Search results for ""new york review of books""

The first English collection of the late poetry and prose fragments of literary icon Charles Baudelaire “[A] handsome new book . . . all this inchoate material is given context by Sieburth’s learned, elegantly written commentary. He is the perfect guide.”—Michael Dirda, Washington Post “[These] unfinished works written after 1861 . . . deliver what their titles seem to promise: a soul stripped of guises and illusions.”—Ange Mlinko, New York Review of Books While not as well known as his other works, Charles Baudelaire’s late poems, drafts of poems, and prose fragments are texts indispensable to the history of modern poetics. This volume brings together Baudelaire’s late fragmentary writings, aphoristic in form and radical in thought, into one edited collection for the first time. Substantial introductions to each work by Richard Sieburth combine the literary context with formal analysis and reception history to give readers a comprehensive picture of the genesis of these works and their subsequent fate. Baudelaire’s turn toward fragmentary writing involved not only a conscious renunciation of his aesthetics of perfection and unity, but a desertion of the harmonies of the traditional lyric in favor of the disjunctions of prose. These are daring works, often painful to read in their misanthropy and unconventional beauty.

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Shortlisted for the Man Booker International Prize 2019"Like Don DeLillo's JFK-themed Libra, the novel is an intoxicating blend of fact and fiction" Glasgow Herald"A masterful writer" Nicole Krauss"Vasquez has succeeded García Márquez as the literary grandmaster of Colombia" Ariel Dorfman, New York Review of Books"A dazzlingly choreographed network of echoes and mirrorings" T.L.S.It takes the form of personal and formal investigations into two political assassinations - the murders of Rafael Uribe Uribe in 1914, the man who inspired García Márquez's General Buendia in One Hundred Years of Solitude, and of the charismatic Jorge Eliécer Gaitán, the man who might have been Colombia's J.F.K., gunned down on the brink of success in the presidential elections of 1948. Separated by more than 30 years, the two murders at first appear unconnected, but as the novel progresses Vásquez reveals how between them they contain the seeds of the violence that has bedevilled Colombia ever since. The Shape of the Ruins is Vásquez's most ambitious, challenging and rewarding novel to date. His previous novel, The Sound of Things Falling, won Spain's Alfaguara Prize, Italy's Von Rezzori Prize and the 2014 Dublin IMPAC literary Award. Winner of the Prémio Literário Casino da Póvoa 2018 Finalist for the Bienal de Novela Mario Vargas Llosa 2016 Finalist for the Premio Bottari Lattes Grinzane 2017 Finalist for the Prix Fémina Finalist for the Prix Médicis Translated from the Spanish by Anne McLean

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From journalist Michelle Dean, winner of the National Book Critics Circle's 2016 Nona Balakian Citation for Excellence in Reviewing, Sharp combines biography, original research, and critical reading into a powerful portrait of ten writers who managed to make their voices heard amidst a climate of sexism and nepotism, from the 1920s to the 1990s.Dorothy Parker, Rebecca West, Mary McCarthy, Hannah Arendt, Susan Sontag, Joan Didion, Janet Malcolm, Renata Adler, Pauline Kael, and Nora Ephron-these are the main characters of Sharp. Their lives intertwine. They enable each other and feud, manufacture unique spaces and voices, and haunt each other. They form a group united in many ways, but especially by what Dean terms as 'sharpness', the ability to cut to the quick with precision of thought and wit, a claiming of power through writing rather than position. Sharp is a vibrant and rich depiction of the intellectual beau monde of New York, where gossip-filled parties at night gave out to literary slanging-matches in the pages of publications like the Partisan Review or the New York Review of Books, as well as a carefully considered portrayal of the rise of feminism and its interaction with the critical establishment.Sharp is for book lovers who want to read about their favorite writers, lovers of New Yorker lore, aspiring writers in New York, those interested in the history of ideas, and of the fray of 20th century debate-and it will satisfy them all.

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A blazingly insightful, provocative study of violence against women from the peerless feminist critic. 'To read Rose is to understand that there is no border between us and the world; it is an invitation to a radical kind of responsibility.'NEW YORK TIMES'It's really hard for me to overestimate how important [Rose's] work has been for me . . . I don't feel like that about very many writers.'MAGGIE NELSON, GRAND JOURNAL'An immense achievement.' JUDE KELLY CBE'Timeless.' HELEN PANKHURST CBEWhy has violence - particularly against women - become exponentially more prominent and visible across the world?Tracking multiple forms of today's violence - ranging through trans rights and #MeToo; the suffragette movement and the sexual harassment faced by migrant women; and the sharp increase in domestic violence over the course of the pandemic - this blazing exploration is an agitation against injustice and a formidable call to action from a world-renowned feminist thinker.'Rose explodes the myth that violence and misogyny only happens to other women.'VAL McDERMID'This book confirms Jacqueline Rose's position as one of the world's foremost public intellectuals.'MARK GEVISSER'A daring thinker, willing to make bold statements and take imaginative leaps.'NEW STATESMAN'Rose's work remains surprising and original . . . Her prose has the feel of spiraling in many directions; it is invigoratingly alive . . . necessary and as well as unique.'NEW YORK REVIEW OF BOOKS'For anyone looking to educate themselves on this essential subject, start here and now.'ESQUIRE

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A masterful collection by a literary giant of the past century, rendered by one of our most esteemed Italian translators"A fine sampling of Pirandello’s world, convincingly translated by Jewiss, who negotiates the problems of bringing his vivid, colloquial prose and effortless storytelling into English with great skill.”—Tim Parks, New York Review of Books Regarded as one of Europe’s great modernists, Pirandello was also a master storyteller, a fine observer of the drama of daily life with a remarkable ear for dialogue and a keen sense of the crushing burdens of class, gender, and social conventions. Set in the author’s birthplace of Sicily, where the arid terrain and isolated villages map the fragile interior world of his characters, and in Rome, where modern life threatens centuries-old traditions, these original stories are sun baked with the deep lore of Italian folktales. In “The Jar,” a broken earthenware pot pits its owner, a quarrelsome landholder, against a clever inventor of a mysterious glue. “The Dearly Departed” tells the story of a young widow and her new husband on their honeymoon, haunted at every turn by the sly visage of the deceased. The scorned lover, the intransigent bureaucrat, the lonely mother, the wretched peasant—Pirandello’s characters expose the human condition in all its fatalism, injustice, and raw beauty. For lovers of Calvino and Pasolini, these picturesque stories preserve a memory of an Italy long gone, but one whose recurring concerns still speak to us today.

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Learn about Einstein's theory of relativity from a physics Nobel laureate and "one of the greatest minds of the twentieth century" (New York Review of Books) in six memorable lessonsIt was Richard Feynman's outrageous and scintillating method of teaching that earned him legendary status among students and professors of physics. From 1961 to 1963, Feynman delivered a series of lectures at the California Institute of Technology that revolutionized the teaching of physics. In Six Not-So-Easy Pieces, taken from these famous Lectures on Physics, Feynman delves into one of the most revolutionary discoveries in twentieth-century physics: Einstein's theory of relativity. The idea that the flow of time is not a constant, that the mass of an object depends on its velocity, and that the speed of light is a constant no matter what the motion of the observer, at first seemed shocking to scientists and laymen alike. But as Feynman shows, these tricky ideas are not merely dry principles of physics, but things of beauty and elegance.No one - not even Einstein himself - explained these difficult, anti-intuitive concepts more clearly, or with more verve and gusto, than Feynman. Filled with wonderful examples and clever illustrations, Six Not-So-Easy Pieces is the ideal introduction to the fundamentals of physics by one of the most admired and accessible physicists of all time."There is no better explanation for the scientifically literate layman." -Washington Post Book World

