Search results for ""Author MANUS"

Originally published in 1967. Jane Addams was one of the most creative thinkers and activists in the history of American social reform. She pioneered the settlement house movement. She was a leader in the attempt to relate education to the new urban environment for millions of Americans in the early twentieth century. She was a vocal advocate of the Progressive movement and active in the drive for women's rights. She was also an outstanding spokesman for international understanding and world peace. Although Jane Addams is well known as one of the originators of social work in the United States, as an early advocate of a "War on Poverty," and as the proponent of ideas that led to the creation of the modern welfare state, the convictions that motivated her prodigious energy had not, prior to Dr. Farrell's investigation, been carefully examined. He traces the relation between her philanthropic principles and her Progressive politics, her feminism, and her efforts to achieve world peace. He shows how her association with John Dewey and her acceptance of pragmatism changed her thinking and also how her later pacifism alienated her from many progressives of various persuasions. Before his sudden and untimely death at the age of thirty-two, John C. Farrell had just completed this study, based on his examination of virtually every important writing by and about Jane Addams. It is not a full-fledged biography but rather an intellectual history that seeks to explain the origins and relevance of Jane Addams' ideas and activities to the first half of the twentieth century. The manuscript for this book, complete but unrevised, was edited for publication by two of Farrell's colleagues who prefer to remain unidentified. Charles C. Barker, professor of history at Johns Hopkins University, wrote an introduction that places Beloved Lady in the context of scholarly literature on Jane Addams.

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A significant body of scholarship addresses pre-Norman Irish life and history, including the archaeology, art, and architecture from the time of St. Patrick (d. 493) to the arrival of the Normans in the twelfth century. While the place of the church and its organization in pre-Norman Ireland have been extensively studied, relatively little has been published on the eucharistic liturgy as celebrated in the pre-Norman church or on the attitudes of its worshippers to the Eucharist. But, as Neil Xavier O’Donoghue notes, many of Ireland’s national treasures—including the Ardagh Chalice, the Book of Kells, and Cormac’s Chapel—date from this time and are directly connected with the celebration of the Eucharist. Additionally, many of the textual and archaeological sources for the study of pre-Norman Ireland—saints’ lives, penitentials, monastic rules, manuscripts, eucharistic vessels, church buildings, and ecclesiastical complexes—directly relate to the Eucharist. There has been no attempt to provide a useful synthesis since F. E. Warren’s 1881 Liturgy and Ritual of the Celtic Church. O’Donoghue’s The Eucharist in Pre-Norman Ireland provides a necessary, updated synthesis, one that incorporates advances made in liturgical studies and liturgical theology since the early twentieth century. In addition to reassessing and supplementing the texts discussed by Warren, O’Donoghue considers the social dimension of the Eucharist, its treatment in art and architecture, and its treatment as reflected by the spirituality of the time, placing this new analysis within a better understood Western European cultural and liturgical context. Most importantly, O’Donoghue shows that pre-Norman Ireland was very much a part of the Western (Gallican) liturgical tradition; he argues that what we know of the Eucharist in Ireland must be integrated into what we know of it in Britain and Gaul in order to understand the central role of the Eucharist in the Christianization of the West.

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Every literary household in nineteenth-century Britain had a commonplace book, scrapbook, or album. Coleridge called his collection "Fly-Catchers", while George Eliot referred to one of her commonplace books as a "Quarry," and Michael Faraday kept quotations in his "Philosophical Miscellany." Nevertheless, the nineteenth-century commonplace book, along with associated traditions like the scrapbook and album, remain under-studied. This book tells the story of how technological and social changes altered methods for gathering, storing, and organizing information in nineteenth-century Britain. As the commonplace book moved out of the schoolroom and into the home, it took on elements of the friendship album. At the same time, the explosion of print allowed readers to cheaply cut-and-paste extractions rather than copying out quotations by hand. Built on the evidence of over 300 manuscripts, this volume unearths the composition practices of well-known writers such as Samuel Taylor Coleridge, Sir Walter Scott, George Eliot, and Alfred Lord Tennyson, and their less well-known contemporaries. Divided into two sections, the first half of the book contends that methods for organizing knowledge developed in line with the period's dominant epistemic frameworks, while the second half argues that commonplace books helped Romantics and Victorians organize people. Chapters focus on prominent organizational methods in nineteenth-century commonplacing, often attached to an associated epistemic virtue: diaristic forms and the imagination (Chapter Two); "real time" entries signalling objectivity (Chapter Three); antiquarian remnants, serving as empirical evidence for historical arguments (Chapter Four); communally produced commonplace books that attest to socially constructed knowledge (Chapter Five); and blank spaces in commonplace books of mourning (Chapter Six). Richly illustrated, this book brings an archive of commonplace books, scrapbooks, and albums to the reader.

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The scribes of early medieval England wrote out their vernacular poems using a format that looks primitive to our eyes because it lacks the familiar visual cues of verse lineation, marks of punctuation, and capital letters. The paradox is that scribes had those tools at their disposal, which they deployed in other kinds of writing, but when it came to their vernacular poems they turned to a sparser presentation. How could they afford to be so indifferent? The answer lies in the expertise that Anglo-Saxon readers brought to the task. From a lifelong immersion in a tradition of oral poetics they acquired a sophisticated yet intuitive understanding of verse conventions, such that when their eyes scanned the lines written out margin-to-margin, they could pinpoint with ease such features as alliteration, metrical units, and clause boundaries, because those features are interwoven in the poetic text itself. Such holistic reading practices find a surprising source of support in present-day eye-movement studies, which track the complex choreography between eye and brain and show, for example, how the minimal punctuation in manuscripts snaps into focus when viewed as part of a comprehensive system. How the Anglo-Saxons Read Their Poems uncovers a sophisticated collaboration between scribes and the earliest readers of poems like Beowulf, The Wanderer, and The Dream of the Rood. In addressing a basic question that no previous study has adequately answered, it pursues an ambitious synthesis of a number of fields usually kept separate: oral theory, paleography, syntax, and prosody. To these philological topics Daniel Donoghue adds insights from the growing field of cognitive psychology. According to Donoghue, the earliest readers of Old English poems deployed a unique set of skills that enabled them to navigate a daunting task with apparent ease. For them reading was both a matter of technical proficiency and a social practice.

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Considered to be one of the most inventive of the contemporary Irish poets, Thomas Kinsella is credited with bringing modernism to Irish verse. Kinsella uses sensitive language to deal with primal aspects of the human experience. His early writing, "Poems" (1956) and "Another September" (1958) established him as a new voice in Irish poetry. The peak of Kinsella's success came with the founding of the Peppercanister Press and the publication of "Butcher's Dozen" in 1972.Despite such early successes, however, Kinsella seems to have faded into the background of the Irish poetic stage. In "The Sea of Disappointment", Andrew Fitzsimons offers us a chronological journey through the structural and thematic development of Kinsella's poetic writing.Fitzsimons demonstrates that Kinsella has had a career that has risen to a high public profile where he followed conventional stanzaic forms, to a position where he began to reject inherited forms and thus began a gradual critical disengagement from his work. We see in the early chapters that isolation, quintessentially part of the modern condition, is a theme that is regularly touched upon by the poet and further developed in relation to the Irish condition. Disappointment also pervades Kinsella's poetry. Although Fitzsimons emphasises the importance of the context of Kinsella's dismal upbringing in 1940s/50s Ireland, he avoids reducing his poetry down to a mere response to the poet's social and historical background, and thus he manages to maintain a sense of the irreducible integrity of his poetry.This well-researched and comprehensive book draws on illuminating manuscript sources and previously unpublished material as well as on Kinsella's own assistance. Considering Kinsella's work from its beginnings until his most recent publications Fitzsimons shows that his poetry is driven, despite the apparent rift between its early and late styles, by a consistent impulse and deliberate aesthetic of growth. "The Sea of Disappointment" will offer a fresh insight into the poetic work of one of the most innovative poets of contemporary Ireland.

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Thomas Cranmer, the architect of the Anglican Book of Common Prayer, was the archbishop of Canterbury who guided England through the early Reformation—and Henry VIII through the minefields of divorce. This is the first major biography of him for more than three decades, and the first for a century to exploit rich new manuscript sources in Britain and elsewhere.Diarmaid MacCulloch, one of the foremost scholars of the English Reformation, traces Cranmer from his east-Midland roots through his twenty-year career as a conventionally conservative Cambridge don. He shows how Cranmer was recruited to the coterie around Henry VIII that was trying to annul the royal marriage to Catherine, and how new connections led him to embrace the evangelical faith of the European Reformation and, ultimately, to become archbishop of Canterbury. By then a major English statesman, living the life of a medieval prince-bishop, Cranmer guided the church through the king's vacillations and finalized two successive versions of the English prayer book.MacCulloch skillfully reconstructs the crises Cranmer negotiated, from his compromising association with three of Henry's divorces, the plot by religious conservatives to oust him, and his role in the attempt to establish Lady Jane Grey as queen to the vengeance of the Catholic Mary Tudor. In jail after Mary's accession, Cranmer nearly repudiated his achievements, but he found the courage to turn the day of his death into a dramatic demonstration of his Protestant faith.From this vivid account Cranmer emerges a more sharply focused figure than before, more conservative early in his career than admirers have allowed, more evangelical than Anglicanism would later find comfortable. A hesitant hero with a tangled life story, his imperishable legacy is his contribution in the prayer book to the shape and structure of English speech and through this to the molding of an international language and the theology it expressed.

