Search results for ""author john c."

John Wesley (1703-1791), Anglican priest, theologian and church reformer and his brother, Charles Wesley (1707-1788), one of the greatest hymn writers of all time, co-founded Methodism, a major movement of Christian renewal. Their vision of Christian discipleship included important spiritual practices that fuelled the revival of the eighteenth-century Church of England. Their holistic theology/spirituality affords guidance for the contemporary spiritual seeker who yearns for greater meaning and purpose in life. This unique presentation of the writings of these two inspiring brothers brings together some of the most essential material from their large corpus of work. While John articulated his vision of Christianity through many sermons, journals and theological treatises, Charles expressed his theology in lyrical form through some nine thousand hymns and devotional poems. These excerpts from Charles and John Wesley, with probing facing-page commentary, will provide insight not only into the renewal of dynamic and vital Christianity, but into the struggles and concerns of all who seek to be faithful participants in God's vision of love in every age.

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Spotlighting one man's choice to abandon security for chance, this biographical memoir relates the inspiring story of John St. Amand, who left a promising career as a sociologist-along with handsome health and retirement benefits-to take on the turbulent life of a union organizer. Documenting one of his first campaigns in which he crisscrossed industrial Cape Breton signing up workers to the new Canadian Miner's Union, this narrative recollects how, because of his preferred mode of transportation, he became known as "the guy in the green truck." Forming a tribute to a courageous fighter who banished any thoughts of defeat in the face of lost campaigns and worked tirelessly to bring hope and justice to the oppressed and neglected, this exploration portrays Amand's steadfast dedication to all working men and women.

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In Extended Play, one of the country's most innovative music writers conducts a wide-ranging tour through the outer limits of contemporary music. Over the course of more than twenty-five portraits, interviews, and essays, John Corbett engages artists from lands as distant as Sweden, Siberia, and Saturn. With a special emphasis on African American and European improvisers, the book explores the famous and the little known, from John Cage and George Clinton to Anthony Braxton and Sun Ra. Employing approaches as diverse as the music he celebrates, Corbett illuminates the sound and theory of funk and rap, blues and jazz, contemporary classical, free improvisation, rock, and reggae.Using cultural critique and textual theory, Corbett addresses a broad spectrum of issues, such as the status of recorded music in postmodern culture, the politics of self-censorship, experimentation, and alternativism in the music industry, and the use of metaphors of space and madness in the work of African American musicians. He follows these more theoretically oriented essays with a series of extensive profiles and in-depth interviews that offer contrasting and complementary perspectives on some of the world’s most creative musicians and their work. Included here are more than twenty original photographs as well as a meticulously annotated discography. The result is one of the most thoughtful, and most entertaining, investigations of contemporary music available today.

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As one of the most outstanding Christian thinkers in history, John Henry Newman continues to influence theology, especially Catholic theology, long after his death in 1890. Yet, his writings on faith, particularly The Grammar of Assent, are difficult to read without guidance and direction. John Henry Newman: A View of Catholic Faith for the New Millennium provides both a comprehensive introduction to Newman's theology and a thorough analysis of its relevance for the Church today. The first systematic analysis of Newman's thought, this book skillfully weaves together the Cardinal's diverse writings on faith with seminal secondary sources and presents an integrated view of his mature notion of Catholic faith. Enhanced by a detailed introduction, biographical sketch, and bibliography, this book explores John Henry Newman's teaching on the relationship between faith and doubt, the role of the will in certitude, the relationship between faith and reason, the personal nature of faith, the function of the magisterium, the importance of dialogue, and the role of the conscience in decision-making. The concluding chapter examines the significance of Newman's thought for Catholic theology today.

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In recent years, interest in John Henry Newman as a philosopher hasgained momentum. This work places his philosophical insights in conversation with philosophers from the pragmatic tradition, particularly with C. S. Peirce, the classical pragmatists, and those who have followed their line, and shows several lines of concurrence. It argues that Newman overcame the modern philosophy of his time by reconnecting to the Aristotelian tradition in a very similar way to how Peirce did it fifty years later and the new pragmatists a century after.Without claiming that Newman is a pragmatist philosopher, pragmatism is used as a foil, or point of access, to delve into Newman's philosophy and bring forth the richness of his thought while placing him in the canon of philosophy. This approach deepens the understanding of his philosophical contributions and widens their reach to circles that have previously not engaged with him. Further, this study provides a means to understand pragmatism's resources from a seldom-used vantage point and perhaps appreciate its fruitfulness in a new way.Much emphasis is placed in Newman's texts that refer to his search for and commitment to the truth. The particular nuances of his thought that are brought to light showcase the effective intellectual resources that his writings contain. Newman does not provide ready-made answers to today's questions, but the way he analyzes and engages with the quandaries of his time can point us to creative and fruitful ways of engaging with those of our times.

