soon eclipse the capacities of the most gifted mind, but Larson shows how far we are from superintelligence—and what it would take to get there.“Larson worries that we’re making two mistakes at once, defining human intelligence down while overestimating what AI is likely to achieve…Another concern is learned passivity: our tendency to assume that AI will solve problems and our failure, as a result, to cultivate human ingenuity.”—David A. Shaywitz, Wall Street Journal“A convincing case that artificial general intelligence—machine-based intelligence that matches our own—is beyond the capacity of algorithmic machine learning because there is a mismatch between how humans and machines know what they know.”—Sue Halpern, New York Review of Books

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Winner of the Bancroft PrizeLouisiana Endowment for the Humanities Book of the YearA Publishers Weekly Book of the Year“The main thrust of Horowitz’s account is to make us understand Katrina—the civic calamity, not the storm itself—as a consequence of decades of bad decisions by humans, not an unanticipated caprice of nature.”—Nicholas Lemann, New YorkerHurricane Katrina made landfall in New Orleans on August 29, 2005, but the decisions that caused the disaster can be traced back nearly a century. After the city weathered a major hurricane in 1915, its Sewerage and Water Board believed that developers could safely build housing near the Mississippi, on lowlands that relied on significant government subsidies to stay dry. When the flawed levee system failed, these were the neighborhoods that were devastated.The flood line tells one important story about Katrina, but it is not the only story that matters. Andy Horowitz investigates the response to the flood, when policymakers made it easier for white New Orleanians to return home than for African Americans. He explores how the profits and liabilities created by Louisiana’s oil industry have been distributed unevenly, prompting dreams of abundance and a catastrophic land loss crisis that continues today.“Masterful…Disasters have the power to reveal who we are, what we value, what we’re willing—and unwilling—to protect.”—New York Review of Books“If you want to read only one book to better understand why people in positions of power in government and industry do so little to address climate change, even with wildfires burning and ice caps melting and extinctions becoming a daily occurrence, this is the one.”—Los Angeles Review of Books

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Winner of the John Hope Franklin PrizeA Moyers & Company Best Book of the Year“A brilliant work that tells us how directly the past has formed us.”—Darryl Pinckney, New York Review of BooksHow did we come to think of race as synonymous with crime? A brilliant and deeply disturbing biography of the idea of black criminality in the making of modern urban America, The Condemnation of Blackness reveals the influence this pernicious myth, rooted in crime statistics, has had on our society and our sense of self. Black crime statistics have shaped debates about everything from public education to policing to presidential elections, fueling racism and justifying inequality. How was this statistical link between blackness and criminality initially forged? Why was the same link not made for whites? In the age of Black Lives Matter and Donald Trump, under the shadow of Ferguson and Baltimore, no questions could be more urgent.“The role of social-science research in creating the myth of black criminality is the focus of this seminal work…[It] shows how progressive reformers, academics, and policy-makers subscribed to a ‘statistical discourse’ about black crime…one that shifted blame onto black people for their disproportionate incarceration and continues to sustain gross racial disparities in American law enforcement and criminal justice.”—Elizabeth Hinton, The Nation“Muhammad identifies two different responses to crime among African-Americans in the post–Civil War years, both of which are still with us: in the South, there was vigilantism; in the North, there was an increased police presence. This was not the case when it came to white European-immigrant groups that were also being demonized for supposedly containing large criminal elements.”—New Yorker

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Gene Epstein knows a thing or two about economic data. Before becoming the Economics Editor for Barron's in 1993, he was a senior economist at the New York Stock Exchange. Now in Econospinning, Epstein supplies readers with a book that attempts to cut through the veil of economic misinformation commonly reported in today's media. Assuming no prior knowledge on the readers part, each chapter of Econospinning is structured around fairly simple propositions about the economy or about specific economic data—from tracking employment numbers to measuring corporate profitability—that are then contrasted with the distortions of today's media coverage. Along the way, Epstein exposes bad reporting by the elite media, including The Wall Street Journal, The Financial Times, The New York Review of Books, The New Yorker, The Economist—and especially by The New York Times and its economics columnist Paul Krugman, Epstein also deconstructs CNN newscaster Lou Dobbs’ coverage of outsourcing and globalization; the illusory connection between abortion and lower crime rates, and bad theories about the role of real estate brokers, featured in the bestseller Freakonomics; the treatment of the working class portrayed in Barbara Ehrenreich’s Nickel and Dimed; and the sensationalized coverage of the employment report by CNBC’s "Squawk Box." From the disputes over Social Security to misinterpretations of the unemployment rate, Econospinning points out the unfortunate lack of integrity that pervades mainstream economic reporting. Gene Epstein (New York, NY) has been Barron's Economics Editor since 1993 and writes the column, "Economic Beat." A frequent speaker on the conference circuit, Epstein has been interviewed on CNBC, CNN, NJN Public TV, and BBC TV. He holds an MA in economics from the New School and a BA from Brandeis University.

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The Best American Magazine Writing 2023 offers a selection of outstanding journalism on timely topics, including inequalities and injustices pressuring families, especially mothers. Rozina Ali tells the story of a U.S. marine who unlawfully adopted an Afghan girl and her family’s efforts to bring her home (New York Times Magazine). A Mother Jones exposé confronts the imprisonment of women for failing to protect their children from their abusive partners. “The Landlord and the Tenant” juxtaposes the lives of a poor single mother convicted for her children’s deaths in a fire and the man who owned the fatal property (ProPublica with Milwaukee Journal Sentinel). Caitlin Dickerson investigates the history of the U.S. government’s family-separation policy (The Atlantic). Jia Tolentino’s New Yorker commentary considers abortion in a post-Roe world.The anthology features pieces on a wide range of subjects, such as Nate Jones on the “Nepo Baby” and Allison P. Davis’s essay about a decade on Tinder (New York). Natalie So recounts how her mother’s small computer chip company became the target of a Silicon Valley crime ring (The Believer). Clint Smith asks what Holocaust memorials in Germany can teach the United States about our reckoning with slavery (The Atlantic). Esquire’s Chris Heath examines the FBI’s involvement in a plot to kidnap the governor of Michigan. Courtney Desiree Morris takes a queer psychedelic ramble through New Orleans (Stranger’s Guide). Namwali Serpell reflects on representations of sex workers (New York Review of Books). An ESPN Digital investigation uncovers Penn State’s other serial sexual predator before Jerry Sandusky. Profiles of the acclaimed actress Viola Davis (New York Times Magazine) and the self-taught artist Matthew Wong (New Yorker), as well as Michelle de Kretser’s short story “Winter Term” (Paris Review), round out the volume.

