Search results for ""William Henry""

This final volume marks the twilight years of this American writer's life. In the seventh decade of his life, Emerson was still a prolific writer and speaker, publishing "Society and Solitude" (1870), "Parnassus" (1875), and "Letters and Societal Aims" (1876) and lecturing frequently at Harvard University. Since Columbia University Press first published Ralph L. Rusk's six-volume set of "The Letters" in 1939, some 2000 new letters have been uncovered. These letters, including many to Henry David Thoreau, William Henry Furness, Margaret Fuller, and Thomas Carlyle among others offer an intimate portrait of Emerson. In the final four volumes of this edition, Tilton provides detailed annotations to create a running documentary history of Ralph Waldo Emerson's life and times. Volume Ten includes a name index covering volumes seven through ten, supplementing the index to the first six volumes included at the end of Volume Six.

Read more less

Buildings inhabit and symbolize time, giving form to history and making public space an index of the past. Photographs are made of time; they are literally projections of past states of their subjects. This visually striking meditation on architecture in photography explores the intersection between these two ways of embodying the past. Photographs of buildings, Joel Smith argues, are simultaneously the agents, vehicles, and cargo of social memory. In The Life and Death of Buildings photographers as canonical as Bernd and Hilla Becher, Laura Gilpin, Lewis W. Hine, and William Henry Fox Talbot enter into visual dialogue with amateurs, architects, propagandists, and insurance adjusters. Rather than examine photographers' aims in isolation, Smith considers how their images reflect and inflect the passage of time. Much as a building's shifting function and circumstances substantially alter its significance, a photograph comes to be coauthored by history, growing layers of meaning to which its maker had no access.Distributed for the Princeton University Art MuseumExhibition Schedule:Princeton University Art Museum(07/23/11-11/06/11)

Read more less

Among private collections of fine photography, the Lane Collection stands out as one of the most remarkable. Begun in the 1960s and still ongoing, the collection shines not only for its wealth of top-quality prints by the great modernist triumvirate of Ansel Adams, Charles Sheeler and Edward Weston (including the most important single holding of Adams' work), but also for its breadth. This volume presents 120 photographic masterpieces from the Lane Collection, ranging from William Henry Fox Talbot to the Starn twins, and including along the way work by Arbus, Brancusi, Bravo, Cunningham, Frank, Fuss, Goldin, Kertesz, Lange, Michals, Modotti, Morell, Penn, Steichen, Strand, Sudek and nearly 50 others. The keynote essay by Lyle Rexer trains an acute eye on images from the collection, defining the vision behind this magnificent grouping. But it is the images themselves that place this among the most significant photography books of the year.

Read more less

This is a first-rate history of photography. As with his previous publication Twentieth Century (2019), author and curator David Acton uses the extraordinary and wide-ranging collection held by the Snite Museum to bring to life 100 photographs which encompass the 19th century. He tracks the history, artistic concepts, and technical advances of photography, from the pioneering work of William Henry Fox Talbot (1800-1877), Alphonse Louis Poitevin (1819-1892), Frederic Flacheron (1813-1883), Roger Fenton (1819-1869), Desire Chanay (1828-1915), Felice Beato (1832-1909), Mathew B. Brady (1822-1896), Julia Margaret Cameron, 1815-1879), William Bell (1830-1910), Louis-Maurice Boutet de Monvel (1850-1913), and Jacob Riis (1849-1914). The volume provides a striking pictorial history, with speciality areas including Mathew Brady's famous photographs of the Civil War and the exploration of the American West by photographers including Eadweard Muybridge and Charles Savage. Acton provides historical context, brief biographies, and a glossary of photographic terms.

Read more less

In 2014, the Smart Museum of Art at the University of Chicago received a generous gift from collectors Lester and Betty Guttman: 830 photographs, created by a total of 414 artists, that cover a time period stretching all the way from the early 1800s into our modern moment. This richly illustrated volume, which accompanies an exhibition at the Smart Museum of Art, offers both an intriguing overview of the collection and, with it, a tour through the very history of photography itself.There Was a Whole Collection Made includes an extensive timeline on the medium’s evolution that notes important dates, exhibitions, and texts. Artists and scholars alike contribute personal reflections on and interpretations of the Guttmans’ photographs, which include images by such artists as William Henry Fox Talbot, Man Ray, László Moholy-Nagy, and Carrie Mae Weems. A colorful introduction to a key visual resource, There Was a Whole Collection Made crosses time periods and genres to revel in the enduring power of the camera lens.

Read more less

The bloody Battle of Tippecanoe was only the beginning. It's 1811 and President James Madison has ordered the destruction of Shawnee warrior chief Tecumseh's alliance of tribes in the Great Lakes region. But while General William Henry Harrison would win this fight, the armed conflict between Native Americans and the newly formed United States would rage on for decades. Bestselling authors Bill O'Reilly and Martin Dugard venture through the fraught history of our country's founding on already occupied lands, from General Andrew Jackson's brutal battles with the Creek Nation to President James Monroe's epic "sea to shining sea" policy, to President Martin Van Buren's cruel enforcement of a "treaty" that forced the Cherokee Nation out of their homelands along what would be called the Trail of Tears. O'Reilly and Dugard take readers behind the legends to reveal never-before-told historical moments in the fascinating creation story of America. This fast-paced, wild ride through the American frontier will shock readers and impart unexpected lessons that reverberate to this day.

Read more less

Shipping heiress Georgiana Caversteed is done with men who covet her purse more than her person. Even worse than the ton’s lecherous fortune hunters, however, is the cruel cousin determined to force Georgie into marriage. If only she could find a way to be . . . widowed? Georgie hatches a madcap scheme to wed a condemned criminal before he’s set to be executed. What could possibly go wrong? Benedict William Henry Wylde, scapegrace second son of the late Earl of Morcott and well-known rake, is in Newgate prison undercover, working for Bow Street. Georgie doesn’t realize who he is when she marries him - and she most certainly never expects to bump into her very-much-alive, and very handsome, husband of convenience at a society gathering weeks later. Soon Wylde finds himself courting his own wife, hoping to win her heart since he already has her hand. But how can this seductive rogue convince brazen, beautiful Georgie that he wants to be together... until actual death do they part?

Read more less

Battle of Britain Spitfire Ace is the story of a young Canadian who in a short time, and for a brief time, mastered Britain's most legendary war machine, the Spitfire. It is also the story of a young English woman who was for a short time his wife, and for a long time his widow, and of their son who for much of his life knew little about his father and is still learning about him. Their stories, based on their letters, diaries, and photos, unfold in richly detailed context as the setting moves from Montreal in Nelson's youth, England in the last years of peace, the first (and largely forgotten) months of the air war against Nazi Germany, Canada during the war, and finally to post-war England. William Henry Nelson was a first-generation Canadian Jew whose family name was originally Katznelson. Like many young Canadians in the 1930s, he wanted to fly. Nelson began work in Montreal's aircraft industry, but in 1936, at the age of nineteen, he left a humdrum life on the ground to go to En

Read more less

In this volume, the Sheldon Museum of Art presents more than one hundred examples from its distinguished photography collection, which contains nearly twenty-five hundred objects. Encompassing the full range of photographic history, Encounters showcases recognized masterpieces, recent acquisitions, and rarely seen treasures by a diverse range of artists, including Berenice Abbott, Manuel Álvarez Bravo, Julia Margaret Cameron, Gertrude Käsebier, André Kertész, Robert Mapplethorpe, Yinka Shonibare, Paul Strand, William Henry Fox Talbot, and Carrie Mae Weems. Encounters explores photography through the lens of transnationalism, highlighting the artistic, cultural, geographic, scientific, and technological conflicts and concurrences that have shaped the modern photographic image. Arranged thematically rather than chronologically, the catalog addresses issues such as tourism, souvenir production, and the search for authenticity in the face of increasing industrialization; the transmission of American, European, and Mexican forms of modernism; gender identity and sexuality; the real and perceived tensions between nature and the built environment; and the convergences of art and science, craft and technology. Images are set within their context by the catalog’s principal author, Brandon K. Ruud, and are accompanied by lively, thought-provoking essays by a team of scholars that includes Zeynep Çelik, Keith F. Davis, Gregory Nosan, Robert G. O’Meally, Britt Salveson, and the museum’s director, Jorge Daniel Veneciano.

