Search results for ""author roberto"

Rupert Campbell-Black takes centre stage once more, this time in the cut-throat world of flat racing.Rupert is consumed by one obsession: that Love Rat, his adored grey horse, be proclaimed champion stallion. He longs to trounce Roberto's Revenge, the stallion owned by his detested rival Cosmo Rannaldini, which means abandoning his racing empire at Penscombe and his darling wife Taggie, and chasing winners in the richest races worldwide, from Dubai to Los Angeles to Melbourne.Luckily, the fort at home is held by Rupert's assistant Gav, a genius with horses, fancied by every stable lass, but damaged by alcoholism and a vile wife. When Gala, a grieving but ravishing Zimbabwean widow moves to Penscombe as carer for Rupert's wayward father, it is not just Gav who is attracted to her: a returning Rupert finds himself dangerously tempted.Gala adores horses, and when she switches to working in the yard, her carer's job is taken by a devastatingly handsome South African man who claims to be gay but seems far keener on caring for the angelic Taggie. And as increasingly sinister acts of sabotage strike at Penscombe, the game of musical loose boxes gathers apace . . .-----------------------------------'Packed with warmth, wit, and unforgettable characters, this is an utterly joyous read' Daily Express'Pure, unadulterated joy' Sophie Kinsella'It's Cooper doing what she does best ... it's a thoroughly enjoyable roll in the hay' The Times'Witty and wonderful, as always' Trisha Ashley'This endlessly fun humdinger of a novel is an absolute riot' Heat

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The Italian Girl is an intoxicating tale of passion and destiny, from Lucinda Riley, #1 bestselling author of the Seven Sisters series. Nothing sings as sweetly as love, or burns quite like betrayal . . . Rosanna Menici is just a girl when she meets Roberto Rossini – the man who will change her life forever. In the years that follow, their destinies become bound together, both by their extraordinary talents as opera singers, and by their enduring, obsessive love.Their passion will ultimately affect the lives of all those closest to them. For, as Rosanna slowly discovers, their union is haunted by irreversible events of the past . . .** A version of this story has previously been published under the title Aria, under the name Lucinda Edmonds – now extensively rewritten as The Italian Girl. **

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By one of the most original and learned critical voices in Hispanic studies— a timely and ambitious study of authority as theme and authority as authorial strategy in modern Latin American literature. An ideology is implicit in modern Latin American literature, argues Roberto González Echevarría, through which both the literature itself and criticism of it define what Latin American literature is and how it ought to be read. In the works themselves this ideology is constantly subjected to a radical critique, and that critique renders the ideology productive and in a sense is what constitutes the work. In literary criticism, however, too frequently the ideology merely serves as support for an authoritative discourse that seriously misrepresents Latin American literature. In The Voice of the Masters, González Echevarría attempts to uncover the workings of modern Latin American literature by creating a dialogue of texts, a dynamic whole whose parts are seven illuminating essays on seminal texts in the tradition. As he says, "To have written a sustained, expository book ... would have led me to make the same kind of critical error that I attribute to most criticism of Latin American literature.... I would have naively assumed an authoritative voice while attempting a critique of precisely that critical gesture." Instead, major works by Barnet, Cabrera Infante, Carpentier, Cortázar, Fuentes, Gallegos, García Márquez, Roa Bastos, and Rodó are the object of a set of independent deconstructive (and reconstructive) readings. Writing in the tradition of Derrida and de Man, González Echevarría brings to these readings both the penetrative brilliance of the French master and a profound understanding of historical and cultural context. His insightful annotation of Cabrera Infante's "Meta-End," the full text of which is presented at the close of the study, clearly demonstrates these qualities and exemplifies his particular approach to the text.

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In this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to the most important poets in our literature.Robert Lowell (1917-77) was born in Boston. Life Studies, published in 1959, was a watershed in American poetry, initiating an autobiographical project that became the dominating feature of his work and shaped poetry on both sides of the Atlantic. He was the renowned and controversial author of many books of poetry, including For the Union Dead (1964) and Day by Day (1977). Faber published his Collected Poems in 2003.