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The Best American Magazine Writing 2023 offers a selection of outstanding journalism on timely topics, including inequalities and injustices pressuring families, especially mothers. Rozina Ali tells the story of a U.S. marine who unlawfully adopted an Afghan girl and her family’s efforts to bring her home (New York Times Magazine). A Mother Jones exposé confronts the imprisonment of women for failing to protect their children from their abusive partners. “The Landlord and the Tenant” juxtaposes the lives of a poor single mother convicted for her children’s deaths in a fire and the man who owned the fatal property (ProPublica with Milwaukee Journal Sentinel). Caitlin Dickerson investigates the history of the U.S. government’s family-separation policy (The Atlantic). Jia Tolentino’s New Yorker commentary considers abortion in a post-Roe world.The anthology features pieces on a wide range of subjects, such as Nate Jones on the “Nepo Baby” and Allison P. Davis’s essay about a decade on Tinder (New York). Natalie So recounts how her mother’s small computer chip company became the target of a Silicon Valley crime ring (The Believer). Clint Smith asks what Holocaust memorials in Germany can teach the United States about our reckoning with slavery (The Atlantic). Esquire’s Chris Heath examines the FBI’s involvement in a plot to kidnap the governor of Michigan. Courtney Desiree Morris takes a queer psychedelic ramble through New Orleans (Stranger’s Guide). Namwali Serpell reflects on representations of sex workers (New York Review of Books). An ESPN Digital investigation uncovers Penn State’s other serial sexual predator before Jerry Sandusky. Profiles of the acclaimed actress Viola Davis (New York Times Magazine) and the self-taught artist Matthew Wong (New Yorker), as well as Michelle de Kretser’s short story “Winter Term” (Paris Review), round out the volume.

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"Roxanne Dunbar-Ortiz's Loaded is like a blast of fresh air. She is no fan of guns or of our absurdly permissive laws surrounding them. But she does not merely take the liberal side of the familiar debate."--Adam Hochschild, The New York Review of Books"If . . . anyone at all really wants to 'get to the root causes of gun violence in America,' they will need to start by coming to terms with even a fraction of what Loaded proposes."—Los Angeles Review of Books"Her analysis, erudite and unrelenting, exposes blind spots not just among conservatives, but, crucially, among liberals as well. . . . As a portrait of the deepest structures of American violence, Loaded is an indispensable book."—The New RepublicLoaded: A Disarming History of the Second Amendment, is a deeply researched—and deeply disturbing—history of guns and gun laws in the United States, from the original colonization of the country to the present. As historian and educator Dunbar-Ortiz explains, in order to understand the current obstacles to gun control, we must understand the history of U.S. guns, from their role in the "settling of America" and the early formation of the new nation, and continuing up to the present.Praise for Loaded:"Dunbar-Ortiz's argument will be disturbing and unfamiliar to most readers, but her evidence is significant and should not be ignored."—Publishers Weekly" . . . gun love is as American as apple pie—and that those guns have often been in the hands of a powerful white majority to subjugate minority natives, slaves, or others who might stand in the way of the broadest definition of Manifest Destiny."—Kirkus Reviews"Trigger warning! This is a superb and subtle book, not an intellectual safe space for confirming your preconceptions—whatever those might be—but rather a deeply necessary provocation."—Christian Parenti, author of Lockdown America: Police and Prisons in the Age of Crisis

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“Brilliant.”—Time “Admirable, rigorous. De Waal [is] a wise and patient reporter.”—The New York Review of Books “Never have all the twists and turns, sad carnage, and bullheadedness on all side been better described—or indeed, better explained…Offers a deeper and more compelling account of the conflict than anyone before.”—Foreign Affairs Since its publication in 2003, the first edition of Black Garden has become the definitive study of how Armenia and Azerbaijan, two southern Soviet republics, were pulled into a conflict that helped bring them to independence, spell the end the Soviet Union, and plunge a region of great strategic importance into a decade of turmoil. This important volume is both a careful reconstruction of the history of the Nagorny Karabakh conflict since 1988 and on-the-spot reporting of the convoluted aftermath. Part contemporary history, part travel book, part political analysis, the book is based on six months traveling through the south Caucasus, more than 120 original interviews in the region, Moscow, and Washington, and unique historical primary sources, such as Politburo archives. The historical chapters trace how the conflict lay unresolved in the Soviet era; how Armenian and Azerbaijani societies unfroze it; how the Politiburo failed to cope with the crisis; how the war was fought and ended; how the international community failed to sort out the conflict. What emerges is a complex and subtle portrait of a beautiful and fascinating region, blighted by historical prejudice and conflict. The revised and updated 10th-year anniversary edition includes a new forward, a new chapter covering developments up to-2011, such as the election of new presidents in both countries, Azerbaijan’s oil boom and the new arms race in the region, and a new conclusion, analysing the reasons for the intractability of the conflict and whether there are any prospects for its resolution. Telling the story of the first conflict to shake Mikhail Gorbachev's Soviet Union, Black Garden remains a central account of the reality of the post-Soviet world.

