Search results for ""Author Pierre"

Victorine Elizabeth du Pont, the first child of Eleuthère Irénée du Pont and his wife Sophie, was seven years old when her family emigrated to America, where her father established the humble beginnings of what would become a corporate giant. Through correspondence with friends and relatives from the ages of eight to sixty-eight, Victorine unwittingly chronicled the first sixty years of the du Pont saga in America. As she recovered from personal tragedy, she became first tutor of her siblings and relations. This biography makes the case that Victorine has had the broadest—and most enduring—influence within the entire du Pont family of any family member. The intellectual heir of her venerable grandfather, Pierre Samuel du Pont de Nemours, although Victorine grew up in an age where women's opportunities were limited, her pioneering efforts in education, medicine, and religion transformed an entire millworkers’ community.

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One of the art world’s most recognizable and popular styles, Impressionism is also one of the most complex. In this sumptuous overview Norbert Wolf lends his attention to all aspects of Impressionism: its historical precursors, contemporary rivals, and the movements it inspired. Over 200 reproductions of entire works and highlighted details introduce readers to the Impressionists’ aesthetics and techniques. Wolf draws insightful parallels between these paintings and other contemporary works of music, photography, and literature. Charting the movement’s expansion from France to the rest of Europe and North America, this volume shines a spotlight on the main protagonists who were key in the development of Impressionism. It highlights not only the French pioneers— Claude Monet, Gustave Caillebotte, Édouard Manet, Pierre- Auguste Renoir, Camille Pissarro, and others—but also Max Liebermann, Lovis Corinth, John Singer Sargent, Mary Cassatt, William Merritt Chase, and James McNeill Whistler. Authoritative and illuminating, this wide-ranging exploration of Impressionism’s astounding impact on art history will surprise even the most seasoned aficionado.

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Since 1960, with the advent of musical electronics, composers and musicians have been using ever more sophisticated machines to create sonic material that presents innovation, color and new styles: electro-acoustic, electro, house, techno, etc. music. The music of Pierre Henry, Kraftwerk, Pink Floyd, Daft Punk and many others has introduced new sounds, improbable rhythms and a unique approach to composition and notation. Electronic machines have become essential: they have built and influenced the music of the most recent decades and set the trend for future productions. This book explores the theory and practice related to the different machines which constitute the universe of musical electronics, omitting synthesizers which are treated in other works. Sequencers, drum machines, samplers, groove machines and vocoders from 1960 to today are studied in their historical, physical and theoretical context. More detailed approaches to the Elektron Octatrack sequencer-sampler and the Korg Electribe 2 groove machine are also included.

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Gangsters, aviators, hard-boiled detectives, gunslingers, jazz and images of the American metropolis were all an inextricable part of the cultural landscape of interwar France. While the French 1930s have long been understood as profoundly anti-American, this book shows how a young, up-and-coming generation of 1930s French writers and filmmakers approached American culture with admiration as well as criticism. For some, the imaginary America that circulated through Hollywood films, newspaper reports, radio programming and translated fiction represented the society of the future, while for others it embodied a dire threat to French identity. This book brings an innovative transatlantic perspective to 1930s French culture, focusing on several of the most famous figures from the 1930s – including Marcel Carné, Louis-Ferdinand Céline, Pierre Drieu la Rochelle, Julien Duvivier, André Malraux, Jean Renoir and Jean-Paul Sartre – to track the ways in which they sought to reinterpret the political and social dimensions of modernism for mass audiences via an imaginary America.

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An essential introduction to the analysis and verification of control system softwareThe verification of control system software is critical to a host of technologies and industries, from aeronautics and medical technology to the cars we drive. The failure of controller software can cost people their lives. In this authoritative and accessible book, Pierre-Loïc Garoche provides control engineers and computer scientists with an indispensable introduction to the formal techniques for analyzing and verifying this important class of software.Too often, control engineers are unaware of the issues surrounding the verification of software, while computer scientists tend to be unfamiliar with the specificities of controller software. Garoche provides a unified approach that is geared to graduate students in both fields, covering formal verification methods as well as the design and verification of controllers. He presents a wealth of new verification techniques for performing exhaustive analysis of controller software. These include new means to compute nonlinear invariants, the use of convex optimization tools, and methods for dealing with numerical imprecisions such as floating point computations occurring in the analyzed software.As the autonomy of critical systems continues to increase—as evidenced by autonomous cars, drones, and satellites and landers—the numerical functions in these systems are growing ever more advanced. The techniques presented here are essential to support the formal analysis of the controller software being used in these new and emerging technologies.

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As the work of thinkers such as Michel Foucault, François Jacob, Louis Althusser, and Pierre Bourdieu demonstrates, Georges Canguilhem has exerted tremendous influence on the philosophy of science and French philosophy more generally. In Knowledge of Life, a book that spans twenty years of his essays and lectures, Canguilhem offers a series of epistemological histories that seek to establish and clarify the stakes, ambiguities, and emergence of philosophical and biological concepts that defined the rise of modern biology. How do transformations in biology and modern medicine shape conceptions of life? How do philosophical concepts feed into biological ideas and experimental practices, and how are they themselves transformed? How does knowledge "undo the experience of life so as to help man remake what life has made without him, in him or outside of him?" Knowledge of Life is Canguilhem's effort to explain how the movements of knowledge and life come to rest upon each other. Published at the dawn of the genetic revolution and still pertinent today, the book tackles the history of cell theory, the conceptual moves toward and away from mechanical understandings of the organism, the persistence of vitalism, and the nature of normality in science and its objects.

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A beautiful Penguin Classics clothbound edition of Tolstoy's magnificent epic novel of love, conflict, fate and human life in all its imperfection and grandeur At a glittering society party in St Petersburg in 1805, conversations are dominated by the prospect of war. Terror swiftly engulfs the country as Napoleon's army marches on Russia, and the lives of three young people are changed forever. The stories of quixotic Pierre, cynical Andrey and impetuous Natasha interweave with a huge cast, from aristocrats and peasants to soldiers and Napoleon himself. In War and Peace, Tolstoy entwines grand themes - conflict and love, birth and death, free will and faith - with unforgettable scenes of nineteenth-century Russia, to create a magnificent epic of human life in all its imperfection and grandeur.Translated with an introduction and notes by Anthony Briggs, and with an afterword by Orlando Figes Anthony Briggs's superb translation combines stirring, accessible prose with fidelity to Tolstoy's original, while Orlando Figes's afterword discusses the novel's vast scope and depiction of Russian identity. This edition also contains appendices, notes, a list of prominent characters and maps.'A masterpiece ... This new translation is excellent' - Anthony Beevor

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Axé Bahia examines the unique cultural role played by Salvador, the coastal capital of the Brazilian state of Bahia. An internationally renowned center of Afro-Brazilian culture, Salvador has been a vibrant and important hub of African-inspired artistic practices in Latin America since the 1940s. This volume represents the most comprehensive investigation in the United States of Bahian arts to date and features essays by eighteen international scholars. While adding to popular understandings of core expressions of African heritage, such as the religion Candomblé, the essays explore in depth the complexities of race and cultural affiliation in Brazil and the provocative ways in which artists have experienced and responded creatively to prevailing realities of Afro-Brazilian identity in Bahia. Lavishly illustrated, the book features works by artists ranging from modernists, among them Mário Cravo Neto, Rubem Valentim, and Pierre Verger, to contemporary artists Rommulo Vieira Conceicao, Caetano Dias, Helen Salomao, Ayrson Heráclito, and others—including a stunning array of sculpture, painting, photography, video, and installation art. The exhibition was part of the Getty's Pacific Standard Time: LA/LA initiative.

