Search results for ""The Chinese University Press""

Keys to Chinese Character Writing is a self-paced learning pack, particularly designed to address the common problems faced by beginners when learning the orthography of Chinese characters. The book is divided into four parts: Lessons and Worksheets on Strokes and Stroke Orders - introducing the principles that govern the construction of Chinese characters, the basic strokes and the proper stroke order; Lessons on the 18 Most Frequently-used Radicals - showing how learning radicals makes the task of learning Chinese characters much easier; Quizzes on Strokes and Stroke Orders/Radicals - including nine quizzes designed for learners to evaluate their learning progress; and Answer Keys for Radical Lessons / Quizzes - for easy reference. ""Keys to Chinese Character Writing"" is accompanied by a DVD which clearly demonstrates how to write those Chinese characters introduced in the book properly. It makes an excellent companion to ""Key to Chinese Language"" (also published by The Chinese University Press) for beginners of Chinese.

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This is a most unusual book. For several decades Xi Xi has been widely known for her award?winning poetry and fiction. This time, she has chosen to write about the teddy bears she began making in 2005, after treatment for cancer, in order to improve the mobility of her right hand. She made the bears herself from scratch, choosing some of her favourite characters from history and legend such as the Taoist philosopher Master Zhuang, the Mongol ruler Genghis Khan, and Beauty and the Beast. She also createexquisite items of clothing for them and wove a series of delightfully witty essays around them, giving her readers fascinating insights into Chinese culture, and into the ways in which Chinese clothing and fashion have evolved through the ages.

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China’s ascent to the ranks of the world’s second largest economic power has given its revolution a better image than that of its Russian counterpart. Yet the two have a great deal in common. Indeed, the Chinese revolution was a carbon copy of its predecessor, until Mao became aware, not so much of the failures of the Russian model, but of its inability to adapt to an overcrowded third-world country.Yet, instead of correcting that model, Mao decided to go further and faster in the same direction. The aftershock of an earthquake may be weaker, but the Great Leap Forward of 1958 in China was far more destructive than the Great Turn of 1929 in the Soviet Union. It was conceived with an idealistic end but failed to take all the possibilities into account. China’s development only took off after—and thanks to—Mao’s death, once the country turned its back on the revolution.Lucien Bianco’s original comparative study highlights the similarities: the all-powerful bureaucracy; the over-exploitation of the peasantry, which triggered two of the worst famines of the 20th century; control over writers and artists; repression and labor camps. The comparison of Stalin and Mao that completes the picture, leads the author straight back to Lenin and he quotes the observation by a Chinese historian that, “If at all possible, it is best to avoid revolutions altogether.”

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Translation and Global Asia: Relocating Cultural Production Network is a collection of conference papers from The Fourth Asian Translation Traditions Conference held in Hong Kong in 2010. The aim of the conference was to explore the richness and diversity of non-Western discourses and practices of translation, focusing on translational exchanges among non-Western languages and the changes and continuity in Asian translation traditions. The eleven papers selected from the sixty papers presented at the conference, then edited and revised, give insights into the translation traditions of various Asian countries. They cover topics such as literary translation, translation history, and translation and colonialism.

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The dictionary represents a milestone of sign language research in Hong Kong. The signs collected in this volume reflect the varieties commonly adopted in Hong Kong; each of them is given a near equivalent in both Chinese and English and a brief description about its linguistic properties. The dictionary also lays the foundation of sign linguistics research and the development of sign interpreter training, the production of sign language teaching and learning materials.

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This book is about children and advertising in China, the country with the largest children population in the world. As China rapidly becomes a market-driven economy, and it's one-child-per-family policy spreads throughout society and repositions children as focal points of family life, effective marketing to children and their parents demands good information about them. This book provides answers to the following questions: What are the characteristics of the children market in China and what are the ways to reach Chinese children? How do Chinese children's understanding of television advertising, their trust and liking of television commercials, their understanding of brands, and their responses to commercials change with age? How do parents and children communicate about consumption and television commercials? How do parents' attitudes toward advertising impact on their children? What do commercials in China communicate? How are children's commercials in China regulated? The book also draws conclusions about Chinese children as a market and it's implications for advertisers and marketers, parents, policy makers and social groups.

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Fifty lessons examining both structural patterns and morphological features characteristic of Mandarin Chinese. The book describes cultural idiosyncrasies in language use as well as gives discoursal strategies for forming sustained conversations.