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A volume about John Penry and his contribution to the growth of Puritanism in England in the Sixteenth Century.

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10 SATB carols, accompanied and unaccompanied Full of joy and tenderness, John Rutter's carols illuminate and celebrate the Christmas story in works of great imagination and variety. This selection of his most popular carols forms an essential collection for all choirs. Instrumental material for individual carols is available on hire.

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Clay Carter has been working in The Office of the Public Defender for too long and he dreams of better things. When he reluctantly takes the case of a young man charged with a random street killing, he assumes it's just another of the many senseless murders that hit Washington D.C. every week. But as he digs deeper, Clay stumbles upon a conspiracy too horrifying to believe. A pharmaceutical giant has been secretly and illegally testing a new drug on addicts - one that helps stop addiction, but which drives them to random acts of violence. Overnight, Clay becomes a celebrity among lawyers and a national media figure. But as the financial stakes rise, so does the danger..._______________________________________'A master at the art of deft characterisation and the skilful delivery of hair-raising crescendos' - Irish Independent'John Grisham is the master of legal fiction' - Jodi Picoult'The best thriller writer alive' - Ken Follett'John Grisham has perfected the art of cooking up convincing, fast-paced thrillers' - Telegraph 'Grisham is a superb, instinctive storyteller' - The Times'Grisham's storytelling genius reminds us that when it comes to legal drama, the master is in a league of his own.' - Daily Record'Masterful - when Grisham gets in the courtroom he lets rip, drawing scenes so real they're not just alive, they're pulsating' - Mirror'A giant of the thriller genre' - TimeOut

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From his first collection, The Same Door, released in 1959, to his last, My Father’s Tears, published fifty years later, John Updike was America’s reigning master of the short story, “our second Hawthorne,” as Philip Roth described him. His evocations of small-town Pennsylvania life, and of his own religious, artistic, and sexual awakening, transfixed readers of The New Yorker and of the early collections Pigeon Feathers (1962) and The Music School (1966). In these and the works that followed—the formal experiments and wickedly tart tales of suburban adultery in Museums and Women (1972) and Problems (1979), the portraits of middle-aged couples in love and at war with aging parents and rebellious children in Trust Me (1987) and The Afterlife (1994), and the fugue-like stories of memory, desire, travel, and unquenched thirst for life in Licks of Love (2000) and My Father’s Tears (2009)—Updike displayed the virtuosic command of character, dialogue, and sensual description that was his signature. Here, in two career-spanning volumes, are 186 unforgettable stories, from “Ace in the Hole” (1953), a sketch of a Rabbit-like ex-basketball player written when Updike was a Harvard senior, to “The Full Glass” (2008), the author’s “toast to the visible world, his own impending disappearance from it be damned.” Based on new archival research, each story is presented in its final definitive form and in order of composition, established here for the first time. This unprecedented collection of American masterpieces is not just the publishing event of the season, it is a national literary treasure.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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As the Albuquerque Journal's editorial cartoonist for nearly fifty years, John Trever provides insights into New Mexico's unique cartooning environment and the techniques and humor involved in the craft as he also shares his experiences covering local and national events and issues of the twenty-first century. The Art and Humor of John Trever: Fifty Years of Political Cartooning features the best, funniest, and most significant cartoons of Trever's career--showcasing his unique style, method, and voice--that captivated readers in New Mexico as well as readers throughout the United States through syndication. In addition, Trever provides anecdotes of how these drawings came to be and what kind of reactions they provoked, offers his thoughts about the state of editorial cartooning, and gives a frank account of what it takes to achieve, and sustain, a long career as a political mirror and as the political conscience of the Southwest.

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The paintings of Robert C. Jackson are introduced by Philip Eliasoph in the artist’s first monograph. Using paintings from artists as diverse as Andrew Wyeth and Jasper Johns, Eliasoph’s extensive knowledge of American art places Jackson’s artwork into a historical context. This beautifully illustrated book includes more than 130 images of the artist’s paintings with details, photographs of the artist at work, sketchbook reproductions, and an interview with the artist himself. Eliasoph colorfully proclaims, “The paintings we are about to examine are inescapably a bundle of contradictions, satirical complexities, and witty subterfuge. Essentially, Jackson is a uniquely self-realized painter. His feisty independence is fortified with healthy dosages of non-conforming eccentricity, with a small touch of screwball nuttiness.” The foreword by Professor Henry Adams reveals a similar sentiment, “Notably, this is also the sort of strange mix of sensibilities one finds in the best American novelists, such as Mark Twain.”