Read more less

Using landscape photography to reflect on broader notions of culture, the passage of time, and the construction of perception, photographers Mark Klett and Byron Wolfe spent five years exploring the Grand Canyon for their most recent project, "Reconstructing the View". The team's landscape photographs are based on the practice of rephotography, in which they identify sites of historic photographs and make new photographs of those precise locations. Klett and Wolfe referenced a wealth of images of the canyon, ranging from historical photographs and drawings by William Bell and William Henry Holmes, to well-known artworks by Edward Weston and Ansel Adams, and from souvenir postcards to contemporary digital images drawn from Flickr. The pair then employed digital postproduction methods to bring the original images into dialogue with their own. The result is this stunning volume, illustrated with a wealth of full-color illustrations that attest to the role photographers - both anonymous and great - have played in picturing American places. Rebecca Senf's compelling essay traces the photographers' process and methodology, conveying the complexity of their collaboration. Stephen J. Pyne provides a conceptual framework for understanding the history of the canyon, offering an overview of its discovery by Europeans and its subsequent treatment in writing, photography, and graphic arts.

Read more less

In a new reinterpretation of the 19th century West, George Black casts Yellowstone's creation as the culmination of three interwoven strands - the passion for exploration, the violence of the Indian Wars and the "civilizing" of the frontier - and charts its course through the lives of those who sought to lay bare its mysteries: Lt. Gustavus Cheyney Doane, a gifted but tormented cavalryman known as "the man who invented Wonderland"; the ambitious former vigilante leader Nathaniel Langford; scientist Ferdinand Hayden, who brought photographer William Henry Jackson and painter Thomas Moran to Yellowstone; and Gen. Phil Sheridan, Civil War hero and architect of the Indian Wars, who finally succeeded in having the new National Park placed under the protection of the US Cavalry. At the heart of the story is a great paradox: no matter how deeply flawed these characters may be as individuals, no matter how mixed their motives, the paths they opened led to one of the true glories of American history and the exploration of Yellowstone is a quintessentially American story, of terrible things done in the name of high ideals, and of high ideals realised by dubious means. Empire of Shadows is a groundbreaking historical account of the origins of this majestic national landmark.

Read more less

William Henry Davies was born in a pub and learnt early in life to rely on his wits and his fists - and to drink. Around the turn of the century, when he was twenty-two, his restless spirit of adventure led him to set off for America, and he worked around the country taking casual jobs where he could, thieving and begging where he couldn't. His experiences were richly coloured by the bullies, tricksters, and fellow-adventurers he encountered - New Haven Baldy, Wee Shorty, The Indian Kid, and English Harry, to name but a few. He was thrown into prison in Michigan, beaten up in New Orleans, witnessed a lynching in Tennessee, and got drunk pretty well everywhere. A harrowing accident forced him to return to England and the seedy world of doss-houses and down-and-outs like Boozy Bob and Irish Tim. When George Bernard Shaw first read the Autobiography in manuscript, he was stunned by the raw power of its unvarnished narrative. It was his enthusiasm, expressed in the Preface, that ensured the initial success of a book now regarded as a classic.

Read more less

Throughout the African American community, individuals and organizations ranging from churches to schools to drug treatment centers are fighting the widespread use of crack cocaine. To put that fight in a larger cultural context, Doin' Drugs explores historical patterns of alcohol and drug use from pre-slavery Africa to present-day urban America.William Henry James and Stephen Lloyd Johnson document the role of alcohol and other drugs in traditional African cultures, among African slaves before the American Civil War, and in contemporary African American society, which has experienced the epidemics of marijuana, heroin, crack cocaine, and gangs since the beginning of this century. The authors zero in on the interplay of addiction and race to uncover the social and psychological factors that underlie addiction.James and Johnson also highlight many culturally informed programs, particularly those sponsored by African American churches, that are successfully breaking the patterns of addiction. The authors hope that the information in this book will be used to train a new generation of counselors, ministers, social workers, nurses, and physicians to be better prepared to face the epidemic of drug addiction in African American communities.

Read more less

To celebrate the centennial of America’s National Park Service, Picturing America’s National Parks brings together some of the finest landscape photography in the history of the medium, from America’s most magnificent and sacred environments. Photography has played an integral role in both the formation of the National Parks and in the depiction of America itself, through this natural resource. From Yosemite to the most recent 2013 addition of Pinnacles National Park in California, America’s National Parks have been enjoyed through photographs for over 150 years. This book traces that his - tory and delights readers with stunning photographs of the best American landscapes. An informative essay from curator Jamie M. Allen unfolds the role of photography in promoting America’s national heritage, land conservation, and wildlife preservation. Featuring the historic work of masters such as Ansel Adams, Imogen Cunningham, William Henry Jackson, Edward Weston, and Minor White, as well as contemporary greats such as Lee Friedlander, Stephen Shore, and Joel Sternfeld, this volume offers a powerful look at America’s National Parks and pays homage to a practice that has defined the way we see America, particularly the American West.

Read more less

Can crochet explain the complexities of non-Euclidean geometry? How does the 1804 Jacquard loom relate to modern computing? Radical Fiber celebrates the overlap between art, science, interdisciplinary creativity and collaborative learning For centuries, fiber arts have influenced sciences as diverse as digital technology, mathematics, neuroscience, medicine and more. Radical Fiber explores this relationship through contemporary art and historical artifacts that address five key themes: shape, machine, body, brain and community. How did the accidental discovery of synthetic mauveine dye in 1856 pave the way for modern pharmaceuticals while also generating toxic waste? Why do we respond differently to a woven photograph than a printed one? These and other questions reframe the fiber/science intersection and ask how the medium can be used to improve our world for the future. Radical Fiber features a new artwork created by amateur and professional makers around the globe: the Saratoga Springs Satellite Reef, part of the Crochet Coral Reef project by Christine and Margaret Wertheim and the Institute For Figuring. Alongside numerous unidentified artists, additional artists and creators include: Lia Cook, Brock Craft, Veronica Dry, Anna Dumitriu, Ellis Developments, Hanne Kekkonen, Kintra Fibers, Elaine Krajenke Ellison, Karen Norberg, William Henry Perkin, Helen Remick, Dario Robleto, Daniela Rosner, Samantha Shorey, John Sims, Soft Monitor (Victoria Manganiello and Julian Goldman), Daina Taimina, Cecilia Vicun?a and Carolyn Yackel.

Read more less

What goes better together than chocolate and peanut butter? This match made in heaven has delighted young and old alike for decades. In the Midwest, these two delicious ingredients are combined into a sweet treat named after an Ohio tree nut: the buckeye. These little round balls of peanut buttery goodness—rolled and dipped in chocolate, of course—appear on platters at fan tailgates, church potlucks, family gatherings, and on cash register displays. They have become a staple of Midwestern culture and even have their own Buckeye Candy Trail through the state of Ohio. Midwestern native, author, and food lover Cyle Young reveals the history of the buckeye tree and the stories, folklore, and superstitions that accompany the famous nut. From the buckeye's place in the presidential campaign of William Henry Harrison to Ohio State's self-proclaimed biggest football fan, Buckeyes includes fascinating tidbits and stories for any candy lover. Young also shares which stores on the trail still make the buckeye candies the traditional way—by hand. Alongside classic recipes for the candy itself and sweet treats inspired by buckeye flavors—cakes, brownies, beverages, and more—are numerous tips on how to choose your peanut butter and chocolate, the many ways to melt your chocolate, and other secrets to help you become a buckeye connoisseur.

