Search results for ""Author MANUS"

Beautiful illustrations from renowned paper Thomas Kinkade to captivate and draw you into God’s Word.For years, Thomas Kinkade touched the hearts of millions with an art style that captures the warmth and wonder of life. Now the art of the Painter of Light™ is celebrated in the Book of Light--the Bible. A beautiful collector's family Bible featuring Thomas Kinkade art, this one-of-a-kind keepsake is an ideal heirloom for anyone's Christian library.Thomas Kinkade's tranquil, light-infused paintings bring hope and joy to millions each year. Each painting Thomas Kinkade created is a quiet messenger in the home, affirming the basic values of family and home, faith in God, and the luminous beauty of nature.Features include: Illustrations by famous painter Thomas Kinkade to be enjoyed by the entire family Devotions providing wisdom and personal stories to easily apply to your life Perfect keepsake to be passed down with a family tree, list of children, and other pages to record important life events Words of Christ in red help you quickly identify Jesus’ teachings and statements Translation notes provide a look into the thinking of the translators with alternative translations that could have been used and textual notes about manuscript variations Gilded page edges help protect the edge of the page and provide a polished look Clear and readable 10-point font The New King James Version—More than 60 million copies sold in 30 years

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At the close of the nineteenth century, near the end of the Qing empire, Confucian revivalists from central China gained control of the Muslim-majority region of Xinjiang, or East Turkestan. There they undertook a program to transform Turkic-speaking Muslims into Chinese-speaking Confucians, seeking to bind this population and their homeland to the Chinese cultural and political realm. Instead of assimilation, divisions between communities only deepened, resulting in a profound estrangement that continues to this day.In Land of Strangers, Eric Schluessel explores this encounter between Chinese power and a Muslim society through the struggles of ordinary people in the oasis of Turpan. He follows the stories of families divided by war, women desperate to survive, children unsure where they belong, and many others to reveal the human consequences of a bloody conflict and the more insidious violence of reconstruction. Schluessel traces the emergence of new struggles around essential questions of identity, showing how religious and linguistic differences converged into ethnic labels. Reading across local archives and manuscript accounts in the Chinese and Chaghatay languages, he recasts the attempted transformation of Xinjiang as a distinctly Chinese form of colonialism. At a time when understanding the roots of the modern relationship between Uyghurs and China has taken on new urgency, Land of Strangers illuminates a crucial moment of social and cultural change in this dark period of Xinjiang’s past.

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Amid the crowded streets of Chester, guild players portraying biblical characters performed on colorful mobile stages hoping to draw the attention of fellow townspeople. In the fifteenth and sixteenth centuries, these Chester plays employed flamboyant live performance to adapt biblical narratives. But the original format of these fascinating performances remains cloudy, as surviving records of these plays are sparse, and the manuscripts were only written down a generation after they stopped. Revealing a vibrant set of social practices encoded in the Chester plays, Matthew Sergi provides a new methodology for reading them and a transformative look at medieval English drama. Carefully combing through the plays, Sergi seeks out cues in the dialogues that reveal information about the original staging, design, and acting. These "practical cues," as he calls them, have gone largely unnoticed by drama scholars, who have focused on the ideology and historical contexts of these plays, rather than the methods, mechanics, and structures of the actual performances. Drawing on his experience as an actor and director, he combines close readings of these texts with fragments of records, revealing a new way to understand how the Chester plays brought biblical narratives to spectators in the noisy streets. For Sergi, plays that once appeared only as dry religious dramas come to life as raucous participatory spectacles filled with humor, camp, and devotion.

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Understanding the past takes more forms than historiography. Since 2005, professional and amateur scholars have come together at the annual International Medieval Congress in Western Michigan University to discuss the role re-construction, re-enactment and re-creation can play in 'breathing life into these dry bones' to deepen our knowledge of the past. Under the sponsorship of the Higgins Armory Museum and the Oakeshott Institute, presenters have looked at subjects ranging from ore smelting to equitation to the use of recreation and reenactment in the classroom. A special focus of these sessions has always been the critical examination of European fencing books, or Fechtbucher - not only for the sake of reconstructing the arts found therein, but also for what these sources can tell us about intellectual, cultural and social history. Thanks in part to editors' Mondschein and Cramer's work, the study of fencing books has rapidly become a recognized field of academic study. This volume brings together eight papers examining the study and reconstruction of medieval and early modern fight-books and related subjects. The subjects covered range from manuscript studies to philology, from Aristotelian physics to martial musicality, from medieval textuality to women and warfare. It will be of interest not only to professional historians, musicologists, literary scholars and art historians, but also to the vast army of impassioned and enthusiastic practitioners who endeavor, as a labour of love, to make the past come to life.

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Visit the world’s most comprehensive and compelling museum in a single book – the ultimate gallery in your own home Housing the finest art collection ever assembled, this classic format of Phaidon’s bestselling The Art Museum offers the ultimate museum experience without the boundaries of space and time. The rooms and galleries that live within this volume display more than 1,600 artworks, expertly selected from the original collection, including paintings, sculpture, textiles, photographs, installations, performances, videos, prints, ceramics, manuscripts, metalwork, and jewelwork. The artworks included were carefully selected by a team of 28 curators, critics, art historians and artists who contributed their expertise to create this revolutionary 'virtual' museum. These experts came from such institutions as: the Metropolitan Museum of Art, New York; The British Museum, London; the Museum of Fine Art, Boston; the J. Paul Getty Museum, Malibu; the University of California, Berkley; LaTrobe University, Melbourne; the School of African and Oriental Studies, University of London; and the Courtauld Institute of Art, London. Works originate from the Palaeolithic era to the present and come from all around the globe and include both iconic and lesser-known pieces. This extraordinary book takes the reader on a tour around the world and through the ages, presenting the finest examples of human creativity within its covers – a dream museum without the boundaries of walls.

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How Walt Disney and the Disney Studios wove the aesthetics of French decorative arts into the fairy-tale worlds of beloved animated films, from Cinderella to Beauty and the Beast and beyond Pink castles, talking sofas, and objects coming to life: what may sound like the fantasies of Hollywood dream-maker Walt Disney were in fact the figments of the colorful salons of Rococo Paris. Exploring the novel use of French motifs in Disney films and theme parks, this publication features forty works of eighteenth-century European design—from tapestries and furniture to Boulle clocks and Sèvres porcelain—alongside 150 Disney film stills, drawings, and other works on paper. The text connects these art forms through a shared dedication to craftsmanship and highlights references to European art in Disney films, including nods to Gothic Revival architecture in Cinderella (1950); bejeweled, medieval manuscripts in Sleeping Beauty (1959); and Rococo-inspired furnishings and objects brought to life in Beauty and the Beast (1991). Bridging fact and fantasy, this book draws remarkable new parallels between Disney’s magical creations and their artistic inspirations.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (December 10, 2021–March 6, 2022)Wallace Collection, London (April 6–October 16, 2022)Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA (December 10, 2022–March 27, 2023)

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A Bible in the trustworthy NKJV with giant print text that is extremely readable while also being easy to take with you to church or a small group. This edition features extra-large text in Comfort Print, yet the Bible is still only 1” thick.Trusted by millions of believers around the world, the NKJV remains the bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translators relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.Features include: Words of Christ in red quickly identify verses spoken by Jesus Durable and flexible Smyth-sewn binding allow for years of use Satin Ribbon Markers are a useful tool to easily navigate and keep track of where you were reading Gilded page edges add a beautiful shine around the border of the paper Full color maps show a visual representation of Israel and other biblical locations for better context Easy-to-read line-matched giant 12-point NKJV Comfort Print

