Search results for ""Author MANUS"

"Lollard" is the name given to followers of John Wyclif, the English dissident theologian who was dismissed from Oxford University in 1381 for his arguments regarding the eucharist. A forceful and influential critic of the ecclesiastical status quo in the late fourteenth century, Wyclif’s thought was condemned at the Council of Constance in 1415. While lollardy has attracted much attention in recent years, much of what we think we know about this English religious movement is based on records of heresy trials and anti-lollard chroniclers. In Feeling Like Saints, Fiona Somerset demonstrates that this approach has limitations. A better basis is the five hundred or so manuscript books from the period (1375–1530) containing materials translated, composed, or adapted by lollard writers themselves. These writings provide rich evidence for how lollard writers collaborated with one another and with their readers to produce a distinctive religious identity based around structures of feeling. Lollards wanted to feel like saints. From Wyclif they drew an extraordinarily rigorous ethic of mutual responsibility that disregarded both social status and personal risk. They recalled their commitment to this ethic by reading narratives of physical suffering and vindication, metaphorically martyring themselves by inviting scorn for their zeal, and enclosing themselves in the virtues rather than the religious cloister. Yet in many ways they were not that different from their contemporaries, especially those with similar impulses to exceptional holiness.

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A lively reimagining of how the distant medieval world of war functioned, drawing on the objects used and made by crusaders Throughout the Middle Ages crusading was justified by religious ideology, but the resulting military campaigns were fueled by concrete objectives: land, resources, power, reputation. Crusaders amassed possessions of all sorts, from castles to reliquaries. Campaigns required material funds and equipment, while conquests produced bureaucracies, taxation, economic exploitation, and commercial regulation. Wealth sustained the Crusades while material objects, from weaponry and military technology to carpentry and shipping, conditioned them. This lavishly illustrated volume considers the material trappings of crusading wars and the objects that memorialized them, in architecture, sculpture, jewelry, painting, and manuscripts. Christopher Tyerman’s incorporation of the physical and visual remains of crusading enriches our understanding of how the crusaders themselves articulated their mission, how they viewed their place in the world, and how they related to the cultures they derived from and preyed upon. A note to readers: the grey-shaded pages throughout this volume look at the Crusades in detail, exploring individual themes such as food and drink, medicine, weapons, and women’s role in the Crusades. These short essays are interspersed throughout the chapters and the main text will continue after each one. For instance, “Taking the Cross” runs from pages 4 to 7, and the Introduction continues on p. 8.

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The magnificent bronze doors of Hildesheim Cathedral, the ivory, gold, enameled, and bejeweled book covers made to contain superbly illuminated manuscripts, the startling reliquary caskets made in the shape of the part of the body supposed to be contained within them—these and other sacred objects were contained within church treasuries and cloisters in the early Middle Ages in Europe. This beautiful book traces the development of these so-called Minor Arts and the major role they played alongside the other pictorial arts and architectural sculpture of the period.Although it is impossible to establish a strict chronology of this period, since styles evolved concurrently and with varying speed across diverse regions of Europe, Peter Lasko has established an object-based chronology that enables him to trace the developments of these styles. In addition, he describes the personalities, stylistic traits, and influence of some of the great craftsmen whose names are briefly recorded in cathedral treasury records. He surveys the sacred arts from Scandinavia to Spain and from Italy to England, examining the impact of English art on the court of Charlemagne and investigating external influences on English art both before and after the Norman Conquest. Lasko records the wide range of opinions on style and method and also explicates his own; his comprehensive survey of craftsmanship alters previous assumptions about chronologies, creates new groupings of materials, and reassesses stylistic sources.

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William Caxton (ca. 1421–1492) and the printers who immediately followed him, Wynkyn de Worde and Richard Pynson, dominated early English printing. Surprisingly, their ideological impact on English literary history—their transformation of a textual economy based in manuscript production, their strategic development of authorship, their collation of English literature—remains largely unrecognized, overshadowed by the work of later sixteenth-century printers and folded into the general transition from the Middle Ages to the Renaissance. This collection, the first such work on Caxton and his contemporaries, consists of ten original essays that explore early English culture, from Caxton's introduction of the press, through questions of audience, translation, politics, and genre, to the modern fascination with Caxton's books. The contributors to this volume approach the study of the printed book as the study of literary culture, and so broaden the traditional terms of bibliography to argue that no full understanding of books is possible without consideration of the larger nature of cultural production and reproduction. On one level, then, the book reads early printers' editions as evolutionary, reproducing preexisting production methods; on another, however, it argues that these printers introduced a significantly new relationship between material and symbolic forms. Thus, Caxton's Trace suggests that the first century of print production is defined less by transition or break, than by a dynamic transformation in literary production itself.

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Between 2010 and 2017, Canada experienced an efflorescence of Greek tragedy, led by independent Montreal theatre company Scapegoat Carnivale’s energetic performances of Euripides’s Medea and Bacchae and Sophocles’s Oedipus Tyrannus. The performances featured crisp new translations by co–artistic director Joseph Shragge, large casts, and full-throated sung choruses. Scapegoat Carnivale’s trilogy of these familiar but rarely performed plays is at the core of this volume, which includes all three novel play scripts, the company’s stage directions, and helpful annotations that elucidate Greek names and cultural references and place the textual choices in the context of the productions themselves as well as the long manuscript traditions germane to each tragedy. The result sheds light on both the ancient Greek texts and contemporary performance practice, as do accompanying essays introducing the reader to Greek tragedy in fifth-century Athens, reception theories, each play’s themes and cultural resonances, and how Scapegoat’s approach to each play fits into broader global trends of performance and reception.Scapegoat Carnivale’s Tragic Trilogy invites readers from all backgrounds to encounter these plays, whether they are looking at Greek tragedy for the first time or the fiftieth. It gives everyone the tools to understand where these plays came from, offers insights into how they can and should be performed now, and shows why they are more relevant than ever in contemporary theatre and in life.

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A Bible in the trustworthy NKJV with giant print text that is extremely readable while also being easy to take with you to church or a small group. This edition features extra-large text in Comfort Print, yet the Bible is still only 1” thick.Trusted by millions of believers around the world, the NKJV remains the bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translators relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.Features include: Words of Christ in red quickly identify verses spoken by Jesus Durable and flexible Smyth-sewn binding allow for years of use Satin Ribbon Markers are a useful tool to easily navigate and keep track of where you were reading Gilded page edges add a beautiful shine around the border of the paper Full color maps show a visual representation of Israel and other biblical locations for better context Easy-to-read line-matched giant 12-point NKJV Comfort Print

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A balance of being both easy-to-read and easy-to-carry, this Bible is an ideal choice to take with you wherever you go.This edition is published in large NKJV Comfort Print type, which was designed exclusively for Thomas Nelson to be the most readable at any size.The go-anywhere New King James Version Bible, lightweight and portable, now with the enhanced readability of Thomas Nelson’s custom NKJV font in large print. That’s the NKJV Value Thinline Large Print Bible, and it’s the Bible you’ll want to take with you throughout your day. Featuring the popular and reliable text of the New King James Version in a variety of compelling cover designs, you will enjoy the beautiful new layout, helpful reading plan, and words of Christ in red.Features Include: Line-matched classic 2-column format Presentation page to personalize this special gift by recording a memory or a note Words of Christ in red help you quickly identify Jesus’ teachings and statements Translation notes provide a look into the thinking of the translators with alternative translations that could have been used and textual notes about manuscript variations Reading plan guiding you through the entire Bible in a year Ribbon markers for you to easily navigate and keep track of where you were reading Durable and flexible Smyth-sewn binding for years of use Easy-to-read 10.5-point NKJV Comfort Print

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Known as the “patron saint of all outsiders,” Simone Weil (1909–43) was one of the twentieth century’s most remarkable thinkers, a philosopher who truly lived by her political and ethical ideals. In a short life framed by the two world wars, Weil taught philosophy to lycée students and organized union workers, fought alongside anarchists during the Spanish Civil War and labored alongside workers on assembly lines, joined the Free French movement in London and died in despair because she was not sent to France to help the Resistance. Though Weil published little during her life, after her death, thanks largely to the efforts of Albert Camus, hundreds of pages of her manuscripts were published to critical and popular acclaim. While many seekers have been attracted to Weil’s religious thought, Robert Zaretsky gives us a different Weil, exploring her insights into politics and ethics, and showing us a new side of Weil that balances her contradictions—the rigorous rationalist who also had her own brand of Catholic mysticism; the revolutionary with a soft spot for anarchism yet who believed in the hierarchy of labor; and the humanitarian who emphasized human needs and obligations over human rights. Reflecting on the relationship between thought and action in Weil’s life, The Subversive Simone Weil honors the complexity of Weil’s thought and speaks to why it matters and continues to fascinate readers today.