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After the fall of Charleston during the American Revolution, South Carolina was devoid of any organized resistance to the British army. It was under these circumstances that Francis Marion organized his famous band of partisans. They resorted to hit-and-run tactics, operating out of the impenetrable swamps of the region. Every man and boy who joined Marion's force was a volunteer. Everyone furnished his own clothing and weapons. When Marion issued a call, his men left their farms and reported with arms in hand. Under Marion's clever direction, the band eluded British general Banastre Tarleton so frequently that he was recalled by Cornwallis. As Tarleton left, he remarked, "As for this damned old fox, the devil himself could not catch him." The nickname "Swamp Fox" stuck with Marion from then on. After the war, those who knew of Marion's exploits pressured Peter Horry, one of Marion's closest friends and an officer in his brigade, to write a biography of the hero. Horry later sent his manuscript to Mason L. "Parson" Weems, who had gained fame for his publication of The Life of Washington. Just as he had evoked poetic license with the story of young Washington chopping down a cherry tree, Weems took liberties to spice up Marion's story. Horry therefore disassociated himself from the book when it was published in 1824. William Gilmore Simms, who wrote a later biography of Marion, described Weems's efforts: "Weems had rather loose notions of the privileges of the biographer, though in reality, he has transgressed much less in his Life of Marion than I generally supposed. But the untamed, and sometimes extravagant exuberance, of his style might well subject his narrative to suspicion." Recently, Hollywood has shown renewed interest in the life of the Swamp Fox, so it seems only appropriate that the first biography of this true American hero be made easily accessible once again. Marion's daring, cunning, and adventuresome spirit still inspire admiration over 200 years later. And although Weems may have taken some liberties with the facts, he sure tells a whopping good story.

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Dear Regina offers a remarkable window into the early years of one of America’s best-known literary figures. While at the University of Iowa Writer’s Workshop from 1945 to 1948, Flannery O’Connor wrote to her mother Regina Cline O’Connor (who she addressed by her first name) nearly every day and sometimes more than once a day. The complete correspondence of more than six hundred letters is housed at the Stuart A. Rose Manuscript, Archives, and Rare Book Library at Emory University. From that number, Miller selects 486 letters to show us a young adult learning to adjust to life on her own for the first time. In these letters, O’Connor shares details about living in a boardinghouse and subsisting on canned food and hot-plate dinners, and she asks for advice about a wide range of topics, including how to assuage her relatives’ concerns about her well-being and how to buy whiskey to use for cough medicine.These letters, which are being published for the first time with the unprecedented permission of the Mary Flannery O’Connor Charitable Trust, also offer readers important insights into O’Connor’s intellectually formative years, when her ideas about writing, race, class, and interpersonal relationships were developing and changing. Her preoccupation with money, employment, and other practical matters reveals a side of O’Connor that we do not often see in her previously published letters. Most importantly, the letters show us her relationship with her mother in a much more intimate, positive light than we have seen before. The importance of this aspect of the letters cannot be overstated, given that so much literary analysis conflates her and Regina with the "sour, deformed daughters and self-righteous mothers" that critic Louise Westling sees so often in O’Connor’s work.

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Hands-on science in the Age of Exploration.Winner of the John Lyman Book Award in Naval and Maritime Science and Technology by the North American Society for Oceanic History and the Leo Gershoy Prize by the American Historical AssociationThroughout the Age of Exploration, European maritime communities bent on colonial and commercial expansion embraced the complex mechanics of celestial navigation. They developed schools, textbooks, and instruments to teach the new mathematical techniques to sailors. As these experts debated the value of theory and practice, memory and mathematics, they created hybrid models that would have a lasting impact on applied science. In Sailing School, a richly illustrated comparative study of this transformative period, Margaret E. Schotte charts more than two hundred years of navigational history as she investigates how mariners solved the challenges of navigating beyond sight of land. She begins by outlining the influential sixteenth-century Iberian model for training and certifying nautical practitioners. She takes us into a Dutch bookshop stocked with maritime manuals and a French trigonometry lesson devoted to the idea that "navigation is nothing more than a right triangle." The story culminates at the close of the eighteenth century with a young British naval officer who managed to keep his damaged vessel afloat for two long months, thanks largely to lessons he learned as a keen student.This is the first study to trace the importance, for the navigator's art, of the world of print. Schotte interrogates a wide variety of archival records from six countries, including hundreds of published textbooks and never-before-studied manuscripts crafted by practitioners themselves. Ultimately, Sailing School helps us to rethink the relationship among maritime history, the Scientific Revolution, and the rise of print culture during a period of unparalleled innovation and global expansion.

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An epic poem is a performance. The telling of Beowulf carries something of the days of its pre-literary composition, as it evolved as something memorised, half spoken and half sung, over many generations. The single manuscript we have, from about 1000 AD, is the end result of a great chain of poetic adaptation. Of all new versions Seamus Heaneys (1999) has made the most striking impact, in part for his willingness to experiment, to be a new scop or oral poet, to depart at times from the exact text and join the tradition when there was no such thing. The licence such an approach adopts can make for a riveting poem in itself, a work of wonder. But there is a different route to the flame of the original. J.D. Winters rendering of the Beowulf song accepts the text as historical fact, and by a gradual revelation of its deeper music, discovers an illumination from within. The voice is less his and more nearly of the time and world of the poem itself. But this is without recourse to an archaic register. It is the modern language and yet not the modern man speaking. The phrases of the text, like phrases of music with their crescendos and diminuendos, steadily and unhurriedly move towards the culmination of a powerfully fulfilling symphony. It is the expression of a simpler time than ours, and perhaps a more plain-speaking one. Yet its art was at least as sophisticated as the modern worlds. The clarity and concentration of meaning in the brilliantly alliterated half-lines can never be properly reconstructed. But a suggestion of that force and beauty, together with an underlying sense of the inexorable, may always be rediscovered. In the knock and flow of the lines, too, one can sense the poetry of a sea-faring nation. The nation is not England or Sweden or Denmark. It is an intermingled part of Northern Europe using the West Saxon dialect of the language in England to convey a mix of Scandinavian history and Teutonic legend. In this evocative transcreation the reader may come, no doubt as did the early listeners, to a simple truth behind the medley of international borders: the inevitable journey of the universal human.

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This volume presents a kind of anticipated companion volume to the HBS edition of the Directorium Sacerdotum, a variety of ordinal or directory, which was privately compiled by Clement Maydeston, who though a priest held formally the post of "deacon" at the Brigittine Abbey of Syon, Middlesex (c. 1390-1456). Despite these origins, the compilation acquired a de facto official status. The Directorium Sacerdotum itself was published as volumes 20 and 22. The Directorium aimed in part at providing calendrical and rubrical solutions for those observing the Sarum Use. It did this by making a distinction between the practice of the Salisbury cathedral chapter andthe practice that could reasonably be required from the many others in England who followed in general the Sarum Use. Maydeston's position was that outside the Salisbury chapter it was reasonable to make modifications to meet local conditions and calendars. This was deemed unacceptable by some, who maintained that the practice observed at Salisbury itself should be followed everywhere. This line of argument ignored the fact that in any case there were contradictions between the existing manuscript drafts of the Sarum ordinal and the rubrics of the liturgical books. The edition focuses in particular on two printed texts which offer Maydeston's defence. The first is the Defensorium Directorii Sacerdotum printed in successive editions of the Directorium Sacerdotum by Wynkyn de Worde in 1495 . The second is the text Crede Michi, a longer and more considered rubrical tract compiled byMaydeston but incorporating rubrical adjudications made by the Salisbury canons c. 1440-1450, and partly based on an earlier work by one John Raynton. The text given is that printed by Wynkyn de Worde in the quarto of 1495.