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A Bible in the trustworthy NKJV with giant print text that is extremely readable while also being easy to take with you to church or a small group. This edition features extra-large text in Comfort Print, yet the Bible is still only 1” thick.Trusted by millions of believers around the world, the NKJV remains the bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translators relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.Features include: Words of Christ in red quickly identify verses spoken by Jesus Durable and flexible Smyth-sewn binding allow for years of use Satin Ribbon Markers are a useful tool to easily navigate and keep track of where you were reading Gilded page edges add a beautiful shine around the border of the paper Full color maps show a visual representation of Israel and other biblical locations for better context Easy-to-read line-matched giant 12-point NKJV Comfort Print

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A balance of being both easy-to-read and easy-to-carry, this Bible is an ideal choice to take with you wherever you go.This edition is published in large NKJV Comfort Print type, which was designed exclusively for Thomas Nelson to be the most readable at any size.The go-anywhere New King James Version Bible, lightweight and portable, now with the enhanced readability of Thomas Nelson’s custom NKJV font in large print. That’s the NKJV Value Thinline Large Print Bible, and it’s the Bible you’ll want to take with you throughout your day. Featuring the popular and reliable text of the New King James Version in a variety of compelling cover designs, you will enjoy the beautiful new layout, helpful reading plan, and words of Christ in red.Features Include: Line-matched classic 2-column format Presentation page to personalize this special gift by recording a memory or a note Words of Christ in red help you quickly identify Jesus’ teachings and statements Translation notes provide a look into the thinking of the translators with alternative translations that could have been used and textual notes about manuscript variations Reading plan guiding you through the entire Bible in a year Ribbon markers for you to easily navigate and keep track of where you were reading Durable and flexible Smyth-sewn binding for years of use Easy-to-read 10.5-point NKJV Comfort Print

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In the winter of 1417, a short, genial, cannily alert man in his late thirties plucked a very old manuscript off a dusty shelf in a remote monastery, saw with excitement what he had discovered, and ordered that it be copied. He was Poggio Bracciolini, the greatest book hunter of the Renaissance. His discovery, Lucretius’ ancient poem On the Nature of Things, had been almost entirely lost to history for more than a thousand years. It was a beautiful poem of the most dangerous ideas: that the universe functions without the aid of gods, that religious fear is damaging to human life, that pleasure and virtue are not opposites but intertwined, and that matter is made up of very small material particles in eternal motion, randomly colliding and swerving in new directions. Its return to circulation changed the course of history. The poem’s vision would shape the thought of Galileo and Freud, Darwin and Einstein, and—in the hands of Thomas Jefferson—leave its trace on the Declaration of Independence. From the gardens of the ancient philosophers to the dark chambers of monastic scriptoria during the Middle Ages to the cynical, competitive court of a corrupt and dangerous pope, Greenblatt brings Poggio’s search and discovery to life in a way that deepens our understanding of the world we live in now. “An intellectually invigorating, nonfiction version of a Dan Brown–like mystery-in-the-archives thriller.” —Boston Globe

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Un fabuloso recorrido por la vida y obra de filósofos ilustres que han marcado la historia del pensamiento y del mundoDesde Platón y Confucio hasta Marx y Nietzsche, esta obra de referencia de filosofía recopila las biografías de más de 100 filósofos y pensadores de todo el mundo, épocas y contextos históricos, desvelando los entresijos de sus vidas, relaciones, estudios y obra. Cada doble página se centra en el perfil y vida de un filósofo destacado de la historia, desde la antigua Grecia hasta nuestro días, y explica de un modo accesible y claro los conceptos claves de sus ideas, razonamientos, métodos de trabajo y principales obras, a la vez que presenta las vivencias amores, amistades y rivales que influenciaron y marcaron su pensamiento.Ilustrado con fabulosos retratos en pintura y fotografías de los filósofos, así como instantáneas de sus casas, objetos personales, correspondencia, notas manuscritas y primeras ediciones de sus obras más importantes, este libro de filosofía es el complemento ideal para cualquiera que desee acercarse a los personajes clave del pensamiento y conocer mejor los acontecimientos vitales que les llevaron a plantearse el sentido de la vida y encontrar nuevas formas de entender el mundo. Un viaje a través de la historia del pensamiento de la mano de sus protagonistasProfundiza en las principales teorías filosóficas y corrientes de pensamiento a lo largo de los 2600 años de la historia de la filosofía con este completísimo libro, que te permitirá descubrir las reflexiones y preceptos filosóficos de más de un centenar de pensadores de Oriente y Occidente, ordenados cronológicamente, y entender cómo las ideas de cada filósofo se conectan o refutan a lo largo de los años.Perfecto para estudiantes, docentes, aficionados y amantes del pensamiento que quieran obtener una visión completa del nacimiento, desarrollo y evolución del conocimiento filosófico desde la antigüedad, con Lao Ise o Buda, en la antigua China e India, y filósofos presocráticos de la antigüedad clásica de Grecia como Tales de Mileto o Heráclito, hasta la edad contemporánea, con Simone de Beauvoir o Noam Chomsky.Familiarízate con las temáticas y grandes preguntas de la humanidad y conoce el trabajo de los principales pensadores e intelectuales de cada etapa: • Antiguos • Medievales • Primeros modernos • Modernos • Siglo XX • Filosofía actual

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In one volume for the first time, this revised and updated examination of how J.R.R.Tolkien came to write his original masterpiece The Hobbit includes his complete unpublished draft version of the story, together with notes and illustrations by Tolkien himself. The Hobbit was first published on 21 September 1937. Like its sequel, The Lord of the Rings, it is a story that ‘grew in the telling’, and many characters and plot threads in the published text are quite different from the story J.R.R. Tolkien first wrote to read aloud to his young sons as one of their ‘fireside reads’. Together in one volume, The History of the Hobbit presents the complete text of the unpublished manuscript of The Hobbit, accompanied by John Rateliff’s lively and informative account of how the book came to be written and published. Recording the numerous changes made to the story both before and after publication, he examines – chapter by chapter – why those changes were made and how they reflect Tolkien’s ever-growing concept of Middle-earth. As well as reproducing the original version of one of the world’s most popular novels – both on its own merits and as the foundation for The Lord of the Rings– this book includes many little-known illustrations and draft maps for The Hobbit by Tolkien himself. Also featured are extensive commentaries on the dates of composition, how Tolkien’s professional and early mythological writings influenced the story, the imaginary geography he created, and how Tolkien came to revise the book years after publication to accommodate events in The Lord of the Rings. Endorsed by Christopher Tolkien as a companion to his essential 12-volume The History of Middle-earth, this thoughtful and exhaustive examination of one of the most treasured stories in English literature offers fascinating new insights for those who have grown up with this enchanting tale, and will delight any who are about to enter Bilbo’s round door for the first time.