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Adalbert Stifter's Rock Crystal is a Christmas story and a story about the heart of the ice, the crystal. The charm of this quasi-fairy tale is made even more poignant by the knowledge of the author's eventual suicide. This seemingly simple fable of two children lost in an icy landscape is eloquent in its innocence, but is implicit with an unremitting consciousness of the fragility of life and the inevitability of death. This is a wintry story of village life in the high mountains, but also a parable of belief and faith. The Rock Crystal of the title are shards of ice of the glacier that dominates the landscape that Adalbert Stifter describes. Translated from the German by Elizabeth Mayer and Marianne Moore, Adalbert Stifter's Rock Crystal is published by Pushkin Press. 'A tale of almost unendurable suspense' — New York Review of Books Adalbert Stifter (1805-1868) was an Austrian writer, painter and poet closely associated with the Biedermeier movement in European art. Following his studies at the University of Vienna, he was highly regarded as a tutor among aristocratic families. The success of his first story The Condor in 1840 inaugurated a steady writing career, culminating in Der Nachsommer, praised by Nietzsche as one of the two great novels of 19th century Germany. He was especially notable for the vivid natural landscapes depicted in his writing, and has long been popular in the German-speaking world, influencing writers such as Hermann Hesse, Thomas Mann and W.G. Sebald.

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The first major exhibition catalogue to focus on Jacques Louis David’s drawings and their crucial role in his iconic history paintings made before, during, and after the French Revolution “A superb survey . . . a first-rate catalog . . . [a] cornucopia of masterworks.”—Colin B. Bailey, New York Review of Books Jacques Louis David’s (1748–1825) paintings are among the most iconic in the history of Western art, but comparatively little is known about the artist’s nearly 2,000 drawings—from quick chalk sketches scribbled in notebooks to exquisite ink compositions enlivened with oil paint—that formed the basis of beloved masterpieces such as The Oath of the Horatii and The Death of Socrates. Jacques Louis David: Radical Draftsman is the first major publication to focus on the often years-long process of trial and experimentation that progressed from initial idea to finished canvas. Including several recently discovered drawings published here for the first time, this book provides a new perspective on the celebrated master. Essays by international experts on the artist explore how David’s preparatory works on paper reveal the development of his creative process, while also bearing witness to the tumultuous years before, during, and after the French Revolution. As both a participant and an observer, David helped establish the new French society while documenting the drama, violence, and triumphs of modern history-in-the-making. Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (February 17–May 15, 2022)

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What does jihad really mean? What is the Muslim conception of law? What is Islam's stance toward unbelievers? Probing literary and historical sources, Bernard Lewis traces the development of Islamic political language from the time of the Prophet to the present. His analysis of documents written in Arabic, Persian, and Turkish illuminates differences between Muslim political thinking and Western political theory, and clarifies the perception, discussion, and practices of politics in the Islamic world."Lewis's own style, combining erudition with a simple elegance and subtle humor, continues to inspire. In an era of specialization and narrowing academic vision, he stands alone as one who deserves, without qualification, the title of historian of Islam."—Martin Kramer, Middle East Review"A superb effort at synthesis that presents all the relevant facts of Middle Eastern history in an eminently lucid form. . . . It is a book that should prove both rewarding and congenial to the Muslim reader."—S. Parvez Manzor, Muslim World Book Review"By bringing his thoughts together in this clear, concise and readable account, [Lewis] has placed in his debt scholars and all who seek to understand the Muslim world."—Ann K. S. Lambton, Bulletin of the School of Oriental and African Studies"[Lewis] constructs a fascinating account of the ways in which Muslims have conceived of the relations between ruler and ruled, rights and duties, legitimacy and illegitimacy, obedience and rebellion, justice and oppression. And he shows how changes in political attitudes and concepts can be traced through changes in the political vocabulary."—Shaul Bakhash, New York Review of Books

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A new look which fundamentally overturns our understanding of this famously "out of touch" queen“Presents [Marie-Antoinette] as much more than a symbol whose meaning is in the eye of her beholder . . . neither martyr nor voluptuary but rather a serious participant in politics.”—Lynn Hunt, New York Review of Books“Splendid. . . . Masterly. . . . A wonderfully gripping biography.”—Allan Massie, Wall Street JournalNamed a Book of the Year (2020) by The Spectator Who was the real Marie-Antoinette? She was mistrusted and reviled in her own time, and today she is portrayed as a lightweight incapable of understanding the events that engulfed her. In this new account, John Hardman redresses the balance and sheds fresh light on Marie-Antoinette’s story. Hardman shows how Marie-Antoinette played a significant but misunderstood role in the crisis of the monarchy. Drawing on new sources, he describes how, from the outset, Marie-Antoinette refused to prioritize the aggressive foreign policy of her mother, Maria-Theresa, bravely took over the helm from Louis XVI after the collapse of his morale, and, when revolution broke out, listened to the Third Estate and worked closely with repentant radicals to give the constitutional monarchy a fighting chance. For the first time, Hardman demonstrates exactly what influence Marie-Antoinette had and when and how she exerted it.

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"Joyce Toomre . . . has accomplished an enormous task, fully on a par with the original author's slave labor. Her extensive preface and her detailed and entertaining notes are marvelous." —Tatyana Tolstaya, New York Review of Books"Classic Russian Cooking is a book that I highly recommend. Joyce Toomre has done a marvelous job of translating this valuable and fascinating source book. It's the Fanny Farmer and Isabella Beeton of Russia's 19th century." —Julia Child, Food Arts"This is a delicious book, and Indiana University Press has served it up beautifully." —Russian Review" . . . should become as much of a classic as the Russian original . . . dazzling and admirable expedition into Russia's kitchens and cuisine." —Slavic Review"It gives a delightful and fascinating picture of the foods of pre-Communist Russia." —The Christian Science MonitorFirst published in 1861, this "bible" of Russian homemakers offered not only a compendium of recipes, but also instructions about such matters as setting up a kitchen, managing servants, shopping, and proper winter storage. Joyce Toomre has superbly translated and annotated over one thousand of the recipes and has written a thorough and fascinating introduction which discusses the history of Russian cuisine and summarizes Molokhovets' advice on household management. A treasure trove for culinary historians, serious cooks and cookbook readers, and scholars of Russian history and culture.

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Winner of the Los Angeles Times Book Prize in History: a bold and searing investigation into the role of white women in the American slave economy “Stunning.”—Rebecca Onion, Slate “Makes a vital contribution to our understanding of our past and present.”—Parul Sehgal, New York Times “Bracingly revisionist. . . . [A] startling corrective.”—Nicholas Guyatt, New York Review of Books Bridging women’s history, the history of the South, and African American history, this book makes a bold argument about the role of white women in American slavery. Historian Stephanie E. Jones-Rogers draws on a variety of sources to show that slave‑owning women were sophisticated economic actors who directly engaged in and benefited from the South’s slave market. Because women typically inherited more slaves than land, enslaved people were often their primary source of wealth. Not only did white women often refuse to cede ownership of their slaves to their husbands, they employed management techniques that were as effective and brutal as those used by slave-owning men. White women actively participated in the slave market, profited from it, and used it for economic and social empowerment. By examining the economically entangled lives of enslaved people and slave-owning women, Jones-Rogers presents a narrative that forces us to rethink the economics and social conventions of slaveholding America.