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Exploring the medieval heritage of Aberdeenshire and Moray, the essays in this volume contain insights and recent work presented at the British Archaeological Association Conference of 2014, based at Aberdeen University. The opening, historical chapters establish the political, economic and administrative context of the region, looking at both the secular and religious worlds and include an examination of Elgin Cathedral and the bishops’ palaces. The discoveries at the excavations of the kirk of St Nicholas, which have revealed the early origins of religious life in Aberdeen city, are summarized and subsequent papers consider the role of patronage. Patronage is explored in terms of architecture, the dramas of the Reformation and its aftermath highlighted through essentially humble parish churches, assailed by turbulent events and personalities. The collegiate church at Cullen, particularly its tomb sculpture, provides an unusually detailed view of the spiritual and dynastic needs of its patrons. The decoration of spectacular ceilings, both carved and painted, at St Machar’s Cathedral, Provost Skene’s House and Crathes Castle, are surveyed through the eyes of their patrons and the viewers below. Saints and religious devotion feature in the last four chapters, focusing on the carved wooden panels from Fetteresso, which display both piety and a rare glimpse of Scottish medieval carnal humour, the illuminated manuscripts from Arbuthnott, the Aberdeen Breviary and Historia Gentis Scotorum.The medieval artistic culture of north-east Scotland is both battered by time and relatively little known. With discerning interpretation, this volume shows that much high-quality material still survives, while the lavish illustrations restore some glamour to this lost medieval world.

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This book provides a full-scale interpretation of Marianne Moore's poetry and prose, starting with her early experiments and exploring the range and variety of her artistic achievement. It portrays the self-discipline and the fidelity to experience that were the source of her originality. Laurence Stapleton's study of unpublished manuscripts, including notebooks, drafts of poems, and correspondence, supports her account of Marianne Moore's progress in the mastery of form. Her methods of work in the early satires, in the more openly constructed poems of the 1930s, and in the major ones of World War II, emerge in the context of her life as a professional writer. The spontaneity and inventiveness of her later books resulted from her La Fontaine translation and her response to music, to painting, and to the changing American scene. Constantly in view are Marianne Moore's literary relationships with Ezra Pound, T. S. Eliot, Wallace Stevens, and William Carlos Williams, as well as her appeal to a large circle of readers that made her become "New York's laureate." The insight that may be gained from this book should bring a better understanding of her accomplishment and of her place in American literature. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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First critical edition of articles XXV–XXVII of the Summa (Quaestiones ordinariae) of Henry of GhentDas Buch bietet die erste kritische Edition der Artikel XXV-XXVII der Summa (Quaestiones ordinariae) des Heinrich von Gent. Dabei leistet es einen Beitrag zur Geschichte der Formen und Pfade der Ideenvermittlung im Mittelalter und zur mittelalterlichen Buchkultur.Die Kollationierung der Handschriften der Artikel XXV-XXVII und die Untersuchung ihrer materiellen Überlieferung haben der Editorin erlaubt, den Prozess der Ausarbeitung, Publikation und Verbreitung einer Portion von Heinrichs Summa über einen längeren Zeitraum in großer Detailgenauigkeit zu rekonstruieren.Die hier edierten Artikel enthalten ein Kernstück von Heinrichs theologischem und metaphysischem System. In der Behandlung von Einheit, Natur und Leben Gottes entfalten sie eine rationale Darstellung des ersten Prinzips. This book offers the first critical edition of articles XXV–XXVII of the Summa (Quaestiones ordinariae) of Henry of Ghent. At the same time, it contributes to our understanding of the forms and trajectories through which ideas were transmitted throughout the Middle Ages and to medieval book culture.Collating the manuscripts of articles XXV–XXVII and studying their material tradition allowed the editor to reconstruct in great detail how a portion of Henry’s Summa was prepared, published and disseminated over a considerable number of years.The primary text presents an authoritative overview of Henry's theological and metaphysical system. In dealing with the unity, nature, and life of God, it unfolds a rational explanation of the first principle.This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

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Written and illustrated in 1973 by one of South Africa's most famous artists, Gerard Sekoto, Shorty and Billy Boy is a book for children as well as art lovers and collectors. The manuscript formed part of a private collection of Sekoto's sketches, artworks, letters and memoirs repatriated to South Africa from France. The story was clearly written and illustrated as a personal exercise and possibly a sentimental souvenir of his own childhood memories, but has not been published until now. Sekoto may well have composed it as a gift for children of friends, as he was often engaged in making greeting cards with accompanying illustrations. There are other unfinished stories and musical compositions in the estate collection, but Shorty and Billy Boy is the most complete. Shorty and Billy Boy tells the tale of two troublesome dogs whose thieving ways take them to the far-away town of Porcupine Hills. Here they meet all sorts of interesting characters, but continue their mischief until Billy Boy is caught red-handed and sent to jail. Here he dreams about the kindness of others, and comes to realise that good deeds are the true measure of freedom. The Gerard Sekoto Foundation has approved a number of editorial changes made to Sekoto's original text, where the aim has been to preserve the integrity and flavour of the unpublished story, while making it more accessible to present-day readers. The South African context of the tale has been accentuated, and obsolete language and minor inconsistencies have been removed. The result is a timeless and engaging story that retains Sekoto's unique spirit and imagination.

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If you never have enough room for notes in your Bible, this is your answer.The NKJV Interleaved Bible, Journal Edition is the ultimate scripture journaling experience. Following a historic practice of placing blank pages throughout the entire Bible, it allows you to record study notes, prayers, observations from the Bible, sermon notes, and the story of your spiritual growth.Trusted by millions of believers around the world, the New King James Version (NKJV) remains a bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the NKJV translators relied on the traditional Greek, Hebrew, and Aramaic text used for the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.Features include: Presentation page allows you to personalize this special gift by recording a memory or note Traditional double column Scripture text for a clean reading experience A blank page inserted between each page of Scripture provides space to reflect, journal or create art next to your favorite verses 2 double-faced satin ribbons allow you to easily navigate and keep track of where you were reading Words of Christ in red quickly identify verses spoken by Jesus Sturdy 45gsm paper limits bleed through ideal for taking notes in your Bible Clear and readable 9-point NKJV Comfort Print

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If you never have enough room for notes in your Bible, this is your answer.The NKJV Interleaved Bible, Journal Edition is the ultimate scripture journaling experience. Following a historic practice of placing blank pages throughout the entire Bible, it allows you to record study notes, prayers, observations from the Bible, sermon notes, and the story of your spiritual growth.Trusted by millions of believers around the world, the New King James Version (NKJV) remains a bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the NKJV translators relied on the traditional Greek, Hebrew, and Aramaic text used for the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.Features include: Presentation page allows you to personalize this special gift by recording a memory or note Traditional double column Scripture text for a clean reading experience A blank page inserted between each page of Scripture provides space to reflect, journal or create art next to your favorite verses 2 double-faced satin ribbons allow you to easily navigate and keep track of where you were reading Words of Christ in red quickly identify verses spoken by Jesus Sturdy 45gsm paper limits bleed through ideal for taking notes in your Bible Clear and readable 9-point NKJV Comfort Print

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Rufinus' vivid account of the battle between the Eastern Emperor Theodosius and the Western usurper Eugenius by the River Frigidus in 394 represents it as the final confrontation between paganism and Christianity. It is indeed widely believed that a largely pagan aristocracy remained a powerful and active force well into the fifth century, sponsoring pagan literary circles, patronage of the classics, and propaganda for the old cults in art and literature. The main focus of much modern scholarship on the end of paganism in the West has been on its supposed stubborn resistance to Christianity. The dismantling of this romantic myth is one of the main goals of Alan Cameron's book. Actually, the book argues, Western paganism petered out much earlier and more rapidly than hitherto assumed. The subject of this book is not the conversion of the last pagans but rather the duration, nature, and consequences of their survival. By re-examining the abundant textual evidence, both Christian (Ambrose, Augustine, Jerome, Paulinus, Prudentius) and "pagan" (Claudian, Macrobius, and Ammianus Marcellinus), as well as the visual evidence (ivory diptychs, illuminated manuscripts, silverware), Cameron shows that most of the activities and artifacts previously identified as hallmarks of a pagan revival were in fact just as important to the life of cultivated Christians. Far from being a subversive activity designed to rally pagans, the acceptance of classical literature, learning, and art by most elite Christians may actually have helped the last reluctant pagans to finally abandon the old cults and adopt Christianity. The culmination of decades of research, The Last Pagans of Rome overturns many long-held assumptions about pagan and Christian culture in the late antique West.

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The iconic Periodic Table of the Elements is now in its most satisfyingly elegant form. This is because all the 'gaps' corresponding to missing elements in the seventh row, or period, have recently been filled and the elements named. But where do these names come from? For some, usually the most recent, the origins are quite obvious, but in others - even well-known elements such as oxygen or nitrogen - the roots are less clear. Here, Peter Wothers explores the fascinating and often surprising stories behind how the chemical elements received their names. Delving back in time to explore the history and gradual development of chemistry, he sifts through medieval manuscripts for clues to the stories surrounding the discovery of the elements, showing how they were first encountered or created, and how they were used in everyday lives. As he reveals, the oldest-known elements were often associated with astronomical bodies, and connections with the heavens influenced the naming of a number of elements. Following this, a number of elements, including hydrogen and oxygen, were named during the great reform of chemistry, set amidst the French Revolution. While some of the origins of the names were controversial (and indeed incorrect - some saying, for instance, that oxygen might be literally taken to mean 'the son of a vinegar merchant'), they have nonetheless influenced language used around the world to this very day. Throughout, Wothers delights in dusting off the original sources, and bringing to light the astonishing, the unusual, and the downright weird origins behind the names of the elements so familiar to us today.

