Search results for ""Author Pierre"

Jean-Pierre Dupuy, prophet of what he calls "enlightened doomsaying," has long warned that modern society is on a path to self-destruction. In this book, he pleads for a subversion of this crisis from within, arguing that it is our lopsided view of religion and reason that has set us on this course. In denial of our sacred origins and hubristically convinced of the powers of human reason, we cease to know our own limits: our disenchanted world leaves us defenseless against a headlong rush into the abyss of global warming, nuclear holocaust, and the other catastrophes that loom on our horizon. Reviving the religious anthropology of Max Weber, Emile Durkheim, and Marcel Mauss and in dialogue with the work of René Girard, Dupuy shows that we must remember the world's sacredness in order to keep human violence in check. A metaphysical and theological detective, he tracks the sacred in the very fields where human reason considers itself most free from everything it judges irrational: science, technology, economics, political and strategic thought. In making such claims, The Mark of the Sacred takes on religion bashers, secularists, and fundamentalists at once. Written by one of the deepest and most versatile thinkers of our time, it militates for a world where reason is no longer an enemy of faith.

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Microwave and radio frequency (RF) elements play an important role in communication systems, and, due to the proliferation of radar, satellite and mobile wireless systems, there is a need for the study of electromagnetism. Each of the nine chapters of this book provides a complete analysis and modeling of the microwave structure used for emission or reception technology, providing students with a set of approaches that can be used for current and future RF and microwave circuit designs. The authors emphasize the practical nature of the subject by summarizing the analysis steps and giving numerous examples of problems and exercises complete with solutions, making this book theoretical, but also experimental, with over 16 microwave problems. This approach has produced a coherent and practical treatment of the subject. The book has grown out of the authors’ own teaching and, as such, has a unity of methodology and style. It provides basic knowledge of microwave and RF range and is intended for microwave engineers and for advanced graduate students.

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Both the universe and ourselves are regulated by universal principles. Through understanding these we can move away from the continual pursuit of change and dissolve the barriers that prevent transformation. We can find the inner poise, expand our consciousness and stop being at the mercy of circumstances and fate. Five of these principles are located within the domain of space/time/matter and can be summed up as: gender, causation, correspondence, rhythm and polarity. There are a further four outside the physical universe that can be described as: vibration, creative impulse, insight and communication. Gaston Saint-Pierre has developed the metamorphic technique, an approach to creativity, healing, self-healing, growth and transformation that draws widely on Hinduism, Buddhism, Islam, Christianity and Western esoteric literature. It is based on the fact that many of our life patterns, including illnesses and behaviour, appear to be implanted into our consciousness at the moment of conception. Understanding these principles allows us to reform our lives. Practically, it involves touching specific areas of the feet, hands and head, allowing innate intelligence to guide life forces towards release of patterns and difficulties, ensuring the release of our potential.

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TWO-VOLUME SET! Buy volume 4, I & 4, II together and receive € 20 discount. You only pay €109 instead of € 129! >Ce second tome du quatrième volume rassemble trente-neuf textes de Lyotard qui concernent vingt-six artistes contemporains importants et novateurs : Luciano Berio, Richard Lindner, René Guiffrey, Gianfranco Baruchello, Henri Maccheroni, Riwan Tromeur, Albert Ayme, Manuel Casimiro, Ruth Francken, Barnett Newman, Jean-Luc Parant, François Lapouge, Sam Francis, André Dubreuil, Joseph Kosuth, Sarah Flohr, Lino Centi, Gigliola Fazzini, Bracha Lichtenberg Ettinger, Henri Martin, Michel Bouvet, Corinne Filippi, Stig Brøgger, François Rouan, Pierre Skira et Béatrice Casadesus. Plusieurs de ces textes sont des contributions à des catalogues dont certains sont inaccessibles ou introuvables. Ce volume est illustré par plus de soixante images, pour la plupart en couleur, d'oeuvres d'art commentées par Lyotard dans ces textes. On comprend que Lyotard, au titre d'une esthétique de la présence matérielle, favorise la peinture. L'art de peindre, pour qu'il y ait présence, doit se rendre à ce rien qui vibre entre le vide et le plein, un air, un clinamen, un neutre, une nuance, un timbre.This second book of the fourth volume in the series brings together thirty-nine essays by Lyotard that deal with twenty-seven influential and innovative contemporary artists: Luciano Berio, Richard Lindner, René Guiffrey, Gianfranco Baruchello, Henri Maccheroni, Riwan Tromeur, Albert Ayme, Manuel Casimiro, Ruth Francken, Barnett Newman, Jean-Luc Parant, François Lapouge, Sam Francis, André Dubreuil, Joseph Kosuth, Sarah Flohr, Lino Centi, Gigliola Fazzini, Bracha Lichtenberg Ettinger, Henri Martin, Michel Bouvet, Corinne Filippi, Stig Brøgger, François Rouan, Pierre Skira, and Béatrice Casadesus. Some of these texts were originally written as contributions to catalogues; others were published in now-inaccessible journals. This volume is illustrated with more than sixty images, mainly in colour, of works of art discussed by Lyotard in these writings.This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

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Elgar Advanced Introductions are stimulating and thoughtful introductions to major fields in the social sciences, business and law, expertly written by the world’s leading scholars. Designed to be accessible yet rigorous, they offer concise and lucid surveys of the substantive and policy issues associated with discrete subject areas. Jon Pierre and Guy Peters expertly guide the reader through governance - one of the most widely used terms in political science - and its differing interpretations, with comprehensive discussion of the key issues covering global as well as local level governance. A detailed look into what constitutes 'good governance', whether produced by a government or by more informal means, is also explored. Key features include: examination of what governance is, how it is created and the differing styles of governance how governance is becoming more collaborative between governments and the private sector an investigation into the governance process and outcomes, including topics such as bargaining, negotiation and the use of political power. This insightful Advanced Introduction will be an excellent resource for both graduates and undergraduates studying governance and political science. It will also be a useful guide for academics who are interested in governance and who need a concise introduction.