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The authoritative edition of Franklin’s autobiography, with a foreword by the eminent Franklin scholar Edmund S. Morgan “The best and most beautiful edition [of the Autobiography].”—J. H. Plumb, New York Review of Books “Among the many editions available—read Yale’s. Its text is the most reliable (the Franklin papers are at Yale) and its supplementary material is uniformly useful.”—Jonathan Yardley, Washington Post A classic of eighteenth-century American history and literature, Benjamin Franklin’s Autobiography has had an influence perhaps unequaled by any other book by an American writer. Written ostensibly as a letter to his son William, Franklin’s Autobiography offers his reflections on philosophy and religion, politics, war, education, material success, and the status of women. Prepared by the editors of The Papers of Benjamin Franklin, this definitive edition is drawn with scrupulous care from the original manuscript in Franklin’s handwriting, now in the Henry E. Huntington Library and Art Gallery. The introduction by Leonard W. Labaree places the autobiography in literary and historical contexts. In a new foreword, eminent Franklin scholar Edmund S. Morgan writes about Franklin’s dual allegiance as an American and a subject of an English king—and his emergence as a leader of the American Revolution. This edition also includes biographical notes, a chronology of Franklin’s life, and an updated bibliography.

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Since the fifteenth century, when humanist writers began to speak of a “middle” period in history linking their time to the ancient world, the nature of the Middle Ages has been widely debated. Across the millennium from 500 to 1500, distinguished historian Johannes Fried describes a dynamic confluence of political, social, religious, economic, and scientific developments that draws a guiding thread through the era: the growth of a culture of reason.“Fried’s breadth of knowledge is formidable and his passion for the period admirable…Those with a true passion for the Middle Ages will be thrilled by this ambitious defensio.”—Dan Jones, Sunday Times“Reads like a counterblast to the hot air of the liberal-humanist interpreters of European history…[Fried] does justice both to the centrifugal fragmentation of the European region into monarchies, cities, republics, heresies, trade and craft associations, vernacular literatures, and to the persistence of unifying and homogenizing forces: the papacy, the Western Empire, the schools, the friars, the civil lawyers, the bankers, the Crusades…Comprehensive coverage of the whole medieval continent in flux.”—Eric Christiansen, New York Review of Books“[An] absorbing book…Fried covers much in the realm of ideas on monarchy, jurisprudence, arts, chivalry and courtly love, millenarianism and papal power, all of it a rewarding read.”—Sean McGlynn, The Spectator

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The first part of a sweeping two-volume history of the devastation brought to bear on Indian nations by U.S. expansion"An elegant, organized narrative of the United States' dispossession of Native lands east of the Mississippi. . . . A remarkable book in its breadth and scope."—Ashley Riley Sousa, Canadian Journal of History"Intense and well-researched, . . . ambitious, . . . magisterial. . . . Surviving Genocide sets a bar from which subsequent scholarship and teaching cannot retreat."—Peter Nabokov, New York Review of Books In this book, the first part of a sweeping two-volume history, Jeffrey Ostler investigates how American democracy relied on Indian dispossession and the federally sanctioned use of force to remove or slaughter Indians in the way of U.S. expansion. He charts the losses that Indians suffered from relentless violence and upheaval and the attendant effects of disease, deprivation, and exposure. This volume centers on the eastern United States from the 1750s to the start of the Civil War. An authoritative contribution to the history of the United States’ violent path toward building a continental empire, this ambitious and well-researched book deepens our understanding of the seizure of Indigenous lands, including the use of treaties to create the appearance of Native consent to dispossession. Ostler also documents the resilience of Native people, showing how they survived genocide by creating alliances, defending their towns, and rebuilding their communities.

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From one of Europe’s most revered authors, a tale of one man’s obsessive project to collect the instruments of death, evil, and humanity’s darkest atrocities in order to oppose them “It’s an attractive trait in Magris that he so obviously can’t resist a good story. . . . Blameless, wonderfully translated by Anne Milano Appel, succeeds as a prayer for mercy and reason in a world of torturers and whitewashers.”—Neal Ascherson, New York Review of Books Claudio Magris’s searing new novel ruthlessly confronts the human obsession with war and its savagery in every age and every country. His tale centers on a man whose maniacal devotion to the creation of a Museum of War involves both a horrible secret and the hope of redemption. Luisa Brooks, his museum’s curator, a descendant of victims of Jewish exile and of black slavery, has a complex dilemma: will the collections she exhibits save humanity from repeating its tragic and violent past? Or might the display of articles of war actually valorize and memorialize evil atrocities? In Blameless Magris affirms his mastery of the novel form, interweaving multiple themes and traveling deftly through history. With a multitude of stories, the author investigates individual sorrow, the societal burden of justice aborted, and the ways in which memory and historical evidence are sabotaged or sometimes salvaged.

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The Reasoning Voter is an insider's look at campaigns, candidates, media, and voters that convincingly argues that voters make informed logical choices. Samuel L. Popkin analyzes three primary campaigns—Carter in 1976; Bush and Reagan in 1980; and Hart, Mondale, and Jackson in 1984—to arrive at a new model of the way voters sort through commercials and sound bites to choose a candidate. Drawing on insights from economics and cognitive psychology, he convincingly demonstrates that, as trivial as campaigns often appear, they provide voters with a surprising amount of information on a candidate's views and skills. For all their shortcomings, campaigns do matter."If you're preparing to run a presidential campaign, and only have time to read one book, make sure to read Sam Popkin's The Reasoning Voter. If you have time to read two books, read The Reasoning Voter twice."—James Carville, Senior Stategist, Clinton/Gore '92"A fresh and subtle analysis of voter behavior."—Thomas Byrne Edsall, New York Review of Books"Professor Popkin has brought V.O. Key's contention that voters are rational into the media age. This book is a useful rebuttal to the cynical view that politics is a wholly contrived business, in which unscrupulous operatives manipulate the emotions of distrustful but gullible citizens. The reality, he shows, is both more complex and more hopeful than that."—David S. Broder, The Washington Post

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In this groundbreaking and elegantly written study, Joseph Koerner establishes the character of Renaissance art in Germany. Opening up new modes of inquiry for historians of art and early modern Europe, Koerner examines how artists such as Albrecht Durer and Hans Baldung Grien reflected in their masterworks the changing status of the self in sixteenth-century Germany. "[A] dazzling book...He has turned out one of the most powerful, as well as one of the most ambitious, art-historical works of the last decade." --Anthony Grafton, New Republic "Rich and splendid...Joseph Koerner's book is a dazzling display of scholarship, enfolding Durer's artistic achievement within the broader issues of self and salvation, and like [Durer's] great Self- Portrait it holds up a mirror to the modern fable of identity." -- Bruce Boucher, The Times "Remarkable and densely argued." --Marcia Pointon, British Journal of Aesthetics "Herculean and brilliant...Will echo in fields beyond the Sixteenth-Century and Art History." --Larry Silver, Sixteenth Century Journal "May be the most ambitious of recent American reflections on the mysteries of German art. His elegantly written book deals with the fateful period in the history of German art when it reached its highest point...Offers deeper and more disturbing insights into German Renaissance art than most earlier scholarship." --Willibald Sauerlander, New York Review of Books

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Activist, journalist, and theorist, Eqbal Ahmad (1934-1999) was admired and consulted by revolutionaries and activists as well as policymakers and academics. In articles and columns published in such journals as the Nation, New York Review of Books, Monthly Review, and newspapers in Pakistan and Cairo, Ahmad inspired new ways of thinking about global issues. Whether writing on the rise of militant Islam, the conflict in Kashmir, U.S. involvement in Vietnam, or the cynical logic of Cold War geopolitics, Ahmad offered incisive, passionate, and often prophetic analyses of the major political events and movements of the second half of the twentieth century. This work is the first to collect Ahmad's writings in a single volume. It reflects his distinct understanding of world politics as well as his profound sense of empathy for those living in poverty and oppression. He was a fierce opponent of imperialism and corruption and advocated democratic transformations in postcolonial and third-world societies. A uniquely perceptive critic of colonialism and U.S. foreign policy, Ahmad was equally vigilant in his criticisms of third-world dictatorships. Like few other writers, Ahmad's life experiences shaped his political views. He grew up amidst the turmoil of postcolonial India, worked alongside the Algerian FLN in their fight against the French occupation, and later became a prominent spokesperson for peace between Israel and Palestine.

