Search results for ""author roberto"

This is the first full-length study in any language of the most significant film director of Italian Neorealism. Peter Brunette combines close analyses of Roberto Rossellini's formal and narrative style with a thorough account of his position in the political and cultural landscape of postwar Italy. More than forty films are explored, including Open City, Paisan, Voyage to Italy, The Rise to Power of Louis XIV, and films made in the director's later years that documented crucial epochs in human history. Brunette's book is based on eight years of research, during which he interviewed members of the director's family as well as Rossellini himself. Brunette also draws on an enormous body of European and American criticism and discusses the various intellectual debates spawned by the director's work. This landmark study is both a comprehensive introduction to one of the most influential practitioners of the contemporary cinema and a boldly original discussion of Italian Neorealism. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996.

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This is the first full-length study in any language of the most significant film director of Italian Neorealism. Peter Brunette combines close analyses of Roberto Rossellini's formal and narrative style with a thorough account of his position in the political and cultural landscape of postwar Italy. More than forty films are explored, including Open City, Paisan, Voyage to Italy, The Rise to Power of Louis XIV, and films made in the director's later years that documented crucial epochs in human history. Brunette's book is based on eight years of research, during which he interviewed members of the director's family as well as Rossellini himself. Brunette also draws on an enormous body of European and American criticism and discusses the various intellectual debates spawned by the director's work. This landmark study is both a comprehensive introduction to one of the most influential practitioners of the contemporary cinema and a boldly original discussion of Italian Neorealism. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996.

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Come with Roberto the Sea Boy on a visit it his friends who live deep in the ocean. You’ll meet turtles, a tonguefish, and even a giant whale. Would you like to meet Roberto too? Inside, he gives you the secret of how to meet him. Seas all around the world are in trouble. They need your help. So does Roberto

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Since the publication of The Savage Detectives in 2007, the work of Roberto Bolano (1953-2003) has achieved an acclaim rarely enjoyed by literature in translation. Chris Andrews, a leading translator of Bolano's work into English, explores the singular achievements of the author's oeuvre, engaging with its distinct style and key thematic concerns, incorporating his novels and stories into the larger history of Latin American and global literary fiction. Andrews provides new readings and interpretations of Bolano's novels, including 2666, The Savage Detectives, and By Night in Chile, while at the same time examining the ideas and narrative strategies that unify his work. He begins with a consideration of the reception of Bolano's fiction in English translation, examining the reasons behind its popularity. Subsequent chapters explore aspects of Bolano's fictional universe and the political, ethical, and aesthetic values that shape it. Bolano emerges as the inventor of a prodigiously effective "fiction-making system," a subtle handler of suspense, a chronicler of aimlessness, a celebrator of courage, an anatomist of evil, and a proponent of youthful openness. Written in a clear and engaging style, Roberto Bolano's Fiction offers an invaluable understanding of one of the most important authors of the last thirty years.

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Since the publication of The Savage Detectives in 2007, the work of Roberto Bolano (1953-2003) has achieved an acclaim rarely enjoyed by literature in translation. Chris Andrews, a leading translator of Bolano's work into English, explores the singular achievements of the author's oeuvre, engaging with its distinct style and key thematic concerns, incorporating his novels and stories into the larger history of Latin American and global literary fiction. Andrews provides new readings and interpretations of Bolano's novels, including 2666, The Savage Detectives, and By Night in Chile, while at the same time examining the ideas and narrative strategies that unify his work. He begins with a consideration of the reception of Bolano's fiction in English translation, examining the reasons behind its popularity. Subsequent chapters explore aspects of Bolano's fictional universe and the political, ethical, and aesthetic values that shape it. Bolano emerges as the inventor of a prodigiously effective "fiction-making system," a subtle handler of suspense, a chronicler of aimlessness, a celebrator of courage, an anatomist of evil, and a proponent of youthful openness. Written in a clear and engaging style, Roberto Bolano's Fiction offers an invaluable understanding of one of the most important authors of the last thirty years.