Read more less

Since the production of the first negative by William Henry Fox Talbot in Wiltshire’s Lacock Abbey in 1835, English photography has played a central role in revolutionizing the production of images, yet it has largely evaded critical attention. The Making of English Photography investigates this new enterprise—and specifically how professional photographers shaped a strange aesthetic for their practice. The Making of English Photography examines the development of English photography as an industrial, commercial, and (most problematically) artistic enterprise. Concentrating on the first decades of photography’s history, Edwards tracks the pivotal distinction between art and document as it emerged in the writings of the “men of science” and professional photographers, suggesting that this key opposition is rooted in social fantasies of the worker. Through a close reading of the photographic press in the 1860s, he both reconstructs the ideological world of photographers and employs the unstable category of photography to cast light on art, class, and industrial knowledge. Bringing together an array of early photographs, recent historical and theoretical scholarship, and extensive archival sources, The Making of English Photography sheds new light on the prevailing discourses of photography as well as the antinomies of art and work in a world shaped by social division.

Read more less

The real history of photography is a vast collection of inter- connected stories stretching from East Asia to West Africa, from New Zealand to Uzbekistan. It parallels acknowledged greats with forgotten masters, and lesser-known works with regional champions. It is a complex interplay of fine art, scientific, anthropological, documentary, and amateur traditions forged by women and men alike. Drawn from the extraordinary Solander Collection, this pioneering, alternative history of photography is based on principles of diversity and democracy, allowing famous works to be seen with fresh eyes, and giving more obscure works the platform they deserve. Images by Robert Frank, Diane Arbus, Man Ray, Ansel Adams, and Edward Weston are seen alongside those of Helen Stuart and John Lindt, early, self- trained practitioners Lady Augusta Mostyn and Major Francis Greeley, and African studio photographers Sanlé Sory, Michel Kameni, and Malick Sidibé. It contains many rarities and “firsts” and spans photography’s early decades with linchpin works by Sir John Herschel, William Henry Fox Talbot, Hippolyte Bayard, and Julia Margaret Cameron. Contemporary in outlook, visually captivating, and with contributions from leading curators and photo historians, this book will prove essential reading for those looking for an introduction to the field, as well as informed readers looking for more complete knowledge.

Read more less

After formally announcing his conversion to Islam in the late 1880s, the Liverpool lawyer William Henry Abdullah Quilliam publicly propagated his new faith and established the first community of Muslim converts in Victorian Britain. Despite decades of relative obscurity following his death, with the resurgence of interest in Muslim heritage in the West since 9/11 Quilliam has achieved iconic status in Britain and beyond as a pivotal figure in the history of Western Islam and Muslim-Christian relations. In this timely book, leading experts of the religion, history and politics of Islam offer new perspectives and shed fresh light on Quilliam's life and work. Through a series of original essays, the authors critically examine Quilliam's influences, philosophy and outlook, the significance of his work for Islam, his position in the Muslim world and his legacy. Collectively, the authors ask pertinent questions about how conversion to Islam was viewed and received historically, and how a zealous convert like Quilliam negotiated his religious and national identities and sought to indigenise Islam in a non- Muslim country. Jamie Gilham is Honorary Research Associate in the Department of History at Royal Holloway, University of London. He is the author of Loyal Enemies: British Converts to Islam, 1850-1950.

Read more less

"Mesmerizingly twisted, richly layered." --New York Times Book Review "[Norman Lock's fiction] shimmers with glorious language, fluid rhythms, and complex insights." --NPR In his third book of The American Novels series, Norman Lock recounts the story of a young Philadelphian, Edward Fenzil, who, in the winter of 1844, falls under the sway of two luminaries of the nineteenth-century grotesque imagination: Thomas Dent Mutter, a surgeon and collector of medical "curiosities," and Edgar Allan Poe. As Fenzil struggles against the powerful wills that would usurp his identity, including that of his own malevolent doppelganger, he loses his mind and his story to another. Norman Lock is the award-winning author of novels, short fiction, and poetry, as well as stage, radio, and screenplays. His recent works of fiction include the short story collection Love Among the Particles, a Shelf Awareness Best Book of the Year, and three books in The American Novels series: The Boy in His Winter, a reenvisioning of Mark Twain's classic The Adventures of Huckleberry Finn that Scott Simon of NPR's Weekend Edition hailed for "make[ing] Huck and Jim so real you expect to get messages from them on your iPhone"; American Meteor, an homage to Walt Whitman and William Henry Jackson named a Firecracker Award finalist and Publishers Weekly Best Book of the Year; and The Port-Wine Stain, an homage to Edgar Allan Poe and Thomas Dent Mutter. Lock lives in Aberdeen, New Jersey.

Read more less

Born in 1861 to a Methodist family, William Henry Jackson grew up in Ontario before moving to Prince Albert, Saskatchewan, where he sympathized with the Métis and became personal secretary to Louis Riel. After the Métis defeat a Regina court committed the young English Canadian idealist to the lunatic asylum at Lower Fort Garry. He eventually escaped to the United States, joined the labour union movement, and renounced his race. Self-identifying as Métis, he changed his name to the French-sounding “Honoré Jaxon” and devoted the remainder of his life to fighting for the working class and the Indigenous peoples of North America. In Honoré Jaxon, Donald B. Smith draws on extensive archival research and interviews with family members to present a definitive biography of this complex political man. The book follows Jaxon into the 1940s, where his life mission became the establishment of a library for the First Nations in Saskatchewan, collecting as many books, newspapers, and pamphlets relating to the Métis people as possible. In 1951, at age ninety, he was evicted from his apartment and his library discarded to the New York City dump. In poor health and broken in spirit, he died one month later. Heavily illustrated, Honoré Jaxon recounts the complicated story of a young English Canadian who imagined a society in which English and French, Indigenous and Métis would be equals.

Read more less

How could the United States, a nation founded on the principles of liberty and equality, have produced Abu Ghraib, torture memos, Plamegate, and warrantless wiretaps? Did America set out to become an empire? And if so, how has it reconciled its imperialism--and in some cases, its crimes--with the idea of liberty so forcefully expressed in the Declaration of Independence? Empire for Liberty tells the story of men who used the rhetoric of liberty to further their imperial ambitions, and reveals that the quest for empire has guided the nation's architects from the very beginning--and continues to do so today. Historian Richard Immerman paints nuanced portraits of six exceptional public figures who manifestly influenced the course of American empire: Benjamin Franklin, John Quincy Adams, William Henry Seward, Henry Cabot Lodge, John Foster Dulles, and Paul Wolfowitz. Each played a pivotal role as empire builder and, with the exception of Adams, did so without occupying the presidency. Taking readers from the founding of the republic to the Global War on Terror, Immerman shows how each individual's influence arose from a keen sensitivity to the concerns of his times; how the trajectory of American empire was relentless if not straight; and how these shrewd and powerful individuals shaped their rhetoric about liberty to suit their needs. But as Immerman demonstrates in this timely and provocative book, liberty and empire were on a collision course. And in the Global War on Terror and the occupation of Iraq, they violently collided.