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Born in Kentucky, Elizabeth Hardwick left for New York City on a Greyhound bus in 1939 and quickly made a name for herself as a formidable member of the intellectual elite. Her eventful life included stretches of dire poverty, romantic escapades and dustups with authors she eviscerated in The New York Review of Books, of which she was a cofounder. She formed lasting friendships with literary notables—including Mary McCarthy, Adrienne Rich and Susan Sontag—who appreciated her sharp wit and relish for gossip, progressive politics and great literature. Hardwick’s life and writing were shaped by a turbulent marriage to the poet Robert Lowell, whom she adored, standing by faithfully through his episodes of bipolar illness. Lowell’s decision to publish excerpts from her private letters in The Dolphin greatly distressed Hardwick and ignited a major literary controversy. Hardwick emerged from the scandal with the clarity and wisdom that illuminate her brilliant work—most notably Sleepless Nights, a daring, lyrical and keenly perceptive collage of reflections and glimpses of people encountered as they stumble through lives of deprivation or privilege. A Splendid Intelligence finally gives Hardwick her due as one of the great postwar cultural critics. Ranging over a broad territory—from the depiction of women in classic novels to the civil rights movement, from theatre in New York to life in Brazil, Kentucky and Maine—Hardwick’s essays remain strikingly original, fiercely opinionated and exquisitely wrought. In this lively and illuminating biography, Cathy Curtis offers an intimate portrait of an exceptional woman who vigorously forged her own identity on and off the page.

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A BBC Radio 4 Book of the Week'This is such a great idea for a book, and Michelle Dean carries it off, showing us the complexities of her fascinating, extraordinary subjects, in print and out in the world. Dean writes with vigor, depth, knowledge and absorption, and as a result Sharp is a real achievement' Meg Wolitzer, New York TimesDorothy Parker, Hannah Arendt, Mary McCarthy, Susan Sontag, Joan Didion, Nora Ephron and Janet Malcolm are just some of the women whose lives intertwined as they cut through twentieth-century cultural and intellectual life in the United States, arguing as fervently with each other as they did with the men who so often belittled their work as journalists, novelists, critics and poets. These women are united by their 'sharpness': an accuracy and precision of thought and wit, a claiming of power through their writing.Sharp is a rich and lively portrait of these women and their world, where Manhattan cocktail parties, fuelled by lethal quantities of both alcohol and gossip, could lead to high-stakes slanging matches in the Partisan Review or the New York Review of Books. It is fascinating and revealing on how these women came to be so influential in a climate in which they were routinely met with condescension and derision by their male counterparts.Michelle Dean mixes biography, criticism and cultural and social history to create an enthralling exploration of how a group of brilliant women became central figures in the world of letters, staked out territory for themselves and began to change the world.

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"Jerome Charyn is one of the most important writers in American literature." —Michael Chabon"Whatever milieu [Charyn] chooses to inhabit . . . his sentences are pure vernacular music, his voice unmistakable." —Jonathan Lethem"With his customary linguistic verve and pulsing imagination, Charyn serves up here some of the tastiest essay writing available. He knows and loves New York past and present, and he draws on a lifetime of raucous experience and dedicated reading for a rich, heady, satisfying brew." —Phillip LopateIn the New York Review of Books, Joyce Carol Oates expressed her admiration for an equally prolific contemporary: "Among Charyn's writerly gifts is a dazzling energy. . . . [He is] an exuberant chronicler of the mythos of American life"; the Los Angeles Times described him as "absolutely unique among American writers." In these ten essays, Charyn shares personal stories about places steeped in history and myth, including his beloved New York, and larger-than-life personalities from the Bible and from the worlds of film, literature, politics, sports, and the author's own family. Together, writes Charyn, these essays create "my own lyrical autobiography. Several of the selections are about other writers, some celebrated, some forgotten. . . . All of [whom] scalped me in some way, left their mark."Jerome Charyn is the author of more than fifty works of fiction and nonfiction. Among other honors, Charyn has been named a Commander of Arts and Letters by the French Minister of Culture and received the Rosenthal Family Foundation Award for Fiction from the American Academy of Arts and Letters.

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Why did Eurasians conquer, displace, or decimate Native Americans, Australians, and Africans, instead of the reverse? In this “artful, informative, and delightful” (William H. McNeill, New York Review of Books) book, a classic of our time, evolutionary biologist Jared Diamond dismantles racist theories of human history by revealing the environmental factors actually responsible for its broadest patterns. The story begins 13,000 years ago, when Stone Age hunter-gatherers constituted the entire human population. Around that time, the developmental paths of human societies on different continents began to diverge greatly. Early domestication of wild plants and animals in the Fertile Crescent, China, Mesoamerica, the Andes, and other areas gave peoples of those regions a head start at a new way of life. But the localized origins of farming and herding proved to be only part of the explanation for their differing fates. The unequal rates at which food production spread from those initial centers were influenced by other features of climate and geography, including the disparate sizes, locations, and even shapes of the continents. Only societies that moved away from the hunter-gatherer stage went on to develop writing, technology, government, and organized religions as well as deadly germs and potent weapons of war. It was those societies, adventuring on sea and land, that invaded others, decimating native inhabitants through slaughter and the spread of disease. A major landmark in our understanding of human societies, Guns, Germs, and Steel chronicles the way in which the modern world, and its inequalities, came to be.

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"The art historian after Erwin Panofsky and Ernst Gombrich is not only participating in an activity of great intellectual excitement; he is raising and exploring issues which lie very much at the centre of psychology, of the sciences and of history itself. Svetlana Alpers's study of 17th-century Dutch painting is a splendid example of this excitement and of the centrality of art history among current disciples. Professor Alpers puts forward a vividly argued thesis. There is, she says, a truly fundamental dichotomy between the art of the Italian Renaissance and that of the Dutch masters. . . . Italian art is the primary expression of a 'textual culture,' this is to say of a culture which seeks emblematic, allegorical or philosophical meanings in a serious painting. Alberti, Vasari and the many other theoreticians of the Italian Renaissance teach us to 'read' a painting, and to read it in depth so as to elicit and construe its several levels of signification. The world of Dutch art, by the contrast, arises from and enacts a truly 'visual culture.' It serves and energises a system of values in which meaning is not 'read' but 'seen,' in which new knowledge is visually recorded."—George Steiner, Sunday Times"There is no doubt that thanks to Alpers's highly original book the study of the Dutch masters of the seventeenth century will be thoroughly reformed and rejuvenated. . . . She herself has the verve, the knowledge, and the sensitivity to make us see familiar sights in a new light."—E. H. Gombrich, New York Review of Books

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This volume collects twenty-three interviews given over the course of the last two decades by Jacques Derrida. It illustrates the extraordinary breadth of his concerns, touching upon such subjects as the teaching of philosophy, sexual difference and feminine identity, the media, AIDS, language and translation, nationalism, politics, and Derrida's early life and the history of his writings. Often, as in the interview on Heidegger, or that on drugs, or on the nature of poetry, these interviews offer not only an introduction to other discussions, but something available nowhere else in his work. When did feminist discourse become an indispensable consideration for deconstruction? What was the impact on Derrida's work of his being an Algerian Jew growing up during World War II? Is there an ineradicable gap between language-based attitude such as those found in a deconstruction and subjectivity-oriented critical models such as those developed by Foucault and Lacan? Such questions as these are answered with great thoughtfulness and intensity. Derrida's oral style is patient, generous, and helpful. His tone varies with the questioners and the subject matter—militant, playful, strategic, impassioned, analytic: difference in modulation can sometimes be heard within the same dialogue. The informality of the interview process frequently leads to the most succinct and lucid explications to be found of many of the most important and influential aspects of Derrida's thought. Sixteen of the interviews appear here for the first time in English, including an interview, conducted especially for this volume, concerning the recent exchange of letters in the New York Review of Books.