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A comprehensive and sumptuous survey that celebrates the beauty and appeal of flowers throughout art, history, and culture Take a journey across continents and cultures to discover the endless ways artists and image-makers have employed floral motifs throughout history. With 316 color illustrations showcasing the diversity of blooms from all over the world, Flower spans a wide range of styles and media - from art, botanical illustrations, and sculptures to floral arrangements, film stills, and textiles - and follows a visually stunning sequence with works, regardless of period, thoughtfully paired to allow interesting and revealing juxtapositions between them. Flower follows in the footsteps of Plant, Exploring the Botanical World, which Martha Stewart Living described as "breathtaking." Featuring large-scale images and accessible texts Flower offers a comprehensive introduction to the subject and includes both much-loved works together with examples that may prove more surprising discoveries, even for specialists. Selected by an international panel of art historians, museum curators, botanists, florists, horticulturalists, and more, works by a diverse range of both lesser-known and iconic artists and image-makers are featured, including: Nobuyoshi Araki, Cecil Beaton, Georg Ehret, David Hockney, Horst P. Horst, Nick Knight, Yayoi Kusama, Leonardo da Vinci, Robert Mapplethorpe, Henri Matisse, Claude Monet, Cedric Morris, William Morris, Georgia O'Keeffe, Irving Penn, David Hockney, Pierre-Joseph Redouté, Rachel Ruysch, Constance Spry, and Flora Starkey. Advisory panel: Lugene B. Bruno, Dr James Compton, Shane Connolly, Anne-Pierre d'Albis-Ganem, Celia Fisher, Susan M. Fraser, Victoria Gaiger, Elizabeth Hammer, Daisy Helman, Catherine Hess, Pascale Heurtel, Dr Lisa Hostetler, Lyndsey Ingram, Professor Dr Hans Walter Lack, Dr Fred G. Meijer, Colleen Morris, Polly Nicholson, Lynn Parker, Anna Pavord, Gill Saunders, Lindsey Taylor, Anatole Tchikine and Betsy Wieseman Additional texts: Giovanni Aloi, Louise Bell, Lugene Bruno, Shane Connolly, Clare Coulson, Louisa Elderton, Celia Fisher, Diane Fortenberry, Victoria Gaiger, Daisy Helman, Pascale Heurtel, Lyndsey Ingram, Hans Walter Lack, Fred G. Meijer, Alison Morris, Colleen Morris, Polly Nicholson, Michele Robecchi, Rebecca Roke, Gill Saunders, James Smith, Lindsey Taylor, David Trigg and Martin Walters

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Analysis of how emotion is pictured in Arthurian legend. Literary texts complicate our understanding of medieval emotions; they not only represent characters experiencing emotion and reaction emotionally to the behaviour of others within the text, but also evoke and play upon emotion inthe audiences which heard these texts performed or read. The presentation and depiction of emotion in the single most prominent and influential story matter of the Middle Ages, the Arthurian legend, is the subject of this volume.Covering texts written in English, French, Dutch, German, Latin and Norwegian, the essays presented here explore notions of embodiment, the affective quality of the construction of mind, and the intermediary role of the voice asboth an embodied and consciously articulating emotion. Frank Brandsma teaches Comparative Literature (Middle Ages) at Utrecht University; Carolyne Larrington is a Fellow in medieval English at St John's College, Oxford;Corinne Saunders is Professor of Medieval Literature in the Department of English Studies and Co-Director of the Centre for Medical Humanities at the University of Durham. Contributors: Anne Baden-Daintree, Frank Brandsma, Helen Cooper, Anatole Pierre Fuksas, Jane Gilbert, Carolyne Larrington, Andrew Lynch, Raluca Radulescu, Sif Rikhardsdottir, Corinne Saunders,

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A daring collaboration among scholars, Black Sexual Economies challenges thinking that sees black sexualities as a threat to normative ideas about sexuality, the family, and the nation. The essays highlight alternative and deviant gender and sexual identities, performances, and communities, and spotlights the sexual labor, sexual economy, and sexual agency to black social life. Throughout, the writers reveal the lives, everyday negotiations, and cultural or aesthetic interventions of black gender and sexual minorities while analyzing the systems and beliefs that structure the possibilities that exist for all black sexualities. They also confront the mechanisms of domination and subordination attached to the political and socioeconomic forces, cultural productions, and academic work that interact with the energies at the nexus of sexuality and race. Contributors: Marlon M. Bailey, Lia T. Bascomb, Felice Blake, Darius Bost, Ariane Cruz, Adrienne D. Davis, Pierre Dominguez, David B. Green Jr., Jillian Hernandez, Cheryl D. Hicks, Xavier Livermon, Jeffrey McCune, Mireille Miller-Young, Angelique Nixon, Shana L. Redmond, Matt Richardson, L. H. Stallings, Anya M. Wallace, and Erica Lorraine Williams

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After many years in the little-known world of back-channel mediation, helping sworn adversaries to prevent, manage or resolve conflict, Pierre Hazan felt compelled to re-examine the acute practical and ethical dilemmas that affected his work in Bosnia, Ukraine, the Sahel and the Central African Republic. What is the mediator’s responsibility when two belligerents conclude a peace agreement to the detriment of a third? Should mediators never be party to ‘ethnic cleansing’, even if it saves lives? Is a fragile peace worth sacrificing justice for—or will that sacrifice fuel another cycle of violence? In an increasingly dystopian world, Negotiating with the Devil offers both practical guidelines and a moral compass for mediators whose field of action has transformed dramatically. We have gone from soft to hard power; from ‘peace dividends’ to war in Europe; from the end of one Cold War to a new East–West confrontation in Ukraine; from Pax Americana to a multipolar world; from the dream of an all-powerful UN to the organisation’s marginalisation. Against this tapestry, Hazan sheds light on the complex work of those steering peace negotiations, blending vivid first-hand observation with sharp insights into the psychology of compromise as a first step towards peace.

