Search results for ""The Chinese University Press""

Discover the fascinating and moving world of Hong Kong's paper offerings for the afterlife. These care packages for lost loved ones and ancestors in the next life include everything from creature comforts and simple everyday needs, to extravagant luxuries and curious fancies. Individually, each offering is a touching manifestation of love and devotion. Together, they form a microcosm of Hong Kong's aspirations, obsessions, and desires.

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What did Chang E do to have herself ending up alone on the moon? And do you know that Yi the Great Archer did more than just shooting down nine suns?My Favourite Chinese Stories is a collection of three Chinese stories specially selected and retold in English for young readers. The first story is from Chinese mythology, while the other two are from classical Chinese literature. They are widely known to the Chinese people, and reflect, in varying degrees, some of the essential characteristics of Chinese culture. Each story is accompanied by beautiful full-colour illustrations drawn by Lo King-man as well as audio narration by the author Pamela Youde.

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First published in 1968, this volume of essays, posthumously edited by the author’s brother Professor Chih-tsing Hsia (a prominent Columbia University professor of Chinese literature), focuses on Chinese literary criticism relating to the work of leftist Chinese writers, including Lu Hsün (Lu Xun), Chiang Kuang-tz’u, the “Five Martyrs,” and Chü Ch’iu-po, who were sympathetic to the ideals of the pre-1949 Chinese communist party. As one of the few foundational texts to provide a critical overview of the aesthetics and politics of China’s leftist literary movement, The Gate of Darkness examines the conflicting dilemmas between leftist authors’ own ideals and the strict ideological frameworks imposed by the propaganda policies of the Chinese communist party in the early twentieth century.

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On May 3, 1975, Hong Kong received its first cohort of 3,743 Vietnamese boatpeople, the beginning of a twenty-five-year chain of events developing within the larger context of forced migration in the modern world. This book intertwines historical archives with personal drawings created by Vietnamese people detained in Hong Kong camps. A work of collective memory with a human face, the text shows how artistic expression, interpretation, and analysis can help traumatized souls to heal while compelling society to confront a past that has vanished without any trace of reflection. By unraveling this history, the book seeks to inspire new, conscious review and re-interpretation of the past to elicit new insight and meaning.

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Dimensions of Originality investigates the issue of conceptual originality in art criticism of the seventeenth century, a period in which China dynamically reinvented itself. In art criticism, the term which was called upon to indicate conceptual originality more than any other was qi 奇, literally, "different"; but secondarily, "odd," like a number and by extension, "the novel," and "extraordinary." This work finds that originality, expressed through visual difference, was a paradigmatic concern of both artists and critics. Burnett speculates on why many have dismissed originality as a possible "traditional Chinese" value, and the ramifications this has had on art historical understanding. She further demonstrates that a study of individual key terms can reveal social and cultural values and provides a linear history of the increase in critical use of qi as "originality" from the fifth through the seventeenth centuries, exploring what originality looks like in artworks by members of the gentry elite and commoner classes.

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The Chess Master is a story of escape and salvation, and the clue for both is chess. The protagonist, Wang Yisheng, undergoes a gradual transformation from ""chess fool"" to ""chess master"" - from an alienated young man obsessed with the material needs of life to a spiritually enlightened transmitter of the Chinese tradition. By reversing the pervasive anti-traditional trend in modern Chinese literature and eschewing any overt influence from Western literature, A Cheng has created in the ""The Chess Master"" a radically new fiction which is both thoroughly modern and deeply imbued with the Chinese tradition. He has also achieved a ""disengaged"" realism and demonstrated a respect for form.

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The Tiger Killers is the second volume of a new translation of the Chinese classical novel generally known as ""The Water Margin"". Like the first volume, ""The Broken Seals"", it follows the fortunes of various outlaw heroes as they move through a world of treacherous officials, jealous toadies, bullying gaolers, hired assassins, foolhardy generals and cannibalistic innkeepers. This volume contains some of the most famous scenes in the novel, starting with the episode in which Wu Song gets drunk at the tavern, ascends the pass in late evening and kills a notorious man-eating tiger with his bare hands. His subsequent encounter with his midget brother's flirtatious wife, Jinlian or Golden Lotus, and her vain attempt to seduce him lead into a tale of adultery, callous murder and bloody vengeance. The second half of the book is concerned with Song Jiang's attempts to serve out his prison sentence honorably and avoid becoming an outlaw, until he is unjustly condemned to death for a misconstrued poem. Towards the end of this volume we meet the violent Li Kui, variously known as Iron Ox or Black Whirlwind, who also turns out to have a way with tigers. This volume consists of chapters 23 to 43 of the full 120-chapter version of the novel by Shi Nai'an and Luo Guanzhong. It is the first English translation based on this version.