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Elgar Advanced Introductions are stimulating and thoughtful introductions to major fields in the social sciences, business and law, expertly written by the world’s leading scholars. Designed to be accessible yet rigorous, they offer concise and lucid surveys of the substantive and policy issues associated with discrete subject areas. Jon Pierre and Guy Peters expertly guide the reader through governance - one of the most widely used terms in political science - and its differing interpretations, with comprehensive discussion of the key issues covering global as well as local level governance. A detailed look into what constitutes 'good governance', whether produced by a government or by more informal means, is also explored. Key features include: examination of what governance is, how it is created and the differing styles of governance how governance is becoming more collaborative between governments and the private sector an investigation into the governance process and outcomes, including topics such as bargaining, negotiation and the use of political power. This insightful Advanced Introduction will be an excellent resource for both graduates and undergraduates studying governance and political science. It will also be a useful guide for academics who are interested in governance and who need a concise introduction.

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‘A photographic encyclopaedia of one of the 20th century’s greatest creators’ The Business of FashionFounded by Yves Saint Laurent and Pierre Bergé in 1961, shortly after the young couturier left his post at the helm of Christian Dior, Yves Saint Laurent would soon become one of the most successful and influential haute couture houses in Paris. Introducing Le Smoking, the first tuxedo suit for women, in 1966, Saint Laurent also presented iconic art-inspired creations, from Mondrian dresses to precious Van Gogh embroidery and the famous Ballets Russes collection. This definitive publication opens with a concise history of the house, followed by a brief biographical profile of Yves Saint Laurent, before exploring the collections themselves, organized chronologically. Each collection is introduced by a short text unveiling its influences and highlights, and illustrated with a gallery of carefully curated catwalk images. These showcase hundreds of spectacular clothes, details, accessories, beauty looks and set designs – and, of course, the top fashion models who wore them on the runway. A rich reference section concludes the book.

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For Gilles Ortlieb, the day’s ration is hard won. He takes the art of noticing to a new level, petrifying us with moments of bleakness and ushering us out of them through his humanity. He states things as they are, with exactitude, with authenticity, and with humour and his voice is compelling. Ortlieb is among the very best poets writing in France today, and this bi-lingual selection of his work will cement his growing reputation in the anglophone world."A poet of uprootedness and displacement, with a uniquely gentle and rueful wit" -TIMES LITERARY SUPPLEMENT"It is no disservice to Gilles Ortlieb, not to place him among the “visionaries”. Rather, he is possessed of an eye that can discern, within the thicket of the real, the unnoticed, which may be its accessory or its reject. For the unnoticed is also this: the thing we conceal from ourselves." -JACQUES RÉDA"Reading the poems of Gilles Ortlieb, one’s focus is never blurred. Rather, everything is extraordinarily distinct. One emerges with clearer vision, and with an increased interest in the world." -JEAN-PIERRE LEMAIRE

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Containing a wealth of new scholarship and rare primary documents, The Black Jacobins Reader provides a comprehensive analysis of C. L. R. James's classic history of the Haitian Revolution. In addition to considering the book's literary qualities and its role in James's emergence as a writer and thinker, the contributors discuss its production, context, and enduring importance in relation to debates about decolonization, globalization, postcolonialism, and the emergence of neocolonial modernity. The Reader also includes the reflections of activists and novelists on the book's influence and a transcript of James's 1970 interview with Studs Terkel. Contributors. Mumia Abu-Jamal, David Austin, Madison Smartt Bell, Anthony Bogues, John H. Bracey Jr., Rachel Douglas, Laurent Dubois, Claudius K. Fergus, Carolyn E. Fick, Charles Forsdick, Dan Georgakas, Robert A. Hill, Christian Høgsbjerg, Selma James, Pierre Naville, Nick Nesbitt, Aldon Lynn Nielsen, Matthew Quest, David M. Rudder, Bill Schwarz, David Scott, Russell Maroon Shoatz, Matthew J. Smith, Studs Terkel

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"Long live painting!" With this rallying cry, Henri Matisse, greeted his colleague Pierre Bonnard on a 1925 postcard from Amsterdam. Widely considered two of the greatest painters of French modernism, they were united by a forty-year-long friendship and a keen appreciation of each other's work. This catalogue offers fascinating insights into their artistic dialogue. Focusing throughout on their creative exchanges, it highlights their respective contributions to the development of modern art, from the beginning of the twentieth century to the end of the Second World War. Comprising over 100 paintings, sculptures, drawings, and prints, the book makes palpable the many intersections between their artistic visions, and investigates their shared interest in subjects such as interiors, still life, landscape, and the nude. Scholarly essays and thematic introductions to their oeuvres provide a wealth of information on the two colleagues and friends gained from their writings and correspondence as well as archival material. Another highlight is a series of iconic photographs taken by Henri Cartier-Bresson, who visited both Matisse and Bonnard at their much-fabled houses in the South of France.

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The French Writers' War, 1940–1953, is a remarkably thorough account of French writers and literary institutions from the beginning of the German Occupation through France's passage of amnesty laws in the early 1950s. To understand how the Occupation affected French literary production as a whole, Gisèle Sapiro uses Pierre Bourdieu's notion of the "literary field." Sapiro surveyed the career trajectories and literary and political positions of 185 writers. She found that writers' stances in relation to the Vichy regime are best explained in terms of institutional and structural factors, rather than ideology. Examining four major French literary institutions, from the conservative French Academy to the Comité national des écrivains, a group formed in 1941 to resist the Occupation, she chronicles the institutions' histories before turning to the ways that they influenced writers' political positions. Sapiro shows how significant institutions and individuals within France's literary field exacerbated their loss of independence or found ways of resisting during the war and Occupation, as well as how they were perceived after Liberation.