Read more less

The Civil War marked a significant turning point in American history -- not only for the United States itself but also for its relations with foreign powers both during and after the conflict. The friendship and foreign policy partnership between President Abraham Lincoln and Secretary of State William Henry Seward shaped those US foreign policies. These unlikely allies, who began as rivals during the 1860 presidential nomination, helped ensure that America remained united and prospered in the aftermath of the nation's consuming war.In Lincoln, Seward, and US Foreign Relations in the Civil War Era, Joseph A. Fry examines the foreign policy decisions that resulted from this partnership and the legacy of those decisions. Lincoln and Seward, despite differences in upbringing, personality, and social status, both adamantly believed in the preservation of the union and the need to stymie slavery. They made that conviction the cornerstone of their policies abroad, and through those policies, such as Seward threatening war with any nation that intervened in the Civil War, they prevented European intervention that could have led to Northern defeat. The Union victory allowed America to resume imperial expansion, a dynamic that Seward sustained beyond Lincoln's death during his tenure as President Andrew Johnson's Secretary of State.Fry's analysis of the Civil War from an international perspective and the legacy of US policy decisions provides a more complete view of the war and a deeper understanding of this crucial juncture in American history.

Read more less

The second of Cooper's five Leatherstocking Tales, this is the one which has consistently captured the imagination of generations since it was first published in 1826. Its success lies partly in the historical role Cooper gives to his Indian characters, against the grain of accumulated racial hostility, and partly in his evocation of the wild beautiful landscapes of North America which the French and the British fought to control throughout the eighteenth century. At the centre of the novel is the celebrated `Massacre' of British troops and their families by Indian allies of the French at Fort William Henry in 1757. Around this historical event, Cooper built a romantic fiction of captivity, sexuality, and heroism, in which the destiny of the Mohicans Chingachgook and his son Uncas is inseparable from the lives of Alice and Cora Munro and of Hawkeye the frontier scout. The controlled, elaborate writing gives natural pace to the violence of the novel's action: like the nature whose plundering Copper laments, the books placid surfaces conceal inexplicable and deathly forces. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Read more less

As its title suggests, Negative/Positive begins with the negative, a foundational element of analog photography that is nonetheless usually ignored, and uses this to tell a representative, rather than comprehensive, history of the medium. The fact that a photograph is split between negative and positive manifestations means that its identity is always simultaneously divided and multiplied. The interaction of these two components was often spread out over time and space and could involve more than one person, giving photography the capacity to produce multiple copies of a given image and for that image to have many different looks, sizes and makers. This book traces these complications for canonical images by such figures as William Henry Fox Talbot, Kusakabe Kimbei, Dorothea Lange, Man Ray, Seydou Keïta, Richard Avedon, and Andreas Gursky. But it also considers a number of related issues crucial to any understanding of photography, from the business practices of professional photographers to the repetition of pose and setting that is so central to certain familiar photographic genres. Ranging from the daguerreotype to the digital image, the end result is a kind of little history of photography, partial and episodic, but no less significant a rendition of the photographic experience for being so. This book represents a summation of Batchen’s work to date, making it be essential reading for students and scholars of photography and for all those interested in the history of the medium

Read more less

Garry Fabian Miller’s Dark Room is a photography book unlike any other. At its heart is the artist’s description of a life lived making pictures between the dark and the light, a deeply personal account woven against the history of photography from the moment of its birth in the 1830s to its decline, and some would say death, in the digital age almost two hundred years later. It is a memoir that reads at times like a manifesto, at others like a confession; a last testament to the dark room as both a site for the imagination, and a physical space for the alchemy that William Henry Fox Talbot once described as ‘a little bit of magic realised’. Dark Room charts Miller’s work over five decades, shifting from a camera-based practice in early career to the abstract picture making for which he has become internationally recognised, working without a camera to experiment with the possibilities of light as both medium and subject. At its core is the relationship with nature and place that has so sustained his way of life, and specifically with his home on Dartmoor and the cycle of daily walks that have been at the core of his practice for thirty years. The book also features an essay on Miller’s work by his friend the potter and writer Edmund de Waal and technical notes by Martin Barnes, senior photography curator of the Victoria and Albert Museum.

Read more less

William Henry Davies (1871–1940) was a Welsh poet and writer. He was also a traveller and adventurer, often living on his wits as a tramp and itinerant labourer. After a serious accident while attempting to board a train in eastern Canada while on the way to the Klondike Gold Fields he returned to London and began to write. He would become one of the most popular poets of his time with his work championed by both Edward Thomas and George Bernard Shaw. Famous for his prose memoir The Autobiography of a Super- tramp, he is best-known as a poet for ‘Leisure’, a hymn to living slow and having ‘time to stand and stare’. Saints and Lodgers offers an introduction to the wide range of Davies’s poetry which lies beyond his famous reputation. Here are hymns to the beauty of his native south Wales and to the natural world, poems in praise of lives lived on the margins and on the streets, drinking songs and songs of the sea. More than anything, as Newport poet Jonathan Edwards argues in his compelling introduction, Davies emerges as a poet of people, who never turns away from the suffering or the beauty of the saints and lodgers among whom he lives. Jonathan Edwards’s first collection of poems, My Family and Other Superheroes received the Costa Poetry Award and the Wales Book of the Year People’s Choice Award. He lives in Crosskeys, near Newport, and is editor of Poetry Wales.

Read more less

Samuel Johnson famously said that: “When a man is tired of London, he is tired of life.” London’s remarkable history, architecture, landmarks, streets, style, cool, swagger, and stalwart residents are pictured in hundreds of compelling photographs sourced from a wide array of archives around the world. London is a vast sprawling metropolis, constantly evolving and growing, yet throughout its complex past and shifting present, the humor, unique character, and bulldog spirit of the people have stayed constant. This book salutes all those Londoners, their city, and its history. In addition to the wealth of images included in this book, many previously unpublished, London’s history is told through hundreds of quotations, lively essays, and references from key movies, books, and records. From Victorian London to the Swinging ’60s; from the Battle of Britain to Punk; from the Festival of Britain to the 2012 Olympics; from the foggy cobbled streets to the architectural masterpieces of the millennium; from rough pubs to private drinking clubs; from royal weddings to raves, from the charm of the East End to the wonders of Westminster; from Chelsea girls to Hoxton hipsters; from the power to glory: in page after page of stunning photographs, reproduced big and bold like the city itself, London at last gets the photographic tribute it deserves. Photographs by: Slim Aarons, Eve Arnold, David Bailey, Cecil Beaton, Bill Brandt, Alvin Langdon Coburn, Anton Corbijn, Terence Donovan, Roger Fenton, Bert Hardy, Evelyn Hofer, Frank Horvat, Tony Ray-Jones, Nadav Kander, Roger Mayne, Linda McCartney, Don McCullin, Norman Parkinson, Martin Parr, Rankin, Lord Snowdon, William Henry Fox Talbot, Juergen Teller, Mario Testino, Wolfgang Tillmans, and many, many others.

Read more less

An imposing, life-size oil painting dominates the main meeting room at the RSPB’s base in the heart of England: ‘the man above the fireplace’ – always present, rarely mentioned. Curious about the person in the portrait, the author began a quest to rediscover William Henry Hudson (1841–1922). It became a mission of restoration: stitching back together the faded tapestry of Hudson’s life, re-colouring it in places and adding new threads from the testaments of his closest friends. This book traces the unassuming field naturalist’s path through a dramatic and turbulent era: from Hudson’s journey to Britain from Argentina in 1874 to the unveiling by the prime minister of a monument and bird sanctuary in his honour 50 years later, in the heart of Hyde Park – a place where the young immigrant had, for a time, slept rough. At its core, this extraordinary story reveals Hudson’s deep influence on the creation of his beloved Bird Society by its founding women, and the rise of the conservation movement. It reveals the strange magnetism of this mysterious man from the Pampas – unschooled, battle-scarred and once penniless – that made his achievements possible, and left such a profound impression on those who knew him. By the end of his life, Hudson had Hollywood studios bidding for his work. He was a household name through his luminous and seminal nature writing, and the Bird Society had at last reached the climax of a 30-year campaign, working to create the first global alliance of bird protectionists. A century after Hudson’s death, this is a long-overdue tribute to perhaps our most significant – and most neglected – writer-naturalist and wildlife campaigner.