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Started in 2009, IPNHK is one of the most influential international poetry events in Asia. In its ten-year anniversary in November 2019, 30 famous poets from various countries will be in Hong Kong and ten cities in China afterwards to read their works based on the theme “Speech and Silence.” Forrest Gander (USA) is a writer and translator with degrees in geology and English literature

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This is the third volume of a series of the new translation of the Chinese classical novel generally known as The Water Margin. In this volume, the company of outlaws on Mount Liang continues to grow — a butcher, a blacksmith, a public executioner, a petty thief… and the usual generals defecting from the government forces. Lu Zhishen, the Flowery Monk, and his companions from Twin Dragon Peak reappear and finally join the company, uniting two important strands of the story. Some episodes are relatively light: a tiger is stolen, an innkeeper's favourite rooster is illicitly eaten, Iron Ox is lowered to the bottom of a well and nearly gets forgotten. But in general the mood is darker. The naked bodies of a lecherous wife is carved up, an innocent child is mercilessly dispatched to gain a reluctant recruit. Chao Gai, the leader on Mount Liang, is killed in battle. Song Jiang replaces him, but for how long can he control his unruly forces? Despite the attraction of the life on the marshes, with its rootless freedom and rough code of honour, we are not to forget how the story was launched, when 108 Demon Princes were released in a black cloud. This series of new translation by John and Alex Dent-Young is also the first English translation of the 120-chapter version of The Water Margin. The translators have made the English translation as readable to English readers as possible by finding meaningful equivalents for many local terms and proverbial expressions, while aiming to retain some flavour of other times and customs. Readers in the West, even with no specialized knowledge of Chinese, will certainly enjoy the stories and characters presented in the novel.

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"The Mozi" is one of the small number of key texts surviving from the first flowering of Chinese philosophy during the Warring States period (403-221 BC). In structure, "The Mozi" comprises five distinct parts. Part I, the Epitomes, contains seven short essays on elements of Mohist doctrine. Part II, the 'Core Doctrines', contains twenty-four chapters: twenty-three from the presumed thirty original chapters, arranged as ten triads, which set out the ten central doctrines of Mo Zi's ethical, social and political philosophy, and one of the two presumed chapters articulating Mo Zi's opposition to Confucianism. Part III, on 'dialectics', contains six chapters on logic, language, disputation, ethics, science and other matters, attributed to the Later Mohists and written, in part at least, in defence of the original Mohist doctrines. Part IV, the Dialogues, contains five chapters made up of lively conversations, edifying anecdotes and gnomic utterances, a form more characteristic of the philosophical writing of the time. Part V, on the defence of a city, contains eleven chapters detailing the principles and practices of defensive warfare, a subject on which Master Mo was acknowledged as the leading authority of the time. "The Mozi" is, then, a rich and varied work, and yet it has been sadly neglected, both in China and the West. This is the first English translation of the complete work and the first bilingual version in any European language.

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This beautifully illustrated guide presents a carefully curated collection of 20 plant species native to Hong Kong, with scientific, detailed pen and ink illustrations and morphological descriptions, providing important reference materials for species authentication. Of the 20 species selected, 15 are rare and endangered species, making this guide of special importance for plant preservation in Hong Kong, as well as for botanists, plant lovers, and illustrators. This is the first volume of Shiu?Ying Hu Herbarium Scientific Illustration Series.

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Revisiting the foundation of Chinese spiritual life, the prestigious historian Cho?yun Hsu seeks a way to connect Chinese culture with the world.This book is an insightful and lively discussion of the spiritual life of the Chinese people. Through investigation of cultural ideals and life practices, Professor Cho?yun Hsu constructs an original portrait of Chinese cultural values. Apart from the exalted subtleties of the scholarly elite, he pays much attention to everyday people's daily practices and collective memory, seeking to clarify Chinese ideas concerning the universe, human life, and nature, from traditional times down to the present day.Professor Hsu contends the problems Western civilization is facing nowadays, including various crises of alienation and separation from nature, are ones that it lacks resources to solve. He believes Chinese humanistic culture might offer another way forward and be of benefit to the future of the world.