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"A magnificent history of doctrine."—New York Review of Books"In this volume Jaroslav Pelikan continues the splendid work he has done thus far in his projected five-volume history of the development of Christian doctrine, defined as 'what the Church believes, teaches, and confesses on the basis of the word of God.' The entire work will become an indispensable resource not only for the history of doctrine but also for its reformulation today. Copious documentation in the margins and careful indexing add to its immense usefulness."—E. Glenn Hinson, Christian Century"This book is based on a most meticulous examination of medieval authorities and the growth of medieval theology is essentially told in their own words. What is more important, however, then the astounding number of primary sources the author has consulted or his sovereign familiarity with modern studies on his subject, is his ability to discern form and direction in the bewildering growth of medieval Christian doctrine, and, by thoughtful emphasis and selection, to show the pattern of that development in a lucid and persuasive narrative. No one interested in the history of Christianity or theology and no medievalist, whatever the field of specialization, will be able to ignore this magnificent synthesis."—Bernhard W. Scholz, History"The series is obviously the indispensable text for graduate theological study in the development of doctrine, and an important reference for scholars of religious and intellectual history as well. . . . Professor Pelikan's series marks a significant departure, and in him we have at last a master teacher."—Marjorie O'Rourke Boyle, Commonweal

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With new photography of extraordinarily rare works of art, this pioneering study features discoveries and research essential to understanding the origins and meaning of Buddhist artistic traditions “Both the show and the book are extraordinary achievements. . . . They will astonish even those who think they are familiar with the art of Buddhism.”—William Dalrymple, New York Review of Books Named for two primary motifs in Buddhist art, the sacred bodhi tree and the protective snake, Tree & Serpent: Early Buddhist Art in India is the first publication to foreground devotional works produced in the Deccan from 200 BCE to 400 CE. Unlike traditional narratives, which focus on northern India (where the Buddha was born, taught, and died), this groundbreaking book presents Buddhist art from monastic sites in the south. Long neglected, this is among the earliest corpus of Buddhist art surviving, and among the most sublimely beautiful. An international team of researchers contributes new scholarship on the sculptural and devotional art associated with Buddhism, and masterpieces from recently excavated Buddhist sites are published here for the first time—including Kanaganahalli and Phanigiri, the most important new discoveries in a generation. With its exploration of Buddhism’s emergence in southern India, as well as of India’s deep commercial and cultural engagement with the Hellenized and Roman worlds, the definitive study expands our understanding of the origins of Buddhist art itself. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art, New York (July 21–November 13, 2023) National Museum of Korea, Seoul (December 22, 2023–April 14, 2024)

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A new biography of Albert Speer, Hitler’s chief architect and trusted confidant, reveals the subject’s deeper involvement in Nazi atrocities"Kitchen, the author of a dozen works on twentieth-century Germany, comprehensively disassembles Speer's alibis and excuses. . . . His mastery of the revisionist evidence against Speer is complete."—John Fund, National Review Online"Brilliant and devastating. . . . Kitchen lays out a case so airtight that one marvels anew how Speer survived the Nuremberg trials with his neck intact."—Martin Filler, New York Review of Books In his best-selling autobiography, Albert Speer, Minister of Armaments and chief architect of Nazi Germany, repeatedly insisted he knew nothing of the genocidal crimes of Hitler’s Third Reich. In this revealing new biography, author Martin Kitchen disputes Speer’s lifelong assertions of ignorance and innocence, portraying a far darker figure who was deeply implicated in the appalling crimes committed by the regime he served so well. Kitchen reconstructs Speer’s life with what we now know, including information from valuable new sources that have come to light only in recent years, challenging the portrait presented by earlier biographers and by Speer himself of a cultured technocrat devoted to his country while completely uninvolved in Nazi politics and crimes. The result is the first truly serious accounting of the man, his beliefs, and his actions during one of the darkest epochs in modern history, not only countering Speer’s claims of non-culpability but also disputing the commonly held misconception that it was his unique genius alone that kept the German military armed and fighting long after its defeat was inevitable.

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A BBC Radio 4 Book of the Week'This is such a great idea for a book, and Michelle Dean carries it off, showing us the complexities of her fascinating, extraordinary subjects, in print and out in the world. Dean writes with vigor, depth, knowledge and absorption, and as a result Sharp is a real achievement' Meg Wolitzer, New York TimesDorothy Parker, Hannah Arendt, Mary McCarthy, Susan Sontag, Joan Didion, Nora Ephron and Janet Malcolm are just some of the women whose lives intertwined as they cut through twentieth-century cultural and intellectual life in the United States, arguing as fervently with each other as they did with the men who so often belittled their work as journalists, novelists, critics and poets. These women are united by their 'sharpness': an accuracy and precision of thought and wit, a claiming of power through their writing.Sharp is a rich and lively portrait of these women and their world, where Manhattan cocktail parties, fuelled by lethal quantities of both alcohol and gossip, could lead to high-stakes slanging matches in the Partisan Review or the New York Review of Books. It is fascinating and revealing on how these women came to be so influential in a climate in which they were routinely met with condescension and derision by their male counterparts.Michelle Dean mixes biography, criticism and cultural and social history to create an enthralling exploration of how a group of brilliant women became central figures in the world of letters, staked out territory for themselves and began to change the world.

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The definitive biography of Ivan the Terrible, setting the Tsar's infamous cruelty within the context of 16th-century Russia"[A] magnificent biography . . . illuminated by the wisdom gained by its author from a lifetime of learning and reflection about the place of Russia in the wider world."— Orlando Figes, New York Review of Books "Likely to become the definitive work on Ivan for some time."—Publishers Weekly, Starred Review Ivan IV, “the Terrible” (1533–1584), is one of the key figures in Russian history, yet he has remained among the most neglected. Notorious for pioneering a policy of unrestrained terror—and for killing his own son—he has been credited with establishing autocracy in Russia. This is the first attempt to write a biography of Ivan from birth to death, to study his policies, his marriages, his atrocities, and his disordered personality, and to link them as a coherent whole. Isabel de Madariaga situates Ivan within the background of Russian political developments in the sixteenth century. And, with revealing comparisons with English, Spanish, and other European courts, she sets him within the international context of his time. The biography includes a new account of the role of astrology and magic at Ivan’s court and provides fresh insights into his foreign policy. Facing up to problems of authenticity (much of Ivan’s archive was destroyed by fire in 1626) and controversies which have paralyzed western scholarship, de Madariaga seeks to present Russia as viewed from the Kremlin rather than from abroad and to comprehend the full tragedy of Ivan’s reign.

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Winner of the Pulitzer Prize for History'Read it. It will open your eyes about race history in America. It will shock you for what it tells you about politics in America today.' Richard Ford'A remarkably wide-ranging synthesis of the history of the 1850s and the Civil War ... that effectively integrates in one volume social, political and military events from the immediate aftermath of the Mexican War through the sectional strife of the 1850s, the secession movement, and the Civil War ... It is a masterful work' New York Review of Books'Compellingly readable ... the best one-volume treatment of its subject I have ever come across. It may be the best ever published ... This is magic' The New York TimesThis book covers one of the most turbulent periods of the USA's history, from the Mexican War in 1848 to the end of the Civil War in 1865. With a broad historical sweep, it traces the heightening sectional conflict of the 1850s: the growing estrangement of the South and its impassioned defence of slavery; the formation of the Republican Party in the North, with its increasing opposition to slavery; and the struggle over territorial expansion, with its accompanying social tensions and economic expansion. The whole panorama of the Civil War is captured in these pages, from the military campaign, which is described with vividness, immediacy, a grasp of strategy and logistics, and a keen awareness of the military leaders and the common soldiers involved, to its political and social aspects.