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Above a small village in Spain, an English costume designer sees a bright shining star lurch abruptly across the sky.On Christmas Day a strong, silent man with blank eyes enters Bar Noche Azul. Only a thirteen year old boy could have guessed that there was any connection between the two.Wonderfully inventive, darkly funny and thoughtful, MISTER ROBERTS is both an original coming-of-age story and an unusual take on the corrupting influence of power.

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This book marks the long-term installation of Robert Gober’s (born 1954) seminal Untitled (1992) at Glenstone Museum. Untitled is an immersive, multi-sensorial installation with diverse constituent parts: sinks with running water, darkened exterior pathways, a brightly-lit interior chamber, a hand-painted 360-degree mural and discrete sculptural elements made to appear like prison windows, boxes of rat bait and bundles of newspaper. Robert Gober includes never-before-published archival images of the work’s original presentation at the Dia Center for the Arts in New York, an oral history based on interviews with the artist and collaborators, an original essay by author Jim Lewis and extensive imagery of the piece as installed at Glenstone Museum.

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This is an introduction to the life and work of Kate Roberts, the most important woman writer ever to have emerged from Wales. It offers a comprehensive account of her life, from her birth into a life of poverty and hardship in the slate-quarrying region of Snowdonia to her death almost a hundred years later in Denbigh; in between, she had attended University, at a time when very few Welsh women did, worked as an impassioned and inspirational teacher in the south Wales valleys, run a major printing press and published the main Welsh national newspaper, Y Faner, helped to found Plaid Cymru, the Welsh Nationalist Party, campaigned tirelessly for the Welsh language, challenged gender stereotypes and restrictions in traditional patriarchal Wales, and produced a body of literary work in the Welsh language which makes her rank alongside Saunders Lewis as the greatest Welsh writer of the twentieth century.

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The Stewart Dynasty in Scotland series aims to bring the rich political heritage of late medieval and early modern Scotland before as wide a reading public as possible, with specialist authors writing for the general reader as well as the student or academic. This volume is number one in the series and is also the first scholarly biography of the two kings who established medieval Scotland’s most famous and durable royal dynasty. Robert II, long regarded as a weak and ineffective king, pursued a determined political and propaganda campaign which largely overcame initial political opposition. Robert III was forced to engage in a long-term struggle with his brother Albany for control of the kingdom. Firmly based on contemporary documentary sources, Stephen Boardman's study examines the ways in which the unjustly poor reputations of both kings grew from later embellishments to contemporary political propaganda.

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The first book by the New Yorkbased AD100 architect Elizabeth Roberts compiles photographs, sketches, and even vignettes of fiction, to showcase her award-winning workOver the past decades, Elizabeth Roberts Architects has built a practice of specificity. Whether breathing new life into a historic townhouse or imparting a sense of place into a ground-up contemporary home, Roberts dissolves the boundaries between architecture, interior design, and objects. Her sensitive approach and timeless aesthetic have earned her firm not only wide acclaim and AD100 status, but also a devoted following.The 18 projects featured in this bookamong them chic city townhouses and brownstones, contemporary mountain retreats, and a restored country farmhouse, as well as commercial and cultural commissions, and ERA's designs for wallpaper and furniturereflect Roberts's dedication to reframing the distinctions between history and modernity. Varied in their typologies, all are

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Now available in one deluxe box set—Blood Brothers, The Hollow, and The Pagan Stone—all three novels in #1 New York Times bestselling author Nora Roberts’ Sign of Seven Trilogy. In the town of Hawkins Hollow, it’s called The Seven. Every seven years, on the seventh day of the seventh month, madness descends on this small town. But three men bound by blood and three women brought to them by fate have pledged their souls—and their hearts—to stop it. This Sign of Seven Trilogy box set includes:BLOOD BROTHERSTHE HOLLOWTHE PAGAN STONE

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Critically praised for his finely modeled and classically composed photographs, Robert Mapplethorpe remains intensely controversial and enormously popular. This book brings together almost three hundred images from the Robert Mapplethorpe Foundation's archive and private collections, to provide a critical view of Mapplethorpe's formative years as an artist. These works reveal the themes that would inspire Mapplethorpe throughout his career. Included is a selection of his color Polaroids and objects incorporating his early "instant" photography. Some images convey a disarming tenderness and vulnerability, others a toughness and immediacy that would give way in later years to more classical form. The author traces the development of Mapplethorpe's use of instant photography during a period of five years, from 1970 to 1975, when the artist worked mainly in this medium. The images include self-portraits, figure studies, still lifes, portraits of lovers and friends such as Patti Smith, Sam Wagstaff and Marianne Faithful and observations of everyday objects. Marked by a spontaneity and creative curiosity, these fragile images offer an illuminating contrast to the glossy perfection of the work for which Mapplethorpe is best known, allowing us a more personal glimpse of his artistry.