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"An enthralling, heartening study of a man of unflagging interest in life" Independent"A thoroughly researched biography" New York Review of Books"Provides readers of English with a perfect introduction to the life and works of an outstanding writer, one whom everyone should read" Irish Times"I am thoroughly convinced by Gudmundsson's portrayal of Laxness" J. M COETZEEA strong and memorable portrayal of a man who fought heroically to write for the world, but in one of its rarest languages. Halldór Laxness won the Nobel Prize for literature in 1955. During his life, which spanned nearly the entire century, he not only wrote sixty books, but also became an active participant in Europe's idealistic debates and struggles.In the 1930s, Laxness became attracted to Soviet communism. He travelled widely in the Soviet Bloc and, despite witnessing some atrocities, remained a defender of communism until the 1960s. But his political leanings never dominated his work. Laxness continually sought to divulge the world of beauty that lurks beneath the everyday, ensuring his artistry remained a sanctuary of humanism and reflection.In this biography, Guðmundsson has been granted access to unique material by Laxness' family. As a result, the interrelationships between Laxness' personal life, his politics and his career are meticulously examined. What emerges is a grand description of a fascinating personality in which the manifold conflicts of the 20th century are mirrored."Laxness is a writer of the first degree, a writer I dreamed of coming close to" BORIS PASTERNAK, 1960"When in a bad mood I have picked one of your books. And there the pure and deep sound has welcomed me, strong and charming from the first page" KAREN BLIXEN in an open letter to Laxness in 1952Translated from Icelandic by Philip Roughton

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Pankaj Mishra's provocative account of how China, India and the Muslim World are remaking the world in their own image - shortlisted for the Orwell Prize 2013SHORTLISTED FOR THE ORWELL PRIZE 2013Viewed in the West as a time of self-confident progress, the Victorian period was experienced by Asians as a catastrophe. As the British gunned down the last heirs to the Mughal Empire or burned down the Summer Palace in Beijing, it was clear that for Asia to recover a new way of thinking was needed. Pankaj Mishra re-tells the history of the past two centuries, showing how a remarkable, disparate group of thinkers, journalists, radicals and charismatics emerged from the ruins of empire to create an unstoppable Asian renaissance, one whose ideas lie behind everything from the Chinese Communist Party to the Muslim Brotherhood, and have made our world what it is today.Reviews:'Arrestingly original ... this penetrating and disquieting book should be on the reading list of anybody who wants to understand where we are today' John Gray, Independent 'A riveting account that makes new and illuminating connections ... deeply entertaining and deeply humane' Hisham Matar'Fascinating ... a rich and genuinely thought-provoking book' Noel Malcolm, Sunday Telegraph'Provocative, shaming and convincing' Michael Binyon, The Times 'Lively ... engaging ... retains the power to shock' Mark Mazower, Financial Times'Subtle, erudite and entertaining' Economist, New DelhiAbout the author:Pankaj Mishra is the author of Butter Chicken in Ludiana, The Romantics, An End to Suffering and Temptations of the West. He writes principally for the Guardian, The New York Times, London Review of Books and New York Review of Books. He lives in London, Shimla and New York.

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“A must-read…It reveals important truths.”—Vint Cerf, Internet pioneer“One of the finest books on information security published so far in this century—easily accessible, tightly argued, superbly well-sourced, intimidatingly perceptive.”—Thomas Rid, author of Active MeasuresCyber attacks are less destructive than we thought they would be—but they are more pervasive, and much harder to prevent. With little fanfare and only occasional scrutiny, they target our banks, our tech and health systems, our democracy, and impact every aspect of our lives. Packed with insider information based on interviews with key players in defense and cyber security, declassified files, and forensic analysis of company reports, The Hacker and the State explores the real geopolitical competition of the digital age and reveals little-known details of how China, Russia, North Korea, Britain, and the United States hack one another in a relentless struggle for dominance. It moves deftly from underseas cable taps to underground nuclear sabotage, from blackouts and data breaches to election interference and billion-dollar heists.Ben Buchanan brings to life this continuous cycle of espionage and deception, attack and counterattack, destabilization and retaliation. Quietly, insidiously, cyber attacks have reshaped our national-security priorities and transformed spycraft and statecraft. The United States and its allies can no longer dominate the way they once did. From now on, the nation that hacks best will triumph.“A helpful reminder…of the sheer diligence and seriousness of purpose exhibited by the Russians in their mission.”—Jonathan Freedland, New York Review of Books“The best examination I have read of how increasingly dramatic developments in cyberspace are defining the ‘new normal’ of geopolitics in the digital age.”—General David Petraeus, former Director of the CIA“Fundamentally changes the way we think about cyber operations from ‘war’ to something of significant import that is not war—what Buchanan refers to as ‘real geopolitical competition.’”—Richard Harknett, former Scholar-in-Residence at United States Cyber Command

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WINNER OF THE JAMES TAIT BLACK PRIZE FOR BIOGRAPHY 2023A Times Best Literary Non-Fiction Book of the YearCritic and writer Darryl Pinckney recalls his friendship and apprenticeship with Elizabeth Hardwick and Barbara Epstein and the introduction they offered him to the New York literary world.At the start of the 1970s, Darryl Pinckney arrived in New York City and at Columbia University and enrolled in Elizabeth Hardwick's writing class at Barnard. After he graduated, he was welcomed into her home as a friend and mentee, and he became close with Hardwick and her best friend, neighbor, and fellow founder of The New York Review of Books, Barbara Epstein. Pinckney found himself at the heart of the New York literary world. He was surrounded by the great writers of the time, like Susan Sontag, Robert Lowell, and Mary McCarthy, as well as the overlapping cultural revolutions and communities that swept New York: the New Wave in film, rock, and writing; the art of Felice Rosser, Jean-Michel Basquiat, Lucy Sante, Howard Brookner, and Nan Goldin; the influence of feminism on American culture and literature; the black arts movement confronted by black feminism; and New Negro veterans experiencing the return of their youth as history. Pinckney filtered the avant-garde life he was exposed to downtown and the radical intellectual tradition of The Review through the moral values he inherited and adapted from abolitionist and Reconstruction black culture.In Come Back in September, Pinckney recalls his introduction to New York and the writing life. The critic and novelist intimately captures this revolutionary, brilliant, and troubled period in American letters. Elizabeth Hardwick was not only the link to the intellectual heart of New York, but also a source of continual support and inspiration-the way she worked, her artistry, and the beauty of her voice. Through his memories of the city and of Hardwick, we see the emergence and evolution of Pinckney himself: as a young man, as a New Yorker, and as one of the essential intellectuals of our time.

