Search results for ""William Henry""

A brilliant administrator and public speaker, William Henry ("Harry") Randall was a man who responded with strength, humility, and an ever-deepening faith to the many challenges and tests that he encountered; a man of whom ‘Abdu’l-Baha expected much, and who gave selflessly and unstintingly in return. Born into late nineteenth- century comfort and affluence, his life was transformed into one of extraordinary service and selfless devotion to the Baha'i Faith. This compelling account of the life of the man described by ‘Abdu’l- Baha as "my spiritual associate…my participator and co-sharer!" draws on the previously unpublished daily diaries of two early pilgrimages ( 1919 and 1922). This fascinating book provides unique glimpses into the life of the Holy Family, and offers an intimate portrait of this history of the Faith in America and the difficulties and challenges that faced the early Western believers.

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William Henry Fox Talbot is celebrated today as one of the English inventors of photography. He made early photographic experiments in the 1830s, released the details of his photogenic drawing process in January 1839, and introduced important innovations to the medium in the 1840s and 1850s. Drawing on archive material in the Bodleian Library, including three albums given by Talbot to his sister, Horatia Feilding, as well as his illustrated books, Sun Pictures in Scotland and The Pencil of Nature, this volume shows how Talbot was continually inventing photography anew. A selection of eighty full-page plates provides a thematic survey of Talbot’s work, reproducing images that document his travels, his home and his family, as well as his intellectual interests, from science to literature to ancient languages. An illustrated introduction places Talbot’s work within the context of a modernising Britain, as well as within his own social and intellectual milieu, and explores how the competing daguerreotype process spurred Talbot to improve his own techniques and seek new functions and uses for paper-based photographs. This evocative selection is testament to Talbot’s constant quest for new photographic advances, offering a compelling window into the archives of an extraordinarily determined and creative man.

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A new set of stories about the fabled Fort William Henry, based on forensics and archeological finds

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A handsome primer on the work of William Henry Fox Talbot. This beautiful, small format publication serves as a primer on the work of William Henry Fox Talbot, a true interdisciplinary innovator who drew on his knowledge of art history, botany, chemistry and optics to become one of the inventors of photography in 1839. Talbot’s ‘photogenic drawings’ (photograms), calotypes and salted paper prints are some of the first ever examples of images captured on paper. Accompanying an exhibition at Carnegie Museum of Art in Pittsburgh opening in November 2017, this book brings together approximately 30 photographs by Talbot that demonstrate his wide ranging interests, including nature, still life, portraiture, architecture and landscape. Approximately one quarter of the featured images have been unpublished since Talbot’s time. Through thematic groupings elucidated by noted Talbot scholar Larry Schaaf, the book reveals the photographer’s early striving to test the boundaries of his medium at a historic moment when art and science intersected. With its luminous reproductions of Talbot’s fragile works, this publication demonstrates that, in its earliest days, photography required a form of magic making and innovation that continues to inspire people today.

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William Henry Fox Talbot - a scientist, mathematician, author and artist - is credited with being the inventor of photography as we know it. In mid-1834 he began to experiment with light-sensitive chemistry, and in January 1839 he announced his invention of the photogenic drawing, two weeks after Louis-Jacques Mande Daguerre's daguerreotype process debuted in France. Talbot's improved process, the calotype, was introduced in 1840. This invention, which shortened exposure times and facilitated making multiple prints from a single negative, became the basis for photography as it is practised today. The Getty Museum's collection of photographs includes approximately 350 by Talbot, and approximately 50 are reproduced here in colour with commentary on each image by Larry J. Schaaf. Schaaf also provides an introduction to the volume and a chronological overview of the artist's life. This volume includes an edited transcript of a colloquium on Talbot's career with participants Schaaf, Michael Ware, Geoffrey Batchen, Nancy Keeler, James Fee, Weston Naef and David Featherstone.