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Best known for his 1947 memoir L'Espece humaine, Robert Antelme (1917-1990) is a central figure in the history of the European response to the Nazi concentration camps. In this first study in any language to be devoted to Antelme's work, Martin Crowley reveals the author's vital yet insufficiently recognized influence on recent thought in France and elsewhere about such questions as the nature of community and the indivisibility of humanity. He explores the conclusions Antelme drew from his deportation and his involvement with the post-war French left, and provides the first detailed textual criticism of L'Espece humaine. Examining the responses to the author's writing by such figures as Blanchot, Perec, Agamben, Nancy and Derrida, Crowley demonstrates Antelme's key contribution to the development of modern European thought.

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In the mid-1980s, Robert Rauschenberg's creative attentions turned toward the visual and plastic properties of junk metal when he began to assemble found metal objects and screenprint his photographic images onto aluminum, bronze, brass and copper. His first body of work in this vein was Gluts, a series begun in 1986 and continued intermittently until 1995, in which ornate metalwork seemingly derived from a bedpost might attach to a slice of mesh wire, or twisted petals of yellow metal might sprout from the remains of an eviscerated toaster. Asked to comment on his novel use of the word "gluts," Rauschenberg said, "It's a time of glut. Greed is rampant... I simply want to present people with their ruins... I think of the Gluts as souvenirs without nostalgia." Published to accompany the Peggy Guggenheim Collection's exhibition Robert Rauschenberg: Gluts (the first show to focus on Rauschenberg's sculpture since 1995), this fully illustrated catalogue features a selection of approximately 40 sculptures drawn from the holdings of institutions and private collections in the United States and abroad. It includes a reassessment of Rauschenberg's work as a sculptor by author and painter Mimi Thompson, an essay by Trisha Brown, an illustrated exhibition history, a preface by Philip Rylands and introduction by Susan Davidson that focuses on Rauschenberg's relationship to the Guggenheim and the artist's engagement with Venice in particular.

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Now available in one deluxe box set—Morrigan’s Cross, Dance of the Gods, and Valley of Silence—all three novels in #1 New York Times bestselling author Nora Roberts’ Circle Trilogy. The goddess Morrigan has charged a circle of six to battle the most powerful vampire in the world in a war that is fought across the planes of time, forging together the passions of the men and women caught in the battle for the fate of humanity... This Circle Trilogy box set includes: MORRIGAN’S CROSS DANCE OF THE GODS VALLEY OF SILENCE

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Kate Roberts is acknowledged as a leading short story writer and novelist, but she began her literary career as a playwright. Her name is linked to about 15 plays, as translator, co-author and as playwright in her own right. This volume sees, for the first time, the publication of three complete, original plays by Kate Roberts.

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Roberts and Zuckerman's Criminal Evidence is the eagerly-anticipated third of edition of the market-leading text on criminal evidence, fully revised to take account of developments in legislation, case-law, policy debates, and academic commentary during the decade since the previous edition was published. With an explicit focus on the rules and principles of criminal trial procedure, Roberts and Zuckerman's Criminal Evidence develops a coherent account of evidence law which is doctrinally detailed, securely grounded in a normative theoretical framework, and sensitive to the institutional and socio-legal factors shaping criminal litigation in practice. The book is designed to be accessible to the beginner, informative to the criminal court judge or legal practitioner, and thought-provoking to the advanced student and scholar: a textbook and monograph rolled into one. The book also provides an ideal disciplinary map and work of reference to introduce non-lawyers (including forensic scientists and other expert witnesses) to the foundational assumptions and technical intricacies of criminal trial procedure in England and Wales, and will be an invaluable resource for courts, lawyers and scholars in other jurisdictions seeking comparative insight and understanding of evidentiary regulation in the common law tradition.