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WINNER OF THE PULITZER PRIZE FOR FICTION 2017WINNER OF THE ARTHUR C. CLARKE AWARD 2017LONGLISTED FOR THE MAN BOOKER PRIZE 2017NATIONAL BOOK AWARD WINNER 2016AMAZON.COM #1 BOOK OF THE YEAR 2016#1 NEW YORK TIMES BESTSELLER AND A NEW YORK TIMES BOOK OF THE YEAR 'Whitehead is on a roll: the reviews have been sublime' Guardian'Luminous, furious, wildly inventive' Observer'Hands down one of the best, if not the best, book I've read this year' Stylist 'Dazzling' New York Review of BooksPraised by Barack Obama and an Oprah Book Club Pick, The Underground Railroad by Colson Whitehead won the National Book Award 2016 and the Pulitzer Prize for Fiction 2017.Cora is a slave on a cotton plantation in Georgia. All the slaves lead a hellish existence, but Cora has it worse than most; she is an outcast even among her fellow Africans and she is approaching womanhood, where it is clear even greater pain awaits. When Caesar, a slave recently arrived from Virginia, tells her about the Underground Railroad, they take the perilous decision to escape to the North.In Whitehead's razor-sharp imagining of the antebellum South, the Underground Railroad has assumed a physical form: a dilapidated box car pulled along subterranean tracks by a steam locomotive, picking up fugitives wherever it can. Cora and Caesar's first stop is South Carolina, in a city that initially seems like a haven. But its placid surface masks an infernal scheme designed for its unknowing black inhabitants. And even worse: Ridgeway, the relentless slave catcher sent to find Cora, is close on their heels. Forced to flee again, Cora embarks on a harrowing flight, state by state, seeking true freedom.At each stop on her journey, Cora encounters a different world. As Whitehead brilliantly recreates the unique terrors for black people in the pre-Civil War era, his narrative seamlessly weaves the saga of America, from the brutal importation of Africans to the unfulfilled promises of the present day. The Underground Railroad is at once the story of one woman's ferocious will to escape the horrors of bondage and a shatteringly powerful meditation on history.

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With his move from Menlo Park, New Jersey, to New York City at the end of March 1881, Edison shifted his focus from research and development to the commercialization of his electric lighting system. This volume of The Papers of Thomas A. Edison chronicles Edison's central role in the enormous effort to manufacture, market, and install electric lighting systems in the United States and abroad. Standard studies of this period emphasize the inauguration of the commercial electric utility industry at the Pearl Street central station. Edison and his associates, however, audaciously operated on a global scale, not just focusing on the major cities of North America and Europe but reaching simultaneously from Appleton, Wisconsin, to Australia, through the Indian subcontinent and East Asia, to Central and South America. Praise for The Papers of Thomas A. Edison: "A mine of material...Scrupulously edited...No one could ask for more...A choplicking feast for future Edison biographers-well into the next century, and perhaps beyond."- Washington Post "What is most extraordinary about the collection isn't necessarily what it reveals about Edison's inventions...It's the insight into the process. "- Associated Press "Those interested in America's technological culture can eagerly look forward to the appearance of each volume of the Edison Papers."- Technology and Culture "His lucidity comes through everywhere...His writing and drawing come together as a single, vigorous thought process."- New York Times "A triumph of the bookmaker's art, with splendidly arranged illustrations, essential background information, and cautionary reminders of the common sources on which Edison's imagination drew."- New York Review of Books "In the pages of this volume Edison the man, his work, and his times come alive...A delight to browse through or to read carefully."- Science "Beyond its status as the resource for Edison studies, providing a near inexhaustible supply of scholarly fodder, this series...will surely become a model for such projects in the future...The sheer diversity of material offered here refreshingly transcends any exclusive restriction to Edisonia."- British Journal for the History of Science

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Winner of the Pushkin House Russian Book PrizeWinner of the University of Southern California Book PrizeHonorable Mention, Reginald Zelnik Book Prize“Fascinating and perceptive.”—Antony Beevor, New York Review of Books“Stand aside, Homer. I doubt whether even the author of the Iliad could have matched Alexis Peri’s account of the 872-day siege which Leningrad endured.”—Jonathan Mirsky, The Spectator“Powerful and illuminating…A fascinating, insightful, and nuanced work.”—Anna Reid, Times Literary Supplement“Much has been written about Leningrad’s heroic resistance. But the remarkable aspect of [Peri’s] book is that she tells a very different story: recounting the internal struggles of ordinary people desperately trying to survive and make sense of their fate.”—John Thornhill, Financial Times“A sensitive, at times almost poetic examination of their emotions and disordered mental states. It both contrasts with and complements the equally accurate official Soviet portrait of a stalwart population standing firm in the face of evil and in defense of Soviet ideals.”—Robert Legvold, Foreign AffairsIn September 1941, two and a half months after the Nazis invaded the Soviet Union, the German Wehrmacht encircled Leningrad. Cut off from the rest of Russia, the city remained blockaded for 872 days, at a cost of almost a million lives. It was one of the longest and deadliest sieges in modern history.The War Within chronicles the Leningrad blockade from the perspective of those who endured it. Drawing on unpublished diaries, Alexis Peri tells the tragic story of how young and old struggled to make sense of a world collapsing around them. When the blockade was lifted in 1944, Kremlin officials censored publications describing the ordeal and arrested many of Leningrad’s wartime leaders. Some were executed. Diaries—now dangerous to their authors—were concealed, shelved in archives, and forgotten. The War Within recovers these lost accounts, shedding light on one of World War II’s darkest episodes while paying tribute the resilience of the human spirit.

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A half-century of social change in America, documented in the writings of Danny Lyon, photographer and author of The Bikeriders and The Destruction of Lower Manhattan “From the beginning, even before he left the University of Chicago and headed south to take up a position as the first staff photographer for the Student Nonviolent Coordinating Committee, Danny Lyon dreamed of being an artist in language as well as in pictures,” writes Randy Kennedy in the introduction to American Blood. In 1961, at the age of 19, for example, Lyon penned a brutally satirical article for a student mimeo magazine in which he argued for the deterrent power of prime-time televised executions (“the show would open, no doubt, like a baseball game, with a rendition of the National Anthem”). Lyon is widely celebrated for his groundbreaking work in photography and film. Less recognized is the extensive body of writing that has broadened and reinforced his reach, in both the pages of his own publications and in others as varied as the Los Angeles Times, the New York Review of Books, Aperture, civil rights publications, underground magazines and Lyon's blog. This 400-page volume spans republished and previously unpublished texts from nearly six decades of his career, comprising a vast, meticulously archived history of American social change. Also included are conversations between Lyon and Hugh Edwards, Nan Goldin and Susan Meiselas. As Kennedy writes, Lyon’s collected writings, “remarkable as both artistic and moral models, remain far too little known, especially for an author who has seen what he has seen and possesses the rare ability to write about it as he speaks; Lyon is a world-class talker, funny, wise, sanguine and indefatigable.” Danny Lyon (born 1942) is one of the most influential documentary photographers of the last five decades. His many books include The Movement (1964), The Bikeriders, The Destruction of Lower Manhattan (1969), Knave of Hearts (1999), Like a Thief’s Dream (2007) and Deep Sea Diver (2011).

