Search results for ""Author MANUS"

How Walt Disney and the Disney Studios wove the aesthetics of French decorative arts into the fairy-tale worlds of beloved animated films, from Cinderella to Beauty and the Beast and beyond Pink castles, talking sofas, and objects coming to life: what may sound like the fantasies of Hollywood dream-maker Walt Disney were in fact the figments of the colorful salons of Rococo Paris. Exploring the novel use of French motifs in Disney films and theme parks, this publication features forty works of eighteenth-century European design—from tapestries and furniture to Boulle clocks and Sèvres porcelain—alongside 150 Disney film stills, drawings, and other works on paper. The text connects these art forms through a shared dedication to craftsmanship and highlights references to European art in Disney films, including nods to Gothic Revival architecture in Cinderella (1950); bejeweled, medieval manuscripts in Sleeping Beauty (1959); and Rococo-inspired furnishings and objects brought to life in Beauty and the Beast (1991). Bridging fact and fantasy, this book draws remarkable new parallels between Disney’s magical creations and their artistic inspirations.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (December 10, 2021–March 6, 2022)Wallace Collection, London (April 6–October 16, 2022)Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA (December 10, 2022–March 27, 2023)

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A Bible in the trustworthy NKJV with giant print text that is extremely readable while also being easy to take with you to church or a small group. This edition features extra-large text in Comfort Print, yet the Bible is still only 1” thick.Trusted by millions of believers around the world, the NKJV remains the bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translators relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.Features include: Words of Christ in red quickly identify verses spoken by Jesus Durable and flexible Smyth-sewn binding allow for years of use Satin Ribbon Markers are a useful tool to easily navigate and keep track of where you were reading Gilded page edges add a beautiful shine around the border of the paper Full color maps show a visual representation of Israel and other biblical locations for better context Easy-to-read line-matched giant 12-point NKJV Comfort Print

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A Bible in the trustworthy NKJV with giant print text that is extremely readable while also being easy to take with you to church or a small group. This edition features extra-large text in Comfort Print, yet the Bible is still only 1” thick.Trusted by millions of believers around the world, the NKJV remains the bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translators relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.Features include: Words of Christ in red quickly identify verses spoken by Jesus Durable and flexible Smyth-sewn binding allow for years of use Satin Ribbon Markers are a useful tool to easily navigate and keep track of where you were reading Gilded page edges add a beautiful shine around the border of the paper Full color maps show a visual representation of Israel and other biblical locations for better context Easy-to-read line-matched giant 12-point NKJV Comfort Print

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A balance of being both easy-to-read and easy-to-carry, this Bible is an ideal choice to take with you wherever you go.This edition is published in large NKJV Comfort Print type, which was designed exclusively for Thomas Nelson to be the most readable at any size.The go-anywhere New King James Version Bible, lightweight and portable, now with the enhanced readability of Thomas Nelson’s custom NKJV font in large print. That’s the NKJV Value Thinline Large Print Bible, and it’s the Bible you’ll want to take with you throughout your day. Featuring the popular and reliable text of the New King James Version in a variety of compelling cover designs, you will enjoy the beautiful new layout, helpful reading plan, and words of Christ in red.Features Include: Line-matched classic 2-column format Presentation page to personalize this special gift by recording a memory or a note Words of Christ in red help you quickly identify Jesus’ teachings and statements Translation notes provide a look into the thinking of the translators with alternative translations that could have been used and textual notes about manuscript variations Reading plan guiding you through the entire Bible in a year Ribbon markers for you to easily navigate and keep track of where you were reading Durable and flexible Smyth-sewn binding for years of use Easy-to-read 10.5-point NKJV Comfort Print

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In the winter of 1417, a short, genial, cannily alert man in his late thirties plucked a very old manuscript off a dusty shelf in a remote monastery, saw with excitement what he had discovered, and ordered that it be copied. He was Poggio Bracciolini, the greatest book hunter of the Renaissance. His discovery, Lucretius’ ancient poem On the Nature of Things, had been almost entirely lost to history for more than a thousand years. It was a beautiful poem of the most dangerous ideas: that the universe functions without the aid of gods, that religious fear is damaging to human life, that pleasure and virtue are not opposites but intertwined, and that matter is made up of very small material particles in eternal motion, randomly colliding and swerving in new directions. Its return to circulation changed the course of history. The poem’s vision would shape the thought of Galileo and Freud, Darwin and Einstein, and—in the hands of Thomas Jefferson—leave its trace on the Declaration of Independence. From the gardens of the ancient philosophers to the dark chambers of monastic scriptoria during the Middle Ages to the cynical, competitive court of a corrupt and dangerous pope, Greenblatt brings Poggio’s search and discovery to life in a way that deepens our understanding of the world we live in now. “An intellectually invigorating, nonfiction version of a Dan Brown–like mystery-in-the-archives thriller.” —Boston Globe

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Hind, newly arrived in New York with her eight-year-old son, several suitcases of unfinished manuscripts, and hardly any English, finds a room in a Brooklyn teeming with people like her who dream of becoming writers. As she discovers the various corners of her new home, they conjure up parallel memories from her childhood and her small Bedouin village in the Nile Delta: Emilia who sells used shoes at the flea market smells like Zeinab, the old woman who worked for Hind's grandfather; the reflection of her own body as she dances tango awakens the awkwardness of her relationship to that body across the years; the story of Lilette, the Egyptian bourgeoise who has lost her memory, prompts Hind to safeguard her own. Through this kaleidoscopic spectrum of disadvantaged characters we encounter unique but familiar life histories in this award-winning and intensely moving novel of displacement and exile. It was the winner of the Naguib Mahfouz Medal for Literature, and was shortlisted for the 2011 Arabic Booker prize.

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An exploration of Colombian maps in New Granada. During the late Spanish colonial period, the Pacific Lowlands, also called the Greater Chocó, was famed for its rich placer deposits. Gold mined here was central to New Granada’s economy yet this Pacific frontier in today’s Colombia was considered the “periphery of the periphery.” Infamous for its fierce, unconquered Indigenous inhabitants and its brutal tropical climate, it was rarely visited by Spanish administrators, engineers, or topographers and seldom appeared in detail on printed maps of the period. In this lavishly illustrated and meticulously researched volume, Juliet Wiersema uncovers little-known manuscript cartography and makes visible an unexamined corner of the Spanish empire. In concert with thousands of archival documents from Colombia, Spain, and the United States, she reveals how a "periphery" was imagined and projected, largely for political or economic reasons. Along the way, she unearths untold narratives about ephemeral settlements, African adaptation and autonomy, Indigenous strategies of resistance, and tenuous colonialisms on the margins of a beleaguered viceroyalty.