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The finest books produced during the quarter century prior to the outbreak of the Great War were almost invariably printed by the private presses, but post-war, with the development of new technology, the accolade of excellence passed into the hands of a small number of commercial firms, with the Curwen Press very much to the fore. Like those earlier printers, Harold Curwen was inspired by the Morrisian ideal, but he did not adhere to the tenet that 'hand made' was necessarily better than 'machine made', which led him to become one of the pioneering figures in the technical revolution that transformed the printing industry. Harold Curwen joined the family firm in 1908 and by 1916 had instigated a general replanning of the works and, aided by the wartime staff shortage, felt able to push ahead with the installation of modern machinery. He was in the forefront of the development of offset lithography, which ensured that the Curwen Press would be in the vanguard of fine colour printing throughout the next decade. Harold also pioneered, as far as England was concerned, the pochoir technique of hand-stencilling. 1922 was the beginning of the Curwen Press's golden decade, during which it produced The Woodcutter's Dog, the English language edition of Julius Meier-Graefe's two volume biography of Van Gogh for the Medici Society, the exhibition catalogue of books and manuscripts for The First Edition Club, Goldoni's Four Comedies and the delightful little pocket engagement book, The Four Seasons, illustrated by Albert Rutherston. Rutherston was later to illustrate Thomas Hardy's Yuletide in a Younger World, the first of the Ariel Poems for Faber & Gwyer which were to become a feature of the collaboration between the two firms. In addition there was the 'Safety First' Calendar, adorned with Lovat Fraser's cautionary illustrations. Following restructuring in 1933 the Curwen Press had a further forty years of distinguished work ahead both in the printing of books, particularly those illustrated by Barnett Freedman, as well as jobbing work, including some of the finest posters for the London Underground by Bawden, Wadsworth, John Banting, Betty Swanwick, Barnett Freedman and others. The Design series is the winner of the Brand/Series Identity Category at the British Book Design and Production Awards 2009, judges said: "A series of books about design, they had to be good and these are. The branding is consistent, there is a good use of typography and the covers are superb." Also available: Claud Lovat Fraser ISBN: 9781851496631 GPO ISBN: 9781851495962 Peter Blake ISBN: 9781851496181 FHK Henrion ISBN: 9781851496327 David Gentleman ISBN: 9781851495955 David Mellor ISBN: 9781851496037 E.McKnight Kauffer ISBN: 9781851495207 Edward Bawden and Eric Ravilious ISBN: 9781851495009 El Lissitzky ISBN: 9781851496198 Festival of Britain 1951 ISBN: 9781851495337 Jan Le Witt and George Him ISBN: 9781851495665 Paul Nash and John Nash ISBN: 9781851495191 Rodchenko ISBN: 9781851495917 Abram Games ISBN: 9781851496778

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Rudolf Steiner's architectural masterpiece, the double-domed building known as the first Goetheanum, featured decorated ceilings that were designed and partly painted by Steiner himself, utilizing vegetable colors and a new layering technique. Steiner emphasized that he was seeking a new artistic conception based on a conscious understanding of the nature of color. Contemporaries report the extraordinary effect of the domed ceilings' paintings combined with the multicolored light emanating from the engraved glass windows. The cupolas depicted the creation and ages of the world, the initiators of the various cultural epochs and the figure of Christ. Tragically, the 'complete work of art' that was the first Goetheanum burned down on New Year's Eve 1922 - so today we can only get an impression of the lost paintings and windows from Rudolf Steiner's pastel sketches and drawings and a handful of photographs. In this lavish volume, the result of decades of research and study, Hilde Raske provides a detailed examination of the artistic work on the two cupolas, including Rudolf Steiner's draft sketches and his written and verbal statements. Featuring 30 color and more than 100 black-and-white illustrations, this printing is a high-quality facsimile of the long out-of-print original edition from 1983. HILDE RASKE, an artist and eurythmist, worked and experimented for many years to understand Rudolf Steiner's art and use of color. Raske grew so familiar with his unique works that she could vividly and clearly describe every detail. She referred to Steiner's artworks as 'events' in color and light-and-dark, with living colors that 'spoke' to her. It is said that, in the course of the many years preparing the manuscript for The Language of Color in the First Goetheanum, she would remark: 'I can hear my paintings. And if I don't hear them, then they're just not quite right yet.'

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"Albert Wertheim's study of Fugard's plays is both extremely insightful and beautifully written—a book that held my attention from beginning to end. It was a pleasure to read! Wertheim succeeds in communicating the greatness of Fugard as a playwright, actor, and director. He also conveys well what Fugard has learned from other plays and dramatists. Thus, he places Fugard's works not so much in a South African context as in a theatrical context. He also illuminates his interpretations with the help of Fugard's manuscripts, previously available only in South Africa. This book is aimed not only at teachers, students, scholars, and performers of Fugard but also at the person who simply loves going to see a Fugard play at the theatre.—Nancy Topping Bazin, Eminent Scholar and Professor Emeritus, Old Dominion UniversityConsidered one of the most brilliant, powerful, and theatrically astute of modern dramatists, South African playwright Athol Fugard is best known for The Blood Knot,"MASTER HAROLD" . . . and the boys, A Lesson from Aloes, and Sizwe Bansi Is Dead. The energy and poignancy of Fugard's work have their origins in the institutionalized racism of his native South Africa, and more recently in the issues facing a new South Africa after apartheid. In The Dramatic Art of Athol Fugard, Albert Wertheim analyzes the form and content of Fugard's dramas, showing that they are more than a dramatic chronicle of South African life and racial problems. Beginning with the specifics of his homeland, Fugard's plays reach out to engage more far-reaching issues of human relationships, race and racism, and the power of art to evoke change. The Dramatic Art of Athol Fugard demonstrates how Fugard's plays enable us to see that what is performed on stage can also be performed in society and in our lives; how, inverting Shakespeare, Athol Fugard makes his stage the world.

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THE BRAND NEW BLOCKBUSTER NOVEL WITH THE HIGH-STAKES THRILLS OF SLOW HORSES AND THE ADRENALINE-SOAKED EXCITEMENT OF BOX 88**SUNDAY TIMES THRILLER OF THE MONTH**'A breathtaking thriller. A classic in the making' PETER JAMES'A shot in the arm for thriller fans' THE TIMES'Hugely impressive and compelling' WILLIAM BOYD'Look out for The Scarlet Papers . . . Engrossing' STEVE CAVANAGH'The most impressive espionage debut since Mick Herron's Slow Horses' DAILY MAIL'Magnificent' LITERARY REVIEW'Superbly constructed and written with flair. This might be the best spy novel of the year' SUNDAY TIMES'The Cold War is given a new twist ... Impressive, superior spy stuff' SHOTS MAGAZINE___________VIENNA, 1946: A brilliant German scientist snatched from the ruins of Nazi Europe.MOSCOW, 1964: A US diplomat caught in a clandestine love affair as the Cold War rages.RIGA, 1992: A Russian archivist selling secrets that will change the twentieth century forever.LONDON, THE PRESENT DAY: A British academic on the run with the chance to solve one of history's greatest mysteries.Their stories, their lives, and the fate of the world are bound by a single manuscript. A document feared and whispered about in capitals across the globe. In its pages, history will be rewritten. It is only ever known as . . .THE SCARLET PAPERSThe devastating secrets contained within teased by a brief invitation:Tomorrow 11AM. Take a cab and pay in cash. Tell no one.___________'Smart, slick and totally gripping . . . The Scarlet Papers is always credible, always startling and almost painfully human. A total triumph' TONY PARSONS'A masterpiece' TIM GLISTER'Grand in scope and packed with fascinating insights' MICK HERRON'An extraordinary novel' HOLLY WATT'Addictive, original and outrageously entertaining . . . Matthew Richardson proves himself a writer of huge talent and skill' CHARLOTTE PHILBY'An epic read!' JEREMY DUNS

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Known: A Study of the Good Shepherd is a 10–week Bible study with a strong exegetical bent and a touch of devotion. In it, the reader is taken on a journey to encounter our great Shepherd by using the framework of Psalm 23, layered with other passages of scripture that reveal the Lord as our Shepherd. The reader studies the text to first discover what it tells us about the Lord through observation and interpretation. The goal of the study is for the reader to be able to discover what the Biblical text means to her own life, in light of who God is and what He has done, with application coming after sound observation and interpretation because the Bible is first and foremost about God! The first week of the study is a straight–forward Biblical theology outline on the theme of the Lord as our Shepherd, in which the reader uncovers this theme from the front cover of the Bible to the back. She is invited to spend as much or as little time as her schedule allows in completing this overview, and an appendix with a sample outline is included at the end of the manuscript. The second week of Known ushers in our exegetical studies as we dig deeply into Psalm 23. Each subsequent week contains a study of a different passage of the Bible that correlates with a specific verse of Psalm 23 and highlights an aspect of our Shepherd that is discovered in the psalm. The homework questions assist the reader in studying each of these selections verse–by–verse. We study John 10 to see how Jesus is the Shepherd, we look at Ezekiel 34:11–31 to learn about the pasture provided to us by our Shepherd, we delve into Psalm 30 to discuss restoration by the Shepherd, and we discover our righteousness found in the Shepherd in Romans 4:13–5:2. The study also covers suffering as a follower of the Shepherd as seen in 1 Peter 4:12–5:11, comfort found in the Shepherd with Isaiah 40, the preparation and blessing of the Shepherd which we will study in John 14, and our eternal hope in the Shepherd as we unpack Revelation 21:1–22:5.