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Until the present day, Mao Zedong's biography has been the subject of an international mountain of commentary in China and elsewhere. Biographies praising Mao and those slandering him are all based on the American journalist Edgar Snow's (1905–1972) account in Red Star over China for the route Mao traveled from early childhood through his youth.How the "Red Star" Rose introduces the image of Mao and the biographical information made known to the world through the publication of Red Star, and with its publication the circumstances which they fundamentally undermined. There is no reason that Mao Zedong the person himself would completely change by virtue of the publication of Red Star. However, the external image surrounding him did completely change from before.Ishikawa uses Mao Zedong as raw material to examine from whence and how ordinary historical information and images which we habitually use unconsciously come into being. He desires to help readers to reconsider the historicity of the generation of not only Mao's image but of that of "historical materials."This book also examines the situation prevailing after the collection of data and publication of Red Star which played the definitive role in generating Mao's image and will investigate the various editions of Red Star in English, Chinese, Russian, and Japanese.

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Leung Ping?kwan is one of Hong Kong’s most acclaimed poets. His poems display a unique blend of the literary and the down?to?earth, the modern and the traditional, the serious and the humorous, the local and the universal. He wrote, ‘I want to write a kind of modern poetry that does not have to turn away from the world we live in, that rethinks the relationship between language and objects...’ This collection has been carefully curated, and is arranged under ten thematic sections: Lotus Leaves, Hong Kong, Macao, Foodscape, After the Book of Songs, Strange Tales: After Pu Songling, Clothink, Museum Pieces, Places and Friends, Bitter?Melon and Others. These translated poems, and the delight they bring, are a celebration of the continuing legacy of a remarkable Hong Kong poet.

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The memoir Ordinary Days by the scholar and critic Leo Ou-fan Lee and his wife Esther Lee Yuk Ying brings to this Hong Kong series an intensely personal touch, consciously echoing the great sentimental memoir of the eighteenth century, Shen Fu’s Six Chapters of a Floating Life. With disarming candour, Leo and Esther lay bare their hearts to share with us their story of love and suffering, charting in a series of memorable chapters their shared spiritual quest. Set partly against the recent backdrop of some of Hong Kong’s most turbulent years, partly in the far-flung diaspora of the Chinese intelligentsia, this is a revealing record of the inner life of a highly cultivated modern Chinese couple.

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Leung Ping?kwan brought as much talent and inspiration to the writing of his short stories as he did to his poems. ‘I have drawn on magical realism to explore the absurdity of Hong Kong,’ he wrote of the story See Mun and the Dragon (1975) in which we find him using a simple, clipped style. The later story Drowned Souls (2007) was written in a more symbolic, lyrical and complex manner, influenced by the style of the traditional Chinese tales of the supernatural. Although the two stories are separated by over 30 years, dragons play a prominent part in both. The dragon has always been a fascinating creature, a complex embodiment of the timeless soul of China and a symbol of the creative energy and transformative possibilities of the Tao. Both of these enchanting stories are anchored in the author’s ideas of freedom and liberation.Through the keen eyes and curious mind of a young girl, Ying?tzu, we are given a glimpse into the adult world of Peking in the 1920s.

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An indefatigable discoverer and preserver of lost traditions in the field of classical Chinese medicine, Liu Lihong has done it again — The Yellow Emperor’s Inner Transmission of Acupuncture features a passionate and clinically relevant synthesis of his discipleship with Yang Zhenhai, one of the last remaining master practitioners of Daoist acupuncture in mainland China.At the forefront of an international discourse on the definition and clinical significance of classical Chinese medicine, Yang and Liu promote yet another holistic medical system that radically contrasts the current penchant for symptom-oriented procedures. This English edition of their book lifts an important esoteric acupuncture lineage out of obscurity and presents it to us in complete and accessible form.The holistic approach has also defined Liu’s relentless search for the heart of Chinese medicine during the last three decades, driving his commitment to become the promoter of a diverse spectrum of healing traditions that exemplify the classical standards of Chinese medicine.