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A full and comprehensive assessment of the place of the 18th-century peerage and House of Lords. Uses statistical and anecdotal evidence to create a variegated portrait of the nobility, its political outlook, and the ways in which the nobility's multifarious roles combined to shape its members' conduct as peers of parliament Challenges the assumption that the Lords remained a creature of the crown and demonstrates that peers and bishops were useful, informed, and broadly connected legislators Incorporates the results of recent research on the role of ideology in 18th-century British politics and the legislative business of parliaments Draws on contemporary newspapers and journals and over 120 manuscript collections, some not previously consulted by students of the House Offers new insights into the Lords' changing relations with the crown and the Commons, traces the metamorphosis of the 'party of the crown' into an ultra-tory connection, and demonstrates that even as it resisted some political and social reform, the Lords was a useful legislative chamber that adapted effectively to the rising volume of business

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So You Want to Write about American Indians? is the first of its kind—an indispensable guide for anyone interested in writing and publishing a novel, memoir, collection of short stories, history, or ethnography involving the Indigenous peoples of the United States. In clear language illustrated with examples—many from her own experiences—Choctaw scholar and writer Devon Abbott Mihesuah explains the basic steps involved with writing about American Indians. So You Want to Write about American Indians? provides a concise overview of the different types of fiction and nonfiction books written about Natives and the common challenges and pitfalls encountered when writing each type of book. Mihesuah presents a list of ethical guidelines to follow when researching and writing about Natives, including the goals of the writer, stereotypes to avoid, and cultural issues to consider. She also offers helpful tips for developing ideas and researching effectively, submitting articles to journals, drafting effective book proposals, finding inspiration, contacting an editor, polishing a manuscript, preparing a persuasive résumé or curriculum vitae, coping with rejection, and negotiating a book contract.

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From his school days to his tragic early death, George Orwell, who never wrote an autobiography, chronicled the dramatic events of his turbulent life in a profusion of powerful letters. Indeed, one of the twentieth century’s most revered icons was a lively, prolific correspondent who developed in rich, nuanced dispatches the ideas that would influence generations of writers and intellectuals. This historic work—never before published in America and featuring many previously unseen letters—presents an account of Orwell’s interior life as personal and absorbing as readers may ever see. Over the course of a lifetime, Orwell corresponded with hundreds of people, including many distinguished political and artistic figures. Witty, personal, and profound, the letters tell the story of Orwell’s passionate first love that ended in devastation and explains how young Eric Arthur Blair chose the pseudonym "George Orwell." In missives to luminaries such as T. S. Eliot, Stephen Spender, Arthur Koestler, Cyril Connolly, and Henry Miller, he spells out his literary and philosophical beliefs. Readers will encounter Orwell’s thoughts on matters both quotidian (poltergeists and the art of playing croquet) and historical—including his illuminating descriptions of war-shattered Barcelona and pronouncements on bayonets and the immanent cruelty of chaining German prisoners. The letters also reveal the origins of his famous novels. To a fan he wrote, "I think, and have thought ever since the war began…that our cause is the better, but we have to keep on making it the better, which involves constant criticism." A paragraph before, he explained that the British intelligentsia in 1944 were "perfectly ready for dictatorial methods, secret police, systematic falsification of history," prefiguring the themes of 1984. Entrusting the manuscript of Animal Farm to Leonard Moore, his literary agent, Orwell describes it as "a sort of fairy story, really a fable with political meaning…This book is murder from the Communist point of view." Hardly known outside a small circle of Orwell scholars, these rare letters include Orwell’s message to Dwight Macdonald of 5 December 1946 explaining Animal Farm; his correspondence with his first translator, R. N. Raimbault (with English translations of the French originals); and the moving encomium written about Orwell by his BBC head of department after his service there. The volume concludes with a fearless account of the painful illness that took Orwell’s life at age forty-seven. His last letter concerns his son and his estate and closes with the words, "Beyond that I can’t make plans at present." Meticulously edited and fully annotated by Peter Davison, the world’s preeminent Orwell scholar, the volume presents Orwell “in all his varieties” and his relationships with those most close to him, especially his first wife, Eileen. Combined with rare photographs and hand-drawn illustrations, George Orwell: A Life in Letters offers "everything a reader new to Orwell needs to know…and a great deal that diehard fans will be enchanted to have" (New Statesmen).

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In one volume for the first time, this revised and updated examination of how J.R.R.Tolkien came to write his original masterpiece The Hobbit includes his complete unpublished draft version of the story, together with notes and illustrations by Tolkien himself. The Hobbit was first published on 21 September 1937. Like its sequel, The Lord of the Rings, it is a story that ‘grew in the telling’, and many characters and plot threads in the published text are quite different from the story J.R.R. Tolkien first wrote to read aloud to his young sons as one of their ‘fireside reads’. Together in one volume, The History of the Hobbit presents the complete text of the unpublished manuscript of The Hobbit, accompanied by John Rateliff’s lively and informative account of how the book came to be written and published. Recording the numerous changes made to the story both before and after publication, he examines – chapter by chapter – why those changes were made and how they reflect Tolkien’s ever-growing concept of Middle-earth. As well as reproducing the original version of one of the world’s most popular novels – both on its own merits and as the foundation for The Lord of the Rings– this book includes many little-known illustrations and draft maps for The Hobbit by Tolkien himself. Also featured are extensive commentaries on the dates of composition, how Tolkien’s professional and early mythological writings influenced the story, the imaginary geography he created, and how Tolkien came to revise the book years after publication to accommodate events in The Lord of the Rings. Endorsed by Christopher Tolkien as a companion to his essential 12-volume The History of Middle-earth, this thoughtful and exhaustive examination of one of the most treasured stories in English literature offers fascinating new insights for those who have grown up with this enchanting tale, and will delight any who are about to enter Bilbo’s round door for the first time.

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In 1638, Galileo was over seventy years old, blind, and confined to house arrest outside of Florence. With the help of friends and family, he managed to complete and smuggle to the Netherlands a manuscript that became his final published work, Two New Sciences. Treating diverse subjects that became the foundations of mechanical engineering and physics, this book is often depicted as the definitive expression of Galileo's purportedly modern scientific agenda. In Reading Galileo, Renee Raphael offers a new interpretation of Two New Sciences which argues instead that the work embodied no such coherent canonical vision. Raphael alleges that it was written-and originally read-as the eclectic product of the types of discursive textual analysis and meandering descriptive practices Galileo professed to reject in favor of more qualitative scholarship. Focusing on annotations period readers left in the margins of extant copies and on the notes and teaching materials of seventeenth-century university professors whose lessons were influenced by Galileo's text, Raphael explores the ways in which a range of early-modern readers, from ordinary natural philosophers to well-known savants, responded to Galileo. She highlights the contrast between the practices of Galileo's actual readers, who followed more traditional, "bookish" scholarly methods, and their image, constructed by Galileo and later historians, as "modern" mathematical experimenters. Two New Sciences has not previously been the subject of such rigorous attention and analysis. Reading Galileo considerably changes our understanding of Galileo's important work while offering a well-executed case study in the reception of an early-modern scientific classic. This important text will be of interest to a wide range of historians-of science, of scholarly practices and the book, and of early-modern intellectual and cultural history.

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The Catholic University of America Press is honored to publish the English Critical Edition of the Works of Karol Wojty?a/John Paul II. Under the auspices of an international editorial board, the English Critical Edition will comprise more than 20 volumes, covering all of John Paul's writings and correspondence in the years before and during his papacy.This collection is essential for several reasons. First, gaining access to the saint's writings has posed significant challenges. Except for official papal addresses and documents preserved and disseminated by the Vatican, St. John Paul's works have been published in a large number of different venues, often with limited dissemination. Many documents need a new translation. In addition, English-language audiences have faced the challenge—even in the case of published texts—of dealing with several languages, various translations, and textual idiosyncrasies.The second volume of the series presents Wojty?a's lectures at the Catholic University of Lublin and his works on Max Scheler. This volume consists of three parts: Karol Wojty?a's lectures at the Lublin University from 1954 to 1957 (during three academic years); Wojty?a's articles related to the ethical issues discussed in the Lublin lectures; and his habilitation thesis on Max Scheler, from 1953, with other essays related more closely to Scheler's thought.As was the case with Volume 1, Volume 2 also relies on the original manuscripts and typescripts of Wojty?a's works. These original texts were compared with the Polish published editions, and all significant differences between them have been marked in the scholarly apparatus. Some of the essays in this volume have never been previously published in English, while some others have never been published before.