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William Henry Jackson was an explorer, photographer, and artist. He is also one of those most often overlooked figures of the American West. His larger claim to fame involves his repeated forays into the western lands of nineteenth-century America as a photographer. Jackson’s life spanned multiple incarnations of the American West. In a sense, he played a singular role in revealing the West to eastern Americans. While others opened the frontier with the axe and the rifle, Jackson did so with his collection of cameras. He dispelled the geological myths through a lens no one could deny or match. His wet plate collodion prints not only helped to reframe the nation’s image of the West, but they also enticed businessmen, investors, scientists, and even tourists to venture into the western regions of the United States. Prior to Jackson’s widely circulated photographs, the American West was little understood and unmapped—mysterious lands that required a camera and a cameraman to reveal their secrets and, ultimately, provide the first photographic record of such exotic destinations as Yellowstone, Mesa Verde, and the Rocky Mountains. Jackson’s story was long and his life full, as he lived to the enviable age of 99. This biography presents the good, bad, and ugly of Jackson’s life, both personal and professional, through the use primary source materials, including Jackson’s autobiographies, letters, and government reports on the Hayden Surveys.

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During American medicine's "Heroic Age," when medical training and practice underwent revolutionary change, William Henry Welch emerged as a singular, revolutionary hero. The first full-time faculty member at the Johns Hopkins University School of Medicine, he became the undisputed leader of American scientific medicine and the greatest shaping force in American medical education. He won international fame as America's preeminent authority on medical issues—"our greatest statesman in the field of public health," in the words of Herbert Hoover—and earned the enduring affection of generations of colleagues and students as "Popsy", a brilliant, charming, and dedicated mentor. William Henry Welch and the Heroic Age of American Medicine was originally published in 1941. By then Welch—who died in 1934 at age 84—was already a legend. He had founded the country's first pathological laboratory at the Bellevue Hospital Medical College. His "radical" innovations at the new Johns Hopkins School of Medicine had become the standard in American medical education: high entrance requirements, instruction in the laboratory, emphasis on basic science, and fostering of research. His vision had shaped a variety of other important institutions, including the Rockefeller Institute, the Association of American Physicians, Peking Union Medical College, and the country's first school of public health and hygiene, established at Johns Hopkins largely through his efforts. Welch's eightieth birthday had been celebrated nationally, with ceremonies in Washington, D.C., attended by President Hoover and broadcast around the world.

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After the British garrison of Fort William Henry in the colony of New York surrendered to the besieging army of the French commander Marquis de Montcalm in August 1757, it appeared that this particular episode of the French and Indian War was over. What happened next became the most infamous incident of the war – and one which forms an integral part of James Fenimore Cooper’s classic novel The Last of the Mohicans – the ‘massacre’ of Fort William Henry. As the garrison prepared to march for Fort Edward a flood of enraged Native Americans swept over the column, unleashing an unstoppable tide of slaughter. Cooper’s version has coloured our view of the incident, so what really happened? Ian Castle details new research on the campaign, including some fascinating archaeological work that has taken place over the last 20 years, updating the view put forward by The Last of the Mohicans.

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Focusing on early nineteenth-century England?and on the works and texts of the inventor of paper photography, William Henry Fox Talbot?Singular Images, Failed Copies historicizes the conceptualization of photography in that era as part of a major historical change.Treating photography not merely as a medium or a system of representation but also as an epistemology, Vered Maimon challenges today’s prevalent association of the early photograph with the camera obscura. Instead, she points to material, formal, and conceptual differences between those two types of images by considering the philosophical and aesthetic premises linked with early photography. Through this analysis she argues that the emphasis in Talbot’s accounts on the removal of the “artist’s hand” in favor of “the pencil of nature” did not mark a shift from manual to “mechanical” and more accurate or “objective” systems of representation.In Singular Images, Failed Copies, Maimon shows that the perception of the photographic image in the 1830s and 1840s was in fact symptomatic of a crisis in the epistemological framework that had informed philosophical, scientific, and aesthetic thought for two centuries.