Read more less

Almost two books in one, A Right Royal Scandal recounts the fascinating history of the irregular love matches contracted by two successive generations of the Cavendish-Bentinck family, ancestors of the British Royal Family. The first part of this intriguing book looks at the scandal that erupted in Regency London, just months after the Battle of Waterloo, when the widowed Lord Charles Bentinck eloped with the Duke of Wellington's married niece. A messy divorce and a swift marriage followed, complicated by an unseemly tug-of-war over Lord Charles' infant daughter from his first union. Over two decades later and while at Oxford University, Lord Charles' eldest son, known to his family as Charley, fell in love with a beautiful gypsy girl, and secretly married her. He kept this union hidden from his family, in particular his uncle, William Henry Cavendish-Scott-Bentinck, 4th Duke of Portland, upon whose patronage he relied. When his alliance was discovered, Charley was cast adrift by his family, with devastating consequences.A love story as well as a brilliantly researched historical biography, this is a continuation of Joanne and Sarah's first biography, An Infamous Mistress, about the eighteenth-century courtesan Grace Dalrymple Elliott, whose daughter was the first wife of Lord Charles Bentinick. The book ends by showing how, if not for a young gypsy and her tragic life, the British monarchy would look very different today.

Read more less

A look at the evolution of presidential campaigning from 1824 to 1840. If you think politics are uncivil now . . .Winner of the Phi Alpha Theta History Honor Society Best Subsequent Book Award by the Phi Alpha Theta History Honor SocietyAfter the “corrupt bargain” that awarded John Quincy Adams the presidency in 1825, American politics underwent a fundamental shift from deference to participation. This changing tide eventually propelled Andrew Jackson into the White House—twice. But the presidential race that best demonstrated the extent of the changes was that of Martin Van Buren and war hero William Henry Harrison in 1840. Harrison’s campaign was famously marked by sloganeering and spirited rallies. In The Coming of Democracy, Mark R. Cheathem examines the evolution of presidential campaigning from 1824 to 1840. Addressing the roots of early republic cultural politics—from campaign biographies to songs, political cartoons, and public correspondence between candidates and voters—Cheathem asks the reader to consider why such informal political expressions increased so dramatically during the Jacksonian period. What sounded and looked like mere entertainment, he argues, held important political meaning. The extraordinary voter participation rate—over 80 percent—in the 1840 presidential election indicated that both substantive issues and cultural politics drew Americans into the presidential selection process.Drawing on period newspapers, diaries, memoirs, and public and private correspondence, The Coming of Democracy is the first book-length treatment to reveal how presidents and presidential candidates used both old and new forms of cultural politics to woo voters and win elections in the Jacksonian era. This book will appeal to anyone interested in US politics, the Jacksonian/antebellum era, or the presidency.

Read more less

A look at the evolution of presidential campaigning from 1824 to 1840. If you think politics are uncivil now . . .Winner of the Phi Alpha Theta History Honor Society Best Subsequent Book Award by the Phi Alpha Theta History Honor SocietyAfter the “corrupt bargain” that awarded John Quincy Adams the presidency in 1825, American politics underwent a fundamental shift from deference to participation. This changing tide eventually propelled Andrew Jackson into the White House—twice. But the presidential race that best demonstrated the extent of the changes was that of Martin Van Buren and war hero William Henry Harrison in 1840. Harrison’s campaign was famously marked by sloganeering and spirited rallies. In The Coming of Democracy, Mark R. Cheathem examines the evolution of presidential campaigning from 1824 to 1840. Addressing the roots of early republic cultural politics—from campaign biographies to songs, political cartoons, and public correspondence between candidates and voters—Cheathem asks the reader to consider why such informal political expressions increased so dramatically during the Jacksonian period. What sounded and looked like mere entertainment, he argues, held important political meaning. The extraordinary voter participation rate—over 80 percent—in the 1840 presidential election indicated that both substantive issues and cultural politics drew Americans into the presidential selection process.Drawing on period newspapers, diaries, memoirs, and public and private correspondence, The Coming of Democracy is the first book-length treatment to reveal how presidents and presidential candidates used both old and new forms of cultural politics to woo voters and win elections in the Jacksonian era. This book will appeal to anyone interested in US politics, the Jacksonian/antebellum era, or the presidency.

Read more less

'An engrossing, enthralling and utterly captivating read, The Young Pretender tells a simply remarkable story with bounce, energy, wit, and lively authenticity . . . Michael Arditti's brilliant imaginative achievement offers high comedy, dark tragedy and everything between' STEPHEN FRYMobbed by the masses, lionised by the aristocracy, courted by royalty and lusted after by patrons of both sexes, the child actor William Henry West Betty was one of the most famous people in Georgian Britain.At the age of thirteen, he played leading roles, including Romeo, Macbeth and Richard III, in theatres across the country. Prime Minister William Pitt adjourned the House of Commons so that its members could attend his debut as Hamlet at Covent Garden. Then, as rivals turned on him and scandal engulfed him, he suffered a fall as merciless as his rise had been meteoric.The Young Pretender takes place during Betty's attempted comeback at the age of twenty-one. As he seeks to relaunch his career, he is forced to confront the painful truths behind his boyhood triumphs. Michael Arditti's revelatory new novel puts this long forgotten figure back in the limelight. In addition to its rich and poignant portrait of Betty himself, it offers an engrossing insight into both the theatre and society of the age. The nature of celebrity, the power of publicity and the cult of youth are laid bare in a story that is more pertinent now than ever.'Michael Arditti is a writer who takes risks. His material is always compelling and provocative, his techniques sophisticated and oblique' PATRICIA DUNCKER, Independent on Sunday 'Arditti is a master storyteller' PETER STANFORD, Observer

Read more less

The first comprehensive biography of the Swing Era's pioneering virtuoso drummer and bandleader William Henry "Chick" Webb (1905-39) was one of the first virtuoso drummers in jazz and an innovative bandleader dubbed the "Savoy King," who reigned at Harlem's world-famous Savoy Ballroom. Along with the likes of Duke Ellington, Fletcher Henderson, and Cab Calloway, Webb helped create the popular dance and music culture, known as Swing, that swept the United States during and after the Great Depression and left an indelible impact on American culture. Having moved to Harlem from Baltimore during the Harlem Renaissance, Webb's creativity, charisma and persistence enabled him to navigate the harsh realities of racism and show business, lifting not only himself to stardom but also bringing other future legends-namely vocalist extraordinaire Ella Fitzgerald and R&B trailblazer Louis Jordan-along with him. But at the peak of his fame, at just 34 years of age, his life was cut short by the chronic spinal tuberculosis that had left him four feet tall with a hump on his back. In this first comprehensive biography of Webb, author Stephanie Stein Crease traces his story in full, showing how his skills and innovations as a bandleader helped catalyze the music of the Swing Era and the growing big band industry, allowing Webb to become one of the most influential musicians in jazz history. Crease explores Webb's personal and professional struggles as he rose to the top of the increasingly competitive world of big band jazz. Complete with rare photographs, posters, news clippings, and a discography, this biography will be a gift to jazz aficionados and scholars.