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Painstakingly restored from Tolkien’s manuscripts and presented for the first time as a continuous and standalone story, the epic tale of Beren and Lúthien will reunite fans of The Hobbit and The Lord of the Rings with Elves and Men, Dwarves and Orcs and the rich landscape and creatures unique to Tolkien’s Middle-earth. The tale of Beren and Lúthien was, or became, an essential element in the evolution of The Silmarillion, the myths and legends of the First Age of the World conceived by J.R.R. Tolkien. Returning from France and the battle of the Somme at the end of 1916, he wrote the tale in the following year. Essential to the story, and never changed, is the fate that shadowed the love of Beren and Lúthien: for Beren was a mortal man, but Lúthien was an immortal Elf. Her father, a great Elvish lord, in deep opposition to Beren, imposed on him an impossible task that he must perform before he might wed Lúthien. This is the kernel of the legend; and it leads to the supremely heroic attempt of Beren and Lúthien together to rob the greatest of all evil beings, Melkor, called Morgoth, the Black Enemy, of a Silmaril. In this book Christopher Tolkien has attempted to extract the story of Beren and Lúthien from the comprehensive work in which it was embedded; but that story was itself changing as it developed new associations within the larger history. To show something of the process whereby this legend of Middle-earth evolved over the years, he has told the story in his father's own words by giving, first, its original form, and then passages in prose and verse from later texts that illustrate the narrative as it changed. Presented together for the first time, they reveal aspects of the story, both in event and in narrative immediacy, that were afterwards lost.

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The world first publication of a previously unknown work by J.R.R. Tolkien, which tells the extraordinary story of the final days of England’s legendary hero, King Arthur. The Fall of Arthur, the only venture by J.R.R. Tolkien into the legends of Arthur King of Britain, may well be regarded as his finest and most skilful achievement in the use of the Old English alliterative metre, in which he brought to his transforming perceptions of the old narratives a pervasive sense of the grave and fateful nature of all that is told: of Arthur’s expedition overseas into distant heathen lands, of Guinevere’s flight from Camelot, of the great sea-battle on Arthur’s return to Britain, in the portrait of the traitor Mordred, in the tormented doubts of Lancelot in his French castle. Unhappily, The Fall of Arthur was one of several long narrative poems that he abandoned in that period. In this case he evidently began it in the earlier nineteen-thirties, and it was sufficiently advanced for him to send it to a very perceptive friend who read it with great enthusiasm at the end of 1934 and urgently pressed him ‘You simply must finish it!’ But in vain: he abandoned it, at some date unknown, though there is some evidence that it may have been in 1937, the year of the publication of The Hobbit and the first stirrings of The Lord of the Rings. Years later, in a letter of 1955, he said that ‘he hoped to finish a long poem on The Fall of Arthur’; but that day never came. Associated with the text of the poem, however, are many manuscript pages: a great quantity of drafting and experimentation in verse, in which the strange evolution of the poem’s structure is revealed, together with narrative synopses and very significant if tantalising notes. In these latter can be discerned clear if mysterious associations of the Arthurian conclusion with The Silmarillion, and the bitter ending of the love of Lancelot and Guinevere, which was never written.

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Hind, newly arrived in New York with her eight-year-old son, several suitcases of unfinished manuscripts, and hardly any English, finds a room in a Brooklyn teeming with people like her who dream of becoming writers. As she discovers the various corners of her new home, they conjure up parallel memories from her childhood and her small Bedouin village in the Nile Delta: Emilia who sells used shoes at the flea market smells like Zeinab, the old woman who worked for Hind's grandfather; the reflection of her own body as she dances tango awakens the awkwardness of her relationship to that body across the years; the story of Lilette, the Egyptian bourgeoise who has lost her memory, prompts Hind to safeguard her own. Through this kaleidoscopic spectrum of disadvantaged characters we encounter unique but familiar life histories in this award-winning and intensely moving novel of displacement and exile. It was the winner of the Naguib Mahfouz Medal for Literature, and was shortlisted for the 2011 Arabic Booker prize.

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The book of Revelation has been a source of continual fascination for nearly two thousand years. Concepts such as The Lamb of God, the Four Horsemen, the Seventh Seal, the Beasts and Antichrist, the Whore of Babylon, Armageddon, the Millennium, the Last Judgement, the New Jerusalem, and the ubiquitous Angel of the Apocalypse have captured the popular imagination. One can hardly open a newspaper or click on a news web site without reading about impending financial or climate change Armageddon, while the concept of the Four Horsemen pervades popular music, gaming, and satire. Yet few people know much about either the basic meaning or original context of these concepts or the multiplicity of different ways in which they have been interpreted by visual artists in particular. The visual history of this most widely illustrated of all the biblical books deserves greater attention. This book fills these gaps in a striking and original way by means of ten concise thematic chapters which explain the origins of these concepts from the book of Revelation in an accessible way. These explanations are augmented and developed via a carefully selected sample of the ways in which the concepts have been treated by artists through the centuries. The 120 visual examples are drawn from a wide range of time periods and media including the ninth-century Trier Apocalypse, thirteenth-century Anglo-Norman Apocalypse Manuscripts such as the Lambeth and Trinity Apocalypses, the fourteenth-century Angers Apocalypse Tapestry, fifteenth-century Apocalypse altarpieces by Van Eyck and Memling, Dürer and Cranach's sixteenth-century Apocalypse woodcuts, and more recently a range of works by William Blake, J. M. W. Turner, Max Beckmann, as well as film posters and stills, cartoons, and children's book illustrations. The final chapter demonstrates the continuing resonance of all the themes in contemporary religious, political, and popular thinking, while throughout the book a contrast will be drawn between those readers of Revelation who have seen it in terms of earthly revolutions in the here and now, and those who have adopted a more spiritual, otherworldly approach.

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These three anthologies are all relatively unknown, particularly in the English-speaking world, outside of professional medieval Latinist circles. Though excerpts from the Regensburg and Ripoll poems have been published in English translation, only the Ripoll poems have been translated completely, and only into Spanish and French. Making these anthologies available in a bilingual edition with commentary will make the insight they provide into several aspects of medieval life accessible to medieval historians as well as the more general public. The Regensburg poems take the form of epistolary exchanges in Leonine hexameters, mainly between a male teacher and his female students, who appear to have been nuns. Some of the sixty-eight short poems imply an erotic relationship between teacher and student. The poems afford us rare glimpses into the education of women at this time. The Ripoll poems are a collection of twenty love poems, probably written in Lorraine around 1150 and copied in Ripoll. All twenty poems were written by a single unknown poet, except for one, a misogynistic poem also found in other manuscripts. The Chartres poems comprise seven performed at the post-Christmas festivities in Chartres around 1180, when the world was turned upside down in a carnivalesque suspension of the normal social order. This collection offers unique insight into the kind of poems performed during these “feasts of fools.” The last four poems are by two of the most famous medieval Latin poets, Walter of Châtillon and Peter of Blois, the canonist.

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Die vorliegende Arbeit ist während meiner Tätigkeit als wissenschaftlicher Mitarbeiter bei Prof. Dr. Heinz-Dieter Wenzel am Lehrstuhl für Volkswirt­ schaftslehre, insbesondere Finanzwissenschaft der Universität Bamberg ent­ standen und an der Universität Bamberg als Dissertation angenommen wor­ den. Für die Betreuung der Arbeit durch Herrn Prof. Dr. Heinz-Dieter Wenzel möchte ich an dieser Stelle herzlich Dank sagen. Mein Dank gilt ebenso Herrn Prof. Dr. Ulrich Meyer, der als zweiter Gutachter durch hilfreiche Anregungen zum Gelingen der Arbeit beitrug. In einem kollegialen Klima der gegenseitigen Unterstützung gedeiht wissen­ schaftliche Arbeit am besten. Meinen Kollegen Herrn Dr. Martin Arnold und Frau Dipl.-Volkswirtin Barbara Wolfe möchte ich Dank aussprechen für ihre Bereitschaft, sich während des gesamten Entstehungsprozesses der Arbeit mit den von mir zu Papier gebrachten Ideen in Inhalt und Form auseinanderzusetzen. Besonderen Dank schulde ich Herrn Dr. Kai Konrad und meinem Bruder, Herrn Dipl.-Mathematiker Ingo Wrede, die zu einzelnen Aspekten der The­ matik äußerst wertvolle Hinweise gaben. Frau Andrea Wölfe! und Herrn Michael Betten, die durch sorgfältiges Durcharbeiten des Manuskriptes manchen Fehler auszumerzen halfen, danke ich hierfür. Mein innigster Dank aber gilt meiner Frau, Frau Dipl.-Volkswirtin Christi­ ane Wrede, die mir nicht nur durch kritische Lektüre zahlreicher Entwürfe geholfen hat. Ihr Verständnis und ihre Unterstützung gestatteten es, mir die erforderliche Zeit zur Fertigstellung der Arbeit zu nehmen.