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Essays offer a lively snapshot of important topics. The essays presented here draw on a number of different approaches and perspectives to address and illuminate key aspects and issues of the period. Longitudinal studies of king's confessors and corrodies of the crown provide insights into the intersection of political, religious and demographic currents over the longue durée, and are complemented by studies of documentary sources of various kinds - newsletters, chronicles, and municipal archives - to challenge current understandings of important events and processes such as the deposition of Edward II, the evolving identity of the parliamentary peers, and Richard II's vision for the house of Lancaster. Prosopographical and biographical studies of post-plague clerics, and of knights within comital affinities and within their own individual affinity groups, shed light on county communities and gentry society; they also demonstrate the impact of the Black Death on society at large, especially on the question of religious continuity and discontinuity at the parish level. Contributors: Paul Dryburgh, Pierre Gaite, Chris Given-Wilson, Michael Jones, Taylor Kniphfer, Samuel Lane, Jonathan Mackman, Alison McHardy, Matt Raven, David Robinson.

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Lake Superior is a compilation of writings around Lorine Niedecker's poem of the same title--strata that inform the poem's ecological and historical resonance. Lorine Niedecker was a major American poet often connected with the Objectivists. She lived in Wisconsin from 1903 to 1970. From "Lake Superior Country": Every bit of you is a bit of the earth ...So--here we go. Maybe as rocks and I pass each other I could say how-do-you-do to an agate. "Niedecker [is] one of the most important and original poets of this past century."--August Kleinzahler, London Review of Books Table of Contents: "Lake Superior" by Lorine Niedecker Lake Superior Country, a journal by Lorine Niedecker "Niedecker and the Evolutional Sublime" by Douglas Crase Three Letters from Lorine Niedecker to Cid Corman Excerpt from Back Roads to Far Towns by Basho and trans. by Cid Corman "Tour 14A" from Wisconsin, A Guide to the Badger State "On a Monument to the Pigeon" by Aldo Leopold Excerpt from the writings of Pierre Esprit Radisson Excerpt from the writings of Henry Rowe Schoolcraft

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"To all those who have for several years sought to discredit the new American literature, Lawrence Ferlinghetti has just dealt a most powerful blow," wrote French critic Pierre Lepape in 1961 when Her was published in France as La Quatrieme Personne du Singulier. Calling it "a masterpiece of the young American novel," Lepape declared it was "the confirmation of a great American writer who, in the hall of American literary glories, takes the place left vacant by the death of Hemingway." Lepape went on to speak of the "incredible verbal virtuosity" by which the reader is led through this "laby-reve," and it is this image of the "labyrinth-dream" which relates Her to the anti-novels of the young French school of Robbe-Grillet and Butor. Being thus very far from the kind of novels produced by Ferlinghetti's immediate contemporaries (whether Beat or academic) this book has met with little but bafflement among American critics. With well over 50,000 now in print Her nevertheless continues to make its own way.

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A time-travelling adventure with interactive experiments for budding young scientists, by Nobel Prize winning Barry Marshall Mary has always wanted to win a Nobel Prize and loves running her own science experiments at home. One day Mary stumbles on a secret meeting of Nobel Prize winners. Dr Barry Marshall agrees to travel with her through time to learn the secrets behind some of the most fascinating and important scientific discoveries. They talk time and space with Albert Einstein, radiation with Marie Curie, DNA with Crick, Watson and Wilkins – and much more. Filled with experiments to try at home and featuring famous Nobel prize-winners: Albert Einstein • Marie Curie • Guglielmo Marconi Francis Crick, James Watson and Maurice Wilkins • Alexander Fleming • Tu Youyou • Subrahmanyan Chandrasekhar • Gertrude Elion • Norman Borlaug • Rita Levi-Montalcini • Jean-Pierre Sauvage, J. Fraser Stoddart and Bernard Feringa • Barry Marshall and Robin Warren

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Thomson’s epic stop-animation project opens a startling and profound conversation about history, technology and perception This volume documents eight short stop-motion animations by Los Angeles–based artist Mungo Thomson (born 1969) that use reference encyclopedias, photobooks, how-to guides and production manuals as their raw material. The project imagines these books being scanned by a high-speed robotic book scanner of the type used by universities and tech companies to digitize libraries, and proposes such a device as a new kind of filmmaking apparatus. Thomson exploits the dualities of the digital and the analog, the video and the book, the automated and the handmade, binding them each together. The videos feature soundtracks by Andrea Centazzo and Pierre Favre, Laurie Spiegel, Sven-Åke Johansson, Lee Ranaldo, Ernst Karel, Pauline Oliveros, Adrian Garcia and John McEntire. The New York Times called Time Life a "thrilling accomplishment, adding a new chapter to the long conversation about photographs, mechanical reproduction and ways of seeing."

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At the time of his death in 1995, Georges Canguilhem was a highly respected historian of science and medicine, whose engagement with questions of normality, the ideologization of scientific thought, and the conceptual history of biology had marked the thought of philosophers such as Michel Foucault, Louis Althusser, Pierre Bourdieu, and Gilles Deleuze. This collection of short, incisive, and highly accessible essays on the major concepts of modern medicine shows Canguilhem at the peak of his use of historical practice for philosophical engagement. In order to elaborate a philosophy of medicine, Canguilhem examines paramount problems such as the definition and uses of health, the decline of the Hippocratic understanding of nature, the experience of disease, the limits of psychology in medicine, myths and realities of therapeutic practices, the difference between cure and healing, the organism’s self-regulation, and medical metaphors linking the organism to society. Writings on Medicine is at once an excellent introduction to Canguilhem’s work and a forceful, insightful, and accessible engagement with elemental concepts in medicine. The book is certain to leave its imprint on anthropology, history, philosophy, bioethics, and the social studies of medicine.