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As Africana Studies celebrates its fiftieth anniversary throughout the United States, this invigor ating collection presents possibilities for the future of the discipline’s theoretical paths. The essays in Africana Studies focus on philosophy, science, and technology; poetry, literature, and music; the crisis of the state; issues of colonialism, globalization, and neoliberalism; and the ever-expanding diaspora. The editor and contributors to this volume open exciting avenues for new narratives, philosophies, vision, and scale in this critical field of study—formed during the 1960s around issues of racial injustice in America—to show what Africana Studies is already in the process of becoming.Africana Studies recognizes how the discipline has been shaped, changing over the decades as scholars have opened new modes of theoretical engagement such as addressing issues of gender and sexuality, politics, and cultural studies. The essays debate and (re)consider black and diasporic life to sustain, provoke, and cultivate Africana Studies as a singular yet polyvalent mode of thinking.Contributors: Akin Adeṣọkan, John E. Drabinski, Zeyad El Nabolsy, Pierre-Philippe Fraiture, Kasareka Kavwahirehi, Gregory Pardlo, Radwa Saad, Sarah Then Bergh, and the editor

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Art cinema occupies a space in the film landscape that is accorded a particular kind of value. From films that claim the status of harsh realism to others which embody aspects of the tradition of modernism or the poetic, art cinema encompasses a variety of work from across the globe. But how is art cinema positioned in the film marketplace, or by critics and in academic analysis? Exactly what kinds of cultural value are attributed to films of this type and how can this be explained? This book offers a unique analysis of how such processes work, including the broader cultural basis of the appeal of art cinema to particular audiences. Geoff King argues that there is no single definition of art cinema, but a number of distinct and recurrent tendencies are identified. At one end of the spectrum are films accorded the most ‘heavyweight’ status, offering the greatest challenges to viewers. Others mix aspects of art cinema with more accessible dimensions such as uses of popular genre frameworks and ‘exploitation’ elements involving explicit sex and violence. Including case studies of key figures such as Michael Haneke, Pedro Almodóvar and Jean-Pierre and Luc Dardenne, this is a crucial contribution to understanding both art cinema itself and the discourses through which its value is established.

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Ten amazing curves personally selected by one of today's most important math writersCurves for the Mathematically Curious is a thoughtfully curated collection of ten mathematical curves, selected by Julian Havil for their significance, mathematical interest, and beauty. Each chapter gives an account of the history and definition of one curve, providing a glimpse into the elegant and often surprising mathematics involved in its creation and evolution. In telling the ten stories, Havil introduces many mathematicians and other innovators, some whose fame has withstood the passing of years and others who have slipped into comparative obscurity. You will meet Pierre Bézier, who is known for his ubiquitous and eponymous curves, and Adolphe Quetelet, who trumpeted the ubiquity of the normal curve but whose name now hides behind the modern body mass index. These and other ingenious thinkers engaged with the challenges, incongruities, and insights to be found in these remarkable curves—and now you can share in this adventure.Curves for the Mathematically Curious is a rigorous and enriching mathematical experience for anyone interested in curves, and the book is designed so that readers who choose can follow the details with pencil and paper. Every curve has a story worth telling.

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Pierre Paul Broca was a child prodigy. He fulfilled his promise by becoming a brilliant neurologist, surgeon, and anthropologist. Perhaps his most lasting contribution to neuroscience was his proposal that the third frontal convolution of the left cerebral hemisphere of the brain is the seat of that most human attribute, the production of articulate speech and language. This notion was advanced by detailing the autopsy findings, with quite evident and circumscribed lesions, in the brains of his two now famous cases, Leborgne (known as "Tan," for that is all he could say) and Lelong. Broca's presentations were milestones in the history of the neuroscience of language and the brain, but they were only more defined echoes of ideas that had preceded him. Undergraduate and graduate students as well as practicing professionals and clinicians in psychology, neurolinguistics, cognitive psychology, communication science and disorders, neurology, neurosurgery, neuropsychiatry, nursing and health-related professions, and philosophy of science will be interested in this book.It is different from others like it in that it presents aspects of the personal lives of these French brains who sparked the notion of a place in the brain for human language. It embraces a more empathic and humanistic approach to understanding people and their disorders as well as to what may drive the process of science and patients as "specimens."

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In his disturbing and timely book Jean-Pierre Filiu lays bare the strategies and tactics employed by the Middle Eastern autocracies, above all those of Syria, Egypt, Yemen and Algeria, that set out to crush the democratic uprisings of the 'Arab Revolution'. In pursuit of these goals they turned to the intelligence agencies and internal security arms of the 'deep state', the armed forces and to street gangs such as the Shabiha to enforce their will. Alongside physical intimidation, imprisonment and murder, Arab counter- revolutionaries discredited and split their opponents by boosting Salafi - Jihadi groups such as Islamic State. They also released from prison hardline Islamists and secretly armed and funded them. The full potential of the Arab counter-revolution surprised most observers, who thought they had seen it all from the Arab despots: their perversity, their brutality, their voracity. But the wider world underestimated their ferocious readiness to literally burn down their countries in order to cling to absolute power.Bashar al-Assad clambered to the top of this murderous class of tyrants, driving nearly half of the Syrian population in to exile and executing tens of thousands of his opponents. He has set a grisly precedent, one that other Arab autocrats are sure to follow in their pursuit of absolute power.

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How does France reconcile the modern movement toward pluralism and decentralization with a strong central governing power? One of the country's most distinguished political historians offers a radical new interpretation of the development of democracy in France and the relationship between government and its citizens.Since the publication of Tocqueville's Ancient Regime and the Revolution, French political structures have been viewed as the pure expression of a native Jacobinism, itself the continuation of an old absolutism. This interpretation has served as both a diagnosis of and an excuse for the inability to accept pluralism and decentralization as norms of a modern democracy, as evidenced in such policies as the persistence of the role of prefects and the ban on headscarves in schools.Pierre Rosanvallon, by contrast, argues that the French have cherished and demonized Jacobinism at the same time; their hearts followed Robespierre, but their heads turned toward Benjamin Constant. The Demands of Liberty traces the long history of resistance to Jacobinism, including the creation of associations and unions and the implementation of elements of decentralization. Behind the ideological triumph of the state lies the conflicting creation of an active civil society.In exploring these tensions, Rosanvallon takes the debate far beyond traditional views of liberalism versus republicanism and offers an innovative analysis of why the French system has worked despite Jacobinism.

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For many Jews, for more than a century, the United States has seemed to be a safe haven. There has been antisemitic prejudice, but nothing on the scale of the discrimination, persecution, pogroms, and genocide witnessed in Europe. White American ethnic violence has assailed many targets, but Jews have rarely been among them. Observing what he took to be an American exception, the influential historian Salo Baron challenged the “lachrymose conception” of Jewish history as an unending flow of oppressions, and many have followed him in seeing American Jews as sheltered from violence. But in recent years a spate of antisemitic attacks has cast doubt on this rosy view.The eminent French scholar Pierre Birnbaum offers a timely reconsideration of the tear-stained pages of Jewish history and the persistence of antisemitism. He explores the promise of American tolerance as well as the darkest moments of American intolerance, such as the 1913 lynching of Leo Frank. Birnbaum engages deeply with Baron’s views about Jewish history and tracks the echoes of European antisemitic violence in American culture. He argues that a new and insidious form of antisemitic ideology has arisen, one that sees the state as an instrument of Jewish control—and threatens further bloodshed. Thoughtful and eloquent, Tears of History is an important reflection on the roots of antisemitic violence and hatred.