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Few writers have had a greater impact upon British society than Charles Dickens. His stories, and, in particular, his many memorable characters, highlighted the life of the forgotten poor and disadvantaged within society at a time when Britain was the leading economic and political power in the world. Dickens' portrayal of the poor, such as Oliver Twist daring to ask for more food in the parish workhouse, and Bob Cratchit struggling to provide for his family at Christmas, roused much sympathy and an understanding of the poor and the conditions in which they lived. This led to many people founding orphanages, establishing schools to educate the underprivileged, or to set up hospitals for those who could not afford medical treatment -one such was Great Ormond Street Children's Hospital where one of its wards was named after the great writer. Little wonder, then, that his legacy can be found across the UK. From the buildings where he lived, the inns and hotels he frequented, the streets and towns which formed the backdrop to his novels and short stories, to the places where he gave readings or performed his own amateur dramatic productions to raise funds for his philanthropic causes. Dickensian memorabilia also abound, including his original manuscripts to his famous works and letters to his wife. Many of these have been woven in a single volume which transports the reader magically through stories and images into the Dickensian world of Victorian Britain.

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This volume offers a reappraisal of Wordsworth's and Coleridge's radical careers before their emergence as major poets. Updated, revised, and with new manuscript material, this expanded new edition responds to the most significant critical work on Wordsworth's and Coleridge's radical careers in the three decades since the book first appeared. Fresh material is drawn from newspapers and printed sources; the poetry of 1798 is given more detailed attention, and the critical debate surrounding new historicism is freshly appraised. A new introduction reflects on how the book was originally researched, offers new insights into the notorious Léonard Bourdon killings of 1793, and revisits John Thelwall's predicament in 1798. University politics, radical dissent, and first-hand experiences of Revolutionary France form the substance of the opening chapters. Wordsworth's and Coleridge's relations with William Godwin and John Thelwall are tracked in detail, and both poets are shown to have been closely connected with the London Corresponding Society. Godwin's diaries, now accessible in electronic form, have been drawn upon extensively to supplement the narrative of his intellectual influence. Offering a comparative perspective on the poets and their contemporaries, the book investigates the ways in which 1790s radicals coped with personal crisis, arrests, trumped-up charges, and prosecutions. Some fled the country, becoming refugees; others went underground, hiding away as inner émigrés. Against that backdrop, Wordsworth and Coleridge opted for a different revolution: they wrote poems that would change the way people thought.

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Artaud the Mômo is Antonin Artaud’s most extraordinary poetic work from the brief final phase of his life, from his return to Paris in 1946 after nine years of incarceration in French psychiatric institutions to his death in 1948. This work is an unprecedented anatomical excavation carried through in vocal language, envisioning new gestural futures for the human body in its splintered fragments. With black humor, Artaud also illuminates his own status as the scorned, Marseille-born child-fool, the “mômo” (a self-naming that fascinated Jacques Derrida in his writings on this work). Artaud moves between extreme irreligious obscenity and delicate evocations of his immediate corporeal perception and his sense of solitude. The book’s five-part sequence ends with Artaud’s caustic denunciation of psychiatric institutions and of the very concept of madness itself. This edition is translated by Clayton Eshleman, the acclaimed foremost translator of Artaud’s work. This will be the first edition since the original 1947 publication to present the work in the spatial format Artaud intended. It also incorporates eight original drawings by Artaud—showing reconfigured bodies as weapons of resistance and assault—which he selected for that edition, after having initially attempted to persuade Pablo Picasso to collaborate with him. Additional critical material draws on Artaud’s previously unknown manuscript letters written between 1946 and 1948 to the book’s publisher, Pierre Bordas, which give unique insights into the work from its origins to its publication.

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The use of talismans and amulets stretches back nearly to the dawn of man, from everyday items magically prepared, such as horns or coins, to intricate and beautiful jewelry imbued with protective powers. Drawing on his private collection of medieval manuscripts as well as his privileged access to the rare book archives of major European universities, Claude Lecouteux provides a comprehensive history of the use of talismans and amulets for protection, healing, and divine influence. He explores their use in the Western Mystery Tradition as well as Eastern and Middle Eastern beliefs about these magical objects and their incorporation--despite Church anathema--into the Christian tradition of Medieval Europe. Reviewing many different kinds of amulets and talismans used throughout the ages, such as a rabbit's foot, horseshoe, gris-gris bag, or an inscribed parchment charged through ritual, he details the principles and symbology behind each object and shows that their use is still as widespread today as any time in the past. Lecouteux explains the high magic behind the hermetic art of crafting amulets and talismans: the chains of sympathy, astrological geography, and the invocations required to activate their powers. He explores the work of adepts such as Agrippa, Albertus Magnus, and Athanasius Kircher, including an in-depth look at Kircher's work on planetary seals in his Oedipus Aegyptiacus. Illustrated throughout with period art depicting magical symbols, seals, and a wide array of talismans and amulets, this comprehensive study provides a practical guide to the historical development and step-by-step creation of magical objects.

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How do early modern media underlie today’s digital creativity? In Cut/Copy/Paste, Whitney Trettien journeys to the fringes of the London print trade to uncover makerspaces and collaboratories where paper media were cut up and reassembled into radical, bespoke publications. Bringing these long-forgotten objects back to life through hand-curated digital resources, Trettien shows how early experimental book hacks speak to the contemporary conditions of digital scholarship and publishing. As a mixed-media artifact itself, Cut/Copy/Paste enacts for readers what Trettien argues: that digital forms have the potential to decenter patriarchal histories of print.From the religious household of Little Gidding—whose biblical concordances and manuscripts exemplify protofeminist media innovation—to the queer poetic assemblages of Edward Benlowes and the fragment albums of former shoemaker John Bagford, Cut/Copy/Paste demonstrates history’s relevance to our understanding of current media. Tracing the lives and afterlives of amateur “bookwork,” Trettien creates a method for identifying and comprehending hybrid objects that resist familiar bibliographic and literary categories. In the process, she bears witness to the deep history of radical publishing with fragments and found materials.With many of Cut/Copy/Paste’s digital resources left thrillingly open for additions and revisions, this book reimagines our ideas of publication while fostering a spirit of generosity and inclusivity. An open invitation to cut, copy, and paste different histories, it is an inspiration for students of publishing or the digital humanities, as well as anyone interested in the past, present, and future of creativity.