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An influential medieval allegorical interpretation of the Metamorphoses that uncovers the hidden moral truths of Ovid’s stories, translated into English for the first time.Written in about 1340 in Avignon by the Benedictine preacher Pierre Bersuire, The Moralized Ovid—commonly referred to by its Latin title, Ovidius moralizatus, to distinguish it from the anonymous French vernacular Ovide moralisé—was arguably the most influential interpretation of Ovid’s Metamorphoses in the High Middle Ages. It circulated widely in manuscript form and was frequently printed during the Renaissance. Originally intended as a sourcebook of exempla for preachers’ sermons, The Moralized Ovid provides not only a window into the reception of classical literature in the fourteenth century but also amazingly vivid details of daily life in the Middle Ages across all strata of society.The work begins with a detailed description of the Greco-Roman gods, inspired in part by Bersuire’s friend and fellow proponent of classical poetry, Francesco Petrarch. It then retells selected major myths from Ovid’s Metamorphoses, each followed by numerous allegorical interpretations that draw from biblical stories, contemporary events, and the natural world.This edition presents the first full English translation alongside an authoritative Latin text.

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This volume of twelve essays focuses on two interrelated issues. First, it addresses the historical and cultural determinants that have given rise to what frequently has been described as “the French exception,” the unusually conflictual French political process inherited from the revolutionary past in the eighteenth and nineteenth centuries and its accompanying avant-gardism in artistic, literary, and philosophical practice, both of which distinguish France from other European countries. Second, the contributors assess the exhaustion of this tradition in recent years—noted prominently on the occasion of the celebration of the bicentennial of the Revolution in 1989—in a progressive “normalization” of French society that has been the final outcome of the liquidation of the colonial empire, the collapse of Marxism as a social force, and the integration of France into the European Union. The contributors are Jean-Marie Apostolidès, Marc Augé, Barbara Cassin, Françoise Gaillard, Maurice Godelier, Jean-Joseph Goux, Françoise Lionnet, Jean-François Lyotard, Mark Poster, Pierre Saint-Amand, Susan Suleiman, and Philip R. Wood.

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This volume of twelve essays focuses on two interrelated issues. First, it addresses the historical and cultural determinants that have given rise to what frequently has been described as “the French exception,” the unusually conflictual French political process inherited from the revolutionary past in the eighteenth and nineteenth centuries and its accompanying avant-gardism in artistic, literary, and philosophical practice, both of which distinguish France from other European countries. Second, the contributors assess the exhaustion of this tradition in recent years—noted prominently on the occasion of the celebration of the bicentennial of the Revolution in 1989—in a progressive “normalization” of French society that has been the final outcome of the liquidation of the colonial empire, the collapse of Marxism as a social force, and the integration of France into the European Union. The contributors are Jean-Marie Apostolidès, Marc Augé, Barbara Cassin, Françoise Gaillard, Maurice Godelier, Jean-Joseph Goux, Françoise Lionnet, Jean-François Lyotard, Mark Poster, Pierre Saint-Amand, Susan Suleiman, and Philip R. Wood.

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The Nationalmuseum, Stockholm, holds the most extensive collection of Dutch master drawings in Sweden. It comprises important works by Rembrandt and his pupils, as well as drawings by Abraham Bloemart, Jan van Goyen, Herman Saftleven, Willem van de Velde and many other artists. Although trade contacts between the Netherlands and Sweden were lively in the seventeenth century, they account for only a small part of the collection. The bulk of the drawings was acquired by Swedish collectors in the eighteenth and nineteenth centuries. Foremost among them was Count Carl Gustaf Tessin, whose acquisitions at the 1741 Paris sale of the financier Pierre Crozat make up the core of the collection.This catalogue, the result of a long-term research project, includes almost 600 drawings, of which approximately 130 are previously unpublished. Besides the Nationalmuseum, it draws on the collections of the Royal Academy of Fine Arts in Stockholm, The Gothenburg Museum of Art, the Uppsala University Library and other institutions.

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In Art Effects Carlos Fausto explores the interplay between Indigenous material culture and ontology in ritual contexts, interpreting the agency of artifacts and Indigenous presences and addressing major themes in anthropological theory and art history to study ritual images in the widest sense. Fausto delves into analyses of the body, aerophones, ritual masks, and anthropomorphic effigies while making a broad comparison between Native visual regimes and the Christian imagistic tradition. Drawing on his extensive fieldwork in Amazonia, Fausto offers a rich tapestry of inductive theorizing in understanding anthropology’s most complex subjects of analysis, such as praxis and materiality, ontology and belief, the power of images and mimesis, anthropomorphism and zoomorphism, and animism and posthumanism. Art Effects also brims with suggestive, hemispheric comparisons of South American and North American Indigenous masks. In this tantalizing interdisciplinary work with echoes of Franz Boas, Pierre Clastres, and Claude Lévi-Strauss, among others, Fausto asks: how do objects and ritual images acquire their efficacy and affect human beings?

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Pierre Bourdieu and Abdelmalek Sayad met in their twenties in the midst of the Algerian war of independence. From their first meeting, a strong intellectual friendship was born between the French philosopher and the activist from the colony, nourished by the same desire to understand the world in order to change it. The work of both men was driven by the necessity of putting knowledge to use, whether by unveiling the relations of domination that structured life in Algeria or by opening emancipatory perspectives for the Algerian people. Colonies were, of course, a customary site of ethnographic work, but Bourdieu and Sayad refused to sacrifice scientific rigor to political expediency, even as Algeria descended deeper into war. Indeed, the act of understanding as a political commitment to the transformation of society lay at the heart of their project. Based on extensive interviews and deep archival work, Amín Pérez rediscovers the anticolonial origins of the pathbreaking social thought of these brilliant thinkers. Bourdieu and Sayad, he argues, forged another way of doing politics, laying the foundations of a revolutionary pedagogy, not just for anticolonial liberation but for true social emancipation.​

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A groundbreaking reflection on the process by which one arrives at an ethological theory How do humans study the complex worlds of animals without imposing their own societal and scientific gaze upon them? The biologist Amotz Zahavi stakes the controversial claim that Arabian babblers are said to raise themselves up each day to dance and tend to one another in the early morning sun. Such a claim will provoke the interest and intellectual curiosity of a young philosopher and psychologist recognizing that the best way for her to observe the practices of scientists at work is to join them on their terrain. Embedding herself in the field alongside ethologists in the Negev desert, Vinciane Despret deftly depicts and reflects on the process by which scientists construct their theories within the milieu of the animals they study. Along the way, and not without humor, Despret analyzes a variety of theories posited by many well-known thinkers, including Zahavi, who devoted his life to the interpretation, companionship, and conservation of the Arabian babbler bird, and naturalists such as Charles Darwin and Pierre Kropotkin.