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Over the course of the eighteenth century, increasing numbers of French women, from the wives and daughters of artisans and merchants to countesses and queens, became writers-not authors, and not mere signers of names, but writers of letters. Taking as her inspiration a portrait of an unknown woman writing a letter to her children by French painter Adélaïde Labille-Guiard, Dena Goodman challenges the deep-seated association of women with love letters and proposes a counternarrative of young women struggling with the challenges of the modern world through the mediation of writing. In Becoming a Woman in the Age of Letters, Goodman enters the lives and world of these women, drawing on their letters, the cultural history of language and education, and the material culture of letter writing itself: inkstands, desks, and writing paper. Goodman follows the lives of elite women from childhood through their education in traditional convents and modern private schools and into the shops and interior spaces in which epistolary furnishings and furniture were made for, sold to, and used by women who took pen in hand. Stationers set up fashionable shops, merchants developed lines of small writing desks, and the furnishings and floor plans of homes changed to accommodate women's needs. It was as writers and consumers that women entered not only shops but also the modern world that was taking shape in Paris and other cities. Although many women, from major novelists, painters, and educators to schoolgirls and their mothers as well as Parisian tourists and other shoppers, come to life in this book, Goodman focuses on four bodies of epistolary work by little-known women: the letters of Genevieve de Malboissiére, Manon Phlipon, Catherine de Saint-Pierre, and Sophie Silvestre. These letters allow Goodman to explore how particular girls of different social positions came to womanhood through letter writing. She shows how letter writing expanded women's horizons even as it deepened their ability to reflect on themselves. The analysis of more than one hundred illustrations—from paintings by major Dutch and French artists to inkstands and writing desks, stationers' trade cards, and manuscript letters on decorated paper—is integral to Goodman's argument.

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'This is Dan Martin's long-awaited autobiography, full of 'the warmth, sharp insights and vivid colour of his 14-year career' GuardianKnown, thanks to his racing style and attitude, for being one of road cycling's last romantics, Dan has always shied away from revealing too much about himself and his story. Now, having retired at the end of the 2021 season aged 35 and no longer bound by the constraints of the racing circuit, Dan feels the time is right to tell his story in the same forthright and honest manner that he rode his bike.This book reflects Dan's generous and outspoken spirit, his resilience to pain, crashes, bad luck and, finally, his acceptance of destiny. Each chapter's title has a sub-title based on a typical cyclist's fear: the fear of losing a race, the fear of retiring from the sport, the fear of mountains or downhills, the fear of doping and, ultimately, the fear of death. Dan also discusses every aspect of the professional cyclist's life - food, discipline, money, dreams, friendship and betrayal. Dan is unashamed when it comes to exposing these dark feelings, his weaknesses and how he tried to deal with them, his attitude exemplifying Mark Twain's quote: 'Courage is resistance to fear, mastery of fear, not absence of fear'.Written with his long-time friend and best-selling author Pierre Carrey, this is the story of a rider who never sought to conform to modern cycling's norms and someone who, in many ways, embodies an age in cycling which has long since disappeared.This is the celebration of a true cyclist's career, which will appeal to anyone who's embraced the weekend ride whilst dreaming of the mountains.'[Chased by Pandas] is not a conventional study of wins, losses and conquering mountains but overcoming the mental challenges of a sport into which he was seemingly born' The Times'Records the brave and tough journey of 'one of road cycling's last romantics' Irish Independent 'Chronicles the former Irish road champion's journey through the ranks of professional cycling' Cycling Weekly

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A sweeping survey of hip hop’s resounding impact on contemporary art and culture across the past 20-plus years Accompanying a groundbreaking exhibition originating at the Baltimore Museum of Art, this book captures the extraordinary influence of hip hop, which has driven innovations in music, visual and performing arts, fashion, and technology and grown into a global phenomenon since its emergence in the 1970s. It features approximately 70 objects by both established and emerging artists, design houses, streetwear icons and musicians working in a wide range of mediums to demonstrate hip hop’s proliferation from the street to the runway, the studio to the museum gallery, and countless sites in between. The exhibition also explores how hip hop has and continues to challenge structures of power, dominant cultural narratives, and political and social systems of oppression. This fully illustrated monograph documents the exhibition and contains texts and interviews from more than 30 artists and scholars. Artists include: Nina Chanel Abney, Dionne Alexander, Maxwell Alexandre, Devin Allen, Alvaro Barrington, Jean-Michel Basquiat, Grace Wales Bonner, Mark Bradford, Jordan Casteel, Willy Chavarria, Caitlin Cherry, Troy Chew II, William Cordova, Carl Jones, Stan Douglas, John Edmonds, Gajin Fujita, Monica Ikegwu, Shabez Jamal, Kahlil Joseph, Nia June, LA II, Deana Lawson, Eric N. Mack, Emmanuel Massillon, Julie Mehretu, Murjoni Merriweather, Jayson Musson, Rashaad Newsome, Yvonne Osei, Zéh Palito, Gordon Parks, Adam Pendleton, Robert Pruitt, Rammellzee, Sheila Rashid, Rozeal, Joyce J. Scott, Tschabalala Self, Tariku Shiferaw, Devan Shimoyama, Hank Willis Thomas, Carrie Mae Weems, Vivienne Westwood and Malcolm McLaren, Abbey Williams, Pharrell Williams and Wilmer Wilson IV. Authors include: Ebony Haynes, Todd Boyd, Lester Spence, Jordana Moore Saggese, Greg Tate, Misa Hylton, Elena Romero, Ekow Eshun, Devin Allen, Michael Holman, Simone White, Salome Asega, Alphonse Pierre, David A.M. Goldberg and Tahir Hemphill, Jacolby Satterwhite, Wendel Patrick, Simon Reynolds, Seph Rodney, Jesse McCarthy, Danez Smith, Noriko Manabe, Lindsay Knight and Charity Marsh, Shaheem Sanchez, Jeffrey Q. McCune, Jr., Sekou Cooke, Jessica N. Pabón-Colón, Martha Cooper, Skeme, Alex de Mora and Lawrence Burney.

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In January 1885, the powers of Europe gathered in Berlin to set ground rules for dividing Africa and its lucrative natural resources among themselves. In the years that followed, they rapidly laid claim to nearly all of the continent. Africa's division and conquest might appear today to have been inevitable. But the outcome was far from certain. Drawing upon decades of research, esteemed historian Robert Harms shows how outsiders from Europe, America, and the Arab world competed for resources, money, fame, and power in the Congo rainforest. Reconstructing this chaotic process, Land of Tears provides a comprehensive depiction of how invaders into the Congo basin transformed the region in just a few decades from terra incognita to the most brutally exploited region of Africa.For many centuries, the peoples of the Congo rainforest kept the disruptive forces of the global economy at arm's length, shielded on the west by the cataracts of the lower Congo River and on the east by the lakes and mountains of the Albertine rift. During the second half of the nineteenth century-in a process known as the "Scramble for Africa"-traders, explorers, and empire builders breached the barriers and moved rapidly into the Congo basin, first from the east and then from the west. By the 1880s, merchants of ivory, slaves, and rubber, operating under the authority of the Sultan of Zanzibar, the King of Belgium, and the government of France, were methodically stripping the rainforest of its rapidly-depleting natural bounty in order to satisfy growing demand in Europe and the United States. Central to this process were three men: Henry Morton Stanley, a Welsh explorer working on behalf of King Leopold of Belgium; Pierre savourgnan de Brazza, an Italian from the Papal States who carved out an empire for France; and Hamid bin Muhammad (known as Tippu Tip), a man of mixed African and Arab descent who built a vast trading empire, first as a client of the Sultan of Zanzibar and later in the employ of Leopold. These men were representative of the interests vying for resources in the region, and the drama of their lives was contoured by the devastation their exploits visited upon the Congo. Swivelling between events in Africa and those in Europe and the United States, Land of Tears reveals the complex ways worldwide networks of trade, travel, and communication reshaped and ruined Equatorial Africa.Offering vivid descriptions of African ivory and slave caravans, rubber hunters, and local governance in Africa and piano key factories, humanitarian conferences, and diplomatic meetings in Europe and America, Harms demonstrates how the Congo became fully and fatefully enmeshed within our global world.