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Started in 2009, IPNHK is one of the most influential international poetry events in Asia. In its ten-year anniversary in November 2019, 30 famous poets from various countries will be in Hong Kong and ten cities in China afterwards to read their works based on the theme “Speech and Silence.” Zhou Yunpeng (PRC), born in the city of Shenyang in Liaoning Province, is an independent folk singer and poet.

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Some people might believe in the 'Thucydides Trap' that, as a rising power challenges the dominance of an established power, a China-U.S. trade war will be inevitable. Being the largest and the second largest trading nations globally, the U.S. and China are, in fact, each other’s most important partner in trade. In this book, Lau looks through various economic statistics of the past few decades and shows us that while the real effects of the China-U.S. trade war in 2018 are not negligible, they are relatively manageable for both nations. There is no need to panic despite psychological effects on the Chinese stock markets and on the Renminbi exchange rate. Behind the trade war is the potential economic and technological competition between China and the U.S., which is likely to become the 'new normal'. It is up to each government battle against the rise of xenophobia, with the facts that China-U.S. economic collaboration is a potentially positive-sum game through better coordination and fully utilising each other’s currently underutilised resources. Balancing China-U.S. trade and enhancing economic interdependence is actually possible.

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The Genera of Orchidaceae in Hong Kong is a handy reference for both amateurs and professional botanists in Asia who wish to enter the field of modern orchidology. Orchid appreciation is an art deeply rooted in Asian cultures. But in 1977, when this book was first published, orchidology as a science was new to people there. The technical vocabulary was unfamiliar and the subject matter difficult to understand. Therefore, this volume was intended as a general, easy-to-use reference book, with illustrations of the basic structure of orchids and their habit and habitat clearly described in Chapter I.The book may also be used as a self-help guide for naturalists and gardeners in Hong Kong who wish to identify an orchid new to them. In Chapter II, keys, descriptions, and illustrations are given to allow the reader to look up and gain information about individual orchid species. Chapter III provides an analysis of the composition and an interpretation of the phytogeographic significance of the Orchidaceae in Hong Kong. Finally, Chapter IV helps the reader to understand and remember the Latinized names of orchids by providing an explanation on the origin and meaning of the generic names. This book is a facsimile reprint of the 1977 edition, which was published at a time when no comprehensive account of the genera of the orchids of Hong Kong had ever been attempted. Even after many decades, this volume remains the essential reference on orchid species growing in Hong Kong. This commemorative edition features a new foreword and a chronology of Professor Hu's major life events.

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The Guodian corpus is a cache of literary and philosophical texts discovered in a Warring States-period tomb in Hubei Province. Through detailed decipherment of individual characters and phrases, this book investigates the philosophical import of these texts, and proposes their association with Zisi, the famous grandson of Confucius. Huang also discusses the connection of the Guodian texts with early intellectual tradition of Xunzi, Mencius, Confucius, and the legendary Laozi, as well as the process of rewriting that transformed Zisi's original teachings into a conformist line of thinking at that time.

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Most of Xi Xi's animal poems featured here are new works written during the past few years. Full of whimsical ideas, they embody the notion of "all humans are siblings, and all things are companions," brimming with warmth and compassion. These poems could be described as bright and cheerful, approachable, clever and fluid, humorous, and deep with meaning, written as though the author is able to directly communicate with animals. Overall, they serve as a voice for animals, showing that they are able to coexist equally and peacefully, resulting in a "carnival of animals." More than twenty young Hong Kong artists and illustrators have been invited to join this project, with each poem accompanied by different illustrations, their styles of illustration totally distinct, not limited to any particular form, presenting multiple heterogeneities. This book is suitable for young readers, as well as adults who appreciate literature and art.

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This book contains analysis of different domains of contemporary art in China seen through the lens of the epistemological changes described in China Pluperfect I: Epistemology of Past and Outside in Chinese Art. It first looks at the concept of "ink art," describing how it meant different things to different people in the former colony and how these different meanings came to determine certain institutional choices made at the beginning of the 21st century. The following chapters are dedicated to issues related to the urban and rural contexts for art creation in Mainland China and Hong Kong. One chapter observes the ups and downs of the representations of cities in the history of the People's Republic of China and how they have defined a certain idea of culture. Another looks at how Chinese cities have been exceptional centers of art creations over the last thirty to forty years through the example of Shenzhen where a vibrant art scene, albeit closely connected to Hong Kong which has become a major art hub in the last two decades, has developed. The following is dedicated to the changing fortunes of art making in the countryside, observing how institutions in the Mainland and in Hong Kong have supported these practices very differently.Frank Vigneron finally considers how the different speeds of globalization, slow in the past and fast today, have determined some of the issues of past and outside in the present, particularly in the context of socially engaged art in both the Mainland and Hong Kong.