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In 1958, a powerful new voice in American poetry emerged from the windswept prairie farmland of western Minnesota. Beginning with publication of The Fifties, “a magazine of poetry, translation and general opinion,” Robert Bly’s transformative poetry, translations, essays, and poetry readings rolled across the country like an invigorating prairie storm. In his eighty-third year, to celebrate acquisition of his archives, the Elmer L. Andersen Library at the University of Minnesota sponsored a major conference, Robert Bly in This World. This is the record of that historic event. Scholars and authors from America and England presented papers on Bly’s poetry, translations, criticism, mythopoetic storytelling, and other major achievements, including his annual Great Mother and Minnesota Men’s conferences. A trip to Madison, Minnesota, where Bly’s writing studio has been restored and preserved on the Lac Qui Parle County fairgrounds, is also chronicled here, plus intimate appreciations by Bly’s friends and admirers Coleman Barks, Donald Hall, Jane Hirshfield, Lewis Hyde, and others. A vintage documentary on Bly, A Man Writes to a Part of Himself, screened at the conference, is included as a DVD in a supplement to the book. In Robert Bly’s long career as a poet and translator, he has authored more than forty volumes. His pioneering prose explorations of ancient stories include the international bestseller Iron John. His latest collection of poems, Talking into the Ear of a Donkey, was released in 2011.

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Police chief Jesse Stone returns in the newest novel in Robert B. Parker's New York Times bestselling series, and this case hits right at the heart of the Paradise police force. Jesse Stone is back on the job after a stint in rehab, and the road to recovery is immediately made bumpy by a series of disturbing and apparently racially motivated crimes, beginning with the murder of an African American woman. Then, Jesse's own deputy Alisha - the first black woman hired by the Paradise police force - becomes the target of a sophisticated frame-up. As he and his team work tirelessly to unravel the truth, he has to wonder if this is just one part of an even grander plot, one with an end game more destructive than any of them can imagine. At the same time, a mysterious young man named Cole Slayton rolls into town with a chip on his shoulder and a problem with authority - namely, Jesse. Yet, something about the angry twenty-something appeals to Jesse, and he takes Cole under his wing. But there's more to him than meets the eye, and his secrets might change Jesse's life forever.

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For three months Biel, Switzerland, hosted a special kind of sculpture. It was special not simply because it was by one of Switzerland’s most famous contemporary artists—Thomas Hirschhorn—and dedicated to one of the most prominent authors in the history of Swiss literature, Robert Walser. Beyond that, this sculpture was a redefinition of sculpture itself, because what takes on a plastic form here is not made of stone, steel, or bronze. It is society itself that helped to develop this work of art. In 2016 Thomas Hirschhorn and the curator Kathleen Bühler began doing field research in Biel, the city of Robert Walser’s birth, connecting with residents, clubs, artists, literati, and experts. This resulted in a multifaceted agenda. Every day the two offered events such as readings, walking tours, lectures, and children’s activities. All of this ultimately comprised the Robert Walser-Sculpture. Never before has an entire city been integrated into a temporary work of art in this way.

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Little Prince in Italian. DE SAINT-EXUPERY ANTOINE .. Published Feb 2016.. Paperback, sewn, Paperback .. Probably the best version

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FROM ONE OF THE TOP 10 BEST-SELLING AUTHORS IN THE WORLD'Parker packs more meaning into a whispered "yeah" than most writers can pack into a page' — The Sunday TimesBoston PI Sunny Randall investigates the dark side of social media in this new exciting thriller.Sunny Randall's newest client, Blake, seems to have it all: he is an Instagram influencer, with all of the perks that the lifestyle entails — a beautiful girlfriend, wealth, and adoring fans. But one of those fans has turned ugly, and Sunny is brought on board to protect Blake and to uncover who is out to kill him. In doing so, she investigates a glamorous world rife with lies, schemes and ties to Boston's mob.Sunny must learn new tricks - and call in old friends - to stop a killer.