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In this book, Victor Kestenbaum calls into question the oft-repeated assumption that John Dewey's pragmatism has no place for the transcendent. Kestenbaum demonstrates that, far from ignoring the transcendent ideal, Dewey's works - on education, ethics, art and religion - are in fact shaped by the tension between the natural and the transcendent. Kestenbaum argues that to Dewey, the pragmatic struggle for ideal meaning occurs at the frontier of the visible and the invisible, the tangible and the intangible. Penetrating analyses of Dewey's early and later writings, as well as comparisons with the works of Hans-Georg Gadamer, Michael Oakeshott and Wallace Stevens, shed new light on why Dewey regarded the human being's relationship to the ideal as "the most far-reaching question" of philosophy. For Dewey, the pragmatic struggle for the good life required a willingness "to surrender the actual experienced good for a possible ideal good". Dewey's pragmatism helps us to understand the place of the transcendent ideal in a world of action and practice.

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John Rothenstein, son of Sir William Rothenstein, the celebrated portrait painter, was born in 1901, four years after the Tate Gallery had been founded as the national gallery of British art. When Rothenstein took over as its fifth director in 1938, the Tate was in serious trouble: after 1917 when its remit was extended to include the national collection of modern foreign art, the confused dual purpose had placed an intolerable burden on those required to manage an institution still partly controlled by the National Gallery. Furthermore, it had no purchasing budget from the Government and was bound to accept often inappropriate pictures imposed on it by the Royal Academy under the terms of the infamous Chantrey Bequest. 26 years later when Rothenstein retired as Director in 1964, the Tate had acquired a Government grant, escaped the clutches of the National Gallery in 1955, and was firmly established both as the principal collection of modern art in the UK, and the best collection of British art in the world. Yet Rothenstein's career in the art world had never run a smooth course. After a childhood and early professional life dominated by the influence of his father, his curatorial posts in America, Leeds and Sheffield were not without incident, and at times it had looked as if his chosen career would stall. Adrian Clark's thoroughly researched account of the origins and professional life of John Rothenstein, covers his highs and lows and tries to give a balanced view and summary of the achievements of this remarkable human being.

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A Times Literary Supplement Book of the YearA renowned Keats scholar illuminates the poet’s extraordinary career, in a new edition featuring seventy-eight verse selections with commentary.John Keats’s career as a published poet spanned scarcely more than four years, cut short by his death early in 1821 at age twenty-five. Yet in this time, he produced a remarkable—and remarkably wide-ranging—body of work that has secured his place as one of the most influential poets in the British literary tradition. Celebrated Keats scholar Susan J. Wolfson presents seventy-eight selections from his work, each accompanied by a commentary on its form, style, meanings, and relevant contexts.In this edition, readers will rediscover a virtuoso poet, by turns lively, experimental, self-ironizing, outrageous, and philosophical. Wolfson includes such well-known favorites as Ode to a Nightingale, Ode on a Grecian Urn, To Autumn, La Belle Dame sans Merci, and The Eve of St. Agnes, as well as less familiar poems, several in letters to family and friends never meant for publication. Her selections redefine the breadth and depth of Keats’s poetic imagination, from intellectual jests and satires to erotic bandying, passionate confessions, and reflections on mortality.The selections, presented in their order of composition, convey a chronicle of Keats’s artistic and personal evolution. Wolfson’s revealing commentaries unfold the lively complexities of his verbal arts and stylistic experiments, his earnest goals and nervous apprehensions, and the pressures of politics and literary criticism in his day. In critically attentive and conversational prose, Wolfson encourages us to experience Keats in the way that he himself imagined the language of poetry: as a living event, a cooperative experience shared between author and reader.

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‘North-east the Firth, a bracelet merging with mist; south-west the Pentlands, sharply defined. Directly opposite, the Castle. A sudden gust makes me lose my footing. Gulls slip past, eyeing us disdainfully.’ – from From Arthur’s Seat The history and character of Edinburgh infuse every piece in Stewart Conn’s new collection. Stewart’s poems, paired with John Knight’s beautifully detailed illustrations evoke the spirit of the city and its unique aspects. Knight’s pieces are not simply illustrative. The poems and illustrations complement and enhance each other, showing us how the essence of the city infuses every stone.