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William Henry Fox Talbot, the English inventor of photography, created around 15,000 photographs in the nineteenth century, most of them attempts to produce compelling scientific documents or pictorial records of the world around him. However, among those that have survived are also prints in which an image has been obscured, obliterated or simply failed to register. Borrowing its intriguing title from a poem written by Talbot, this book features twenty-four of these prints, his most experimental photographs. Originally intended as test prints or creative exercises, all that remains on these shaped pieces of photographic paper are chemical stains or imprinted patterns or shapes. Offered to the reader as enigmatic physical artefacts, these failed or ruined photographs are here reanimated as objects of beauty, mystery and promise, as artworks that speak of photography’s most fundamental attributes and potentials. An accompanying essay illustrated with comparative images places these photographs in a broad historical context leading up to the present, revealing what relevance Talbot’s experiments have to contemporary concepts of the art of photography.

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In his study of William Henry Harrison, David Curtis Skaggs sheds light on the role of citizen-soldiers in taming the wilderness of the old Northwest. Perhaps best known for the Whig slogan in 1840 - "Tippecanoe and Tyler Too" - Harrison used his efforts to pacify Native Americans and defeat the British in the War of 1812 to promote a political career that eventually elevated him to the presidency. Harrison exemplified the citizen-soldier on the Ohio frontier in the days when white men settled on the western side of the Appalachian Mountains at their peril. Punctuated by almost continuous small-scale operations and sporadic larger engagements, warfare in this region revolved around a shifting system of alliances among various Indian tribes, government figures, white settlers, and business leaders. Skaggs focuses on Harrison's early life and military exploits, especially his role on Major General Anthony Wayne's staff during the Fallen Timbers campaign and Harrison's leadership of the Tippecanoe campaign. He explores how the military and its leaders performed in the age of a small standing army and part-time, Cincinnatus-like forces. This richly detailed work reveals how the military and Indian policies of the early republic played out on the frontier, freshly revisiting a subject central to American history: how white settlers tamed the west-and at what cost.

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Do you suffer because of divorce? Are you overwhelmed by feelings of sadness, rejection, betrayal, anger, loneliness, fear, frustration, helplessness, and hopelessness? Does your expartner still have the power to ‘push your buttons’? Divorce is one of the most traumatic life events that can befall anyone. It rocks the very foundations of your being. It causes toxic thoughts and emotions that fester inside you and scream for attention. The bad news is that the pain is inevitable. The good news is that the suffering is optional. Escaping the misery of divorce requires a radical shift in mindset. divorceZen uncovers the simple techniques that will enable readers to: conquer their thoughts and emotions rather than being ruled by them; take back control over their emotional well-being from their partners; use their minds to guide them rather than tyrannize them; strengthen their inner resources; realize deeply that their lives have direction and meaning; live the life they desire rather than the one thrust upon them in divorce.

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In the summer of 2017, Will and his wife Amy lost their baby, Elowen, a few days before their due date. After a traumatic induced birth, they returned from hospital to their cottage in the New Forest, grief-stricken and struggling to make sense of what happened to them. Unmoored by sadness, what became clear in the weeks and months following Elowen's death is that there is no established vocabulary with which to understand this experience, either for Will or the people around him. Indeed, as he discovers, there is no word in the English language for a parent who has lost a child. Without any linguistic or emotional scaffold, the disorientation of his grief feels ever more lonely and alienating. Elowen charts the darkness of Will's grief over the course of two years with unflinching honesty, but it also describes in sonorous prose what sustained him: the natural world, and in particular the silence and attentiveness of tracking wolves in the forests of Sweden. These animals, only ever fleetingly seen, nonetheless provided profound solace, and in the act of searching for them he began to find a way to live with his grief. This profoundly moving, ultimately uplifting book challenges the way we think about loss and help us to re-evaluate our relationship to the natural world. Elowen is not only a remarkable portrait of grief, but also an impassioned hymn to the wild and a treatise on the restorative potential of nature in uncertain times.

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This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1950.

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A black child born in the twilight of slavery, William Henry Ellis inhabited a world of fraught, ambiguous racial categories on the anarchic border between the United States and Mexico. He adopted the name Guillermo Enrique Eliseo and passed as a Mexican. A shrewd businessman, he became fabulously wealthy and found himself involved in scandalous trials, unexpected disappearances and diplomatic controversies. Constantly switching identities, Eliseo identified and exploited the porousness of the colour line and the border line. In The Strange Career of William Ellis, Karl Jacoby presents an intriguing narrative set in a secret and ever-changing world—that of Reconstruction American.