Read more less

Photography has a unique relationship to chance. Anyone who has wielded a camera has taken a picture ruined by an ill-timed blink or enhanced by an unexpected gesture or expression. Although this proneness to chance may amuse the casual photographer, Robin Kelsey points out that historically it has been a mixed blessing for those seeking to make photographic art. On the one hand, it has weakened the bond between maker and picture, calling into question what a photograph can be said to say. On the other hand, it has given photography an extraordinary capacity to represent the unpredictable dynamism of modern life. By delving into these matters, Photography and the Art of Chance transforms our understanding of photography and the work of some of its most brilliant practitioners.The effort to make photographic art has involved a call and response across generations. From the introduction of photography in 1839 to the end of the analog era, practitioners such as William Henry Fox Talbot, Julia Margaret Cameron, Alfred Stieglitz, Frederick Sommer, and John Baldessari built upon and critiqued one another’s work in their struggle to reconcile aesthetic aspiration and mechanical process. The root problem was the technology’s indifference, its insistence on giving a bucket the same attention as a bishop and capturing whatever wandered before the lens. Could such an automatic mechanism accommodate imagination? Could it make art? Photography and the Art of Chance reveals how daring innovators expanded the aesthetic limits of photography to create art for a modern world.

Read more less

This New York Times bestselling “deep dive into the terms of eight former presidents is chock-full of political hijinks—and déjà vu” (Vanity Fair) and provides a fascinating look at the men who came to the office without being elected to it, showing how each affected the nation and world.The strength and prestige of the American presidency has waxed and waned since George Washington. Eight men have succeeded to the presidency when the incumbent died in office. In one way or another they vastly changed our history. Only Theodore Roosevelt would have been elected in his own right. Only TR, Truman, Coolidge, and LBJ were re-elected. John Tyler succeeded William Henry Harrison who died 30 days into his term. He was kicked out of his party and became the first president threatened with impeachment. Millard Fillmore succeeded esteemed General Zachary Taylor. He immediately sacked the entire cabinet and delayed an inevitable Civil War by standing with Henry Clay’s compromise of 1850. Andrew Johnson, who succeeded our greatest president, sided with remnants of the Confederacy in Reconstruction. Chester Arthur, the embodiment of the spoils system, was so reviled as James Garfield’s successor that he had to defend himself against plotting Garfield’s assassination; but he reformed the civil service. Theodore Roosevelt broke up the trusts. Calvin Coolidge silently cooled down the Harding scandals and preserved the White House for the Republican Herbert Hoover and the Great Depression. Harry Truman surprised everybody when he succeeded the great FDR and proved an able and accomplished president. Lyndon B. Johnson was named to deliver Texas electorally. He led the nation forward on Civil Rights but failed on Vietnam. Accidental Presidents shows that “history unfolds in death as well as in life” (The Wall Street Journal) and adds immeasurably to our understanding of the power and limits of the American presidency in critical times.

Read more less

Beth Moon's fourteen-year quest to photograph ancient trees has taken her across the United States, Europe, Asia, the Middle East, and Africa. Some of her subjects grow in isolation, on remote mountainsides, private estates, or nature preserves; others maintain a proud, though often precarious, existence in the midst of civilization. All, however, share a mysterious beauty perfected by age and the power to connect us to a sense of time and nature much greater than ourselves. It is this beauty, and this power, that Moon captures in her remarkable photographs. This handsome volume presents nearly seventy of Moon's finest tree portraits as full-page duotone plates. The pictured trees include the tangled, hollow-trunked yews - some more than a thousand years old - that grow in English churchyards; the baobabs of Madagascar, called 'upside-down trees' because of the curious disproportion of their giant trunks and modest branches; and the fantastical dragon's-blood trees, red-sapped and umbrella-shaped, that grow only on the island of Socotra, off the Horn of Africa. Moon's narrative captions describe the natural and cultural history of each individual tree, while Todd Forrest, vice president for horticulture and living collections at The New York Botanical Garden, provides a concise introduction to the biology and preservation of ancient trees. An essay by the critic Steven Brown defines Moon's unique place in a tradition of tree photography extending from William Henry Fox Talbot to Sally Mann, and explores the challenges and potential of the tree as a subject for art.

Read more less

Americans have come to expect that the nation’s presidential campaigns will be characterized by a carnival atmosphere emphasizing style over substance. But this fascinating account of the pivotal 1840 election reveals how the now-unavoidable traditions of big money, big rallies, shameless self-promotion, and carefully manufactured candidate images first took root in presidential politics.Pulitzer Prize–nominated former Wall Street Journal reporter Ronald G. Shafer tells the colorful story of the election battle between sitting president Martin Van Buren, a professional Democratic politician from New York, and Whig Party upstart William Henry Harrison, a military hero who was nicknamed “Old Tippecanoe” after a battlefield where he fought and won in 1811. Shafer shows how the pivotal campaign of “Tippecanoe and Tyler Too” marked a series of firsts that changed presidential politicking forever: the first presidential campaign as mass entertainment, directed at middle- and lower-income voters; the first “image campaign,” in which strategists painted Harrison as an everyman living in a log cabin sipping hard cider (in fact, he was born into wealth, lived in a twenty-two-room mansion, and drank only sweet cider); the first campaign in which a candidate, Harrison, traveled and delivered speeches directly to voters; the first one influenced by major campaign donations; the first in which women openly participated; and the first involving massive grassroots rallies, attended by tens of thousands and marked by elaborate fanfare, including bands, floats, a log cabin on wheels, and the world’s tallest man.Some of history’s most fascinating figures—including Susan B. Anthony, Charles Dickens, Abraham Lincoln, Edgar Allan Poe, Thaddeus Stevens, and Walt Whitman—pass through this colorful story, which is essential reading for anyone interested in learning when image first came to trump ideas in presidential politics.

Read more less

In 1875, a team of cartographers, geologists, and scientists under the direction of Ferdinand V. Hayden entered the Four Corners area for what they thought would be a calm summer’s work completing a previous survey. Their accomplishments would go down in history as one of the great American surveying expeditions of the nineteenth century. By skillfully weaving the surveyors’ diary entries, field notes, and correspondence with newspaper accounts, historians Robert S. McPherson and Susan Rhoades Neel bring the Hayden Survey to life. Mapping the Four Corners provides an entertaining, engaging narrative of the team’s experiences, contextualized with a thoughtful introduction and conclusion. Accompanied by the great photographer William Henry Jackson, Hayden’s team quickly found their trip to be more challenging than expected. The travelers describe wrangling half-wild pack mules, trying to sleep in rain-soaked blankets, and making tea from muddy, alkaline water. Along the way, they encountered diverse peoples, evidence of prehistoric civilizations, and spectacular scenery-Hispanic villages in Colorado and New Mexico; Mesa Verde, Hovenweep, and other Anasazi sites; and the Hopi mesas. Not everyone they met was glad to see them: in southeastern Utah surveyors fought and escaped a band of Utes and Paiutes who recognized that the survey meant dispossession from their homeland. Hayden saw his expedition as a scientific endeavor focused on geology, geographic description, cartographic accuracy, and even ethnography, but the search for economic potential was a significant underlying motive. As this book shows, these pragmatic scientists were on the lookout for gold beneath every rock, grazing lands in every valley, and economic opportunity around each bend in the trail. The Hayden Survey ultimately shaped the American imagination in contradictory ways, solidifying the idea of “progress”-and government funding of its pursuit-while also revealing, via Jackson’s photographs, a landscape with a beauty hitherto unknown and unimagined.