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In November 1838, Frédéric Chopin, George Sand, and her two children sailed to Majorca to escape the Parisian winter. They settled in an abandoned monastery at Valldemossa in the mountains above Palma where Chopin finished what would eventually be recognized as one of the great and revolutionary works of musical Romanticism: his twenty-four Preludes. There was scarcely a decent piano on the island (these were still early days in the evolution of the modern instrument), so Chopin worked on a small pianino made by a local craftsman, Juan Bauza, which remained in their monastic cell for seventy years after he and Sand had left. Chopin’s Piano traces the history of Chopin’s twenty-four Preludes through the instruments on which they were played, the pianists who interpreted them, and the traditions they came to represent. Yet it begins and ends with the Majorcan pianino, which assumed an astonishing cultural potency during the Second World War as it became, for the Nazis, a symbol of the man and music they were determined to appropriate as their own. After Chopin, the unexpected hero of Chopin’s Piano is the great keyboard player Wanda Landowska, who rescued the pianino from Valldemossa in 1913, and who would later become one of the most influential artistic figures of the twentieth century. Paul Kildea shows how her story—a compelling account based for the first time on her private papers—resonates with Chopin’s, simultaneously distilling part of the cultural and political history of mid-twentieth century Europe and the United States. After Landowska’s flight to America from Paris, which the Germans would occupy only days later, her possessions—including her rare music manuscripts and beloved keyboards—were seized by the Nazis. Only some of these belongings survived the war; those that did were recovered by the Allied armies’ Monuments Men and restituted to Landowska’s house in France. In scintillating prose, and with an eye for exquisite detail, Kildea beautifully interweaves these narratives, which comprise a journey through musical Romanticism—one that illuminates how art is transmitted, interpreted, and appropriated between generations.

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More than a quarter-century after his death, James Baldwin remains an unparalleled figure in American literature and African American cultural politics. In Who Can Afford to Improvise? Ed Pavlić offers an unconventional, lyrical, and accessible meditation on the life, writings, and legacy of James Baldwin and their relationship to the lyric tradition in black music, from gospel and blues to jazz and R&B. Based on unprecedented access to private correspondence, unpublished manuscripts and attuned to a musically inclined poet’s skill in close listening, Who Can Afford to Improvise? frames a new narrative of James Baldwin’s work and life. The route retraces the full arc of Baldwin’s passage across the pages and stages of his career according to his constant interactions with black musical styles, recordings, and musicians. Presented in three books — or movements — the first listens to Baldwin, in the initial months of his most intense visibility in May 1963 and the publication of The Fire Next Time. It introduces the key terms of his lyrical aesthetic and identifies the shifting contours of Baldwin’s career from his early work as a reviewer for left-leaning journals in the 1940s to his last published and unpublished works from the mid-1980s. Book II listens with Baldwin and ruminates on the recorded performances of Billie Holiday and Dinah Washington, singers whose message and methods were closely related to his developing world view. It concludes with the first detailed account of “The Hallelujah Chorus,” a performance from July 1, 1973, in which Baldwin shared the stage at Carnegie Hall with Ray Charles. Finally, in Book III, Pavlić reverses our musically inflected reconsideration of Baldwin’s voice, projecting it into the contemporary moment and reading its impact on everything from the music of Amy Winehouse, to the street performances of Turf Feinz, and the fire of racial oppression and militarization against black Americans in the 21st century. Always with an ear close to the music, and avoiding the safe box of celebration, Who Can Afford to Improvise? enables a new kind of “lyrical travel” with the instructive clarity and the open-ended mystery Baldwin’s work invokes into the world.

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This NKJV Large Print Thinline Bible is inviting to pick up and hard to put down. Unique to this edition, the words of Christ are highlighted in a restful blue ink that’s easy to read and colorblind-friendly.The slim design of the NKJV Large Print Thinline Reference Bible means you can bring it along, wherever your day takes you. This large print edition features Thomas Nelson’s NKJV Comfort Print®, designed to provide a smooth reading experience of the accurate and beautiful New King James Version. And with features including extensive cross-references, concordance, and full-color maps, you’ll still have the tools to get more out of God’s Word. Features include: Presentation page to personalize this special gift by recording a memory or a note Words of Christ in blue quickly identify verses spoken by Jesus Double column provides a nice readable flow of the text End-of-page cross-references and translator notes allow you to find related passages quickly and easily Concordance for finding a word’s occurrences throughout the Bible Full-color maps show a visual representation of Israel and other biblical locations for better context Durable Smyth-sewn binding lies flat in your hand or on your desk Two satin ribbon markers for you to easily navigate and keep track of where you are reading Elegant, gilded page-edge design Clear and readable 10-point NKJV Comfort Print About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.Trusted by millions of believers around the world, the NKJV remains a bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translator’s relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.

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This elegant Bible edition honors the beauty and richness of the New King James Version in a convenient portable size with essential study tools and traditional red-letter text for the Words of Christ.The New King James Version in the Sovereign Collection reflects the legacy and majesty of the King James Version Bible produced more than 400 years ago, but in language updated for today. This beautiful Bible, which contains design flourishes that pay tribute to the Bible produced in 1611, comes in a convenient portable size with essential study tools and traditional red-letter text for the Words of Christ.The Sovereign Collection continues Thomas Nelson's long history and stewardship publishing Bibles, featuring elegant letter illustrations leading into each chapter combined with clear and readable Comfort Print®, connects you to the legacy of faith, and inspires your time in the Word to be enjoyable and fruitful.Features include: Line-matched classic 2-column format for a comfortable reading experience Book introductions provide a concise overview of the background and historical context of the book about to be read Words of Christ in red help you quickly identify Jesus’ teachings and statements Extensive end-of-page cross references allow you to find related passages quickly and easily Translation notes provide a look into the thinking of the translators with alternative translations that could have been used and textual notes about manuscript variations Presentation page to personalize this special gift by recording a memory or a note Concordance for looking up a word’s occurrences throughout the Bible Full-color maps show a visual representation of Israel and other biblical locations for better context Two satin ribbon markers for you to easily navigate and keep track of where you were reading Gilded page edges help protect the edge of the page and provide a polished look Durable and flexible Smyth-sewn binding so the Bible will lay flat in your hand or on a desk Easy-to-read 9.5-point NKJV Comfort Print ®

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This elegant Bible edition honors the beauty and richness of the New King James Version in a convenient portable size with essential study tools and traditional red-letter text for the Words of Christ.The New King James Version in the Sovereign Collection reflects the legacy and majesty of the King James Version Bible produced more than 400 years ago, but in language updated for today. This beautiful Bible, which contains design flourishes that pay tribute to the Bible produced in 1611, comes in a convenient portable size with essential study tools and traditional red-letter text for the Words of Christ.The Sovereign Collection continues Thomas Nelson's long history and stewardship publishing Bibles, featuring elegant letter illustrations leading into each chapter combined with clear and readable Comfort Print®, connects you to the legacy of faith, and inspires your time in the Word to be enjoyable and fruitful.Features include: Line-matched classic 2-column format for a comfortable reading experience Book introductions provide a concise overview of the background and historical context of the book about to be read Words of Christ in red help you quickly identify Jesus’ teachings and statements Extensive end-of-page cross references allow you to find related passages quickly and easily Translation notes provide a look into the thinking of the translators with alternative translations that could have been used and textual notes about manuscript variations Presentation page to personalize this special gift by recording a memory or a note Concordance for looking up a word’s occurrences throughout the Bible Full-color maps show a visual representation of Israel and other biblical locations for better context Two satin ribbon markers for you to easily navigate and keep track of where you were reading Gilded page edges help protect the edge of the page and provide a polished look Durable and flexible Smyth-sewn binding so the Bible will lay flat in your hand or on a desk Easy-to-read 9.5-point NKJV Comfort Print ®

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This elegant Bible edition honors the beauty and richness of the New King James Version in a convenient portable size with essential study tools and traditional red-letter text for the Words of Christ.The New King James Version in the Sovereign Collection reflects the legacy and majesty of the King James Version Bible produced more than 400 years ago, but in language updated for today. This beautiful Bible, which contains design flourishes that pay tribute to the Bible produced in 1611, comes in a convenient portable size with essential study tools and traditional red-letter text for the Words of Christ.The Sovereign Collection continues Thomas Nelson's long history and stewardship publishing Bibles, featuring elegant letter illustrations leading into each chapter combined with clear and readable Comfort Print®, connects you to the legacy of faith, and inspires your time in the Word to be enjoyable and fruitful.Features include: Line-matched classic 2-column format for a comfortable reading experience Book introductions provide a concise overview of the background and historical context of the book about to be read Words of Christ in red help you quickly identify Jesus’ teachings and statements Extensive end-of-page cross references allow you to find related passages quickly and easily Translation notes provide a look into the thinking of the translators with alternative translations that could have been used and textual notes about manuscript variations Presentation page to personalize this special gift by recording a memory or a note Concordance for looking up a word’s occurrences throughout the Bible Full-color maps show a visual representation of Israel and other biblical locations for better context Two satin ribbon markers for you to easily navigate and keep track of where you were reading Gilded page edges help protect the edge of the page and provide a polished look Durable and flexible Smyth-sewn binding so the Bible will lay flat in your hand or on a desk Easy-to-read 9.5-point NKJV Comfort Print ®