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This book focuses on the emergence of the "science of sustainability" and the key concepts in making sustainability operational in an organization. The authors discuss the methods, techniques and tools needed to manage the impact of sustainability and how these can be reformulated into business models and solutions for new growth and applications. They then move onto the reformulation of future thinking processes before ending by looking towards an approach for the measurement of sustainability and competitiveness.

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Whether you want to party at Jazz Fest, explore La Citadelle , or stroll the promenade in front of the Chateau Frontenac, the local Fodor’s travel experts in Montreal & Quebec City are here to help! Fodor’s Montreal & Quebec City guidebook is packed with maps, carefully curated recommendations, and everything else you need to simplify your trip-planning process and make the most of your time. This new edition has been fully-redesigned with an easy-to-read layout, fresh information, and beautiful color photos. Fodor’s Montreal & Quebec City travel guide includes: AN ILLUSTRATED ULTIMATE EXPERIENCES GUIDE to the top things to see and do MULTIPLE ITINERARIES to effectively organize your days and maximize your time MORE THAN 20 DETAILED MAPS and a FREE PULL-OUT MAP to help you navigate confidently COLOR PHOTOS throughout to spark your wanderlust! HONEST RECOMMENDATIONS on the best sights, restaurants, hotels, nightlife, shopping, performing arts, activities, side-trips, and more PHOTO-FILLED “BEST OF” FEATURES on “What to Eat and Drink,” “Cool Things to Do In Montreal & Quebec City,” “Best Side Trips,” and more TRIP-PLANNING TOOLS AND PRACTICAL TIPS including when to go, getting around, beating the crowds, and saving time and money HISTORICAL AND CULTURAL INSIGHTS providing rich context on the local people, politics, art, architecture, cuisine, music, geography and more SPECIAL FEATURES on “Montreal & Quebec City with Kids,” “What to Watch and Read Before You Visit,” and “How to Speak Quebecois” LOCAL WRITERS to help you find the under-the-radar gems FRENCH LANGUAGE PRIMER with useful words and essential phrases UP-TO-DATE COVERAGE ON: Montreal, Quebec City, Plateau Mont-Royal, Mile End, Sherbrooke, Mont-Tremblant, Gatineau, Ste-Famille, Ste-Pierre, and more Planning on visiting other nearby destinations? Check out Fodor’s Toronto, Fodor's Nova Scotia & Atlantic Canada, and Fodor's New England. *Important note for digital editions: The digital edition of this guide does not contain all the images or text included in the physical edition. ABOUT FODOR'S AUTHORS: Each Fodor's Travel Guide is researched and written by local experts. Fodor’s has been offering expert advice for all tastes and budgets for over 80 years. For more travel inspiration, you can sign up for our travel newsletter at fodors.com/newsletter/signup, or follow us @FodorsTravel on Facebook, Instagram, and Twitter. We invite you to join our friendly community of travel experts at fodors.com/community to ask any other questions and share your experience with us!

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Jean-Pierre Dupuy, prophet of what he calls "enlightened doomsaying," has long warned that modern society is on a path to self-destruction. In this book, he pleads for a subversion of this crisis from within, arguing that it is our lopsided view of religion and reason that has set us on this course. In denial of our sacred origins and hubristically convinced of the powers of human reason, we cease to know our own limits: our disenchanted world leaves us defenseless against a headlong rush into the abyss of global warming, nuclear holocaust, and the other catastrophes that loom on our horizon. Reviving the religious anthropology of Max Weber, Emile Durkheim, and Marcel Mauss and in dialogue with the work of René Girard, Dupuy shows that we must remember the world's sacredness in order to keep human violence in check. A metaphysical and theological detective, he tracks the sacred in the very fields where human reason considers itself most free from everything it judges irrational: science, technology, economics, political and strategic thought. In making such claims, The Mark of the Sacred takes on religion bashers, secularists, and fundamentalists at once. Written by one of the deepest and most versatile thinkers of our time, it militates for a world where reason is no longer an enemy of faith.

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Mobilität und Naturerfahrung sind zwei wesentliche Angelpunkte der Landschaftskunst im 19. Jahrhundert. Reisen in nah und fern führten zu neuen künstlerischen Arbeitspraktiken und verhalfen unter anderem der Ölstudie zu großem Erfolg. Mehr noch wurde die aufkommende Reiselust, wie sie etwa in dem berühmten Handbuch von Pierre-Henri de Valenciennes bereits 1800 propagiert wurde, zum Ideal der Aus- und Identitätsbildung des Landschaftsmalers. Der Wunsch nach Naturnähe, die Suche nach Neuem und das Bedürfnis nach künstlerischem Austausch machten die Landschaftsmalerei zu einer europäischen Kunstform par excellence. Im vorliegenden Band thematisieren internationale und renommierte Fachleute die besondere Arbeitssituation des reisenden Landschaftsmalers, seine Sehnsucht nach nahem oder fernem Unbekannten und beschäftigen sich mit zeichnerischen und malerischen Aneignungsstrategien. Denn letztlich führte der neue Arbeitsmodus auf Reisen zu einem neuen Landschaftsbild.

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An examination of the meaning and effects of corruption in 18th to 20th Century history. Corruption is a preoccupation of governments and societies across place and time, from the 18th-19th Century British, Chinese, and Iberian empires to 20th Century Nazi Germany, Russia, the United States, and India. This study offers three different perspectives on corruption. The first chapters highlight corrupt practices, taking as a point of departure a technocratic definition of corruption. The second part of the book views corruption through the lens of discourses of corruption, revealing that accusations of corruption have been employed as tools, often in the context of contestations of power. The essays in the third part of the book treat corruption as a process, taking intoaccount its causes and effects and their impact on society, economics, and politics. Contributors: JEREMY ADELMAN, VIRGINIE COULLOUDON, WILLIAM DOYLE, DIEGO GAMBETTA, NORMAN J. W. GODA, ROBERT GREGG, MICHAEL JOHNSTON, WILLIAM CHESTER JORDAN, EMMANUEL KREIKE, VINOD PAVARALA, DILIP SIMEON, PIERRE-ETIENNE WILL, DAVID WITWER, PHILIP WOODFINE William Chester Jordan is Professor of History at Princeton University; Emmanuel Kreike is Assistant Professor of African History and Director of the African Studies Program at Princeton University.

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This exquisite book showcases the stunning properties of the world s leading design connoisseurs, including Jasper Conran, Lynn Guinness, Vanessa Branson, and Helen and Brice Marden, who have transformed Marrakesh s exotic style into unexpected but elegant expressions. The story of design in Marrakesh begins with the contributions of Bill Willis, Yves Saint Laurent, and Pierre Berge, who fearlessly fused Moroccan elements zellige tilework, rugs, pottery, fountains, woodwork, metalwork, and tadelakt wall treatments with a luxuriant mix of furnishings from around the world. We are invited into such lush private places as the gardens of the Villa Oasis, designed by Madison Cox, and the Bulgaris tranquil riad. Full of personal insights, Loum-Martin explores how international design-savvy individuals continue to incorporate such exuberant designs in their work. Today s Marrakesh style appeals to a wide variety of tastes from formal to quirky, from rustic to refined and is suitable for diverse settings. Eco-friendly materials, including earthenware and natural fibers, contribute to these appealing interiors and gardens. Superbly photographed, Inside Marrakesh abounds with a wealth of unique design ideas.