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The first biography of Henry and Emily Folger, who acquired the largest and finest collection of Shakespeare in the world.In Collecting Shakespeare, Stephen H. Grant recounts the American success story of Henry and Emily Folger. Shortly after marrying in 1885, the Folgers started buying, cataloging, and storing all manner of items about Shakespeare and his era. Emily earned a master's degree in Shakespeare studies. The frugal couple worked passionately as a tight-knit team during the Gilded Age, financing their hobby with the fortune Henry earned as president of Standard Oil Company of New York, where he was a trusted associate of John D. Rockefeller Sr.While a number of American universities offered to house the collection, the Folgers wanted to give it to the American people. Afraid the price of antiquarian books would soar if their names were revealed, they secretly acquired prime real estate on Capitol Hill near the Library of Congress. They commissioned the design and construction of an elegant building with a reading room, public exhibition hall, and the Elizabethan Theatre. The Folger Shakespeare Library was dedicated on the Bard's birthday on April 23, 1932.The library houses 82 First Folios, 277,000 books, and 60,000 manuscripts. It welcomes more than 100,000 visitors a year and provides professors, scholars, graduate students, and researchers from around the world with access to the collections. It is also a vibrant center in Washington, DC, for cultural programs, including theater, concerts, lectures, and poetry readings. With unprecedented access to the primary sources within the Folger vault, Grant draws on interviews with surviving Folger relatives and visits to 35 related archives in the United States and in Britain to create a portrait of the remarkable couple who ensured that Shakespeare would have a beautiful home in America.

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Der vorliegende Kommentar baut auf den neueren Erkenntnissen zur Textgeschichte des Jeremiabuches auf, die sich aus den Manuskriptfunden in Qumran und der davon angeregten Neubewertung der antiken Übersetzung des Buches ins Griechische (Jeremia-Septuaginta) ergeben. Hermann-Josef Stipp rekonstruiert auf dieser Grundlage die Entstehung der zweiten Hälfte des Buches und legt die Einzeltexte vor dem Hintergrund der turbulenten und tief traumatisierenden Geschichte Judas rund um das babylonische Exil im 6. Jahrhundert v. Chr. aus. Dabei ergeben sich zwei Wachstumskerne der Kapitel 25-52: die Fremdvölkersprüche Kap. *46-49,33, die ursprünglich in der Buchmitte angeordnet waren, und das "babylonische Jeremiabuch" Kap. *26-44, komponiert von einem deuteronomistischen Redaktor im babylonischen Exil. Von diesen Wurzeln wuchs das Buch in mehreren Schüben bis wohl ins 3. Jahrhundert v. Chr. zu seiner kanonischen hebräischen Textgestalt heran. Die Einzeltexte des Buchteils spiegeln vor allem die leidenschaftlichen theologischen Kontroversen wider, die die Krisen des 6. Jahrhunderts unter den Judäern auslösten: die von dem Propheten Jeremia als gottgewollt propagierte Übermacht des babylonischen Reiches unter dessen König Nebukadnezzar II.; dann die totale militärische Niederlage mit der Zerstörung Jerusalems und des Tempels sowie dem Verlust des Königtums und der Eigenstaatlichkeit im Jahr 587; die Deportationen von Menschen und Tempelgeräten ins Exil; schließlich die Versuche zur politischen und religiösen Neukonsolidierung unter wenig ermutigenden Umständen ab dem Beginn der Perserherrschaft 539.

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Letters played a foundational role in facilitating the rise of print and popularizing new modes of writing in the long eighteenth century.In Writing to the World, Rachael Scarborough King examines the shift from manuscript to print media culture in the long eighteenth century. She introduces the concept of the “bridge genre,” which enables such change by transferring existing textual conventions to emerging modes of composition and circulation. She draws on this concept to reveal how four crucial genres that emerged during this time—the newspaper, the periodical, the novel, and the biography—were united by their reliance on letters to accustom readers to these new forms of print media.King explains that as newspapers, scientific journals, book reviews, and other new genres began to circulate widely, much of their form and content was borrowed from letters, allowing for easier access to these unfamiliar modes of printing and reading texts. Arguing that bridge genres encouraged people to see themselves as connected by networks of communication—as members of what they called “the world” of writing—King combines techniques of genre theory with archival research and literary interpretation, analyzing canonical works such as Addison and Steele’s Spectator, Samuel Johnson’s Lives of the Poets, and Jane Austen’s Northanger Abbey alongside anonymous periodicals and the letters of middle-class housewives. This original and groundbreaking work in media and literary history offers a model for the process of genre formation. Ultimately, Writing to the World is a sophisticated look at the intersection of print and the public sphere.

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Charles Darwin is often credited with discovering evolution through natural selection, but the idea was not his alone. The naturalist Alfred Russel Wallace, working independently, saw the same process at work in the natural world and elaborated much the same theory. Their important scientific contributions made both men famous in their lifetimes, but Wallace slipped into obscurity after his death, while Darwin’s renown grew. Dispelling the misperceptions that continue to paint Wallace as a secondary figure, James Costa reveals the two naturalists as true equals in advancing one of the greatest scientific discoveries of all time.Analyzing Wallace’s “Species Notebook,” Costa shows how Wallace’s methods and thought processes paralleled Darwin’s, yet inspired insights uniquely his own. Kept during his Southeast Asian expeditions of the 1850s, the notebook is a window into Wallace’s early evolutionary ideas. It records his evidence-gathering, critiques of anti-evolutionary arguments, and plans for a book on “transmutation.” Most important, it demonstrates conclusively that natural selection was not some idea Wallace stumbled upon, as is sometimes assumed, but was the culmination of a decade-long quest to solve the mystery of the origin of species.Wallace, Darwin, and the Origin of Species also reexamines the pivotal episode in 1858 when Wallace sent Darwin a manuscript announcing his discovery of natural selection, prompting a joint public reading of the two men’s papers on the subject. Costa’s analysis of the “Species Notebook” shines a new light on these readings, further illuminating the independent nature of Wallace’s discoveries.

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In Virgin Whore, Emma Maggie Solberg uncovers a surprisingly prevalent theme in late English medieval literature and culture: the celebration of the Virgin Mary’s sexuality. Although history is narrated as a progressive loss of innocence, the Madonna has grown purer with each passing century. Looking to a period before the idea of her purity and virginity had ossified, Solberg uncovers depictions and interpretations of Mary, discernible in jokes and insults, icons and rituals, prayers and revelations, allegories and typologies—and in late medieval vernacular biblical drama. More unmistakable than any cultural artifact from late medieval England, these biblical plays do not exclusively interpret Mary and her virginity as fragile. In a collection of plays known as the N-Town manuscript, Mary is represented not only as virgin and mother but as virgin and promiscuous adulteress, dallying with the Trinity, the archangel Gabriel, and mortals in kaleidoscopic erotic combinations. Mary’s "virginity" signifies invulnerability rather than fragility, redemption rather than renunciation, and merciful license rather than ascetic discipline. Taking the ancient slander that Mary conceived Jesus in sin as cause for joyful laughter, the N-Town plays make a virtue of those accusations: through bawdy yet divine comedy, she redeems and exalts the crime. By revealing the presence of this promiscuous Virgin in early English drama and late medieval literature and culture—in dirty jokes told by Boccaccio and Chaucer, Malory’s Arthurian romances, and the double entendres of the allegorical Mystic Hunt of the Unicorn—Solberg provides a new understanding of Marian traditions.