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This book focuses on a seldom discussed topic despite its immeasurable impact on the health of the citizens and public health in Hong Kong—the development of outpatient medical services and their contributions. In the early 20th century, Chinese elite organized and operated a number of Chinese Public Dispensaries in Hong Kong and Kowloon, initially to reduce the prevalence of “dump bodies” on the streets during epidemics of smallpox or plague, and to determine the cause of death of these bodies. Later other services including domiciliary deliveries by trained midwives were added. The government founded similar clinics in the New Territories. After WWII, the government took over all the Chinese Public Dispensaries and operated them as general outpatient clinics. Over the years, more general clinics and special clinics were developed. These clinics helped improve the health indices of the population to those of the Western countries by the 1970s.

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This book, written by an internationally acknowledged pioneer in endocrine surgery, is intended as advice for aspiring medical professionals, in particular for young people from around the world who are hoping to attend one of the great medical schools in the US or the UK, such as Harvard or Oxford. In clear, concise language, Dimitrios Linos explains the steps one needs to take to get into a top medical school, succeed as a resident, and become a board certified doctor. Drawing on his many years of experience, Linos discusses the career paths for practicing physicians, how to avoid burnout, and the importance of finding a work-life balance. This is an honest, engaging and thoughtful book, written in an encouraging manner from someone who knows personally the struggles and triumphs of being a doctor and who wants to help others become ""the best physician in the world.

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Red and blue appear in stark contrast with one another on the map of America. But the even more profound divide is the alienation in our hearts."This work is a striking analysis of the struggles faced by American society, written from the perspective of a Chinese professor of history who spent 60 years of his life in the US. As both an insider and outsider to this country, Cho-yun Hsu is able to perceive what many other Americans may take for granted, and it is this viewpoint — together with his decades of experience teaching history at the University of Pittsburgh — that make this work so unusual and worthwhile.This work analyzes American history through a wide range of topics, including culture, politics, economics, industrialization, class, ethnicity, the urban-rural divide, and more. Expertly analyzing the origins of the tension and conflict between different classes and ethnic groups in American society, this book seeks to offer a way forward from a humanistic perspective, in the hope that American society may be renewed through collective efforts, and find a new path.

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In the late 1970s, at the close of the Cultural Revolution, a group of young, largely auto-didact artists in China endeavored to create artwork that would depart from present norms and reflect individual ideals. It was a period of hope for the future, full of energy permeating all levels of society. The artists came from a variety of backgrounds and had an even greater variety of artistic training and skill, but their ideas united them around a common goal. The first exhibition organized by the Stars group (Xingxing huahui, ???????⁊????) is one of the key outdoor shows and one of the most radical unofficial exhibitions following the end of the Cultural Revolution, representing for many scholars the beginnings of a Chinese avant-garde for a post-Mao China. It is a movement toward artistic democracy-a performance even-taking place over the course of three years and bringing an engaged group, with individual ideas, into the heart of the official art establishment. These Stars would set into motion the policies and norms that later generations of contemporary Chinese artists would build upon to expand their minds and artistic vocabularies. In the 40th anniversary of the founding of the Stars, Stars 79–80 collects the most significant writings, images and artworks of the Stars. It captures the youthfulness and vibrancy of a new ideological movement that swept through the capital with hurricane force.

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In the past twenty years, work on the local culture of central Hunan has been one of the most exciting sources for rethinking the nature and variety of Chinese local society. At the heart of this society is a kind of statuary found nowhere else in China—sculpted images of local people, primarily religious specialists of a wide range, but also parents and ancestors who, according to Confucian orthodoxy, should be represented by tablets, not statues. While the consecration ceremonies of these statues include rites that are common to all China, they are embedded in unique local ritual traditions. Based on two decades of international collaborative research, Alain Arrault focuses on some 4,000 of these statues and studies them on the basis of consecration certificates inserted in the statues, the earliest of which date to the sixteenth century.