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Peter Field's new edition of the Morte Darthur has been hailed as "our standard critical edition of Malory". This paperback of Vol 1 only makes the complete definitive original spelling text edition available, with the same pagination as in Vol 1 of the original two-volume hardback edition. This Paperback is volume 1 (text only) of the original two-volume edition. Selected as a CHOICE Outstanding Academic Title of 2014, the two-volume scholarly edition of the Morte Darthur examined the two surviving versions of the text: Caxton's edition of 1485 and the Winchester manuscript, known to have existed around 1480 but lost until 1934. All major modern scholarly editions have favoured one of these to the point of preserving corrigible error. This paperback includes the definitive original spelling text edition of Malory's classic text which has been described as a "major event in the long history of Malory scholarship". Anyone wishing to have this text along with the full critical apparatus assembled by Professor Field is referred to the two-volume hardcover edition, which remains in print. P.J.C. Field is Professor of English at Bangor University.

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This study is an exploration of how Cyril of Jerusalem constructed Christian identity for those who were preparing to enter into full communion with the church at Easter. In order to include the full catechetical teachings of the fourth-century hagiopolite tradition, the study examined the history of liturgy arguments against Cyrillian authorship of the Mystagogic Catecheses and has found, based upon the most recent scholarship, no reason to date the text to after Cyril’s bishopric. Having also used codicological and textual critical analysis to support the claim of Cyrillian authorship, the study argues for a different preferred manuscript tradition than what is presented in the critical edition. Since Cyril provided an identity-clarifying attribute for the new Christians to associate with each of the rites of initiation, the study looks at the scholarly literature regarding Cyril’s sacramental theology. Taking the Jerusalem catechetical writings as a pedagogical unit and examining it through word studies and flow-of-thought analysis, this study constructs a new model for Cyril’s sacramental theology based upon his doctrine of theosis, which has not been examined with sufficient academic rigor to date. It demonstrates that not only does Cyril have a fully-developed doctrine of theosis, but his expression of theosis is Trinitarian, sacramental, and inseparable from his ethical and identity forming teachings.

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Edition and translation of this important genre of Old Welsh poetry. The "Stanzas of the Graves" or "Graves of the Warriors of the Island of Britain", attributed to the legendary poet Taliesin, describe ancient heroes' burial places. Like the "Triads of the Island of Britain", they are an indispensable key to the narrative literature of medieval Wales. The heroes come from the whole of Britain, including Mercia and present-day Scotland, as well as many from Wales and a few from Ireland. Many characters known from the Mabinogion appear, often with additional information, as do some from romance and early Welsh saga, such as Arthur, Bedwyr, Gawain, Owain son of Urien, Merlin, and Vortigern. The seventh-century grave of Penda of Mercia, beneath the river Winwæd in Yorkshire, is the latest grave to be included. The poems testify to the interest aroused by megaliths, tumuli, and other apparently man-made monuments, some of which can be identified with known prehistoric remains. This volume offers a full edition and translation of the poems, mapped with reference to all the manuscripts, starting with the Black Book of Carmarthen, the oldest extant book of Welsh poetry. There is also a detailed commentary on their linguistic, literary, historical, and archaeological aspects.

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Since the Roman de la Rose had tremendous influence on the poetry of the fourteenth century, particularly on the works of Deschamps, Machaut, Froissart, and Chaucer, Professor Fleming maintains that it is important for the modern reader to understand what this influential moral satire meant to readers of the medieval period. Basing his interpretation in part on iconographic analysis of the illuminations found in more than one hundred manuscript copies of the poem, he advances a "medieval" reading of the poem. Other tools used by Mr. Fleming to get at the meaning of the poem include a study of the mythographic tradition, a logical and rhetorical analysis of the text, and an examination of formal exegetical documents of the late Middle Ages, especially the Old French commentary on the Echecs Amoureux. Originally published in 1969. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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A gathering of poetic blossoms.The Greek Anthology (literally, “Gathering of Flowers”) is the name given to a collection of about 4500 short Greek poems (called epigrams but usually not epigrammatic) by about 300 composers. To the collection (called Stephanus, literally, “wreath” or “garland”) made and contributed to by Meleager of Gadara (1st century BC) was added another by Philippus of Thessalonica (late 1st century AD), a third by Diogenianus (2nd century), and much later a fourth, called the Circle, by Agathias of Myrina. These (lost) and others (also lost) were partly incorporated, arranged according to contents, by Constantinus Cephalas (early 10th century?) into fifteen books now preserved in a single manuscript of the Palatine Library at Heidelberg. The grand collection was rearranged and revised by the monk Maximus Planudes (14th century) who also added epigrams lost from Cephalas’ compilation.The fifteen books of the Palatine Anthology are: I, Christian Epigrams; II, Descriptions of Statues; III, Inscriptions in a temple at Cyzicus; IV, Prefaces of Meleager, Philippus, and Agathias; V, Amatory Epigrams; VI, Dedicatory; VII, Sepulchral; VIII, Epigrams of St. Gregory; IX, Declamatory; X, Hortatory and Admonitory; XI, Convivial and Satirical; XII, Strato’s “Musa Puerilis”; XIII, Metrical curiosities; XIV, Problems, Riddles, and Oracles; XV, Miscellanies. Book XVI is the Planudean Appendix: Epigrams on works of art.Outstanding among the poets are Meleager, Antipater of Sidon, Crinagoras, Palladas, Agathias, Paulus Silentiarius.

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At first glance, evangelical and Gotham seem like an odd pair. What does a movement of pious converts and reformers have to do with a city notoriously full of temptation and sin? More than you might think, says Kyle B. Roberts, who argues that religion must be considered alongside immigration, commerce, and real estate scarcity as one of the forces that shaped the New York City we know today. In Evangelical Gotham, Roberts explores the role of the urban evangelical community in the development of New York between the American Revolution and the Civil War. As developers prepared to open new neighborhoods uptown, evangelicals stood ready to build meetinghouses. As the city's financial center emerged and solidified, evangelicals capitalized on the resultant wealth, technology, and resources to expand their missionary and benevolent causes. When they began to feel that the city's morals had degenerated, evangelicals turned to temperance, Sunday school, prayer meetings, antislavery causes, and urban missions to reform their neighbors. The result of these efforts was Evangelical Gotham a complicated and contradictory world whose influence spread far beyond the shores of Manhattan. Winner of the 2015 Dixon Ryan Fox Manuscript Prize from the New York State Historical Association

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In 1600 the Catholic Inquisition condemned the philosopher Giordano Bruno for his heretical beliefs. He was then burned alive in a public place in Rome. Historians, scientists and teachers usually deny that Bruno was condemned for his beliefs about the universe and that his trial was linked to the later confrontations between the Inquisition and Galileo in 1616 and 1633. Based on new evidence, however, Burned Alive asserts that Bruno's beliefs about the universe were indeed the primary factors that led to Bruno's condemnation: his beliefs that the stars are suns surrounded by planetary worlds like our own, and that the Earth moves because it has a soul. Alberto A. Martinez shows how some of the same Inquisitors who judged Bruno also confronted Galileo in 1616. Ultimately the one clergyman who wrote the most critical reports used by the Inquisition to condemn Galileo in 1633 immediately wrote an unpublished manuscript, in which he denounced Galileo and other followers of Copernicus for believing that many worlds exist and that the Earth moves because it has a soul. This book challenges the accepted history of astronomy and shows how cosmology led Bruno bravely to his death.

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This volume comprises contributions from faculty and postdoctoral finalists of the 2011 New York Academy of Sciences Blavatnik Awards for Young Scientists. The Awards celebrate the excellence of some of the most promising young scientists in New York, New Jersey, and Connecticut by acknowledging their highly innovative, multidisciplinary accomplishments in the life sciences, physical sciences, mathematics, and engineering. Included in this volume are manuscripts of the individual finalists' areas of research, which provide a glimpse of some of today’s most compelling scholarly work. NOTE: Annals volumes are available for sale as individual books or as a journal. For information on institutional journal subscriptions, please visit http://ordering.onlinelibrary.wiley.com/subs.asp?ref=1749-6632&doi=10.1111/(ISSN)1749-6632. ACADEMY MEMBERS: Please contact the New York Academy of Sciences directly to place your order (www.nyas.org). Members of the New York Academy of Science receive full-text access to the Annals online and discounts on print volumes. Please visit http://www.nyas.org/MemberCenter/Join.aspx for more information about becoming a member.