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Internationally recognised scholars explore central themes and questions in Roberto Esposito's thought Helps scholars and readers of Esposito's work to understand the rich background that gives rise to and situates his bio-political works Includes an important new essay by Roberto Esposito himself that highlights the object of the his current philosophical focus: the outside of human thought Provides a rich critical assessment of Esposito's philosophical corpus, ultimately extending the philosophical debates launched by his work Gathers leading international experts including Timothy Campbell, Olga Zorzi Pugliese and Gary Genosko This collection invites readers to reposition Esposito's thought and explore the interdisciplinarity and unique methodology of his whole corpus. It addresses Esposito's long-standing engagement with early modern philosophy, philosophy of biology, biopolitics, and the impolitical and the impersonal, together with his significant dialogues with contemporary philosophers like Gilles Deleuze, Jacques Derrida, Simone Weil, Jean-Luc Nancy and Maurice Blanchot. A new essay by Esposito himself reveals the importance of philosophical sources and ideas that condition his thinking, especially outside and beyond the dominant biopolitical interpretative framework that has come to mark his reception in the English-speaking world.

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An unprecedented look at the wide-ranging artistic work of one of the 20th century’s most significant landscape architects The modernist parks and gardens of Brazilian landscape architect and garden designer Roberto Burle Marx (1909–1994) earned him awards, widespread acclaim, and international fame. Over a 60-year career, he designed more than 2,000 gardens worldwide, the most famous of which are those he created in collaboration with the architect Oscar Niemeyer for Brasília. Although he is best known for his landscape work, Burle Marx was a prolific artist in a variety of media, and his larger body of work—which includes paintings, drawings, tile mosaics, sculpture, textile design, jewelry, theater costumes, and more—is critical to understanding his importance as a modernist. An avid horticulturalist, he was among the first to denounce deforestation in the Amazon region; he also discovered over thirty species of Brazilian flora, which bear his name. This beautifully illustrated and groundbreaking publication covers the full range of Burle Marx’s artistic output, as well as his remarkable home, an abandoned estate that he transformed into his office, workshop, gallery, and living space. The enduring influence of Burle Marx’s work is also explored through interviews with seven contemporary artists: Juan Araujo, Paloma Bosquê, Dominique González-Foerster, Luisa Lambri, Arto Lindsay, Nick Mauss, and Beatriz Milhazes. These artists exemplify the extent to which his work continues to be a source of inspiration.Published in association with the Jewish Museum, New YorkExhibition Schedule:Jewish Museum, New York (05/06/16–09/18/16)Deutsche Bank KunstHalle, Berlin (07/07/17–10/08/17)

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Chronicles Clemente s life from his early days growing up in rural Puerto Rico, the highlights of his career (including the 1960 World Series, where he helped the Pirates win its first victory in 33 years, and his 3000th hit in 1972 during the last official at-bat of his life) as well as his private life and public mission off the field.

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In their office Bassi Carella Marello, the two Geneva architects focus on a few fundamental themes of architectural research: material, presence, construction, prefabrication and the interior figure. The architects reflect on those themes in a sequence of volumes within the Bibliotheca series. This second volume analyses the appearance and expression of their high-quality buildings in the Geneva region. Text in English, French, and German. Also available: Andrea Bassi, Roberto Carella: Materialitat, Materiality, Materialite ISBN 9783037611159

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They called him 'Hands of Stone'. In his own words, and for the first time, Roberto Duran tells his unbelievable story in I Am Duran: The Autobiography of Robert Duran. From the mean streets of Panama to the bright lights of Las Vegas, blazing a trail through the golden decade of boxing, Duran, in unflinching form, dispels myths and lays bare the cost of conquering the world. He also returns to the debacle that entered sporting folklore during his rematch with Sugar Ray Leonard, when he uttered the infamous words 'no mas' – no more.Starting life in abject poverty as the illegitimate son of a serving US soldier, Duran quickly realized that his fists could both protect him on the streets and put food on the table. His reputation in and out of the ring travelled the corridors of boxing power on the day, for a bet, he knocked down a horse with a single punch.From his stunning debut in New York to the glorious defeat of Sugar Ray Leonard, the world titles and the chaos that ensued after the No Mas encounter, Duran's explosive life in the ring was matched only by the volatility outside of it, as he lurched from kingmaker to bankruptcy, before the ultimate ending of a bloody comeback and, finally, redemption.

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When Manchester City's owners appointed Roberto Mancini in late 2009, the message was clear: this was the man who would overtake the Blues' illustrious neighbours and restore the club to the pinnacle of English football.The former Italy playmaker swiftly repaid their faith, following up an FA Cup triumph in his first full season with the Premier League title - won in the most heartstopping fashion imaginable - to continue a success story that had taken him from early stardom in Bologna to back-to-back league titles as Inter Milan manager.Now, renowned Italian sports writer Luca Caioli gives the full inside story of Mancini's rollercoaster life in football - from his early days as a firebrand centre forward, through glory days with Sampdoria and Lazio, to his emergence as a charismatic, if controversial, pitch-side leader.Featuring insights from those who know him best - including family members, former teammates and managers, as well as an exclusive interview with Mancini himself, it provides a unique and revealing portrait of the man behind the Blue revolution.