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'You the funkiest man alive.' Miles Davis' accolade was the perfect expression of John Lee Hooker's apotheosis as blues superstar: recording with the likes of Van Morrison, Keith Richards and Carlos Santana; making TV commercials (Lee Jeans); appearing in films (The Blues Brothers); and even starring in Pete Townshend's musical adaptation of Ted Hughes' story The Iron Man. His was an extraordinary life. Born in the American deep south, he moved to Detroit and then, in a career spanning over fifty years, recorded hypnotic blues classics such as 'Boogie Chillen', rhythm-and-blues anthems such as 'Dimples' and 'Boom Boom' and, in his final, glorious renaissance, the Grammy-winning album The Healer. Charles Shaar Murray's authoritative biography vividly, and often in John Lee Hooker's own words, does magnificent justice to the man and his music.

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This work rescues from undeserved neglect the American-born English author Pearl Craigie, who published as John Oliver Hobbes. It traces Craigies crowded external and inner lives and her connections with many well-known people.

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'Incredibly tense and thriller-like . . . I totally recommend it' LEE CHILDThe greatest true-crime story in music history.A GLOBAL SUPERSTARIn the summer of 1980, ten years after the break-up of the Beatles, John Lennon signed with a new label, ready to record new music for the first time in years. Everyone was awestruck when Lennon dashed off '(Just Like) Starting Over'. Lennon was back in peak form, with his best songwriting since 'Imagine'.A DANGEROUSLY OBSESSED FANIn the years after Lennon left the Beatles, becoming a solo artist and making a life with Yoko Ono in New York City, Mark David Chapman had become fixated on murdering his former hero. He was convinced that Lennon had squandered his talent and betrayed his fans. In December 1980, Chapman boarded a flight from Hawaii to New York with a handgun stowed in his luggage. He was never going home again.A MURDER THAT STUNNED THE WORLDEnriched by exclusive interviews with Lennon's friends and associates, including Paul McCartney, The Last Days of John Lennon is a true-crime drama about two men who changed history. One whose indelible songs enliven our world to this day, and the other who ended the music with five pulls of a trigger. ____________________________More praise for The Last Days of John Lennon . . .'The dialogue is punchy, cinematic . . . we get inside the mind of Patterson's villain, the delusional Chapman, through periodic chapters from his point of view as he works up the courage to pull the trigger on Lennon' GQ'Pure Patterson: fast-paced, no-frills' SUNDAY TIMES'Thoroughly researched' READER'S DIGEST

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An original, unified reconstruction of Mill’s moral and political philosophy—one that finally reveals its consistency and full powerFew thinkers have been as influential as John Stuart Mill, whose philosophy has arguably defined Utilitarian ethics and modern liberalism. But fewer still have been subject to as much criticism for perceived ambiguities and inconsistencies. In Completely Free, John Peter DiIulio offers an ambitious and comprehensive new reading that explains how Mill’s ethical, moral, and political ideas are all part of a unified, coherent, and powerful philosophy.Almost every aspect of Mill’s practical philosophy has been charged with contradictions, illogic, or incoherence. Most notoriously, Mill claims an absolute commitment both to promoting societal happiness and to defending individual liberty—a commitment that many critics believe must ultimately devolve into an either/or. DiIulio resolves these and other problems by reconsidering and reconstructing the key components of Mill’s practical thought: his theories of happiness, morality, liberty, and freedom. Casting new light on old texts, DiIulio argues that Mill’s Utilitarianism and liberalism are not only compatible but philosophically wedded, that his theories naturally emanate from one another, and that the vast majority of interpretive mysteries surrounding Mill can be readily demystified. In a manner at once sympathetic and critical, DiIulio seeks to present Mill in his most lucid and potent form.From the higher pleasures and moral impartiality to free speech and nondomination, Completely Free provides an unmatched account of the unity and power of Mill’s enduring moral and political thought.