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After his sister Abbie's suicide, Newman rediscovers her unpublished manuscript, forgotten in his loft. Considering publication he decides to write an introduction to the novel, whose main character is Vee, a teacher. Vee was previously in love with Max, a psychiatrist, but the relationship was short-lived. Childhood nightmares about her long-dead Aunt Mary's mental illness lead Vee to create a "door" in her mind to shut her out. But Aunt Mary's door is not enough to withstand a diagnosis of bipolar disorder, which ends Vee's teaching career. Some time later Vee gets a job at Squaremile, a centre for disabled people, but she soon realises that stigma is not just confined to job applications. Once, when she was a teacher, she was believed and trusted. Now, suffering from bipolar disorder, she is doubted and bullied. Vee meets Max again, but this time as his patient. Max is unable to prevent Vee's suicide, and feels intolerable guilt, in part because of his earlier relationship with her. Max hopes to find answers in Vee's novel, a copy of which she gave him at their last appointment before her suicide. Max, and his wife Helen, who works at Squaremile, are shocked to read of how Vee and some of the residents there have been treated. They investigate the allegations of bullying and neglect and prepare a report, presenting it at a meeting in the boardroom at Squaremile, attended by the chief executive officer of the centre. The atmosphere is tense, particularly as both Max and Helen have health problems, and because of attempts by Sandra, the chief bully at Squaremile, to sabotage their efforts to unmask her. However, as the story reaches its climax, it is Abbie who will have the last word.

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Illuminating the development and character of Scottish Protestantism, The Culture of Controversy proposes new ways of understanding religion and politics in early modern Scotland. The Culture of Controversy investigates arguments about religion in Scotland from the Restoration to the death of Queen Anne and outlines a new model for thinking about collective disagreement in seventeenth- and eighteenth-century societies. Rejecting teleological concepts of the 'public sphere', the book instead analyses religious debates in terms of a distinctively early modern 'culture of controversy'. This culture was less rational and less urbanised than the public sphere. Traditional means of communication such as preaching and manuscript circulation were more important than newspapers and coffeehouses. As well as verbal forms of discourse, controversial culture was characterised by actions, rituals and gestures. People from all social ranks and all regions of Scotland were involved in religious arguments, but popular participation remained of questionable legitimacy. Through its detailedand innovative examination of the arguments raging between and within Scotland's main religious groups, the presbyterians and episcopalians, over such issues as Church government, state oaths and nonconformity, The Culture ofControversy reveals hitherto unexamined debates about religious enthusiasm, worship and clerical hypocrisy. It also illustrates the changing nature of the fault line between the presbyterians and episcopalians and contextualises the emerging issues of religious toleration and articulate irreligion. Illuminating the development and character of Scottish Protestantism, The Culture of Controversy proposes new ways of understanding religion and politics in late seventeenth- and early eighteenth-century Scotland and will be particularly valuable to all those with an interest in early modern British history. Alasdair Raffe is Lecturer in History at Northumbria University, Newcastle upon Tyne.

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The studies collected in this volume, some of them rather difficult to access, date mostly from the last fifteen years and focus primarily on Persian book painting of the 14th to the early 16th centuries. In this period, Iran dominated the art of book painting in the Islamic world. The articles reprinted here examine various aspects of this, the golden age of Persian painting. They range from the period of Mongol rule, when the impact of Far Eastern themes and modes radically transformed the heritage bequeathed to Iran by Arab painting - a textbook case of the clash of civilisations - to the dawn of the modern era and the swansong of the classical style of Persian painting under the early Safavids. Yet other articles focus on the roots of book painting in the themes and styles developed in painted ceramics, on medieval Qur'anic calligraphy, on bookbinding and on the remarkably original variations played on the hitherto hackneyed theme of the figural frontispiece by Arab painters. Two major leitmotifs are explored in this selection of essays. One is provided by the constantly varying interpretations of the Shahnama ( The Book of Kings ), the Persian national epic, and especially the tendency of painters to interpret this familiar text in terms of contemporary politics. The other is the interplay of text and image, which highlights the tendency of painters to strike out on their own and to leave the literal text progressively further behind while they develop plots and sub-plots of their own. These enquiries are set within the context of a concerted effort to explore in detail how Persian painters achieved their most spectacular visual effects. In its combination of general surveys and closely focused analyses of individual manuscripts, this collection of articles will be of interest to specialists in book painting and in Islamic art as a whole

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Winner of the Casa de las América Prize for Brazilian Literature, The Story of Rufino reconstructs the lively biography of Rufino José Maria, set against the historical context of Brazil and Africa in the nineteenth century. The book tells the story of Rufino or Abuncare, a Yoruba Muslim from the kingdom of Oyo, in present-day Nigeria. Enslaved as an adolescent by a rival ethnic group, he was captured by Brazilian slave traders and taken to Brazil as a slave sometime in the early 1820s. In 1835, after being enslaved in Salvador and Rio Grande do Sul, Rufino bought his freedom with money he made as a hired-out slave and perhaps from making Islamic amulets. He found work in Rio de Janeiro as a cook on a slave ship bound for Luanda in Angola, despite the trans-Atlantic slave trade having been illegal in Brazil since 1831. Rufino himself became a petty slave trader. He made a few voyages before his ship was captured by the British and taken to Sierra Leone in 1841 for trial by the Anglo-Brazilian Mixed Commission to determine if it was equipped for the slave trade, since there were no slaves on board. During the three months awaiting the court's decision, Rufino lived among Yoruba Muslims, his people, and attended Quranic and Arabic classes. He later returned to Sierra Leone as a witness in a court case and attended classes with Muslim masters for almost two years. Once back in Brazil, he established himself as a diviner -- serving whites and blacks, free and slaves, Brazilians and Africans, Muslim and non-Muslims -- as well as a spiritual leader, an Alufa, in the local Afro-Muslim community. In 1853 Rufino was arrested due to rumors of an imminent African slave revolt. The police used as evidence for his arrest the large number of Arabic manuscripts in his possession, the same kind of material the police had found with Muslim rebels in Bahia thirty years earlier. During his interrogation, Rufino told his life story, which is used to reconstruct the world in which he lived under slavery and in freedom on African shores, aboard slave ships, and in Brazil. An extraordinary Atlantic history carefully pieced together from the archives, The Story of Rufino illuminates the complexities of slavery and freedom in Africa and Brazil and the resilience of ethnic and religious identities.