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As we come to the end of the century, the entire vista of modern poetry has dramatically changed. "Poems for the Millennium" captures the essence of that change, and unlike any anthology available today, it reveals the revolutionary concepts at the very heart of twentieth-century poetry. International in its coverage, these volumes depart from the established poetic modes that grew out of the nineteenth century and instead bring together the movements that radically altered the ways that art and language express the human condition. The first volume offers three 'galleries' of individual poets - figures such as Mallarme, Stein, Rilke, Tzara, Mayakovsky, Pound, H.D., Vallejo, Artaud, Cesaire, and Tsvetayeva. Included, too, are sections dedicated to some of the most significant pre-World War II movements in poetry and the other arts: Futurism, Expressionism, Dada, Surrealism, Objectivism, and Negritude. The second volume will extend the gathering to the present, forming a synthesizing, global anthology that surpasses other collections in its international scope and experimental range. Poet-editors Jerome Rothenberg and Pierre Joris provide informative and irreverent commentaries throughout. They challenge old truths and propose alternative directions, in the tradition of the revolutionary manifestos that have marked the art and poetry of the twentieth century. The result is both an essential source book for experiencing the full range of this century's poetic possibilities and a powerful statement on the future of poetry in the millennium ahead.

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In this pathbreaking book, Pierre Charbonnier opens up a new intellectual terrain: an environmental history of political ideas. His aim is not to locate the seeds of ecological thought in the history of political ideas as others have done, but rather to show that all political ideas, whether or not they endorse ecological ideals, are informed by a certain conception of our relationship to the Earth and to our environment. The fundamental political categories of modernity were founded on the idea that we could improve on nature, that we could exert a decisive victory over its excesses and claim unlimited access to earthly resources. In this way, modern thinkers imagined a political society of free individuals, equal and prosperous, alongside the development of industry geared towards progress and liberated from the Earth’s shackles. Yet this pact between democracy and growth has now been called into question by climate change and the environmental crisis. It is therefore our duty today to rethink political emancipation, bearing in mind that this can no longer draw on the prospect of infinite growth promised by industrial capitalism. Ecology must draw on the power harnessed by nineteenth-century socialism to respond to the massive impact of industrialization, but it must also rethink the imperative to offer protection to society by taking account of the solidarity of social groups and their conditions in a world transformed by climate change. This timely and original work of social and political theory will be of interest to a wide readership in politics, sociology, environmental studies and the social sciences and humanities generally.

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In the middle of the 20th century, Pierre Desfontaines, cousin of Louis Ernest Ladurée, created the first Ladurée macaron by having the genius to stick two macaron cookies together and fill them with a flavourful ganache. Ever since then, the preparation has stayed the same. Each season Ladurée celebrates this little round cake that's crispy outside and soft inside, a perfect balance of aromas and textures, by creating new flavours. Each year the palette of flavours and colours grows, from the classic chocolate or raspberry to festive macarons, exotic flavours for certain destinations, fashion designers, perfumes etc. This book presents each of the 80 Ladurée macarons, their aromas, inspirations, trend books and of course all of the recipes to make them at home. At the end of the book there is a practical, step-by-step section to show exactly how Ladurée's chefs make the cookies and the ganache fillings so you can be sure to succeed in making them too.

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Celebrates one of the giants of French Impressionism with luxurious, large-format images Pierre-Auguste Renoir (1841-1919) was one of the founders of Impressionism and a friend of Monet, Pissarro and Sisley. He worked side-by-side with Monet on the banks of the Seine, sharing his concern with light and colour, but landscape painting never displaced his enduring love of figure painting. Delighting in the ample curves of the nudes he painted increasingly frequently in his later years, Renoir was also a master at capturing the spirit of Parisian life. His art is filled with optimism - his lifelong philosophy was that he painted because it gave him pleasure, and he shares that pleasure with those who see his work. It is almost always summer in his pictures, and in paintings like Moulin de la Galette, The Dance at Bougival and The Luncheon of the Boating Party he gives us an enduring record of contemporaries relaxing and enjoying their leisure.

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Renowned translator Norman R. Shapiro here presents fresh English versions of poems by three of Western literature’s most gifted and prolific poets—the French Renaissance writers Clément Marot, Joachim Du Bellay, and Pierre de Ronsard. Writing in the rhymed and metered verse typical of the original French poems (which appear on facing pages), Shapiro skillfully adheres to their messages but avoids slavishly literal translations, instead offering creative and spirited equivalents. Hope Glidden’s accessible introduction, along with the notes she and Shapiro provide on specific poems, will increase readers’ enjoyment and illuminate the historical and linguistic issues relating to this wealth of more than 150 lyric poems. “A marvelous micro-anthology of sixteenth-century French letters. Representing the pinnacle of French Renaissance verse, the poems singled out here are sensitively interpreted in rhymed English versions. . . . There is a pleasant and inspiring craftsmanship in these interpretations.”—Virginia Quarterly Review

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Since the earliest development of states, groups of people escaped or were exiled. As capitalism developed, people tried to escape capitalist constraints connected with state control. This powerful book gives voice to three communities living at the edges of capitalism: Cossacks on the Don River in Russia; Zapatistas in Chiapas, Mexico; and prisoners in long-term isolation since the 1970s. Inspired by their experiences visiting Cossacks, living with the Zapatistas, and developing connections and relationships with prisoners and ex-prisoners, Andrej Grubacic and Denis O'Hearn present a uniquely sweeping, historical, and systematic study of exilic communities engaged in mutual aid. Following the tradition of Peter Kropotkin, Pierre Clastres, James Scott, Fernand Braudel and Imanuel Wallerstein, this study examines the full historical and contemporary possibilities for establishing self-governing communities at the edges of the capitalist world-system, considering the historical forces that often militate against those who try to practice mutual aid in the face of state power and capitalist incursion.