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Learning Chinese Language and Culture is an intermediate level textbook, which was intended to be used throughout the entire school year and designed mainly for students who have completed introductory courses of Chinese as a foreign language. This book illustrates Chinese language knowledge and introduces Chinese culture in twenty-two lessons, covering a variety of cultural content, including customs and manners, holidays and festivals, poems and idioms, calligraphy and couplets, myths and legends, feng shui and superstitions, and historical relics and sceneries and many others. In every lesson, the authors have strived to maintain a clear topic and a coherent structure. They have also endeavored to keep the contents lively and achieve a fluent writing style while closely controlling the structure and grammar of every lesson.

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The English edition of Liu Lihong’s work is a milestone for the profession of Chinese medicine in the 21st century. Classical Chinese Medicine delivers a straightforward critique of the politically motivated 'integration' of traditional Chinese wisdom with Western science during the last sixty years, and represents an ardent appeal for the recognition of Chinese medicine as a science in its own right. Professor Liu’s candid presentation has made this book a bestseller in China, treasured not only by medical students and doctors, but by vast numbers of non-professionals who long for a state of health and well-being that is founded in a deeper sense of cultural identity.Oriental medicine education has made great strides in the West since the 1970s, but clear guidelines regarding the 'traditional' nature of Traditional Chinese Medicine (TCM) remain undefined. Classical Chinese Medicine not only delineates the educational and clinical problems faced by the profession in both East and West, but provides concrete guidance on how to effectively engage with ancient texts and designs in the postmodern age. Using the example of the Shanghanlun (Treatise on Cold Damage), one of the most important Chinese medicine classics, Liu Lihong develops a compelling roadmap for holistic medical thinking that links the human body to nature and the universe at large.

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China stands as a major "Red Swan" challenge to the social sciences. The political resilience of the Communist party-state, in combination with a rapidly expanding and internationally competitive economy, represents a significant deviant and unpredicted case with a huge potential impact not only on the global distribution of political and economic power but also on the global debate about models of development. China's exceptional development trajectory thus challenges conventional wisdom as well as conventional models of political change. The traditional approach to systemic classification is not helpful in understanding the dynamics in China, a system which is unexpectedly adaptable and versatile in many policy fields, particularly as regards economic and technology policy.To avoid the inherent limitations of typological approaches, this book uses analytical approaches drawn from policy studies. The focus is on the manner in which action programs in China's governmental system can be developed, formulated, implemented, adjusted, and revised. Policy making is therefore seen in this book as an open-ended process with an uncertain outcome, driven by conflicting interests, recurrent interactions, and continuous feedback—it is not seen as being determined by history, regime type, or institutions in a straight-forward way. Key to this are the political and administrative methodology as well as the capacity to deal with both existing and emerging challenges, the correction mechanisms when things go wrong and conflicts arise, and adaptive capabilities in a constantly changing economic or international context.

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Long before the Europeans reached the east, the ancient Chinese had advanced their perspectives of the west. In this groundbreaking book, Wang explores a fascinating perspective of the Other. He locates the Other in the alternating directionologies of classical and imperial China, leading the reader into a long history of Chinese geo-cosmologies and world-scapes. In his analysis, Wang also delves into the historical records of Chinese ""world activities,"" or the journeys from being the Central Kingdom to reaching to the ""outer regions,"" separating the construction of illusory from realistic geographies while drawing attention to their interconnected natures. Wang challenOrientalism), and reframes such studies from the directionological perspectives of an ""Oriental"" civilisation. He challenges the assumption that the Other must be understood in the sense that has been explained in general anthropology, crucially underlining the European foundations that have shaped its traditional interpretations.

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The publication of this book marks the fifteenth anniversary of the outbreak of SARS epidemic in Hong Kong in 2003. This documentary study, originating as a research project a year after the epidemic, is a comprehensive attempt to examine the development of public health in Hong Kong from 1841 to the early 1990s. It covers the periods of prewar colonial rule, Japanese occupation, postwar reconstruction and growth, and the beginning of decolonisation. It analyses political, social, economic, and cultural factors, including the intersection of colonial priorities and indigenous agency and practices that affected disease outbreaks and development, government and local responses, advances in technology related to health and medicine, as well as the emergence of health agencies and institutions.The historical documents, selected from government archives, personal papers, and special collections, are invaluable source materials for the critical evaluation of such developments. The book provides a much needed and indispensable historical perspective to understanding Hong Kong’s struggle to combat prevalent and emerging diseases such as malaria, tuberculosis, avian influenza, and SARS.