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The revival of interest in medieval life and literature during the 18th century led to a fanatical search for antiquarian literary treasures - forgers such as James Macpherson, William Henry Ireland and Thomas Chatterton provided them to their willing and eager patrons. Chatterton wrote on scraps of old parchment and posed it as the work of Thomas Rowley and others.The publication of Thomas Tyrwhitt's first collection of Rowley poems in 1777 gave rise to a heated literary controversy regarding their authenticity. This is a collection of the major contemporary contributions to this controversy - all of them extremely rare.

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This is the penultimate volume in the continuation of Ralph L. Rusk's 1939 edition of Emerson's letters. Vol 9 covers the years 1860-1869, when Emerson switched from using small, local publishers to the prestigious firm of Ticknor and Fields. This edition contains correspondence with the major political figures of the time, including Henry David Thoreau, Samuel Gray Ward, Hermann Grimm, John Sterling and William Henry Furness. It also contains new information about Emerson's response to Thoreau's death in 1862.

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"Students reading Scott have come away with a real appreciation of the hardships under which these workers built Magnitogorsk and of the nearly incredible enthusiasm with which many of them worked." —Ronald Grigor Suny"A genuine grassroots account of Soviet life—a type of book of which there have been far too few." —William Henry Chamberlin, New York Times, 1943" . . . a rich portrait of daily life under Stalin." —New York Times Book ReviewGeneral readers, students, and specialists alike will find much of relevance for understanding today's Soviet Union in this new edition of John Scott's vivid exploration of daily life in the formative days of Stalinism.

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In New York Times bestselling author Walter Dean Myers's last novel, he delivers a gripping story based on the life of a real dancer known as Master Juba, who lived in the nineteenth century. This engaging historical novel is based on the true story of the meteoric rise of an immensely talented young black dancer, William Henry Lane, who influenced today's tap, jazz, and step dancing. With meticulous and intensive research, Walter Dean Myers has brought to life Juba's story. The novel includes photographs, maps, and other images from Juba's time and an afterword from Walter Dean Myers's wife about the writing process of Juba!

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A unique portrait of nineteenth-century Italy as seen through the eyes of the first generation of British photographers This book examines the ways in which the new medium of photography influenced the British experience, appreciation, and perception of Italy in the nineteenth century. Setting photography within a long history of image making—beginning with the eighteenth-century Grand Tour and transformed by the inventions of William Henry Fox Talbot and Louis Daguerre—this beautifully illustrated book features many previously unpublished images alongside the work of well-known photographers. The sixteen essays in this volume explore photography as a vehicle for visual translation and cultural exchange.Distributed for the Yale Center for British Art

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Updated and expanded edition of the fullest ever collective investigation into Jack the Ripper and the Whitechapel Murders.This volume collects not just all the key factual evidence but also 20 different arguments as to the identity of Jack the Ripper, such as that advanced by Patricia Cornwell. Contributions are from the world's leading Ripperologists, including William Beadle, Melvyn Fairclough, Martin Fido, Shirley Harrison, James Tully and Colin Wilson. The identity of Jack the Ripper has plagued professional historians, criminologists, writers and amateur enthusiasts. The many suspects include Montague John Druitt, Walter Sickert, Aaron Kosminski, Michael Ostrog, William Henry Bury, Dr Tumblety and James Maybrick. The only certainty is that Ripperologist have not found an invididual on whom they can all agree. The essays are supported by a detailed chronology, extensive bibliography and filmography.