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Between 1954 and 1960, in the midst of the Algerian War, more than two million Algerian peasants – a quarter of the population – were forcibly resettled. They were removed from their homes and villages and relocated in camps controlled by the French military in what was one of the largest and most brutal displacements of a rural population in history.It was in this context of colonial violence that Pierre Bourdieu and Abdelmalek Sayad set out to examine transformations in the fundamental structures of peasant economy and thought. By destroying the spatial and temporal frameworks of ordinary existence and reorganizing the life of peasants, the process of uprooting completed what the imperial policy of land confiscation and the spread of monetary exchange had started: the ‘depeasantization’ of agrarian communities stripped of the social and cultural means to make sense of the present and orient themselves to the future. This destruction of the traditional way of life was exacerbated by the quasi-urban conditions of the resettlement shantytowns, which brought about irreversible transformations in economic attitudes at the same time as they accelerated the contagion of needs, plunging the uprooted individuals into a ‘traditionalism of despair’ suited to daily survival in conditions of extreme uncertainty. Through their detailed analysis of these processes Bourdieu and Sayad provide a powerful account both of the destruction of a traditional way of life and of the brutal effects of colonial power.This classic text, now published in English for the first time, will be of great interest to students and scholars in sociology, anthropology, politics, migration studies, postcolonial studies and the social sciences and humanities generally, and to anyone concerned with the impact of colonization and its aftermath.

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A coming-of-age memoir of addiction, ambition and redemption in the high-stakes world of Michelin star kitchens.   From reckless drug addict to one of Australia’s top chefs and television stars: MasterChef judge Jock Zonfrillo's powerful life story will shock and inspire.   Jock’s life spiralled out of control when he tried heroin for the first time as a teenager while growing up in 1980s Glasgow. For years he balanced a career as a rising star amongst legendary chefs with a crippling drug addiction that took him down many dark paths.   Fired from his job at a Michelin star restaurant in Chester, England, after a foul-mouthed rant, Jock made his way to London looking for work and found himself in front of the legendary Marco Pierre White. He credits White for saving his life, but Jock continued to struggle with addiction in a world of excess, celebrity, and cut-throat ambition.   On New Year’s Eve 1999, Jo

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In Symbolic Violence Michael Burawoy brings Pierre Bourdieu into an extended debate with Marxism—a tradition Bourdieu ostensibly avoided. While Bourdieu's expansive body of work stands as a critique of Marx's inadequate account of cultural domination, Burawoy shows how Bourdieu's eschewal and rejection of Marxism led him to miss out on a number of productive theoretical engagements. In eleven “conversations,” Burawoy outlines the intellectual and biographical parallels and divergences between Bourdieu and the work of preeminent Marxist thinkers. Among many topics, Burawoy examines Bourdieu's appropriation and silencing of Beauvoir and her theory of masculine domination; the commonalities as well as differences in Bourdieu's and Fanon's thought on colonialism and revolution; the extent to which Gramsci's theory of hegemony aligns with Bourdieu's notion of symbolic violence; and both how Freire and Bourdieu understood education as the site of oppression. In showing how Bourdieu has more in common with these thinkers than Bourdieu himself cared to admit, Burawoy offers a critical assessment of Bourdieu's work that illuminates its paradoxes and reaffirms its significance for the twenty-first century.

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A fascinating panorama of the faces of Jesus today Jesus Now presents, for the first time, a showcase of the figure of Christ in contemporary art, graphic design, advertising, and pop culture. Featuring the work of more than 80 artists from around the world, including Cindy Sherman, David LaChapelle, Kehinde Wiley, Pierre et Gilles, Nina Chanel, Mark Ryden, and Alex Grey, Jesus Now! shows how the Christ figure continues to inspire the artists of today. In trendy galleries, on the walls of major cities, as a superhero or manga character, in Hollywood blockbusters or in satirical TV cartoons, Jesus is not only a guide for believers but also has become, as this book reveals, an icon of modern pop culture. This art anthology also showcases how today's artists have developed new iconographies that break with the image of the White Messiah to favor depicting Jesus in a more historically accurate way or in ways more reflective of themselves: Black Jesus, Maori Jesus, Native American Jesus.

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One of Canada's most dynamic prime ministers, Lester B. Pearson lived a life which took him from a childhood in rural Ontario to the apex of international politics. This third and final volume of his memoirs follows him from his years of triumph as a Canadian diplomat to his retirement from politics and the passing of the Liberal torch to Pierre Elliott Trudeau. Completed after Pearson's death under the supervision of his son Geoffrey, this volume of Mike covers Pearson's election as leader of the Liberal Party, his years in opposition to the Diefenbaker government, and his achievements as prime minister: a list that included the establishment of the Canada Pension Plan, universal medicare, the Auto Pact, and a new Canadian flag. Mike captures Pearson's intellect, his sense of humour, and his humanity, offering an inside look at the decisions that shaped Canada in the twentieth century. This new edition features a foreword by Pearson cabinet minister and former prime minister Jean Chretien.

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Here is a sumptuous banquet of the hospitality world's finest offerings in places to eat and drink. Tour more than 200 designer and boutique hotels from around the world, along with classics such as The Ritz in London, The Oriental Bangkok, the New York Palace Hotel, and the Hôtel Plaza Athénée in Paris. Top hotel and restaurant design firms from around the world are included, with industry leaders such as David Rockwell, Ian Schrager, Robert DiLeonardo, and Adam Tihany. Plus, there is work by design world icons Karl Lagerfeld, Pierre Court, Patrick Jouin, and Philippe Starck. The visual banquet includes classic European designs dripping in decorative molding and custom paneling, gold leaf and crystal chandeliers. There are starkly modern designs, fashionable Asian Fusion and eclectic settings, and tropical paradises, as well as playful and erotic designs. A resource guide provides contact information for design and architectural firms, as well as the beautiful establishments shown. This is an inspiring book for anyone planning or designing a place of hospitality and consumption.