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How do early modern media underlie today’s digital creativity? In Cut/Copy/Paste, Whitney Trettien journeys to the fringes of the London print trade to uncover makerspaces and collaboratories where paper media were cut up and reassembled into radical, bespoke publications. Bringing these long-forgotten objects back to life through hand-curated digital resources, Trettien shows how early experimental book hacks speak to the contemporary conditions of digital scholarship and publishing. As a mixed-media artifact itself, Cut/Copy/Paste enacts for readers what Trettien argues: that digital forms have the potential to decenter patriarchal histories of print.From the religious household of Little Gidding—whose biblical concordances and manuscripts exemplify protofeminist media innovation—to the queer poetic assemblages of Edward Benlowes and the fragment albums of former shoemaker John Bagford, Cut/Copy/Paste demonstrates history’s relevance to our understanding of current media. Tracing the lives and afterlives of amateur “bookwork,” Trettien creates a method for identifying and comprehending hybrid objects that resist familiar bibliographic and literary categories. In the process, she bears witness to the deep history of radical publishing with fragments and found materials.With many of Cut/Copy/Paste’s digital resources left thrillingly open for additions and revisions, this book reimagines our ideas of publication while fostering a spirit of generosity and inclusivity. An open invitation to cut, copy, and paste different histories, it is an inspiration for students of publishing or the digital humanities, as well as anyone interested in the past, present, and future of creativity.

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The first volume in what will be a complete biographical record of all parish priests in Lincolnshire. The parish churches of Lincolnshire are justly celebrated. The spires of Grantham and Louth, and the famous Boston Stump, provide a focal point from the surrounding landscape of fen, wold and marsh. The charms of remote country churches along the byways of the county have been extolled in prose and verse by writers such as Henry Thorold and Sir John Betjeman. Their architecture, their stained glass and sculpture, furniture and fabric, have all been carefully recorded. Yet little is known of the people who served these churches, the rectors and vicars who, in word and sacrament, taught the Christian faith to successive generations of parishioners. This volume forms the first part of a much-needed survey of Lincolnshire parish clergy. The starting point is 1214, when Bishop Hugh of Wells introduced the earliest system of episcopal registration in Western Europe. The magnificent series of Lincoln bishop'sregisters provides a framework for the parish lists, setting out the succession of rectors or vicars for each church. Brief biographical sketches demonstrate the rich variety of the county's parsons - pastors, scholars, travellers and writers, soldiers and schoolmasters; while some, like John Wycliffe, achieved a wider fame. This biographical register gives to each of them their place in the history of Lincolnshire. Dr Nicholas Bennett is General Editor of the Lincoln Record Society. Prior to retirement, he was Vice-Chancellor and Librarian of Lincoln Cathedral, where he was responsible for the historic collections of books and manuscripts.

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A balance of being both easy-to-read and easy-to-carry, this Bible is an ideal choice to take with you wherever you go.This edition is published in large NKJV Comfort Print type, which was designed exclusively for Thomas Nelson to be the most readable at any size.The go-anywhere New King James Version Bible, lightweight and portable, now with the enhanced readability of Thomas Nelson’s custom NKJV font in large print. That’s the NKJV Value Thinline Large Print Bible, and it’s the Bible you’ll want to take with you throughout your day. Featuring the popular and reliable text of the New King James Version in a variety of compelling cover designs, you will enjoy the beautiful new layout, helpful reading plan, words of Christ in red, and full-color maps.Features Include: Line-matched classic 2-column format Presentation page to personalize this special gift by recording a memory or a note Words of Christ in red help you quickly identify Jesus’ teachings and statements Translation notes provide a look into the thinking of the translators with alternative translations that could have been used and textual notes about manuscript variations Reading plan guiding you through the entire Bible in a year Full color maps show a visual representation of Israel and other biblical locations for better context Ribbon markers for you to easily navigate and keep track of where you were reading Durable and flexible Smyth-sewn binding for years of use Easy-to-read 10.5-point NKJV Comfort Print

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In 2009, the writer-narrator finds a Box. Within it lie the pages of her very first manuscript, pages she thought she had long since thrown away. Le Prénom de Dieu was the text that marked the start of her prodigious career, and yet for the narrator it is also the Nameless Book, the-Book-that-could-never-be-read, the book written by someone other than her. Now, once again, it heralds a beginning, as its discovery is the start of a journey into the past. The title, with its reference to the murderous Ourang-Outang of Edgar Allan Poe’s The Murders in the Rue Morgue, sets the scene: this is a detective story haunted by literary ghosts. At the very heart of literature lies the fascination with the enigma, the search for something that has been lost. Cixous illustrates this as she leads her reader on a hunt for the ultimate hidden treasure, in the company of an array of venerable predecessors from Saint-Simon, Proust and Stendhal to Shackleton, Poe and Jacques Derrida. Double Oblivion of the Ourang-Outang is a text about literature. It speaks of the books you read and the books you write, those you remember and those you forget, those you fear and those you revere. It is also a powerful, evocative tale of beginnings and endings, of remembering and forgetting, of things and their doubles. In a densely woven narrative, Cixous’s latest text focuses on the extraordinary voyage that is literary creation, and in doing so also explores the themes of memory, loss and subjectivity.

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This major artistic biography of Federico Fellini shows how his exuberant imagination has been shaped by popular culture, literature, and his encounter with the ideas of C. G. Jung, especially Jungian dream interpretation. Covering Fellini's entire career, the book links his mature accomplishments to his first employment as a cartoonist, gagman, and sketch-artist during the Fascist era and his development as a leading neo-realist scriptwriter. Peter Bondanella thoroughly explores key Fellinian themes to reveal the director's growth not only as an artistic master of the visual image but also as an astute interpreter of culture and politics. Throughout the book Bondanella draws on a new archive of several dozen manuscripts, obtained from Fellini and his scriptwriters. These previously unexamined documents allow a comprehensive treatment of Fellini's important part in the rise of Italian neorealism and the even more decisive role that he played in the evolution of Italian cinema beyond neorealism in the 1950s. By probing Fellini's recurring themes, Bondanella reinterprets the visual qualities of the director's body of work--and also discloses in the films a critical and intellectual vitality often hidden by Fellini's reputation as a storyteller and entertainer. After two chapters on Fellini's precinematic career, the book covers all the films to date in analytical chapters arranged by topic: Fellini and his growth beyond his neorealist apprenticeship, dreams and metacinema, literature and cinema, Fellini and politics, Fellini and the image of women, and La voce della luna and the cinema of poetry.

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In Accounting for Dante, Justin Steinberg reexamines Dante's relation to his contemporary public, an audience that included those poets who responded to Dante's early work as well as the readers who first copied, preserved, and circulated his poetry. Based on original research of manuscripts and documents, Steinberg's study reveals in particular the importance of professional, urban classes—namely, merchants and notaries—as cultivators of early Italian poetry. Although not officially trained as glossators or scribes, these newly educated readers were full participants in an emergent vernacular literature, demonstrating at times a marked degree of sophistication in their choices of which lyric poems to include in their personal anthologies. Adapting their methods of memorializing contracts and keeping accounts to the collecting of medieval Italian poetry, these urban readers and writers made copying Italian poetry a crucial aspect of how they understood and represented themselves as individuals and communities. Steinberg describes how notaries and merchants transcribed Dante's poetry in nontraditional formats, such as in the archival documents of the Memoriali bolognesi and the register-book Vaticano Latino 3793. In bringing to light evidence of the urban reception of the early Italian lyric, Justin Steinberg restores the political, social, and historical contexts in which Dante would have understood the poetic debates of his day. He also examines how Dante continuously responded in his literary career—from the Vita Nuova, to the De Vulgari eloquentia, to the Commedia—to the interpretations and misinterpretations of his early lyrics by this municipal audience.