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From Will Alexander, finalist for the 2022 Pulitzer Prize in Poetry, a new collection of poems from the intersection between surrealism and afro-futurism, where Césaire meets Sun Ra. Divine Blue Light further affirms Alexander’s status as one of the most unique and innovative voices in contemporary poetry.One of Publishers Weekly’s Top 10 Notable Poetry Books for Fall 2022!“Since the 1980s, the Los Angeles-based Alexander has mixed politics with mesmeric, oracular lines.”—The New York TimesAgainst the ruins of a contemporary globalist discourse, which he denounces as a “lingual theocracy of super-imposed rationality,” Will Alexander’s poems constitute an alternative cartography that draws upon omnivorous reading—in subjects from biology to astronomy to history to philosophy—amalgamating their diverse vocabularies into an impossible instrument only he can play. Divine Blue Light is anchored by three major works: the opening “Condoned to Disappearance,” a meditation on the heteronymic exploits of Portuguese modernist Fernando Pessoa; the closing “Imprecation as Mirage,” a poem channeling an Indonesian man; and the title poem, an anthemic ode to the jazz saxophonist John Coltrane. Other key pieces include “Accessing Gertrude Bell,” a critique of one of the designers of the modern state of Iraq; “Deficits: Chaïm Soutine & Joan Miró,” in homage to two Jewish artists forced to flee the Nazi invasion of France; and “According to Stellar Scale,” a compact lyric that traveled to space with astronaut Sian Proctor. The newest installment in our Pocket Poets Series, Divine Blue Light confirms Alexander’s status among the foremost surrealists writing in English today.Praise for Divine Blue Light:"Adopting a surrealist approach to making sense of the universe, Alexander plumbs language for its limits, often with dazzling results....Pondering the mysteries of existence and artistic influence, this engrossing work turns the quest for self-knowledge into a choral act."—Publishers Weekly, Starred Review"Alexander’s range—which moves past the propriety of each subject to the expansiveness of every—can be approximated as Aimé Césaire’s totality of the lion, or form and emptiness, or appositional, apparitional Black being. And this being is most real and realized through the collection’s quantum mechanics and dynamics, which Alexander invokes astrophysically, evokes metaphysically."—Jenna Peng, The Poetry Foundation"These surrealist and Afrofuturist poems examine politics, globalism, and the powers and limitations of language, while paying tribute to artists forced to flee the Nazi invasion of France.”—Maya Popa, Publishers Weekly"The 'invisible current' Will Alexander channels in the meteoric poems of Divine Blue Light is not surreal escape but vibrational engagement—an engagement with the infinite streams of the heart of being."—Jeffrey Yang, author of Line and Light"Like agua tilting itself into a god, Will’s texts suffuse the horizon of Poetry with the abstract purity of their oceanic movements, sun-condensing, dissolving seemingly endless sight into a disappearing instant of the Miraculous. Divine Blue Light exists by what it exudes."—Carlos Lara, author of Like Bismuth When I Enter

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In this study Charles Raith II fills a gap in Reformation-era scholarship by analysing Calvins teaching on works and reward in light of medieval theological developments surrounding the doctrine of merit. While significant analysis has been given to Calvins doctrine of justification, its relation to sanctification, the notion of union with Christ, and the role of participation, there is as yet no sustained analysis of how these teachings are shaped by the most hostile and pervasive of his polemics, namely, his confrontation with a merit-based framework for understanding Christian salvation. This volume, however, interprets Calvins own theological constructions as contextually determined by the reigning polemics of his day. In addition, previous scholarship on these topics has largely failed to properly contextualise Calvins own thought against the background of scholastic theological developments -- developments that Calvin both accepts and rejects in the formulation of his own theology. After Merit addresses these gaps by (1) analysing Calvins tracts, scriptural commentaries and Institutes to demonstrate Calvins unique distain for the doctrine of merit among the early Reformers and the pervasiveness of this polemic within his theological program; (2) reviewing the scholastic developments surrounding the doctrine of merit from the High to Late Middle Ages as background to Calvins thought; (3) highlighting Calvins principle problems with the doctrine of merit: the competitive-causal schema between divine and human causality, merit as a basis for justification, and good works as deserving of reward; and (4) unpacking Calvins theology of justification, sanctification, the worth of works, and the role of works in salvation as an alternative to the opponents doctrine of merit. The volume concludes by reflecting on the reception of Calvins theology of works and reward in later Reformed thought.

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John Milton is widely known as the poet of liberty and freedom. But his commitment to justice has been often overlooked. As Alison A. Chapman shows, Milton’s many prose works are saturated in legal ways of thinking, and he also actively shifts between citing Roman, common, and ecclesiastical law to best suit his purpose in any given text. This book provides literary scholars with a working knowledge of the multiple, jostling, real-world legal systems in conflict in seventeenth-century England and brings to light Milton’s use of the various legal systems and vocabularies of the time—natural versus positive law, for example—and the differences between them. Surveying Milton’s early pamphlets, divorce tracts, late political tracts, and major prose works in comparison with the writings and cases of some of Milton’s contemporaries—including George Herbert, John Donne, Ben Jonson, and John Bunyan—Chapman reveals the variety and nuance in Milton’s juridical toolkit and his subtle use of competing legal traditions in pursuit of justice.