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This pocket-sized paperback is one of the twenty-four titles published for 2017 Hong Kong International Poetry Nights. The theme of IPHHK2017 is “Ancient Enmity”. IPNHK is one of the most influential international poetry events in Asia. From 22–26 November 2017, over 20 invited poets from various countries will be in Hong Kong to read their works based on the theme “Ancient Enmity.” Included in the anthology and box set, these unique works are presented with Chinese and English translations in bilingual or trilingual formats.

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The present English-Chinese bilingual edition is the complete first book of poems written by Nobel Prize winner Gao Xingjian. His poems offer an array of snapshots over various themes where politics, dreams, and metaphysical concerns are mixed. With original art works by Gao, this collection advances his innovative experiments in poetry across cultural boundaries.

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This book points the way, especially for beginners and those who may only have a balcony or a rooftop and are limited to growing in containers. It is not just about gardening in a narrow sense. It delves into the growing of plants as a multidisciplinary activity involving not only botany, but also zoology, geology, meteorology, philosophy, ornithology, and more. The book sends a strong environmental message for a re-evaluation of modern lifestyle.

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In this era of globalization and the world-wide web, the ability to communicate accurately and effectively using English idioms is more important than ever. As such, daily American idiomatic expressions have emerged to be the most forceful lingua franca in the global media, in the fields of science and technology and in the areas of business and finance. The ability to grasp the sound and usage of these everyday idiomatic expressions is the key to business success for every second language speaker of English. This week-by-week calendar for systematically studying these idiomatic expressions is designed with the above goal in mind. Some unique features of this book are as follows: over 3,200 idiomatic expressions in American English; easy to understand, week-by-week methodology in which to learn idioms; unique classification system of 32 functional categories to help in understanding idioms; concise and simple definitions and explanations in plain, everyday English; and, lively and authentic illustrations of the language.

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A towering figure in the literary history of twentieth-century China, Lu Xun has exerted immense and continuous influence through his short stories, which remain today as powerful as they were first written. While echoes of these stories can still be heard in the fictional works from both sides of the Taiwan Strait in the eighties and nineties, "The True Story of Ah Q" has long become an intrinsic part of the Chinese vocabulary.Like many Chinese intellectuals searching for a solution to China's problems, Lu Xun went to Japan to study medicine, a choice he later abandoned for a career in writing, which he considered to be a far more effective weapon to save China. A prolific author of pungent and "dagger-like" essays, Lu Xun is also a tireless translator of Western critical and literary works. His fictional works have been translated into more than twenty languages.

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This edited volume investigates translations from the languages of China into the languages of Western societies, from the 17th to the 20th centuries. Rather than focusing solely on the activity of translation, the authors extend their explorations to cover the contexts within which the translators worked from different perspectives, touching on various aspects of the institutional and intellectual backgrounds that informed their writings. Studies of translation from literary Chinese into English constitute the majority of the contributions, but the volume is also illuminated by excursions into Latin, French and Italian, while the problems of translating the Naxi script are confronted as well. In addition, the wider context of the rendering of Chinese into other languages is explored through a survey of recent Japanese translation series. Throughout the volume, translation is presented not simply as a linguistic exercise but rather as a key element in world history, well worthy of further interdisciplinary investigation.

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Started in 2009, IPNHK is one of the most influential international poetry events in Asia. In its ten-year anniversary in November 2019, 30 famous poets from various countries will be in Hong Kong and ten cities in China afterwards to read their works based on the theme “Speech and Silence.” Anastassis Vistonitis has published twelve books of poetry, four volumes of essays, five travelogues, a book of short stories, and a book of translations of the Chinese poet Li He.

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Started in 2009, IPNHK is one of the most influential international poetry events in Asia. In its ten-year anniversary in November 2019, 30 famous poets from various countries will be in Hong Kong and ten cities in China afterwards to read their works based on the theme “Speech and Silence.” Derek Chung's numerous accolades include Hong Kong Biennial Awards for Chinese Literature, Youth Literary Awards, Awards for Creative Writing in Chinese, as well as Artist of the Year (Literary Arts) of Hong Kong Arts Development Awards.