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The first full study of “birth figures” and their place in early modern knowledge-making. Birth figures are printed images of the pregnant womb, always shown in series, that depict the variety of ways in which a fetus can present for birth. Historian Rebecca Whiteley coined the term and here offers the first systematic analysis of the images’ creation, use, and impact. Whiteley reveals their origins in ancient medicine and explores their inclusion in many medieval gynecological manuscripts, focusing on their explosion in printed midwifery and surgical books in Western Europe from the mid-sixteenth to the mid-eighteenth century. During this period, birth figures formed a key part of the visual culture of medicine and midwifery and were widely produced. They reflected and shaped how the pregnant body was known and treated. And by providing crucial bodily knowledge to midwives and surgeons, birth figures were also deeply entangled with wider cultural preoccupations with generation and creativity, female power and agency, knowledge and its dissemination, and even the condition of the human in the universe. Birth Figures studies how different kinds of people understood childbirth and engaged with midwifery manuals, from learned physicians to midwives to illiterate listeners. Rich and detailed, this vital history reveals the importance of birth figures in how midwifery was practiced and in how people, both medical professionals and lay readers, envisioned and understood the mysterious state of pregnancy.

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FAME. POWER. SUCCESS. HAPPINESS.In this compelling novel from billion copy bestseller Danielle Steel, a top Hollywood movie mogul seeks a new beginning in England when his career takes an unplanned turn . . .As the head of a prestigious movie studio for nearly two decades, Andy Westfield has had every professional luxury: a stunning office, a loyal assistant who can all but read his mind, access to a private jet and company cars. Andy always put his career before his marriage, and now, besides his daughter and young grandchildren, it’s the only thing he truly loves.But then Andy’s world is upended. The studio is sold, and the buyer’s son demands the top seat. Out of a job and humiliated, Andy knows he needs to get as far away from Los Angeles as possible until the dust settles and he can find a new way forward.Andy signs a six-month rental agreement for a luxurious home in a small town on the south coast of England. When he arrives, he hires a local woman to help get his affairs in order. A former journalist, Violet Smith is at a crossroads as well. But when Violet leaves the manuscript of her unfinished novel behind after work one day, Andy is captivated by a story that begs to be adapted for the big screen. Could this be the miracle they’ve both been looking for?In Second Act, Danielle Steel presents a heartening tale of how challenging times give way to opportunities and an original outline does not always contain the perfect ending.

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King Lear exists in two different texts: the Quarto (1608) and the Folio (1623). Because each supplies passages missing in the other, for over 200 years editors combined the two to form a single text, the basis for all modern productions. Then in the 1980s a group of influential scholars argued that the two texts represent different versions of King Lear, that Shakespeare revised his play in light of theatrical performance. The two-text theory has since hardened into orthodoxy. Now for the first time in a book-length argument, one of the world’s most eminent Shakespeare scholars challenges the two-text theory. At stake is the way Shakespeare’s greatest play is read and performed.Sir Brian Vickers demonstrates that the cuts in the Quarto were in fact carried out by the printer because he had underestimated the amount of paper he would need. Paper was an expensive commodity in the early modern period, and printers counted the number of lines or words in a manuscript before ordering their supply. As for the Folio, whereas the revisionists claim that Shakespeare cut the text in order to alter the balance between characters, Vickers sees no evidence of his agency. These cuts were likely made by the theater company to speed up the action. Vickers includes responses to the revisionist theory made by leading literary scholars, who show that the Folio cuts damage the play’s moral and emotional structure and are impracticable on the stage.

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First translation into English of 12th-century history of Ely from its foundation, including the Danish sack, Hereward's resistance to the Normans, and the repercussions of Becket's martyrdom. This is the first ever translation from Latin into English of an important source for English and ecclesiastical history. The Liber Eliensis is an account of the history of the Isle of Ely compiled by a monk of Ely monastery in the later twelfth century. He uses evidence from the monastery's Latin and Old English archives, combined with chronicle data and biographies of saints and heroes, to tell the story of Ely in three parts. The first book, chiefly concerned with the abbesses of Ely (St Aethelthryth founded the house as a double house under female leadership), extends from the conversion of East Anglia to Christianity to the aftermath of the Danish sack; the second bookcovers 970-1109, when the Benedictine monastery was ruled by abbots, and includes an account of Hereward's resistance to William the Conqueror; the third book begins at the point when Ely first became the seat of a bishop, and extends to the compiler's own times, ending with the martyrdom of Thomas Becket. The translation does full justice to the compiler's gift for story-telling and his wide range of source material; it gives priority to the readings of the oldest manuscript of the Liber Eliensis, but covers all the material in the later but fuller recension of the Latin text presented in E.O. Blake's 1962 edition. The volume is completed with notes on the text and sources and an introductory essay. JANET FAIRWEATHER is a freelance researcher and translator, a member of the classics faculty, Cambridge University.

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In the long nineteenth century, the specter of lost manuscripts loomed in the imagination of antiquarians, historians, and writers. Whether by war, fire, neglect, or the ravages of time itself, the colonial history of the United States was perceived as a vanishing record, its archive a hoard of materially unsound, temporally fragmented, politically fraught, and endangered documents. Colonial Revivals traces the labors of a nineteenth-century cultural network of antiquarians, bibliophiles, amateur historians, and writers as they dug through the nation's attics and private libraries to assemble early American archives. The collection of colonial materials they thought themselves to be rescuing from oblivion were often reprinted to stave off future loss and shore up a sense of national permanence. Yet this archive proved as disorderly and incongruous as the collection of young states themselves. Instead of revealing a shared origin story, historical reprints testified to the inveterate regional, racial, doctrinal, and political fault lines in the American historical landscape. Even as old books embodied a receding past, historical reprints reflected the antebellum period's most pressing ideological crises, from religious schisms to sectionalism to territorial expansion. Organized around four colonial regional cultures that loomed large in nineteenth-century literary history—Puritan New England, Cavalier Virginia, Quaker Pennsylvania, and the Spanish Caribbean—Colonial Revivals examines the reprinted works that enshrined these historical narratives in American archives and minds for decades to come. Revived through reprinting, the obscure texts of colonial history became new again, deployed as harbingers, models, reminders, and warnings to a nineteenth-century readership increasingly fixated on the uncertain future of the nation and its material past.

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Was there more to medieval and Renaissance comedy than Chaucer and Shakespeare? Bien sûr. For a real taste of saucy early European humor, one must cross the Channel to France. There, in the fifteenth and early sixteenth centuries, the sophisticated met the scatological in popular performances presented by roving troupes in public squares that skewered sex, politics, and religion. For centuries, the scripts for these outrageous, anonymously written shows were available only in French editions gathered from scattered print and manuscript sources. Now prize-winning theater historian Jody Enders brings twelve of the funniest of these farces to contemporary English-speaking audiences in "The Farce of the Fart" and Other Ribaldries. Enders's translation captures the full richness of the colorful characters, irreverent humor, and over-the-top plotlines, all in a refreshingly uncensored American vernacular. Those who have never heard the one about the Cobbler, the Monk, the Wife, and the Gatekeeper should prepare to be shocked and entertained. "The Farce of the Fart" and Other Ribaldries is populated by hilarious characters high and low. For medievalists, theater practitioners, and classic comedy lovers alike, Enders provides a wealth of information about the plays and their history. Helpful details abound for each play about plot, character development, sets, staging, costumes, and props. This performance-friendly collection offers in-depth guidance to actors, directors, dramaturges, teachers, and their students. "The Farce of the Fart" and Other Ribaldries puts fifteenth-century French farce in its rightful place alongside Chaucer, Shakespeare, commedia dell'arte, and Molière—not to mention Monty Python. Vive la Farce!