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Elton John's truly remarkable collection of international modernist photography stems from personal passion: since 1991, he has amassed more than two thousand photographs, which include key figures from Europe and America alongside many of the foremost photographers from Japan, Eastern Europe and Latin America. This book draws together the finest works from 1920 to 1950, a period that is widely considered to be photography's 'coming of age', a time of great experimentation and innovation when artists pushed the boundaries of the medium. New Vision refers to the term coined by Laszlo Moholy-Nagy in the mid 1920s to describe the way photography could be used to see the world through a modern lens. As new technology developed, it allowed the freedom both to experiment and to record, leading to new developments such as photograms, typographics and the bird's- and worm's eye views. This period also encompassed key avant-garde movements of the 20th century in which photography played a central role - dada, surrealism, the Bauhaus and Russian constructivism.With over 150 illustrations, an interview with Elton John exploring the motivations behind his collecting, and essays looking at the photographs within the history of modernism and an exploration of the impact of technical innovations on the form, New Vision will introduce a new audience to this unique body of work and provide an indispensable resource to those who are already fans of the period.

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In a stunning repudiation of the Democratic machine, John V. Lindsay (1921-2000) captured the New York mayoralty in 1965 by promising to rid the city of apathy and corruption and make New York governable again. Over the next eight years, Lindsay presided over a city at the vortex of the civil rights, antiwar, women's, and gay rights movements, a turbulent global economy, demographic upheaval defined by an influx of blacks and Puerto Ricans and an exodus of whites, and volatile local labor politics further fractured by race. He would revolutionize urban planning, hoping to make New York not just inhabitable but enjoyable--a celebration of itself-and he would attempt to overhaul the government's services and priorities. Some reforms succeeded. Others failed. While few have evaluated Lindsay's controversial legacy with the benefit of hindsight and within the context of national cultural upheaval, this book does just that. Edited by The New York Times urban affairs correspondent Sam Roberts and published in collaboration with the Museum of the City of New York, America's Mayor is lavishly illustrated and features original essays by Hilary Ballon, Joshua Freeman, Jeff Greenfield, Pete Hamill, Charlayne Hunter-Gault, Kenneth T. Jackson, John Mollenkopf, Charles Morris, Nicholas Pileggi, Richard Reeves, James Sanders, and Steven Weisman. Key contemporaries such as Jimmy Breslin, Mario Cuomo, and Juan Gonzalez offer personal reminiscences enhanced by compelling documents and articles. With his undeniable charisma and bold support for cities and urban living, Lindsay galvanized the attention of a nation at a time of looming crisis. This collection vividly reexamines the truth behind Lindsay's reputation as a failed dreamer and the forces that transformed him into America's mayor.

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Part of a series of exciting and luxurious Flame Tree Notebooks. Combining high-quality production with magnificent fine art, the covers are printed on foil in five colours, embossed, then foil stamped. And they're powerfully practical: a pocket at the back for receipts and scraps, two bookmarks and a solid magnetic side flap. These are perfect for personal use and make a dazzling gift. This example features John Tenniel's 'Alice and the Cheshire Cat'. This image is from the shortened version of Lewis Carroll’s Alice’s Adventures in Wonderland (1865), ‘The Nursery Alice’ (1889/90). The story was adapted by the author for younger children. The fantasy world on the other side of the rabbit hole has influenced literary retellings, artwork, music, film, and pushed the boundaries of the magical world by reminding us there is no limit to the madness or the creativity of the creator.

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From Henry David Thoreau to Bill McKibben, critics and philosophers have long sought to demonstrate how a sufficient life—one without constant, environmentally damaging growth—might still be rich and satisfying. Yet one crucial episode in the history of sufficiency has been largely forgotten. Green Victorians tells the story of a circle of men and women in the English Lake District who attempted to create a new kind of economy, turning their backs on Victorian consumer society in order to live a life dependent not on material abundance and social prestige but on artful simplicity and the bonds of community. At the center of their social experiment was the charismatic art critic and political economist John Ruskin. Albritton and Albritton Jonsson show how Ruskin’s followers turned his theory into practice in a series of ambitious local projects ranging from hand spinning and woodworking to gardening, archaeology, and pedagogy. This is a lively yet unsettling story, for there was a dark side to Ruskin’s community as well—racist thinking, paternalism, and technophobia. Richly illustrated, Green Victorians breaks new ground, connecting the ideas and practices of Ruskin’s utopian community with the problems of ethical consumption then and now.