Read more less

A comprehensive portrait of the controversial self-taught archaeologist C. C. Abbott. In the late nineteenth century, Charles Conrad Abbott, a medical doctor and self-taught archaeologist, gained notoriety for his theories on early humans. He believed in an American Paleolithic, represented by an early Ice Age occupation of the New World that paralleled that of Europe, a popular scientific topic at the time. He attempted to prove that the Trenton gravels—glacial outwash deposits near the Delaware River—contained evidence of an early, primitive population that pre-dated Native Americans. His theories were ultimately overturned in acrimonious public debate with government scientists, most notably William Henry Holmes of the Smithsonian Institution. His experience—and the rise and fall of his scientific reputation—paralleled a major shift in the field toward an increasing professionalization of archaeology (and science as a whole). This is the first biography of Charles Conrad Abbott to address his archaeological research beyond the Paleolithic debate, including his early attempts at historical archaeology on Burlington Island in the Delaware River, and prehistoric Middle Woodland collections made throughout his lifetime at Three Beeches in New Jersey, now the Abbott Farm National Historic Landmark. It also delves into his modestly successful career as a nature writer. As an archaeologist, he held a position with the Peabody Museum at Harvard University and was the first curator of the American Section at the Penn Museum. He also attempted to create a museum of American archaeology at Princeton University. Through various sources including archival letters and diaries, this book provides the most complete picture of the quirky and curmudgeonly, C. C. Abbott.

Read more less

A compelling and innovative reflection on the way photography captures and condenses time Two photographs, connected by a ladder, separated by a century. First, William Henry Fox Talbot photographed a faithfully realistic image of a ladder against a haystack in the English countryside.One hundred years later, an anonymous photographer captured another ladder, “photographed” alongside an incinerated man by the blinding light of the atomic bomb. These two images underpin a poetic and theoretical reflection on the origins of photographic technique, the imaginative power of montage, and the relation of photography to time itself in Jean-Christophe Bailly’s The Instant and Its Shadow, translated into English for the very first time. A rare find of intellectual caliber and theoretical rigor, The Instant and Its Shadow pursues a unique and powerful reflection on the first hundred years of photography’s history and on the essence of the photographic art in general. Inspired by the unexpected coming together of these two iconic images, the book begins by retracing Talbot’s invention of the photographic calotype in the early nineteenthcentury, highlighting the paradox that saw Talbot wishing to imitate the representative arts of painting and drawing while simultaneously liberating the image from any imitative paradigm. This analysis leads Bailly to elucidate photography’s relation to material and visual reality. A meditation on photography’s seeming ability to stop time follows, concluding with the photographs of Hiroshima and the photographic nature of the atomic bomb. Building on an inspired juxtaposition of The Haystack with the Hiroshima photographs, the book becomes a testament to the potency of photomontage, arguing that “the more singular an image, the greater its connective power.” Bailly’s book is at once a lyrical homage to some of the founding texts of photographic theory and a startling reminder of the uncanny power of photography itself. Part theoretical reflection, part lyrical reverie, The Instant and Its Shadow is packed with profound and stellar insights about the medium.

Read more less

"Make[s] Huck and Jim so real you expect to get messages from them on your iPhone." --SCOTT SIMON, NPR Weekend Edition "Brilliant...The Boy in His Winter is a glorious meditation on justice, truth, loyalty, story, and the alchemical effects of love, a reminder of our capacity to be changed by the continuously evolving world 'when it strikes fire against the mind's flint,' and by profoundly moving novels like this." --JANE CIABATTARI, NPR Launched into existence by Mark Twain, Huck Finn and Jim have now been transported by Norman Lock through three vital, violent, and transformative centuries of American history. As time unfurls on the river's banks, they witness decisive battles of the Civil War, the betrayal of Reconstruction's promises to the freed slaves, the crushing of Native American nations, and the electrification of a continent. Huck, who finally comes of age when he's washed up on shore during Hurricane Katrina, narrates the story as an older and wiser man in 2077, revealing our nation's past, present, and future as Mark Twain could never have dreamed it. The Boy in His Winter is a tour-de-force work of imagination, beauty, and courage that re-envisions a great American literary classic for our time. Norman Lock is the award-winning author of novels, short fiction, and poetry, as well as stage, radio, and screenplays. His recent works of fiction include the short story collection Love Among the Particles, a Shelf Awareness Best Book of the Year, and three books in The American Novels series: The Boy in His Winter, a re-envisioning of Mark Twain's classic The Adventures of Huckleberry Finn; American Meteor, an homage to Walt Whitman and William Henry Jackson named a Firecracker Award finalist and Publishers Weekly Best Book of the Year; and The Port-Wine Stain, a gothic psychological thriller featuring Edgar Allan Poe. Lock lives in Aberdeen, New Jersey.

Read more less

A colossal, panoramic, much-needed appraisal of the visual cultures of Afro-Atlantic territories across six centuries Named one of the best books of 2021 by Artforum Afro-Atlantic Histories brings together a selection of more than 400 works and documents by more than 200 artists from the 16th to the 21st centuries that express and analyze the ebbs and flows between Africa, the Americas, the Caribbean and Europe. The book is motivated by the desire and need to draw parallels, frictions and dialogues around the visual cultures of Afro-Atlantic territories—their experiences, creations, worshiping and philosophy. The so-called Black Atlantic, to use the term coined by Paul Gilroy, is geography lacking precise borders, a fluid field where African experiences invade and occupy other nations, territories and cultures. The plural and polyphonic quality of “histórias” is also of note; unlike the English “histories,” the word in Portuguese carries a double meaning that encompasses both fiction and nonfiction, personal, political, economic and cultural, as well as mythological narratives. The book features more than 400 works from Africa, the Americas and the Caribbean, as well as Europe, from the 16th to the 21st century. These are organized in eight thematic groupings: Maps and Margins; Emancipations; Everyday Lives; Rites and Rhythms; Routes and Trances; Portraits; Afro Atlantic Modernisms; Resistances and Activism. Artists include: Nina Chanel Abney, Emma Amos, Benny Andrews, Emanoel Araujo, Maria Auxiliadora, Romare Bearden, John Biggers, Paul Cézanne, Victoria Santa Cruz, Beauford Delaney, Aaron Douglas, Melvin Edwards, Ibrahim El-Salahi, Ben Enwonwu, Ellen Gallagher, Theodore Géricault, Barkley Hendricks, William Henry Jones, Loïs Mailou Jones, Titus Kaphar, Wifredo Lam, Norman Lewis, Ibrahim Mahama, Edna Manley, Archibald Motley, Abdias Nascimento, Gilberto de la Nuez, Toyin Ojih Odutola, Dalton Paula, Rosana Paulino, Howardena Pindell, Heitor dos Prazeres, Joshua Reynolds, Faith Ringgold, Gerard Sekoto, Alma Thomas, Hank Willis Thomas, Rubem Valentim, Kara Walker and Lynette Yiadom-Boakye.

Read more less

A compelling and innovative reflection on the way photography captures and condenses time Two photographs, connected by a ladder, separated by a century. First, William Henry Fox Talbot photographed a faithfully realistic image of a ladder against a haystack in the English countryside.One hundred years later, an anonymous photographer captured another ladder, “photographed” alongside an incinerated man by the blinding light of the atomic bomb. These two images underpin a poetic and theoretical reflection on the origins of photographic technique, the imaginative power of montage, and the relation of photography to time itself in Jean-Christophe Bailly’s The Instant and Its Shadow, translated into English for the very first time. A rare find of intellectual caliber and theoretical rigor, The Instant and Its Shadow pursues a unique and powerful reflection on the first hundred years of photography’s history and on the essence of the photographic art in general. Inspired by the unexpected coming together of these two iconic images, the book begins by retracing Talbot’s invention of the photographic calotype in the early nineteenthcentury, highlighting the paradox that saw Talbot wishing to imitate the representative arts of painting and drawing while simultaneously liberating the image from any imitative paradigm. This analysis leads Bailly to elucidate photography’s relation to material and visual reality. A meditation on photography’s seeming ability to stop time follows, concluding with the photographs of Hiroshima and the photographic nature of the atomic bomb. Building on an inspired juxtaposition of The Haystack with the Hiroshima photographs, the book becomes a testament to the potency of photomontage, arguing that “the more singular an image, the greater its connective power.” Bailly’s book is at once a lyrical homage to some of the founding texts of photographic theory and a startling reminder of the uncanny power of photography itself. Part theoretical reflection, part lyrical reverie, The Instant and Its Shadow is packed with profound and stellar insights about the medium.