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How do public markets, as ordinary as they seem, carry the weight of a city's history? How do such everyday buildings reflect a city's changing political, social, and economic needs, through their yearslong transformations in forms, functions, and management? Integrating architecture and history, the book invites readers to go through the growth and governance of colonial Hong Kong by tracing the past and present of public markets as a study of extensive first-hand historical materials. As the readers witness the changes in Hong Kong markets from hawker pitches to classical market halls to clean modernist municipal complexes, the book offers a new perspective of understanding the familiar everyday markets with historical contexts possibly unfamiliar to most, studying markets as a microcosm of the city and a capsule of its history.

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On the occasion of the sixtieth anniversary of The Chinese University of Hong Kong in 2023, the University Library organized an exhibition and complied this commemorative volume to record and contextualize its burgeoning collection of Western rare books about China. This splendid volume features books, maps, and manuscripts from the fifteenth to the early nineteenth centuries. Among its treasures are some of the very finest works of early Sinology. Many of these were written by celebrated Jesuit missionaries like Matteo Ricci and Johann Adam Schall von Bell, who almost single-handedly founded modern Sinology through their deep engagement with early modern Chinese society and culture. As the writings of these missionaries percolated back to Europe, knowledge about China grew exponentially as European books about China became more accurate and detailed. Through its extended introduction, images, and descriptions, this catalogue illustrates the dynamic early history of the West's longstanding and profound interest in China, thereby giving members of the university community and the public at large an opportunity to consider how we might better "combine tradition with modernity and bring together China and the West."

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Thanks to dedicated efforts of early missionaries, pedagogues, and linguists, we can trace back the evolution of modern Cantonese-one of the most spoken dialects in China, Southeast Asia, and globally-while differences in sounds, words, and grammar distinguish the old from contemporary speech today.Not much was recorded in official documents or gazetteers about the early history of Hong Kong where Cantonese is its most popular dialect. The knowledge of Cantonese is likewise quite limited except for occasional mentions of its culture and customs in writings here and there. For a long time, Cantonese was deemed a local dialect enjoying little prestige among the intellectuals. Its language and its origin remained much of a mystery until the mid-twentieth century when scholars started to accord it with increasing attention.In Cantonese: Since the 19th Century, Cheung offers profound insights to some thirty firsthand century-old materials, with findings that will be useful for ongoing efforts to trace the development of a language that has gone through many rounds of incredible and, at times dramatic, changes during the last two hundred years.

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Initially based on a comparative study of Chinese and Euro?American art theory in the 18th and 19th centuries, this book examines how both cultures looked at their own past and their outside, i.e. what was construed as not belonging to their own cultural sphere, and how they devised new ways of adapting them into evolving cultural constructs.While the 17th century was still a time when the epistemological backgrounds of both civilizations were so profoundly different that nearly no dialogue was possible, the 18th century saw the emergence in both places of profound changes that would get them close enough to create the conditions for the beginning of a conversation. First quite superficial and taking shape mostly in the decorative arts, this process of rapprochement, while remaining chaotic and unpredictable, led to wider and more profound zones of contact throughout the late 19th and 20th centuries. Through the reinterpretations of each other's cultural creations, these zones of contact grew wider as the conditions for globalization became more and more prevalent.Frank Vigneron observes and explores these changes through texts and the visual arts to reveal how these two civilizations, while keeping their own characteristics, managed to develop fruitful dialogues and create deeply intertwined cultures. As an example, the final chapter looks at contemporary Chinese calligraphy as an art that, even though it has no equivalent in Euro?America, successfully integrated cross?cultural theoretical elements, thus exemplifying how past and outside can combine into new artistic constructs.

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The coronavirus pandemic that broke out in 2019 has finally calmed down in China, after the bungling occasioned by the iron hand of lockdown. But beginning in March 2020, the disaster spread abroad, and at present there is no end in sight. In this work, Qin Hui offers a bracing examination of the impact of coronavirus pandemic on political institutions in both China and the West. Deliberating on the contradiction between "human rights" and "human survival," he contends that China has achieved success in imposing coercive lockdowns to control the virus, but it will be a challenge to prevent the normalization of emergency measures from worsening human right conditions. The West, in contrast, must learn how democracies can efficiently enter a state of emergency and put an end to these measures at the proper time.

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The Best China, an expression traditionally used to refer to the finest crockery brought out when one is entertaining special guests, has been adapted here to mean the Best Chinese Tradition of free-thinking discursive prose. This anthology of essays from Hong Kong and the diaspora, ranging across the past hundred and seventy years, records the intellectual ferment that has always characterised the city since its founding in 1842, sometimes restless and questioning, sometimes meditative and lyrical, always civilised, and buoyed by an all-pervasive and indomitable spirit of freedom.