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Winner of the Runciman AwardWinner of the Charles J. Goodwin Award“Tells the story of how the Seleucid Empire revolutionized chronology by picking a Year One and counting from there, rather than starting a new count, as other states did, each time a new monarch was crowned…Fascinating.”—Harper’sIn the aftermath of Alexander the Great’s conquests, his successors, the Seleucid kings, ruled a vast territory stretching from Central Asia and Anatolia to the Persian Gulf. In 305 BCE, in a radical move to impose unity and regulate behavior, Seleucus I introduced a linear conception of time. Time would no longer restart with each new monarch. Instead, progressively numbered years—continuous and irreversible—became the de facto measure of historical duration. This new temporality, propagated throughout the empire and identical to the system we use today, changed how people did business, recorded events, and oriented themselves to the larger world.Some rebellious subjects, eager to resurrect their pre-Hellenic past, rejected this new approach and created apocalyptic time frames, predicting the total end of history. In this magisterial work, Paul Kosmin shows how the Seleucid Empire’s invention of a new kind of time—and the rebellions against this worldview—had far reaching political and religious consequences, transforming the way we organize our thoughts about the past, present, and future.“Without Paul Kosmin’s meticulous investigation of what Seleucus achieved in creating his calendar without end we would never have been able to comprehend the traces of it that appear in late antiquity…A magisterial contribution to this hitherto obscure but clearly important restructuring of time in the ancient Mediterranean world.”—G. W. Bowersock, New York Review of Books“With erudition, theoretical sophistication, and meticulous discussion of the sources, Paul Kosmin sheds new light on the meaning of time, memory, and identity in a multicultural setting.”—Angelos Chaniotis, author of Age of Conquests

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National Bestseller"Gives you all the context you need to understand the science of immunity. ... An Elegant Defense left me with [a] sense of awe.” —Bill Gates, Gates Notes Summer Reading ListThe Pulitzer Prize–winning New York Times journalist "explicates for the lay reader the intricate biology of our immune system" (Jerome Groopman, MD, New York Review of Books)From New York Times science journalist Matt Richtel, An Elegant Defense is an acclaimed and definitive exploration of the immune system and the secrets of health. Interweaving cutting-edge science with the intimate stories of four individual patients, this epic, first-of-its-kind book “give[s] lay readers a means of understanding what’s known so far about the intricate biology of our immune systems” (The Week).The immune system is our body’s essential defense network, a guardian vigilantly fighting illness, healing wounds, maintaining order and balance, and keeping us alive. It has been honed by evolution over millennia to face an almost infinite array of threats. For all its astonishing complexity, however, the immune system can be easily compromised by fatigue, stress, toxins, advanced age, and poor nutrition—hallmarks of modern life—and even by excessive hygiene. Paradoxically, it is a fragile wonder weapon that can turn on our own bodies with startling results, leading today to epidemic levels of autoimmune disorders.An Elegant Defense effortlessly guides readers on a scientific detective tale winding from the Black Plague to twentieth-century breakthroughs in vaccination and antibiotics, to today’s laboratories that are revolutionizing immunology—perhaps the most extraordinary and consequential medical story of our time. Drawing on extensive new interviews with dozens of world-renowned scientists, Richtel has produced a landmark book, equally an investigation into the deepest riddles of survival and a profoundly human tale that is movingly brought to life through the eyes of his four main characters, each of whom illuminates an essential facet of our “elegant defense.”

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The first memoir of the Vietnam War and an all-time classic of war literature|40TH ANNIVERSARY EDITION|In March 1965, Marine Lieutenant Philip J. Caputo landed in Danang with the first ground combat unit committed to fight in Vietnam. Sixteen months later, having served on the line in one of modern history's ugliest wars, he returned home - physically whole but emotionally destroyed, his youthful idealism shattered.A decade later, having reported first-hand the very final hours of the war, Caputo sat down to write ‘simply a story about war, about the things men do in war and the things war does to them’. It is widely regarded as one of the greatest war memoirs of all time.____________________‘A singular and marvellous work – a soldier’s-eye account that tells us, as no other book that I can think of has done, what it was actually like to be fighting in this hellish jungle’ The New York Times‘Unparalleled in its honesty, unapologetic in its candour and singular in its insights into the minds and hearts of men in combat, this book is as powerful to read today as the day it was published in 1977. Caputo has more than earned his place beside Sassoon, Owen, Vonnegut, and Heller’ Kevin Powers‘To call this the best book about Vietnam is to trivialize it. A Rumour of War is a dangerous and even subversive book, the first to insist that readers asks themselves the questions: How would I have acted? To what lengths would I have gone to survive? A terrifying book, it will make the strongest among us weep’ Los Angeles Times Book Review‘Caputo’s troubled, searching meditations on the love and the hate of war, on fear and the ambivalent discord warfare can create in the hearts of decent men are amongst the most eloquent I have read in modern literature’ New York Review of Books‘Superb. At times it is hard to remember that this is not a novel’ New Statesman