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This collection addresses Esposito's long-standing engagement with early modern philosophy, philosophy of biology, biopolitics, the impolitical and the impersonal as well as significant dialogues with contemporary philosophers like Gilles Deleuze, Jacques Derrida, Simone Weil, Jean-Luc Nancy and Maurice Blanchot. A new essay by Esposito himself reveals the importance of philosophical sources and ideas that condition his thinking, especially outside and beyond the dominant biopolitical interpretative framework that has come to mark his reception in the English-speaking world.Readers are invited to reposition Esposito's thought and explore the interdisciplinarity and unique methodology of his whole corpus.

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Latin American neo-structuralism is a cutting-edge, regionally focused economic theory with broad implications for macroeconomics and development economics. Roberto Frenkel has spent five decades developing the theory's core arguments and expanding their application throughout the discipline, revolutionizing our understanding of high inflation and hyperinflation, disinflation programs, and the behavior of foreign exchange markets as well as financial and currency crises in emerging economies. The essays in this collection assess Latin American neo-structuralism's theoretical contributions and viability as the world's economies evolve. The authors discuss Frenkel's work in relation to pricing decisions, inflation and stabilization policy, development and income distribution in Latin America, and macroeconomic policy for economic growth. An entire section focuses on finance and crisis, and the volume concludes with a neo-structuralist analysis of general aspects of economic development. For those seeking a comprehensive introduction to contemporary Latin American economic thought, this collection not only explicates the intricate work of one of its greatest practitioners but also demonstrates its impact on the growth of economics.

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Roberto Burle Marx (1909–1994) remains one of the most important landscape architects in the history of the field. His distinctive and widely acclaimed work has been featured and referenced in numerous sources, yet few of Burle Marx’s own words have been published. This collection of a dozen of Burle Marx’s lectures, most of which have never before been available in English, fills that void. Delivered on international speaking tours, they address topics such as Concepts in Landscape Composition, Gardens and Ecology, and The Problem of Garden Lighting. Their publi- cation sheds light on Burle Marx’s distinctive ethic and aesthetic of landscape, as “the real art of living.” The lectures paint a picture of Burle Marx not just as a gardener, artist, and botanist, but as a land- scape architect whose ambition was to bring radical change to cities and society. The lectures are framed by photographs, by Leonardo Finotti, of a selection of Burle Marx’s realized projects.

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Architectural research by the two Geneva architects in their office Bassicarella focuses on a few fundamental themes: Materiality, presence, construction, pre-fabrication and the internal figure. In a sequence of volumes in the Bibliotheca series, the architects reflect on those themes using illustrative details, short texts and technical data on the materiality of their remarkable buildings in the Geneva region. Text in English, French, and German.

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Recipient of 2019 John Brinckerhoff Jackson Book Prize, Foundation for Landscape Studies 2021 On the Brinck Book Award Winner “Burle Marx created a new and modern grammar for international landscape design.” —Lauro Cavalcanti, quoted in the New York Times “The real creator of the modern garden.” —American Institute of Architects Presenting the first English translation of Burle Marx’s “depositions,” this volume highlights the environmental advocacy of a preeminent Brazilian landscape architect who advised and challenged the country’s military dictatorship. Roberto Burle Marx (1909–1994) is internationally known as one of the preeminent modernist landscape architects. He designed renowned public landscapes in Brazil, beginning with small plazas in Recife in the 1930s and culminating with large public parks in the early 1960s, most significantly the Parque do Flamengo in Rio de Janeiro. Depositions explores a pivotal moment in Burle Marx’s career—the years in which he served as a member of the Federal Cultural Council created by the military dictatorship in the mid-1960s. Despite the inherent conflict and risk in working with the military regime, Burle Marx boldly used his position to advocate for the protection of the unique Brazilian landscape, becoming a prophetic voice of caution against the regime’s policies of rapid development and resource exploitation. Depositions presents the first English translation of eighteen environmental position pieces that Burle Marx wrote for the journal Cultura , a publication of the Brazilian Ministry of Education and Culture, from 1967 through 1973. Catherine Seavitt Nordenson introduces and contextualizes the depositions by analyzing their historical and political contexts, as well as by presenting pertinent examples of Burle Marx’s earlier public projects, which enables a comprehensive reading of the texts. Addressing deforestation, the establishment of national parks, the place of commemorative sculpture, and the unique history of the Brazilian cultural landscape, Depositions offers new insight into Burle Marx’s outstanding landscape oeuvre and elucidates his transition from prolific designer to prescient counselor.