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We live in the grip of a great illusion about politics, Pierre Manent argues in A World beyond Politics? It's the illusion that we would be better off without politics--at least national politics, and perhaps all politics. It is a fantasy that if democratic values could somehow detach themselves from their traditional national context, we could enter a world of pure democracy, where human society would be ruled solely according to law and morality. Borders would dissolve in unconditional internationalism and nations would collapse into supranational organizations such as the European Union. Free of the limits and sins of politics, we could finally attain the true life. In contrast to these beliefs, which are especially widespread in Europe, Manent reasons that the political order is the key to the human order. Human life, in order to have force and meaning, must be concentrated in a particular political community, in which decisions are made through collective, creative debate. The best such community for democratic life, he argues, is still the nation-state. Following the example of nineteenth-century political philosophers such as Alexis de Tocqueville and John Stuart Mill, Manent first describes a few essential features of democracy and the nation-state, and then shows how these characteristics illuminate many aspects of our present political circumstances. He ends by arguing that both democracy and the nation-state are under threat--from apolitical tendencies such as the cult of international commerce and attempts to replace democratic decisions with judicial procedures.

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Lose yourself in scenes inspired by the creative genius of Vincent Van Gogh, Georgia O'Keeffe, Hokusai, James Van Der Zee, and many more!Perfect for fans of Where's Wally? and Pierre the Maze Detective, Where Did Van Gogh Go? is the arty spotting book that little kids and big kids alike can enjoy. Full of search and find scenes inspired by some of history's greatest artists, children can work to find a variety of hidden pictures and learn about these fantastic artists along the way. A beautifully designed hidden picture book with an educational focusLEARN BY STEALTH: Artworks and incredible objects to seek-and-find are accompanied by interesting information about the artist, their work, and their life. INSPIRED BY BRILLIANT ARTISTS FROM ACROSS THE WORLD: Features both male and female artists including Henri Rousseau, Salvador Dalí, Florine Stettheimer, and Hokusai in settings from 18th century Venice to 1920s New York. HOURS OF ENTERTAINMENT: Features 10 detailed scenes represen

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CONTENTS:Ollam na néces: Anders Ahlqvist and Celtic Studies in Australia by Pamela O'NeillShapeshifting in Old English Literature and Early Irish Influence by Daniel AnlezarkBriathar: Traversing Genders by Timothy CausbrookThe Eternal Primitive: Celt and Maori by Aedeen CreminThe Status of the Welsh Language in Medieval Wales by Helen Fulton'A Well of Wine in her Stem' by William GilliesThe Nemed, Uraicecht Becc and Early Irish Governance by Julianna GriggThe Lord of Slaughter by Neil McLeodBut for One Vowel: Breton Seafaring in Australia by Pierre NoyerTochmarc Étaíne II: A Tale of Three Wooings by Tomás Ó CathasaighFrom Finnegan to Finn Again: A Wakean Tribute to Professor Anders Ahlqvist by Desmond O'MalleyA Note on Relative Marking in Irish by Ruairí Ó hUiginnThe Date of the First Life of St Samson of Doi by Lynnette OlsonTo What Extent Was Lindisfame a Celtic Establishment? by Murray-Luke PeardThe Accusative Plural of Early Irish Dental and Guttural Stems by David Stifter

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Leo Bersani’s career spans more than fifty years and extends across a wide spectrum of fields—including French studies, modernism, realist fiction, psychoanalytic criticism, film studies, and queer theory. Throughout this new collection of essays that ranges, interestingly and brilliantly, from movies by Claire Denis and Jean-Luc Godard to fiction by Proust and Pierre Bergounioux, Bersani considers various kinds of connectedness.Thoughts and Things posits what would appear to be an irreducible gap between our thoughts (the human subject) and things (the world). Bersani departs from his psychoanalytic convictions to speculate on the oneness of being—of our intrinsic connectedness to the other that is at once external and internal to us. He addresses the problem of formulating ways to consider the undivided mind, drawing on various sources, from Descartes to cosmology, Freud, and Genet and succeeds brilliantly in diagramming new forms as well as radical failures of connectedness. Ambitious, original, and eloquent, Thoughts and Things will be of interest to scholars in philosophy, film, literature, and beyond.

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Victorine Elizabeth du Pont, the first child of Eleuthère Irénée du Pont and his wife Sophie, was seven years old when her family emigrated to America, where her father established the humble beginnings of what would become a corporate giant. Through correspondence with friends and relatives from the ages of eight to sixty-eight, Victorine unwittingly chronicled the first sixty years of the du Pont saga in America. As she recovered from personal tragedy, she became first tutor of her siblings and relations. This biography makes the case that Victorine has had the broadest—and most enduring—influence within the entire du Pont family of any family member. The intellectual heir of her venerable grandfather, Pierre Samuel du Pont de Nemours, although Victorine grew up in an age where women's opportunities were limited, her pioneering efforts in education, medicine, and religion transformed an entire millworkers’ community.

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As a soldier in the French army, Pierre Bourdieu took thousands of photographs documenting the abject conditions and suffering (as well as the resourcefulness, determination, grace, and dignity) of the Algerian people as they fought in the Algerian War (1954-1962). Sympathizing with those he was told to regard as "enemies," Bourdieu became deeply and permanently invested in their struggle to overthrow French rule and the debilitations of poverty. Upon realizing the inability of his education to make sense of this wartime reality, Bourdieu immediately undertook the creation of a new ethnographic-sociological science based on his experiences-one that became synonymous with his work over the next few decades and was capable of explaining the mechanics of French colonial aggression and the impressive, if curious, ability of the Algerians to resist it. This volume pairs 130 of Bourdieu's photographs with key excerpts from his related writings, very few of which have been translated into English. Many of these images, luminous aesthetic objects in their own right, comment eloquently on the accompanying words even as they are commented upon by them. Bourdieu's work set the standard for all subsequent ethnographic photography and critique. This volume also features a 2001 interview with Bourdieu, in which he speaks to his experiences in Algeria, its significance on his intellectual evolution, his role in transforming photography into a means for social inquiry, and the duty of the committed intellectual to participate in an increasingly troubled world.