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From the establishment of New York's police force in 1845 through the terrorist attack on the World Trade Center in 2001 to the present day, this visual history of New York City is a peek behind the police tape at more than 150 years of crime. This 320-page chronological tour covers events that shocked the nation, from arson to gangland murders, robberies, serial killers, bombings, and kidnappings. They include headline-grabbing episodes such as architect Stanford White's shooting at Madison Square Garden, the Pierre Hotel Robbery of 1972, the bombing of Wall Street in 1920, the 1928 hit on mobster Arnold Rothstein at the Park Sheraton Hotel, and Kitty Genovese's 1964 stabbing, which was witnessed by a dozen bystanders who did not call the police. Lesser-known crimes that changed the way the NYPD pursued criminals are also profiled. Perfect for crime buffs, urban historians, and fans of photography and photojournalism, this riveting collection details New York's most startling and unsettling moments through behind-the-scenes stories and more than 500 photographs.

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"To think with Nietzsche against Nietzsche." Thus the editors describe the strategy adopted in this volume to soften the destructive effects of Nietzsche's "philosophy with a hammer" on French philosophy since the 1960s. Frustrated by the infinite inclusiveness of deconstructionism, the contributors to this volume seek to renew the Enlightenment quest for rationality. Though linked by no common dogma, these essays all argue that the "French Nietzsche" transmitted through the deconstructionists must be reexamined in light of the original context in which Nietzsche worked. Each essay questions the viability of Nietzsche's thought in the modern world, variously critiquing his philosophy of history as obsessed with hierarchy, his views on religion and art as myopic and irrational, and his stance on science as hopelessly reactionary. Contending that we must abandon the Nietzsche propped up as patron saint by French deconstructionists in order to return to reason, these essays will stimulate debate not just among Nietzscheans but among all with a stake in modern French philosophy. Contributors are Alain Boyer, André Compte-Sponville, Vincent Descombes, Luc Ferry, Robert Legros, Philippe Raynaud, Alain Renault, and Pierre-André Taguieff.

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An engaging and beautifully illustrated overview of one of the finest Impressionist and Post-Impressionist collections in the United States Featuring 90 highlights from the Philadelphia Museum of Art’s stellar collection of Impressionist and Post-Impressionist art, this handsome volume includes iconic works such as Paul Cézanne’s Large Bathers, Vincent van Gogh’s Sunflowers, Edgar Degas’s Interior, Édouard Manet’s Le Bon Bock, Toulouse-Lautrec’s At the Moulin Rouge, and Pierre-Auguste Renoir’s Great Bathers.Providing a rich and encompassing view of the artists and the innovative works they created, the entries consider both the experimental techniques employed in the paintings, sculptures, prints, and drawings, as well as how these objects functioned within the contexts of the art market, social history, and politics. An introductory essay examines the circumstances and individuals—including Mary Cassatt’s brother, the Philadelphia railroad executive Alexander J. Cassatt—that led to the formation of one of the most distinguished Impressionist and Post-Impressionist collections in the United States.Published in association with the Philadelphia Museum of ArtExhibition Schedule:Philadelphia Museum of Art (04/16/19–08/18/19)

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This succinct authoritative book offers readers an overview of the origins, characteristics, and changing status of tragicomedy from the 17th century to the present. It explores the work of some of the key English and Irish playwrights associated with the form, the influence of Italian and Spanish theorist-playwrights and the importance of translations of Pierre Corneille’s Le Cid. At the turn of the 17th century, English dramatists such as John Marston, John Fletcher, and William Shakespeare began experimenting with plays that mixed elements of tragedy and comedy, producing a blended mode that they themselves called ‘tragicomedy’. This book begins by examining the sources of their inspiration and the theatrical achievement that they hoped to gain by confronting an audience with plays that defied the plot and character expectations of ‘pure’ comedy and tragedy. It goes on to show how, reacting to French models, John Dryden, Shakespeare ‘improvers’ and other English playwrights developed the form while sowing the seeds of its own vulnerability to parody and obsolescence in the eighteenth century. Discussing nineteenth-century melodrama as in some respects a resurrection of tragicomedy, the final chapter concentrates on plays by Ibsen, Chekhov, and Beckett as examples of the form being revived to create theatrical modes that more adequately represent the perceived complexity of experience.

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Model-free Hedging: A Martingale Optimal Transport Viewpoint focuses on the computation of model-independent bounds for exotic options consistent with market prices of liquid instruments such as Vanilla options. The author gives an overview of Martingale Optimal Transport, highlighting the differences between the optimal transport and its martingale counterpart. This topic is then discussed in the context of mathematical finance.

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"Paris is the culinary centre of the world. All the great missionaries of good cookery have gone forth from it, and its cuisine was, is, and ever will be the supreme expression of one of the greatest arts of the world," observed the English author of The Gourmet Guide to Europe in 1903. Even today, a sophisticated meal, expertly prepared and elegantly served, must almost by definition be French. For a century and a half, fine dining the world over has meant French dishes and, above all, French chefs. Despite the growing popularity in the past decade of regional American and international cuisines, French terms like julienne, saute, and chef de cuisine appear on restaurant menus from New Orleans to London to Tokyo, and culinary schools still consider the French methods essential for each new generation of chefs. Amy Trubek, trained as a professional chef at the Cordon Bleu, explores the fascinating story of how the traditions of France came to dominate the culinary world. One of the first reference works for chefs, Ouverture de Cuisine, written by Lancelot de Casteau and published in 1604, set out rules for the preparation and presentation of food for the nobility. Beginning with this guide and the cookbooks that followed, French chefs of the seventeenth and eighteenth centuries codified the cuisine of the French aristocracy. After the French Revolution, the chefs of France found it necessary to move from the homes of the nobility to the public sphere, where they were able to build on this foundation of an aesthetic of cooking to make cuisine not only a respected profession but also to make it a French profession. French cooks transformed themselves from household servants to masters of the art of fine dining, making the cuisine of the French aristocracy the international haute cuisine. Eager to prove their "good taste," the new elites of the Industrial Age and the bourgeoisie competed to hire French chefs in their homes, and to entertain at restaurants where French chefs presided over the kitchen. Haute Cuisine profiles the great chefs of the nineteenth century, including Antonin Careme and Auguste Escoffier, and their role in creating a professional class of chefs trained in French principles and techniques, as well as their contemporary heirs, notably Pierre Franey and Julia Child. The French influence on the world of cuisine and culture is a story of food as status symbol. "Tell me what you eat," the great gastronome Brillat-Savarin wrote, "and I will tell you who you are." Haute Cuisine shows us how our tastes, desires, and history come together at a common table of appreciation for the French empire of food. Bon appetit!