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Britain in the World presents highlights from the collection of the Yale Center for British Art. Included alongside iconic works—such as George Stubbs’s Zebra, Sir Joshua Reynolds’s Miss Prue, and J. M. W. Turner’s Dort—are diverse and fascinating objects that range from the Tudor period to the present day. Featuring work by John Constable, William Henry Fox Talbot, Barbara Hepworth, Chris Ofili, and Yinka Shonibare, this beautifully illustrated book offers a valuable glimpse into the Center’s vast and varied holdings. It also reveals British art as a global phenomenon, shaped and characterized by cultural exchange, exploration, scientific discovery, and, crucially, by the long history of colonialism and empire. This book illustrates the myriad ways in which visible and invisible global connections are present in the visual and material culture of Britain.Published in association with the Yale Center for British Art

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Martin Parr, one of Britain's best-known contemporary photographers, and President of Magnum, the world-famous photographic agency has undertaken a photo-documentary book project. Oxford is a collection of around 100 photographs documenting an academic year in the life of the university. They capture the day-to-day life of the colleges and University at work and play, and the colourful and arcane rituals that make it so distinctive. His photographs are accompanied by an extended afterword that draws on, and enriches, the photographic material and penned by Simon Winchester, OBE, the British writer, journalist and broadcaster. The very first photo-documentary of Oxford was created by William Henry Fox Talbot. A century and a half later, Martin Parr's new project pays tribute to the great the pioneer of photography, and coincides with the Bodleian Library's bid to secure his personal archive.

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The very first book in the world to be illustrated with photographs was produced in Reading between 1844 and 1846. In 1843, William Henry Fox Talbot set up the first commercial studios to mass-produce photographs from negatives and he chose the Berkshire town of Reading as its location. The Reading Establishment, as it became known, marks a pivotal moment in the development of photography. Martin Andrews tells the story of these momentous events and places them in the context of the discovery and early history of photography. Told in a lively and engaging way, the story starts with a mystery. Who is the strange, foreign gentleman buying unusual substances in the chemist shops of Reading - is he a forger or a spy?

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During his first years in America, William Henry Krause Pollock participated in some of the most important American chess events of the 19th century. Pollock played matches against strong players like Charles Moehle, John L. McCutcheon, Jackson W. Showalter and Eugene Delmar. This biography analyses in great detail Pollock’s chess play, as well as his career and life in England, Ireland and America. His American years unveil even more about the American chess landscape during the first half of 1890s, one of the most interesting periods in American chess history. Offered here are an unprecedented collection of annotated games played by Pollock (around 500), historical photographs and line drawings. Sources include historical chess journals and magazines with chess columns from America, the United Kingdom and Canada.

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Spanning the history of photography from the 1840s to the present day, this beautifully illustrated book showcases 100 photographs chosen from the many thousands held in the National Trust's collections. Spanning the history of photography from the 1840s to the present day, this beautifully illustrated book showcases 100 photographs chosen from the many thousands held in collections at National Trust properties across England, Wales and Northern Ireland. Alongside works by well-known photographers such as William Henry Fox Talbot, Julia Margaret Cameron, Camille Silvy, Edward Chambre Hardman, Dorothy Wilding, Angus McBean and Jane Bown are remarkable images captured by less familiar practitioners. Many of these photographs have only recently been discovered and are reproduced here for the first time. Professional studio portraits, landscapes and images of war sit alongside family groups, domestic scenes and travel photographs by talented amateurs whose images provide glimpses into

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This book argues for a renewed understanding of the fundamentally uncanny quality of the medium of photography. It especially makes the case for the capacity of certain photographs—precisely through their uncanniness—to contest structures of political and social dominance. The uncanny as a quality that unsettles the perception of home emerges as a symptom of modern and contemporary society and also as an aesthetic apparatus by which some key photographs critique the hegemony of capitalist and industrialist domains. The book’s historical scope is large, beginning with William Henry Fox Talbot and closing with contemporary indigenous photographer Bear Allison and contemporary African American photographer Devin Allen. Through close readings, exegesis, of individual photographs and careful deployment of contemporary political and aesthetic theory, The Photographic Uncanny argues for a re-envisioning of the political capacity of photography to expose the haunted, homeless, condition of modernity.