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Throughout the early Middle Ages, education and learning in Western Europe underwent a substantial development, from Italy across the Alps, from Latin to the vernacular and from secular to (although not exclusively) religious. With Latin as its prime medium, developments in education and learning were genuinely international and allowed for a steady exchange of teachers and texts across borders and institutions. Members of the fifth-century Gallo-Roman senatorial classes ' such as Eucherius of Lyons and Cassiodorus ' became bishops, abbots or founders of monasteries, and thereby catalysts in the transformation from secular to religious education. Then as now intellectuals travelled, taking both their learning and their books with them: Theodore of Tarsus travelled from the extreme end of the Mediterranean to Italy and across the Alps; John Scottus Eriugena migrated from Ireland to France; Boniface from England to Germany; while Abbo later made a journey from Fleury to Abingdon and back ' to name only a few examples. With the mobility of intellectuals comes the movement of texts and books: ranging from Pliny's Historia naturalis and Isidore's Etymologiae or the works of Bede to many of the smaller texts and fragments which have been the subject of study in the 'Storehouses' project. Although almost all of the precise details of classroom practice in the early Middle Ages remain hidden to the modern eye, and identifiable students' copy books or note-pads are rare, some of the texts and books that have survived still recall the monastic auditorium or schola because of their potential use in the classroom or in view of the texts found in these books. Often these texts and manuscripts testify to the international developments outlined above and to the international nature of the world of early medieval learning. The articles in this second volume of 'Storehouses of Wholesome Learning' emanate from the second workshop in the project, this time held at Leiden in June 2005. They focus on illuminating the multifaceted practice of learning by laying bare the exchanges of scholarship between the British Isles and the continent. From the Development of the Foetus, found in Bremmer's contribution, to the Fifteen Signs of Doomsday, the encyclopaedic knowledge that was disseminated all over Western Europe in written texts and, in all likelihood, through oral transmission, featured strongly in the practice of early medieval learning. The subject of that learning was nothing less than life itself, both in the physical and in the spiritual sense of the word.

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Painstakingly restored from Tolkien’s manuscripts and presented for the first time as a continuous and standalone story, the epic tale of Beren and Lúthien will reunite fans of The Hobbit and The Lord of the Rings with Elves and Men, Dwarves and Orcs and the rich landscape and creatures unique to Tolkien’s Middle-earth. The tale of Beren and Lúthien was, or became, an essential element in the evolution of The Silmarillion, the myths and legends of the First Age of the World conceived by J.R.R. Tolkien. Returning from France and the battle of the Somme at the end of 1916, he wrote the tale in the following year. Essential to the story, and never changed, is the fate that shadowed the love of Beren and Lúthien: for Beren was a mortal man, but Lúthien was an immortal Elf. Her father, a great Elvish lord, in deep opposition to Beren, imposed on him an impossible task that he must perform before he might wed Lúthien. This is the kernel of the legend; and it leads to the supremely heroic attempt of Beren and Lúthien together to rob the greatest of all evil beings, Melkor, called Morgoth, the Black Enemy, of a Silmaril. In this book Christopher Tolkien has attempted to extract the story of Beren and Lúthien from the comprehensive work in which it was embedded; but that story was itself changing as it developed new associations within the larger history. To show something of the process whereby this legend of Middle-earth evolved over the years, he has told the story in his father's own words by giving, first, its original form, and then passages in prose and verse from later texts that illustrate the narrative as it changed. Presented together for the first time, they reveal aspects of the story, both in event and in narrative immediacy, that were afterwards lost.

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The world first publication of a previously unknown work by J.R.R. Tolkien, which tells the extraordinary story of the final days of England’s legendary hero, King Arthur. The Fall of Arthur, the only venture by J.R.R. Tolkien into the legends of Arthur King of Britain, may well be regarded as his finest and most skilful achievement in the use of the Old English alliterative metre, in which he brought to his transforming perceptions of the old narratives a pervasive sense of the grave and fateful nature of all that is told: of Arthur’s expedition overseas into distant heathen lands, of Guinevere’s flight from Camelot, of the great sea-battle on Arthur’s return to Britain, in the portrait of the traitor Mordred, in the tormented doubts of Lancelot in his French castle. Unhappily, The Fall of Arthur was one of several long narrative poems that he abandoned in that period. In this case he evidently began it in the earlier nineteen-thirties, and it was sufficiently advanced for him to send it to a very perceptive friend who read it with great enthusiasm at the end of 1934 and urgently pressed him ‘You simply must finish it!’ But in vain: he abandoned it, at some date unknown, though there is some evidence that it may have been in 1937, the year of the publication of The Hobbit and the first stirrings of The Lord of the Rings. Years later, in a letter of 1955, he said that ‘he hoped to finish a long poem on The Fall of Arthur’; but that day never came. Associated with the text of the poem, however, are many manuscript pages: a great quantity of drafting and experimentation in verse, in which the strange evolution of the poem’s structure is revealed, together with narrative synopses and very significant if tantalising notes. In these latter can be discerned clear if mysterious associations of the Arthurian conclusion with The Silmarillion, and the bitter ending of the love of Lancelot and Guinevere, which was never written.

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The book of Revelation has been a source of continual fascination for nearly two thousand years. Concepts such as The Lamb of God, the Four Horsemen, the Seventh Seal, the Beasts and Antichrist, the Whore of Babylon, Armageddon, the Millennium, the Last Judgement, the New Jerusalem, and the ubiquitous Angel of the Apocalypse have captured the popular imagination. One can hardly open a newspaper or click on a news web site without reading about impending financial or climate change Armageddon, while the concept of the Four Horsemen pervades popular music, gaming, and satire. Yet few people know much about either the basic meaning or original context of these concepts or the multiplicity of different ways in which they have been interpreted by visual artists in particular. The visual history of this most widely illustrated of all the biblical books deserves greater attention. This book fills these gaps in a striking and original way by means of ten concise thematic chapters which explain the origins of these concepts from the book of Revelation in an accessible way. These explanations are augmented and developed via a carefully selected sample of the ways in which the concepts have been treated by artists through the centuries. The 120 visual examples are drawn from a wide range of time periods and media including the ninth-century Trier Apocalypse, thirteenth-century Anglo-Norman Apocalypse Manuscripts such as the Lambeth and Trinity Apocalypses, the fourteenth-century Angers Apocalypse Tapestry, fifteenth-century Apocalypse altarpieces by Van Eyck and Memling, Dürer and Cranach's sixteenth-century Apocalypse woodcuts, and more recently a range of works by William Blake, J. M. W. Turner, Max Beckmann, as well as film posters and stills, cartoons, and children's book illustrations. The final chapter demonstrates the continuing resonance of all the themes in contemporary religious, political, and popular thinking, while throughout the book a contrast will be drawn between those readers of Revelation who have seen it in terms of earthly revolutions in the here and now, and those who have adopted a more spiritual, otherworldly approach.

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The History written by Richer of Saint-Rémi (ca. 950-1000) is one of the only contemporary narrative sources for the history of France in the tenth century, a tumultuous period in which the Carolingian and Capetian dynasties fought for control of the throne while Viking raiders inflicted chaos upon the realm, and ambitious nobles expanded their own power at the expense of the monarchy. Besides describing the battles, betrayals and shifting allegiances that characterised tenth-century political culture, and providing accounts of the major ecclesiastical disputes of his day, Richer's history contains the only contemporary account of the life and career of Gerbert of Aurillac, the brilliant scholar and controversial prelate who served as master of the cathedral school of Rheims before being elected archbishop of Rheims, and later pope (as Sylvester II).Building upon, but also moving beyond, previous scholarship that has focused on Richer's political allegiances and his views of kingship, this study by Justin Lake provides the most comprehensive synthesis of the History, examining Richer's use and abuse of his sources, his relationship to Gerbert, and the motives that led him to write. Not only are Richer's principal written sources all extant, but so is his autograph manuscript, giving readers an unrivalled window into the working methods of a tenth-century historian. Lake situates Richer within the broader scholastic culture of the late tenth-century Latin West and explores the ways in which classical rhetoric, newly revived as a focus of instruction at Rheims by Gerbert, affected the way in which Richer wrote. In particular, he analyses his use of the classical rhetorical doctrine of plausible narrative (narratio probabilis) in reworking his source material, his composition of speeches and dramatic scenes, and the way in which he used his history as a means of self-fashioning and self-memorialisation.