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One of the art world’s most recognizable and popular styles, Impressionism is also one of the most complex. In this sumptuous overview Norbert Wolf lends his attention to all aspects of Impressionism: its historical precursors, contemporary rivals, and the movements it inspired. Over 200 reproductions of entire works and highlighted details introduce readers to the Impressionists’ aesthetics and techniques. Wolf draws insightful parallels between these paintings and other contemporary works of music, photography, and literature. Charting the movement’s expansion from France to the rest of Europe and North America, this volume shines a spotlight on the main protagonists who were key in the development of Impressionism. It highlights not only the French pioneers— Claude Monet, Gustave Caillebotte, Édouard Manet, Pierre- Auguste Renoir, Camille Pissarro, and others—but also Max Liebermann, Lovis Corinth, John Singer Sargent, Mary Cassatt, William Merritt Chase, and James McNeill Whistler. Authoritative and illuminating, this wide-ranging exploration of Impressionism’s astounding impact on art history will surprise even the most seasoned aficionado.

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The 1960s witnessed a radical transformation in the Canadian Jewish community. The erosion of longstanding barriers of anti-Semitism resulted in increased access for Jews to the economic, political, and social Canadian mainstream. Arguing paradoxically that even as Canada became more accepting, Canadian Jews became more focused on Jewish identity, The Defining Decade examines how the 1960s redefined what it meant to be a Canadian Jew and a Jewish Canadian. Domestic events such as the Quiet Revolution, the eruption of Neo-Nazi activity, the election of Pierre Elliot Trudeau, and the promise of multiculturalism combined with international affairs such as the Six Day War, Arab rejectionism with regards to Israel, and the explosion of Soviet Jewish activisim to radically reshape Canadian Jewish priorities. In tracing the rapid changes of this tumultuous decade, Harold Troper draws upon a wealth of historical documentation, including more than eighty interviews, to demonstrate that the expression of Canadian Jewishness was an increasingly public - and political - commitment.

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Self-styled adventurer, literary wit, and statesman of science, Pierre-Louis Moreau de Maupertuis (1698 - 1759) stood at the center of Enlightenment science and culture. With "The Man Who Flattened the Earth", Mary Terrall offers an elegant portrait of this remarkable man, revealing just how his private life and public works made him a man of science in eighteenth-century Europe. Maupertuis entered the public eye with a much-discussed expedition to Lapland and went on to make significant and often intentionally controversial contributions to physics, life science, and astronomy. Equally at ease in cafes and royal courts, Maupertuis used his social connections and his printed works to enhance a carefully constructed reputation as both a man of letters and a man of science. Terrall not only illuminates the life and work of Maupertuis but also delves into larger Enlightenment issues, including the development of scientific institutions, the impact of print culture on science, and the often vexed interactions of science and government.

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For centuries following its reestablishment as Constantinople in AD 330, Istanbul served as the capital of three great empires: Roman, Byzantine, and Ottoman. The city's maze-like streets and high balconies, its steep alleys, flower gardens, and forested hillsides remain soaked in the vestiges of that imperial past, and it is to that past and to Istanbul's unearthly moods and waters that so many writers and diarists journeyed in search of escape, knowledge, happiness, or sheer wonderment. An Istanbul Anthology takes us on a nostalgic journey through the city with travelers' accounts of the sights, smells, and sounds of Istanbul's bazaars and coffeehouses, its grand palaces and gardens, crumbling buildings, and ancient churches and mosques, and the waters that so haunt and define it. With writers such as Gustave Flaubert, Pierre Loti, Ernest Hemingway, Mark Twain, and Andre Gide, we discover and rediscover the many delights of this great city of antiquity, meeting point of East and West, and gateway to peoples and civilizations.

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Since 1960, with the advent of musical electronics, composers and musicians have been using ever more sophisticated machines to create sonic material that presents innovation, color and new styles: electro-acoustic, electro, house, techno, etc. music. The music of Pierre Henry, Kraftwerk, Pink Floyd, Daft Punk and many others has introduced new sounds, improbable rhythms and a unique approach to composition and notation. Electronic machines have become essential: they have built and influenced the music of the most recent decades and set the trend for future productions. This book explores the theory and practice related to the different machines which constitute the universe of musical electronics, omitting synthesizers which are treated in other works. Sequencers, drum machines, samplers, groove machines and vocoders from 1960 to today are studied in their historical, physical and theoretical context. More detailed approaches to the Elektron Octatrack sequencer-sampler and the Korg Electribe 2 groove machine are also included.

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Gangsters, aviators, hard-boiled detectives, gunslingers, jazz and images of the American metropolis were all an inextricable part of the cultural landscape of interwar France. While the French 1930s have long been understood as profoundly anti-American, this book shows how a young, up-and-coming generation of 1930s French writers and filmmakers approached American culture with admiration as well as criticism. For some, the imaginary America that circulated through Hollywood films, newspaper reports, radio programming and translated fiction represented the society of the future, while for others it embodied a dire threat to French identity. This book brings an innovative transatlantic perspective to 1930s French culture, focusing on several of the most famous figures from the 1930s – including Marcel Carné, Louis-Ferdinand Céline, Pierre Drieu la Rochelle, Julien Duvivier, André Malraux, Jean Renoir and Jean-Paul Sartre – to track the ways in which they sought to reinterpret the political and social dimensions of modernism for mass audiences via an imaginary America.

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