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Edición en español y rimada del libro para primeros lectores de Dr. Seuss acerca de elegir una mascota ¡y lo difícil que es tomar una decisión! ¿Qué sucede cuando dos hermanos van a una tienda para comprar una mascota? Como es de esperar, ¡no saben por cuál decidirse! Con la participación de los mismos niños del cuento Un pez dos peces pez rojo pez azul, este libro para primeros lectores capta el típico momento en la vida de un niño en el que ha de elegir una mascota, a la vez que nos enseña una lección de vida: es difícil decidirte, ¡pero a veces tienes que hacerlo! Un magnífico regalo para los pequeños amantes de los animales y admiradores de Dr. Seuss, y a la vez ideal para leer en voz alta o para los niños que comienzan a leer ellos solos. Descubierto veintidós años después de la muerte de Dr. Seuss, el manuscrito original y los bocetos fueron anteriormente publicados en una edición de 48 páginas con sobrecubierta y 8 páginas con comentarios y datos. Esta nueva edición de Beginner Books, sin solapas, solo incluye la historia.Las ediciones rimadas, en español, de los clásicos de Dr. Seuss, publicadas por Random House, brindan la maravillosa oportunidad de disfrutar de sus historias a más de treinta y ocho millones de personas hispanohablantes en Estados Unidos. Los lectores podrán divertirse con las ediciones en español de The Cat in the Hat (El Gato Ensombrerado); Green Eggs and Ham (Huevos verdes con jamón); One Fish Two Fish Red Fish Blue Fish (Un pez, dos peces, pez rojo, pez azul); The Lorax (El Lórax); Oh, the Places You'll Go! (¡Oh, cuán lejos llegarás!); How the Grinch Stole Christmas! (¡Cómo el Grinch robó la Navidad!); The Cat in the Hat Comes Back (El Gato Ensombrerado ha regresado); I Can Read With My Eyes Shut! (¡Yo puedo leer con los ojos cerrados!); Horton Hears a Who! (¡Horton escucha a Quién!); The 500 Hats of Bartholomew Cubbins (Los 500 sombreros de Bartolomé Cubbins); There's A Wocket in my Pocket! (¡Hay un Molillo en mi Bolsillo!); Mr. Brown Can Moo! Can You? (¡El Sr. Brown hace Muuu! ¿Podrías hacerlo tú?); Ten Apples on Top! (¡Diez manzanas en la cabeza!); What Pet Should I Get? (¿Cómo podré decidir qué mascota elegir?); y Yertle the Turtle and Other Stories (Yoruga la Tortuga y otros cuentos). A rhymed Spanish edition of Dr. Seuss's Beginner Book about chosing a pet—and the difficulty of making decisions!What happens when a brother an sister visit a pet store to pick a pet? Naturally, they can't pick just one! Featuring the kids from One Fish Two Fish Red Fish Blue Fish, this beginning reader takes a classic childhood moment—choosing a pet—and uses it to illuminate a life lesson: that it's hard to make up your mind, but sometimes you just have to do it! A great gift for young Dr. Seuss fans and animal lovers, it's perfect for reading aloud or children learning to read by themselves. Discovered 22 years after Dr. Seuss's death, the unpublished manuscript and sketches for What Pet Should I Get?were previously published as a 48-page jacketed hardcover with 8 pages of commentary. This unjacketed Beginner Book edition features the story only.Random House's rhymed, Spanish-language editions of classic Dr. Seuss books make the joyful experience of reading Dr. Seuss books available for the more than 38 million people in the United States who speak Spanish. Readers can enjoy The Cat in the Hat (El Gato Ensombrerado); Green Eggs and Ham (Huevos verdes con jamón); One Fish Two Fish Red Fish Blue Fish (Un pez, dos peces, pez rojo, pez azul); The Lorax (El Lórax); Oh, the Places You'll Go! (¡Oh, cuán lejos llegarás!); How the Grinch Stole Christmas! (¡Cómo el Grinch robó la Navidad!); The Cat in the Hat Comes Back (El Gato Ensombrerado ha regresado); I Can Read With My Eyes Shut! (¡Yo puedo leer con los ojos cerrados!); Horton Hears a Who! (¡Horton escucha a Quién!); The 500 Hats of Bartholomew Cubbins (Los 500 sombreros de Bartolomé Cubbins); There's A Wocket in my Pocket! (¡Hay un Molillo en mi Bolsillo!); Mr. Brown Can Moo! Can You? (¡El Sr. Brown hace Muuu! ¿Podrías hacerlo tú?); Ten Apples on Top! (¡Diez manzanas en la cabeza!); What Pet Should I Get? (¿Cómo podré decidir qué mascota elegir?); and Yertle the Turtle and Other Stories (Yoruga la Tortuga y otros cuentos).

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Edición en español y rimada del libro para primeros lectores de Dr. Seuss acerca de elegir una mascota ¡y lo difícil que es tomar una decisión! ¿Qué sucede cuando dos hermanos van a una tienda para comprar una mascota? Como es de esperar, ¡no saben por cuál decidirse! Con la participación de los mismos niños del cuento Un pez dos peces pez rojo pez azul, este libro para primeros lectores capta el típico momento en la vida de un niño en el que ha de elegir una mascota, a la vez que nos enseña una lección de vida: es difícil decidirte, ¡pero a veces tienes que hacerlo! Un magnífico regalo para los pequeños amantes de los animales y admiradores de Dr. Seuss, y a la vez ideal para leer en voz alta o para los niños que comienzan a leer ellos solos. Descubierto veintidós años después de la muerte de Dr. Seuss, el manuscrito original y los bocetos fueron anteriormente publicados en una edición de 48 páginas con sobrecubierta y 8 páginas con comentarios y datos. Esta nueva edición de Beginner Books, sin solapas, solo incluye la historia.Las ediciones rimadas, en español, de los clásicos de Dr. Seuss, publicadas por Random House, brindan la maravillosa oportunidad de disfrutar de sus historias a más de treinta y ocho millones de personas hispanohablantes en Estados Unidos. Los lectores podrán divertirse con las ediciones en español de The Cat in the Hat (El Gato Ensombrerado); Green Eggs and Ham (Huevos verdes con jamón); One Fish Two Fish Red Fish Blue Fish (Un pez, dos peces, pez rojo, pez azul); The Lorax (El Lórax); Oh, the Places You'll Go! (¡Oh, cuán lejos llegarás!); How the Grinch Stole Christmas! (¡Cómo el Grinch robó la Navidad!); The Cat in the Hat Comes Back (El Gato Ensombrerado ha regresado); I Can Read With My Eyes Shut! (¡Yo puedo leer con los ojos cerrados!); Horton Hears a Who! (¡Horton escucha a Quién!); The 500 Hats of Bartholomew Cubbins (Los 500 sombreros de Bartolomé Cubbins); There's A Wocket in my Pocket! (¡Hay un Molillo en mi Bolsillo!); Mr. Brown Can Moo! Can You? (¡El Sr. Brown hace Muuu! ¿Podrías hacerlo tú?); Ten Apples on Top! (¡Diez manzanas en la cabeza!); What Pet Should I Get? (¿Cómo podré decidir qué mascota elegir?); y Yertle the Turtle and Other Stories (Yoruga la Tortuga y otros cuentos). A rhymed Spanish edition of Dr. Seuss's Beginner Book about chosing a pet—and the difficulty of making decisions!What happens when a brother an sister visit a pet store to pick a pet? Naturally, they can't pick just one! Featuring the kids from One Fish Two Fish Red Fish Blue Fish, this beginning reader takes a classic childhood moment—choosing a pet—and uses it to illuminate a life lesson: that it's hard to make up your mind, but sometimes you just have to do it! A great gift for young Dr. Seuss fans and animal lovers, it's perfect for reading aloud or children learning to read by themselves. Discovered 22 years after Dr. Seuss's death, the unpublished manuscript and sketches for What Pet Should I Get?were previously published as a 48-page jacketed hardcover with 8 pages of commentary. This unjacketed Beginner Book edition features the story only.Random House's rhymed, Spanish-language editions of classic Dr. Seuss books make the joyful experience of reading Dr. Seuss books available for the more than 38 million people in the United States who speak Spanish. Readers can enjoy The Cat in the Hat (El Gato Ensombrerado); Green Eggs and Ham (Huevos verdes con jamón); One Fish Two Fish Red Fish Blue Fish (Un pez, dos peces, pez rojo, pez azul); The Lorax (El Lórax); Oh, the Places You'll Go! (¡Oh, cuán lejos llegarás!); How the Grinch Stole Christmas! (¡Cómo el Grinch robó la Navidad!); The Cat in the Hat Comes Back (El Gato Ensombrerado ha regresado); I Can Read With My Eyes Shut! (¡Yo puedo leer con los ojos cerrados!); Horton Hears a Who! (¡Horton escucha a Quién!); The 500 Hats of Bartholomew Cubbins (Los 500 sombreros de Bartolomé Cubbins); There's A Wocket in my Pocket! (¡Hay un Molillo en mi Bolsillo!); Mr. Brown Can Moo! Can You? (¡El Sr. Brown hace Muuu! ¿Podrías hacerlo tú?); Ten Apples on Top! (¡Diez manzanas en la cabeza!); What Pet Should I Get? (¿Cómo podré decidir qué mascota elegir?); and Yertle the Turtle and Other Stories (Yoruga la Tortuga y otros cuentos).