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When a woman with brains and beauty from a wealthy background decides to take her fate into her own hands and challenge the restrictions of a male-oriented, conservative society, the consequences can be devastating.Born into one of Pakistan's most influential families, Tehmina Durrani was raised in the privileged milieu of Lahore high society, and educated at the same school as Benazir Bhutto. Like all women of her rank, she was expected to marry a prosperous Muslim from a respectable family, bear him many children, and lead a sheltered life of air-conditioned leisure. When she married Mustafa Khar, one of Pakistan's most eminent political figures, she continued to move in the best circles, and learned to keep up the public façade as a glamorous, cultivated wife, and mother of four children.In private, however, the story-book romance of the most talked-about couple in Pakistan rapidly turned sour. Mustafa Khar became violently possessive and pathologically jealous, and succeeded in cutting his wife off from the outside world. For the course of the fourteen-year marriage, she suffered alone, in silence.When Tehmina decided to rebel, the price she paid was extremely high: as a Muslim woman seeking a divorce, she signed away all financial support, lost the custody of her four children, and found herself alienated from her friends and disowned by her parents.Following the divorce, she felt she had to tell her story. When Pakistan publishers balked at the controversial nature of her manuscript, she published it herself. The book was a bombshell and shook Pakistani society to its foundations. Her at last was someone who had succeeding in reconciling her faith in Islam with her ardent belief in women's rights. Tehmina's story, adapted now for western readers, provides extraordinary insights into the vulnerable position of women caught in the complex web of Muslim society.

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John Brande Trend, the first Professor of Spanish in Cambridge in 1933, arrived at his Chair by a circuitous route through a variety of disciplines, encountering a host of prominent people in pre-war political, cultural and intellectual life. It was this wider experience that made his teaching so unique and makes his story central to the period through which he lived. At Cambridge with the doomed generation who were to perish in the First World War, Trend studied Natural Sciences but fell under the spell of the musicologist Edward Dent, who became his lifelong friend. A brilliant linguist and musician, it was music that took Trend to Spain in 1919 to unearth ancient manuscripts and to write articles for London magazines. He fell in love with a country undergoing a cultural, intellectual and political transformation that culminated in the establishment of the Second Republic in 1931. He became a close friend of Manuel de Falla, whose music he introduced to the British public, as well as of the ill-fated poet, Federico García Lorca, and other luminaries of the optimistic 1920s. After the euphoria of the Republic and the subsequent Civil War, he never returned to Spain but did much to help Spanish exiles and refugees. Academically he extended his interests to Central and South America, one of the first Hispanists to do so. Trend's books on Spanish literature and music were vivid and evocative, as was his style of teaching, inspired by the philosophy of the Spanish educationalist, Francisco Giner de los Ríos. Drawing on Trend's prolific and hitherto unknown correspondence with many celebrated figures, the book depicts his extraordinary personality and achievements, and his first-hand involvement in important events of the period.

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A new and comprehensive anthology of medieval lyrics and carols, in new editions, with introduction and commentary. Lyrics and carols are two of the most important types of medieval literature. This anthology provides a generous and wide-ranging selection, beginning with the first lyrics in English to celebrate love as romantic devotion to a woman, and including all pre-Chaucerian love lyrics (other than a few brief snatches). Poems by Chaucer and his successors present the courtly game of love in its sophisticated later medieval form, while devotional lyrics portray the tenderness of the later medieval response to Christ as lover and beloved and to the Virgin Mary with the infant Jesus, Mary as sorrowing mother and as Queen of Heaven. Fully represented also are lyrics on characteristically medieval moral and penitential themes, alongside miscellaneous lyrics such as drinking and dancing songs, ballads, satires, poems of wit, humour and sexual innuendo, accounts of lecherous priests, minstrels mocking their audiences, and women vividly listing their lovers' inadequacies. The texts are edited anew, accompanied with a textual apparatus detailing manuscript readings where emendations have been made to restore sense, metre and rhyme. The language of pre-Chaucerian poems has been normalised to accord with the dialect of late fourteenth-century London ("Chaucerian English"), and unfamiliar spellings in later lyrics have been regularized. Readability is further aided by line-by-line glosses. An extensive introduction offers an appraisal of the forms, themes and contexts of the lyrics and a full discussion of their language and metre, while a comprehensive commentary gives further essential information. Thomas G. Duncan is an Honorary Senior Lecturer in the School of English at St Andrews University.

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These 840+ magical tables are the most complete set of tabular correspondences covering magic, astrology, divination, Tarot, I Ching, Kabbalah, gematria, angels, demons, Graeco-Egyptian magic, pagan pantheons, Christian, Muslim, Jewish, Buddhist, Taoist and mystical correspondences ever printed. It is over five times larger and more wide ranging than Crowleys Liber 777. New columns include the spirits from Fausts Höllenzwang and Trithemius Steganographia. Types of magic and their Greek identification headwords; the meanings of a wide range of nomina magica; planetary incenses; and the secret names for ingredients, all from the Greek magical papyri. Also the names of the gods of the hours and the months which must be used for successful evocation. The source of the data in these tables ranges over 2000 years, from the Graeco-Egyptian papyri, Byzantine Solomonike, unpublished manuscript mediaeval grimoires and Kabbalistic works, Peter de Abano, Abbott Trithemius, Albertus Magnus, Henry Cornelius Agrippa, Dr John Dee, Dr Thomas Rudd, Tycho Brahe, MacGregor Mathers (and the editors of Mathers work, Aleister Crowley and Israel Regardie), to the mage of classical geometric shapes, modern theories of prime numbers and atomic weights. The sources include many key grimoires such the Sworn Book, Liber Juratus, the Lemegeton (Goetia, Theurgia-Goetia, Almadel, Pauline Art), Abramelin, and in the 20th century the grimoire of Franz Bardon. All this material has been grouped and presented in a consistent and logical way covering the whole Western Mystery tradition and some relevant parts of the Eastern tradition. This is the final update of this volume.

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This is a comprehensive critical guide to Chaucer's Troilus and Criseyde. This new edition has been comprehensively revised in light of the latest scholarly and critical research and with a fully updated bibliography. It includes a full account of Chaucer's imaginative deployment of his sources, and an extended survey of this narrative poem's innovative combination of a range of generic identities. The chapters explain how Chaucer builds thematic significance into his poem's symmetrical structure, and the poem's distinctive variety in style and language, as well as a full commentary on the poem's concerns with love in the contexts of time and mutability and human free will. The Guide explores the poem as an extended debate about the nature and value of love, and how love was conceptualized and experienced as a form of service in quest of compassionate reward, a quasi-religious devotion, and a potentially fatal illness always in hope of cure. The subjectivities of the chief protagonists are fully analysed, as is the poem's problematic ending. Alongside discussions of theme and structure, there is also an account of what the extant manuscripts of Troilus and Criseyde may reveal about the poem's early genesis, and a unique survey of responses to Troilus from its own times to the present day. Barry Windeatt's contribution to the series is a comprehensive single-volume guide to Troilus and Criseyde, bringing together a wide range of material and providing a readable commentary on all aspects of the work. Combining the informative substance of a reference book with the coherence of a critical reading, the Guide has taken its place as the standard introduction to Troilus and Criseyde since its first publication in 1992.