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Building on her critically acclaimed novel The Last Days of California and her biting collection Always Happy Hour, Miller transports readers to this delightfully wry, unapologetic corner of the south—Biloxi, Mississippi, home to sixty-three-year-old Louis McDonald, Jr. Louis has been forlorn since his wife of thirty-seven years left him, his father passed, and he impulsively retired from his job in anticipation of an inheritance check that may not come. These days he watches reality television and tries to avoid his ex-wife and daughter, benefiting from the charity of his former brother-in-law, Frank, who religiously brings over his Chili’s leftovers and always stays for a beer. Yet the past is no predictor of Louis’s future. On a routine trip to Walgreens to pick up his diabetes medication, he stops at a sign advertising free dogs and meets Harry Davidson, a man who claims to have more than a dozen canines on offer, but offers only one: an overweight mixed breed named Layla. Without any rational explanation, Louis feels compelled to take the dog home, and the two become inseparable. Louis, more than anyone, is dumbfounded to find himself in love—bursting into song with improvised jingles, exploring new locales, and reevaluating what he once considered the fixed horizons of his life. With her “sociologist’s eye for the mundane and revealing” (Joyce Carol Oates, New York Review of Books), Miller populates the Gulf Coast with Ann Beattie-like characters. A strangely heartwarming tale of loneliness, masculinity, and the limitations of each, Biloxi confirms Miller’s position as one of our most gifted and perceptive writers.

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The line that separated Eastern Christendom from Western on the medieval map is similar to the "iron curtain" of recent times. Linguistic barriers, political divisions, and liturgical differences combined to isolate the two cultures from each other. Except for such episodes as the schism between East and West or the Crusades, the development of non-Western Christendom has been largely ignored by church historians. In The Spirit of Eastern Christendom, Jaroslav Pelikan explains the divisions between Eastern and Western Christendom, and identifies and describes the development of the distinctive forms taken by Christian doctrine in its Greek, Syriac, and early Slavic expression. "It is a pleasure to salute this masterpiece of exposition. . . . The book flows like a great river, slipping easily past landscapes of the utmost diversity—the great Christological controversies of the seventh century, the debate on icons in the eighth and ninth, attitudes to Jews, to Muslims, to the dualistic heresies of the high Middle Ages, to the post-Reformation churches of Western Europe. . . . His book succeeds in being a study of the Eastern Christian religion as a whole."—Peter Brown and Sabine MacCormack, New York Review of Books"The second volume of Professor Pelikan's monumental work on The Christian Tradition is the most comprehensive historical treatment of Eastern Christian thought from 600 to 1700, written in recent years. . . . Pelikan's reinterpretation is a major scholarly and ecumenical event."—John Meyendorff "Displays the same mastery of ancient and modern theological literature, the same penetrating analytical clarity and balanced presentation of conflicting contentions, that made its predecessor such an intellectual treat."—Virgina Quarterly Review

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An Open Letters Review Best Book of the Year“Grafton presents largely unfamiliar material…in a clear, even breezy style…Erudite.”—Michael Dirda, Washington PostIn this celebration of bookmaking in all its messy and intricate detail, Anthony Grafton captures both the physical and mental labors that went into the golden age of the book—compiling notebooks, copying and correcting proofs, preparing copy—and shows us how scribes and scholars shaped influential treatises and forgeries.Inky Fingers ranges widely, from the theological polemics of the early days of printing to the pathbreaking works of Jean Mabillon and Baruch Spinoza. Grafton draws new connections between humanistic traditions and intellectual innovations, textual learning and the delicate, arduous, error-riddled craft of making books. Through it all, he reminds us that the life of the mind depends on the work of the hands, and the nitty gritty labor of printmakers has had a profound impact on the history of ideas.“Describes magnificent achievements, storms of controversy, and sometimes the pure devilment of scholars and printers…Captivating and often amusing.”—Wall Street Journal“Ideas, in this vivid telling, emerge not just from minds but from hands, not to mention the biceps that crank a press or heft a ream of paper.”—New York Review of Books“Grafton upends idealized understandings of early modern scholarship and blurs distinctions between the physical and mental labor that made the remarkable works of this period possible.”—Christine Jacobson, Book Post“Scholarship is a kind of heroism in Grafton’s account, his nine protagonists’ aching backs and tired eyes evidence of their valiant dedication to the pursuit of knowledge.”—London Review of Books

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'Platonov is an extraordinary writer, perhaps the most brilliant Russian writer of the twentieth century' New York Review of BooksThe Soviet Don Quixote, Chevengur is now seen by many Russian writers as Russia's greatest novel of the last century. This is the first English version to convey its subtlety and depth.Zakhar Pavlovich comes from a world of traditional crafts to work as a train mechanic, motivated by his belief in the transformative power of industry. His adopted son, Sasha Dvanov, embraces revolution, which will transform everything: the words we speak and the lives we live, souls and bodies, the soil underfoot and the sun overhead.Seeking communism, Dvanov joins up with Stepan Kopionkin, a warrior for the cause whose steed is the fearsome cart horse Strength of the Proletariat. Together they cross the steppe, meeting counter-revolutionaries, desperados and visionaries of all kinds. At last they reach the isolated town of Chevengur. There communism is believed to have been achieved because everything that is not communism has been eliminated. And yet even in Chevengur the revolution recedes from sight.Comic, ironic, grotesque, disturbingly poetic in its use of language and profoundly sorrowful, Chevengur is a revolutionary novel about revolutionary ardour and despair. Unpublished during Andrey Platonov’s life, it is now one of the most celebrated Russian novels, and the most ambitious and moving of Platonov’s recreations of a world undergoing revolutionary transformation.'It was from the novel Chevengur that I learned to create "literary worlds". Platonov is a self-taught literary jeweller, a true believer who built dystopias. His love for his characters is instantly conveyed to readers' Andrey KurkovTranslated by Robert Chandler and Elizabeth Chandler

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The definitive biography of Louisa Catherine, wife and political partner of President John Quincy Adams“Insightful and entertaining.”—Susan Dunn, New York Review of BooksA New York Times Book Review Editor's Choice Louisa Catherine Johnson Adams, wife and political partner of John Quincy Adams, became one of the most widely known women in America when her husband assumed office as sixth president in 1 825. Shrewd, intellectual, and articulate, she was close to the center of American power over many decades, and extensive archives reveal her as an unparalleled observer of the politics, personalities, and issues of her day. Louisa left behind a trove of journals, essays, letters, and other writings, yet no biographer has mined these riches until now. Margery Heffron brings Louisa out of the shadows at last to offer the first full and nuanced portrait of an extraordinary first lady. The book begins with Louisa’s early life in London and Nantes, France, then details her excruciatingly awkward courtship and engagement to John Quincy, her famous diplomatic success in tsarist Russia, her life as a mother, years abroad as the wife of a distinguished diplomat, and finally the Washington, D.C., era when, as a legendary hostess, she made no small contribution to her husband’s successful bid for the White House. Louisa’s sharp insights as a tireless recorder provide a fresh view of early American democratic society, presidential politics and elections, and indeed every important political and social issue of her time.