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An easy-to-carry Bible that easily fits in a purse or backpack with cross references allowing this Bible to be an ideal choice to take with you wherever you go.Reading the Bible on the go? This compact-sized edition was designed with you in mind. Even though this Bible is small, you don’t have to compromise size for readability. Plus, thousands of cross references are conveniently located at the end of verses to help you make connections throughout Scripture.Trusted by millions of believers around the world, the NKJV remains the bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translators relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.Features include: Line-matched for improved clarity when reading Verse-style Scripture format starts each verse on its own line so it’s easy to navigate the text Verse-by-verse cross-references give you to find related passages quickly and easily Words of Christ in red help you quickly identify Jesus’ teachings and statements Portable personal-size format allows this Bible to be a perfect travel companion wherever you go Durable and flexible Smyth-sewn binding allows the Bible to lay flat wherever you are reading Concordance for looking up a word’s occurrences throughout the Bible Full color maps show the layout of Israel and other biblical locations for better context Ribbon markers make it easy navigate and keep track of where you were reading Easy-to-read extra-large 7.5-point NKJV Comfort Print

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In this new historical fantasy, a young man must use the power granted by a goddess to infiltrate the realm of Faery and save a kidnapped victim before the door is sealed once again.Orphaned when still a toddler, Nicholas Withybeck knows no other home than Locksley Abbey outside Nottingham, England. He works in the scriptorium embellishing illuminated manuscripts with hidden faces of the Wild Folk and whimsical creatures that he sees every time he ventures into the woods and fields. His curiosity leads him into forbidden nooks and crannies both inside and outside the abbey, and he becomes adept at hiding to stay out of trouble.On one of these forays Nick slips into the crypt beneath the abbey. There he finds an altar older than the abbey’s foundations, ancient when the Romans occupied England. Behind the bricks around the altar, he finds a palm-sized silver cup. The cup is embellished with the three figures of Elena, the Celtic goddess of crossroads, sorcery, and cemeteries.He carries the cup with him always, listening as the goddess whispers wisdom in the back of his mind. With Elena’s cup in his pocket, Nick can see that the masked dancers at the May Day celebration in the local village are actually the creatures of the wood: The Green Man—known to mortals as Little John—and Robin Goodfellow, Herne the Huntsman, dryads, trolls, and water sprites. Theirs are the faces he’s seen and drawn into his illuminations.Guided by Elena along secret forest paths, Nick learns that Little John’s love has been kidnapped by Queen Mab of the Faeries. The door to the Faery mound will only open when the moons of the two realms align. That time is fast approaching. Nick must release Elena so that she can use sorcery to unlock that door, allowing Nick’s band of friends to try to rescue the girl. Will he have the courage to release her as his predecessor did not?

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This Thing of Darkness, Joan Neuberger's engrossing production history of Sergei Eisenstein's Ivan the Terrible, is a major contribution to the study of Eisenstein and thus informs the history and theory of cinema and the study of Soviet culture and politics. Neuberger's ability to mine, interpret, and connect Eisenstein's voluminous, intriguingly digressive writings makes this book exceptional.— Karla Oeler, Stanford University Sergei Eisenstein's unfinished masterpiece, Ivan the Terrible, was no ordinary movie. Commissioned by Joseph Stalin in 1941 to justify state terror in the sixteenth century and in the twentieth, the film's politics, style, and epic scope aroused controversy even before it was released. In This Thing of Darkness, Joan Neuberger offers a sweeping account of the conception, making, and reception of Ivan the Terrible that weaves together Eisenstein's expansive thinking and experimental practice with a groundbreaking new view of artistic production under Stalin. Drawing on Eisenstein's unpublished production notebooks, diaries, and manuscripts, Neuberger's riveting narrative chronicles Eisenstein's personal, creative, and political challenges and reveals the ways cinematic invention, artistic theory, political critique, and historical and psychological analysis went hand in hand in this famously complex film. Neuberger's bold arguments and daring insights into every aspect of Eisenstein's work during this period, together with her ability to lucidly connect his wide-ranging late theory with his work on Ivan, show the director exploiting the institutions of Soviet artistic production not only to expose the cruelties of Stalin and his circle but to challenge the fundamental principles of Soviet ideology itself. Ivan the Terrible, she argues, shows us one of the world's greatest filmmakers and one of the 20th century's greatest artists observing the world around him and experimenting with every element of film art to explore the psychology of political ambition, uncover the history of recurring cycles of violence and lay bare the tragedy of absolute power.

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The perfect choice to dig deeper in God’s Word with extra margin space for your thoughts while enjoying easy-to-read large print font.The NKJV Wide-margin Reference Bible, featuring extra space in the margin for your notes, is an essential edition for enhancing your Bible study.This wide margin edition helps you focus and delve deeper in God's Word with a classic 2-column format and clear extra space in the outside margins suited for your notes, outlines, and personal studies. The large print, set in the exclusive NKJV Comfort Print® typeface, is designed to provide a smooth reading of the accurate and beautiful New King James Version. And with features including book introductions, extensive cross-references, the full set of translator notes, and a concordance you’ll still have the tools to get more out of God’s Word.Trusted by millions of believers around the world, the NKJV remains the bestselling modern "word-for-word" translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translators relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising−perfect for serious study, devotional use, and reading aloud.Features include: Complete text of the beautiful New King James Version Exclusive Thomas Nelson NKJV Comfort Print® typeface Line-matched text for optimal clarity on the page Extensive cross-reference system and the full set of NKJV translator notes Book introductions Concordance Full-color maps Words of Christ in red Two satin ribbons Durable sewn binding Clear and readable 10.5-point print size

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A Bible with large print in an easy-to-carry format that is ideal to take with you wherever you want to enjoy God's Word.Exploring God’s Word on the go just got easier. This edition not only includes the full text of the trustworthy New King James Version in an easy-to-read large print, but it is also small enough for everyday use and easy navigation with thousands of cross-references conveniently located at the end of verses.Trusted by millions of believers around the world, the NKJV remains the bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translators relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.Features include: Line-matched for improved clarity when reading Verse-style Scripture format starts each verse on its own line so it’s easy to navigate the text Verse-by-verse cross-references give you to find related passages quickly and easily Words of Christ in red help you quickly identify Jesus’ teachings and statements Portable personal-size format allow this Bible to be a perfect travel companion wherever you go Durable and flexible Smyth-sewn binding allows the Bible to lay flat wherever you are reading Concordance for looking up a word’s occurrences throughout the Bible Full color maps show the layout of Israel and other biblical locations for better context Ribbon markers make it easy navigate and keep track of where you were reading Easy-to-read extra-large 10.5-point NKJV Comfort Print

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A Bible with large print in an easy-to-carry format that is ideal to take with you wherever you want to enjoy God's Word.Exploring God’s Word on the go just got easier. This edition not only includes the full text of the trustworthy New King James Version in an easy-to-read large print, but it is also small enough for everyday use and easy navigation with thousands of cross-references conveniently located at the end of verses.Trusted by millions of believers around the world, the NKJV remains the bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translators relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.Features include: Line-matched for improved clarity when reading Verse-style Scripture format starts each verse on its own line so it’s easy to navigate the text Verse-by-verse cross-references give you to find related passages quickly and easily Words of Christ in red help you quickly identify Jesus’ teachings and statements Portable personal-size format allow this Bible to be a perfect travel companion wherever you go Durable and flexible Smyth-sewn binding allows the Bible to lay flat wherever you are reading Concordance for looking up a word’s occurrences throughout the Bible Full color maps show the layout of Israel and other biblical locations for better context Ribbon markers make it easy navigate and keep track of where you were reading Easy-to-read extra-large 10.5-point NKJV Comfort Print