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Recipient of 2019 John Brinckerhoff Jackson Book Prize, Foundation for Landscape Studies 2021 On the Brinck Book Award Winner “Burle Marx created a new and modern grammar for international landscape design.” —Lauro Cavalcanti, quoted in the New York Times “The real creator of the modern garden.” —American Institute of Architects Presenting the first English translation of Burle Marx’s “depositions,” this volume highlights the environmental advocacy of a preeminent Brazilian landscape architect who advised and challenged the country’s military dictatorship. Roberto Burle Marx (1909–1994) is internationally known as one of the preeminent modernist landscape architects. He designed renowned public landscapes in Brazil, beginning with small plazas in Recife in the 1930s and culminating with large public parks in the early 1960s, most significantly the Parque do Flamengo in Rio de Janeiro. Depositions explores a pivotal moment in Burle Marx’s career—the years in which he served as a member of the Federal Cultural Council created by the military dictatorship in the mid-1960s. Despite the inherent conflict and risk in working with the military regime, Burle Marx boldly used his position to advocate for the protection of the unique Brazilian landscape, becoming a prophetic voice of caution against the regime’s policies of rapid development and resource exploitation. Depositions presents the first English translation of eighteen environmental position pieces that Burle Marx wrote for the journal Cultura , a publication of the Brazilian Ministry of Education and Culture, from 1967 through 1973. Catherine Seavitt Nordenson introduces and contextualizes the depositions by analyzing their historical and political contexts, as well as by presenting pertinent examples of Burle Marx’s earlier public projects, which enables a comprehensive reading of the texts. Addressing deforestation, the establishment of national parks, the place of commemorative sculpture, and the unique history of the Brazilian cultural landscape, Depositions offers new insight into Burle Marx’s outstanding landscape oeuvre and elucidates his transition from prolific designer to prescient counselor.

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‘A combination of all that is best in memoir, biography and history.’ – Caroline Moorehead 'In this remarkable book... Jauncey has performed the great service of reminding us of a wonderful figure from Scotland’s recent history.' – Alexander McCall Smith It would be impossible to invent Don Roberto today – a fantastic combination of Don Quixote and Sir Gawain, Indiana Jones and the Lone Ranger. He was so multi-faceted, so complex, that every chapter in his story reveals some new and contradictory aspect of his personality. He is best known as the co-founder, with Keir Hardie, of the Scottish Labour Party, and later as the founding president of the Scottish National Party. But in a long and extraordinary life he was many other things besides.

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Do you suffer through the same old salads because you want to eat more veggies? Are you trying to use less processed junk when you cook but find yourself thinking, "I don't have time for that"? If you're hungry for good food and a good time in the kitchen, chef Roberto Martin has the answers,and he's here to demonstrate that cooking delicious meals with whole foods doesn't have to take a whole day.When he was personal chef to Ellen DeGeneres and Portia de Rossi, Roberto created basic meals that turned their favourite meaty dishes into tasty vegan feasts. Roberto's cooking continues to evolve, using fewer faux meats and more healthful, plant-based ingredients. Not only does he make seriously amazing food for others, he has a hungry family at home,so whether he's whipping up a Sunday brunch, after-school snacks, or a cozy dinner for two, the food's got to be easy, satisfying, and delicious.Based on both Roberto's Mexican-American family favourites (check out the recipes for albondigas soup and jackfruit tacos) and his classical French culinary training (cassoulet? Every day), these new recipes use simple basics (think beans, beets, and avocado) while also introducing less common but easy-to-use ingredients (celeriac? It has an amazing meaty texture). The result? Finger-licking dishes that'll please everyone from your fussy kid to your need-to-impress in-laws. With tips for outfitting your kitchen and techniques to save you time, as well as a chapter devoted to homemade staples that will truly make your cooking life easier and tastier, you'll be able to make fresh, healthy meals in a snap,big flavors, no fussin'.

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