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Millions of readers throughout the world continue to enjoy Treasure Island, Dr. Jekyll and Mr. Hyde, A Child’s Garden of Verses, and other books by Robert Louis Stevenson (1850-1894). A celebrated author in many different fields of literature, Stevenson is also recognized as a highly engaging and prolific correspondent: he penned over 2,800 letters, which are contained in eight critically acclaimed volumes published by Yale University Press. In this book, 317 of Stevenson’s most interesting and revealing letters represent each stage of his mature life. With a linking narrative and full annotation, Ernest Mehew sets the letters in the context of Stevenson’s remarkable life.Beginning with the days of his troubled youth in Edinburgh, Stevenson’s letters go on to tell of his love for Frances Sitwell, a beautiful, older married woman; a reckless journey to California in pursuit of Fanny Osbourne, the woman who became his wife; their worldwide but vain search for a healthy place to live; and a period of adventure in the South Seas, where Stevenson wrote some of his best work and became passionately involved in Samoan life. The letters show the author’s zest for living despite daunting illnesses, his struggles with his own writing, his literary tastes, and his affection for his friends. Stevenson writes in many moods, ranging from playful and witty to deeply serious. Better than any biography ever could, these letters in Stevenson’s own words tell the real story of his life.

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The railways were the most revolutionary innovation of Victorian times. They carried Britain into the modern age with dramatic speed, transforming the pace and style of everyday life. We owe them to two men who, father and son, can lay claim to be the most important engineers of their time, George and Robert Stephenson. In this excellent biography L. T. C. Rolt, author of Brunel and Thomas Telford, assesses their life and their work. ‘This biography is a work of distinction in both the historical and social sense. It is written by one who adds engineering knowledge to biographical skill.’ E. W. Martin in the Listener ‘Mr Rolt is a master of correct terminology and can even turn it to literary advantage where, under another hand, it would cumber context with jargon. This gift, coupled with his own practical knowledge of mechanical and civil engineering, has enabled the author to produce yet another contribution to English history, which would have been quite beyond the power of the academic historian.’ Edmund Vale in the Observer

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After his graduation from Black Mountain College, Michael Rumaker made his way to the post-Howl, pre-Stonewall gay literary milieu of San Francisco, where he entered the circle of Robert Duncan. Contrasting Duncan's daringly frank homosexuality with Rumaker's own then-closeted life, Robert Duncan in San Francisco conjures up with harrowing detail an era of police prosecution of a clandestine gay community struggling to survive in the otherwise "open city" of San Francisco. This expanded edition includes a selection of previously unpublished letters between Rumaker and Duncan, and an interview conducted for this edition, in which Rumaker provides further reflections on the poet and the period. "This is a wonderfully revealing account of a series of lifechanging collisions between a young writer (Rumaker), an older writer (Duncan), a still older mentor for both (Charles Olson), a city (San Francisco), and an important era in American literature (the 1950s), when it was being turned upside down by these individuals and their friends. It's also a tender and intelligent account of a young man's coming to grips with being gay in the midst of this upheaval. Much more than memoir; it's history." --Russell Banks, author of Cloudsplitter Robert Duncan in San Francisco offers a surprising portrait of a mentor in all his witty, wicked, luminous, and vulnerable complexity. Straddling the lines of memoir and cultural history, Michael Rumaker gives a rare and delightful view of Duncan at home in the gay community while also documenting the struggles of that community in 1950s America." --Lisa Jarnot, author of Robert Duncan, The Ambassador from Venus "In this fine memoir of this 16 months in San Francisco, Rumaker learns many lessons about being at home with who he is, in what he calls 'Robert's city.'" --Joanne Kyger, About Now: Collected Poems Michael Rumaker has written several novels and short story collections, as well as the memoir Black Mountain Days. He was born in Philadelphia and is a graduate of Black Mountain College -- where Duncan served as his outside thesis advisor--and Columbia University. He taught at City University of New York and the New School for Social Research. Robert Duncan (1919-1988) was an American poet and well-known as a key figure in the San Francisco Renaissance. City Lights published a book of his poetry titled Selected Poems.

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This book explores the development of educational leadership within difficult contexts via the lens of a previously failing English secondary school in an area of urban poverty. Based on extensive interview data from 2012-2016, the authors demonstrate that the fundamental ethos underpinning the school’s improvement is a desire to meet the needs of young people in disadvantaged communities in order to equip them with the skills to allow them to transcend their situation. The authors posit that this school embodies the ‘comprehensive ideal’ of secondary education in England: that education should not be disadvantaged by background, and that the state should provide free and high quality education for all. This book will appeal to students and scholars of comprehensive education and schools in difficult contexts.

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