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La philologie requiert autant de rigueur que d’ouverture d’esprit, deux qualités que Ghislaine Viré possède au plus haut degré et qu’elle a toujours conjuguées. Elle a en effet mené de front une double carrière, comme latiniste et comme didacticienne, dans un enrichissement réciproque des deux domaines. Car, pour Ghislaine Viré, la transmission ne concerne pas seulement les manuscrits d’auteurs latins, mais porte aussi sur l’enseignement des langues anciennes. Dans cette logique, les communications rassemblées en son honneur tentent l’exercice périlleux d’associer chaque fois différents points de vue: didacticiens, papyrologues, linguistes, historiens, hellénistes et latinistes, tous ont accepté de sortir de leur zone de confort intellectuel et d’élargir leur perspective pour présenter une recherche originale et diversifiée. Ce volume d’hommages s’articule en trois parties. La première se concentre sur l’éducation dans l’Antiquité; à travers l’analyse de supports d’apprentissage et l’étude des multiples aspects que revêt la relation entre pédagogie et philologie, cette partie aborde des thèmes qui vont d’Hésiode jusqu’à l’Antiquité tardive. La seconde partie concerne le présent; il s’agit de s’interroger, par le biais de diverses réflexions méthodologiques et études de cas, sur la manière dont il convient d’enseigner l’Antiquité dans le monde d’aujourd’hui. La troisième inscrit pédagogie et didactique des langues anciennes à l’intérieur d’un cadre humaniste qui se refuse à faire l’impasse sur les dimensions éthiques et sociétales de nos démarches.

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Travelling is one of the most fascinating phenomena that has inspired writers and scholars from Antiquity to our postmodern age. The father of history, Herodotus, was also a traveller, whose Histories can easily be considered a travel account. The first volume of this book is dedicated to the period starting from Herodotus himself until the end of the Middle Ages with focus on the Balkans, the Byzantine Empire, the Islamic world, and South-Eastern Europe. Research on travellers who connected civilizations; manuscript and literary traditions; musicology; geography; flora and fauna as reflected in travel accounts, are all part of this thought-provoking collected volume dedicated to detailed aspects of voyages and travel accounts up to the end of the sixteenth century.The second volume of this book is dedicated to the period between Early Modernity and today, including modern receptions of travelling in historiography and literature. South-Eastern Europe and Serbia; the Chinese, Ottoman, and British perception of travelling; pilgrimages to the Holy land and other sacred sites; Serbian, Arabic, and English literature; legal history and travelling, and other engaging topics are all part of the second volume dedicated to aspects of voyages and travel accounts up to the contemporary era.

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A balance of being both easy-to-read and easy-to-carry, this Bible is an ideal choice to take with you wherever you go.Portable? Or readable? How about both. Even with its large, easy-to-read 10.5-point print size, the NET Thinline Large Print Bible is still slim enough to tuck into a backpack, a briefcase, or most purses.Featuring the New English Translation—the newest translation of the biblical languages into English, based on the most up-to-date manuscript discoveries and research—the NET Thinline Large Print is a Bible you can bring along wherever your day takes you.Features include: Lightweight for easy travel Presentation page allows you to personalize this special gift by recording a memory or note Words of Christ in black Reading plan guiding you through the entire Bible in a year Full color maps show a visual representation of Israel and other biblical locations for better context Durable Smyth-sewn binding lays flat in your hand or on your desk Satin Ribbon Markers are a useful tool to easily navigate and keep track of where you were reading Abbreviated set of NET translators’ notes for improved clarity of the meaning of certain portions of the text Easy-to-read large 10.5-point NET Comfort Print

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A unique Scripture-engagement format with room to write notes and prayers, ideally suited for following a sermon series in church, participating in small-group study, or for individual devotional and study time.The Law box set of NKJV Bible Journals includes five volumes for each book of Moses: Genesis, Exodus, Leviticus, Numbers, and Deuteronomy. Ideal for personal or group study, each handy journaling paperback includes individual book introductions and a single-column Scripture layout with a full page of light journaling lines opposite each page of Scripture.Features include: Full-lined pages next to Scripture provide plenty of space to reflect, journal, or create art next to your favorite verses Premium paper limits bleed-through, ideal for taking notes Flexible sewn binding helps the journal to lay flat in your hand or on your desk Book introductions provide a concise overview of the background and historical context of the book about to be read Translation notes provide a look into the thinking of the translators with alternative translations that could have been used and textual notes about manuscript variations Handheld size allows you take God's Word wherever life takes you - work, small group, church, or anywhere else Clear and readable 12-point NKJV Comfort Print®

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A balance of being both easy-to-read and easy-to-carry, this Bible is an ideal choice to take with you wherever you go.Portable? Or readable? How about both. Even with its large, easy-to-read 10.5-point print size, the NET Thinline Large Print Bible is still slim enough to tuck into a backpack, a briefcase, or most purses.Featuring the New English Translation—the newest translation of the biblical languages into English, based on the most up-to-date manuscript discoveries and research—the NET Thinline Large Print is a Bible you can bring along wherever your day takes you.Features include: Lightweight for easy travel Presentation page allows you to personalize this special gift by recording a memory or note Words of Christ in black Reading plan guiding you through the entire Bible in a year Full color maps show a visual representation of Israel and other biblical locations for better context Durable Smyth-sewn binding lays flat in your hand or on your desk Satin Ribbon Markers are a useful tool to easily navigate and keep track of where you were reading Abbreviated set of NET translators’ notes for improved clarity of the meaning of certain portions of the text Easy-to-read large 10.5-point NET Comfort Print

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Explores early modern interpretations of Roman Scotland Examines an important aspect of the development of Scottish identity, a subject being brought to the fore again in recent debates surrounding Scottish independence Offers an in-depth study of a largely overlooked aspect of Scottish historiography Makes extensive use of archival and manuscript material, much of it previously unpublished Takes a broad, multidisciplinary approach Examines the influence of the Scottish Enlightenment, James Macpherson's Ossianic poems and the rise of Romanticism This book focuses on early modern attitudes towards Scotland's ancient past and looks in particular at the ways in which this past was not only misunderstood, but also manipulated in attempts to create a patriotic history for the nation. Adding a new perspective on the formation of Scotland's national identity, the book documents a century-long, often heated debate regarding the extent of Roman influence north of Hadrian's Wall. By exploring the lives and writings of antiquarians, poets and Enlightenment thinkers, it aims to uncover the political, patriotic and intellectual influences which fuelled this debate. Classical Caledonia will cast light on a rarely discussed aspect of Scotland's historiography, one which played a vital role in establishing early modern notions of 'Scottishness' at a time when Scotland was coming to terms with radical and traumatic changes to its position within Britain and the wider world.