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"I don't think there is anyone in the academy these days capable of more patient and attentive reading of the constitutional text than Akhil Amar."--Jeremy Waldron, New York Review of BooksIn The Constitution Today, Akhil Reed Amar, America's preeminent constitutional scholar, considers the biggest and most bitterly contested debates of the last two decades and provides a passionate handbook for thinking constitutionally about today's headlines. Amar shows how the Constitution's text, history, and structure are crucial repositories of collective wisdom, providing specific rules and grand themes relevant to every organ of the American body politic.Prioritizing sound constitutional reasoning over partisan preferences, Amar makes the case for diversity-based affirmative action and a right to have a gun in one's home for self-defense, and the case against spending caps on independent political advertising and bans on same-sex marriage. He explains what's wrong with presidential dynasties, advocates a "nuclear option" to restore majority rule in the Senate, and suggests ways to reform the Supreme Court. And he revisits three dramatic constitutional conflicts--the impeachment of Bill Clinton, the contested election of George W. Bush, and the fight over Barack Obama's Affordable Care Act.Leading readers through the questions at stake in each episode while outlining his abiding views regarding the Constitution's letter, its spirit, and the direction constitutional law must go, Amar offers an essential guide for anyone seeking to understand America's Constitution and its relevance today.

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Rediscover this deep, practical anatomy of the novel from 'the strongest ... literary critic we have' (New York Review of Books) in this new revised 10th anniversary edition.What do we mean when we say we 'know' a fictional character? What constitutes a 'telling' detail? When is a metaphor successful? Is realism realistic? Why do most endings of novels disappoint?In the tradition of E. M. Forster's Aspects of the Novel and Milan Kundera's The Art of the Novel, How Fiction Works is a study of the main elements of fiction, such as narrative, detail, characterization, dialogue, realism, and style. In his first full-length book of criticism, one of the most prominent critics of our time takes the machinery of story-telling apart to ask a series of fundamental questions. Wood ranges widely, from Homer to Beatrix Potter, from the Bible to John Le Carré, and his book is both a study of the techniques of fiction-making and an alternative history of the novel. Playful and profound, it incisively sums up two decades of bold, often controversial, and now classic critical work, and will be enlightening to writers, readers, and anyone interested in what happens on the page.'Should find a place on every novel-lover's shelf. It has the quality all useful works of criticism should have: refined taste, keen observation, and the ability to make the reader argue, passionately, with it' Financial Times

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"A highly readable narrative of nineteenth and twentiety century Serbian history told with verve and deep knowledge." —Mark Mazower, author of Dark Continent: Europe in the Twentieth Century "Pavlowitch has consistently maintained a very high standard of accuracy and scholarship in all of his work on the former Yugoslavia." — New York Review of Books, April 25, 2002 Serbias have come and gone, and they have moved from place to place. This book looks at the historical forces, actors, ideas, and period which have molded the entities that go by the name "Serbia." In Serbia: The History of an Idea we learn about the medieval rulers and the church, the imperial rule of Ottomans and Hapsburgs, the two World Wars, the Yugoslav kingdom of Serbs, Croats and Slovenes, and, of course, modern Yugoslavia. At the time of Serbia's emergence from the ruins of Tito's Yugoslavia and of Milosevic's regime, Stevan Pavlowitch shuns the "doomed to violence" and the "doomed to martyrdom" paradigms favored respectively by some Western and Serbian analysts in order to pose difficult questions about Serbian history. Pavlowitch seeks to move forward from the past rather than look back to idealized ages or read history backwards from the last ten years. Serbia: The History of an Idea offers readers a look into the historical entities that have played a crucial, and sometimes devastating, role in the formation of Serbia, from the aftermath of Yugoslavia to its current political state.

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A social history of the ordinary British soldier during World War II“Reflects impressively wide reading, and commands respect for its shrewd judgments and lack of sentimentality.”—Max Hastings, New York Review of Books"The stories of these brave but bewildered civilians in uniform are as illuminating as searchlights in a dark age of traumatic war."—Iain Finlayson, Times (London) More than three million men served in the British Army during the Second World War, the vast majority of them civilians who had never expected to become soldiers and had little idea what military life, with all its strange rituals, discomforts, and dangers, was going to be like. Alan Allport’s rich and luminous social history examines the experience of the greatest and most terrible war in history from the perspective of these ordinary, extraordinary men, who were plucked from their peacetime families and workplaces and sent to fight for King and Country. Allport chronicles the huge diversity of their wartime trajectories, tracing how soldiers responded to and were shaped by their years with the British Army, and how that army, however reluctantly, had to accommodate itself to them. Touching on issues of class, sex, crime, trauma, and national identity, through a colorful multitude of fresh individual perspectives, the book provides an enlightening, deeply moving perspective on how a generation of very modern-minded young men responded to the challenges of a brutal and disorienting conflict.

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"That rare person who looked like Marlene Dietrich and wrote like Virginia Woolf," Clarice Lispector is one of the most popular but least understood of Latin American writers, and now in Why this World, after years of research on three continents, drawing on previously unknown manuscripts and dozens of interviews, Benjamin Moser demonstrates how Lispector's development as a writer was directly connected to the story of her turbulent life. Born in the nightmarish landscape of post-World War I Ukraine, Clarice became, virtually from adolescence, a person whose beauty, genius, and eccentricity intrigued Brazil. Why This World tells how this precocious girl, through long exile abroad and difficult personal struggles, matured into a great writer, and asserts, for the first time, the deep roots in the Jewish mystical tradition that make her the true heir to Kafka as well as the unlikely author of "perhaps the greatest spiritual autobiography of the twentieth century." From Chechelnik to Recife, from Naples and Bern to Washington and Rio de Janeiro, Why This World strips away the mythology surrounding this extraordinary figure and shows how Clarice Lispector transformed one woman's struggles into a universally resonant art.Benjamin Moser is the New Books columnist of Harper's Magazine. He was born in Houston in 1976 and currently lives in the Netherlands. He is a contributor to the The New York Review of Books, and he has written for Conde Nast Traveler and Newsweek, as well as many other publications.

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A powerful history of Jewish art collectors in France, and how an embrace of art and beauty was met with hatred and destruction “The depths of French anti-Semitism is the stunning subject that Mr. McAuley lays bare. . . . [He] tells this haunting saga in eloquent detail. As French anti-Semitism rises once again today, the effect is nothing less than chilling.”—Diane Cole, Wall Street Journal “Elegantly written and deeply moving. . . . [A] haunting book.”—David Bell, New York Review of Books In the dramatic years between 1870 and the end of World War II, a number of prominent French Jews—pillars of an embattled community—invested their fortunes in France’s cultural artifacts, sacrificed their sons to the country’s army, and were ultimately rewarded by seeing their collections plundered and their families deported to Nazi concentration camps. In this rich, evocative account, James McAuley explores the central role that art and material culture played in the assimilation and identity of French Jews in the fin de siècle. Weaving together narratives of various figures, some familiar from the works of Marcel Proust and the diaries of Jules and Edmond Goncourt—the Camondos, the Rothschilds, the Ephrussis, the Cahens d’Anvers—McAuley shows how Jewish art collectors contended with a powerful strain of anti-Semitism: they were often accused of “invading” France’s cultural patrimony. The collections these families left behind—many ultimately donated to the French state—were their response, tragic attempts to celebrate a nation that later betrayed them.