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As Africana Studies celebrates its fiftieth anniversary throughout the United States, this invigor ating collection presents possibilities for the future of the discipline’s theoretical paths. The essays in Africana Studies focus on philosophy, science, and technology; poetry, literature, and music; the crisis of the state; issues of colonialism, globalization, and neoliberalism; and the ever-expanding diaspora. The editor and contributors to this volume open exciting avenues for new narratives, philosophies, vision, and scale in this critical field of study—formed during the 1960s around issues of racial injustice in America—to show what Africana Studies is already in the process of becoming.Africana Studies recognizes how the discipline has been shaped, changing over the decades as scholars have opened new modes of theoretical engagement such as addressing issues of gender and sexuality, politics, and cultural studies. The essays debate and (re)consider black and diasporic life to sustain, provoke, and cultivate Africana Studies as a singular yet polyvalent mode of thinking.Contributors: Akin Adeṣọkan, John E. Drabinski, Zeyad El Nabolsy, Pierre-Philippe Fraiture, Kasareka Kavwahirehi, Gregory Pardlo, Radwa Saad, Sarah Then Bergh, and the editor

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Social criticism has enjoyed a renaissance in the past few years. The anti-globalization protests at Seattle and Genoa and the great marches against the war in Iraq have put contestation of capitalism and imperialism back on the political and intellectual agenda. But how does social critique situate itself philosophically today, after the marginalization of Marxism and the impact of postmodernism? In The Resources of Critique, Alex Callinicos seeks to address this question systematically. He does so, in the first part, by surveying some of the most influential contemporary critical theorists Alain Badiou, Jacques Bidet, Luc Boltanski, Pierre Bourdieu, Eve Chiapello, Jürgen Habermas, Antonio Negri and Slavoj Žižek. The limitations of all these theorists perspectives prompts Callinicos in the second part of the book to outline an alternative approach whose main elements are a critical realist ontology, a Marxist theory of social contradiction, and an egalitarian conception of justice. The main thrust of his argument is to show that Marx's critique of political economy remains inescapable for anyone seeking to challenge the existing world order but only if it maintains an open but rigorous dialogue with other critical perspectives. The Resources of Critique is, above all, a contribution to this dialogue.

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Much orthodox economic theory is based on assumptions which are treated as self-evident: supply and demand are regarded as independent entities, the individual is assumed to be a rational agent who knows his interests and how to make decisions corresponding to them, and so on. But one has only to examine an economic transaction closely, as Pierre Bourdieu does here for the buying and selling of houses, to see that these abstract assumptions cannot explain what happens in reality. As Bourdieu shows, the market is constructed by the state, which can decide, for example, whether to promote private housing or collective provision. And the individuals involved in the transaction are immersed in symbolic constructions which constitute, in a strong sense, the value of houses, neighbourhoods and towns. The abstract and illusory nature of the assumptions of orthodox economic theory has been criticised by some economists, but Bourdieu argues that we must go further. Supply, demand, the market and even the buyer and seller are products of a process of social construction, and so-called ‘economic' processes can be adequately described only by calling on sociological methods. Instead of seeing the two disciplines in antagonistic terms, it is time to recognize that sociology and economics are in fact part of a single discipline, the object of which is the analysis of social facts, of which economic transactions are in the end merely one aspect. This brilliant study by the most original sociologist of post-war France will be essential reading for students and scholars of sociology, economics, anthropology and related disciplines.

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Bourdieu's Secret Admirer in the Caucasus is a gripping account of the developmental dynamics involved in the collapse of Soviet socialism. Fusing a narrative of human agency to his critical discussion of structural forces, Georgi M. Derluguian reconstructs from first-hand accounts the life story of Musa Shanib - who from a small town in the Caucasus grew to be a prominent leader in the Chechen revolution. In his examination of Shanib and his keen interest in the sociology of Pierre Bourdieu, Derluguian discerns how and why this dissident intellectual became a nationalist warlord. Exploring globalization, democratization, ethnic identity, and international terrorism, Derluguian contextualizes Shanib's personal trajectory from de-Stalinization through the nationalist rebellions of the 1990s to the recent rise in Islamic militancy. He masterfully reveals not only how external economic and political forces affect the former Soviet republics but also how those forces are in turn shaped by the individuals, institutions, ethnicities, and social networks that make up those societies. Drawing on the work of Charles Tilly, Immanuel Wallerstein, and, of course, Bourdieu, Derluguian's explanation of the recent ethnic wars and terrorist acts in Russia succeeds in illuminating the role of human agency in shaping history.

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All of us have experienced creative connection, and glimpsed its power. Yet, for centuries, the myth of the lone genius has obscured the critical story of the power of collaboration. In Powers of Two, Joshua Wolf Shenk argues that creative pairs are the exemplars for innovation. Drawing on years of research on great partnerships in history - from Lennon and McCartney to Marie and Pierre Curie, plus hundreds more in fields including literature, popular culture, art and business - Shenk identifies the common journey pairs take from the spark of initial connection, through the passage to a cognitive 'joint identity' to competition and the struggle for power. Using scientific and psychological insights, he uncovers new truths about epic duos - and sheds new light on the genesis of some of the greatest creative work in history. He reveals hidden partnerships among people known only for their individual work (like C. S. Lewis and J. R. R. Tolkien), and even 'adversarial collaborations' among those who are out to beat each other. This revelatory and lyrical book will make us see creative exchange as the central terrain of our psyches.

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Populism in politics and policy orientations in law have thrown the jurisdiction of the academy and the disciplines of interpretation into disarray. Critique flounders in abstraction and negativity, law loses itself in particularity. Administering Interpretation brings together philosophers, humanists, and jurists from both continental and Anglophone jurisdictions to reassess the status and trajectory of interpretative theory as applied in the art of law. Tracking the thread of philosophical influences upon the community of legal interpretation, the essays move from the translation and wake of Derrida to the work of Agamben, from deconstruction to oikononmia. Sharing roots in the philological excavation of the political theology of modern law, contributors assess the failure of secularism and the continuing theological borrowings of juridical interpretation. The book brings contemporary critique to bear upon the interpretative apparatuses of exclusion, the law of spectacular sovereignty, and the bodies that lie in its wake. Contributors: Giovanna Borradori, Marinos Diamantides, Allen Feldman, Stanley Fish, Pierre Legrand, Bernadette Meyler, Michel Rosenfeld, Bernhard Schlink, Jeanne Schroeder, Laurent de Sutter, Katrin Trüstedt, Marco Wan

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Haute couture often dazzles us with its precision, craftsmanship and the extravaganza inherent in it. Clothing items are made out of proportion; unique materials are used and everything is hand-finished. But, the Pret-a-porter collections of today comply with the classic principles of Haute Couture. The items shown on the catwalk should theoretically be wearable, but often in reality this is not entirely the case. Includes conversations with Angelo Flaccavento, Antonio Mancinelli, Alexander Fury, Colin McDowell, Farida Khelfa, Irene Silvagni, Natasha Fraser-Cavassoni, Nicole Phelps, Pierre Hardy, Robin Schulie, Rick Owens, Stephen Jones, Thom Browne, Tim Blanks, Vivienne Westwood, Yohji Yamamoto, Zandra Rhodes, Viktor & Rolf and many more Photographs and artworks by Ali Mahdavi, Anthony Maule, Brian Griffin, Daniel Jackson, Erik Madigan Heck, Fabien Baron, Francois Berthoud, Giampaolo Sgura, Jackie Nickerson, Kevin Tachman, Luigi & Iango, Michal Pudelka, Mikael Jansson, Miles Aldridge, Peter Lindbergh, Rene Habermacher, Txema Yeste, Sebastian Kim, Sheila Metzner and others.