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An easy-to-carry Bible that easily fits in a purse or backpack with cross references allowing this Bible to be an ideal choice to take with you wherever you go.Reading the Bible on the go? This compact-sized edition was designed with you in mind. Even though this Bible is small, you don’t have to compromise size for readability. Plus, thousands of cross references are conveniently located at the end of verses to help you make connections throughout Scripture.Trusted by millions of believers around the world, the NKJV remains the bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translators relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.Features include: Line-matched for improved clarity when reading Verse-style Scripture format starts each verse on its own line so it’s easy to navigate the text Verse-by-verse cross-references give you to find related passages quickly and easily Words of Christ in red help you quickly identify Jesus’ teachings and statements Portable personal-size format allows this Bible to be a perfect travel companion wherever you go Durable and flexible Smyth-sewn binding allows the Bible to lay flat wherever you are reading Concordance for looking up a word’s occurrences throughout the Bible Full color maps show the layout of Israel and other biblical locations for better context Ribbon markers make it easy navigate and keep track of where you were reading Easy-to-read extra-large 7.5-point NKJV Comfort Print

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This unique book introduces nineteenth-century Japan through the compelling life story of Boston journalist Edward H. House (1836-1901), America's first regular correspondent in Japan. House's accomplishments were breathtaking in variety: shaping the reputations of John Brown and Mark Twain, influencing American attitudes toward Asia, persuading Congress to return a massive indemnity to Japan, editing Tokyo's earliest English-language newspaper (Tokio Times), constructing a powerful case against imperialism, and introducing Western orchestral music to Japan. House's experiences also illustrated many of the era's key themes: Japan's use of public relations as a diplomatic tool, the contentious relations of the expatriate community, the role foreign advisors played in Japan's drive toward modernity, and the complicated nature of U.S.-Japan relations. The book captures the human drama of a special breed of early journalist. It recounts the bohemianism that made House and his friends (e.g., Walt Whitman, Artemus Ward) notorious. It narrates his tender, tortured relationship with Aoki Koto, a girl he adopted when she was on the verge of suicide. It shows a courageous struggle with gout, including 20 years in a wheelchair given to him by the powerful Okuma Shigenobu. And it details a deep friendship with Mark Twain, which eventually was destroyed by a dispute over The Prince and the Pauper. Twain's unpublished 50-page manuscript on the experience, Concerning the Scoundrel E. H. House, is introduced here for the first time. Meticulously researched, the book draws on House's voluminous writings and on hundreds of letters between House and major figures in both America and Japan, including Mark Twain, U.S. Grant, John Russell Young, Edmund Clarence Stedman, Okuma Shigenobu, and Inoue Kaoru. With its lively, accessible prose and seamless interweaving of the life of House with the history of the Meiji era, this book will be welcomed by students, scholars, and general readers interested in modern Japanese history and in America's nineteenth-century foreign relations.

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En marge de la production litteraire des troubadours des 12eme et 13eme siecles on trouve un certain nombre de lettres d'amour en vers. Dans ces epitres amoureuses, mieux connues sous le terme de saluts, l'amant implore la grace de sa dame selon les preceptes de la litterature courtoise de l'epoque. Thematiquement proches du genre lyrique majeur de la canso, les saluts se distinguent toutefois de celle-ci par l'emploi de la forme non-lyrique des genres didactiques et narratifs, non sans conferer une nouvelle unite a ce melange remarquable en observant les regles dictees par les manuels epistolaires contemporains. En meme temps, c'est ce caractere hybride qui fait du salut un genre mal defini et peu connu. Cette etude propose une reevaluation de ce genre mineur de la lyrique troubadouresque. En partant des diverses etudes dont le salut a fait l'objet jusqu'a maintenant, elle examine d'abord l'ensemble des poesies designees par ce terme afin d'offrir une delimitation pratique du corpus. L'analyse detaillee de l'un des saluts du 'maitre' du genre, le troubadour Arnaud de Mareuil, permet ensuite de mieux cerner sa technique poetique. La specificite du discours amoureux du salut ressort d'un examen approfondi de son caractere epistolaire, qui, par le dialogue implicite avec la dame qu'il entraine, fait eclater la construction lyrique traditionnelle en ouvrant la voie vers les genres narratifs. Ce double statut generique lyrico-narratif du salut est enfin illustre par un survol de l'emploi de la designation salutz, par un examen succinct de sa tradition manuscrite et par un inventaire des traces que le genre a laissees dans les textes contemporains.Le salut apparait ainsi comme un genre original, qui, a travers ses carateristiques specifiques, jette un pont entre le lyrique et le narratif. Ce faisant, il constitue un moment particulier dans l'evolution de la litterature occitane medievale.

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Janet Frame (1924-2004) was one of New Zealand's foremost modern writers, best-known for her prizewinning novels and for the three-volume autobiography later adapted by Jane Campion into her film "An Angel at My Table". Janet Frame called poetry 'the highest form of literature because you can have no dead wood in a poem'. Its attraction is abundantly evident in her novels where her already 'poetic' prose - intensely lyrical, heavily metaphorical - is at times completely pared down to poetry. She published only one collection in her lifetime, "The Pocket Mirror" in 1967, but she never stopped writing poetry, allowing the manuscripts to accumulate in an old fibreglass bowl she'd originally used as a bath for her geese. Her second, posthumous collection "The Goose Bath" (2006) was compiled from this treasure trove, but not published outside New Zealand."Storms Will Tell" is a comprehensive selection of her beautiful and thought-provoking poems drawn from both those books. Her poems illustrate the shape of Janet Frame's life: her childhood and later years in mental hospitals blighted by mis-diagnosis of schizophrenia; her travels around the world, including her time in England; her life as a writer and return to New Zealand; and, growing older and facing illness and death. There are love poems, meditations on mortality, flashes of humour and startling imagery. And always she celebrates the power of the human imagination. Also in 2008: Virago publish "Towards Another Summer", a previously unpublished, short novel by Janet Frame (written in London in 1963), and a new edition of "An Angel at My Table".

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From ancient Rome to early modern Europe, the relationship between humans and food has been portrayed in artworks for thousands of years. From farming, cooking and feasting scenes depicted in the Middle Ages in books of hours to the fish and fruit of ancient frescoes and mosaics, Food in Art gives fresh insights into how food items were cultivated, hunted, trapped, stored, traded, prepared and served throughout the ages. In this richly illustrated book, leading food historian Gillian Riley demonstrates how works of art can provide us with detailed information about the preparation and preservation of food that is missing from the history books. Artists of all periods and in all places have portrayed the tools and environments of the gastronomic world - of the drying, salting or smoking of meat, fish or vegetables, for example - and the enjoyment of eating, from the simplest peasant meals to the grandest banquets. These works allow us, as twenty-first-century viewers, to appreciate the colours, imagine the smells and salivate over the recipes of the foods, kitchens and dishes of the past.The book also explores the many links between food and myth, religion and legend in an array of artworks: is our perception of fruit in Christian art skewed by their symbolic meaning? Were the golden apples of the Hesperides indeed apples, or were they quinces or oranges? Covering everything from ancient wall paintings and medieval illuminated manuscripts to stained glass and funerary monuments, Food in Art explores these questions and many more in this aesthetically pleasing and highly readable volume.

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Key topics in important German medieval work surveyed and reassessed. Few works of the middle ages can boast the `staying power' of the 'heroic' Nibelungenlied and few have generated more controversy both among scholars and the educated public. The Nibelung theme has been ubiquitous over the past 150 years in a wide spectrum of literary and as well as non-literary endeavors. It was used by Friedrich Hebbel as the basis for one of his best psychological dramas, by Wagner, along with the Old Norse analogues, for Die Ring des Nibelungen, and by the film maker Fritz Lang for his 1920s Expressionist masterpiece, Die Nibelungen. Its heroes provided suitable models for German troops who marched against Napoleon, while by the end of World War II, the Nibelung tradition had provided material for a speech by Göring, the name for Germany's western line of defense, and significantly, the cuffband designation of the last 'division' formed in the elite Combat SS. This Companion to the Nibelungenlied draws on the expertise of scholars from German, Britain, and the United States to offer the reader fresh perspectives on a wide variety of topics regarding the epic: the latest theories regarding manuscript tradition, authorship, conflict, combat, and politics, the Otherworld and its inhabitants, eroticism (in both the Nibelungenlied and Wagner's Ring), the reception both of the Nibelungenlied in the twentieth century and of its most intriguing protagonist, Kriemhild, key concepts used by the poet, the heroic, feudal, and courtly elements in the work, and an analysis of archetypal elements from the perspective of Jungian psychology. Winder McConnell is Professor of German at the University of California, Davis.