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A balance of being both easy-to-read and easy-to-carry, this Bible is an ideal choice to take with you wherever you go.Portable? Or readable? How about both. Even with its large, easy-to-read 10.5-point print size, the NET Thinline Large Print Bible is still slim enough to tuck into a backpack, a briefcase, or most purses.Featuring the New English Translation—the newest translation of the biblical languages into English, based on the most up-to-date manuscript discoveries and research—the NET Thinline Large Print is a Bible you can bring along wherever your day takes you.Features include: Lightweight for easy travel Presentation page allows you to personalize this special gift by recording a memory or note Words of Christ in black Reading plan guiding you through the entire Bible in a year Full color maps show a visual representation of Israel and other biblical locations for better context Durable Smyth-sewn binding lays flat in your hand or on your desk Satin Ribbon Markers are a useful tool to easily navigate and keep track of where you were reading Abbreviated set of NET translators’ notes for improved clarity of the meaning of certain portions of the text Easy-to-read large 10.5-point NET Comfort Print

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Whether chanted as devotional prayers, intoned against the dangers of the wilds, or invoked to heal the sick and bring ease to the dead, incantations were pervasive features of Buddhist practice in late medieval China (600-1000 C.E.). Material incantations, in forms such as spell-inscribed amulets and stone pillars, were also central to the spiritual lives of both monks and laypeople. In centering its analysis on the Chinese material culture of these deeply embodied forms of Buddhist ritual, The Body Incantatory reveals histories of practice-and logics of practice-that have until now remained hidden. Paul Copp examines inscribed stones, urns, and other objects unearthed from anonymous tombs; spells carved into pillars near mountain temples; and manuscripts and prints from both tombs and the Dunhuang cache. Focusing on two major Buddhist spells, or dharani, and their embodiment of the incantatory logics of adornment and unction, he makes breakthrough claims about the significance of Buddhist incantation practice not only in medieval China but also in Central Asia and India. Copp's work vividly captures the diversity of Buddhist practice among medieval monks, ritual healers, and other individuals lost to history, offering a corrective to accounts that have overemphasized elite, canonical materials.

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In the first volume of his trilogy, noted political philosopher Maurice Cranston draws from original manuscript sources to trace Rousseau's life from his birth in provincial obscurity in Geneva, through his youthful wanderings, to his return to Geneva in 1754 as a celebrated writer and composer."[An] admirable biography which is as meticulous, calm, reasonable, and judicious as its subject is passionate and tumultuous."—Keith Michael Baker, Washington Post Book World"The definitive biography, as scholarly as it is entertaining."—The Economist"Exceptionally fresh . . . . [Cranston] seems to know exactly what his readers need to know, and thoughtfully enriches the background—both physical and intellectual—of Rousseau's youthful peregrinations . . . . He makes the first part of Rousseau's life as absorbing as a picaresque novel. His fidelity to Rousseau's ideas and to his life as it was lived is a triumph of poise."—Naomi Bliven, The New Yorker"The most outstanding achievement of Professor Cranston's own distinguished career."—Robert Wokler, Times Literary SupplementMaurice Cranston (1920-1993), a distinguished scholar and recipient of the James Tait Black Memorial Prize for his biography of John Locke, was professor of political science at the London School of Economics. His numerous books include The Romantic Movement and Philosophers and Pamphleteers, and translations of Rousseau's The Social Contract and Discourse on the Origins of Inequality.

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The volume, investigating the extraordinary season of the Italian Renaissance, highlights the great contribution offered to the culture of that period by the Jewish world, still little documented in today's studies. Indeed, there is no doubt that Judaism, with its long-lasting identity and tradition strongly rooted in territorial states, has made a peculiar contribution to the sphere of arts, literature and humanistic philosophy, contributing to giving many original and inimitable intonations to the Italian Renaissance. The investigation proposed here focuses on the relationship - harmonious in some cases and conflicting in others - between the Christian majority society and the Jewish identity in the period between the early fifteenth and mid-sixteenth centuries, meaning from the full affirmation of the Humanism to the conclusion of the Council of Trento, offering at the same time a precise geographical overview of the phenomenon. The volume is divided into thematic chapters, it contains a rich catalogue of testimonies ranging from liturgical objects to those of daily use, from manuscripts to furnishings to some art masterpieces, and is supplemented by bibliographical apparatus. Essays by: Guido Bartolucci, Giulio Busi, Donatella Calabi, Saverio Campanini, J.H. Chajes, Andreina Contessa, Miriam Davide, Silvana Greco, Maria Giuseppina Muzzarelli, Mauro Perani, David B. Ruderman, Angela Scandaliato, Salvatore Settis, Giacomo Todeschini, Francesca Trivellato, Giuseppe Veltri, Gianni Venturi, Joanna Weinberg.

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Alone and isolated in a snow-covered Scandinavian forest, a therapist begins to read her client's manuscript, only to discover the main character is terrifyingly familiar... You are her therapist. Kristina is a successful therapist in central Oslo. She spends her days helping clients navigate their lives with a cool professionalism that has got her to the top. She is your client. When her client Leah begs her to come to her remote cabin in the woods, Kristina refuses. But then Leah disappears and Kristina feels her control beginning to slip. So why does she know so much about you? Kristina reluctantly heads out into the wilderness to find Leah. Alone and isolated, surrounded by snow and trees, Kristina realizes she has made a huge mistake. Perfect for fans of Alex Pine, Harriet Tyce and Will Dean. What readers are saying about Cabin Fever 'Tense and twisty, this tale explores obsession and mental health' Woman's Own 'The descriptions of the forest are particularly powerful and the story spins off successfully in a variety of different directions, coming to a chilling and convincing conclusion' Daily Mail 'An utterly compelling psychological thriller – terrifying and well-crafted, with a super-tense finale up there with Stephen King's Misery' JS Monroe 'Dark and unsettling' Crime Monthly

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This comprehensive, beautiful book delves deep into the complex but fascinating story of our relationship with colour throughout human history. Colour is fundamental to our experience and understanding of the world. It crosses continents and cultures, disciplines and decades. It is used to convey information and knowledge, to evoke mood, and to inspire emotion. This book explores the history of our understanding of colour, from the ancient world to the present, from Aristotle to Albers. Interspersed in the historical story are numerous thematic essays that look at how colour has been used across a wide range of disciplines and fields: in food, music, language and many others. The illustrations are drawn from the Royal College of Art’s renowned Colour Reference Library which spans six centuries of works and nearly 2,000 titles, from a Gothic manuscript on the composition of the rainbow to hand-painted Enlightenment works on colour theory and vibrant 20th-century colour charts, including many fascinating examples not seen in other books.Delving far and wide in this fascinating and varied subject, this book will help readers find new layers of meaning and complexity in their everyday experiences and teach them to look closer at our colourful lives.

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'Powered by immense, perverse energy out of the Limerick idiom, the collection generates a singular music that is memorable, unsettling and humane' Guardian'Eerie, dark and twisted . . . Blindboy's passion for Irish nature, mythology and folklore lends a spiritual profundity' BuzzYou don't fully appreciate how large a donkey's head is until it's beside you in a Fiat Punto. The view in my mirror was furry and violent. I was driving blind.Driving with a donkey stuffed in the back seat; jackdaws pecking brains out through the roof of a confessional box; cat piss and astronauts. This is the world not as you see it, but as it is, twisted from the maverick mind of Blindboyboatclub.These are stories of the strange unsettlings in the souls of men caught in between the past and the possible; stories of heart-blinding rage and disquieting compassion.Taking its title from a twelfth-century English manuscript of the same name, which dehumanised the people and culture of Ireland to facilitate domination, Topographia Hibernica is a collection that unravels the knotted threads of humanity, nature and colonisation from a contemporary Irish perspective.Called 'one of the most gifted writers of his generation' by the Irish Times, Blindboyboatclub is the essential voice for the Irish condition in the twenty-first century. Topographia Hibernica is his unmissable new short-story collection.