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Throughout their 54-year marriage, John and Abigail Adams enjoyed hearty, diverse cuisine in their native Massachusetts, as well as in New York, Philadelphia, and Europe. Raised with traditional New England palates, they feasted on cod, roast turkey, mince pie, and plum pudding. These recipes, as well as dishes from published cookbooks settlers brought from the Old World, such as roast duck, Strawberry Fool, and Whipt Syllabub, are included in this historical cookbook. Join John, who wrote his wife about dinners with upper-class families in Philadelphia while serving in the Second Continental Congress, and Abigail, the loyal and generous hostess who crossed the Atlantic to join the first American Ambassador to Great Britain, on this culinary journey. Together or separate, at home or abroad, this extraordinary couple humbly experienced an international style of cookery that inspired modern American culinary culture. Now, while attempting these 56 recipes, read about and toast their contributions to democracy.

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Koffman and Wolfgang introduce data structures in the context of C++ programming. They embed the design and implementation of data structures into the practice of sound software design principles that are introduced early and reinforced by 20 case studies. Data structures are introduced in the C++ STL format whenever possible. Each new data structure is introduced by describing its interface in the STL. Next, one or two simpler applications are discussed then the data structure is implemented following the interface previously introduced. Finally, additional advanced applications are covered in the case studies, and the cases use the STL. In the implementation of each data structure, the authors encourage students to perform a thorough analysis of the design approach and expected performance before actually undertaking detailed design and implementation. Students gain an understanding of why different data structures are needed, the applications they are suited for, and the advantages and disadvantages of their possible implementations. Case studies follow a five-step process (problem specification, analysis, design, implementation, and testing) that has been adapted to object-oriented programming. Students are encouraged to think critically about the five-step process and use it in their problem solutions. Several problems have extensive discussions of testing and include methods that automate the testing process. Some cases are revisited in later chapters and new solutions are provided that use different data structures. The text assumes a first course in programming and is designed for Data Structures or the second course in programming, especially those courses that include coverage of OO design and algorithms. A C++ primer is provided for students who have taken a course in another programming language or for those who need a review in C++. Finally, more advanced coverage of C++ is found in an appendix. Course Hierarchy: Course is the second course in the CS curriculum Required of CS majors Course names include Data Structures and Data Structures & Algorithms

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New York Post and Toronto Sun crime reporter and author of Cold Blooded Murder, Brad Hunter has spent over thirty years writing about some of America’s most horrific crimes. In this new book he enters the mind of John Wayne Gacy, the real-life ‘Killer Clown’, often said to be the inspiration for Stephen King’s evil Pennywise in It. Gacy lured victims to his home with the promise of work or a warm bed and then duped them into putting on handcuffs, claiming he wanted to show them a magic trick. He would then rape and torture his victims before killing them by suffocating or strangling them. Twenty-six were buried in the crawl space beneath his home; others were buried elsewhere on his property, while a handful were dumped in the Des Plaines River. While Gacy was executed for his sickening crimes in 1994, his terrifying spectre continues to haunt us. At least five of his victims remain unidentified and detectives have always suspected that the known victims were just the tip of the iceberg. Gacy even told one detective that his tally of murders was closer to forty-five victims. How many victims were there? Did Gacy act alone? And what drove John Wayne Gacy to murder? Was it his alcoholic, abusive father or was it something deep within him that caused the seemingly normal Gacy to sexually assault, torture and murder at least thirty-three young men and boys? And who was the John Wayne Gacy who regularly performed at children’s hospitals and charitable events as Pogo, or Patches, the Clown? The Gacy who was a player in local Democratic Party circles? Drawing on his many years’ experience as a crime reporter, investigating and interviewing perpetrators of terrible crimes, Hunter seeks to understand what drove Gacy to unleash a reign of terror in suburban Chicago.