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A new edition of the full text of the Brut continuation, previously only known through the damaged version, Lyell 34. In 1856 J.S. Davies edited for the Camden Society the continuation of the Middle English prose Brut, from a manuscript in the Bodleian (Lyell 34), that became known as the Davies Chronicle. Covering the reigns of Richard II, Henry IV, Henry V, and Henry VI, it was at once recognised as an important vernacular historical narrative. Unfortunately Lyell 34 is in places badly damaged, and the narrative of the reign of Richard II has survived onlyin fragments. This new edition of what are in fact two Brut continuations makes use of a full text recently discovered in the National Library of Wales (MS 21608), providing a more authoritative version. The narrative covers the periods 1377-1437 and 1440-1461, and includes previously unknown English-language accounts of episodes of the reign of Richard II, such as the Peasants' Revolt. Each continuation is the product of a different political climate, and the introduction explores the narrative and rhetorical structures that lie behind them. As a whole, the edition offers particularly valuable insights into the growth of a highly politicised vernacular historical narrative, and the way in which two medieval compilers sought to represent the history of the late fourteenth and early fifteenth centuries. WILLIAM MARX is senior lecturer in medieval literature at the University of Wales, Lampeter

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This is the first biography of Sir Simonds D'Ewes, a member of England's Long Parliament, Puritan, historian and antiquarian who lived from 1602–1650. D'Ewes took the Puritan side against the supporters of King Charles I in the English Civil War, and his extensive journal of the Long Parliament, together with his autobiography and correspondence, offer a uniquely comprehensive view of the life of a seventeenth-century English gentleman, his opinions, thoughts and prejudices during this tumultuous time. D'Ewes left the most extensive archive of personal papers of any individual in early modern Europe. His life and thought before the Long Parliament are carefully analyzed, so that the mind of one of the Parliamentarian opponents of King Charles I's policies can be understood more fully than that of any other Member of Parliament. Although conservative in social and political terms, D'Ewes's Puritanism prevented him from joining his Royalist younger brother Richard during the civil war that began in 1642. D'Ewes collected one of the largest private libraries of books and manuscripts in England in his era and used them to pursue historical and antiquarian research. He followed news of national and international events voraciously and conveyed his opinions of them to his friends in many hundreds of letters. McGee's biography is the first thorough exploration of the life and ideas of this extraordinary observer, offering fresh insight into this pivotal time in European history.

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Winner of the Stanislas Julien PrizeWinner of the Joseph Levenson Prize for Scholarship on Pre-1900 ChinaDreaming is a near-universal human experience, but there is no consensus on why we dream or what dreams should be taken to mean. In this book, Robert Ford Campany investigates what people in late classical and early medieval China thought of dreams. He maps a common dreamscape—an array of ideas about what dreams are and what responses they should provoke—that underlies texts of diverse persuasions and genres over several centuries. These writings include manuals of dream interpretation, scriptural instructions, essays, treatises, poems, recovered manuscripts, histories, and anecdotes of successful dream-based predictions.In these many sources, we find culturally distinctive answers to questions peoples the world over have asked for millennia: What happens when we dream? Do dreams foretell future events? If so, how might their imagistic code be unlocked to yield predictions? Could dreams enable direct communication between the living and the dead, or between humans and nonhuman animals? The Chinese Dreamscape, 300 BCE–800 CE sheds light on how people in a distant age negotiated these mysteries and brings Chinese notions of dreaming into conversation with studies of dreams in other cultures, ancient and contemporary. Taking stock of how Chinese people wrestled with—and celebrated—the strangeness of dreams, Campany asks us to reflect on how we might reconsider our own notions of dreaming.

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The tradition of Chan Buddhism - more popularly known as Zen - has been romanticized throughout its history. In this book, John R. McRae shows how modern critical techniques, supported by recent manuscript discoveries, make possible a more skeptical, accurate, and - ultimately - productive assessment of Chan lineages, teaching, fundraising practices, and social organization. Synthesizing twenty years of scholarship, "Seeing Through Zen" offers new, accessible analytic models for the interpretation of Chan spiritual practices and religious history. Writing in a lucid and engaging style, McRae traces the emergence of this Chinese spiritual tradition and its early figureheads, Bodhidharma and the 'sixth patriarch' Huineng, through the development of Zen dialogue and koans. In addition to constructing a central narrative for the doctrinal and social evolution of the school, "Seeing Through Zen" examines the religious dynamics behind Chan's use of iconoclastic stories and myths of patriarchal succession. McRae argues that Chinese Chan is fundamentally genealogical, both in its self-understanding as a school of Buddhism and in the very design of its practices of spiritual cultivation. Furthermore, by forgoing the standard idealization of Zen spontaneity, we can gain new insight into the religious vitality of the school as it came to dominate the Chinese religious scene, providing a model for all of East Asia - and the modern world. Ultimately, this book aims to change how we think about Chinese Chan by providing new ways of looking at the tradition.

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In this visually rich volume, Mariah Proctor-Tiffany reconstructs the art collection and material culture of the fourteenth-century French queen Clémence de Hongrie, illuminating the way the royal widow gave objects as part of a deliberate strategy to create a lasting legacy for herself and her family in medieval Paris.After the sudden death of her husband, King Louis X, and the loss of her promised income, young Clémence fought for her high social status by harnessing the visual power of possessions, displaying them, and offering her luxurious objects as gifts. Clémence adeptly performed the role of queen, making a powerful argument for her place at court and her income as she adorned her body, the altars of her chapels, and her dining tables with sculptures, paintings, extravagant textiles, manuscripts, and jewelry—the exclusive accoutrements of royalty. Proctor-Tiffany analyzes the queen’s collection, maps the geographic trajectories of her gifts of art, and interprets Clémence’s generosity using anthropological theories of exchange and gift giving. Engaging with the art inventory of a medieval French woman, this lavishly illustrated microhistory sheds light on the material and social culture of the late Middle Ages. Scholars and students of medieval art, women’s studies, digital mapping, and the anthropology of ritual and gift giving especially will welcome Proctor-Tiffany’s meticulous research.

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In the late 14th century, the German swordsman Johannes Liechtenauer developed and codified a system of armed combat with sword, spear and dagger that spread through the Holy Roman Empire and dominated German martial arts for nearly 300 years. By the end of the 15th century, a fellowship of swordsmen in Frankfurt known as 'the Brotherhood of Saint Mark,' or Marxbruder, had been granted an imperial charter to train and test swordmasters. Peter Falkner was a long-time member and sometime captain of this famed fencing guild, and it was during this tenure that he set about creating an illustrated fight book of his own; colourful, painted figures and short captions depict combat with a wide variety of weapons: the longsword, dagger, staff, poleaxe, halberd, dueling shield and mounted combat. Where his work excels, however, is in its extensive treatment of the falchion-like messer and the unique variations of core techniques of the Liechtenauer canon. In this first, printed edition of Falkner's work, German martial arts teacher and scholar Christian Tobler includes a full translation, transcription and analysis, combined with a photographic reproduction of the original manuscript. The end result is a lovingly rendered, English translation of a 500 year old picture-book that shows an adaptation of the Liechtenauer tradition, by a known master of its most prestigious school, as taught over a century after its foundation.