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At the height of the Victorian era, a daring group of artists and thinkers defied the reigning obsession with propriety, testing the boundaries of sexual decorum in their lives and in their work. Dante Gabriel Rossetti exhumed his dead wife to pry his only copy of a manuscript of his poems from her coffin. Legendary explorer Richard Burton wrote how-to manuals on sex positions and livened up the drawing room with stories of eroticism in the Middle East. Algernon Charles Swinburne visited flagellation brothels and wrote pornography amid his poetry. By embracing and exploring the taboo, these iconoclasts produced some of the most captivating art, literature, and ideas of their day. As thought-provoking as it is electric, Pleasure Bound unearths the desires of the men and women who challenged buttoned-up Victorian mores to promote erotic freedom. These bohemians formed two loosely overlapping societies—the Cannibal Club and the Aesthetes—to explore their fascinations with sexual taboo, from homosexuality to the eroticization of death. Known as much for their flamboyant personal lives as for their controversial masterpieces, they created a scandal-provoking counterculture that paved the way for such later figures as Gustav Klimt, Virginia Woolf, and Jean Genet. In this stunning exposé of the Victorian London we thought we knew, Deborah Lutz takes us beyond the eyebrow-raising practices of these sex rebels, revealing how they uncovered troubles that ran beneath the surface of the larger social fabric: the struggle for women’s emancipation, the dissolution of formal religions, and the pressing need for new forms of sexual expression.

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This volume of the new DSI series is the most comprehensive investigation of Hebrew and Greek translation equivalents in Ps 42-43 in the Psalter and in the Septuagint as a whole currently available. This detailed study does not only include the translation equivalents in the Septuagint, the semantic meanings of the Hebrew and Greek words are also discussed and parallels in the LXX as well as in the Hebrew Bible are included. A systematic investigation of the translator's method must be carried out before one can use the manuscripts in a proper way. Accordingly, the extensive translation-technical emphasis and the discussion of text-critical matters make it possible to present a more accurate Old Greek text and this book may thus contribute to a new critical edition of the Greek Psalter. The book is also in some respects in itself a text-critical study, since all variants in Rahlfs' edition of the Septuagint Psalms, with the addition of Papyrus Bodmer XXIV (Rahlfs 2110), as well as Hebrew variants, are referred to and studied. This includes suggestions and evaluations of the Hebrew Vorlage behind the Septuagint text. It is also a commentary on the Hebrew and the Greek texts of Ps 42-43. Like other commentaries, it describes the position of the psalm, it presents the unity and form of the psalm, its structure and its relation to the close context. As a commentary on both the Hebrew Bible and the Septuagint, it gives an overall interpretation of the psalm in Hebrew and in Greek separately. The book can be read by the specialist in Septuagint studies as well as all scholars interested in translation, textual criticism, and in the book of Psalms, not least its use of metaphors and the reflection of temple theology.

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The bare outline of the story of the discovery of the Dead Sea Scrolls is well known both to scholars and in the popular imagination. The precise details—the sequence and causal interplay of events, even some of the key players behind the scenes—are less well known and sometimes completely forgotten or misconstrued. The recovery of this history in all its complexity is vital for understanding how and why scholarly work on the Scrolls developed as it did over the six decades during which the texts were slowly published. Dr. Kalman recovers the fascinating story of Hebrew Union College-Jewish Institute of Religion's involvement with the Dead Sea Scrolls from their discovery in 1948 until the early 1990s when they were first made accessible to all scholars and to the public. Scholars at HUC-JIR actively participated in efforts to acquire and preserve the manuscripts and played a significant part in breaking the monopoly of scholars initially assigned to publish them. Despite these activities, a number of HUC-JIR’s influential teachers took a negative view of the scrolls. As a consequence, rabbinical students either did not encounter the material or left the institution with a view of it that was far from the mainstream. This book traces the activities of HUC-JIR’s administration and faculty over five decades, the contribution they made to the new academic field, and their influence on how knowledge of the Dead Sea Scrolls was shared with the community at large. Many details about security negatives stored at HUC and about the bootleg reconstruction are revealed for the first time.

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The Consolidated B-24 Liberator was almost certainly the most versatile Second World War Bomber. Apart from its bombing role in all theatres of operation, the B-24 hauled fuel to France during the push towards Germany, carried troops, fought U-boats in the Atlantic and, probably most important of all, made a vital contribution towards winning the war in the Pacific. Its most famous single exploit is possibly the raid on the Ploesti oilfields in August 1943.The B-24 ended World War Two as the most produced Allied heavy bomber in history, and the most produced American military aircraft at over 18,000 units, thanks in large measure to Henry Ford and the harnessing of American industry. It still holds the distinction as the most produced American military aircraft. The B-24 was used by several Allied air forces and navies, and by every branch of the American armed forces during the war, attaining a distinguished war record with its operations in the Western European, Pacific, Mediterranean and China-Burma-India theatres.This book focuses on the design, engineering, development and tactical use of the many variants throughout the bomber's service life. The overall result is, as David Lee, the former Deputy Director of the Imperial War Museum at Duxford said upon reading the final manuscript, to be acquainted with '...all you never knew about the B-24!'The book is enlivened by the many dramatic photographs which feature, and this coupled with the clarity of Simons' prose makes for an engaging and entertaining history of this iconic Allied bomber, a key component in several of their biggest victories and a marvel of military engineering

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***The 7th novel in the Strike series, THE RUNNING GRAVE, is coming in September 2023. Pre-order now and be the first to read it***'Teems with sly humour, witty asides and intelligence ... A pleasure to read' TIMES-----Now a major BBC drama: The Strike seriesWhen novelist Owen Quine goes missing, his wife calls in private detective Cormoran Strike. At first, she just thinks he has gone off by himself for a few days - as he has done before - and she wants Strike to find him and bring him home.But as Strike investigates, it becomes clear that there is more to Quine's disappearance than his wife realises. The novelist has just completed a manuscript featuring poisonous pen-portraits of almost everyone he knows. If the novel were published it would ruin lives - so there are a lot of people who might want to silence him.And when Quine is found brutally murdered in bizarre circumstances, it becomes a race against time to understand the motivation of a ruthless killer, a killer unlike any he has encountered before . . .A compulsively readable crime novel with twists at every turn, The Silkworm is the second in the highly acclaimed series featuring Cormoran Strike and his determined young assistant Robin Ellacott.*** The latest book in the thrilling Strike series, TROUBLED BLOOD, is out now! ***-----PRAISE FOR THE STRIKE SERIES: 'One of the most unique and compelling detectives I've come across in years' MARK BILLINGHAM'The work of a master storyteller' DAILY TELEGRAPH'Unputdownable. . . Irresistible' SUNDAY TIMES'Will keep you up all night' OBSERVER'A thoroughly enjoyable classic' PETER JAMES, SUNDAY EXPRESS

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A new investigation that shows how conversionary preaching to Jews was essential to the early modern Catholic Church and the Roman religious landscapeStarting in the sixteenth century, Jews in Rome were forced, every Saturday, to attend a hostile sermon aimed at their conversion. Harshly policed, they were made to march en masse toward the sermon and sit through it, all the while scrutinized by local Christians, foreign visitors, and potential converts. In Catholic Spectacle and Rome’s Jews, Emily Michelson demonstrates how this display was vital to the development of early modern Catholicism.Drawing from a trove of overlooked manuscripts, Michelson reconstructs the dynamics of weekly forced preaching in Rome. As the Catholic Church began to embark on worldwide missions, sermons to Jews offered a unique opportunity to define and defend its new triumphalist, global outlook. They became a point of prestige in Rome. The city’s most important organizations invested in maintaining these spectacles, and foreign tourists eagerly attended them. The title of “Preacher to the Jews” could make a man’s career. The presence of Christian spectators, Roman and foreign, was integral to these sermons, and preachers played to the gallery. Conversionary sermons also provided an intellectual veneer to mask ongoing anti-Jewish aggressions. In response, Jews mounted a campaign of resistance, using any means available.Examining the history and content of sermons to Jews over two and a half centuries, Catholic Spectacle and Rome’s Jews argues that conversionary preaching to Jews played a fundamental role in forming early modern Catholic identity.