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"Splendid and important... Scientifically rigorous and written with a clarity and candor that create a gripping tale... [Böhme's] account of the history of Europe's lost apes is imbued with the sweat, grime, and triumph that is the lot of the fieldworker, and carries great authority." —Tim Flannery, The New York Review of BooksIn this "fascinating forensic inquiry into human origins" (Kirkus STARRED Review), a renowned paleontologist takes readers behind-the-scenes of one of the most groundbreaking archaeological digs in recent history.Somewhere west of Munich, paleontologist Madelaine Böhme and her colleagues dig for clues to the origins of humankind. What they discover is beyond anything they ever imagined: the twelve-million-year-old bones of Danuvius guggenmosi make headlines around the world. This ancient ape defies prevailing theories of human history—his skeletal adaptations suggest a new common ancestor between apes and humans, one that dwelled in Europe, not Africa. Might the great apes that traveled from Africa to Europe before Danuvius's time be the key to understanding our own origins?All this and more is explored in Ancient Bones. Using her expertise as a paleoclimatologist and paleontologist, Böhme pieces together an awe-inspiring picture of great apes that crossed land bridges from Africa to Europe millions of years ago, evolving in response to the challenging conditions they found.She also takes us behind the scenes of her research, introducing us to former theories of human evolution (complete with helpful maps and diagrams), and walks us through musty museum overflow storage where she finds forgotten fossils with yellowed labels, before taking us along to the momentous dig where she and the team unearthed Danuvius guggenmosi himself—and the incredible reverberations his discovery caused around the world.Praise for Ancient Bones:"Readable and thought-provoking. Madelaine Böhme is an iconoclast whose fossil discoveries have challenged long-standing ideas on the origins of the ancestors of apes and humans."—Steve Brusatte, New York Times-bestselling author of The Rise and Fall of the Dinosaurs"An inherently fascinating, impressively informative, and exceptionally thought-provoking read."—Midwest Book Review"An impressive introduction to the burgeoning recalibration of paleoanthropology."—Kirkus Reviews (starred review)

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WINNER OF THE JAMES TAIT BLACK PRIZE FOR BIOGRAPHY 2023A Times Best Literary Non-Fiction Book of the YearCritic and writer Darryl Pinckney recalls his friendship and apprenticeship with Elizabeth Hardwick and Barbara Epstein and the introduction they offered him to the New York literary world.At the start of the 1970s, Darryl Pinckney arrived in New York City and at Columbia University and enrolled in Elizabeth Hardwick's writing class at Barnard. After he graduated, he was welcomed into her home as a friend and mentee, and he became close with Hardwick and her best friend, neighbor, and fellow founder of The New York Review of Books, Barbara Epstein. Pinckney found himself at the heart of the New York literary world. He was surrounded by the great writers of the time, like Susan Sontag, Robert Lowell, and Mary McCarthy, as well as the overlapping cultural revolutions and communities that swept New York: the New Wave in film, rock, and writing; the art of Felice Rosser, Jean-Michel Basquiat, Lucy Sante, Howard Brookner, and Nan Goldin; the influence of feminism on American culture and literature; the black arts movement confronted by black feminism; and New Negro veterans experiencing the return of their youth as history. Pinckney filtered the avant-garde life he was exposed to downtown and the radical intellectual tradition of The Review through the moral values he inherited and adapted from abolitionist and Reconstruction black culture.In Come Back in September, Pinckney recalls his introduction to New York and the writing life. The critic and novelist intimately captures this revolutionary, brilliant, and troubled period in American letters. Elizabeth Hardwick was not only the link to the intellectual heart of New York, but also a source of continual support and inspiration-the way she worked, her artistry, and the beauty of her voice. Through his memories of the city and of Hardwick, we see the emergence and evolution of Pinckney himself: as a young man, as a New Yorker, and as one of the essential intellectuals of our time.

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The concept of the "public intellectual" has a rich and colorful history. It began in the early twentieth century, when the new mass media catapulted intellectuals who were able to write for the general public to semi-stardom. The first wave included figures like Walter Lippmann--who coined the term "stereotype" and is widely considered the founder of media studies--and by the 1950s, public intellectuals as a species had become a powerful and influential force in the American cultural landscape. By the 1970s, the standard definition of the public intellectual had solidified: a person (often university-affiliated, but not always) able to discuss and dispute any serious issue, typically in venues like The New York Review of Books, and occasionally influence politics. The traditional definition of the public intellectual remains with us, but as Daniel W. Drezner shows in The Ideas Industry, it has been gradually supplanted by a new model in recent years: the "thought leader." In contrast to public intellectuals, thought leaders gain fame as purveyors of a single big idea. Also, instead of battling it out with intellectual combatants in the pages of The Partisan Review, The Public Interest, and their descendants, they often work through institutions that are closed to the public and which release information selectively. Thought leaders and their associated ideas tend to become brands--hedgehogs to the public intellectual fox. They have also proven to be quite successful, as evidenced by TED, Aspen Ideas, the Clinton Global Initiative, and the like. Furthermore, they often align with one side of a politically polarized debate and enjoy the support of ideologically friendly private funders. Drezner identifies increasing inequality as a prime mover of this shift, contending that our present-day class of plutocrats not only wants to go back to school, it wants to force "schools"-in the form of intellectuals with elite affiliations-to come to them. And they have the money to make this happen. Drezner, however, does not see the phenomenon as necessarily negative. While there are certainly some downsides to the contemporary ideas industry, he argues that it is very good at broadcasting intellectual content widely and reaching large audiences of people hungry for new thinking. Both fair-minded and trenchant, The Ideas Industry will reshape our understanding of contemporary public intellectual life in America and the West.

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A Washington Post Book World Best Seller “Robert A. Dahl . . . is about as covered in honors as a scholar can be. . . . He knows what he is talking about. And he thinks that the Constitution has something the matter with it.”—Hendrik Hertzberg, New Yorker “A devastating attack on the undemocratic character of the American Constitution.”—Gordon S. Wood, New York Review of Books In this provocative book, one of our most eminent political scientists poses the question, “Why should Americans uphold their constitution?” The vast majority of Americans venerate the Constitution and the democratic principles it embodies, but many also worry that the United States has fallen behind other nations on crucial issues, including economic equality, racial integration, and women’s rights. Robert Dahl explores this vital tension between the Americans’ belief in the legitimacy of their constitution and their belief in the principles of democracy. Dahl starts with the assumption that the legitimacy of the American Constitution derives solely from its utility as an instrument of democratic governance. Dahl demonstrates that, due to the context in which it was conceived, our constitution came to incorporate significant antidemocratic elements. Because the Framers of the Constitution had no relevant example of a democratic political system on which to model the American government, many defining aspects of our political system were implemented as a result of shortsightedness or last-minute compromise. Dahl highlights those elements of the American system that are most unusual and potentially antidemocratic: the federal system, the bicameral legislature, judicial review, presidentialism, and the electoral college system. The political system that emerged from the world’s first great democratic experiment is unique—no other well-established democracy has copied it. How does the American constitutional system function in comparison to other democratic systems? How could our political system be altered to achieve more democratic ends? To what extent did the Framers of the Constitution build features into our political system that militate against significant democratic reform? Refusing to accept the status of the American Constitution as a sacred text, Dahl challenges us all to think critically about the origins of our political system and to consider the opportunities for creating a more democratic society.