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The Italian film-maker Pier Paolo Pasolini was first and always a poet--the most important civil poet, according to Alberto Moravia, in Italy in the second half of this century. His poems were at once deeply personal and passionately engaged in the political turmoil of his country. In 1949, after his homosexuality led the Italian Communist Party to expel him on charges of "moral and political unworthiness," Pasolini fled to Rome. This selection of poems from his early impoverished days on the outskirts of Rome to his last (with a backward longing glance at his native Friuli) is at the center of his poetic and filmic vision of modern Italian life as an Inferno. "From all these refusals, we know what Pasolini stood against--political ideologies of all kinds, the complacency inherent in the established social order, the corruption of the institutions of church and state. If Pasolini could be said to have stood for anything it was for the struggles of Italy's working class--both the rural peasants and those barracked in the urban slums at the edges of Italian cities--whose humanity he evoked with great eloquence and nuance. But it is his refusals that animate his legacy with an incandescent rage, a passionate and profound fury that did not, as Zigaina suggests, cry out for death--but for just the opposite." -Nathaniel Rich, The New York Review of Books Pier Paolo Pasolini was born in 1922 in Bologna. In addition to the films for which he is world famous, he wrote novels, poetry, and social and cultural criticism, and was an accomplished painter. He was murdered in 1975 at Ostia, near Rome.

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What Do You Care What Other People Think? Further Adventures of a Curious Character is a captivating collection of reminiscences from freewheeling scientific genius Richard P. Feynman. Richard Feynman - Nobel Laureate, teacher and iconic intellect - possessed an unquenchable thirst for an adventure and an unparalleled gift for telling the extraordinary stories of his life. In this collection of short pieces Feynman describes everything from his love of beauty to college pranks to how his father taught him to think. He takes us behind the scenes of the space shuttle Challenger investigation, where he dramatically revealed the cause of the disaster with a simple experiment. And he tells us of how he met his beloved first wife Arlene, and their brief time together before her death. Sometimes intensely moving, sometimes funny, these writings are infused with Feynman's curiosity and passion for life. 'Feynman's voice echoes raw and direct through these pages' The New York Times 'Outrageously gifted, iconoclastic, irrepressible ... Richard Feynman still has the capacity to suprise' Observer 'One of the greatest minds of the twentieth century ... he was also stubborn, irreverent, playful, intensely curious and highly original in practically everything he did' New York Review of Books 'If more scientists were like Feynman, the world really would be a better, and better understood, place' Independent on Sunday Richard P. Feynman (1918-1988) was one of this century's most brilliant theoretical physicists and original thinkers. Feynman's other books, also available in Penguin, include QED, Six Easy Pieces, Six Not-so-Easy Pieces, Don't You Have Time to Think, The Pleasure of Finding Things Out, What Do You Care What Other People Think? and The Meaning of it All.

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Building on her critically acclaimed novel The Last Days of California and her biting collection Always Happy Hour, Miller transports readers to this delightfully wry, unapologetic corner of the south—Biloxi, Mississippi, home to sixty-three-year-old Louis McDonald, Jr. Louis has been forlorn since his wife of thirty-seven years left him, his father passed away and he impulsively retired from his job in anticipation of an inheritance cheque that may not come. These days he watches reality television and tries to avoid his ex-wife and daughter, benefiting from the charity of his former brother-in-law, Frank, who religiously brings over his takeway leftovers and always stays for a beer. Yet the past is no predictor of Louis’s future. On a routine trip to Walgreens to pick up his diabetes medication, he stops at a sign advertising free dogs and meets Harry Davidson, a man who claims to have more than a dozen canines on offer, but offers only one: an overweight mixed breed named Layla. Without any rational explanation, Louis feels compelled to take the dog home and the two become inseparable. Louis, more than anyone, is dumbfounded to find himself in love—bursting into song with improvised jingles, exploring new locales and reevaluating what he once considered the fixed horizons of his life. With her “sociologist’s eye for the mundane and revealing” (Joyce Carol Oates, New York Review of Books), Miller populates the Gulf Coast with Ann Beattie-like characters. A strangely heartwarming tale of loneliness, masculinity and the limitations of each, Biloxi confirms Miller’s position as one of our most gifted and perceptive writers.

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An insightful biography of the most controversial and perhaps most fervent of all Zionist political figures “A beautifully written short biography of an exceedingly interesting man: a novelist, translator, poet, playwright, journalist, polemicist, and probably the most remarkable public speaker in modern Jewish life. Halkin’s account of him is credible and vivid.”—Avishai Margalit, New York Review of Books Vladimir Jabotinsky (1880–1940) was a man of huge paradoxes and contradictions and has been the most misunderstood of all Zionist politicians—a first-rate novelist, a celebrated Russian journalist, and the founder of the branch of Zionism now headed by Benjamin Netanyahu. This biography, the first in English in nearly two decades, undertakes to answer central questions about Jabotinsky as a writer, a political thinker, and a leader. Hillel Halkin sets aside the stereotypes to which Jabotinsky has been reduced by his would-be followers and detractors alike. Halkin explains the importance of Odessa, Jabotinsky’s native city, in molding his character and outlook; discusses his novels and short stories, showing the sometimes hidden connections between them and Jabotinsky’s political thought, and studies a political career that ended in tragic failure. Halkin also addresses Jabotinsky’s position, unique among the great figures of Zionist history, as both a territorial maximalist and a principled believer in democracy. The author inquires why Jabotinsky was often accused of fascist tendencies though he abhorred authoritarian and totalitarian politics, and investigates the many opposed aspects of his personality and conduct while asking whether or not they had an ultimate coherence. Few figures in twentieth-century Jewish life were quite so admired and loathed, and Halkin’s splendid, subtle book explores him with empathy and lucidity.

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From "one of the most distinguished writers of modern Italy" (New York Review of Books), a classic novel of society in the midst of a war. This powerful novel is set against the background of Italy from 1939 to 1944, from the anxious months before the country entered the war, through the war years, to the allied victory with its trailing wake of anxiety, disappointment, and grief. In the foreground are the members of two families. One is rich, the other is not. In All Our Yesterdays, as in all of Ms. Ginzburg's novels, terrible things happen--suicide, murder, air raids, and bombings. But seemingly less overwhelming events, like a family quarrel, adultery, or a deception, are given equal space, as if to say that, to a victim, adultery and air raids can be equally maiming. All Our Yesterdays gives a sharp portrait of a society hungry for change, but betrayed by war. During the period described in the novel, Natalia Ginzburg was married to the writer Leone Ginzburg. Because of his underground activities, he was interned under Mussolini's reign, along with his family, in a restricted area in the Abruzzi. When the Ginzburgs later moved to Rome, Leone was arrested and tortured by the fascists, and killed, leaving Natalia alone to raise her three children. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction--novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

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A CounterPunch Best Book of the YearA Lone Star Policy Institute Recommended Book“If you care, as I do, about disrupting the perverse politics of criminal justice, there is no better place to start than Prisoners of Politics.”—James Forman, Jr., author of Locking Up Our OwnThe United States has the highest rate of incarceration in the world. The social consequences of this fact—recycling people who commit crimes through an overwhelmed system and creating a growing class of permanently criminalized citizens—are devastating. A leading criminal justice reformer who has successfully rewritten sentencing guidelines, Rachel Barkow argues that we would be safer, and have fewer people in prison, if we relied more on expertise and evidence and worried less about being “tough on crime.” A groundbreaking work that is transforming our national conversation on crime and punishment, Prisoners of Politics shows how problematic it is to base criminal justice policy on the whims of the electorate and argues for an overdue shift that could upend our prison problem and make America a more equitable society.“A critically important exploration of the political dynamics that have made us one of the most punitive societies in human history. A must-read by one of our most thoughtful scholars of crime and punishment.”—Bryan Stevenson, author of Just Mercy“Barkow’s analysis suggests that it is not enough to slash police budgets if we want to ensure lasting reform. We also need to find ways to insulate the process from political winds.”—David Cole, New York Review of Books“A cogent and provocative argument about how to achieve true institutional reform and fix our broken system.”—Emily Bazelon, author of Charged

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