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Dangerous Neighbors shows how the Haitian Revolution permeated early American print culture and had a profound impact on the young nation's domestic politics. Focusing on Philadelphia as both a representative and an influential vantage point, it follows contemporary American reactions to the events through which the French colony of Saint Domingue was destroyed and the independent nation of Haiti emerged. Philadelphians made sense of the news from Saint Domingue with local and national political developments in mind and with the French Revolution and British abolition debates ringing in their ears. In witnessing a French colony experience a revolution of African slaves, they made the colony serve as powerful and persuasive evidence in domestic discussions over the meaning of citizenship, equality of rights, and the fate of slavery. Through extensive use of manuscript sources, newspapers, and printed literature, Dun uncovers the wide range of opinion and debate about events in Saint Domingue in the early republic. By focusing on both the meanings Americans gave to those events and the uses they put them to, he reveals a fluid understanding of the American Revolution and the polity it had produced, one in which various groups were making sense of their new nation in relation to both its own past and a revolution unfolding before them. Zeroing in on Philadelphia—a revolutionary center and an enclave of antislavery activity—Dun collapses the supposed geographic and political boundaries that separated the American republic from the West Indies and Europe.

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Considered by many to be one of the most influential German Pietists, August Hermann Francke lived during a moment when an emphasis on conversion was beginning to produce small shifts in how the sacraments were defined—a harbinger of later, more dramatic changes to come in evangelical theology. In this book, Peter James Yoder uses Francke and his theology as a case study for the ecclesiological stirrings that led to the rise of evangelicalism and global Protestantism.Engaging extensively with Francke’s manuscript sermons and writings, Yoder approaches Francke’s life and religious thought through his theology of the sacraments. In doing so, Yoder delivers key insights into the structure of Francke's Pietist thought, providing a rich depiction of his conversion-driven theology and how it shaped his views of the sacraments and the church. The first in-depth study of Francke’s theology written for an English-speaking audience, this book supports recent scholarship in English that not only challenges long-held assumptions about Pietism but also argues for the role of Pietism’s influence on the changing religious landscape of the eighteenth century. Through his examination of Francke’s theology of the sacraments, Yoder presents a fresh view into the eighteenth-century ecclesiological developments that caused a rupture with the dogmas of the Reformation.Original and vital, this study recognizes Francke’s importance to the history of Pietism in Germany and beyond. It will become the standard reference on Francke for American audiences and will influence scholarship on Lutheranism, Pietism, early modern German studies, and eighteenth-century history and religion.

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The Jesuits were a major source of European information on Japan from the late 16th to early 17th century. Not only were they active missionaries but they also produced linguistic, religious and cultural tracts, regional chronicles, as well as hundreds of Latin plays written in imitation of classical Greco-Roman theatre but set in Japan. An intriguing yet underexplored segment of Jesuit school theatre is that which stages non-classical, non-Western subjects such as Japan, and this volume is the first to present Latin texts of two of these plays alongside full English translations, commentaries and an extensive introduction. The plays in question - Martyrs of Japan and Victor the Japanese - were performed in Koblenz and Munich, in 1625 and 1665 respectively, and are collated from original 17th-century manuscripts for this edition. They were based on specific events which took place in Japan in 1597 and 1613, and their main characters are historically attested Japanese Catholic converts and their pagan peers. The juxtaposition of the Latin texts and original English translations makes the plays newly accessible to a wide readership, shedding light on the ways in which Western classical humanism rooted in ancient Mediterranean theatre became intertwined with momentous historical developments across the globe to produce these unique spectacles. The introduction and commentary examine the historical, cultural and literary contexts and provide guidance on interpretative and stylistic issues, allowing for a full appreciation of the plays in which pagan classical, Christian, early modern European and Japanese elements come together.

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“An invaluable window on how New York self-consciously and very publicly transformed itself from a city that was merely ‘the largest’ to an undisputed world-class metropolis. . . . A rich historical record of newspapers, manuscripts, artifacts, photographs, and graphics . . . offers a new lens to examine identity, industry, and environment.”—Kenneth T. Jackson, from the Foreword For two weeks in the fall of 1909, New York City threw itself the biggest party it had ever seen—attracting millions of people to a sprawling festival 150 miles long, from Brooklyn up the Hudson River to Albany. This extraordinary event, the Hudson-Fulton Celebration, was officially meant to commemorate the 300th anniversary of Henry Hudson’s discovery of the river bearing his name and the centennial of Robert Fulton’s first successful run of his steamship Clermont. But in an era of grand world’s fairs, the Celebration was really created to showcase New York’s coming of age as a world metropolis. On city sidewalks and along the river, millions enjoyed a nonstop circus of fireworks, concerts, museum exhibitions, children’s festivals, and military and naval parades, each designed to link past glories to present challenges and future progress. And to show the world that its biggest city worked. For city leaders, the Celebration was to be a gaudy catalyst for change—technological, commercial, cultural, and political. There were great flotillas of the world’s navies. New, glittering electric lights illuminated bridges and skyscrapers. Jawdropping flyovers by Wilbur Wright and Glenn Curtiss introduced New Yorkers to the airplane. The Queensboro Bridge had just been built, as had new subway lines. Thousands of children in ethnic costumes marched to celebrate the new American melting pot. No one had seen anything like it. This fascinating book commemorates that commemoration. With a rich selection of full-color images—photographs, graphics, memorabilia, paintings, and much more—it tells the story of what those two weeks meant to four million New Yorkers and one million out-of-town guests. Johnson brings back a city feverishly at work and play, from the grand schemes of the planners to the way the Celebration put the city and its people on a world stage.

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This de luxe collector’s edition features the first edition text and contains a facsimile page of Tolkien’s original manuscript. The book is quarterbound with a special gold motif stamped on the front board and is presented in a matching slipcase. “Many years ago, J.R.R. Tolkien composed his own version, now published for the first time, of the great legend of Northern antiquity, in two closely related poems to which he gave the titles The New Lay of the Völsungs and The New Lay of Gudrún. In the Lay of the Völsungs is told the ancestry of the great hero Sigurd, the slayer of Fáfnir most celebrated of dragons, whose treasure he took for his own; of his awakening of the Valkyrie Brynhild who slept surrounded by a wall of fire, and of their betrothal; and of his coming to the court of the great princes who were named the Niflungs (or Nibelungs), with whom he entered into blood-brotherhood. In that court there sprang great love but also great hate, brought about by the power of the enchantress, mother of the Niflungs, skilled in the arts of magic, of shape-changing and potions of forgetfulness. In scenes of dramatic intensity, of confusion of identity, thwarted passion, jealousy and bitter strife, the tragedy of Sigurd and Brynhild, of Gunnar the Niflung and Gudrún his sister, mounts to its end in the murder of Sigurd at the hands of his blood-brothers, the suicide of Brynhild, and the despair of Gudrún. In the Lay of Gudrún her fate after the death of Sigurd is told, her marriage against her will to the mighty Atli, ruler of the Huns (the Attila of history), his murder of her brothers the Niflung lords, and her hideous revenge. Deriving his version primarily from his close study of the ancient poetry of Norway and Iceland known as the Poetic Edda (and where no old poetry exists, from the later prose work the Völsunga Saga), J.R.R. Tolkien employed a verse-form of short stanzas whose lines embody in English the exacting alliterative rhythms and the concentrated energy of the poems of the Edda.”— Christopher Tolkien

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A significant body of scholarship addresses pre-Norman Irish life and history, including the archaeology, art, and architecture from the time of St. Patrick (d. 493) to the arrival of the Normans in the twelfth century. While the place of the church and its organization in pre-Norman Ireland have been extensively studied, relatively little has been published on the eucharistic liturgy as celebrated in the pre-Norman church or on the attitudes of its worshippers to the Eucharist. But, as Neil Xavier O’Donoghue notes, many of Ireland’s national treasures—including the Ardagh Chalice, the Book of Kells, and Cormac’s Chapel—date from this time and are directly connected with the celebration of the Eucharist. Additionally, many of the textual and archaeological sources for the study of pre-Norman Ireland—saints’ lives, penitentials, monastic rules, manuscripts, eucharistic vessels, church buildings, and ecclesiastical complexes—directly relate to the Eucharist. There has been no attempt to provide a useful synthesis since F. E. Warren’s 1881 Liturgy and Ritual of the Celtic Church. O’Donoghue’s The Eucharist in Pre-Norman Ireland provides a necessary, updated synthesis, one that incorporates advances made in liturgical studies and liturgical theology since the early twentieth century. In addition to reassessing and supplementing the texts discussed by Warren, O’Donoghue considers the social dimension of the Eucharist, its treatment in art and architecture, and its treatment as reflected by the spirituality of the time, placing this new analysis within a better understood Western European cultural and liturgical context. Most importantly, O’Donoghue shows that pre-Norman Ireland was very much a part of the Western (Gallican) liturgical tradition; he argues that what we know of the Eucharist in Ireland must be integrated into what we know of it in Britain and Gaul in order to understand the central role of the Eucharist in the Christianization of the West.

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