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How did the British come to conquer South Asia in the late eighteenth and early nineteenth centuries? Answers to this question usually start in northern India, neglecting the dramatic events that marked Britain's contemporaneous subjugation of the island of Sri Lanka. In "Islanded", Sujit Sivasundaram reconsiders the arrival of British rule in South Asia as a dynamic and unfinished process of territorialization and state building, revealing that the British colonial project was framed by the island's traditions and maritime placement and built in part on the model they provided. Using palm-leaf manuscripts from Sri Lanka to read the official colonial archive, Sivasundaram tells the story of two sets of islanders in combat and collaboration. He explores how the British organized the process of "islanding," aiming to create a separable unit of colonial governance and trade in keeping with conceptions of ethnology, culture, and geography. But rather than serving as a radical rupture, he reveals, islanding recycled traditions the British learned from Kandy, a kingdom in the Sri Lankan highlands whose customs - from strategies of war to views of nature - fascinated the British. Picking up a range of unusual themes, from migration, orientalism, and ethnography to botany, medicine, and education, "Islanded" is an engaging retelling of the advent of British rule.

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Shipwrecks and the Bounty of the Sea is a work of social history examining community relationships, law, and seafaring over the long early modern period. It explores the politics of the coastline, the economy of scavenging, and the law of 'wreck of the sea' from the beginning of the reign of Elizabeth I to the end of the reign of George II. England's coastlines were heavily trafficked by naval and commercial shipping, but an unfortunate percentage was cast away or lost. Shipwrecks were disasters for merchants and mariners, but opportunities for shore dwellers. As the proverb said, it was an ill wind that blew nobody any good. Lords of manors, local officials, officers of the Admiralty, and coastal commoners competed for maritime cargoes and the windfall of wreckage, which they regarded as providential godsends or entitlements by right. A varied haul of commodities, wines, furnishings, and bullion came ashore, much of it claimed by the crown. The people engaged in salvaging these wrecks came to be called 'wreckers', and gained a reputation as violent and barbarous plunderers. Close attention to statements of witnesses and reports of survivors shows this image to be largely undeserved. Dramatic evidence from previously unexplored manuscript sources reveals coastal communities in action, collaborating as well as competing, as they harvested the bounty of the sea.

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The Allied occupation of Japan is remembered as the "good occupation." An American-led coalition successfully turned a militaristic enemy into a stable and democratic ally. Of course, the story was more complicated, but the occupation did forge one of the most enduring relationships in the postwar world. Recent events, from the occupations of Iraq and Afghanistan to protests over American bases in Japan to increasingly aggressive territorial disputes between Asian nations over islands in the Pacific, have brought attention back to the subject of the occupation of Japan.In Architects of Occupation, Dayna L. Barnes exposes the wartime origins of occupation policy and broader plans for postwar Japan. She considers the role of presidents, bureaucrats, think tanks, the media, and Congress in policymaking. Members of these elite groups came together in an informal policy network that shaped planning. Rather than relying solely on government reports and records to understand policymaking, Barnes also uses letters, memoirs, diaries, and manuscripts written by policymakers to trace the rise and spread of ideas across the policy network. The book contributes a new facet to the substantial literature on the occupation, serves as a case study in foreign policy analysis, and tells a surprising new story about World War II.

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A very useful analysis of the political debates of the times. ANCESTORS [for volume I] This second volume of BHRS`s series of late seventeenth and early eighteenth century poll books continues the story of Bedfordshire voting in the context of local and national politics up to the election in 1734. It contains transcriptions of the poll books for four Bedford borough elections and three county elections held between 1722 and 1734. Except for the 1722 county election, the poll books are taken from hitherto unpublished manuscripts. Much of the political and local background to voting is recounted in volume 1. For this volume, each chapter has an introduction which draws upon letters to provide an insight into the political alliances and manoeuvres which occurred in selecting candidates, including the part played by the Duchess of Marlborough. The poll books themselves are a mine of local information about Bedfordshire. The 10,000 names in this volume (fully indexed), added to the 8,500 names in the first volume, provide evidence for in-depth study of people, places and landholding in Bedfordshire. They will also help family historians find ancestors between the 1671 Hearth Tax and the 1841 Census.

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In Strange Tales from Edo, William Fleming paints a sweeping picture of Japan’s engagement with Chinese fiction in the early modern period (1600–1868). Large-scale analyses of the full historical and bibliographical record—the first of their kind—document in detail the wholesale importation of Chinese fiction, the market for imported books and domestic reprint editions, and the critical role of manuscript practices—the ascendance of print culture notwithstanding—in the circulation of Chinese texts among Japanese readers and writers.Bringing this big picture to life, Fleming also traces the journey of a text rarely mentioned in studies of early modern Japanese literature: Pu Songling’s Liaozhai zhiyi (Strange Tales from Liaozhai Studio). An immediate favorite of readers on the continent, Liaozhai was long thought to have been virtually unknown in Japan until the modern period. Copies were imported in vanishingly small numbers, and the collection was never reprinted domestically. Yet beneath this surface of apparent neglect lies a rich hidden history of engagement and rewriting—hand-copying, annotation, criticism, translation, and adaptation—that opens up new perspectives on both the Chinese strange tale and its Japanese counterparts.

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Reflecting the Past is the first English-language study to address the role of historiography in medieval Japan, an age at the time widely believed to be one of irreversible decline. Drawing on a decade of research, including work with medieval manuscripts, it analyzes a set of texts—eight Mirrors—that recount the past in an effort to order the world around them. They confront rebellions, civil war, “China,” attempted invasions, and even the fracturing of the court into two lines. To interrogate the significance for medieval writers of narrating such pasts as a Mirror, Erin Brightwell traces a series of innovations across these and related texts that emerge in the face of disorder. In so doing, she uncovers how a dynamic web of evolving concepts of time, place, language use, and cosmological forces was deployed to order the past in an age of unprecedented social movement and upheaval.Despite the Mirrors’ common concerns and commitments, traditional linguistic and disciplinary boundaries have downplayed or obscured their significance for medieval thinkers. Through their treatment here as a multilingual, multi-structured genre, the Mirrors are revealed, however, as the dominant mode for reading and writing the past over almost three centuries of Japanese history.

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This volume presents two complementary medieval anthologies containing lyrics by two outstanding Latin poets of the second half of the twelfth century. The poet Peter of Blois was proclaimed by a contemporary of his to be a master composer of rhythmic verse. Peter’s secular love-lyrics gathered in the Arundel manuscript give substance to that claim. Written with a technical virtuosity that rivals the metrical display of Horatian lyric, the poems give eloquent and learned expression to the cult of secular love that emerged in the twelfth ­century.The collection is further augmented by verse as varied as Christmas poems and satires on the venality of the Roman Curia and immoral bishops, including a famous lament about church corruption by Walther of Châtillon.The cleric Hugh Primas won recognition and fame for compositions in which he reflects upon his experiences, good and bad, while traveling around the cities of northern France (such as the important sees of Rheims and Sens) in search of patronage. Artistic in conception and execution, the poems are memorable for the witty and often acerbic tone with which Primas engages the holders of ecclesiastical power.

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The written word has been a central bearer of culture since antiquity. But its position is now being challenged by the powerful media of electronic communication. In this penetrating and witty book James O'Donnell takes a reading on the promise and the threat of electronic technology for our literate future.In Avatars of the Word O'Donnell reinterprets today's communication revolution through a series of refracted comparisons with earlier revolutionary periods: the transition from oral to written culture, from the papyrus scroll to the codex, from copied manuscript to print. His engaging portrayals of these analogous epochal moments suggest that our steps into cyberspace are not as radical as we might think. Observing how technologies of the word have affected the shaping of culture in the past, and how technological transformation has been managed, we regain models that can help us navigate the electronic transformation now underway. Concluding with a focus on the need to rethink the modern university, O'Donnell specifically addresses learning and teaching in the humanities, proposing ways to seek the greatest benefit from electronic technologies while steering clear of their potential pitfalls.

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