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This biography evokes the pervasive importance of religion to Queen Victoria's life but also that life's centrality to the religion of Victorians around the globe. The first comprehensive exploration of Victoria's religiosity, it shows how moments in her life--from her accession to her marriage and her successive bereavements--enlarged how she defined and lived her faith. It portrays a woman who had simple convictions but a complex identity that suited her multinational Kingdom: a determined Anglican who preferred Presbyterian Scotland; an ardent Protestant who revered her husband's Lutheran homeland but became sympathetic towards Roman Catholicism and Islam; a moralizing believer in the religion of the home who scorned Sabbatarianism. Drawing on a systematic reading of her journals and a rich selection of manuscripts from British and German archives, Michael Ledger-Lomas sheds new light not just on Victoria's private beliefs but also on her activity as a monarch, who wielded her powers energetically in questions of church and state. Unlike a conventional biography, this book interweaves its account of Victoria's life with a panoramic survey of what religious communities made of it. It shows how different churches and world religions expressed an emotional identification with their Queen and Empress, turning her into an embodiment of their different and often rival conceptions of what her Empire ought to be. The result is a fresh vision of a familiar life, which also explains why monarchy and religion remained close allies in the nineteenth-century British world.

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The elegant Bible you'll keep coming back to because it's so easy to read and use.Enjoy the beautiful New King James Version in a traditional Scripture design optimized to help you quickly navigate through the Bible. The 2-column text employs a verse-by-verse—or verse-style—setting, which means that each verse starts on its own line, making them a snap to find. The large print text is easy to read, and the blue headings and verse numbers stand out while providing a restful, thoroughly enjoyable Scripture-reading experience. With over 72,000 cross references and the complete set of NKJV translator notes, this Bible gives you the tools you'll need to dive deeply into God's Word for yourself.Features include: Verse-style Scripture format starts each verse on its own line so it’s easy to navigate the text Premium Bible paper in opaque white creates a high contrast with the black text, improving readability Words of Christ in black for a reading experience that is easy on your eyes throughout Scripture Ultra-flexible sewn binding lays flat in your hand or on your desk End of page cross references allow you to find related passages quickly and easily Wide double-faced satin ribbons help keep track of where you were reading Full color maps show a visual representation of Israel and other biblical locations for better context Clear and readable 10.5-point NKJV Comfort Print Trusted by millions of believers around the world, the NKJV remains a bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translator’s relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.

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The elegant Bible you'll keep coming back to because it's so easy to read and use.Enjoy the beautiful New King James Version in a traditional Scripture design optimized to help you quickly navigate through the Bible. The 2-column text employs a verse-by-verse—or verse-style—setting, which means that each verse starts on its own line, making them a snap to find. The large print text is easy to read, and the blue headings and verse numbers stand out while providing a restful, thoroughly enjoyable Scripture-reading experience. With over 72,000 cross references and the complete set of NKJV translator notes, this Bible gives you the tools you'll need to dive deeply into God's Word for yourself.Features include: Verse-style Scripture format starts each verse on its own line so it’s easy to navigate the text Premium Bible paper in opaque white creates a high contrast with the black text, improving readability Words of Christ in black for a reading experience that is easy on your eyes throughout Scripture Ultra-flexible sewn binding lays flat in your hand or on your desk End of page cross references allow you to find related passages quickly and easily Wide double-faced satin ribbons help keep track of where you were reading Full color maps show a visual representation of Israel and other biblical locations for better context Clear and readable 10.5-point NKJV Comfort Print Trusted by millions of believers around the world, the NKJV remains a bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translator’s relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.

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Two thousand years ago, according to the Bible, a star rose low in the east and stopped high above Bethlehem. Was it a miracle, a sign from God to herald the birth of Christ? Was there a star at all, or was it simply added to the Bible to fulfill the Old Testament prophecy concerning the birth of the Messiah? Or was the Star of Bethlehem an actual astronomical event? For hundreds of years, astronomers as prominent as Johannes Kepler have sought an answer to this last baffling question. In The Star of Bethlehem, Mark Kidger brings all the tools of modern science, years of historical research, and an infectious spirit of inquiry to bear on the mystery. He sifts through an astonishing variety of ideas, evidence, and information--including Babylonian sky charts, medieval paintings, data from space probes, and even calculations about the speed of a camel--to present a graceful, original, and scientifically compelling account of what it may have been that illuminated the night skies two millennia ago. Kidger begins with the stories of early Christians, comparing Matthew's tale of the Star and the three Magi who followed it to Bethlehem with lesser-known accounts excluded from the Bible. Crucially, Kidger follows the latest biblical scholarship in placing Christ's birth between 7 and 5 B.C., which leads him to reject various phenomena that other scientists have proposed as the Star. In clear, colorful prose, he then leads us through the arguments for and against the remaining astronomical candidates. Could the Star have been Venus? What about a meteor or a rare type of meteor shower? Could it have been Halley's Comet, as featured in Giotto's famous painting of the Nativity? Or, as Kidger suspects, was the Star a combination of events--a nova recorded in ancient Chinese and Korean manuscripts preceded by a series of other events, including an unusual triple conjunction of planets? Originally published in 1999. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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This book contains two parts. The first part, Chapters 1 to 14 provide a systematic insight into key aspects of gifted students starting from different approaches to defining giftedness, then identifying the gifted, their role in the society, gender differences, socio-emotional development, mentoring gifted students, creating an optimal environment for their development, evaluating the work of the gifted, underachievement of the gifted, methods and programs of working with the gifted, use of modern technologies in teaching gifted students, and training of teachers to work with the gifted population. The second part of the manuscript includes a case study, or empirical research on the development of students gifted in mathematics. The research method is explained first, including a description of the participants and data collection instruments. The research conducted is a case study showing the development of gifted mathematicians both in schools and in the family environment, from early childhood to higher education. The research includes many factors in the family environment such as: socio-economic and educational status of parents, learning conditions, number of children in the family, parents' assistance with school obligations, parents' reaction to children's successes and failures, punishment, etc. The research also includes many in-school factors that could have a positive or negative, motivating or restraining effect on the development of the mathematical gift of the respondents. Some of these factors are: identification of the gifted, methods of working with them, rewards, punishments, programs of working with them, teacher-student relations, and the like. In addition to the development of respondents in the family and school environments, their motivation was also investigated. Based on the interviews conducted with the respondents, the factors that induced our respondents to develop into mathematically gifted students were presented. The development of students gifted in mathematics is also described on the basis of the analysis of their pedagogical documentation, through which their abilities outside mathematics were determined, along with whether there were any crucial moments that had a positive or negative effect on them, i.e. their mathematical development. Finally, the results of the research were summarized and the factors that could have contributed to the mathematical gift of the respondents were listed. Moreover, certain recommendations are given to parents and teachers for more efficient work with the gifted population.

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In November 1838, Frédéric Chopin, George Sand, and her two children sailed to Majorca to escape the Parisian winter. They settled in an abandoned monastery at Valldemossa in the mountains above Palma where Chopin finished what would eventually be recognized as one of the great and revolutionary works of musical Romanticism: his twenty-four Preludes. There was scarcely a decent piano on the island (these were still early days in the evolution of the modern instrument), so Chopin worked on a small pianino made by a local craftsman, Juan Bauza, which remained in their monastic cell for seventy years after he and Sand had left. Chopin’s Piano traces the history of Chopin’s twenty-four Preludes through the instruments on which they were played, the pianists who interpreted them, and the traditions they came to represent. Yet it begins and ends with the Majorcan pianino, which assumed an astonishing cultural potency during the Second World War as it became, for the Nazis, a symbol of the man and music they were determined to appropriate as their own. After Chopin, the unexpected hero of Chopin’s Piano is the great keyboard player Wanda Landowska, who rescued the pianino from Valldemossa in 1913, and who would later become one of the most influential artistic figures of the twentieth century. Paul Kildea shows how her story—a compelling account based for the first time on her private papers—resonates with Chopin’s, simultaneously distilling part of the cultural and political history of mid-twentieth century Europe and the United States. After Landowska’s flight to America from Paris, which the Germans would occupy only days later, her possessions—including her rare music manuscripts and beloved keyboards—were seized by the Nazis. Only some of these belongings survived the war; those that did were recovered by the Allied armies’ Monuments Men and restituted to Landowska’s house in France. In scintillating prose, and with an eye for exquisite detail, Kildea beautifully interweaves these narratives, which comprise a journey through musical Romanticism—one that illuminates how art is transmitted, interpreted, and appropriated between generations.