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Handbook of Methods for Designing, Monitoring, and Analyzing Dose-Finding Trials gives a thorough presentation of state-of-the-art methods for early phase clinical trials. The methodology of clinical trials has advanced greatly over the last 20 years and, arguably, nowhere greater than that of early phase studies. The need to accelerate drug development in a rapidly evolving context of targeted therapies, immunotherapy, combination treatments and complex group structures has provided the stimulus to these advances. Typically, we deal with very small samples, sequential methods that need to be efficient, while, at the same time adhering to ethical principles due to the involvement of human subjects.Statistical inference is difficult since the standard techniques of maximum likelihood do not usually apply as a result of model misspecification and parameter estimates lying on the boundary of the parameter space. Bayesian methods play an important part in overcoming these difficulties, but nonetheless, require special consideration in this particular context. The purpose of this handbook is to provide an expanded summary of the field as it stands and also, through discussion, provide insights into the thinking of leaders in the field as to the potential developments of the years ahead. With this goal in mind we present: An introduction to the field for graduate students and novices A basis for more established researchers from which to build A collection of material for an advanced course in early phase clinical trials A comprehensive guide to available methodology for practicing statisticians on the design and analysis of dose-finding experiments An extensive guide for the multiple comparison and modeling (MCP-Mod) dose-finding approach, adaptive two-stage designs for dose finding, as well as dose–time–response models and multiple testing in the context of confirmatory dose-finding studies. John O’Quigley is a professor of mathematics and research director at the French National Institute for Health and Medical Research based at the Faculty of Mathematics, University Pierre and Marie Curie in Paris, France. He is author of Proportional Hazards Regression and has published extensively in the field of dose finding. Alexia Iasonos is an associate attending biostatistician at the Memorial Sloan Kettering Cancer Center in New York. She has over one hundred publications in the leading statistical and clinical journals on the methodology and design of early phase clinical trials. Dr. Iasonos has wide experience in the actual implementation of model based early phase trials and has given courses in scientific meetings internationally.Björn Bornkamp is a statistical methodologist at Novartis in Basel, Switzerland, researching and implementing dose-finding designs in Phase II clinical trials. He is one of the co-developers of the MCP-Mod methodology for dose finding and main author of the DoseFinding R package. He has published numerous papers on dose finding, nonlinear models and Bayesian statistics, and in 2013 won the Royal Statistical Society award for statistical excellence in the pharmaceutical industry.

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In this irresistible marriage of watercolorist’s sketchbook and traveler’s guide, Virginia Johnson lovingly captures the magic of one of the world’s most storied regions, the French Riviera. We walk the Promenade des Anglais in Nice. Shop for handmade sandals at Rondini in Saint-Tropez. Visit the Madoura workshop in Antibes, where Picasso discovered his genius for pottery. Meet legendary characters like Pierre Gruneberg, a swimming instructor who taught Jean Cocteau, Brigitte Bardot, Paul McCartney, and many others. Saturated with the limpid colors of sea and sun, the dazzling greens of verdant gardens, and the rose and ochre of sunbaked villas and joyous with paisleys and blue-striped sailor’s shirts and the riotous look of a patisserie window filled with confections, Travels Through the French Riviera is a gift book of visual wonder, the souvenir every Francophile will want. But it is also a quirky yet singularly useful travel guide, whether showing how to order coffee like a local, plan a beach day at Menton, or hike the Cap Ferrat peninsula or where to taste the best ice cream in Antibes (at Amarena—try the mint).

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Founded 2,600 years ago on a massive limestone eminence, the city of Arles has been the home of Roman emperors and captured slaves, pagan temples and Christian spires, bloody revolutionaries and powerful papists. In The Rock of Arles Richard Klein relays the history of the city as told to him by the Rock, its genius loci, which infallibly remembers every moment of its existence, from the Roman conquest of Gaul to the fall of feudal aristocracy, from the domination of the Catholic Church to the present French representative democracy. The Rock’s contrarian and dissident history resurrects the memory of three of the city’s most radical yet largely forgotten revolutionary minds: Hellenistic philosopher Favorinus, medieval Hebrew poet Kalonymus ben Kalonymus, and subversive aristocrat Pierre-Antoine Antonelle. For the Rock, each figure represents a freethinking current running through Arlesian history which countered the reactionary, bigoted forces that governed the city for fifteen centuries. Erudite, witty, and opinionated, the Rock tells the story of Arles in order to sketch the broader canvas of European history while invoking the city’s possible future.

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What is a person? This fundamental question is a perennial concern of philosophers and theologians. But, Christian Smith argues, it also lies at the center of the social scientist's quest to interpret and explain social life. In this ambitious book, Smith presents a new model for social theory that does justice to the best of our humanistic visions of people, life, and society. Finding much current thinking on personhood to be confusing or misleading, Smith finds inspiration in critical realism and personalism. Drawing on these ideas, he constructs a theory of personhood that forges a middle path between the extremes of positivist science and relativism. Smith then builds on the work of Pierre Bourdieu, Anthony Giddens, and William Sewell to demonstrate the importance of personhood to our understanding of social structures. From there he broadens his scope to consider how we can know what is good in personal and social life and what sociology can tell us about human rights and dignity. Innovative, critical, and constructive, "What Is a Person?" offers an inspiring vision of a social science committed to pursuing causal explanations, interpretive understanding, and general knowledge in the service of truth and the moral good.

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Join Katie as she steps into some of the most famous paintings in the world for an exciting art adventure.Katie would love to give Grandma a bunch of flowers for her birthday - but just where will she find the perfect bouquet? If only she were able to gather some flowers from the beautiful paintings in the gallery...'A wonderful way to engage children with art. A brilliant combination of education and storytelling' - Parents in Touch (Katie's Picture Show)This first introduction to Impressionism features five great masterpieces: The Luncheon and The Field With Poppies by Claude Monet, A Girl With a Watering Can and Her First Evening Out by Pierre-Auguste Renoir, The Blue Dancers by Edgar Degas.Classic picture book character, Katie, has been delighting children for over 25 years. Why not collect all 13 titles in the series?Katie's Picture ShowKatie and the Mona LisaKatie and the SunflowersKatie and the British ArtistsKatie and the Waterlily PondKatie and the Starry NightKatie and the Spanish PrincessKatie and the BathersKatie in LondonKatie's London ChristmasKatie in ScotlandKatie and the Dinosaurs

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To research his thesis on contemporary agrarian life, anthropology student David Mazon moves from Paris to La Pierre-Saint-Christophe, a village in the marshlands of western France. Determined to capture the essence of rurality, the intrepid scholar shuttles around on his moped to interview local residents. Unbeknownst to David, in these nondescript lands, once theatres of wars and revolutions, Death leads the dance. When an existence ends, the Wheel of Life recycles its soul and hurls it back into the world as microbe, human or wild animal, sometimes in the past, sometimes in the future. Only once a year do Death and the living observe a temporary truce, during a gargantuan three-day feast where gravediggers gorge themselves on food, libations and language. Brimming with Mathias Enard’s characteristic wit and encyclopaedic brilliance, The Annual Banquet of the Gravediggers’ Guild is a riotous novel where the edges between past and present are constantly dissolving against a Rabelaisian backdrop of excess – and a paradoxically macabre paean to life’s richness.

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