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La philologie requiert autant de rigueur que d’ouverture d’esprit, deux qualités que Ghislaine Viré possède au plus haut degré et qu’elle a toujours conjuguées. Elle a en effet mené de front une double carrière, comme latiniste et comme didacticienne, dans un enrichissement réciproque des deux domaines. Car, pour Ghislaine Viré, la transmission ne concerne pas seulement les manuscrits d’auteurs latins, mais porte aussi sur l’enseignement des langues anciennes. Dans cette logique, les communications rassemblées en son honneur tentent l’exercice périlleux d’associer chaque fois différents points de vue: didacticiens, papyrologues, linguistes, historiens, hellénistes et latinistes, tous ont accepté de sortir de leur zone de confort intellectuel et d’élargir leur perspective pour présenter une recherche originale et diversifiée. Ce volume d’hommages s’articule en trois parties. La première se concentre sur l’éducation dans l’Antiquité; à travers l’analyse de supports d’apprentissage et l’étude des multiples aspects que revêt la relation entre pédagogie et philologie, cette partie aborde des thèmes qui vont d’Hésiode jusqu’à l’Antiquité tardive. La seconde partie concerne le présent; il s’agit de s’interroger, par le biais de diverses réflexions méthodologiques et études de cas, sur la manière dont il convient d’enseigner l’Antiquité dans le monde d’aujourd’hui. La troisième inscrit pédagogie et didactique des langues anciennes à l’intérieur d’un cadre humaniste qui se refuse à faire l’impasse sur les dimensions éthiques et sociétales de nos démarches.

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Travelling is one of the most fascinating phenomena that has inspired writers and scholars from Antiquity to our postmodern age. The father of history, Herodotus, was also a traveller, whose Histories can easily be considered a travel account. The first volume of this book is dedicated to the period starting from Herodotus himself until the end of the Middle Ages with focus on the Balkans, the Byzantine Empire, the Islamic world, and South-Eastern Europe. Research on travellers who connected civilizations; manuscript and literary traditions; musicology; geography; flora and fauna as reflected in travel accounts, are all part of this thought-provoking collected volume dedicated to detailed aspects of voyages and travel accounts up to the end of the sixteenth century.The second volume of this book is dedicated to the period between Early Modernity and today, including modern receptions of travelling in historiography and literature. South-Eastern Europe and Serbia; the Chinese, Ottoman, and British perception of travelling; pilgrimages to the Holy land and other sacred sites; Serbian, Arabic, and English literature; legal history and travelling, and other engaging topics are all part of the second volume dedicated to aspects of voyages and travel accounts up to the contemporary era.

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A balance of being both easy-to-read and easy-to-carry, this Bible is an ideal choice to take with you wherever you go.Portable? Or readable? How about both. Even with its large, easy-to-read 10.5-point print size, the NET Thinline Large Print Bible is still slim enough to tuck into a backpack, a briefcase, or most purses.Featuring the New English Translation—the newest translation of the biblical languages into English, based on the most up-to-date manuscript discoveries and research—the NET Thinline Large Print is a Bible you can bring along wherever your day takes you.Features include: Lightweight for easy travel Presentation page allows you to personalize this special gift by recording a memory or note Words of Christ in black Reading plan guiding you through the entire Bible in a year Full color maps show a visual representation of Israel and other biblical locations for better context Durable Smyth-sewn binding lays flat in your hand or on your desk Satin Ribbon Markers are a useful tool to easily navigate and keep track of where you were reading Abbreviated set of NET translators’ notes for improved clarity of the meaning of certain portions of the text Easy-to-read large 10.5-point NET Comfort Print

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A unique Scripture-engagement format with room to write notes and prayers, ideally suited for following a sermon series in church, participating in small-group study, or for individual devotional and study time.The Law box set of NKJV Bible Journals includes five volumes for each book of Moses: Genesis, Exodus, Leviticus, Numbers, and Deuteronomy. Ideal for personal or group study, each handy journaling paperback includes individual book introductions and a single-column Scripture layout with a full page of light journaling lines opposite each page of Scripture.Features include: Full-lined pages next to Scripture provide plenty of space to reflect, journal, or create art next to your favorite verses Premium paper limits bleed-through, ideal for taking notes Flexible sewn binding helps the journal to lay flat in your hand or on your desk Book introductions provide a concise overview of the background and historical context of the book about to be read Translation notes provide a look into the thinking of the translators with alternative translations that could have been used and textual notes about manuscript variations Handheld size allows you take God's Word wherever life takes you - work, small group, church, or anywhere else Clear and readable 12-point NKJV Comfort Print®

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A balance of being both easy-to-read and easy-to-carry, this Bible is an ideal choice to take with you wherever you go.Portable? Or readable? How about both. Even with its large, easy-to-read 10.5-point print size, the NET Thinline Large Print Bible is still slim enough to tuck into a backpack, a briefcase, or most purses.Featuring the New English Translation—the newest translation of the biblical languages into English, based on the most up-to-date manuscript discoveries and research—the NET Thinline Large Print is a Bible you can bring along wherever your day takes you.Features include: Lightweight for easy travel Presentation page allows you to personalize this special gift by recording a memory or note Words of Christ in black Reading plan guiding you through the entire Bible in a year Full color maps show a visual representation of Israel and other biblical locations for better context Durable Smyth-sewn binding lays flat in your hand or on your desk Satin Ribbon Markers are a useful tool to easily navigate and keep track of where you were reading Abbreviated set of NET translators’ notes for improved clarity of the meaning of certain portions of the text Easy-to-read large 10.5-point NET Comfort Print

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Explores early modern interpretations of Roman Scotland Examines an important aspect of the development of Scottish identity, a subject being brought to the fore again in recent debates surrounding Scottish independence Offers an in-depth study of a largely overlooked aspect of Scottish historiography Makes extensive use of archival and manuscript material, much of it previously unpublished Takes a broad, multidisciplinary approach Examines the influence of the Scottish Enlightenment, James Macpherson's Ossianic poems and the rise of Romanticism This book focuses on early modern attitudes towards Scotland's ancient past and looks in particular at the ways in which this past was not only misunderstood, but also manipulated in attempts to create a patriotic history for the nation. Adding a new perspective on the formation of Scotland's national identity, the book documents a century-long, often heated debate regarding the extent of Roman influence north of Hadrian's Wall. By exploring the lives and writings of antiquarians, poets and Enlightenment thinkers, it aims to uncover the political, patriotic and intellectual influences which fuelled this debate. Classical Caledonia will cast light on a rarely discussed aspect of Scotland's historiography, one which played a vital role in establishing early modern notions of 'Scottishness' at a time when Scotland was coming to terms with radical and traumatic changes to its position within Britain and the wider world.

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A balance of being both easy-to-read and easy-to-carry, this Bible is an ideal choice to take with you wherever you go.Portable? Or readable? How about both. Even with its large, easy-to-read 10.5-point print size, the NET Thinline Large Print Bible is still slim enough to tuck into a backpack, a briefcase, or most purses.Featuring the New English Translation—the newest translation of the biblical languages into English, based on the most up-to-date manuscript discoveries and research—the NET Thinline Large Print is a Bible you can bring along wherever your day takes you.Features include: Lightweight for easy travel Presentation page allows you to personalize this special gift by recording a memory or note Words of Christ in black Reading plan guiding you through the entire Bible in a year Full color maps show a visual representation of Israel and other biblical locations for better context Durable Smyth-sewn binding lays flat in your hand or on your desk Satin Ribbon Markers are a useful tool to easily navigate and keep track of where you were reading Abbreviated set of NET translators’ notes for improved clarity of the meaning of certain portions of the text Easy-to-read large 10.5-point NET Comfort Print

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