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This pioneering, classic study of 20th-century Chinese fiction covers some sixty years, from the Literary Revolution of 1917 through the Cultural Revolution of 1966–76.

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Learning to Emulate the Wise is the first book of a three-volume series that constructs a historically informed, multidisciplinary framework to examine how traditional Chinese knowledge systems and grammars of knowledge construction interacted with Western paradigms in the formation and development of modern academic disciplines in China. Within this volume, John Makeham and several other noted sinologists and philosophers explore how the field of "Chinese philosophy" (Zhongguo Zhexue) was born and developed in the early decades of the twentieth century, examining its growth and relationship with European, American, and Japanese scholarship and philosophy. The work discusses an array of representative institutions and individuals, including FengYoulan, Fu Sinian, Hu Shi, Jin Yuelin, Liang Shuming, Nishi Amane, Tang Yongtong, Xiong Shili, Zhang Taiyan, and a range of Marxist philosophers. The epilogue discusses the intellectual-historical significance of these figures and throws into relief how Zhongguozhexue is understood today.

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A pioneering study of the startlingly original films by Chinese filmmakers of the 1980s, such as Judou, Raise the Red Lantern, and Farewell My Concubine. These films bring into vivid relief changes in Chinese society over several decades, drawing on interviews with directors including Zhang Yimou, Chen Kaige, and Tian Zhuangzhuang.Paul Clark's Chinese Cinema: Culture and Politics since 1949 was a groundbreaking book, and in Reinventing China, Clark continues his exploration of the changes in Chinese society and culture since the 1960s.

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The Mencius (Chinese: 孟子; Mandarin Pinyin: Mengzi; Jyutping: maang6 zi2), commonly called the Mengzi, is a collection of anecdotes and conversations of the Confucian thinker and philosopher Mencius. The work dates from the second half of the 4th Century BC. It was ranked as a Confucian classic and its status was elevated in Song Dynasty. Zhu Xi, the scholar generally credited with the founding of Neo-Confucianism, included the Mengzi as one of the Four Books, and it became one of the canonical texts of Neo-Confucianism.Throughout Chinese history there have been several different theories regarding the authorship of the Mengzi. The famed Han Dynasty historian Sima Qian believed that Mencius himself wrote the book with the participation of his students Wan Zhang and Gongsun Chou. Zhu Xi, Zhao Qi, and Qing Dynasty Confucian scholar Jiao Xun believed that Mencius wrote the book himself without any participation from other scholars. Tang Dynasty writers Han Yu and Su Shi, as well as 12th century scholar Chao Gongwu, believed that Wan Zhang and Gongsun Chou wrote the book after Mencius' death from their own records and memories. Like all Chinese classics, the Mengzi has been annotated many times throughout history, but those of Zhao Qi, Zhu Xi, and Jiao Xun are considered the most authoritative.The Mengzi did not initially enjoy a preeminent position among the great works of Classical Chinese. In the Book of Han's list of notable books and classics, the Mengzi is listed only among the miscellaneous minor works. Emperor Wen of Han officially listed the Mengzi, along with the Analects, the Classic of Filial Piety, and the Erya, among the "Teachings and Records of Master Scholars", giving it Imperial approval. During the Five Dynasties and Ten Kingdoms Period, Emperor Meng Chang of Later Shu included the Mengzi in his project of engraving Chinese classics upon stone stele, which likely marks its earliest entrance into the category of true Chinese classics. During the reign of Emperor Xiaozong of Song, Zhu Xi declared the official addition of "The Four Books" (traditional Chinese: 四書) — the Mengzi, the Analects, the Great Learning, and the Doctrine of the Mean — as Chinese classics all students should learn. By the Ming Dynasty and Qing Dynasty, the Mengzi was part of the material tested on the Imperial examinations.

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Tripitaka and his three disciples, Monkey, Pigsy, and Sandy, were chosen to undertake a pilgrimage to India, during which they came across all sorts of dangers and difficulties. This time, the Flaming Mountain blocked their way, and they needed a little help from the Princess Iron Fan and Bull Demon, well, parents of the Red Boy, who wanted to eat up Tripitaka and was just defeated by Monkey. Things never go smooth for them!My Favourite Chinese Stories is a collection of three Chinese stories specially selected and retold in English for young readers. The first story is from Chinese mythology, while the other two are from classical Chinese literature. They are widely known to the Chinese people, and reflect, in varying degrees, some of the essential characteristics of Chinese culture. Each story is accompanied by beautiful full-colour illustrations drawn by Lo King-man as well as audio narration by the author Pamela Youde.