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"Splendid and important... Scientifically rigorous and written with a clarity and candor that create a gripping tale... [Böhme's] account of the history of Europe's lost apes is imbued with the sweat, grime, and triumph that is the lot of the fieldworker, and carries great authority." —Tim Flannery, The New York Review of BooksIn this "fascinating forensic inquiry into human origins" (Kirkus STARRED Review), a renowned paleontologist takes readers behind-the-scenes of one of the most groundbreaking archaeological digs in recent history.Somewhere west of Munich, paleontologist Madelaine Böhme and her colleagues dig for clues to the origins of humankind. What they discover is beyond anything they ever imagined: the twelve-million-year-old bones of Danuvius guggenmosi make headlines around the world. This ancient ape defies prevailing theories of human history—his skeletal adaptations suggest a new common ancestor between apes and humans, one that dwelled in Europe, not Africa. Might the great apes that traveled from Africa to Europe before Danuvius's time be the key to understanding our own origins?All this and more is explored in Ancient Bones. Using her expertise as a paleoclimatologist and paleontologist, Böhme pieces together an awe-inspiring picture of great apes that crossed land bridges from Africa to Europe millions of years ago, evolving in response to the challenging conditions they found.She also takes us behind the scenes of her research, introducing us to former theories of human evolution (complete with helpful maps and diagrams), and walks us through musty museum overflow storage where she finds forgotten fossils with yellowed labels, before taking us along to the momentous dig where she and the team unearthed Danuvius guggenmosi himself—and the incredible reverberations his discovery caused around the world.Praise for Ancient Bones:"Readable and thought-provoking. Madelaine Böhme is an iconoclast whose fossil discoveries have challenged long-standing ideas on the origins of the ancestors of apes and humans."—Steve Brusatte, New York Times-bestselling author of The Rise and Fall of the Dinosaurs"An inherently fascinating, impressively informative, and exceptionally thought-provoking read."—Midwest Book Review"An impressive introduction to the burgeoning recalibration of paleoanthropology."—Kirkus Reviews (starred review)

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One of the most recognisable, respected and inspirational men on earth, Muhammad Ali is the world's most famous boxing hero. Ali brought unprecedented speed and grace to the sport, and his charm and wit changed forever what the world expects of a champion athlete. This is the ultimate biography to match Ali's lifetime of extraordinary achievements. Winner of the William Hill Sports Book of The Year Award A superb book; hilarious, sad, moving and hopeful – The Times A monumental achievement…it documents every facet of his extraordinary life – The Daily Telegraph Hauser's achievement in chronicling the life of Muhammad Ali is monumental… triumphant and harrowing at one and the same time – The Guardian A tour de force – The Observer Compassionate, intelligent, fair-minded, definitive, and certainly exhaustive – The New York Review of Books A delightful summer read – The Los Angeles Times One of the most recognisable, respected and inspirational men on earth, Muhammad Ali is the world's most famous boxing hero. Ali brought unprecedented speed and grace to the sport, and his charm and wit changed forever what the world expects of a champion athlete. In the words of over two hundred of Ali's family members, associates, opponents, friends and enemies, this comprehensive and honest portrait relates his legendary sporting accomplishments, as well as the high drama of life outside the boxing ring. From Olympic gold in Rome, to stunning victory over George Foreman in Zaire, every historic victory and defeat of Ali's career is covered. His controversial embrace of the Nation of Islam – with the renunciation of his 'slave name', Cassius Clay – and the historic refusal to be inducted into the US Army makes for compelling reading. Ali became America's first national conscientious objector, and with a willingness to stage his fights in Third World locales, he continued his advocacy for people in need which was honoured in 2000 when he became a United Nations Messenger of Peace. Charismatic, dedicated and a skilful self-publicist, Muhammad Ali was the embodiment of the American Dream. This is the ultimate biography to match Ali's lifetime of extraordinary achievements. The perfect companion for any boxing enthusiast or fan of Muhammad Ali's life and work.

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______________ ‘One of the best writers of my generation’ - John Irving ‘A playful yet searching novel of gay life in the New York of Ed Koch and Studio 54’ - Kirkus ‘Smart, worldly, erudite, well-connected, and funny’ - New York Review of Books ‘Remarkable … America’s most significant gay writer’ - Literary Review ______________ ‘Has everyone always been in love with you? Of course they have, who am I kidding? What did they say about Helen of Troy? That her face launched a thousand ships? That’s you, you’re that beautiful. A thousand ships’ New York City in the eighties, and at its decadent heart is Guy. The darling of Fire Island's gay community and one of New York’s top male models, Guy is gliding his way to riches that are a world away from his modest provincial upbringing back home in France. Like some modern-day Dorian Gray he seems untouched by time: the decades pass, fashions change, yet his beauty remains as transcendent and captivating as ever. Such looks cannot help but bring him adoration. From sweet yet pathetic Fred to the wealthy and masochistic Baron, from the acerbic and cynical Pierre-Georges to Andre, fabricating Dalí fakes and hurtling towards prison and the abyss, all are in some way fixated on him. In return for the devotion and expensive gifts they lavish on him, he plays with unswerving loyalty whatever role they project onto him: unattainable idol, passionate lover, malleable client. But just as the years are catching up on his smooth skin and perfect body, so his way of life is closing in on him and destroying the men he loves. Edmund White has in Our Young Man created some of the richest representations of gay male identity, from the disco era to the age of AIDs. What links them all is the allure and enchantment they find in beauty. Revelling in its magic, Our Young Man nonetheless slips beneath the seductive surface to examine its dangerous depths, exploring its power to fascinate, enslave and deceive. Mesmerising, blackly comic, and delicately crafted, this is an exquisite novel from a contemporary master.