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This edition recovers Elizabeth Oakes Smith’s successful 1842 novel The Western Captive; or, The Times of Tecumseh and includes many of Oakes Smith’s other writings about Native Americans, including short stories, legends, and autobiographical and biographical sketches. The Western Captive portrays the Shawnee leader as an American hero and the white heroine’s spiritual soulmate; in contrast to the later popular legend of Tecumseh’s rejected marriage proposal to a white woman, Margaret, the “captive” of the title, returns Tecumseh’s love and embraces life apart from white society.These texts are accompanied by selections from Oakes Smith’s Woman and Her Needs and her unpublished autobiography, from contemporary captivity narratives and biographies of William Henry Harrison depicting the Shawnee, and from writings by her colleagues Jane Johnston Schoolcraft and Henry Rowe Schoolcraft.

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Taking Neil Young's often-quoted line from the song "Pocahontas" on his 1979 masterwork, Rust Never Sleeps, English artist Jeremy Deller's exhibition Marlon Brando, Pocahontas, And Me explores some wide-ranging themes shared by Deller and Young, including American identity, history, politics, war, medical innovation, information technologies and music. This volume presents installation shots of the exhibition at the Aspen Art Museum--which incorporates work from a diverse roster of historical and contemporary artists including Jeff Blankfort, George Catlin, Paul Chan, Mark Dion, Sam Durant, Joseph Clarence Fornelli, Ilka Hartmann, William Henry Jackson, Koba (Wild Horse), An-My Lê, Alfred Jacob Miller, Charles Pollock and Sean Snyder--as well as reference illustrations and an interview between Deller and Aspen Art Museum Director and Chief Curator Heidi Zuckerman Jacobson. Jeremy Deller was born in London in 1966. He won the Turner Prize in 2004 for Memory Bucket, his documentary about George W. Bush's hometown, Crawford, Texas.

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After doubts are raised concerning the trustworthiness of Magua, Cora and Alice Munro’s Native American guide, the warrior slips away into the wilderness, and the vulnerable sisters turn to the scout Hawk-eye and the Mohicans Chingachgook and Uncas to lead them to Fort William Henry, where their father is in command. Yet Magua is sure to return with his fellow Huron warriors, and with the bloody conflict of the French and Indian War raging all around them, the Munros will have to trust their new guides if they are ever to reach the fort. Widely regarded as the first great American novel, The Last of the Mohicans, with its epic landscapes, stoic frontiersmen and noble Native Americans, created much of the mythology and romance that has wreathed the American frontier adventure ever since. This edition contains notes and extra material.

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Publishers Weekly "Book of the Year" Firecracker Award Finalist "Sheds brilliant light along the meteoric path of American westward expansion...[A] pithy, compact beautifully conducted version of the American Dream, from its portrait of the young wounded soldier in the beginning to its powerful rendering of Crazy Horse's prophecy for life on earth at the end." --NPR "Like all Mr. Lock's books, this is an ambitious work, where ideas crowd together on the page like desperate men on a battlefield." --Wall Street Journal In this panoramic tale of Manifest Destiny, Stephen Moran comes of age with the young country that he crosses on the Union Pacific, just as the railroad unites the continent. Propelled westward from his Brooklyn neighborhood and the killing fields of the Civil War to the Battle of Little Big Horn, he befriends Walt Whitman, receives a medal from General Grant, becomes a bugler on President Lincoln's funeral train, goes to work for railroad mogul Thomas Durant, apprentices with frontier photographer William Henry Jackson, and stalks General George Custer. When he comes face-to-face with Crazy Horse, his life will be spared but his dreams haunted for the rest of his days. By turns elegiac and comic, American Meteor is a novel of adventure, ideas, and mourning: a unique vision of America's fabulous and murderous history. Norman Lock is the award-winning author of novels, short fiction, and poetry, as well as stage, radio, and screenplays. His recent works of fiction include the short story collection Love Among the Particles, a Shelf Awareness Best Book of the Year, and three books in The American Novels series: The Boy in His Winter, a re-envisioning of Mark Twain's classic The Adventures of Huckleberry Finn; American Meteor, an homage to Walt Whitman and William Henry Jackson named a Firecracker Award finalist and Publishers Weekly Best Book of the Year; and The Port-Wine Stain, a gothic psychological thriller featuring Edgar Allan Poe. Lock lives in Aberdeen, New Jersey.

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