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More than a quarter-century after his death, James Baldwin remains an unparalleled figure in American literature and African American cultural politics. In Who Can Afford to Improvise? Ed Pavlić offers an unconventional, lyrical, and accessible meditation on the life, writings, and legacy of James Baldwin and their relationship to the lyric tradition in black music, from gospel and blues to jazz and R&B. Based on unprecedented access to private correspondence, unpublished manuscripts and attuned to a musically inclined poet’s skill in close listening, Who Can Afford to Improvise? frames a new narrative of James Baldwin’s work and life. The route retraces the full arc of Baldwin’s passage across the pages and stages of his career according to his constant interactions with black musical styles, recordings, and musicians. Presented in three books — or movements — the first listens to Baldwin, in the initial months of his most intense visibility in May 1963 and the publication of The Fire Next Time. It introduces the key terms of his lyrical aesthetic and identifies the shifting contours of Baldwin’s career from his early work as a reviewer for left-leaning journals in the 1940s to his last published and unpublished works from the mid-1980s. Book II listens with Baldwin and ruminates on the recorded performances of Billie Holiday and Dinah Washington, singers whose message and methods were closely related to his developing world view. It concludes with the first detailed account of “The Hallelujah Chorus,” a performance from July 1, 1973, in which Baldwin shared the stage at Carnegie Hall with Ray Charles. Finally, in Book III, Pavlić reverses our musically inflected reconsideration of Baldwin’s voice, projecting it into the contemporary moment and reading its impact on everything from the music of Amy Winehouse, to the street performances of Turf Feinz, and the fire of racial oppression and militarization against black Americans in the 21st century. Always with an ear close to the music, and avoiding the safe box of celebration, Who Can Afford to Improvise? enables a new kind of “lyrical travel” with the instructive clarity and the open-ended mystery Baldwin’s work invokes into the world.

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This NKJV Large Print Thinline Bible is inviting to pick up and hard to put down. Unique to this edition, the words of Christ are highlighted in a restful blue ink that’s easy to read and colorblind-friendly.The slim design of the NKJV Large Print Thinline Reference Bible means you can bring it along, wherever your day takes you. This large print edition features Thomas Nelson’s NKJV Comfort Print®, designed to provide a smooth reading experience of the accurate and beautiful New King James Version. And with features including extensive cross-references, concordance, and full-color maps, you’ll still have the tools to get more out of God’s Word. Features include: Presentation page to personalize this special gift by recording a memory or a note Words of Christ in blue quickly identify verses spoken by Jesus Double column provides a nice readable flow of the text End-of-page cross-references and translator notes allow you to find related passages quickly and easily Concordance for finding a word’s occurrences throughout the Bible Full-color maps show a visual representation of Israel and other biblical locations for better context Durable Smyth-sewn binding lies flat in your hand or on your desk Two satin ribbon markers for you to easily navigate and keep track of where you are reading Elegant, gilded page-edge design Clear and readable 10-point NKJV Comfort Print About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.Trusted by millions of believers around the world, the NKJV remains a bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translator’s relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.

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This elegant Bible edition honors the beauty and richness of the New King James Version in a convenient portable size with essential study tools and traditional red-letter text for the Words of Christ.The New King James Version in the Sovereign Collection reflects the legacy and majesty of the King James Version Bible produced more than 400 years ago, but in language updated for today. This beautiful Bible, which contains design flourishes that pay tribute to the Bible produced in 1611, comes in a convenient portable size with essential study tools and traditional red-letter text for the Words of Christ.The Sovereign Collection continues Thomas Nelson's long history and stewardship publishing Bibles, featuring elegant letter illustrations leading into each chapter combined with clear and readable Comfort Print®, connects you to the legacy of faith, and inspires your time in the Word to be enjoyable and fruitful.Features include: Line-matched classic 2-column format for a comfortable reading experience Book introductions provide a concise overview of the background and historical context of the book about to be read Words of Christ in red help you quickly identify Jesus’ teachings and statements Extensive end-of-page cross references allow you to find related passages quickly and easily Translation notes provide a look into the thinking of the translators with alternative translations that could have been used and textual notes about manuscript variations Presentation page to personalize this special gift by recording a memory or a note Concordance for looking up a word’s occurrences throughout the Bible Full-color maps show a visual representation of Israel and other biblical locations for better context Two satin ribbon markers for you to easily navigate and keep track of where you were reading Gilded page edges help protect the edge of the page and provide a polished look Durable and flexible Smyth-sewn binding so the Bible will lay flat in your hand or on a desk Easy-to-read 9.5-point NKJV Comfort Print ®

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This elegant Bible edition honors the beauty and richness of the New King James Version in a convenient portable size with essential study tools and traditional red-letter text for the Words of Christ.The New King James Version in the Sovereign Collection reflects the legacy and majesty of the King James Version Bible produced more than 400 years ago, but in language updated for today. This beautiful Bible, which contains design flourishes that pay tribute to the Bible produced in 1611, comes in a convenient portable size with essential study tools and traditional red-letter text for the Words of Christ.The Sovereign Collection continues Thomas Nelson's long history and stewardship publishing Bibles, featuring elegant letter illustrations leading into each chapter combined with clear and readable Comfort Print®, connects you to the legacy of faith, and inspires your time in the Word to be enjoyable and fruitful.Features include: Line-matched classic 2-column format for a comfortable reading experience Book introductions provide a concise overview of the background and historical context of the book about to be read Words of Christ in red help you quickly identify Jesus’ teachings and statements Extensive end-of-page cross references allow you to find related passages quickly and easily Translation notes provide a look into the thinking of the translators with alternative translations that could have been used and textual notes about manuscript variations Presentation page to personalize this special gift by recording a memory or a note Concordance for looking up a word’s occurrences throughout the Bible Full-color maps show a visual representation of Israel and other biblical locations for better context Two satin ribbon markers for you to easily navigate and keep track of where you were reading Gilded page edges help protect the edge of the page and provide a polished look Durable and flexible Smyth-sewn binding so the Bible will lay flat in your hand or on a desk Easy-to-read 9.5-point NKJV Comfort Print ®

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This elegant Bible edition honors the beauty and richness of the New King James Version in a convenient portable size with essential study tools and traditional red-letter text for the Words of Christ.The New King James Version in the Sovereign Collection reflects the legacy and majesty of the King James Version Bible produced more than 400 years ago, but in language updated for today. This beautiful Bible, which contains design flourishes that pay tribute to the Bible produced in 1611, comes in a convenient portable size with essential study tools and traditional red-letter text for the Words of Christ.The Sovereign Collection continues Thomas Nelson's long history and stewardship publishing Bibles, featuring elegant letter illustrations leading into each chapter combined with clear and readable Comfort Print®, connects you to the legacy of faith, and inspires your time in the Word to be enjoyable and fruitful.Features include: Line-matched classic 2-column format for a comfortable reading experience Book introductions provide a concise overview of the background and historical context of the book about to be read Words of Christ in red help you quickly identify Jesus’ teachings and statements Extensive end-of-page cross references allow you to find related passages quickly and easily Translation notes provide a look into the thinking of the translators with alternative translations that could have been used and textual notes about manuscript variations Presentation page to personalize this special gift by recording a memory or a note Concordance for looking up a word’s occurrences throughout the Bible Full-color maps show a visual representation of Israel and other biblical locations for better context Two satin ribbon markers for you to easily navigate and keep track of where you were reading Gilded page edges help protect the edge of the page and provide a polished look Durable and flexible Smyth-sewn binding so the Bible will lay flat in your hand or on a desk Easy-to-read 9.5-point NKJV Comfort Print ®

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This volume comprises contributions from faculty and postdoctoral finalists of the 2011 New York Academy of Sciences Blavatnik Awards for Young Scientists. The Awards celebrate the excellence of some of the most promising young scientists in New York, New Jersey, and Connecticut by acknowledging their highly innovative, multidisciplinary accomplishments in the life sciences, physical sciences, mathematics, and engineering. Included in this volume are manuscripts of the individual finalists' areas of research, which provide a glimpse of some of today’s most compelling scholarly work. NOTE: Annals volumes are available for sale as individual books or as a journal. For information on institutional journal subscriptions, please visit http://ordering.onlinelibrary.wiley.com/subs.asp?ref=1749-6632&doi=10.1111/(ISSN)1749-6632. ACADEMY MEMBERS: Please contact the New York Academy of Sciences directly to place your order (www.nyas.org). Members of the New York Academy of Science receive full-text access to the Annals online and discounts on print volumes. Please visit http://www.nyas.org/MemberCenter/Join.aspx for more information about becoming a member.