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Preaching Bondage introduces and investigates the novel concept of doulology, the discourse of slavery, in the homilies of John Chrysostom, the late fourth-century priest and bishop. Chris L de Wet examines the dynamics of enslavement in Chrysostom's theology, virtue ethics, and biblical interpretation and shows that human bondage as a metaphorical and theological construct had a profound effect on the lives of institutional slaves. The highly corporeal and gendered discourse associated with slavery was necessarily central in Chrysostom's discussions of the household, property, education, discipline, and sexuality. De Wet explores the impact of doulology in these contexts and disseminates the results in a new and highly anticipated language, bringing to light the more pervasive fissures between ancient Roman slave holding and early Christianity. The corpus of Chrysostom's public addresses provides much of the literary evidence for slavery in the fourth century, and De Wet's convincing analysis is a groundbreaking contribution to studies of the social world in late antiquity.

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The First Epistle of John has long been noted for its consistent interchange of Christology and ethics. Kenney's study of this phenomenon is illuminated by an analysis of the historical situation and by a detailed exegesis of the text. The Epistle is best understood as a corrective to the docetic tendencies, both Christological and ethical, of the Gospel of John. It seems to have been written by someone other than the author of the Gospel, yet faithful to his formulations of truth. The Epistle teaches that Christology determines ethics. Those who deny the expiatory death of Jesus are deprived of true spiritual life. Those who affirm this teaching are gifted with regeneration and empowered to grow in the imitation of Christ. The love of God first manifested in Christ is finally fulfilled in one's ethical transformation.

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Published in the early 1950s, C. S. Lewis's seven Chronicles of Narnia were proclaimed instant children's classics and have been hailed in The Oxford Companion to Children's Literature as "the most sustained achievement in fantasy for children by a 20th-century author." But how could Lewis (a formidable critic, scholar, and Christian apologist)conjure up the kind of adventures in which generations of children (and adults) take such delight? In this engaging and insightful book, C. S. Lewis expert David C. Downing invites readers to join his vivid exploration of the Chronicles of Narnia, offering a detailed look at the enchanting stories themselves and also focusing on the extraordinary intellect and imagination of the man behind the Wardrobe. Downing presents each Narnia book as its own little wardrobe - each tale an opportunity to discover a visionary world of bustling vitality, sparkling beauty, and spiritual clarity. And Downing's examination of C. S. Lewis's personal life shows how the content of these classic children's books reflects Lewis's love of wonder and story, his affection for animals and homespun things, his shrewd observations about human nature, along with his vast reading, robust humor, theological speculations, medieval scholarship, and arcane linguistic jokes. A fun glossary of odd and invented words will allow readers to speak with Narnian flair, regaling friends and family with unusual words like cantrips, poltoonery, hastilude, and skirling. A masterful work that will appeal to both new and seasoned fans of Narnia, Into the Wardrobe offers a journey beyond Narnia's deceptively simple surface and into its richly textured and unexpected depths.

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Religion and Public Life is a collection of papers delivered at a conference commemorating the 50th anniversary of the death of Msgr. John A. Ryan, who was the most prominent and influential American advocate of the Catholic social tradition in the first half of the twentieth century. He was a rare combination of scholar, priest, and political realist. Most of his career was spent in Washington, D.C., where he was both a professor at the Catholic University of America and a principal representative of the American bishops to Congress. This collection serves as a fine introduction to Ryan's thought as well as a survey of some of the more pressing current issues in the Catholic social tradition.

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Twenty-seven critics, as well as Updike himself, provide a kaleidoscopic view of the Rabbit Angstrom saga in 34 reviews and essays. There is dual purpose of this collection of critical responses: first, to provide a historical view of the critical reception of all of Updike's works about Harry Rabbit Angstrom—the four Rabbit novels and the novella Rabbit Remembered and second, to show how these reviews and articles can illuminate the reader with the range of approaches to the saga. These responses to the saga reveal the reception of each installment of the saga and how critical acclamation rose with each work. The first reviews of Rabbit, Run noted Updike's ability to redeem an ex-basketball player's ordinary life through brilliant, innovative style. Scholarly essays debated whether Rabbit was a satiric figure. Updike's sequel, Rabbit Redux, showed how, for reviewer Richard Locke the inner surface of banal experiences could be blended seamlessly to social unrest and war. A later critic, Irina Negrea adopted the Jean Baudrillard to critique Marshall McLuhan's optimistic vision of the global village. Reviewer Thomas R. Edwards found that Rabbit Is Rich is composed of meditations on religion, politics, and economics, with motifs intertwined. The saga, for critic Ralph Wood showed Updike as our finest literary celebrant both of human ambiguity and the human acceptance of it. Reviewing Rabbit at Rest, Joyce Carol Oates called it a hugely ambitious achievement and critic Thomas Disch proclaimed, it to be the best large-scale literary work by an American in this century, thus the Great American Novel.

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