Read more less

"A Fugitive in Walden Woods manages that special magic of making Thoreau's time in Walden Woods seem fresh and surprising and necessary right now. Norman Lock tells the story of Samuel Long, an escaped slave who encounters Thoreau, with insight and some welcome humor. This is a patient and perceptive novel, a pleasure to read even as it grapples with issues that affect the United States to this day."—Victor LaValle, author of The Ballad of Black Tom and The Changeling"Portraying the traumatic psychological aftershock not of war but of slavery provides a convincing and complex narrative of new hardships faced by escaped slave Samuel Long in Norman Lock's bold and enlightening novel A Fugitive in Walden Woods. It's an important novel that creates a vivid social context for the masterpieces of such writers as Thoreau, Emerson, and Hawthorne and also offers valuable insights about our current conscious and unconscious racism."—Sena Jeter Naslund, author of Ahab's Wife and The Fountain of St. James Court; or, Portrait of the Artist as an Old WomanSamuel Long escapes slavery in Virginia, traveling the Underground Railroad to Walden Woods where he encounters Henry David Thoreau, Ralph Waldo Emerson, Nathaniel Hawthorne, William Lloyd Garrison, and other transcendentalists and abolitionists. While Long will experience his coming-of-age at Walden Pond, his hosts will receive a lesson in human dignity, culminating in a climactic act of civil disobedience.Against this historical backdrop, Norman Lock's powerful narrative examines issues that continue to divide the United States: racism, privilege, and what it means to be free in America. Norman Lock is the author of, most recently, the short story collection Love Among the Particles, and three previous books in The American Novels series: The Boy in His Winter, a re-envisioning of Mark Twain's classic The Adventures of Huckleberry Finn, American Meteor, an homage to Walt Whitman and William Henry Jackson, and The Port-Wine Stain, an homage to Edgar Allan Poe and Thomas Dent Mütter. He lives in Aberdeen, New Jersey, where he is at work on the next books of The American Novels series.

Read more less

In 1804, a kind of madness descended upon Britain. A thirteen-year-old boy, William-Henry West Betty, arrived and, in a seeming instant, took Ireland, Scotland, and England by storm. Crowds were so intent upon securing tickets for Betty's performances that officers were called out to stop rioters in the streets. Like the groupies who would a century and a half later mob Elvis or The Beatles, fans raved and regularly fainted when near "the divine Master Betty." The Caledonian Mercury reported that on Betty's first London appearance, the "screams of the females were very distressing, and several fainted away." The Morning Chronicle reported that during a performance of Betty's Romeo, "nearly thirty persons were pulled from the pit, in fainting fits." Even older, sophisticated men were strangely overcome by emotion by "Bettymania." When watching the boy perform, Drury Lane's manager R. B. Sheridan shed sighs, tears, and sobs; a similarly affected William Pitt, the Prime Minister of England, wept openly and uncontrollably. Professor Kahan's study is the first to link Bettymania to nineteenth-century consumerism: to point out that marketings of Bettymania in Ireland and Scotland differed radically; to argue that English Bettymania was a splintered rebuke of both King George III and Napoleon, to suggest that interest in Betty reflected the unique gender dynamics of early nineteenth-century Britain; to include a discussion of Betty's standing among the major Romantic poets; to survey Betty's later life; to detail the theatrical career of Betty's son, Henry Betty. Percy H. Fitzgerald, in his conversations with various members of The Garrick Club, recorded that the "Young Roscius was the only actor who ever knew exactly when to quit the stage." The truth is that Betty continued to play until virtually no audience in Britain remained interested in seeing him. However, the disintegration of Betty's popularity was not a sign of celebrity culture's failure but of its appropriate function. One idol must be replaced with another and another and another and another. A study of Bettymania may well offer us some insight into the emergence of celebrity culture and the means by which it continues to be fashioned and maintained.

Read more less

Beneath the surface of the apparently untutored and deceptively frank Abraham Lincoln ran private tunnels of self-taught study, a restless philosophical curiosity, and a profound grasp of the fundamentals of democracy. Now, in Lincoln: A Very Short Introduction, the award-winning Lincoln authority Allen C. Guelzo offers a penetrating look into the mind of one of our greatest presidents. If Lincoln was famous for reading aloud from joke books, Guelzo shows that he also plunged deeply into the mainstream of nineteenth-century liberal democratic thought. Guelzo takes us on a wide-ranging exploration of seven problems that confronted Lincoln and liberal democracy--equality, opportunity, the rule of law, slavery, freedom, and reconciliation. The book sets these problems and Lincoln's responses against the larger world of American and trans-Atlantic liberal democracy in the 19th century, comparing Lincoln not just to Andrew Jackson or John Calhoun, but to British thinkers such as Richard Cobden, Jeremy Bentham, and John Bright, and to French observers Alexis de Tocqueville and François Guizot. The Lincoln we meet here is an Enlightenment figure who struggled to create a common ground between a people focused on individual rights and a society eager to establish a certain moral, philosophical, and intellectual bedrock. Lincoln insisted that liberal democracy had a higher purpose, which was the realization of a morally right political order. But how to interject that sense of moral order into a system that values personal self-satisfaction--"the pursuit of happiness"--remains a fundamental dilemma even today. Abraham Lincoln was a man who, according to his friend and biographer William Henry Herndon, "lived in the mind." Guelzo paints a marvelous portrait of this Lincoln--Lincoln the man of ideas--providing new insights into one of the giants of American history. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Read more less

The 1850s offered the last remotely feasible chance for the United States to steer clear of Civil War. Yet fundamental differences between North and South about slavery and the meaning of freedom caused political conflicts to erupt again and again throughout the decade as the country lurched toward secession and war. With their grudging acceptance of the Compromise of 1850 and the election of Franklin Pierce as president in 1852, most Americans hoped that sectional strife and political upheaval had come to an end. Extremists in both North and South, abolitionists and secessionists, testified to the prevailing air of complacency by their shared frustration over having failed to bring on some sort of conflict. Both sets of zealots wondered what it would take to convince the masses that the other side still menaced their respective visions of liberty. And, as new divisive issues emerged in national politics-with slavery still standing as the major obstacle-compromise seemed more elusive than ever. As the decade progressed, battle lines hardened. The North grew more hostile to slavery while the South seized every opportunity to spread it. 'Immigrant Aid Societies' flourished in the North, raising money, men, and military supplies to secure a free soil majority in Kansas. Southerners flocked to the territory in an effort to fight off antislavery. After his stirring vilification of the institution of slavery, Massachusetts senator Charles Sumner was brutally attacked on the floor of the United States Senate. Congress, whose function was to peacefully resolve disputes, became an armed camp, with men in both houses and from both sections arming themselves within the capitol building. In October 1858, Senator William Henry Seward said that the nation was headed for an 'irrepressible conflict.' In spite of the progress ushered in by the decade's enormous economic growth, the country was self destructing. The Shattering of the Union: America in the 1850s is a concise, readable analysis and survey of the major ideas and events that resulted in the Civil War. The first scholarly synthesis of America's final antebellum decade to be published in more than twenty years, this essential overview incorporates methods and findings by recognized historians on politics, society, race relations, ideology, and slavery. This book is a fascinating look at one of the pivotal decades in U.S. history.

Read more less