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This unique book introduces nineteenth-century Japan through the compelling life story of Boston journalist Edward H. House (1836-1901), America's first regular correspondent in Japan. House's accomplishments were breathtaking in variety: shaping the reputations of John Brown and Mark Twain, influencing American attitudes toward Asia, persuading Congress to return a massive indemnity to Japan, editing Tokyo's earliest English-language newspaper (Tokio Times), constructing a powerful case against imperialism, and introducing Western orchestral music to Japan. House's experiences also illustrated many of the era's key themes: Japan's use of public relations as a diplomatic tool, the contentious relations of the expatriate community, the role foreign advisors played in Japan's drive toward modernity, and the complicated nature of U.S.-Japan relations. The book captures the human drama of a special breed of early journalist. It recounts the bohemianism that made House and his friends (e.g., Walt Whitman, Artemus Ward) notorious. It narrates his tender, tortured relationship with Aoki Koto, a girl he adopted when she was on the verge of suicide. It shows a courageous struggle with gout, including 20 years in a wheelchair given to him by the powerful Okuma Shigenobu. And it details a deep friendship with Mark Twain, which eventually was destroyed by a dispute over The Prince and the Pauper. Twain's unpublished 50-page manuscript on the experience, Concerning the Scoundrel E. H. House, is introduced here for the first time. Meticulously researched, the book draws on House's voluminous writings and on hundreds of letters between House and major figures in both America and Japan, including Mark Twain, U.S. Grant, John Russell Young, Edmund Clarence Stedman, Okuma Shigenobu, and Inoue Kaoru. With its lively, accessible prose and seamless interweaving of the life of House with the history of the Meiji era, this book will be welcomed by students, scholars, and general readers interested in modern Japanese history and in America's nineteenth-century foreign relations.

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An easy-to-carry Bible that easily fits in a purse or backpack with cross references allowing this Bible to be an ideal choice to take with you wherever you go.Reading the Bible on the go? This compact-sized edition was designed with you in mind. Even though this Bible is small, you don’t have to compromise size for readability. Plus, thousands of cross references are conveniently located at the end of verses to help you make connections throughout Scripture.Trusted by millions of believers around the world, the NKJV remains the bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translators relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.Features include: Line-matched for improved clarity when reading Verse-style Scripture format starts each verse on its own line so it’s easy to navigate the text Verse-by-verse cross-references give you to find related passages quickly and easily Words of Christ in red help you quickly identify Jesus’ teachings and statements Portable personal-size format allows this Bible to be a perfect travel companion wherever you go Durable and flexible Smyth-sewn binding allows the Bible to lay flat wherever you are reading Concordance for looking up a word’s occurrences throughout the Bible Full color maps show the layout of Israel and other biblical locations for better context Ribbon markers make it easy navigate and keep track of where you were reading Easy-to-read extra-large 7.5-point NKJV Comfort Print

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In this new historical fantasy, a young man must use the power granted by a goddess to infiltrate the realm of Faery and save a kidnapped victim before the door is sealed once again.Orphaned when still a toddler, Nicholas Withybeck knows no other home than Locksley Abbey outside Nottingham, England. He works in the scriptorium embellishing illuminated manuscripts with hidden faces of the Wild Folk and whimsical creatures that he sees every time he ventures into the woods and fields. His curiosity leads him into forbidden nooks and crannies both inside and outside the abbey, and he becomes adept at hiding to stay out of trouble.On one of these forays Nick slips into the crypt beneath the abbey. There he finds an altar older than the abbey’s foundations, ancient when the Romans occupied England. Behind the bricks around the altar, he finds a palm-sized silver cup. The cup is embellished with the three figures of Elena, the Celtic goddess of crossroads, sorcery, and cemeteries.He carries the cup with him always, listening as the goddess whispers wisdom in the back of his mind. With Elena’s cup in his pocket, Nick can see that the masked dancers at the May Day celebration in the local village are actually the creatures of the wood: The Green Man—known to mortals as Little John—and Robin Goodfellow, Herne the Huntsman, dryads, trolls, and water sprites. Theirs are the faces he’s seen and drawn into his illuminations.Guided by Elena along secret forest paths, Nick learns that Little John’s love has been kidnapped by Queen Mab of the Faeries. The door to the Faery mound will only open when the moons of the two realms align. That time is fast approaching. Nick must release Elena so that she can use sorcery to unlock that door, allowing Nick’s band of friends to try to rescue the girl. Will he have the courage to release her as his predecessor did not?

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This Thing of Darkness, Joan Neuberger's engrossing production history of Sergei Eisenstein's Ivan the Terrible, is a major contribution to the study of Eisenstein and thus informs the history and theory of cinema and the study of Soviet culture and politics. Neuberger's ability to mine, interpret, and connect Eisenstein's voluminous, intriguingly digressive writings makes this book exceptional.— Karla Oeler, Stanford University Sergei Eisenstein's unfinished masterpiece, Ivan the Terrible, was no ordinary movie. Commissioned by Joseph Stalin in 1941 to justify state terror in the sixteenth century and in the twentieth, the film's politics, style, and epic scope aroused controversy even before it was released. In This Thing of Darkness, Joan Neuberger offers a sweeping account of the conception, making, and reception of Ivan the Terrible that weaves together Eisenstein's expansive thinking and experimental practice with a groundbreaking new view of artistic production under Stalin. Drawing on Eisenstein's unpublished production notebooks, diaries, and manuscripts, Neuberger's riveting narrative chronicles Eisenstein's personal, creative, and political challenges and reveals the ways cinematic invention, artistic theory, political critique, and historical and psychological analysis went hand in hand in this famously complex film. Neuberger's bold arguments and daring insights into every aspect of Eisenstein's work during this period, together with her ability to lucidly connect his wide-ranging late theory with his work on Ivan, show the director exploiting the institutions of Soviet artistic production not only to expose the cruelties of Stalin and his circle but to challenge the fundamental principles of Soviet ideology itself. Ivan the Terrible, she argues, shows us one of the world's greatest filmmakers and one of the 20th century's greatest artists observing the world around him and experimenting with every element of film art to explore the psychology of political ambition, uncover the history of recurring cycles of violence and lay bare the tragedy of absolute power.

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The perfect choice to dig deeper in God’s Word with extra margin space for your thoughts while enjoying easy-to-read large print font.The NKJV Wide-margin Reference Bible, featuring extra space in the margin for your notes, is an essential edition for enhancing your Bible study.This wide margin edition helps you focus and delve deeper in God's Word with a classic 2-column format and clear extra space in the outside margins suited for your notes, outlines, and personal studies. The large print, set in the exclusive NKJV Comfort Print® typeface, is designed to provide a smooth reading of the accurate and beautiful New King James Version. And with features including book introductions, extensive cross-references, the full set of translator notes, and a concordance you’ll still have the tools to get more out of God’s Word.Trusted by millions of believers around the world, the NKJV remains the bestselling modern "word-for-word" translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translators relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising−perfect for serious study, devotional use, and reading aloud.Features include: Complete text of the beautiful New King James Version Exclusive Thomas Nelson NKJV Comfort Print® typeface Line-matched text for optimal clarity on the page Extensive cross-reference system and the full set of NKJV translator notes Book introductions Concordance Full-color maps Words of Christ in red Two satin ribbons Durable sewn binding Clear and readable 10.5-point print size

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A Bible with large print in an easy-to-carry format that is ideal to take with you wherever you want to enjoy God's Word.Exploring God’s Word on the go just got easier. This edition not only includes the full text of the trustworthy New King James Version in an easy-to-read large print, but it is also small enough for everyday use and easy navigation with thousands of cross-references conveniently located at the end of verses.Trusted by millions of believers around the world, the NKJV remains the bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translators relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.Features include: Line-matched for improved clarity when reading Verse-style Scripture format starts each verse on its own line so it’s easy to navigate the text Verse-by-verse cross-references give you to find related passages quickly and easily Words of Christ in red help you quickly identify Jesus’ teachings and statements Portable personal-size format allow this Bible to be a perfect travel companion wherever you go Durable and flexible Smyth-sewn binding allows the Bible to lay flat wherever you are reading Concordance for looking up a word’s occurrences throughout the Bible Full color maps show the layout of Israel and other biblical locations for better context Ribbon markers make it easy navigate and keep track of where you were reading Easy-to-read extra-large 10.5-point NKJV Comfort Print

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A Bible with large print in an easy-to-carry format that is ideal to take with you wherever you want to enjoy God's Word.Exploring God’s Word on the go just got easier. This edition not only includes the full text of the trustworthy New King James Version in an easy-to-read large print, but it is also small enough for everyday use and easy navigation with thousands of cross-references conveniently located at the end of verses.Trusted by millions of believers around the world, the NKJV remains the bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translators relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.Features include: Line-matched for improved clarity when reading Verse-style Scripture format starts each verse on its own line so it’s easy to navigate the text Verse-by-verse cross-references give you to find related passages quickly and easily Words of Christ in red help you quickly identify Jesus’ teachings and statements Portable personal-size format allow this Bible to be a perfect travel companion wherever you go Durable and flexible Smyth-sewn binding allows the Bible to lay flat wherever you are reading Concordance for looking up a word’s occurrences throughout the Bible Full color maps show the layout of Israel and other biblical locations for better context Ribbon markers make it easy navigate and keep track of where you were reading Easy-to-read extra-large 10.5-point NKJV Comfort Print

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