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To know where we are going, we must also know where we came from.This book gives an account of Hong Kong’s medical and health development from the Second World War to the present day, investigates how medical and health services grew and adapted as Hong Kong’s political and the socio-economic landscape—and the world beyond it—changed, and continued changing. The author is a clinician-scientist rather than a social scientist, her writing is therefore based on her first-hand knowledge of the changes in the Hong Kong medical and healthcare scene during the period 1942–2015, and the book has also been enriched by her meticulous research via the archives of available government publications, other literature, and media reports.This book is a sequel to A Medical History of Hong Kong: 1842–1941.

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This pocket-sized paperback is one of the twenty-four titles published for 2017 Hong Kong International Poetry Nights. The theme of IPHHK2017 is “Ancient Enmity”. IPNHK is one of the most influential international poetry events in Asia. From 22–26 November 2017, over 20 invited poets from various countries will be in Hong Kong to read their works based on the theme “Ancient Enmity.” Included in the anthology and box set, these unique works are presented with Chinese and English translations in bilingual or trilingual formats.

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Whatever specific goal motivated people who study Chinese at first eventually dissolves into the larger Chinese world, and that world—its loves and joys, its stings and frustrations, in any case its incapability of being boring—takes over.This book collects essays from native speakers of English who studied Chinese, learned it unusually well, and then used it in very successful careers in journalism, business, government work, and academe. Many of essays show that answers to the question of “what difference is made?” can have a charming unpredictability. The ten essays converge on some important points: that speaking Chinese leads much more quickly to deeper trust with Chinese people than can be had through speaking English or by using translation; that thinking “inside” the Chinese language in some ways offers different ways to understand the world. This book is unique in the language-teaching field. It can also be an eye-opener for a general reader who believes that learning a second language is a simple matter of switching codes and does not realize how life-changing the embrace of a different language can be.

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Ida Pruitt, born of American missionaries and raised in a rural Chinese village at the end of the nineteenth century, witnessed almost a century of China's revolutionary upheavals. She was the first Director of Social Service at the Peking Union Medical College, where she established social casework in China. She later served as the executive secretary of the American Committee in Support of the Chinese Industrial Cooperatives, the only U.S. aid agency to provide support to both Nationalist and Communist regions during the Chinese Civil War. She was also one of the early advocates for U.S. diplomatic recognition of the People's Republic of China. Her two notable books, ""A Daughter of Han: the Autobiography of a Chinese Working Woman"", ""Ning Lao T'ai-t'ai and Old Madam Yin: A Memoir of Peking, 1926-1938"", have become classics in Chinese Studies and Women's Studies. ""China's American Daughter: Ida Pruitt (1888-1985)"" tells the story of this remarkable woman, and brings a unique perspective to the study of modern Chinese history.

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Written during the Golden Age of Chinese philosophy, and composed partly in prose and partly in verse, the Tao Te Ching is the most terse and economical of the world's great religious texts. In a series of short, profound chapters it elucidates the idea of the Tao, or the Way, and of Te - Virtue, or Power - ideas that in their ethical, practical and spiritual dimensions have become essential to the life of China's powerful civilization. The Tao Te Ching has been translated into Western languages more times than any other Chinese work. It speaks of the ineffable in a secular manner and its imagery, drawn from the natural world, transcends time and place. The application of its wisdom to modern times is both instructive and provocative - for the individual, lessons in self-awareness and spontaneity, placing stillness and consciousness of the word around above ceaseless activity; for leaders of society, how to govern with integrity, to perform unobtrusively the task in hand and never to utter words lightly; for both, the futility of striving for personal success.D. C. Lau's classic English version remains a touchstone of accuracy. Informed by the most impressive scholarship this is a translation both for academic study and for general readers who prefer to reflect on the meaning of this ancient text unencumbered by the subjective interpretations and poetic licence of more recent 'inspirational' translations. Sarah Allan's masterly introduction discusses the origins of the work, sheds light on the ambiguities of its language, and places it firmly in its historical and philosophical context.The Everyman edition uses Lau's translation of the Ma Wang Tui manuscripts (discovered in 1973) in the revised 1989 version published by The Chinese University Press. The iconic text is presented uncluttered by explanatory notes. A chronology and glossary are included, together with the translator's informative appendices.

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