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What elevates a mere word to the status of keyword? What does it mean to translate a keyword and map its meaning against other languages?Like every major culture, Chinese has its set of “keywords”: pivotal terms of political, ethical, literary and philosophical discourse. Tracing the origins, development, polysemy, and usages of keywords is one of the best ways to chart cultural and historical changes. This volume analyzes some of these keywords from different disciplinary and temporal perspectives, offering a new integrative study of their semantic richness, development trajectory, and distinct usages in Chinese culture.The authors of the volume explore different keywords and focus on different periods and genres, ranging from philosophical and historical texts of the Warring States period (453–221 BCE) to late imperial (ca. 16th–18th centuries CE) literature and philosophy. They are guided by a similar set of questions: What elevates a mere word to the status of “keyword”? What sort of resonance and reverberations do we expect a keyword to have? How much does the semantic range of a keyword explain its significance? What 2 kinds of arguments does it generate? What are the stories told to illustrate its meanings? What are the political and intellectual implications of the keyword’s reevaluation? What does it mean to translate a keyword and map its meaning against other languages?Throughout Chinese history, new ideas and new approaches often mean reinterpreting important words; rupture, continuities, and inflection points are inseparable from the linguistic history of specific terms. The premise of this book is that taking the long view and encompassing different disciplines yield new insights and unexpected connections.

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The Silk Manuscripts from Zidanku, Changsha (Hunan), are the only pre-Imperial Chinese manuscripts on silk found to-date. Dating to the turn from the 4th to the 3rd centuries BC (Late Warring States period), they contain several short texts concerning basic cosmological concepts, arranged in a diagrammatic arrangement and surrounded by pictorial illustrations. As such, they constitute a unique source of information complementing and going beyond what is known from transmitted texts.This is the first in a two-volume monograph on the Zidanku manuscripts, reflecting almost four decades of research by Professor Li Ling of Peking University. While the philological study and translation of the manuscript texts is the subject of Volume Two, this first volume presents the archaeological context and history of transmission of the physical manuscripts. It records how they were taken from their original place of interment in the 1940s and taken to the United States in 1946; documents the early stages in the research on the finds from the Zidanku tomb and its re-excavation in the 1970s; and accounts for where the manuscripts were kept before becoming the property, respectively, of the Arthur M. Sackler Foundation, New York (Manuscript 1), and the Freer and Sackler Galleries, Smithsonian Institution (Manuscripts 2 and 3). Superseding previous efforts, this is the definitive account that will sets the record straight and establishes a new basis for future research on these uniquely important artifacts.

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This book tells the fascinating story of the development of medical and sanitation services in Hong Kong during the first century of British rule and how changing political values and directions of the colonial administration and the socio-economic status of the Hong Kong affected the policies of development in these areas. It also recounts how the bubonic plague of 1894 changed the government’s laissez-faire attitude towards sanitation and public health and began sanitary reforms and developed public health infrastructure.

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Ambrose Yeo-chi King has been a pioneer since the mid-1960s theorising China’s modernisation process. China’s Great Transformation: Selected Essays on Confucianism, Modernization, and Democracy is a collection of his papers published between 1975 and 1997. These two decades are turning points for China as we observed the following dramatic historical trends—the shift from revolutionary Maoism to Four Modernizations in mainland China, the unexpected democratic transition in Taiwan, and the rise of four little dragons (Hong Kong, Taiwan, South Korea, and Singapore) in East Asia. Focusing on the cultural dimension, King’s essays in this volume are aimed to understand, to interpret, or to explain all these new developments from a historical, comparative framework. King obviously is a culturalist and a scholar in the modernisation camp, but he at the same time voices many sharp criticisms on the modernisation theory and offers a fresh reinterpretation of Confucian culture. He emphasises the role of culture in societal transformation, but he never takes culture for granted, and examines it as a dynamic historical process always subject to change and embedded in political economy and social institutions.