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A Telegraph, Spectator, Prospect, and Times Best Book of the Year“Enthralling.”―Geoffrey Wheatcroft, New York Review of Books“This is a story not just about Pétain but about war and resistance, the moral compromises of leadership, and the meaning of France itself.”―Margaret MacMillanFor three weeks in July 1945 all eyes were fixed on Paris, where France’s former head of state was on trial. Would Philippe Pétain, hero of Verdun, be condemned as the traitor of Vichy?In the terrible month of October 1940, few things were more shocking than the sight of Marshal Philippe Pétain—supremely decorated hero of the First World War, now head of the French government—shaking hands with Hitler. Pausing to look at the cameras, Pétain announced that France would henceforth collaborate with Germany. “This is my policy,” he intoned. “My ministers are responsible to me. It is I alone who will be judged by History.”Five years later, in July 1945, after a wave of violent reprisals following the liberation of Paris, Pétain was put on trial for his conduct during the war. He stood accused of treason, charged with heading a conspiracy to destroy France’s democratic government and collaborating with Nazi Germany. The defense claimed he had sacrificed his personal honor to save France and insisted he had shielded the French people from the full scope of Nazi repression. Former resisters called for the death penalty, but many identified with this conservative military hero who had promised peace with dignity.The award-winning author of a landmark biography of Charles de Gaulle, Julian Jackson uses Pétain’s three-week trial as a lens through which to examine one of history’s great moral dilemmas. Was the policy of collaboration “four years to erase from our history,” as the prosecution claimed? Or was it, as conservative politicians insist to this day, a sacrifice that placed pragmatism above moral purity? As head of the Vichy regime, Pétain became the lightning rod for collective guilt and retribution. But he has also been an icon of the nationalist right ever since. In France on Trial, Jackson blends courtroom drama, political intrigue, and brilliant narrative history to highlight the hard choices and moral compromises leaders make in times of war.

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NOW A MAJOR TV SERIES BY BARRY JENKINS (COMING MAY 2021) WINNER OF THE PULITZER PRIZE FOR FICTION 2017WINNER OF THE ARTHUR C. CLARKE AWARD 2017LONGLISTED FOR THE BOOKER PRIZE 2017NATIONAL BOOK AWARD WINNER 2016'Whitehead is on a roll: the reviews have been sublime' Guardian'Luminous, furious, wildly inventive' Observer'Hands down one of the best, if not the best, book I've read this year' Stylist 'Dazzling' New York Review of BooksPraised by Barack Obama and an Oprah Book Club Pick, The Underground Railroad by Colson Whitehead won the National Book Award 2016 and the Pulitzer Prize for Fiction 2017.Cora is a slave on a cotton plantation in Georgia. All the slaves lead a hellish existence, but Cora has it worse than most; she is an outcast even among her fellow Africans and she is approaching womanhood, where it is clear even greater pain awaits. When Caesar, a slave recently arrived from Virginia, tells her about the Underground Railroad, they take the perilous decision to escape to the North.In Whitehead's razor-sharp imagining of the antebellum South, the Underground Railroad has assumed a physical form: a dilapidated box car pulled along subterranean tracks by a steam locomotive, picking up fugitives wherever it can. Cora and Caesar's first stop is South Carolina, in a city that initially seems like a haven. But its placid surface masks an infernal scheme designed for its unknowing black inhabitants. And even worse: Ridgeway, the relentless slave catcher sent to find Cora, is close on their heels. Forced to flee again, Cora embarks on a harrowing flight, state by state, seeking true freedom.At each stop on her journey, Cora encounters a different world. As Whitehead brilliantly recreates the unique terrors for black people in the pre-Civil War era, his narrative seamlessly weaves the saga of America, from the brutal importation of Africans to the unfulfilled promises of the present day. The Underground Railroad is at once the story of one woman's ferocious will to escape the horrors of bondage and a shatteringly powerful meditation on history.

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A biography by Nicole Rudick told in Saint Phalle's own words, assembled from rare and unseen materials Known best for her exuberant, often large-scale sculptural works that celebrate the abundance and complexity of female desire, imagination and creativity, Niki de Saint Phalle viewed making art as a ritual, a performance—a process connecting life to art. This unconventional, illuminated biography, told in the first person in Saint Phalle's voice and her own hand, dilates large and small moments in Saint Phalle's life which she sometimes reveals with great candor, at other times carefully unwinding her secrets. Nicole Rudick, in a kind of collaboration with the artist, has assembled a gorgeous and detailed mosaic of Saint Phalle's visual and textual works from a trove of paintings, drawings, sketches and writings, many previously unpublished or long unavailable, that trace her mistakes and successes, her passions and her radical sense of joy. Saint Phalle's invocation—her "bringing to life"—writes Rudick, "is an apt summation of the overlap of Saint Phalle’s life and art: both a bringing into existence and a bringing to bear. These are visions from the frontiers of consciousness." Born in France, Niki de Saint Phalle (1930–2002) was raised in New York and began making art at age 23, pursuing a revelatory vision informed both by the monumental works of Antonin Gaudí and the Facteur Cheval, and by aspects of her own life. In addition to her Tirs (“shooting paintings”) and Nanas and her celebrated large-scale projects—including the Stravinsky Fountain at the Centre Pompidou, Golem in Jerusalem and the Tarot Garden in Tuscany—Saint Phalle produced writing and works on paper that delve into her own biography: childhood and her break with her family, marriage to Harry Mathews, motherhood, a long collaborative relationship with Jean Tinguely, numerous health crises and her late, productive years in Southern California. Saint Phalle has most recently been the subject of retrospectives at the Guggenheim Museum Bilbao, in 2015, and at MoMA P.S.1, in 2021. Nicole Rudick is a critic and an editor. Her writing on art, literature and comics has been published in the New York Review of Books, the New York Times, the New Yorker, Artforum and elsewhere. She was managing editor of the Paris Review for nearly a decade. She is the editor, most recently, of a new edition of Gary Panter’s legendary comic Jimbo: Adventures in Paradise (New York Review Comics, 2021).

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