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Drawing upon a unique and untapped reservoir of sources, this study traces the origin, pinnacle, and ultimate demise of a commercial dance industry in Shanghai between the end of the First World War and the early years of the People's Republic of China. Delving deep into the world of cabarets, nightclubs, and elite ballrooms that arose in the 1920s, the book assesses how and why Chinese society incorporated and transformed this westernized world of leisure and entertainment. Focusing on the jazz-age nightlife of the city in its "golden age," the work examines issues of colonialism and modernity, jazz and African-American culture, urban space, sociability and sexuality, and latter-day Chinese national identity formation in a tumultuous era of war and revolution.

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Hu Shi's life touched virtually every important aspect of society in twentieth-century China. His most significant contributions were his support of Chinese liberalism and his advocacy for the use of vernacular Chinese. ""A Pragmatist and His Free Spirit"" explores the lesser-known side of this staunch supporter of John Dewey's philosophy and reconstructs his romance with Edith Clifford Williams, an American avant-garde painter, by delving into the correspondences the two exchanged over almost half a century.

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Wang Yun (1749-1819) was a famous playwright in imperial China. Her play ""A Dream of Glory"" is a significant full length chaunqi written by a woman about a woman's dream and desire. This volume provides a complete English translation with detailed annotations, extensive introduction of traditional Chinese women's drama, as well as a foreword by Owen Aldridge.

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The first of its kind because it uses both Cantonese and Mandarin romanizations. It features over 6,000 of the most commonly used single-characters and over 12,000 terms to illustrate the use of the characters.

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As an anthropologist and native of Gao Village, the author combines ethnographic analysis, personal vignettes, and a number of fascinating stories to present a convincing yet complex picture of how Gao villagers interact with the outside world twenty years after the publication of his original ethnography of Gao Village. With his sympathetic and insider’s approach, the author argues that rural Chinese display great entrepreneurship and inner strength of self-improvement; they are active contributors to China’s economic boom.

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Started in 2009, IPNHK is one of the most influential international poetry events in Asia. In its ten-year anniversary in November 2019, 30 famous poets from various countries will be in Hong Kong and ten cities in China afterwards to read their works based on the theme “Speech and Silence.” Ernest Wichner’s literary works include poetry and essay collections as well as numerous adaptations and translations of Romanian. In 2005, Wichner was awarded the city of Münster’s International Poetry Prize.

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Started in 2009, IPNHK is one of the most influential international poetry events in Asia. In its ten-year anniversary in November 2019, 30 famous poets from various countries will be in Hong Kong and ten cities in China afterwards to read their works based on the theme “Speech and Silence.” Yang Chia-Hsien (Taiwan) was born in Kaohsiung. Her oeuvre includes poetry collections Breathtaking Civilisation, Your Voice is Full of Time, Werther the Young Lady, Golden Crow; prose collection Flame Tree in Sea Breeze, Yunhe, Magdalene, Rolling Small Volcanoes; as well several literary digests and academic publications.

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Started in 2009, IPNHK is one of the most influential international poetry events in Asia. In its ten-year anniversary in November 2019, 30 famous poets from various countries will be in Hong Kong and ten cities in China afterwards to read their works based on the theme “Speech and Silence.” Maozi (PRC), the pen name of the poet Yu Qing, was born in the city of Yidu in Hubei Province in the 1960s.

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Started in 2009, IPNHK is one of the most influential international poetry events in Asia. In its ten-year anniversary in November 2019, 30 famous poets from various countries will be in Hong Kong and ten cities in China afterwards to read their works based on the theme “Speech and Silence.” Ana Ristovi? (Serbia), born in Belgrade, has published nine books of poetry and is the recipient of numerous poetry awards including Hubert Burda Preis (an award for young European poets in Germany), and two of the most important poetry prizes in Serbia: Disova nagrada (2014) and Desanka Maksimovi? Prize (2018).

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The Dragon King below the Jing River defied the orders of the Jade God of the Heavens and was executed. His ghost resented the Tang Emperor Taizong for not saving him, and dragged the Emperor to the Underworld.What would the Emperor see in the Underworld? Was he able to return to life?My Favourite Chinese Stories is a collection of three Chinese stories specially selected and retold in English for young readers. The first story is from Chinese mythology, while the other two are from classical Chinese literature. They are widely known to the Chinese people, and reflect, in varying degrees, some of the essential characteristics of Chinese culture. Each story is accompanied by beautiful full-colour illustrations drawn by Lo King-man as well as audio narration by the author Pamela Youde.

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